Book Corner: The Scandal of George III’s Court by Catherine Curzon

From Windsor to Weymouth, the shadow of scandal was never too far from the walls of the House of Hanover. Did a fearsome duke really commit murder or a royal mistress sell commissions to the highest bidders, and what was the truth behind George III’s supposed secret marriage to a pretty Quaker? With everything from illegitimate children to illegal marriages, dead valets and equerries sneaking about the palace by candlelight, these eyebrow-raising tales from the reign of George III prove that the highest of births is no guarantee of good behaviour. Prepare to meet some shocking ladies, some shameless gentlemen and some politicians who really should know better. So tighten your stays, hoist up your breeches and prepare for a gallop through some of the most shocking royal scandals from the court of George III’s court. You’ll never look at a king in the same way again…

I have been taking a break from the medieval era this month to visit the court of King George III, reading the fabulous non-fiction book, The Scandal of  George III’s Court by Catherine Curzon. And what a thoroughly delightful read!

Anyone who has studied the Georgian era to some extent will be familiar with some of these scandals, but to have them all presented on one book is a real treat. Catherine Curzon loves her subject – and her subjects – and this shines through on every page. This is not some onerous read, listing scandal after scandal, but an in-depth look at some of the most devastating and salacious scandals that rocked the Georgian court – and obviously tried the precarious mental state of the king to its very limits.

My favourite is the retelling of a story which I have known for some time, but have never looked into in the depth that Catherine Curzon delves. The story of Caroline Matilda, Queen of Denmark, her mentally unbalanced husband and her lover, Struensee, is one that everyone should know, and ultimately a tragedy for all involved.;

Christian’s mental health had by now deteriorated drastically and when Struensee was promoted again, this time to Councillor of Conference and the queen’s ‘very’ Private Secretary, there could be no doubt how the wind was blowing. Struensee warned Caroline Matilda that her husband would soon be incapable of ruling and someone else would need to steer the ship of state. If Caroline Matilda didn’t seize the day, then Julianna Maria certainly would. That was all it took, and soon Denmark’s newest power couple began positioning themselves to take the reins of the kingdom.

Oddly, almost as soon as the affair began, Christian warmed to his wife, and began to hold her in a higher regard. Together, the trio of king, queen and doctor seemed to get along in a way that Caroline Matilda and Christian never had before. Though this was no ménage both husband and wife seemed far more at ease, and at 18, Caroline Matilda was finally flourishing, no longer the unhappy young woman she had once been.

She donned male attire to ride astride through the towns and countryside of Denmark and even took part in archery contests, scandalising the public and court alike. Her inseparable shadow, Struensee, was in the ascendant. He and Caroline Matilda’s passion blazed and with it, his influence only increased. By now virtually insane, Christian looked to his wife and doctor for guidance in all things yet Stuensee knew that if he wanted real power, he needed real office.

He wanted to be Prime minister.

Not all the scandals involve love affairs – although the majority do (that’s the Georgians for you!). Catherine Curzon also tells us the story of the Duke of York and the scandalous sale of army commissions – when he was Commander-in-Chief of the army – by his girlfriend! There is also the attempted assassination of the Duke of Cumberland, which left the poor prince with some horrific head injuries. The Scandal of King George III’s Court does not just tell us the stories, but analyses their nuances, the veracity of the facts and tries to get to the bottom of exactly what happened and why.

The book also emphasises the great interest by the Georgian public, in scandals involving the royal family, how they hung on every word of scandal they could read about – and how George III and Queen Charlotte tried to protect the dignity of the crown amidst the numerous dalliances of the king’s own brothers and the royal offspring.

I loved Catherine Curzon’s writing style! Such a fun read!

The strength of this book lies with the author. Catherine Curzon has a talent for telling stories – especially scandalous ones, apparently. She draws the reader in with an easy -going, conversational style, presenting the facts with her own colourful observations, making the reader feel a part of the scandalous liaisons and conspiracies that make up this book. The Scandal of King George III’s Court is a pleasure to read, and probably the greatest escapism you will ever experience from a non-fiction book. 

The Scandal of King George III’s Court is available from Amazon UK and Pen & Sword Books.

About the author:

Catherine Curzon is an author and royal historian of the 18th century.

She has written extensively for publications including HistoryExtra.com, the official website of BBC History Magazine, Who Do You Think You Are?, Your Family History, Real Crime, Explore History, All About History, History of Royals and Jane Austen’s Regency World. Catherine has spoken at venues and events including the Stamford Georgian Festival, the Bath Jane Austen Festival, Lichfield Guildhall, the National Maritime Museum at Greenwich, Dr Johnson’s House, Kenwood House, the Hurlingham Club, Godmersham Park, and the Royal Pavilion, Brighton. She has provided additional research for An Evening with Jane Austen, starring Adrian Lukis, and has introduced the performance at venues across the UK.

Catherine holds a Master’s degree in Film and when not dodging the furies of the guillotine can often be found cheering for the mighty Huddersfield Town. She lives in Yorkshire atop a ludicrously steep hill with a rakish colonial gentleman, a long-suffering cat and a lively dog.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest will be released in the UK on 15 November 2018 and is available for pre-order on Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

Coming out in Paperback on 15 March:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and in the US on 1 June 2019. It is available for pre-order from both Amazon UK and Amazon US.

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©2019 Sharon Bennett Connolly

Margaret of Wessex, Scotland’s Sainted Queen

St Margaret, Queen of Scotland

Margaret of Wessex is a remarkable character to study. Her piety and devotion to the church saw her canonised as St Margaret just 150 years after her death; and named as Patroness of Scotland in the seventeenth century. Margaret had an impeccable Saxon pedigree – she was the daughter of Edward the Exile and his wife, Agatha. Edward was the son of Edmund II, usually known as Ironside, King of England in 1016; Edward’s grandfather was, therefore, Æthelred II (the Unready) and his uncle was Edward the Confessor, England’s king from 1042 until 1066. Such valuable royal blood meant she would never be allowed to pursue a life of seclusion in a convent.

