The recent tensions between King Edward and his great ally the Earl of Warwick lie forgotten these past months, but even as winter tightens her grip on the land, the peace is shattered by a vicious attack on one of the King’s allies.
Long buried secrets are brought to the surface, and Thomas and Katherine must finally decide where their loyalties lie and to choose between fight or flight, knowing either choice will incur a terrible price.
From Lincoln to Bruges, from Barnet to the great battle at Tewkesbury, both must play their part in one of the most savage wars in history.
The wars of the roses.
Kingdom Come is the fourth and final instalment of Toby Clements’ Kingmaker series. And what a thrilling finale. The book keeps you on the edge of your seat from the first page to the last. Fast-paced and full of action, it leaves you desperate to get to the end – and yet it is so enjoyable you never want the story to finish.
throughout the series we have followed Katherine (who used to be Kit) and Thomas from their first meeting at the Gilbertine Priory of Haverhurst, in their adventures through the most violent and tumultuous years of the Wars of the Roses, carrying a secret that could bring down the Yorkist cause in a heartbeat. They have leaned towards each side in the conflict, as the winds and fates changed, but Kingdom Come sees their fate firmly tied to that of Edward IV.
The story opens with the Welles raid on Thomas Burgh’s house at Gainsborough – now called Gainsborough Old Hall, but then, of course, it was new. It was a pleasure to read about Thomas and Katherine’s life in Lincolnshire, their travels from Marton to Gainsborough and Lincoln, especially seeing as I did the journey myself the next day. Living just over the river from Gainsborough, I can attest that Toby Clements’ research was impeccable and he describes the Lincolnshire landscape beautifully.
Further on they meet the carrier, coming warily towards them through a long straight stretch of tree-lined road. He will know what is afoot, she thinks, since he travels from Lincoln to Gainsborough and back three or four times a week. He sits in his cart, rather than walks alongside, and behind him, unusually, come three men in helmets, thick jacks, two armed with bills, the other a bow. Up close they look unsure of their own military might, and Katherine supposes they might be recruited from the Watch on one of the city gates, and are more used to leering at nuns and warming their hands over a brazier than fighting off bands of robbers.
‘God give you good speed,’ the carrier greets them when he recognises them, and they return the blessing, and the carrier draws up his mule. Despite his life on the move, he’s a fat man, awkward in his seat, under layers of filthy russet, like a shuffling, shaggy bear that you see in poor fairs. He speaks with a strained three dun-coloured puppies in a wicker cage and a fierce-looking cockerel that hangs by his spurs from the back of the cart. He tells them business is bad, as he always does when you meet him, but that is to be expected at this time of year.
‘Have you heard anything further of the attack on Thomas Burgh’s house?’ Katherine asks.
The man sucks his teeth.
‘A bad business, mistress. A bad business. Though no one killed, praise the Lord, save a servant boy thrown from a window.’
‘Is it known who did it?’
‘It is well known , mistress,’ he says, tipping his head. ‘For the perpetrator never sought to hide his sin, unlike Eve when first she tempted Adam.’
He is that sort of man. He licks his lips and speculates on the costrel of ale on Thomas’s saddle. Thomas sighs and hands it to the man, who takes it with thanks and drinks long. A strong smell emanates from the yeasty folds of his cloth.
‘It was Lord Welles,’ he tells them when he has wiped his lips with the back of his hand. ‘Lord Welles and another gentle who goes by the name of Sir Thomas Dimmock.’
Toby Clements has created wonderful, believable characters who are caught up in some of the most momentous events of English history. Thomas and Katherine are entirely human, a couple who have grown to depend on each other and a close circle of friends, and who have learned the hard way that they can rely on nobody else – particularly the rich and powerful. One theme that has run through all the books, is that the participants of the Wars of the Roses changed sides as often as the wind changes direction, and it is interesting to see yet more divided loyalties raise their heads.
The other participants, from the powerful Edward IV and Lord Hastings, to the lowly companions of Katherine and Thomas, are interesting, colourful characters, each with their own story. A wonderful quirk of the novel is some of the names by which these characters go by, from John-who-was-stabbed-by-his-Priest, Robert-from-the-plague-village and the skinny boy. These characters have their own life experiences, secrets and passions, their own stories interwoven within the great panorama of the larger story.
The different threads of the lives of not only Katherine and Thomas but also the nobles and kings – and the war itself – come together in Kingdom Come, in a thrilling conclusion that sees them again forced to take sides and fighting for survival.
Kingdom Come and the Kingmaker series as one of the best retellings of the Wars of the Roses that I have ever read. Meticulously researched and beautifully written, it draws the reader in from the first page and takes you on a marvellous journey through the most turbulent era of English history. Full of suspense, action and danger it grips you from the first moment, leaving you desperate to read to the end – and yet not wanting this magnificent story to finish.
Kingdom Come and the other 3 books in Toby Clements‘ Kingmaker series; Winter Pilgrims, Broken Faith and Divided Souls can all be found on Amazon.
My book, Heroines of the Medieval World, is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.
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©2017 Sharon Bennett Connolly