Emma of Normandy, Queen of England

Detail of Emma of Normandy before an altar

In the years leading up to the Norman Conquest of 1066 one woman, in particular, stands out as the matriarch of the period: Emma of Normandy.

As wife of both Æthelred II and King Cnut, Emma of Normandy was the lynchpin of the story of the 11th century. As a Norman, and the mother of both a Danish king of England and a Saxon King of England, it was Emma who bound all three sides together in the conflict of 1066. Her story is suitably dramatic; with exile, tragedy and scandal all playing their part, starkly contrasting with the wealth and privilege of her role as the only twice-crowned Queen of England.

Emma was the daughter of Richard I, Duke of Normandy, and his wife, Gunnora. Born in around 985/987, she was married to Æthelred at Winchester on 5 April 1002, at which time she was given the English name Ælfgifu, although in the Anglo-Saxon Chronicle she is often referred to, simply, as ‘The Lady’. Her marriage with Æthelred was an attempt to seal a peace between England and Normandy, and to persuade the Normans not to allow the Viking raiders, who tormented England’s shores, to winter in their lands between raids into England. Despite the fact the Vikings continued to shelter in Normandy every winter, and raiding into England continued throughout the early years of the 11th century, the marriage was a success in that it produced two more sons and a daughter for Æthelred; a second family considering he was the father of as many as thirteen children by his first wife, Ælfgifu of York, including at least six sons.

Edward the Confessor

Of Emma and Æthelred’s two sons the eldest, Edward, would eventually succeed his half-brother, Harthacnut, to the English throne in 1042, ruling until his death on 5 January 1066. Edward’s younger brother, Alfred, was cruelly murdered during the reign of his step-brother, Harold I Harefoot. Harold was the son of Cnut by his first, handfast wife, Ælfgifu of Northampton. Alfred had arrived in England in 1036, ostensibly to visit his mother, though there are also theories that he intended to mount a challenge for the throne, and was welcomed by Earl Godwin of Wessex. However, his party were ambushed whilst being entertained by Godwin and Alfred was seized and taken to the abbey at Ely in Cambridgeshire, where he was later blinded and either murdered, or succumbed to his wounds. Either way, he died on 5 February 1037 and was buried in Ely Cathedral. Edward and Alfred’s sister, Goda (or Godgifu), was married firstly to Drogo, Count of Mantes and, secondly to Eustace II, Count of Boulogne. One of her sons by Drogo, Ralph, was made Earl of Hereford by his uncle, Edward, but earned himself the insulting nickname Ralph the Timid after fleeing the Welsh in battle.

As the Viking raids increased from 1010 onwards, Æthelred’s position on the throne proved precarious and he sent his wife and her young sons to Normandy for safety, before being forced into exile there himself in 1013, when Sweyn Forkbeard seized the throne. Sweyn’s death early in 1014 offered Æthelred a way back and he sent Edward to England to negotiate his return with the English Witan, who invited Æthelred to resume the throne ‘if he would govern them better than he did before’. [1] Despite his promises, Æthelred proved just as inept as previously, failing to defeat the Danish invaders, led by Cnut. Æthelred died just two years later, on 23 April 1016 (ironically, St George’s Day), and was succeeded by his oldest surviving son by his first wife, Edmund II Ironside. Although Edmund put up a valiant fight against the Danish invaders, led by Cnut, a summer of fighting took its toll and he died on 30 November 1016.

Coin from the reign of Harthacnut

Cnut took control of the whole of England and one of his first actions was to send for Emma, who he married on 2 July 1017. Although Emma appears to have had little influence during the reign of her first husband, her marriage with Cnut appears to have been a partnership. She was a more visible figure in public, enjoying considerable influence at court and offering substantial patronage to the church. She gave Cnut three children including a son, Harthacnut, and two daughters, one who’s name is lost, died aged 8 and is buried in Bosham, Sussex. A second daughter, Gunhilda, married Henry III, Emperor of Germany.

When Cnut died in 1035 Emma was in England and retired to her manor in Winchester, taking the royal treasury with her in the hope she could pass it to her son, Harthacnut. However, Harthacnut was in Denmark and it was Harold Harefoot, one of Cnut’s sons by Ælfgifu of Northampton, who seized the initiative. An agreement was reached whereby the half-brothers ruled as co-kings with Emma acting for Harthacnut and ruling in Wessex. However, two years later Harthacnut had still not returned to England and Harold took the crown for himself, driving Emma into exile with Count Baldwin in Flanders.

Genealogical table of Cnut, Harold I and Harthacnut

Harthacnut appears to have been, by far, Emma’s favourite child. It was for his accession to the English throne that she schemed, rather than for her eldest son, Edward. In the early months of 1040 she and Harthacnut were preparing to invade England when they heard of Harold’s death. Harthacnut succeeded to the English throne without a fight and a year later invited his half-brother Edward, who had spent almost 25 years in Norman exile, to join him in England as his successor.