When his father, Edmund II, was murdered in 1016, Edward and his younger brother Edmund were sent into exile on the Continent by England’s new king, Cnut. It is thought that Cnut intended that they would be killed once they had left English soil, but the boys were protected by Olof, King of Sweden, and sent on to safety in Kiev, where his daughter Ingegerd was wife of the ruling prince, Jaroslav the Wise. Edmund died sometime between 1046 and 1054, having married the unnamed daughter of a Hungarian king. Edward was also married, in c.1043, to Agatha, whose origins are uncertain: she may have been a daughter of Jaroslav; however, it is possible she was the daughter of Luidolf, Margrave of West Friesland and therefore a relative of Emperor Heinrich III.

Margaret, the eldest of three children, was born in either 1045 or 1046; her sister, Christina, was born around 1050 and her brother Edgar, the Ætheling, was born sometime between 1052 and 1056. The family might have spent their whole lives in European exile, were it not for Edward the Confessor lacking an heir to the English throne; although Edward was married to Edith Godwinson, the couple remained childless. Sometime in 1054 King Edward sent an embassy to Edward the Exile, to bring him back to England as ætheling, the heir to the throne. The family did not travel immediately, possibly because Agatha was pregnant with Edgar, and it was not until 1057 that they finally arrived in England, having journeyed in a ship  provided by Emperor Heinrich III.

Edmund II Ironside and his descendants

Just days after their return, Edward the Exile was dead, whether by nefarious means or a simple twist of fate is uncertain. The suspicion has been raised that Edward’s rival for the throne, Harold Godwinson – the future King Harold II – may have taken the opportunity to remove his rival; although it was Harold who accompanied Edward back to England, so surely, had he intended murder, he would have done it sooner? Whatever the circumstances, the death of Edward the Exile was a blow for Edward the Confessor’s dynastic hopes. Edward’s little son Edgar, now the ætheling, was much too young to assume a political role. He and his sisters, with their mother, were now under the protection of King Edward. Edgar was given into the custody of Edward’s queen, Edith of Wessex, while the girls were sent to the royal convent at Wilton, to continue their education.

The family continued to live at court and by 5 January 1066, when Edward the Confessor died, Margaret was approaching her twentieth birthday. However, Edgar could have been as young as ten and was probably no older than fourteen; and due to his tender years, the young ætheling was passed over as candidate for the throne in preference for the older and more experienced (both politically and militarily) Harold Godwinson, who was crowned as King Harold II.

Following Harold’s death at the Battle of Hastings in October 1066, Edgar was proclaimed king in London, by some of his supporters, but was incapable of mounting any real challenge to William the Conqueror and his army of Normans; he had no option but to come to terms with the duke. However, Edgar was unsettled under Norman rule and by 1068  he had become involved in the opposition to the new regime, which had been festering in northern England. William’s ruthless response – the Harrying of the North – saw Edgar fleeing for his life; he made his way to Scotland, taking his mother and sisters with him.

Malcolm II Canmore

The family was warmly received at Dunfermline by Scotland’s king, Malcolm III Canmore. In 1057, King Malcolm had defeated King Macbeth in battle, at Lumphanan, to take the throne. By 1069 he was well established as king and married to Ingebiorg; the couple had at least two sons, Duncan and Donald. Ingebiorg seems to have disappeared from the scene before the Saxon royal family’s arrival in Scotland. Whether she died or was put aside seems uncertain, although her death seems most likely, leaving Malcolm free to find another wife. In 1069 Malcolm asked Edgar and his mother for Margaret’s hand in marriage. Margaret was reluctant to agree to the marriage as she was more inclined to a religious life and had hoped to become a nun. Nonetheless, with pressure from Malcolm, her brother and, possibly, her own sense of obligation to the king who was sheltering her family, she eventually accepted his proposal. They were married at Dunfermline sometime in 1069 or 1070 and, by all accounts, it seems to have been a happy and successful marriage and partnership. Margaret’s life as Queen of Scotland did not prevent her pursuing an active religious life; indeed, her position gave her a unique opportunity to influence the practice of Christianity in Scotland.

Margaret strove to bring the Church of Scotland into conformity with the practices of Western Catholicism, and away from the tenets of the Celtic Church, which had a great deal of influence in the country. She encouraged the Scottish clergy, and its people, to receive communion more than once a year at Easter, to refrain from working on a Sunday and to observe the Lenten fast from Ash Wednesday, rather than the following Monday. Queen Margaret also urged the clergy to celebrate Mass with a common ritual and sought to forbid marriage between a man and his stepmother or sister-in-law.

The queen was supported in all her reforms by her husband; indeed, if Malcolm III had not given his support it is doubtful that Margaret’s influence would have achieved much, if anything at all. The king’s role in her attempts at religious reform is vague, although Malcolm did arrange a conference for the clergy to introduce a number of reforms. Margaret was present, and embarrassed some of the clerics by knowing more about the proper procedures of the Church than they did. She even had the papal manuals to quote from.

Dunfermline Abbey

The queen founded a monastic community at Dunfermline, building the first major stone church in Scotland; and arranged with Lanfranc, Archbishop of Canterbury, to send monks from the cathedral monastery at Canterbury to become its first community. Although it started as a priory, it was elevated to an independent abbey in 1128, at the instigation of Margaret’s son, David I.

Margaret was a strong figure; she was pious but also worldly-wise. Having grown up on the Continent, she was familiar with many of the courts of Europe and had met some of its leading churchmen. A modernising queen, Margaret brought luxury to the Scottish court and into the lives of the nobles of her new country. A Life of St Margaret was commissioned by her daughter, Matilda, when she became Queen of England. It was written sometime between 1100 and 1107 by Turgot, Margaret’s former chaplain and the prior of Durham.

