Book Corner: the Irish Princess by Elizabeth Chadwick

Her father’s only daughter.
Her country’s only hope.
Ireland, 1152

The King of Leinster, awaiting news of his newborn child, is disappointed to hear he has a daughter. Diarmait MacMurchada wanted another strapping son to shoulder a spear, wield a sword, and protect his kingdom. But the moment Diarmait holds tiny Aoife in his arms, he realised she would be his most precious treasure.

1166

Forced into exile Aoife and her family find themselves at the mercy of Henry II. Aoife – aware of her beauty but not its power – intrigues and beguiles Henry in equal measure. He agrees to help her father, an alliance that leads the MacMurchadas to the charistmatic Richard de Clare, a man dissatisfied with his lot and open to new horizons.

Diarmit promises Richard Aoife’s hand in marriage in return for his aid in Ireland, but Aoife has her own thoughts on the matter. She may be a prize, but she is not a pawn, and she will play the men at their own game. For herself, for her family, and for her country.

From the royal halls of scheming kings, to staunch Welsh border fortresses and the wild green kingdoms of Ireland, The Irish Princess is a sumptuous, journey of ambition and desire, love and loss, heartbreak and survival.

Elizabeth Chadwick’s The Irish Princess is one of the most anticipated historical fiction novels of the year. I was lucky enough to receive and advance copy from NetGalley – and it more than lives up to expectation. Telling the story of the marriage of Richard de Clare (Strongbow) and his Irish princess, Aoife MacMurchada, against the backdrop of the Norman invasion of Ireland it seamlessly weaves together the various strands to make an engaging and utterly engrossing story.

Aoife is a proud and precocious princess who has grown up amid the brutality of the power struggles of the Irish clans. She has seen brothers maimed and murdered, the heads of her father’s enemies decorating her home and had to flee into exile, all before she had left what should have been the innocence of childhood. Her marriage to Richard de Clare, Earl of Striguil, is a political necessity in the strategies of her father, to recover his lost kingdom of Leinster.

Richard de Clare, on the other hand, is a man on the outside; not trusted or employed by King Henry II, he sees helping Aoife’s father as an opportunity to gain a wife and heirs, lands and influence. He still has to play the courtier, however, and has to walk a fine line with Henry, deferring to the king whilst protecting his own interests – not an easy path to walk.

The entrance to the castle was above ground level with steps leading to a doorway decorated with a patterned arch of zig-zags and painted chevrons. A man stepped from the darkness of the arch and came down the steps to greet them. Tall and well proportioned, he moved with confident grace. His tunic was grey, topped by a cloak of a darker, charcoal hue, lined with squirrel fur, creating a strong but subtle contrast. His hair was the same rich auburn as the squirrel pelts.

Welcome to Striguil, sire.’ He bowed his head in courtesy and extended his hand to clasp her father’s. ‘I trust you have journeyed well?’ his voice was light, but the words were clearly spoken and his smile showed a flash of white teeth. he sent a brief glance in her direction, as he encompassed everyone in his greeting.

‘Well enough, my lord,’ her father answered in accented French. ‘But glad to arrive. You have a fine castle.’ His gaze roved the walls.

‘It serves its purpose well,’ de Clare replied, still smiling. ‘Will you come within?’

Diarmait presented Aoife’s mother and her brothers to de Clare, and then spread his arm in a flourish. ‘And this is my daughter Aoife.’

Aoife swallowed and held her ground as she had held it before King Henry. De Clare’s eyes were clear with a glassy mingling of sea-colours, utterly striking against the dark contrast of his pupils. His stare was as intense as Henry’s had been but assessing her rather than predatory.

‘My lady, you are indeed welcome,’ he said, speaking slowly and clearly to help her understand him. ‘Word of your great beauty has carried, and it is not exaggerated.’

Elizabeth Chadwick wonderfully combines the history of the conflict with the private lives and experiences of her leading characters. The personal stories are what make this book truly a incredible read. I wasn’t keen on Aoife at first, but she grows on you as she grows up and is a courageous heroine, who has to use all her attributes as a woman in order to survive and prosper. No shrinking violet and no meek, biddable child, she is well versed in the politics of Ireland and England, but knows her place as a woman of the times; advising and steering policy in private and charming the English king to gain his protection.

From Aoife herself, to her sister-in-law Basilia, from Richard de Clare to King Henry, it is the characters in The Irish Princess that serve as the backbone of the novel. They drive the direction of the story and the empathy and engagement of the reader, even more so than the action and intrigue of the times.

Elizabeth Chadwick, as always, has done extensive research and the historical story comes across in each page, even as she weaves in the recreated words and emotions of the characters, adding a sense of having a fly-on-the-wall view of events as they happened. The sweeping landscapes of Ireland, the bloody battlefields, the warmth and comfort of the lord’s hall and the intimacy of the lady’s private quarters are beautifully recreated and woven into the story to draw the reader into the world of Ireland at the time of the Norman invasion.

And to top it all, a cameo appearance by … (not saying, I don’t want to spoil the surprise!)

Fans of Elizabeth Chadwick – old and new – will not be disappointed by this wonderful novel. The author has lived up to every expectation in this wonderful novel. The story and characters are beautifully crafted to bring the reader an epic tale of love, war betrayal … and family.

The Irish Princess by Elizabeth Chadwick will be released on 12 September 2019 and is available from Amazon UK.

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About the Author:

Myself and Elizabeth Chadwick at the Newark Book Festival, 2018

New York Times bestselling author Elizabeth Chadwick lives in a cottage in the Vale of Belvoir in Nottinghamshire with her husband and their 3 dogs. Her first novel, The Wild Hunt, won a Betty Trask Award and To Defy a King won the RNA’s 2011 Historical Novel Prize. She was also shortlisted for the Romantic Novelists’ Award in 1998 for The Champion, in 2001 for Lords of the White Castle, in 2002 for The Winter Mantle and in 2003 for The Falcons of Montabard. Her sixteenth novel, The Scarlet Lion, was nominated by Richard Lee, founder of the Historical Novel Society, as one of the top ten historical novels of the last decade. She often lectures at conferences and historical venues, has been consulted for television documentaries and is a member of the Royal Historical Society.

For more details on Elizabeth Chadwick and her books, visit http://www.elizabethchadwick.com, follow her on Twitter, read her blogs or chat to her on Facebook.

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My books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2019 Sharon Bennett Connolly

Robert de Breteuil, the Crusader Earl

Arms of Robert de Breteuil, 4th Earl of Leicester

Robert de Breteuil, also known as Robert de Beaumont, was a remarkable individual whose adventures in the Holy Land would make a wonderful novel. A renowned warrior and a powerful magnate, he was a companion to the Plantagenet princes, both Richard the Lionheart and King John. Robert was the son-in-law of Matilda de Braose, whose horrific persecution by King John led to her death by starvation in one of John’s dungeons – and the inclusion of clause 39 in Magna Carta:

“No man shall be taken, imprisoned, outlawed, banished or in any way destroyed, nor will we proceed against or prosecute him, except by the lawful judgement of his peers or by the law of the land.”

Magna Carta, magnacartaresearch.og

Robert was the second son of Robert de Breteuil, 3rd earl of Leicester, and his wife, Petronilla de Grandmesnil and the great-grandson of Robert de Beaumont, Count of Meulan and 1st Earl of Leicester, and his wife, Elizabeth de Vermandois. Robert was probably born in the early-1160s and was closely associated with his elder brother William. As they grew up and entered public life they were linked with the household of their cousin, Robert, Count of Meulan, and they regularly appeared on their father’s charters together. Their younger brother, Roger, was bishop of St Andrews. William died in 1189, sometime after the accession of King Richard I. A later legend suggests he suffered from leprosy, though there is no contemporary evidence to corroborate this. William’s death meant Robert therefore became heir to their father’s earldom of Leicester.

Both Robert and his father were at the royal court at Verneiul on 2 January 1190 and joined the Third Crusade of Richard the Loinheart. Robert’s father took an overland route to the Holy Land, while it appears that Robert travelled with the king. Robert was with the king at Messina, Sicily, when news reached him of his father’s death. The 3rd earl had died on 31 August or 1 September 1190 and so Robert was invested as earl by the king on 2 February 1191, in Sicily.

During his time in the Holy Land, Robert was one of the leaders of the assault on Acre on 11 July 1191 and fought in the battle of Arsuf on 7 September. In November he rescued some ambushed Templars at Ibn-Ibrak and then was himself surrounded, with his knights, by a party of Turks outside the camp at Ramlah. Robert was rescued by his cousin Robert de Neubourg; in the process he nearly drowned in a river and had two horses killed under him.

