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Guest Post: Suffolk Place by Sarah Bryson

20/06/202120/06/2021Sharon Bennett Connolly3 Comments

Today it is a pleasure to welcome author/ historian Sarah Bryson to History…the Interesting Bits as the last stop on Sarah’s blog tour for her latest book The Brandon Men: In the Shadow of Kings. Look out for my review coming soon.

Suffolk Place

Suffolk Place was once the magnificent manor home belonging to Charles Brandon, Duke of Suffolk. It is a common misconception that Brandon built Suffolk Place, when in fact it has a long and rich history dating back to the 1460’s.

Suffolk Place, otherwise known as Brandon House was built during the 1460’s by Charles Brandon’s grandfather, Sir William Brandon. William Brandon was closely associated with England’s Kings and was knighted in 1471 after the Battle of Tewkesbury by King Edward IV.

In 1457 William Brandon was Marshall of the Marshalsea Prison in Southwark. The prison was run for profit and prisoners would have to pay the Marshall for certain rights, such as access to better conditions, soap, water, food etc.

The Prison was located along Borough High Street, the main thoroughfare from Southwark to London. To enter London from Southwark people had to cross the famous London Bridge. From as early as 14 November 1462 William Brandon was being referred to as Brandon ‘of Suthwerk.’

William Brandon built Suffolk Place, known then as Brandon House, during this period opposite the prison that he controlled. Suffolk Place would become the Brandon family’s main dwelling, providing the family not only access to the Prison but close access to London. In 1465 Sir Thomas Howard, the future Duke of Norfolk is recorded as having stayed at “Brandennes Place in Sothwerke”.

Dominico Mancini, Parisian Scholar, described Southwark as ‘a suburb remarkable for its streets and buildings, which, if it were surrounded by walls, might be called a second city.’ In fact, Southwark was so large that it had a population of approximately 8000 people, many of those considered to be foreigners, including Flemish.

When Sir William Brandon died in 1491 not only was the Marshall of the Marshalsea Prison granted to his third son, Thomas Brandon, but he also left his property of Suffolk Place. Thomas’ older brother William, father of Charles Brandon, Duke of Suffolk had died at the famous Battle of Bosworth fighting for King Henry VII. In 1502 Thomas Brandon added to Suffolk place by leasing 48 acres of meadow surrounding the property. He turned this meadow into a park which also included a fishpond stocked with fish to eat.

Thomas Brandon held his own illustrious career at court, becoming Henry VII’s Master of the Horse and knighted on the 17^th June 1497 at battle of Blackheath. Over his career Thomas Brandon amassed quite a fortune comprising of land, plate and coin totaling almost £1000.

When Thomas Brandon died on January 27^th 1510, he left Suffolk Place to Lady Guildford, wife of the late Sir Richard Guilford whom had helped Thomas Brandon during his final illness. To keep Suffolk Place Charles Brandon, Thomas’ nephew, had to rent the property from Lady Guildford for £42 6s 8d a year.

Suffolk Place was built from traditional Tudor red brick, containing four towers with domed turrets at each corner and an additional tower positioned at the center of one side. The palace was decorated with fashionable terracotta. In addition, there were decorations of cupid, an urn flanked by two griffins, a mythological creature and Charles Brandon’s famous crowned lion’s head badge. The chapel within Suffolk Place contained six guilt statues of saints. Brandon stocked Suffolk Place with plate worth £1 475. Suffolk Place would have stood out as one travelled along Borough High Street as they made their way toward London Bridge clearly showing Brandon’s status to all that passed.

After Charles Brandon, Duke of Suffolk’s first son was born, the baby, named Henry after the King, was Christened at Suffolk Place. The christening ceremony took place in the hall at Suffolk Place and was conducted with great splendor and ceremony. The hall was lavishly decorated with wall hangings of red and white Tudor roses, torches were lit and the christening font was warmed for the special occasion. The Christening as performed by John Fisher, Bishop of Rochester and he was assisted by Thomas Ruthall of Durham. The King attended ceremony as did Cardinal Thomas Wolsey, the Duke of Norfolk and other important members of the court. The King and Cardinal Wolsey stood as the godfathers while Catherine, the Dowager Countess of Devon, a daughter of the late King Edward IV stood as the godmother.

In June 1522 when Charles V visited England Charles Brandon, Duke of Suffolk he had the honour of hosting Henry VIII and the Emperor at Suffolk place where the men dined and hunted in the great park that Brandon’s Uncle had purchased. Charles was a great lover of hunting and kept the park stocked with deer.