The biography emphasises the queen’s compassion for children and the poor and stresses her piety, pointing to the severity of her self-denial and her frequent fasting. However, it also tells us that she had a love of etiquette and formality, and had a fondness for fine clothes and jewellery.¹ Margaret enjoyed a high reputation in the Anglo-Norman world, even in her own lifetime; Orderic Vitalis described her as ‘eminent from her high birth, but even more renowned for her virtue and holy life’.²

Malcolm III and St Margaret

Margaret and Malcolm would have a large family, with six sons and two daughters growing to adulthood. Margaret took great care in educating them, ensuring they were given the essentials for their future royal careers. Her second son, Edmund, became king in November 1094, ruling jointly with his uncle – Malcolm’s brother  – Donald III, following the death of his half-brother, Duncan II. Edmund ruled south of the Forth/Clyde boundary, while Donald ruled the north, although there is no indication that he was ever crowned. In 1097, the co-kings were deposed in favour of Edmund’s younger brother, Edgar; Edmund became a monk at Montacute Abbey, Somerset, and died there, having never married. Edgar himself died on 8 January 1107. Unmarried and childless, he was succeeded by his brother, Alexander I, who died in April 1124. David I succeeded Alexander; he reigned until 1153 and was succeeded, in turn, by his grandson, Malcolm IV the Maiden. Another son, Æthelred, styled Earl of Fife, became Lay Abbot at Dunkeld and died around 1097. Malcolm and Margaret also had two daughters: Edith, who changed her name to Matilda on marrying King Henry I of England; and Mary, who married Eustace III, Count of Boulogne, and was the mother of Matilda of Boulogne, wife of Stephen, King of England. Edith (Matilda) and Mary were educated at Romsey Abbey, where Margaret’s sister, Christina was abbess.

As King of Scots, Malcolm also had claims to Cumbria and Northumbria and in 1069/70, he made raids into Northumberland. William I responded by sending an army north and the eventual peace treaty saw Malcolm’s oldest son by Ingebiorg, Duncan, being sent south as a hostage and guarantee of his good faith. Duncan would eventually reign, briefly, as Duncan II but was killed at the Battle of Monthechin in 1094. Malcolm made frequent raids into Northumberland, notably in 1079 and 1091, in attempts to gain control over the county.

When a diplomatic mission in 1092 failed, he attacked again in 1093, taking his eldest son by Margaret, Edward, with him. Malcolm was killed at the Siege of Alnwick, on 13 November 1093; Edward died shortly after, near Jedburgh, from wounds received at the Siege. Margaret died on 16 November 1093, just days after the battle, possibly on receiving the news, brought by her son Edgar, of the deaths of her husband and eldest son. Although the fact her body was weakened by her frequent fasting may have hastened her death. She was buried in the abbey she had founded at Dunfermline. Malcolm was initially buried at Tynemouth, but his remains were later moved to join his wife at Dunfermline.

Margaret’s sons honoured their mother’s memory, encouraging the popular cult of St  Margaret that developed soon after the queen’s death, to foster the idea that she should be made a saint; such an honour would serve to enhance the political and religious status of their family. One of the miracles attributed to her was that in 1199 Scotland’s king, William the Lion, was persuaded against launching an invasion of England after experiencing a vision while holding a vigil at Margaret’s tomb at Dunfermline. Her canonisation came in 1250, and in 1673 Pope Clement X named her Patroness of Scotland. Following the Reformation, the remains of both Margaret and Malcolm were removed to Spain by Philip II and reinterred in a chapel at the Escorial in Madrid.

St Margaret, Queen of Scotland

Margaret was a direct descendant of King Alfred the Great of Wessex. Her Saxon royal blood guaranteed she would not be allowed to enter a convent, she was too valuable on the marriage market. However, through her efforts to reform the Scottish Church, it could be said that she found a better way to worship God. Her legacy was cemented through the work of her son, David I, who continued in her policy of Church reform; while her Saxon blood found its way back into the English royal family through her daughter, Matilda, and her marriage to Henry I. Saint Margaret’s royal lineage ensured that she would not be allowed to devote her entire life to God, but her position as Queen of Scotland gave her the opportunity to direct her devotional tendencies into Church reform, making her a heroine to generations of Scots.

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Footnotes:

¹ Vita B Simonis, col. 1219, quoted by Elizabeth van Houts in oxforddnb.com, May 2008; ² Quoted by epistolae.ccnmtl.columbia.edu.

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Pictures

All pictures courtesy of Wikipedia, except: Dunfermline Abbey courtesy of Angela Bennett; Edmund II Ironside and his descendants courtesy of British Library Catalogue of Illuminated Manuscripts.

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Sources:

epistolae.ccnmtl.columbia.edu; Brewer’s British Royalty by David Williamson; Britain’s Royal Families, the Complete Genealogy by Alison Weir;The Wordsworth Dictionary of British History by JP Kenyon; The Anglo-Saxons in 100 Facts by Martin Wall; Kings, Queens, Bones and Bastards by David Hilliam; Heroines of the Medieval World by Sharon Bennett Connolly; The Mammoth Book of British kings & Queens by Mike Ashley; The Oxford Companion to British History Edited by John Cannon; The Anglo-Saxon Chronicles translated and edited by Michael Swanton; The Anglo-Saxon Chronicle translated by James Ingram; Queen Emma and the Vikings by Harriett O’Brien; The Bayeux Tapestry by Carola Hicks; oxforddnb.com.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest will be released in the UK on 15 November 2018 and is available for pre-order on Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

Coming out in Paperback on 15 March:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and in the US on 1 June 2019. It is available for pre-order from both Amazon UK and Amazon US.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2019 Sharon Bennett Connolly

 

Book Corner: Brandon – Tudor Knight by Tony Riches

Handsome, charismatic and a champion jouster, Sir Charles Brandon is the epitome of a Tudor Knight. A favourite of King Henry VIII, Brandon has a secret. He has fallen in love with Henry’s sister, Mary Tudor, the beautiful widowed Queen of France, and risks everything to marry her without the king’s consent.

Brandon becomes Duke of Suffolk, but his loyalty is tested fighting Henry’s wars in France. Mary’s public support for Queen Catherine of Aragon brings Brandon into dangerous conflict with the ambitious Boleyn family and the king’s new right-hand man, Thomas Cromwell.

Torn between duty to his family and loyalty to the king, Brandon faces an impossible decision: can he accept Anne Boleyn as his new queen?