Seal of Robert de Breteuil

Robert and his men were prominent among the forces who stormed Deir al-Bela on 22 May 1192 and on 5 August 1192 he was one of the ten knights who helped to thwart an attempt to kidnap the king from his tent at Jaffa and the king himself rescued Robert when he was thrown from his horse. He probably set out for home in September or October 1192, having distinguished himself and earned the king’s eternal goodwill.1

Following his return from the crusade, Robert was occupied with the defence of Normandy, but was captured by King Philip Augustus’ forces in June 1194, after a skirmish outside Gourany. He was imprisoned at Étampes for more than a year and only freed after surrendering his castle and lordship of Pacy-sur-Eure to King Philip. His freedom was achieved sometime around February 1196 and in the same year he was married to the teenage Loretta de Braose. Loretta de Braose, was probably born in the early-to-mid-1180s,. She was one of the sixteen children of Matilda and William de Braose. Four of her sisters married prominent Welsh Marcher lords, but Loretta was married to Robert de Breteuil, 4th earl of Leicester.

The marriage was an alliance of two of the leading Anglo-Norman families of the Plantagenet world. He was a powerful earl who had made a name for himself on the crusades, whilst she was a daughter of one of the most powerful barons of the Welsh March. As her marriage portion, Loretta was given Tawstock, near Barnstaple in Devon.

Robert de Breteuil was back campaigning in 1197 and 1198 and was with King Richard when he was mortally wounded at Châlus in April 1199. He had had a long association with Richard’s brother since John had been Count of Mortain, and so was a firm supporter of John’s succession, acting as steward at his coronation on 27 May 1199, claiming the office his grandfather had relinquished in 1153. Robert was highly influential in the early years of John’s reign. He also fought for John in Normandy, being one of the major landholders in the duchy, and was rewarded generously for his support; he was granted Richmondshire in Yorkshire in September 1203. The following year he suffered the loss of his Continental estates when Normandy fell and was the biggest loser of the Anglo-Norman barons.

Although he was one of the two barons (the other being William Marshal) who was given a year to decide whether to pay homage to King Philip of France to try to retain his Norman estates, Robert was not punished by John. Indeed, he was given more lands in England, English lands that had belonged to families who had chosen to remain in Normandy, such as the Harcourts. Robert died before King Philip’s deadline, and so never did have to decide where and how to share his allegiances in order to keep all his lands.

The ruins of Leicester Abbey, where Robert de Breteuil is buried

Robert died on 20 or 21 October 1204; the life of St Hugh of Lincoln reported that he died a leper, although this seems highly unlikely.1 He was buried in the choir of the Augustinian Abbey in Leicester. Robert and Loretta had remained childless, so Robert’s lands were divided between his two sisters. The earldom and the town of Leicester went to his eldest sister, Amice, the wife of Simon de Montfort and therefore grandmother of the Simon de Montfort who would marry King John’s daughter, Eleanor, and claim the earldom of Leicester for himself. Half of the old earldom, centred around Brackley in Northamptonshire, went to Robert’s younger sister, Margaret, wife of Saher de Quincy, Earl of Winchester.

It is a sad legacy that Robert’s death before John began the persecution of Loretta’s family meant that she was without her husband’s powerful protection when she needed it most. King John’s pursuit of the family did not end with the deaths of Matilda, who died in custody in 1210, and William de Braose, Lord of Bramber, who died in exile in France in 1211. In November 1207 John extracted a promise from Loretta that she would not remarry without the king’s permission and her lands were taken from her. She probably left for France shortly afterwards and only returned to England in 1214.

Once in England, Loretta was allowed to recover her confiscated estates after again to only marry as the king directed. The restoration of Loretta’s estates were complicated by the king’s desire to keep happy those who had benefited from tehir confiscation, such as the powerful Saher de Quincy, earl of Winchester. Loretta’s experiences in this respect may well have inspired clauses 7 and 8 of Magna Carta, which guaranteed that widows should have their marriage portions without hindrance and that they could remarry at their own pleasure, so long as it was with the king’s consent.

Arms of William de Braose, Loretta’s father

Loretta took her future into her own hands, however, and in early 1221, took a vow of chastity and became an anchorite in Hackington, near Canterbury. An anchorite was a religious recluse who lived in a small cell within a church, allowed on the briefest of contact with others, although she was allowed attendants to help with her daily needs. Loretta’s influence was still in evidence, however, in that she obtained a pardon for a man who had accidentally killed another and helped to establish the Franciscan order in England. She died on 4 March, probably in 1266, and was buried at the church of St Stephen, Hackington.

It is a fact of life that whilst researching one particular person, you come across several others who spark your interest. I stumbled upon the stories of Robert de Breteuil and Loretta de Braose while researching for my new book, Ladies of Magna Carta, which will be out in Spring 2020.

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Footnote: ¹Oxforddnb.com

Sources: sussexcastles.com; genie.com; steyningmuseum.org.uk; berkshirehistory.com; England Under the Norman and Angevin Kings 1075-1225 by Robert Bartlett; Oxford Companion to British History Edited by John Cannon; The Story of Britain by Roy Strong; The Plantagenets, the Kings who Made England by Dan Jones; The Life and Times of King John by Maurice Ashley; The Plantagenet Chronicles Edited by Elizabeth Hallam; Oxforddnb.com; magnacartareseearch.org; Magna Carta by David Starkey; King John by Marc Morris; King John, England, Magna Carta and the Making of a Tyrant by Stephen Church; 1215, the Year of Magna Carta by Danny Danziger and John Gillingham; Women in Thirteenth Century Lincolnshire by Louise J. Wilkinson.

Pictures courtesy of Wikipedia

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My books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2019 Sharon Bennett Connolly

Guest Post: Katharina by Margaret Skea

It is with great pleasure that I welcome author Margaret Skea to the blog today, talking about her latest book, Katharina: Fortitude, the history behind it and giving you a little teaser from the book itself.

As crazy ideas go, thinking of writing what could best be described as a fictionalized biography of Katharina von Bora, the escaped nun who married the reformer Martin Luther, ranked highly.  It had popped into my head, seemingly from nowhere, but once there, as crazy ideas so often do, it burrowed its way in so far no amount of rational thinking would dislodge it.

There were plenty of good reasons not to write her story.

Reason 1. I knew almost nothing about her, and it seemed that nobody else knew much about her either.

I did find a slim volume, of some 89 pages, written by a native German within the Luther Foundation, Martin Treu, well placed to have found any information there was to find. But the opening words were hardly encouraging.

It is impossible to write a biography of Katharina von Bora. The scanty and often enough fragmentary nature of the evidence allows for only a biographical sketch…’ Hmm.

Katharina

Reason 2.  I didn’t speak or read German, so whatever ‘fragmentary evidence’ existed, I couldn’t even read it for myself. Not the best start.

Reason 3. I was in the middle of writing my third Scottish novel, and there was a publisher waiting for it to be delivered, so the timing wasn’t exactly ideal. However, the Luther 500 anniversary was only just over one year away, so I knew if I was going to write about her it had to be immediately.

And there she was, hovering at my shoulder, shadowy and insubstantial, but refusing to go away. So the Scottish book set aside, I began to plan how I could make this crazy idea a reality. I read and re-read the 89 pages of the little book until I knew them almost by heart and scoured every other source I could find (in English) that made any reference to her at all.  Treu had also set me a challenge – he wrote: 

The lacunae in the sources have tempted authors and authoresses to fill in the gaps with their own imagination.’

Well, yes, that is, after all,  what historical fiction writers do. But he went on:

The result is frequently a picture that says more about the writer and their time than about the person and journey through life of Katharina von Bora.’

Ah, that was different – I didn’t want to write about my time, or me, I wanted to write about her time and about her.

The Lutherhaus portal commissioned by Luther as a gift for Katharina

But pessimistic as he was about anyone’s chances, I did find some wee nuggets in his book, and in others, that gave me a starting point, despite that there is dispute over her parentage, her birthplace, the circumstances surrounding her admission to two different convents, and little direct evidence of her character.  Retracing her steps  in Saxony, which involved driving over 1000 miles, gave me a real sense of her environment, including the terrain she travelled, the architecture, and artefacts, and many aspects of her life and times.  There were some surprises, too, particularly in relation to Martin Luther and his almost modern attitude towards her, as well as the discovery of many myths that needed to be dispelled. But perhaps the biggest challenge was finding a ‘voice’ for her and so I began to write snippets in 1st person present tense. And what started as a preliminary experiment continued throughout both books and the story truly became Katharina’s.

I hope I have done her justice and that readers will get as much enjoyment in reading as I found in writing it. 

Here is the opening section as a wee taster:

Chapter One

Wittenberg June 1525.

Martin Luther

The music stops, the sound of the fiddle dying away, the piper trailing a fraction behind, as he has done all evening. I cannot help but smile as I curtsy to Justus Jonas, his answering twinkle suggesting he shares my amusement.

‘Thank you, Frau Luther,’ and then, his smile wider, so that even before he continues I suspicion it isn’t the piping amuses him, ‘For a renegade nun, you dance well.’