Harthacnut reigned for just ten days short of two years, he died after collapsing during a wedding celebration at Lambeth. He was buried alongside his father in the old minster at Winchester and Emma gave the head of St Valentine to the new minster for her son’s soul. Emma’s relationship with Edward, however, was more strained than that she experienced with Harthacnut. Years of separation and a strong sense of abandonment on Edward’s part cannot have helped the situation. Following his coronation in 1043, one of Edward’s first actions was to ride to Winchester and take charge of the Treasury, which had been left in his mother’s hands by Harthacnut. Accompanied by the three greatest earls of his realm – Siward, Godwin and Leofric – ‘they deprived her of all the treasure that she had; which were immense; because she was formerly very hard upon the king her son, and did less for him than he wished before he was king…’ [2]

Emma’s friend and close adviser, Bishop Stigand, was deprived of his bishopric, although he was later reinstated and created Bishop of Winchester. He eventually rose to be Archbishop of Canterbury but was removed from office by William the Conqueror. However, at the time of her disgrace, Emma and Stigand’s close relationship gave rise to a later legend that they were more than friends and that Emma was accused of adultery with Stigand (although the 13th century story claimed the bishop’s name was Ælfwine). There is no contemporary evidence of the story, however, and it first appears more than 100 years after the Conquest. As the story went, Emma was accused of adultery and required to walk across red-hot ploughshares in order to prove her innocence. Being neither cut nor burned by the instruments she was declared innocent. As a consequence, Emma was welcomed back into the royal circle by a contrite Edward.

Winchester Cathedral

Although the story is almost certainly a fabrication, Emma was eventually reconciled with Edward, although she enjoyed a much less exalted position as the king’s mother than she had when Harthacnut reigned. She eventually retired to her own estates, living away from the limelight until her death on 6 March 1052. She was buried in the old minster at Winchester, alongside her second husband, Cnut and her favourite son, Harthacnut. Emma’s story forms the basis for the book Encomium Emmae Reginae, possibly commissioned by Emma herself, which provides a significant insight into English politics for the first half of the 11th century.

Emma had played a pivotal role in English politics in the first half of the 11th century, the effects of which would lead to the fateful events of 1066. She helped to shape the events from which the unique situation of the Norman Conquest would arise.  A prominent figure, particularly in the reigns of Cnut and Harthacnut, she was the most distinguished woman of her time. More than any other single person, Emma’s story provides the background to the Norman Conquest through the political and personal relationships formed in the first half of the 11th century.

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Footnotes: [1] The Anglo-Saxon Chronicle translated by James Ingram; [2] ibid.

Picture credits: Detail of Emma of Normandy before an altar courtesy of the British Library; Edward the confessor courtesy of Wikipedia; coin from the reign of Harthacnut, courtesy of Hedning, taken from Wikipedia; Genealogical table of Cnut, Harold I and Harthacnut from the Genealogical Chronicle of the English Kings, British Library; Winchester Cathedral courtesy of Anne Marie Bouchard.

Sources: The English and the Norman Conquest by Dr Ann Williams; Brewer’s British Royalty by David Williamson; Britain’s Royal Families, the Complete Genealogy by Alison Weir; The Wordsworth Dictionary of British History by JP Kenyon; The Norman Conquest by Marc Morris; Harold, the King Who Fell at Hastings by Peter Rex; The Anglo-Saxons in 100 Facts by Martin Wall; The Anglo-Saxon Age by Martin Wall; Kings, Queens, Bones and Bastards by David Hilliam; The Mammoth Book of British kings & Queens by Mike Ashley; The Oxford Companion to British History Edited by John Cannon; The Anglo-Saxon Chronicles translated and edited by Michael Swaton; The Anglo-Saxon Chronicle translated by James Ingram; Queen Emma and the Vikings by Harriett O’Brien; The Bayeux Tapestry by Carola Hicks; On the Spindle Side: the Kinswomen of Earl Godwin of Wessex by Ann Williams; oxforddnb.com.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order from both Amberley Publishing and Amazon.

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©2019 Sharon Bennett Connolly

Guest Post – Tales of Freya by Sarah Dahl

When Viking research turns personal

Dress

One question every author of historical fiction is asked is “How do you do your research?”, and then we most likely explain it like this: I have the usual array (or let’s say: addiction to) books about the era and specific aspects of the time (in my and surely also Sharon’s case: women’s lives in the era). My all-time favourite is an absolutely rich book I always consult: Hjardar/Vike’s “Vikings at War”. Unprecedented detail in text, maps, and depictions.