 

I have had the privilege of reading several historical fiction biographies by Tony Riches and in each one the author manages to get ‘under the skin’ of his subject. With Brandon – A Tudor Knight he seems to have gone one step further. Tony Riches ‘gets’ Charles Brandon, Henry VIII’s best friend and brother-in-law. He makes no excuses for Brandon’s often-dubious marital choices, but portrays a man of his time, an ambitious Tudor knight, in need of money and position, but always aware of how far a man can fall, having seen Henry VIII’s most trusted advisers lose their heads.

The ‘sister’ book to Mary, Tudor Princess, Brandon – A Tudor Knight shows the other side to the story of the marriage between Henry VIII’s sister and his best friend. It is interesting to read about the two sides of the one marriage and seeing how events are perceived differently by the individual characters. That is not to say that Brandon – A Tudor Knight is merely an extension of Mary, Tudor PrincessBy no means! This novel tells Brandon’s story, and portrays and ambitious man whose desire to gain financial independence has led him to the wrong marriage bed, at least once.

However, he is also a loyal and loving husband and a man who achieved something that was almost impossible – surviving the reign of Henry VIII as his constant friend and despite marrying the king’s sister behind his back. Brandon is the epitome of the Tudor knight, a man experienced more in diplomacy than in warfare, and always subject to the mercurial whims of his prince. Brandon – A Tudor Knight is a fascinating look into the heart of the Tudor court, life in Tudor England and the marriage of a knight and his princess.

“Thomas Wolsey, a round-faced cleric who’d become Henry’s trusted secretary, greeted Brandon warmly yet studied him with sharp eyes. ‘I believe I owe you thanks, Master Brandon. I hear you’ve defended my name.’

‘It was nothing, Master Wolsey. You must know there are those at court who resent your access to the king.’ Brandon returned the smile. ‘It bothers them that you come from humble stock.’

Wolsey raised his eyebrows. ‘My late father, may God rest his soul, was a respected landowner and innkeeper in Suffolk. He worked hard ta pay for me to be educated at Oxford, yet all they remember is that he once worked as a butcher.’

‘They call me a stable boy behind my back, because I serve Sir Henry Bourchier as his Master of the Horse.’ Brandon grinned. ‘I don’t let it trouble me.’

‘It seems we have much in common.’ Wolsey gave him a wry look. ‘We serve the same master and ambitions – and share a common adversary.’

‘Sir Thomas Howard?’ Brandon saw the scowl of distaste on Wolsey’s face and knew he’d guessed correctly. ‘I suspect he makes trouble for us both when he can.’

Wolsey’s tone became conspiratorial. ‘Thomas Howard defends the privileges of nobility. The king rewards him well, but his day of reckoning will come.’

Brandon understood the implied threat and made a mental note never to cross Thomas Wolsey. He needed the cleric to help him understand the politics of court and council, but intuitively knew Wolsey could bear a grudge and make a dangerous enemy.”

 

The story is fast-paced and wonderfully woven so that the fact and fiction meld into a perfect narrative. Tony Riches is the consummate storyteller. He explores all aspects of Brandon’s life, including his insecurities and relationships with other members of the Tudor court. Charles Brandon is a ‘new man’ and feels the animosity of the ‘old guard’, descended from the medieval aristocracy. The exploration of these relationships provide a wonderful diversion into court rivalries, especially given Brandon’s unique position as the king’s brother-in-law.

Tony Riches’ research is impeccable and impressive; and his books stick close to the historical narrative, enriching known events with the emotions and conversations of those involved. If you are a fan of Tudor history, you will love theses stories.

Brandon – A Tudor Knight is a pleasure to read.

 

About the author:

Tony Riches is a full-time author of best-selling historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the fifteenth century, with a particular interest in the Wars of the Roses and the lives of the early Tudors. For more information about Tony’s other books please visit his website tonyriches.comand his popular blog, The Writing Desk and find him on Facebook and Twitter @tonyriches.

You can find all of Tony’s books, including Brandon – A Tudor Knight and Mary Tudor Princess, on Amazon in the UK and US.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

Also by Sharon Bennett Connolly

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is still available in hardback in the UK from both Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order from Amberley Publishing  and Amazon.

*Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebookpage or joining me on Twitter.

©2018 Sharon Bennett Connolly

Book Corner: Henry VI and Margaret of Anjou by Amy Licence

He became king before his first birthday, inheriting a vast empire from his military hero father; she was the daughter of a king without power, who made an unexpected marriage at the age of fifteen. Almost completely opposite in character, together they formed an unlikely but complimentary partnership. Henry VI and Margaret of Anjou have become famous as the Lancastrian king and queen who were deposed during the Wars of the Roses but there is so much more to their story. The political narrative of their years together is a tale of twists and turns, encompassing incredible highs, when they came close to fulfilling their desires, and terrible, heart-breaking lows. Personally, their story is an intriguing one that raises may questions. Henry was a complex, misunderstood man, enlightened and unsuited to his times and the pressures of kingship. In the end, overcome by fortune and the sheer determination of their enemies, their alliance collapsed. England simply wasn’t ready for a gentle king like Henry, or woman like Margaret who defied contemporary stereotypes of gender and queenship. History has been a harsh judge to this royal couple. In this discerning dual biography, Amy Licence leads the way in a long-overdue re-evaluation of their characters and contributions during a tumultuous and defining period of British history.

I have to confess that I do tend to read about the Wars of the Roses from the Yorkist side, so it was quite refreshing to read a book that delves into the lives of the leaders of the Lancastrian faction of the era. Henry VI & Margaret of Anjou: A Marriage of Unequals is an illuminating and entertaining read.

And it was quite an education. Amy Licence is one of those authors who manages to look at her subjects with a great degree of equanimity. There appears to be no actual bias for or against the objects of her study. This was proven in her biographies of Catherine of Aragon and Anne Boleyn; each book looked at the protagonist with a distinct lack of pre-conceptions and judgement, presenting a clear and unbiased analysis on each queen as a unique individual. And she has managed to achieve the same balance in this book.