It is on the tip of my tongue to respond with ‘ For a cleric, so do you,’ but I stop myself, aware that should I be overheard it would likely be considered inappropriate for any woman, far less a newly married one, to speak so to an older man, however good a friend he has been. And on this day of all days, I do not wish to invite censure. Instead I say, ‘I have been well taught. Barbara saw to that. She did not wish me to disgrace myself or her, and there is a pair of slippers with the soles worn through to testify to the hours of practice she insisted upon.’

‘She succeeded admirably then.’

All around us there is the buzz of laughter and chatter, an air of goodwill evident in every flushed face. Martin is waiting at the foot of the dais, and as we turn towards him, his smile of thanks to Justus is evidence he too is grateful for the seal of approval, of me and of the marriage, our shared dance a tangible sign to the whole town that Justus Jonas at least has no reservations regarding our union. Over his shoulder I catch Barbara’s eye and she nods also. I nod back, but am unable to suppress altogether the inner voice, tonight there is drink taken, tomorrow some may feel differently.

As if he can read my mind, Justus says, a new seriousness in his tone, ‘You have not made a mistake, either of you.’ He waves his hand at the folk clustered in groups along the length of the room. ‘Look around. When the difficult times come, as no doubt they will, remember tonight and the number of those who came to wish you well.’

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The first challenge is not long in coming. We stroll home in the moonlight, accompanied by those guests who will spend the night in the cloister with us, adding their acceptance to our union.  Among them are Martin’s parents, and three councillors from Mansfeld, snatches of their conversation penetrating my thoughts.

Hans Luder’s tone, though gruff, cannot mask his satisfaction. ‘It is a good day’s work, and glad I am to see it, however long the wait.’

Martin’s mother’s voice is sweet and low, but bubbles with amusement, like a sparkling wine as it is poured into a glass. ‘Old you may be, but I trust your end is not yet nigh.’

There is an answering chuckle from one of the councillors,  ‘Indeed,’ Frau Luder, ‘So do we all.’

Lutherhaus

Hearing him, I tuck my arm into Martin’s, the momentary disagreement regarding Cardinal Albert’s gift forgotten, and look up at the myriad stars: pin-pricks of light in an ink-flooded sky, and my heart swells.  Frau Luther – the spelling may be different, but the status is the same and a title to be proud of, and though our marriage is already two weeks old, it is the first time I have felt it truly mine. The music still rings in my ears, memory of the dancing, the coin in the chest: all symbols of the regard in which the doctor is held and in which I now share, spreading a warmth through me from the top of my head to the tip of my toes. Jusuts is right. This is not a mistake, or not on my part at least. And, pray God, he is right about Martin also. We part from the company at the door of our chamber, and the light from the oil lamp flickers on the bedspread Barbara Cranach gifted to us. It is the last thing I see before sleep, the first when I wake, a talisman-harbinger of good things to come.

About the author

Margaret Skea is an award-winning novelist and short story writer. Short story credits include Neil GunnFish, the Historical Novel Society and Mslexia.

Growing up during the ‘Troubles in Northern Ireland it is perhaps inevitable that her writing often focuses on the pressures of living within conflict. Her debut novel Turn of the Tide, was the Historical Fiction winner in an Harper Collins-sponsored competition. It also gained her the Beryl Bainbridge Award for ‘Best First-Time Novelist 2014’.

Katharina: Deliverance, a fictionalised biography based on the early life of the reformer Martin Luther’s wife, was placed 2nd in the Historical Novel Society New Novel Award 2018.

The newly released, Katharina: Fortitude, is the powerful conclusion to Katharina’s story, but both books can easily be read as a stand-alone.

In an attempt to embrace the digital age she now has her own website at www.margaretskea.com and you can also follow her on Twitter at @margaretskea1 or on FB https://www.facebook.com/MargaretSkeaAuthor.Novels/

Book link: https://books2read.com/u/4j11BX

I would like to say a HUGE thank you to Margaret for such a fabulous post and wish her every success with Kathariana: Fortitude .

Kathariana: Fortitude came out 2 weeks ago and has been entered into the Kindle Storyteller Award. The competition opened in May, and yet Katharina is already at #65 out of over 5,000 entries. To be in with a chance of winning it needs to get into top 10. The book is currently on sale at 99p, so why not give it a go? I have! Just follow the link: https://books2read.com/u/4j11BX

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My books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2019 Sharon Bennett Connolly and Margaret Skea

Book Corner: Joanna of Flanders, Heroine and Exile by Julie Sarpy

The new research in this biography solves the riddle of the disappearance of Joanna of Flanders early in the Hundred Years’ War, a leader described by David Hume as ‘the most extraordinary woman of the age’.

Joanna of Flanders, Countess de Montfort and Duchess of Brittany, vanished from public life after 1343 amid the Breton Wars of Succession during the Hundred Years’ War. As wife of the late Duke John de Montfort, Joanna’s rightful place was in Brittany as regent of the duchy for their five-year-old son and heir, John of Brittany. Famed for the defence of Hennebont in 1342 during her husband’s imprisonment, she, along with her children, had accompanied Edward III to England in February 1343 and never departed. She resided in comfortable obscurity at Tickhill Castle, Yorkshire, until her death around 1374.

What happened to her and why? Her extended absence should have provoked more suspicion, but it did not. Edward III certainly orchestrated her relocation from London to Yorkshire and sanctioned her indefinite detention.

Delving deeper into her story the answers to those two questions explore the complexities of medieval social structures, notably in the care of the vulnerable and the custody of women. The 19th-century Breton historian de la Borderie asked if Joanna’s ‘many tests had reversed her intelligence and thrown her into the abyss of madness’, a position accepted by many modern historians – but not by Julie Sarpy.

When my publishers, Amberley, asked if I would like to review Julie Sarpy’s Joanna of Flanders: Heroine and Exile I jumped at the chance. I first came across Joanna of Flanders when writing an article about her son, John V, Duke of Brittany; and I remember thinking, ‘I must look into this woman’. I have not yet had the opportunity (though I will write a blog post if I ever get the time). So, although I was aware of Joanna, I know only the bare bones of her story. Which is why this book intrigued me so much!

Julie Sarpy has done an incredible job of researching the story of Joanna of Flanders. Her investigation has uncovered some remarkable facts about Joanna’s life, the times she lived through and the treatment she received at the hands of her supposed ally, Edward III. This is a balanced, in-depth study of a woman who deserves her time in the limelight. Joanna of Flanders is, in short, an amazing woman, whose story deserves to be known by a much wider audience.

I have to admit to a personal interest in the tale, in grew up not far from Tickhill Castle, South Yorkshire, the site of Joanna’s imprisonment. And though everyone in the area knows about the castle’s connections to King John, to the de Warennes and to the dukes of Lancaster (it is now owned by the duchy of Lancaster), no one seems to know of its role as the prison of poor Joanna.

Joanna of Flanders’ life has not been given its full measure. One wonders how such a remarkable woman has been lost to the ages and ostensibly marginalised. For Joanna of Flanders, Countess of Montfort and Richmond, Duchess of Brittany, was, in her time, the heroine of Hennebont, the pivotal siege during the first half of the Breton Civil War (1341-1365) that prevented the French from taking over Brittany and routing the English early in the Hundred Years’ War (1337-1453). That was no small feat for anyone, especially a fourteenth-century woman. In fact, she seems to have been exceptional in many ways. Medieval French chronicler and contemporary Jean Froissart professed Joanna of Flanders ‘to possess the courage of a man and the heart of a lion.’ Breton historian Dom Lobineau said of the Countess of Montfort, ‘no adversity could crush her. her consistency in the most desperate circumstances always reassured those who attached [themselves] to her.’ She marshalled men and resources, unlike her rival the Breton-French Jeanne de Penthievre’s husband. Joanna of Flanders rallied her husband’s supporters, the pro-English Montfortist faction, in his absence during the Siege of Hennebont and then secured the safety of his heirs in England, with the aid of Edward III.

Julie Sarpy’s investigation into the life and imprisonment of Joann of Flanders is a fascinating study. The author follows the evidence from the records and chronicles of the time and reconstructs Joanna’s story, dispelling the false stories of her madness and clearly presenting Joanna of Flanders as a political prisoner; a remarkable woman whose imprisonment was essential to furthering the ambitions of her ally, Edward III.

Well written, entertaining and informative, this is an engaging and enjoyable book that should attract any history fan who wants to learn more about Joanna’s life and the wider story of the the Breton Civil War. From the first page, the author draws you in with the mystery of Joanna’ imprisonment and the teaser of who may benefit from having her out of the way. Julie Sarpy then takes you through the complexities of the Breton ducal family, the background and prosecution of the war before concentrating on Joanna’s imprisonment, the reasons behind it and the legal implications.

This is a thorough and absorbing study of a woman who has been largely neglected by history. It’s a story that deserves to be heard and that has been told, in Joanna of Flanders: Heroine and Exile, with remarkable skill and judgement – and a little sympathy for the heroine. I cannot recommend it highly enough.