Suffolk Place would not stay in the hands of Charles Brandon. On 19 July 1535 Brandon was to be given £2333.6.8 by the King in return for handing over ‘the manors and lordships of Ewelme, Donington, Hokenorton, Carsington, Throppe, Newnham, Courtney, Newnham Moreyn, Tournes, Cudlington, Lekenor, Hantesford Auston, Thorold, Langley, West Bradley, West Compton and Bukland in counties of Oxford and Berk., the manor house of Southwark called Suffolk place and two adjoining walled gardens the constableship of Wallingford Castle.’ To lose Suffolk Place was a huge blow for Brandon as it had been his family’s primary residence in London since his grandfather built the place in the early 1460’s. However, Brandon was in debt and needed money to continue his position at court. Henry VIII did grant Brandon the Bishop of Norwich’s house near Charring Cross to Brandon which still provided the Duke with close access to Westminster and the King.

In June the following year Suffolk Place was granted to Henry VIII’s third wife, Jane Seymour. After her death in 1537 the property reverted back to the crown. The property was occasionally used as a royal residence or to host royal visitors. The royal accounts record that

‘2 gardeners and 2 women were kept for weeding, and setting of strawberries and 3,000 “red rossiers” and 1,000 slips of damask roses were added as well as and cages to put birds in.

In 1545 part of Suffolk Place was turned into the Royal Mint and Edward VI, Henry VIII’s son, ordered that new sovereigns, royal, angel and half angel coins be made. However, the mint was closed in 1551 due to fraud.

After Edward VI’s death his half-sister Mary and her husband, Philip stayed at Suffolk Place in August 1555. In February 1556 Queen Mary granted Suffolk Place to the Archbishop of York. However, he was only granted 14 acres of the property as during the reign of Edward VI part of Suffolk Place had been leased out to small tenements.

The Archbishop did not keep the property for long and over the next year sought to dismantle and dispose of the once great Suffolk Place. The manor was completely destroyed by June 1562 and the remaining property sold to Anthony Cage. Soon the land was filled with small cottages.

Today nothing remains of Suffolk Place. In its place stands a large office building aptly named Brandon House.

Sources:

Calendar of the patent rolls preserved in the Public Record Office, 1446-1452 Henry VI v.5. Great Britain; ‘Close Rolls, Edward IV: 1471-1472’, in Calendar of Close Rolls, Edward IV: Volume 1, 1468-1476, ed. W H B Bird and K H Ledward (London, 1953), British History Online http://www.british-history.ac.uk/cal-close-rolls/edw4/vol2/pp222-234 [accessed 19 December 2018]; Gunn, Steven 2015, Charles Brandon, Amberley Publishing, Gloucestershire, UK; Gunn, Steven 2016, Henry VII’s New Men and The Making of Tudor England, Oxford University Press, Oxford; Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII, 1509-47, ed. J.S Brewer, James Gairdner and R.H Brodie, His Majesty’s Stationery Office, 1862-1932; Porter, Stephen 2016, Everyday Life in Tudor London, Amberley Publishing, Gloucestershire; Sadlack, Erin 2001, The French Queen’s Letters, Palgrave Macmillan, New York; ‘Suffolk Place and the Mint’, in Survey of London: Volume 25, St George’s Fields (The Parishes of St. George the Martyr Southwark and St. Mary Newington), ed. Ida Darlington (London, 1955), pp. 22-25, viewed 2 June 2015, <http://www.british-history.ac.uk/survey-london/vol25/pp22-25>.

About the Author:

Sarah Bryson is a researcher, writer and educator who has a Bachelor of Early Childhood Education with Honours. She currently works with children with disabilities. She is passionate about Tudor history and has a deep interest in the Brandon family who lived in England during the 14^th and 15^th centuries. She has previously written a book on the life of Mary Tudor, sister of Henry VIII and wife of Charles Brandon, Duke of Suffolk. She runs a website and facebook page dedicated to Tudor history. Sarah lives in Australia, enjoys reading, writing and Tudor costume enactment.

Links:

Website: Facebook page: Amazon

My Books:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.

1 family. 8 earls. 300 years of English history!

Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey will be released in the UK on 31 May and in the US on 6 August. And it is now available for pre-order from Pen & Sword Books, Amazon in the UK and US and Book Depository.

Also by Sharon Bennett Connolly:

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, Book Depository.

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Book Corner: Reading Round-up 1

15/12/202017/12/2020Sharon Bennett Connolly4 Comments

I am well behind on the list of book reviews I still have to write up, so I though I would do a couple of articles that include mini-reviews of several books that I have read and enjoyed over the last few months, to clear the backlog and give you some fabulous ideas if you’re looking for that next read.

