In the heart of Sherwood Forest lies the picturesque, yet unassuming, village of King’s Clipstone. Between the twelfth and fifteenth centuries one of the very largest royal palaces ever to have graced the Mediaeval landscape stood there.
The palace was visited by eight kings who held parliament, Christmas feasts and tournaments; were visited by the king of Scotland, a papal envoy and traitorous barons; built a fortification, great hall and a stable for two hundred horses; went hunting, drank wine and conceived a prince; listened to storytellers, poets and singers.
This is the history of one of the great lost buildings of Britain and of the individuals that built, worked and lived there. Above all this is story of the people whose lives have been shaped for centuries by an extraordinary structure standing in a remarkable landscape.
A Palace For Our Kings: The history and archaeology of a Mediaeval royal palace in the heart of Sherwood Forest by archaeologist James Wright is a wonderful study of a little known piece of English history. It tells the story of a palace located in the heart of Sherwood Forest. James Wright is an archaeologist who has been involved with King’s Clipstone for many years and his love and enthusiasm for the project shine through on every page of this marvellous book.
The King’s Houses at Clipstone in Nottinghamshire has an incredibly unique and fascinating story to tell. The book traces the history of the village of King’s Clipstone – and it’s palace – from Roman times to the 21st century. It tells not only the archaeological story, but also the life and history of the palace and its people.
James Wright has used the medieval chronicles to explain and support his archaeological discoveries and theories. They also serve to illustrate the varying uses of the palace throughout the years, and demonstrate how national and international events influenced the history of the King’s Houses. The chronicles are drawn on to explain building practices and alterations;
The king’s chamber was whitewashed, quite a job as the space was big enough to warrant two chimneys with a window between them. This window was subsequently blocked up and the remaining windows in Henry’s chamber were installed with protective iron bars, a legacy of the attempt on his life at Woodstock thirteen years previously.
The palace’s story is amply illustrated with the help of photographic evidence, floor plans and maps throughout this highly detailed and fascinating study. The author has also drawn from the memoirs and accounts of antiquarians throughout the generations in order to tell the comprehensive story of the King’s Houses st Clipstone The book contains so much detail that it is impossible not to find something of interest. I have lived half an hour from Sherwood Forest for most of my life, but this book has given me a whole new perspective on the Forest and the people who lived within and around it; giving the Forest and its palace a whole new significance – to me and to history in particular.
James Wright has managed to write an archaeological study which is riveting to the historian or general reader alike. He explains everything clearly, with the minimum of technical language. The archaeological discoveries are discussed in the context of architectural, royal and social history, explaining how the palace developed over the years, as royal requirements and – even – the appearance of royal dignity changed through the centuries.
Pottery was often preferred for serving up victuals as, unlike silver or pewter, it did not taint the taste of food; although in the later Mediaeval period communal serving platters were used less as private dining became preferable. In this was food and dining became yet another method of social exclusion through the refinement of the palate.
A Palace For Our Kings: The history and archaeology of a Mediaeval royal palace in the heart of Sherwood Forest also places Clipstone and the King’s Houses in a regional context; discussing its purpose as a hunting lodge, as a stopover point between London and the North, and as a royal residence. The influences of the larger region – such as York, Nottingham and Lincoln – are considered, not only on the people but also the architecture of the palace.
The author draws on more famous locations, such as Clarendon and Woodstock, to explain and compare the development of king’s Clipstone and the demonstrate how improvements to other royal residences influenced the development of the King’s Houses through the centuries.
Moreover, the book provides a fascinating insight into how the palace affected the lives of the common people in the area. From the scales of justice to the enclosure of local pastureland; the palace was intrinsically intertwined with the lives of the local populace. The book highlights how the actions of the kings who used the palace played a part not only in the livelihoods of the local community but also in their standard of living and, indeed, life itself.
From the stories of kings, through witchcraft, war and religion to the individual lives of the families who lived and worked there, this book tells the remarkable history of the palace and its people; and of its rediscovery and significance to the history of England. This book is a marvel to read; it is a fabulous story of how 1,500 years of history have affected one small area of England – and how that little village played its part in English history.
I cannot recommend it highly enough, it is written in a wonderful, conversational manner which makes it accessible to all, and tells a truly fascinating story which made it a pleasure, and a privilege, to read.
A Palace For Our Kings: The history and archaeology of a Mediaeval royal palace in the heart of Sherwood Forest by James Wright is out now as a limited edition paperback and e-book via Triskele Publishing. More information on the book and the King’s Houses at Clipstone can be found on social media: Facebook and Twitter.
©2016 Sharon Bennett Connolly.
‘The Major Oak’ taken from Wikipedia. ‘The King’s Houses’ photo ©James Wright.