Amy Licence has turned her talent and passion for history to an analytical assessment of the two figures who led the Lancastrian faction during the Wars of the Roses. The author assesses each character – Henry VI and his queen Margaret of Anjou – as individuals and as a couple, analysing the challenges they faced, the decisions they made, and how Henry’s mental health affected their abilities to rule the kingdom effectively.

The fragile peace of March 1458 did not last. The combatants who had walked hand-in-hand from St Paul’s were soon plotting against each other’s lives, lying in wait in dark corners of the city with swords drawn. Responsibility for the outbreak of hostilities in 1459 has often been placed firmly by historians with Queen Margaret and her band of followers, but it was not this simple. The Pro-Yorkist ‘English Chronicle’ related how she now ‘ruled the roost as she like’ and Benet records that she was the instigator of the Coventry parliament that June, during which York and his allies were declared to be traitors, stripped of their assets and attainted. It was the unavoidable fate of the last Lancastrian family that their immediate successors would judge them harshly. Being on the losing side, on the wrong side of history, they are represented in the surviving chronicles as being deeply flawed; Henry weak and ineffectual and Margaret ambitious and warlike, while their son has been reduced to a blood-thirsty stereotype. Thank goodness, breathed the writers of the York-ruled 1460s and 70s, that the Lancastrians had been prevented from dominating England and establishing their line. It was not until the advent of the Tudors and the reign of Henry’s half-nephew, Henry VII, that a reappraisal of Henry VI began, but Margaret would have to wait significantly longer. As a woman taking an active part in a bloody conflict that threatened the throne of her husband and son, Margaret was a convenient scapegoat of contemporary, and subsequent, chroniclers who did not want to place blame for the next phase of war directly on the shoulders of an annointed king.

 

Henry VI & Margaret of Anjou: A Marriage of Unequals looks not only at the king and queen but also at those who shared their life and times, their son, their allies and those who sought to bring them down. The author looks into their actions and personalities, their presence on the international stage, and how the acted and interracted with the factions at court and the people of England itself. Every reader will come away with a greater understanding of the conflict which dominated England for over thirty years, now known as the Wars of the Roses, and of Henry’s and Margaret’s roles in the causes and course of the war.

Amy Licence’s unique and individual writing style is both easy and entertaining. It flows so well that it feels more like you’re reading a novel than a factual historical text. However, the impeccable research and intuitive analysis means that this book is accessible to both the casual reader, amateur historian and expert, alike. Ms Licence does not go easy on her subjects and is not afraid to say when they got things wrong. However, she is also fair and points out when history has been harsh and unforgiven, both on the couple – both together and as individuals – their friends and their enemies.

On the whole, this was a thoroughly enjoyable read, which focused on the less popular Lancastrian side of the argument and, as a a result, fills a void in the study of the era. If you want a greater understanding of the effects on history of the marriage of Henry and Margaret, of Henry’s illness, and of Margaret’s attempts to control her own life and the destinies of her husband and son, this is the perfect book.

Henry VI & Margaret of Anjou: A Marriage of Unequals is an engaging and entertaining book which will add depth to any history library and is a must-read tome for anyone fascinated by the Wars of the Roses. I highly recommend it.

About the Author:

Amy Licence is an historian of women’s lives in the medieval and early modern period, from Queens to commoners. Her particular interest lies in the late fifteenth and early sixteenth century, in gender relations, Queenship and identity, rites of passage, pilgrimage, female orthodoxy and rebellion, superstition, magic, fertility and childbirth. She is also interested in Modernism, specifically Woolf and the Bloomsbury Group, Picasso and Post-Impressionism.

Amy has written for The Guardian, The TLS, The New Statesman, BBC History, The English Review, The Huffington Post, The London Magazine and other places. She has been interviewed regularly for BBC radio, including Woman’s Hour, and made her TV debut in “The Real White Queen and her Rivals” documentary, for BBC2, in 2013. She also writes historical and literary fiction and has been shortlisted twice for the Asham Award.

Her website can be found at amylicence.weebly.com

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order on Amazon.

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 Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebookpage or joining me on Twitter.

©2018 Sharon Bennett Connolly

Guest Post: A Christmas Truce by Lewis Connolly

An artist's impression from The Illustrated London News
An artist’s impression of the 1914 Christmas Truce from The Illustrated London News

Today it is a pleasure to welcome my son, Lewis Connolly, to the blog. In commemoration of the centenary of the end of the First World War, Lewis has written a beautiful poem inspired by the 1914 Christmas truce.

France, Trenches, Christmas Day 1914

British and German soldiers mingling during the Christmas Truce, 1914

A soldier in the Great War, I am,

A soldier, destined to kill sons and fathers, I am.

A soldier who is one-in-a-million remembered, I am.

A soldier who committed the sin of killing, I am.

God help us all.

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My father once told me what it takes to be a good soldier.

One of the things he said was once a soldier saw his enemy as a human being,

He’s no longer a good soldier.

At Christmas, none of us were good soldiers.

God help us all.

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Soldiers in the Great War, we are.

Soldiers born to kill, we are.

‘Football Remembers’, memorial designed by Spencer Turner, at the National Memorial Arboretum

Soldiers who made a truce, we are.

Soldiers who found peace in war, we are.

God help us all.

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On the day of peace, Christmas 1914,

We found ourselves once more in this madness.

We traded, sported and talked,

Instead of letting the guns sing.

God help us all.

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I owe a great big ‘thank you’ to Lewis for allowing me to publish his poignant poem.

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And I would like to take this opportunity thank all my readers for your wonderful support in 2018, and to wish you all a Merry Christmas; and love, happiness and peace for 2019.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

Pictures courtesy of Wikipedia.

©Lewis and Sharon Connolly 2018

Guest Post – Tales of Freya by Sarah Dahl

When Viking research turns personal

Dress

One question every author of historical fiction is asked is “How do you do your research?”, and then we most likely explain it like this: I have the usual array (or let’s say: addiction to) books about the era and specific aspects of the time (in my and surely also Sharon’s case: women’s lives in the era). My all-time favourite is an absolutely rich book I always consult: Hjardar/Vike’s “Vikings at War”. Unprecedented detail in text, maps, and depictions.