About the author:

Originally from Louisiana, Julia Sarpy is a subject specialist librarian and adjunct faculty at Nova Southeastern University. She received her doctorate in European History from the University of Houston. A UCLA alum, she also hold master’s degrees from University of North Texas and Southern Methodist University.

Joanna of Flanders: Heroine and Exile is now available from Amberley Publishing and Amazon in the UK and will be released on 1 October 2019 in the US; it is available for pre-order on Amazon US.

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My books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2019 Sharon Bennett Connolly

Interview my Character: Eleanor Elder

Today it is my stop on the Historical Writers’ Character Blog Hop, where we interview historical characters, both real and fictional. Watch out for Nicholaa de la Haye coming later in the tour!

And there’s a giveaway! the author has kindly offered a paperback copy of Echoes of Treason to a UK winner, or an ebook to a winner elsewhere in the world. To enter, simply leave a comment below or on the Facebook page. The draw will be made on 12 June. Good luck! Sorry, competition is now closesd!

I would like to welcome Lady Eleanor Elder to History…the Interesting Bits. Lady Eleanor is one of the principal characters in Derek Birks’ wonderful series of books, The Craft of Kings, the latest instalment of which, Echoes of Treason was released in May. Ever since I first read Feud, about 5 years ago, Lady Eleanor has become something of a heroine of mine. She has overcome many challenges and trials over Derek Birks’ 7 books and – so far – is still standing, if a little battered. She is a fighter, not out of choice, but out of necessity and an impressive survival instinct. She is a lady I am in awe of and so I was quite nervous to finally meet her!

  • Welcome Lady Eleanor, could you please tell our readers a little about yourself?

About myself? The hard ones first, eh? Well, I was born and not long after, my mother died. So she died before I knew her and later, when I was a lass growing up in the dale, those who did know her, never stopped telling me how like her I was. It didn’t sound like a compliment though… but by then I’d grown wild. I must have been about thirteen or so. I was wild and angry with everyone – except my only true friend, Becky Standlake.

  • What would you like to have been in your life, if you have not been caught up in the wars between Lancaster and York? Would you have made a good nun?

A nun? I see you try to provoke me with your questions!

(Sorry, Lady Eleanor, but my tongue was very firmly in my cheek!)

Well, of course, I was destined for marriage – or so my father kept saying – only no man would have me! By the time I was fifteen, my father had given up on me, I think… but by then I’d discovered what boys were really for and I fell in love with Will Coster, my brother Ned’s closest companion. Will was a commoner, but I didn’t care – still, we kept it to ourselves – even kept it from Ned. Then… we all descended into hell. All the rules changed when I was taken by force to a nunnery, aye, a nunnery! I tried to resist but in the end, I just had to bide my time. So, would I be a nun? Well, I’ve tried it and let’s just say, it did not go well…

  • What is your favourite thing to do?

When I was younger, I loved to roam the dales with Becky. There was a pool, fed by the hillside becks and ice cold even in summer. We’d swim naked in that pool and lie, shameless, on the large rocks to dry off in the sun. When war came, I lost that innocence; and it never, ever came back. At first I wanted nothing more than to fight for those I loved, but one by one, those I loved were stripped away… Now, what do I prize above all? I just want some peace…

  • You have become quite a role model for women, always fighting your corner, what is the advice you would give to any woman, in any era, who finds herself in a situation where she feels powerless?

Aye, a woman in the world of men can often feel weak and powerless. The crown, the law, the church, all their rules are made by men. What can a woman do against such odds? Well, she must learn to fight, but it’s not always about a sharp blade – by the Virgin, it’s taken me all my life to understand that! There are many other weapons a woman has, for what are men but boys full-grown? It’s not those full-grown boys that make you weak; it’s your own fear. You must have spirit for it’s what lies in your heart that matters. Spirit is everything…

  • Would you prefer to live in a castle or on a farm, city or country?

I don’t care where I am – though I can’t say I care much for the stench of the town. All that matters to me is who I’m with.

  • If you could live in any historical period, when would it be?

Eleanor Elder always lives in the present…

  • Echoes of Treason opened with you living in exile in Spain, what did you miss most about England while in exile?

My son, my nephew and the rest of my kin… that’s all I missed – though a little more coin would have helped…

  • Who is your favourite king, Richard III or Edward IV?

Edward IV was a charmer, I’m told, though I don’t think I ever met him; my brother Ned knew him well, liked him and served him well. England needed Edward, I think, but what a world of blood he brought down upon us. I met Gloucester when he was about 18 – he was full of himself and I can’t say I liked him much, and now he is the cause of my nephew, John’s troubles, so he is my enemy and I don’t ever forgive my enemies…

  • What achievement are you most proud of?

Proud? I take no pride from anything I’ve done. In a time of blood, I’ve survived and to do so, I’ve taken lives. I will do it again if I must… and let God judge me as he wishes.

  • You have lived a rather adventurous life, do you have any regrets?

Right now, no; but, if I live to be old, I expect to be haunted by countless regrets and when I die, I’ve no doubt that I’ll dwell in purgatory for a very, very long time… Because my passions have always ruled me – for good or ill – and, being swift to act, I’ve made many mistakes in my life: I’ve misjudged some folk and caused their ruin. But, most of all, I regret that many of those who dared to love me and tried to help me, died because of their love. Yet, anything I’ve done – however terrible – if it helped to save my loved ones, I don’t regret that for an instant. I would do it all again.

  • What is your greatest fear?

I fear not being able to protect those I love and keep them safe. But I discovered, only in the past few years, that there is one thing in all Christendom that truly terrifies me – but I’m not telling you that!

Lady Eleanor, it has been a pleasure to finally meet you. Thank you so much for taking the time to talk with me. I wish you the best of luck for Book 4.

Follow the Blog Hop

Wednesday 5 June Jen Black  interviews courageous, Byrhtnoth, of the Byrhtnoth Chronicles by Christine Hancock.

About the Author

Derek Birks

Derek Birks was born in Hampshire in England but spent his teenage years in Auckland, New Zealand where he still has strong family ties. For many years he taught history in a secondary school in Berkshire but took early retirement several years ago to concentrate on his writing. Apart from writing, he spends his time gardening, travelling, walking and taking part in archaeological digs at a Roman villa.

Derek is interested in a wide range of historical themes but his particular favourite is the later Medieval period. He aims to write action-packed fiction which is rooted in accurate history. His debut historical novel, Feud, is set in the period of the Wars of the Roses and is the first of a four-book series entitled Rebels & Brothers which follows the fortunes of the fictional Elder family.
The other books of the series are (in order): A Traitor’s Fate, Kingdom of Rebels and The Last Shroud.

The first 3 book of a brand new series, Scars From the Past, are now available in both kindle and paperback and are on Amazon in the UK and US.
You can find Derek at;
Amazon
Blog
Facebook
Twitter 

And look out for Nicholaa de la Haye dropping by Derek Birks’ blog, Dodging Arrows, for to chat on 22 June.

My Books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, and in the US from Amazon US. It is available now in paperback in the UK from from both Amberley Publishing and Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

©2019 Sharon Bennett Connolly

Little Princess Gwenllian

Gwenllian was the only child of Llywelyn ab Gruffuddd, also known as Llywelyn the Last, Prince of Wales. Her mother was Eleanor de Montfort, who was the daughter of Eleanor of England, sister of Henry III, and Simon de Montfort, Earl of Leicester. Llywelyn and Eleanor had married in Worcester Cathedral in October 1278, in a lavish ceremony attended by Edward I, King of England, and Alexander III, King of Scots.

Memorial to Gwenllian, Sempringham, Lincolnshire

Gwenllian, a descendant of both Welsh and English royalty, was born in June 1282 at the palace of Garth Celyn, Abergwyngregyn, near Bangor; her mother died giving birth to her. Shortly after her birth, Edward I concluded his conquest of Wales. Gwenllian’s father, Llywelyn, was killed in an ambush on 11 December 1282 – and just six months after her birth, Gwenllian was an orphan. Her uncle Dafydd, Llywelyn’s younger brother, became the little princess’s legal guardian. After his brother’s death, Dafydd continued the fight for Welsh independence but was betrayed to the English, in June 1283.

Dafydd, his wife, children and little Gwenllian were captured at Bera Mountain in Snowdonia, where they had been in hiding. At just one year old, Gwenllian was taken, by sea, probably to thwart any attempt at rescue, from Wales, the land of her birth. She would never see her homeland again. The baby girl was placed behind the high walls of the Gilbertine priory of Sempringham, in Lincolnshire, just south of the great city of Lincoln. Her female cousins, the seven daughters of Dafydd, were also placed in various nunneries, so it is possible some of her cousins were with her. Dafydd’s legitimate daughter, Gwladus, who was a similar age to Gwenllian, was placed in Sixhills, another Gilbertine priory, in the Lincolnshire Wolds.