Then we add that of course we go online for more research. We collect pictures, maps, articles. I have a Pinterest board (https://www.pinterest.de/sarahdahl13), where I collect my favourite visual inspiration. This, and a lot more, can be done from home, behind the desk. Entire worlds a few clicks away.

The next step would be to put on pants and actually go outside, to do a journey of sorts, because unlike contemporary authors, us histfic folk have to travel a bit to reach a certain place of interest for more hands-on research. I’m talking museums, battlefields, graveyards, ruins, whatever. In my case, all of those make sense: the Viking times were violent and rich in cultural exchange. I can get just as excited over a bump in the grass that contains a grave as I can enjoy looking at a heap of stones that once was an early medieval wall.

The challenge is to really envision life and people behind these artefacts. Sometimes it’s impossible, sometimes quite easy: imagination runs wild, and with it begin stories. My main interest is always the people and possible stories behind these cold, hard (arte)facts. This is how most of my plots start: during outdoor research, inspired by a place.

The magic of Viking Hedeby/Haithabu

axe

A place I’m particularly fond of is Hedeby in northern Germany. Not just because it is actually within reach for me in my Dreiländereck – but because it has it all: a modern, interactive museum with all the beautiful artefacts you could wish for, really bringing the era to life. But most important, there’s an open-air reconstruction of the Viking town in the actual historically correct place. So not only some houses and paths are erected again and ready to experience “live”, but the landscape is pretty much still what it was in those times, too. I can stand high on the protective wall and look down at the small settlement and imagine people walking the streets. I can envision the jetties where once dragonboats and merchants’ ships were moored. I can feel the harsh wind and hear the reeds rustle that still so densly border the Slien fjord. I can walk away from the settlement and into the fields and encounter massive runestones with original inscriptions. I really get a feel for the place and era. And every time, new story ideas form.

So this has become a habit now: every year I take a long weekend off to drive up to Schleswig and revisit my favourite place of inspiration. I just take time to be there, discover more details in the wood of the houses, the frameworks, the landscape. I let more stories unfold just by sitting on a bench, or watching a reenactor stir herbs to dye wool in a big pot. Driving home, I always have to pull over and take more notes.

Here is also where my research took another unexpected turn. Hedeby hosts several markets; and I attended the Viking spring market. It does something to a writer when she suddenly walks among her characters as they come alive with frightening vitality. Yes, I totally stalked some of them. The white-bearded guy with braided hair and tattoos. The incredibly handsome sword figther with the thoughtful face. The storyteller lady who captured an audience with a swipe of her staff.
And the colours, the smells! It’s almost shocking to be standing in the world you so far just imagined. You see the colour of their cheese, the texture of their bread, and the vivid patterns of their dresses. You inhale the scent of baking, cooking, sheepskins, and fires.

I never imagined actually HOW dark it is inside a Viking house once the door closes! But sitting on furs around the fire with other Vikings and a storyteller is mind-blowing. I didn’t want to leave! And when the door opened again, a ray of light hit a bump right behind me – it was so dark, I had overlooked sleeping kids within an arms-length. I suddenly had to acknowledge that I was stretching reality in my stories, in that I had made the houses much brighter to have the stories work. My protagonists need to see their opponent’s expressions and movements much clearer than what was obviously possible. We all have to stretch reality a little at times, especially for today’s readers. But I drove home deep in thought.

Becoming what you write

thumbnail_Dyeing

Another thing the market did was: I had so far only seen myself as an observer, not a participant. I use the knowledge of Viking reenactors to discuss my plots and characters, but I didn’t want to take part in markets, I just visited them, and took notes. Until then, at Hedeby.

I suddenly craved a dress and all that comes with it. But as a Viking dress contains many pieces (including jewellery and tools), and it has to be hand-made in the ancient craft, I found it too expensive an experiment if I didn’t plan to participate in markets. Until my birthday loomed and I thought I want a real feast: a Viking feast in a barn, in a dress of my own!

So that’s when my research became very personal and I commissioned Danish seamstresses to make me a dress. I chose fitting brooches and beads to go with it, crafted after original finds. I chose every single bead according to its correct time period and location: Hedeby, 10th century. It was the most exciting thing I’ve ever put together.

The day of fitting then wasn’t only a transformation, it was a revelation: as layer upon layer of clothing slipped over my head, I turned from an observer into more than a participant – I “became” something new. Suddenly everything I had studied and written about was ON me, became part of me. The rough fabrics, the smooth flow of the dress around my ankles. The glint of the brooches and clinging of the beads. I was a little in shock and a lot in awe when I saw myself in the mirror. It does something to you when you suddenly “become” what you write.

I now know what it feels like to prick yourself in the attempt to fix the beads to the brooches. What they sound like when I walk. How warm but light the linen and wool-combination feels.