Then we add that of course we go online for more research. We collect pictures, maps, articles. I have a Pinterest board (https://www.pinterest.de/sarahdahl13), where I collect my favourite visual inspiration. This, and a lot more, can be done from home, behind the desk. Entire worlds a few clicks away.

The next step would be to put on pants and actually go outside, to do a journey of sorts, because unlike contemporary authors, us histfic folk have to travel a bit to reach a certain place of interest for more hands-on research. I’m talking museums, battlefields, graveyards, ruins, whatever. In my case, all of those make sense: the Viking times were violent and rich in cultural exchange. I can get just as excited over a bump in the grass that contains a grave as I can enjoy looking at a heap of stones that once was an early medieval wall.

The challenge is to really envision life and people behind these artefacts. Sometimes it’s impossible, sometimes quite easy: imagination runs wild, and with it begin stories. My main interest is always the people and possible stories behind these cold, hard (arte)facts. This is how most of my plots start: during outdoor research, inspired by a place.

The magic of Viking Hedeby/Haithabu

axe

A place I’m particularly fond of is Hedeby in northern Germany. Not just because it is actually within reach for me in my Dreiländereck – but because it has it all: a modern, interactive museum with all the beautiful artefacts you could wish for, really bringing the era to life. But most important, there’s an open-air reconstruction of the Viking town in the actual historically correct place. So not only some houses and paths are erected again and ready to experience “live”, but the landscape is pretty much still what it was in those times, too. I can stand high on the protective wall and look down at the small settlement and imagine people walking the streets. I can envision the jetties where once dragonboats and merchants’ ships were moored. I can feel the harsh wind and hear the reeds rustle that still so densly border the Slien fjord. I can walk away from the settlement and into the fields and encounter massive runestones with original inscriptions. I really get a feel for the place and era. And every time, new story ideas form.

So this has become a habit now: every year I take a long weekend off to drive up to Schleswig and revisit my favourite place of inspiration. I just take time to be there, discover more details in the wood of the houses, the frameworks, the landscape. I let more stories unfold just by sitting on a bench, or watching a reenactor stir herbs to dye wool in a big pot. Driving home, I always have to pull over and take more notes.

Here is also where my research took another unexpected turn. Hedeby hosts several markets; and I attended the Viking spring market. It does something to a writer when she suddenly walks among her characters as they come alive with frightening vitality. Yes, I totally stalked some of them. The white-bearded guy with braided hair and tattoos. The incredibly handsome sword figther with the thoughtful face. The storyteller lady who captured an audience with a swipe of her staff.
And the colours, the smells! It’s almost shocking to be standing in the world you so far just imagined. You see the colour of their cheese, the texture of their bread, and the vivid patterns of their dresses. You inhale the scent of baking, cooking, sheepskins, and fires.

I never imagined actually HOW dark it is inside a Viking house once the door closes! But sitting on furs around the fire with other Vikings and a storyteller is mind-blowing. I didn’t want to leave! And when the door opened again, a ray of light hit a bump right behind me – it was so dark, I had overlooked sleeping kids within an arms-length. I suddenly had to acknowledge that I was stretching reality in my stories, in that I had made the houses much brighter to have the stories work. My protagonists need to see their opponent’s expressions and movements much clearer than what was obviously possible. We all have to stretch reality a little at times, especially for today’s readers. But I drove home deep in thought.

Becoming what you write

thumbnail_Dyeing

Another thing the market did was: I had so far only seen myself as an observer, not a participant. I use the knowledge of Viking reenactors to discuss my plots and characters, but I didn’t want to take part in markets, I just visited them, and took notes. Until then, at Hedeby.

I suddenly craved a dress and all that comes with it. But as a Viking dress contains many pieces (including jewellery and tools), and it has to be hand-made in the ancient craft, I found it too expensive an experiment if I didn’t plan to participate in markets. Until my birthday loomed and I thought I want a real feast: a Viking feast in a barn, in a dress of my own!

So that’s when my research became very personal and I commissioned Danish seamstresses to make me a dress. I chose fitting brooches and beads to go with it, crafted after original finds. I chose every single bead according to its correct time period and location: Hedeby, 10th century. It was the most exciting thing I’ve ever put together.

The day of fitting then wasn’t only a transformation, it was a revelation: as layer upon layer of clothing slipped over my head, I turned from an observer into more than a participant – I “became” something new. Suddenly everything I had studied and written about was ON me, became part of me. The rough fabrics, the smooth flow of the dress around my ankles. The glint of the brooches and clinging of the beads. I was a little in shock and a lot in awe when I saw myself in the mirror. It does something to you when you suddenly “become” what you write.

I now know what it feels like to prick yourself in the attempt to fix the beads to the brooches. What they sound like when I walk. How warm but light the linen and wool-combination feels.

And since that amazing birthday feast I also know what it’s like to swing a real Viking axe, made by a Norwegian smith (using ancient craftsmanship)! My “shieldmaiden axe” was the incredible birthday gift my husband had ordered made to my tiny measures. It’s awe-inspiring to hold and touch, let alone cut logs with!

So if these days someone asks me “How do you do your research?” I skip the boring books and online part. I hold up the beads I often wear around my wrist, and I might take the shiny axe off the wall and hold it out to the enquirer.

It always, always silences both parties for a long while: to weigh the ancient stuff in your hand and “feel” history is more than inspiring: it’s awe-inspiring. And then to imagine the people who might have lived and died in the times …

It’s so much stronger than my words.

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“Tales of Freya – Sensual Short Stories”

(the complete collection, just out in ebook and paperback)

About Tales of Freya collection of sensual short stories set in the Viking age:

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In this collection of adult bedtime stories, Sarah Dahl pulls back the curtain of history to depict the erotic lives of Viking men and women. Amid the stark landscapes of fjords, forests and snowcapped mountain peaks, her characters search for love and passion. Dahl authentically illuminates the sensual side of a world of battle and plunder in an alluring collection perfect for every lover of gritty Viking romance.