Statue of Gwenllian’s father, Llywelyn the Last at Cardiff City Hall

Dafydd’s two sons, Llywelyn and Owain, were imprisoned in Bristol Castle; the eldest, Llywelyn, died there in 1287, just four years after his capture. Owain was still living in 1325, every night securely incarcerated in a specially constructed timber cage within Bristol Castle. Dafydd himself suffered the horrendous ‘traitor’s death’; he was hung, drawn and quartered at Shrewsbury.

The Gilbertines were the only wholly-English monastic community. Their founder, St Gilbert, had some form of physical deformity, which prevented him from pursuing a career as a knight. He trained as a clerk in France, studying under Master Anselm at Laon. He eventually entered the household of the Bishop of Lincoln and, in 1129, was appointed Vicar of Sempringham and West Torrington. He established the first priory there in 1131, with seven local women vowing to live a life of chastity, poverty and obedience. Sempringham Priory was a double-house, housing both men and women in segregated quarters.

At its height, the priory housed 200 nuns and forty canons. The order followed strict rules, based on those of the Augustinian and Premonstratensian monasteries. By the time of Gilbert’s death in 1189 there were thirteen priories in England; this number had risen to twenty-five at the time of the Reformation. [1]

Gwenllian was a prisoner at the Gilbertine Priory of St Mary, at Sempringham, for the rest of her life. A prisoner of three English kings, Edward I, Edward II and Edward III, she was a rallying figure for the subjugated Welsh and too valuable to ever be freed. Edward I wrote to the Prior and Prioress of Sempringham of his decision to place Gwenllian in their custody, on 11 November 1283: ‘… Having the Lord before our eyes, pitying also her sex and her age, that the innocent may not seem to atone for the iniquity and ill-doing of the wicked and contemplating especially the life in your Order’. [2]

Memorial plaque to Gwenllian on the memorial at Sempringham

Although Edward wanted Gwenllian to be forgotten, he could not afford to forget about her himself, and four years after she was placed in the convent, Edward ordered Thomas Normanvill to ‘go to the places where the daughters of Llewellyn and of David his brother, who have taken the veil in the Order of Sempringham, are dwelling, and to report upon their state and custody by next Parliament’. [3] The extent of Gwenllian’s knowledge of her own history and homeland is far from certain. Having been taken from Wales at six months old, she is said not to have spoken a word of Welsh and may not have even known how to spell her name; she is referred to as ‘Wencillian’, in a document sent to Edward III at the time of her death, although spelling was far from uniform in the 14th century.

Gwenllian was probably well-cared for. Edward III endowed her with a pension of £20 a year, which was paid to the priory for her food and clothing. Whether Gwenllian was treated according to her rank at the priory is unknown; however, it is highly likely that she was aware of her importance and her family connections, especially when she was older, given the attention paid to her by subsequent kings. She is said to have received gifts from her cousin the king, and may have spent time in Edward III’s company, when he visited the priory at Easter-time in 1328; the young king issued a charter from Sempringham on 2 April of that year. [4]

St Andrew’s Church, Sempringham stands close to the site of the Gilbertine priory of Sempringham

Gwenllian may also have spent time in the company of Joan Mortimer, the daughter of Roger Mortimer, supposed lover of Isabelle of France, Edward III’s mother, and ruler of England after the deposition of her huusband, Edward II. Joan was held at Sempringham following her father’s downfall in 1330. She was only eighteen at the time, however, so may have had little in common, beyond their joint status as prisoners of the crown, with Gwenllian, who was a woman now in her late forties who had spent her entire life in conventual seclusion. The profound difference between Joan and Gwenllian, of course, is that Joan was released after a short time.

Gwenllian only found release in death. The on 7 June 1337, the same month as her fifty-fifth birthday. She was buried at the priory where she had spent all but eighteen months of her life. Her grave was lost at the time of the dissolution of the monasteries, in the 16th century. However, a memorial plaque was placed near St Andrew’s Church in Sempringham in 1993, stating:

In memory of Gwenllian, daughter of the last Prince of Wales. Born at Abergwyngregyn 12.06.1282. Died at Sempringham 7.6.1337. Having been held prisoner for 54 years. [5]

Although she left very few physical marks on the world, a child whose very future was stolen by Edward I, Gwenllian’s remarkable story has not been forgotten. In 2009 a mountain in Snowdonia in Wales, formerly known as Carnedd Uchaf, was renamed Carnedd Gwenllian in the lost princess’s honour.

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Footnotes: [1] David Ross, editor, Sempringham Priory, Church and Holy Well, britainexpress.com; [2] englishmonarchs.co.uk; [3] ibid; [4] Calendar of the Charter Rolls. 1-14, Edward III; [5] The Princess Gwenllian Society, Princessgwenllian.co.uk

Sources: castlewales.com; snowdoniaheritage.info; Marc Morris A Great and Terrible King;David Williamson Brewer’s British royalty; Mike Ashley The Mammoth Book of British kings & Queens; Alison Weir Britain’s Royal Families; Roy Strong The Story of Britain; Dan Jones The Plantagenets; the Kings who Made England; Chronicles of the Age of Chivalry Edited by Elizabeth Hallam; The Oxford Companion to British History; The History Today Companion to British History; Derek Wilson The Plantagenets; britainexpress.com; englishmonarchs.co.uk; princessgwenllian.co.uk; Calendar of the Charter Rolls

Images: Photos of Sempringham Church and memorial copyright Sharon Bennett Connolly. Llywelyn the Last courtesy of Wikipedia.

My Books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, and in the US from Amazon US. It is available now in paperback in the UK from from both Amberley Publishing and Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

©2019 Sharon Bennett Connolly

Book Corner: Echoes of Treason by Derek Birks

It is autumn 1483 and Richard III is king of England, but rumours about the fate of his nephews are rife and dissent is beginning to grow. Waiting in Brittany, is the exiled Lancastrian heir to the throne, Henry Tudor, who senses that his moment has come. Henry’s mother, Lady Margaret Stanley, plots to restore her son’s fortunes with a series of revolts against King Richard.
After the disastrous events of the summer, the embattled Elder family is scattered and in hiding. The outlawed head of the family, John, has escaped to Flanders along with a few loyal comrades, his sister, Meg, and his lover, Isabel. But the Elders will not be left to lick their wounds for long, because William Catesby, influential servant of King Richard, has made it his mission to destroy them.
When Lady Stanley tries to draw the Elders into the Tudor rebellion, John must decide whether he can cast aside his long-held Yorkist loyalties. Should he join Henry Tudor under the banner of St. George and the dragon of Wales?
It is the devil’s choice: poverty and a life in exile, or the slim chance of returning home by the fickle path of treason.

The first thing I have to say about Echoes of Treason by Derek Birks is wow! Not just for the story, but for such a stunning book cover!

I have been a fan of Derek Birks’ work since his first book, Feud, introduced us to the Elder family in 2013. The first 4-book series, Rebel and Brothers was a refreshing new take on the Wars of the Roses era, combining national politics and war with the Elder family’s own challenges and enemies.

Echoes of Treason is the 3rd book in Derek Birks’ wonderful new series, The Craft of Kings, set during the reign of King Richard III, and following the younger generation of the Elder family, once again caught up in England’s drama. As with all Derek’s books, Echoes of Treason takes you on a fast-paced journey through medieval history, every page crammed with action and intrigue. This time we journey from Flanders to Brittany and on to England, coming face to face with enemies both old and new.

With her attention on the stall, Meg barely noticed the young woman who suddenly lurched forward and stumbled heavily into Isabel, knocking her to the ground. Torn between helping Isabel up and berating the clumsy woman who had come to rest at the feet of Thomas, Meg hesitated. Her eyes were drawn to the poor woman’s bloodstained kirtle and shift which had been torn open at the front to reveal more than a glimpse of two full, bare breasts.

Before Meg could move, however, a firm hand was clamped upon her mouth and she was lifted off her feet. Cursing her own folly, Meg was borne away, squirming, into one of the many small alleys leading away from the market. Too much time talking and not enough watching those around her! God’s teeth, she was usually so careful! She should have seen her attacker coming, love-besotted fool that she now was!

Her captor slammed her against a wall which ran alongside the alley, his hand still over her mouth. First things first, thought Meg, biting one of his fingers as hard as she could. While he was yelping in pain, she twisted half out of his grasp and reached down to her boot. But he recovered swiftly and they grappled with each other in a whirling flurry of arms until his greater strength enabled him to pin her to the wall once more with his hand around her neck. With his other hand he held a knife at her breast but she simply glared back at him, two sapphire eyes boring into his.

To her surprise, he sought to reassure her. “Don’t be alarmed, girl; you’ve no need to be frightened; I’ll not hurt you.”

But far from being afraid, Meg was just warming to her work. “Put up your blade,” she warned.

he gave a shake of the head until she pressed the point of the knife she had retrieved from her boot against his neck. Now, for the first time, she had his full attention.

“By Christ, little girl!” he cried. “Have a care with that knife!”