A Hidden History of the Tower of London by John Paul Davis

Famed as the ultimate penalty for traitors, heretics and royalty alike, being sent to the Tower is known to have been experienced by no less than 8,000 unfortunate souls. Many of those who were imprisoned in the Tower never returned to civilisation and those who did, often did so without their head! It is hardly surprising that the Tower has earned itself a reputation among the most infamous buildings on the planet. There have, of course, been other towers. Practically every castle ever built has consisted of at least one; indeed, even by the late 14th century, the Tower proudly boasted no less than 21. Yet even as early as the 1100s, the effect that the first Tower had on the psyche of the local population was considerable. The sight of the dark four-pointed citadel – at the time the largest building in London – as it appeared against the backdrop of the expanding city gave rise to many legends, ranging from the exact circumstances of its creation to what went on within its strong walls. In ten centuries what once consisted of a solitary keep has developed into a complex castle around which the history of England has continuously evolved. So revered has it become that legend has it that should the Tower fall, so would the kingdom. Beginning with the early tales surrounding its creation, this book investigates the private life of an English icon. Concentrating on the Tower’s developing role throughout the centuries, not in terms of its physical expansion into a site of unique architectural majesty or many purposes but through the eyes of those who experienced its darker side, it pieces together the, often seldom-told, human story and how the fates of many of those who stayed within its walls contributed to its lasting effect on England’s – and later the UK’s – destiny. From ruthless traitors to unjustly killed Jesuits, vanished treasures to disappeared princes and jaded wives to star-crossed lovers, this book provides a raw and at times unsettling insight into its unsolved mysteries and the lot of its unfortunate victims, thus explaining how this once typical castle came to be the place we will always remember as THE TOWER.

What a wonderful read!

Packed to the brim with the best stories from the Tower, and almost 1,000 years of history – some you will know and some you won’t. John Paul Davis tells the remarkable story of the Tower of London through the lives of the people who have resided under its roofs – some of them most unfortunate indeed! We hear the stories of those fortunate people who escaped – and the not-so-fortunate who died in the attempt. John Paul Davis examines every aspect of the Tower of London, its role as a royal fortress, prison and place of execution; and the national events in which it played apart, such as the Peasants’ Revolt and the executions of 2 of Henry VIII’s queens. Written in 23 chapters, the story of the Tower as a prison is told from its foundation in 1066 to the present day.

With these incredible and often heart breaking stories, John Paul Davis clearly demonstrates how the fortress acquired its sinister reputation.

A Hidden History of the Tower of London is a thoroughly enjoyable read, and impossible to put down.

Lost Heirs of the Medieval Crown by J.F. Andrews

When William the Conqueror died in 1087 he left the throne of England to William Rufus … his second son. The result was an immediate war as Rufus’s elder brother Robert fought to gain the crown he saw as rightfully his; this conflict marked the start of 400 years of bloody disputes as the English monarchy’s line of hereditary succession was bent, twisted and finally broken when the last Plantagenet king, Richard III, fell at Bosworth in 1485.
The Anglo-Norman and Plantagenet dynasties were renowned for their internecine strife, and in Lost Heirs we will unearth the hidden stories of fratricidal brothers, usurping cousins and murderous uncles; the many kings – and the occasional queen – who should have been but never were. History is written by the winners, but every game of thrones has its losers too, and their fascinating stories bring richness and depth to what is a colourful period of history. King John would not have gained the crown had he not murdered his young nephew, who was in line to become England’s first King Arthur; Henry V would never have been at Agincourt had his father not seized the throne by usurping and killing his cousin; and as the rival houses of York and Lancaster fought bloodily over the crown during the Wars of the Roses, life suddenly became very dangerous indeed for a young boy named Edmund.

With Lost Heirs of the Medieval Crown, author JF Andrews provides a fascinating study of the also-rans and almost-made-its of medieval history; those children of the kings of England who died before they could claim their birth-right, or were passed over due to the dynastic squabbles of the Norman and Plantagenet dynasties that ruled England from the Norman Conquest in 1066 to the advent of the Tudor age.

From the battles of Robert Curthose, eldest son of William the Conqueror, to the tragic lives of the Yorkist heirs, Edward V, Edward of Middleham and Edward Earl of Warwick, Lost Heirs of the Medieval Crown is a thoroughly engaging read, examining the lives of the heirs who were unable to claim their birthright, imprisoned for their royal blood, died before their time, or died in the attempt to claim the throne. Each individual story is brought into one volume, and demonstrates the struggle for power and supremacy in medieval England.