A warrior recovering by a river is drawn into an unforeseen skirmish with a beautiful shield maiden. An enslaved Christian monk is entranced by his captors’ pagan allure. A dissatisfied housewife finds that her home holds an unexpected and liberating secret. An injured farmer is captivated by the magic of his irresistible healer …

In a world of crackling fires and rough landscapes, long winters and bloody raids, the immediacy of life and death ignites undeniable passions. Warriors and monks, healers and housewives – all follow the call of their hearts and bodies to indulge in pleasures that may forever change their lives.

Buy links:

Amazon US

Amazon UK

About the author:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts.

Author homepage

Facebook

Twitter: @sarahdahl13

Pinterest

Goodreads

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order on Amazon.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2018 Sharon Bennett Connolly and Sarah Dahl

The Real Godiva

Last week I dropped by Paula Lofting’s wonderful blog to talk about The Real Lady Godiva.

The Road to Hastings and other Stories

While researching Silk and the Sword: the Women of the Norman Conquest I came across some incredibly interesting characters. One of the most misunderstood women of the 11th century has to be Lady Godiva. Although she would have been known as Godgifu in her lifetime, we shall call her Godiva, the name we have all grown up with, and to distinguish her from several notable ladies of a similar name in this period. Known for her legendary naked ride through Coventry in order to ease the tax burdens of its citizens, finding the true story of Lady Godiva was a fascinating experience. She was the grandmother of three of the leading English characters of the Norman Conquest; Harold II’s queen, Ealdgyth and the earls of Mercia and Northumberland, Edwin and Morcar.

The origins of Lady Godiva herself, are shrouded in mystery and the distance of time. We know nothing of…

View original post 2,707 more words

Review: Silk and the Sword by Sharon Bennett Connolly

I am overwhelmed by this incredible review of Silk and the Sword: the Women of the Norman Conquest, from novelist Derek Birks.

Dodging Arrows... a (mainly) Medieval Blog

Silk and the Sword: The Women of the Norman Conquest

The Norman Conquest is, I suppose, a period about which we all know at least a little bit. We have heard of Harold Godwinson, William the Conqueror and perhaps Harald Hardrada of Norway – the three men who contribute most to the story of 1066. Some of us who have studied the period a little more closely will be aware of the exploits and influence of other men. We may even know something of several women of the period, but to be honest we won’t know very much. What this book does – and does very effectively – is to give the women of the conquest centre stage.

I think it is exceptionally difficult to look at the events of the 11th century through the eyes of a woman, but Ms Bennett Connolly teases every last detail out of…

View original post 540 more words

Guest Post by Tony Riches – Charles Brandon’s Marriage to Catherine Willoughby

Today it is my pleasure to welcome author Tony Riches to the blog, with an article about the protagonist of his most recent novel, Charles Brandon.

Charles Brandon’s Marriage to Catherine Willoughby

 Charles Brandon, Tudor knight and best friend of King Henry VIII, is best known for secretly marrying Mary Tudor, the king’s sister – without Henry’s permission! Less well known is his last marriage, to Lady Catherine Willoughby.

Thumbnail of Catherine Willoughby, Duchess of Suffolk, by Hans Holbein the Younger

Catherine was the only surviving daughter of Baron William Willoughby of Eresby, by his second wife Maria De Salinas, who was a Spanish Maid of Honour who came to England with Catherine of Aragon. Maria seems to have been the unfortunate queen’s closest companion and it is thought she named her daughter after Queen Catherine.

Records of the time suggest that Catherine Willoughby was an attractive, well-educated girl, who became a baroness in her own right after her father died in 1526. Charles Brandon would have been well aware that she was also the heiress to a substantial income of fifteen-thousand ducats a year.

It was little surprise to anyone when Brandon persuaded King Henry to let him buy the wardship of young Catherine Willoughby in 1528, (even though it seems he was, as usual, heavily in debt). Brandon’s plan was to secure her as a wife for his son, the eleven-year-old Henry, Earl of Lincoln (named after the king), once he came of age.

Catherine moved in to Brandon’s manor house at Westhorpe in the Suffolk countryside. She seems to have been happy to have Brandon’s daughters, Frances and Eleanor, as well as young Henry, for company, with Charles and Mary acting as her foster parents.

Mary Tudor was a friend and neighbour of Catherine’s mother, Maria, who probably saw this arrangement as likely to provide the most secure future for her daughter. Mary had been suffering from a long illness and died at Westhorpe (possibly of Tuberculosis) on the 25 June 1533.

Brandon, who was then aged forty-eight, decided it would be best if he married young Catherine (then aged fourteen) himself, and did so barely two months after Mary’s death. We must take care, of course, not to judge Charles Brandon by modern standards, although I’m sure Brandon enjoyed a few knowing winks from King Henry and his courtiers.

Importantly, it seems Catherine was happy to become Duchess of Suffolk, particularly when Brandon’s son, Henry, died the following year. Brandon’s marriage to Catherine secured him the rights to her lands in many parts of Lincolnshire, and by 1538 he became the greatest landowner in the county.

You can find out more about Charles Brandon and Catherine Willoughby in my new novel, Brandon – Tudor Knight, and I recommend a wonderful book by Evelyn Read, Catherine, Duchess of Suffolk, which became one of my main sources. After Brandon’s death, there was talk that the king might marry Catherine himself – but what actually became of her is proof that the truth really is stranger than fiction.

Tony Riches

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About the author:

Tony Riches is a full-time UK author of best-selling historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Wars of the Roses and the lives of the early Tudors. Tony was a finalist in the 2017 Amazon Storyteller Awards with his book on Henry VII and is listed in the 2018 Top 200 list of the Most Influential Authors.

For more information about Tony’s books please visit his website tonyriches.com and his popular blog, The Writing Desk and find him on  Facebook and Twitter @tonyriches

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order on Amazon.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2018 Sharon Bennett Connolly and Tony Riches

Book Corner: The Last Emir by SJA Turney

51oYQKZfjYLRisk everything; fight to the last: a taut and intense historical thriller from master author S.J.A. Turney

The relics of Christendom have been plundered during the long Moorish conquest of the Iberian peninsula. Newly minted Templar Sergeant Arnau de Vallbona must recover one of the most elusive to save his priory at Rourell in Spain.