Echoes of Treason follows the Elder family into exile, following on from The Blood of Princes and John Elder’s attempts to rescue the Prince in the Tower. From the first pages, in exile in Bruges, to a dramatic return to England’s shores, the action is fast-paced, on land and sea. The author shows his wide breadth of knowledge of the era by incorporating actual events and characters who played leading roles in the history. There is a fabulous interview with Henry Tudor that leaves you smiling for days!

The tension is palpable on every page and builds to a crescendo as the story drives inexorably to the last, desperate fight. The plot, moreover, is as well thought out as the action and drags the Elder family into the intrigues and machinations of those fighting for the crown itself, and their scheming lackeys!

My favourite character in any Derek Birks book is Lady Eleanor Elder. Eleanor has become a bit of a heroine of mine; she is no weak-willed woman and fights with her wits and whatever weapon is to hand, whenever she is backed into a corner. It is a credit to the author that he has let this amazing woman take on a life of her own in the story, despite not being the lead character. She deserves a story of her own (hint, hint!)

I loved this book from the first page to the last. My only complaint is that I found it harder to write my own whilst I was reading it – I found myself drifting off into the Wars of the Roses and wondering how the Elders would get themselves out of the impossible predicament Derek Birks had sent them into. It is only when the last page has been turned that you can breathe a sigh of relief and one of regret, that the book finished too soon!

About the author:

Derek Birks was born in Hampshire in England but spent his teenage years in Auckland, New Zealand where he still has strong family ties.
For many years he taught history in a secondary school in Berkshire but took early retirement several years ago to concentrate on his writing.
Apart from writing, he spends his time gardening, travelling, walking and taking part in archaeological digs at a Roman villa.

Derek is interested in a wide range of historical themes but his particular favourite is the later Medieval period. He aims to write action-packed fiction which is rooted in accurate history. His debut historical novel, Feud, is set in the period of the Wars of the Roses and is the first of a four-book series entitled Rebels & Brothers which follows the fortunes of the fictional Elder family.
The other books of the series are (in order): A Traitor’s Fate, Kingdom of Rebels and The Last Shroud.

The first book of a brand new series, Scars From the Past, is now out in both kindle and paperback.
His books are available on Amazon in the UK and US.
You can find Derek at;
Amazon
Blog
Facebook
Twitter 

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My Books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, and in the US from Amazon US. It is available now in paperback in the UK from from both Amberley Publishing and Amazon and worldwide from Book Depository.

*

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

©2019 Sharon Bennett Connolly

Guest Post: Toni Mount

Today it is a pleasure to welcome author Toni Mount to History … the Interesting Bits with a fascinating guest article based on her new novel The Colour of Lies.

Silk-women, femmes soles and Ellen Langwith

In my latest Seb Foxley medieval murder mystery, The Colour of Lies, set in London in the 1470s, the adventure involves Seb’s wife, Emily, and her fellow silk-women. We meet Dame Ellen Langton once more – she has appeared in most of the novels in The Colour of … series – a character closely based on a real life London silk-woman of the period: Ellen Langwith. In this article, we will look at the lives of Ellen and other silk-women of London, what their work required and how they organised their business.

Silk manufacture has always involved a sequence of skilled processes. Firstly, the silk filaments had to be wound off the cocoons by heating the cocoons in water to loosen the natural glue (sericin) which holds the silk together. Then, as the loosened ends floated free, the raw silk could be unravelled and wound on to spools. The fineness of the silk depended on how many filaments were wound together, a single filament being too fine to work with; four was usual. This part of the process was done at source – southern Spain, the Middle East or even farther afield – because the cocoons were too fragile to transport, so it was traded as these reels of raw silk. During the medieval period, England didn’t weave her own silk textiles: these luxurious cloths always had to be imported, but London did have its own thriving industry run by silk-women. They converted the raw silk into yarn, a process called ‘throwing’, then wove the thrown threads into ribbons, laces and girdles, making up hairnets, decorative fringes and tassels. To learn the craft of silk weaving, a young woman had to serve a long apprenticeship – usually seven years. Some London silk-women ran extensive workshops, taking apprentices from as far away as Yorkshire.

It would seem from the statutes of the City of London for the 1450s that silk working was strictly a woman’s business, unlike embroidery, knitting or even laundering, because the statutes say:

…Many a worshipful woman within the city has lived full honourably and therewith many good households kept, and many gentlewomen and others, more than a thousand, have been apprenticed under them in learning the same craft of silk making.

The language of the statutes implies that this craft was carried out by the most respectable women and was seen as a suitable occupation for ladies of gentility, as well as bringing in sufficient profits that ‘many good households’ depended upon it for their livelihood. Since it was so important, it is surprising the craft never formed its own formal guild, probably because men weren’t involved in the work. Instead, the silk-women regulated and co-operated among themselves, very much as guild members would have done, but unofficially. Having completed her apprenticeship, instead of being admitted to a company of fellow artisans, the young woman would remain with her mistress until she was able to marry and set up her own shop and, maybe, take on apprentices of her own, to pass on her skills.

The London silk-women carried out each skilled process of their craft and trade. As throwsters, they turned raw silk into yarn; as weavers, they produced ribbons, laces, and other small silk goods; as craftworkers, they made up silk laces and other trappings; and as traders in silk, they undertook large and lucrative contracts. This work wasn’t a mere sideline to domestic duties, something a wife pursued in moments free from housework, child care and labour in her husband’s workshop. Wives often continued to work in silk, no matter what the occupations of their husbands. It was a craft with secrets of production and trade passed on from mistress to apprentice. The women ran workshops, invested large amounts of money in purchases of raw materials and trading ventures, often continuing throughout their working lives. They also banded together for mutual aid. On six occasions between 1368 and 1504, the London silk-women sought protection for their craft through petitions (presented to either Parliament or the Lord Mayor of London), and many of their requests were granted.

Most working women were regarded, by law, as being ‘covered’ by their husbands and, therefore, in records of court cases, business contracts and debt collection, the activities of these women are, literally, concealed from view under their husbands’ names. The legal term is femmes couvertes and such women only appear in the records once they are ‘uncovered’ on becoming widows. But some women preferred to run their businesses in their own right, as femmes soles, even when their husbands were still alive, particularly in the fourteenth and fifteenth centuries – perhaps this has some connection to the advent of the plague, when so many social changes were underway. In this case, the women were responsible for their own debts and could be sued through the courts. On the positive side, any profits made were theirs, not their husbands’, and they could sue others if money was owed to them or a contract was reneged upon to their loss. Silk-women were among those who opted to be femmes soles – with their husbands’ permission, of course. Often their husbands were merchants, especially mercers, who brought in the reels of raw silk for their wives along with other textiles imported from abroad.

Ellen Langwith – we don’t know her maiden name – probably came from Beckenham in Kent to London, to serve an apprenticeship as a silk-woman, sometime in the early fifteenth century. Her first husband, Philip Waltham, was a cutler who also owned a brewhouse: ‘Le Hertishorne’, just outside Newgate. But Ellen was already a successful silk-woman. In his will of 1425, Philip named his three apprentices: Agnes Walshale, Agnes Sampson and Alice Dunnowe, leaving them 6s 8d each on the condition that they behaved courteously, in both word and deed, towards his wife Ellen, their mistress, at whose discretion the money was to be given. From the wording of the will, it is impossible to say whether the three girls were apprenticed as cutlers or silk-women. Perhaps they were making high fashion silk scabbards for the knives Philip manufactured. Ellen was a widow by May 1426, the main executor of her husband’s will, sole owner of all his movable goods and the Hartshorn brewery.

By 1437, she had married again. Her second husband was John Langwith, a well-established London tailor who had become a freeman of the city in 1418 and took on his first apprentices in 1425. Since masters were required to have wives to care for the apprentices, it seems probable that John had been married previously, before he wed Ellen since, at this date, she was still Philip Waltham’s wife. John was elected Master of the Tailors’ Company in 1444 and, in the summer of 1445, he led the company in the elaborate processions to welcome Margaret of Anjou to London as the bride of Henry VI. The tailors spent £3 on blue livery gowns for the Master and Wardens to look their impressive best for the occasion. Did Ellen supply any silken trimmings for the robes? We don’t know, but that year she was admitted, free of charge, to the Tailors’ Fraternity of St John the Baptist. It was in the chapel of St John the Baptist, in their parish church of St Mary Abcurch, that both John and, later, Ellen would be buried. The Langwiths lived in a tenement on the north side of Candlewick Street, one of a group of properties, owned by John, which shared a courtyard.