And since that amazing birthday feast I also know what it’s like to swing a real Viking axe, made by a Norwegian smith (using ancient craftsmanship)! My “shieldmaiden axe” was the incredible birthday gift my husband had ordered made to my tiny measures. It’s awe-inspiring to hold and touch, let alone cut logs with!

So if these days someone asks me “How do you do your research?” I skip the boring books and online part. I hold up the beads I often wear around my wrist, and I might take the shiny axe off the wall and hold it out to the enquirer.

It always, always silences both parties for a long while: to weigh the ancient stuff in your hand and “feel” history is more than inspiring: it’s awe-inspiring. And then to imagine the people who might have lived and died in the times …

It’s so much stronger than my words.

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“Tales of Freya – Sensual Short Stories”

(the complete collection, just out in ebook and paperback)

About Tales of Freya collection of sensual short stories set in the Viking age:

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In this collection of adult bedtime stories, Sarah Dahl pulls back the curtain of history to depict the erotic lives of Viking men and women. Amid the stark landscapes of fjords, forests and snowcapped mountain peaks, her characters search for love and passion. Dahl authentically illuminates the sensual side of a world of battle and plunder in an alluring collection perfect for every lover of gritty Viking romance.

A warrior recovering by a river is drawn into an unforeseen skirmish with a beautiful shield maiden. An enslaved Christian monk is entranced by his captors’ pagan allure. A dissatisfied housewife finds that her home holds an unexpected and liberating secret. An injured farmer is captivated by the magic of his irresistible healer …

In a world of crackling fires and rough landscapes, long winters and bloody raids, the immediacy of life and death ignites undeniable passions. Warriors and monks, healers and housewives – all follow the call of their hearts and bodies to indulge in pleasures that may forever change their lives.

Buy links:

Amazon US

Amazon UK

About the author:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts.

Author homepage

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Twitter: @sarahdahl13

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order on Amazon.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2018 Sharon Bennett Connolly and Sarah Dahl

Christmas Giveaway!

It’s just over 4 weeks to Christmas and so I thought the time is ideal to do a prize draw for a signed and dedicated copy of Silk and the Sword: the Women of the Norman Conquest.

An ideal Christmas present for yourself or a friend!

About Silk and the Sword: the Women of the Norman Conquest

The momentous events of 1066, the story of invasion, battle and conquest, are well known. But what of the women?

Harold II of England had been with Edith Swanneck for twenty years but in 1066, in order to strengthen his hold on the throne, he married Ealdgyth, sister of two earls. William of Normandy’s Duchess, Matilda of Flanders, had supposedly only agreed to marry the Duke after he’d pulled her pigtails and thrown her in the mud. Harald Hardrada had two wives – apparently at the same time. So, who were these women? What was their real story? And what happened to them after 1066?

These are not peripheral figures. Emma of Normandy was a Norman married to both a Saxon and a Dane ‒ and the mother of a king from each. Wife of both King Cnut and Aethelred II, the fact that, according to the Anglo-Saxon Chronicle, she had control of the treasury at the end of the reigns of both Cnut and Harthacnut suggests the extent of Emma’s influence over these two kings –and the country itself.

Then there is Saint Margaret, a descendant of Alfred the Great, and the less well known but still influential Gundrada de Warenne, the wife of one of William the Conqueror’s most loyal knights, and one of the few men who it is known beyond doubt was with the Duke at the Battle of Hastings.

These are lives full of drama, pathos and sometimes mystery: Edith and Gytha searching the battlefield of Hastings for the body of Harold, his lover and mother united in their grief for the fallen king. Who was Ælfgyva, the lady of the Bayeux Tapestry, portrayed with a naked man at her feet?

Silk and the Sword traces the fortunes of the women who had a significant role to play during the Norman Conquest – wives, lovers, sisters, mothers, leaders.

If you would like to win the signed copy of Silk and the Sword: the Women of the Norman Conquest to put under your Christmas tree, or someone else’s Christmas tree, simply leave a comment below or on the giveaway post on my Facebook page and I will include you in the prize draw.

And don’t worry if you already have a copy – I’ll be happy to send you a signed bookplate to give it as a Christmas present, while you keep your newly signed copy.

The draw will be made on Sunday 2nd December, so you should get the book in time for Christmas Day. Good luck!

***AND THE WINNER IS…..Chloe Amy***
Thank you so much to everyone who entered the Silk and the Sword giveaway – there were 149 entries in all and I am only sorry there can only be 1 winner. Google’s random number generator picked no. 102, which is Chloe Amy. Congratulations, Chloe, if you can drop me a pm with address, I will get your book out to you this week.
To everyone else who entered, thank you so much for taking the time and for leaving such wonderful comments. If you do buy the book, drop me a message, through the ‘contact me’ button, with your address and I will send you out a signed bookplate to pop in the front. Best wishes, Sharon

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order on Amazon.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2018 Sharon Bennett Connolly