Travelling to Majorca on a stealth mission to retrieve the bones of St Stephen, Arnau soon discovers the raid is more complex than it first appears: the mighty Almohad dynasty has laid claim to the island, and will fight them every step of the way.

Along with his companion, the aged warrior Balthesar, Arnau is in desperate straits. Surrounded on all sides by hostile forces, it will take all their cunning and strength to escape with their prize – and their lives….

A thrilling and unexplored account of the Knights Templar, grounded in extraordinary research, The Last Emir is perfect for fans of Bernard Cornwell, K.M. Ashman and C.F. Iggulden.

The Last Emir is the second book in S.J.A. Turney’s fabulous series recounting the exploits of the Knights Templars in Spain during the Moorish Conquest of the country. The first book in the series, Daughter of War was a gripping drama which followed the struggles of Titborga and Arnau as the found sanctuary and a purpose in the Templar preceptory at Rourell, run by the incredible preceptrix, Ermengarda, as they battled an unscrupulous Spanish nobleman intent on getting his hands on Titborga’s lands – at any cost. It was a wonderful, gritty story with every page filled to the brim with action.

And The Last Emir is no less immersive. The second book takes Arnau on a quest to Majorca, in search of a Holy relic, but finding only trouble and a dispute between rival Moorish factions. The story is skillfully told, weaving a tale of intrigue and betrayal, and blurring the lines between the rival factions. S.J.A. Turney paints a wonderful image of the island of medieval Majorca, taking the reader on a journey across the island, re imagining the amazing landscape, the loud, busy markets and the sumptuous palaces with such precision that you can almost see, hear and smell the bazaar, the preserved manuscripts in the library … and the blood and passion of battle.

‘I’m sorry.’

Balthesar threw him a withering  look that made his cheeks burn hotter. ‘Later,’ was all the older man said.

Peril, though, was following them that day, for as Arnau began to feel that perhaps they were almost safe, two mounted figures in black and white emerged from a side street ahead of them.

‘What now?’ gasped Arnau.

‘We have no choice. We’re trapped. Go back and we’re entering the noose you created for us. We have to cross the bridge, even if we have to kill those horsemen to do it. With luck the guards at the bridge have not heard about us yet.’

It appeared that kill the horsemen was precisely what they would have to do. the Two Almohad warriors spotted their quarry and, realising that they had ensnared them, roared victorious-sounding cries, then ripped their blades free of their scabbards and put heel to flank, charging towards the two Templars.

Arnau had time, as he drew his own sword, to register the shock of the two local guards at the bridge. They were arguing urgently and dithering, perhaps unsure whether to intervene or to remain at their assigned place by the bridge.

Beside Arnau, Balthesar also drew his blade. ‘Keep your mouth shut,’ he commanded, ‘if we are to get out of Al-Bulãnsa alive.’

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The only downside of this book is that not all the characters we met in Daughter of War appear in this story. Arnau and Balthesar are far away from their familiar surroundings, having to rely on their wits and their own abilities in order to survive and win their way back home. Arnau, in particular, is on a journey of discovery, of his own strengths and weaknesses, the differences between Islam and Christianity and of his companion in arms. Through his own trials, he has to learn that not everything is black-and-white, lines blur and whether a person is good or evil is not necessarily defined by their religion. He has already learned the brutality of war, but in The Last Emir, he also has to learn about the subtleties of war.

This is a fabulous novel, which takes a reader away from the preconceptions and mysticism of the Knights Templar and presents the Templars as they were, and as they were created; warrior monks fighting for Christianity and what is right.

Well researched, not only in the customs of medieval Spain, both Christian and Moor, but also in the rich history of the country, and of individual events of the time, S.J.A. turney’s attention to the historic detail infuses the story with anthenticity. The author has created a marvellous, gripping story. The narrative is wonderfully written with every page pleasure to read – long into the night. Arnau and his Templar colleagues are the best kind of heroes – those the readers can invest themselves in and always want to read more.

Waiting for Book 3 is already proving a challenge…

 

About the Author:

Sja

Simon lives with his wife, children and dogs in rural North Yorkshire. Having spent much of his childhood visiting historic sites with his grandfather, a local photographer, Simon fell in love with the Roman heritage of the region, beginning with the world famous Hadrian’s Wall. His fascination with the ancient world snowballed from there with great interest in Egypt, Greece and Byzantium, though his focus has always been Rome. A born and bred Yorkshireman with a love of country, history and architecture, Simon spends most of his rare free time travelling the world visiting historic sites, writing, researching the ancient world and reading voraciously.

Simon’s early career meandered along an arcane and eclectic path of everything from the Ministry of Agriculture to computer network management before finally settling back into the ancient world. During those varied years, Simon returned to university study to complete an honours degree in classical history through the Open University. With what spare time he had available and a rekindled love of all things Roman, he set off on an epic journey to turn Caesar’s Gallic War diaries into a novel accessible to all. The first volume of Marius’ Mules was completed in 2003 and has garnered international success, bestseller status and rave reviews, spawning numerous sequels. Marius’ Mules is still one of Simon’s core series and although Roman fiction features highly he now has Byzantine, Fantasy and Medieval series, too, as well as several collaborations and short stories in other genres.

Now, with in excess of 25 novels available and 5 awaiting release, Simon is a prolific writer, spanning genres and eras and releasing novels both independently and through renowned publishers including Canelo and Orion. Simon writes full time and is represented by MMB Creative literary agents.

Look out for Roman military novels featuring Caesar’s Gallic Wars in the form of the bestselling Marius’ Mules series, Roman thrillers in the Praetorian series, set during the troubled reign of Commodus, adventures around the 15th century Mediterranean world in the Ottoman Cycle, and a series of Historical Fantasy novels with a Roman flavour called the Tales of the Empire.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

fave

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order on Amazon.

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Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebookpage or joining me on Twitter.

*

©2018 Sharon Bennett Connolly