After marrying John, in 1439, Ellen was one of a group of London silk-women who bought £30 worth of silk from Venetian merchants visiting the capital. In February 1443, she purchased a fardell (a bundle) of silk for herself at the incredible cost of £60 11s 8d, showing how her business had grown. Ellen certainly had apprentices but may also have distributed work to others, to do at home. At this time, another silk-woman, Katherine Dore, was putting out work to women living in Soper Lane. While John was training lads as apprentice tailors, one indenture for a girl survives: Elizabeth Eland was taken on in July 1454 by both John and Ellen, to train as a silk-woman. She may have joined other girls under Ellen’s tutelage; if so, their indentures haven’t survived. We don’t know whether Elizabeth completed her apprenticeship or what happened to her. She isn’t mentioned in Ellen’s will but that’s not surprising since it wasn’t drawn up until 1481, twenty-one years after Elizabeth should have finished her training.

In 1465, Ellen gained royal patronage when she was commissioned to supply silk banners and trappings for the saddle and pillion for Edward IV’s queen, for her coronation. Ellen had to deliver the goods ‘into the hands of Thomas Vaughn one of the esquires of our [the king’s] body to the use of our most dear and entirely beloved Queen…’ and was paid £27 10s. John Langwith died in July 1467 and, like Philip Waltham before him, made Ellen his executrix, leaving her responsible for an ‘estate of lands’ at Beckenham in Kent which may have been her own inheritance. Ellen was now a very wealthy widow without an heir so she too drew up a will, though she would outlive John by over thirteen years. Her will was artfully worded: she left much of her property to the Tailors’ Company with the proviso that if they failed in its adequate administration, all would be forfeit to the Cutlers. In this way, she was well favoured by both companies, invited to their feasts on special occasions and sent gifts of food and wine to keep them in mind. In 1476, the tailors spent 2s on a pike and wine for Mistress Ellen Langwith, while the less wealthy cutlers sent her a rabbit and a hen costing 8d.

In her will, Ellen left 10s to pay for her funeral in St Mary Abchurch which included money to the parish clerk to ring the bells. There were alms to the poor and the Tailors’ Company was to use money from the rents paid to them from the Langwith properties, to buy 26 quarters of coal for thirteen poor men and women of the parish, on the anniversary of Ellen’s death. Before she died – sometime between January and June 1481 – she left an additional, modest will, leaving most of her household goods to her current apprentice, John Brown (presumably an apprentice tailor). She leaves a bequest of 40s to Richard Wiott, the son of a shearman, when he should come of age, and money and goods to her servants, John England and Emmott Bynchester. Otherwise, all her bequests are made to women: Margaret, wife of John Wareng, one of her two executors, is to have a gold ring set with a diamond and an image of Our Lady from Ellen’s chamber; Mary, wife of John Jakes the draper, the second executor, is to have her blue silk girdle with silver gilt decorations. Katherine, wife of Hugh Pemberton, the overseer of Ellen’s will, is to receive a gold ring set with turquoise. A gown of black medley (a wool mixture?), trimmed with white lamb, was left to her cousin Mistress Bowyer of Northampton, and her best blue gown, trimmed with marten fur, was bequeathed to another cousin, Mistress Bounesley of Nottingham. Her personal belongings and considerable household goods and furnishings, mentioned in her will, suggest Ellen was a prosperous and dignified elderly woman who had had a very successful career, whether as the wife of a cutler and a tailor, or as a craftswoman in her own right.

In my new novel, The Colour of Lies, Emily and the other silk-women set up a profitable stall at St Bartholomew’s Fair and Dame Ellen Langton is going to name one of them as her successor in taking on her business. All is going well for them until an accident occurs… It’s down to Emily’s husband, Seb, to solve the mystery and get the silk-women out of trouble.

If readers would like to know more about silk-women and many other craftsmen, traders and life in medieval England in general, there is a series of online courses available from medievalcourses.com which includes The Roles of Medieval and Tudor Women and Everyday Lives of Medieval Folk. There are also my books, both published by Amberley, Everyday Life in Medieval London, which was chosen as ‘the best factual history book of 2014’ by GoodReads, and A Year in the Life of Medieval England, among other titles. All are available from Amazon as both Kindle, hardback and paperback editions.

About the Author

Toni Mount MA

Toni is a history teacher, a writer, and an experienced public speaker – and describes herself as an enthusiastic life-long-learner; she is a member of the Richard III Society Research Committee and a library volunteer, where she leads the creative writing group.

Toni attended Gravesend Grammar School and originally studied chemistry at college. She worked as a scientist in the pharmaceutical industry before stopping work to have her family. Inspired by Sharon Kay Penman’s Sunne in Splendour Toni decided she too wanted to write a Richard III novel, which she did, but back in the 1980s was told there was no market for more historic novels and it remains unpublished.

Having enjoyed history as a child she joined an adult history class and ultimately started teaching classes herself. Her BA (with First-class Honours), her Diploma in Literature and Creative Writing and Diploma in European Humanities are from the Open University. Toni’s Certificate in Education (in Post-Compulsory Education and Training) is from the University of Greenwich. She earned her Masters degree from the University of Kent in 2009 by the study of a medieval medical manuscript at the Wellcome Library.

After submitting an idea for her first book, about the lives of ordinary people in the middle-ages, Everyday Life in Medieval London was published in 2014 by Amberley Publishing – the first print run sold out quickly and it was voted ‘Best history book of the year’ at Christmas 2014 on Goodreads.com. The Medieval Housewife was published in November 2014 and Dragon’s Blood & Willow Bark, the mysteries of medieval medicine (later renamed in paperback as Medieval Medicine it mysteries and science) was first released in May 2015. A Year in The life of Medieval England, a diary of everyday incidents through an entire year, was published in 2016.

Having taught history to adults madeglobal.com recruited her to create a range of online history courses for medievalcourses.com, but she still wanted to write a medieval novel: The Colour of Poison the first Sebastian Foxley murder mystery was the result, published by madeglobal in 2016. Shortly before publication Tim at madeglobal asked if this was going to be a series – although nothing else was planned, Toni said “yes” and now The Colour of Lies (published in April 2019) is the seventh book in that series.

Toni is married with two grown up children and lives with her husband in Kent, England. When she is not writing, teaching or speaking to history groups – or volunteering – she reads endlessly, with several books on the go at any one time. She is currently working on The Colour of Shadows the next Sebastian Foxley murder mystery and The World of Isaac Newton, her next non-fiction.

Her websites include: http://www.ToniMount.com http://www.SebastianFoxley.com http://www.ToniTalks.co.uk

You can follow Toni on social media at: http://www.facebook.com/toni.mount.10 http://www.facebook.com/sebfoxley/ http://www.facebook.com/medievalengland/ http://www.twitter.com/tonihistorian

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My Books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, and in the US from Amazon US. It is available now in paperback in the UK from from both Amberley Publishing and Amazon and worldwide from Book Depository.

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©2019 Sharon Bennett Connolly and Toni Mount

Mother’s Day Giveaway

Competition Closed: And the winner is Heather Jackson

Sunday 31st March 2019 is Mother’s Day in the UK this year and what beet way to celebrate the release of the paperback of Heroines of the Medieval World, than a giveaway for everyone’s favourite Heroine – MUM?!?!

“As Connolly ably demonstrates, knowing about these fascinating women is essential to filly understanding medieval Europe.” (Publishers Weekly)

About Heroines of the Medieval World

Heroines come in many different forms, and it is no less true for medieval heroines. They can be found in all areas of medieval life; from the dutiful wife and daughter to religious devotees, warriors and rulers. What makes them different compared to those of today are the limitations placed on them by those who directed their lives – their fathers, husbands, priests and kings. Women have always been an integral part of history, although when reading through the chronicles of the medieval world, you would be forgiven if you did not know it. We find that the vast majority of written references are focussed on men. The chronicles were written by men and, more often than not, written for men. It was men who ruled countries, fought wars, made laws and treaties, dominated religion and guaranteed – or tried to guarantee – the continued survival of their world. It was usually the men, but not all of them, who could read, who were trained to rule and who were expected to fight, to defend their people and their country…

 

And don’t worry, the offer is open worldwide – even if it isn’t Mother’s Day for you just yet.

If you would like to win a signed copy of Heroines of the Medieval World to give to your mum on Mother’s Day, or someone else’s mum – or even as a gift to yourself, simply leave a comment below or on my Facebook page and I will include you in the prize draw.

The draw will be made on Wednesday 27th March, so you should get the book in time for the big day.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from Amazon UK, and in the US from Amazon US. It is available now in paperback in the UK from from both Amberley Publishing and Amazon and worldwide from Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2019 Sharon Bennett Connolly

Emma of Normandy, Queen of England

Detail of Emma of Normandy before an altar

In the years leading up to the Norman Conquest of 1066 one woman, in particular, stands out as the matriarch of the period: Emma of Normandy.

As wife of both Æthelred II and King Cnut, Emma of Normandy was the lynchpin of the story of the 11th century. As a Norman, and the mother of both a Danish king of England and a Saxon King of England, it was Emma who bound all three sides together in the conflict of 1066. Her story is suitably dramatic; with exile, tragedy and scandal all playing their part, starkly contrasting with the wealth and privilege of her role as the only twice-crowned Queen of England.

Emma was the daughter of Richard I, Duke of Normandy, and his wife, Gunnora. Born in around 985/987, she was married to Æthelred at Winchester on 5 April 1002, at which time she was given the English name Ælfgifu, although in the Anglo-Saxon Chronicle she is often referred to, simply, as ‘The Lady’. Her marriage with Æthelred was an attempt to seal a peace between England and Normandy, and to persuade the Normans not to allow the Viking raiders, who tormented England’s shores, to winter in their lands between raids into England. Despite the fact the Vikings continued to shelter in Normandy every winter, and raiding into England continued throughout the early years of the 11th century, the marriage was a success in that it produced two more sons and a daughter for Æthelred; a second family considering he was the father of as many as thirteen children by his first wife, Ælfgifu of York, including at least six sons.

Edward the Confessor

Of Emma and Æthelred’s two sons the eldest, Edward, would eventually succeed his half-brother, Harthacnut, to the English throne in 1042, ruling until his death on 5 January 1066. Edward’s younger brother, Alfred, was cruelly murdered during the reign of his step-brother, Harold I Harefoot. Harold was the son of Cnut by his first, handfast wife, Ælfgifu of Northampton. Alfred had arrived in England in 1036, ostensibly to visit his mother, though there are also theories that he intended to mount a challenge for the throne, and was welcomed by Earl Godwin of Wessex. However, his party were ambushed whilst being entertained by Godwin and Alfred was seized and taken to the abbey at Ely in Cambridgeshire, where he was later blinded and either murdered, or succumbed to his wounds. Either way, he died on 5 February 1037 and was buried in Ely Cathedral. Edward and Alfred’s sister, Goda (or Godgifu), was married firstly to Drogo, Count of Mantes and, secondly to Eustace II, Count of Boulogne. One of her sons by Drogo, Ralph, was made Earl of Hereford by his uncle, Edward, but earned himself the insulting nickname Ralph the Timid after fleeing the Welsh in battle.

As the Viking raids increased from 1010 onwards, Æthelred’s position on the throne proved precarious and he sent his wife and her young sons to Normandy for safety, before being forced into exile there himself in 1013, when Sweyn Forkbeard seized the throne. Sweyn’s death early in 1014 offered Æthelred a way back and he sent Edward to England to negotiate his return with the English Witan, who invited Æthelred to resume the throne ‘if he would govern them better than he did before’. [1] Despite his promises, Æthelred proved just as inept as previously, failing to defeat the Danish invaders, led by Cnut. Æthelred died just two years later, on 23 April 1016 (ironically, St George’s Day), and was succeeded by his oldest surviving son by his first wife, Edmund II Ironside. Although Edmund put up a valiant fight against the Danish invaders, led by Cnut, a summer of fighting took its toll and he died on 30 November 1016.

Coin from the reign of Harthacnut

Cnut took control of the whole of England and one of his first actions was to send for Emma, who he married on 2 July 1017. Although Emma appears to have had little influence during the reign of her first husband, her marriage with Cnut appears to have been a partnership. She was a more visible figure in public, enjoying considerable influence at court and offering substantial patronage to the church. She gave Cnut three children including a son, Harthacnut, and two daughters, one who’s name is lost, died aged 8 and is buried in Bosham, Sussex. A second daughter, Gunhilda, married Henry III, Emperor of Germany.

When Cnut died in 1035 Emma was in England and retired to her manor in Winchester, taking the royal treasury with her in the hope she could pass it to her son, Harthacnut. However, Harthacnut was in Denmark and it was Harold Harefoot, one of Cnut’s sons by Ælfgifu of Northampton, who seized the initiative. An agreement was reached whereby the half-brothers ruled as co-kings with Emma acting for Harthacnut and ruling in Wessex. However, two years later Harthacnut had still not returned to England and Harold took the crown for himself, driving Emma into exile with Count Baldwin in Flanders.

Genealogical table of Cnut, Harold I and Harthacnut

Harthacnut appears to have been, by far, Emma’s favourite child. It was for his accession to the English throne that she schemed, rather than for her eldest son, Edward. In the early months of 1040 she and Harthacnut were preparing to invade England when they heard of Harold’s death. Harthacnut succeeded to the English throne without a fight and a year later invited his half-brother Edward, who had spent almost 25 years in Norman exile, to join him in England as his successor.

Harthacnut reigned for just ten days short of two years, he died after collapsing during a wedding celebration at Lambeth. He was buried alongside his father in the old minster at Winchester and Emma gave the head of St Valentine to the new minster for her son’s soul. Emma’s relationship with Edward, however, was more strained than that she experienced with Harthacnut. Years of separation and a strong sense of abandonment on Edward’s part cannot have helped the situation. Following his coronation in 1043, one of Edward’s first actions was to ride to Winchester and take charge of the Treasury, which had been left in his mother’s hands by Harthacnut. Accompanied by the three greatest earls of his realm – Siward, Godwin and Leofric – ‘they deprived her of all the treasure that she had; which were immense; because she was formerly very hard upon the king her son, and did less for him than he wished before he was king…’ [2]

Emma’s friend and close adviser, Bishop Stigand, was deprived of his bishopric, although he was later reinstated and created Bishop of Winchester. He eventually rose to be Archbishop of Canterbury but was removed from office by William the Conqueror. However, at the time of her disgrace, Emma and Stigand’s close relationship gave rise to a later legend that they were more than friends and that Emma was accused of adultery with Stigand (although the 13th century story claimed the bishop’s name was Ælfwine). There is no contemporary evidence of the story, however, and it first appears more than 100 years after the Conquest. As the story went, Emma was accused of adultery and required to walk across red-hot ploughshares in order to prove her innocence. Being neither cut nor burned by the instruments she was declared innocent. As a consequence, Emma was welcomed back into the royal circle by a contrite Edward.

Winchester Cathedral

Although the story is almost certainly a fabrication, Emma was eventually reconciled with Edward, although she enjoyed a much less exalted position as the king’s mother than she had when Harthacnut reigned. She eventually retired to her own estates, living away from the limelight until her death on 6 March 1052. She was buried in the old minster at Winchester, alongside her second husband, Cnut and her favourite son, Harthacnut. Emma’s story forms the basis for the book Encomium Emmae Reginae, possibly commissioned by Emma herself, which provides a significant insight into English politics for the first half of the 11th century.

Emma had played a pivotal role in English politics in the first half of the 11th century, the effects of which would lead to the fateful events of 1066. She helped to shape the events from which the unique situation of the Norman Conquest would arise.  A prominent figure, particularly in the reigns of Cnut and Harthacnut, she was the most distinguished woman of her time. More than any other single person, Emma’s story provides the background to the Norman Conquest through the political and personal relationships formed in the first half of the 11th century.

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Footnotes: [1] The Anglo-Saxon Chronicle translated by James Ingram; [2] ibid.

Picture credits: Detail of Emma of Normandy before an altar courtesy of the British Library; Edward the confessor courtesy of Wikipedia; coin from the reign of Harthacnut, courtesy of Hedning, taken from Wikipedia; Genealogical table of Cnut, Harold I and Harthacnut from the Genealogical Chronicle of the English Kings, British Library; Winchester Cathedral courtesy of Anne Marie Bouchard.

Sources: The English and the Norman Conquest by Dr Ann Williams; Brewer’s British Royalty by David Williamson; Britain’s Royal Families, the Complete Genealogy by Alison Weir; The Wordsworth Dictionary of British History by JP Kenyon; The Norman Conquest by Marc Morris; Harold, the King Who Fell at Hastings by Peter Rex; The Anglo-Saxons in 100 Facts by Martin Wall; The Anglo-Saxon Age by Martin Wall; Kings, Queens, Bones and Bastards by David Hilliam; The Mammoth Book of British kings & Queens by Mike Ashley; The Oxford Companion to British History Edited by John Cannon; The Anglo-Saxon Chronicles translated and edited by Michael Swaton; The Anglo-Saxon Chronicle translated by James Ingram; Queen Emma and the Vikings by Harriett O’Brien; The Bayeux Tapestry by Carola Hicks; On the Spindle Side: the Kinswomen of Earl Godwin of Wessex by Ann Williams; oxforddnb.com.

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Out Now!

Tracing the fortunes of the women who had a significant role to play in the momentous events of 1066, Silk and the Sword: the Women of the Norman Conquest is available from Amazon UK,  Amberley Publishing and Book Depository. It is scheduled for release in the US on 1 March 2019 and is available for pre-order from Amazon US.

 

Also by Sharon Bennett Connolly:

Telling the stories of some of the most incredible women from Medieval history, Heroines of the Medieval World,  is now available in hardback in the UK from both Amazon UK, in the US from Amazon US  and worldwide from Book Depository. It will be released in paperback in the UK from 15 March 2019 and is available for pre-order from both Amberley Publishing and Amazon.

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Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebookpage or joining me on Twitter.

©2019 Sharon Bennett Connolly