Beautifully written and well researched, it is an engaging read.

Decoding the Bayeux Tapestry by Arthur C. Wright

For the first time, a scholar reveals the meaning of the marginal images on the Bayeux Tapestry, unlocking a completely new meaning of the work.

The story of the Norman Conquest and the Battle of Hastings as shown in the Bayeux Tapestry is arguably the most widely-known in the panoply of English history, and over the last 200 years there have been hundreds of books on the Tapestry seeking to analyze its meanings. Yet, there is one aspect of the embroidery that has been virtually ignored or dismissed as unimportant by historians—the details in the margins.

The fables shown in the margins are neither just part of a decorative ribbon, nor are they discontinuous. They follow on in sequence. When this is understood, it becomes clear that they must relate to the action shown on the body of the Tapestry. After careful examination, the purpose of these images is to amplify, elaborate, or explain the main story.

In this groundbreaking study, Arthur Wright reveals the significance of the images in the margins. Now it is possible to see the “whole” story as never before, enabling a more complete picture of the Bayeux Tapestry to be constructed. Wright reexamines many of the scenes in the main body of the work, showing that a number of the basic assumptions, so often taught as facts, have been based on nothing more than reasoned conjecture.

It might be thought that after so much has been written about the Bayeux Tapestry there was nothing more to be said, but Decoding the Bayeux Tapestry shows how much there is still to be learned.

Decoding the Bayeux Tapestry: The Secrets of History’s Most Famous Embroidery Hidden in Plain Sight by Arthur C. Wright is a wonderful, engaging study of this most famous of embroideries, retelling the Norman Invasion in stunning, colourful needlework. Arthur C. Wright studies every aspect of the Tapestry, from the beasts in the margins to the story being played out in dramatic detail in the main part of the Tapestry. The author demonstrates how the images in the tapestry, even the animals and mystical creatures in the margin, serve to tell the story of the tapestry and the Norman Conquest.

An entertaining read and thoughtful study of the most famous of tapestries Decoding the Bayeux Tapestry is an illuminating work, beautifully illustrated along the way with images from the famous needlework.

Sex and Sexuality in Stuart Britain by Andrea Zuvich

Peek beneath the bedsheets of Stuart Britain in this frank, informative, and captivating look at the sexual lives of the peoples of the British Isles between 1603 and 1714. Popular Stuart historian Andrea Zuvich, The Seventeenth Century Lady , explores our ancestors’ ingenious, surprising, bizarre, and often entertaining beliefs and solutions to the challenges associated with maintaining a healthy sex life, along with the prevailing attitudes towards male and female sexual behaviour. The author sheds light not only on the saucy love lives of the Royal Stuarts, but also on the dark underbelly of the Stuart era with histories of prostitution, sexual violence, infanticide, and sexual deviance. What was considered sexually attractive in Stuart Britain? At which ages would people be old enough for marriage? What were the penalties for adultery, incest, and fornication? How did Stuart-era peoples deal with infertility, sexually-transmitted illnesses, and child mortality? Find out the answers to these questions – and more – as fashion, food, science, art, medicine, magic, literature, love, politics, faith and superstition of the day are all examined, leaving the reader with a new regard for the ingenuity and character of our seventeenth and early eighteenth-century ancestors.

Sex and Sexuality in Stuart Britain by Andrea Zuvich is a wonderful study of the bedroom exploits of the Stuart dynasty of the seventeenth century. Andrea Zuvich examines all aspects of Stuart sexual life, from attitudes to rape and pornography, to the notions of love and marriage. Zuvich also looks at the lives of the Stuart monarchs, examining the rumours around them, the various mistress and lovers and the perceptions they gave to their people and to history. This is a truly fascinating study of a part of life that is important to all of us – and necessary for our continued existence – but so rarely talked about. Sex and Sexuality in Stuart Britain is so much more than a study of sexual practices in Stuart Britain, it also analyses the effects of child mortality, the dangers of childbirth. It also looks at the seedier side of society, such as infanticide and sexually transmitted diseases.

Sex and Sexuality in Stuart Britain is fascinating! It is a book that needed to be written and provides a wonderful contrast to the usual books on Stuart Britain, which concentrate on the Civil Wars, rather than the lives, loves and desires of the people. Andrea Zuvich has written a marvelous study of Stuart attitudes towards sex and sexuality, leaving no stone unturned to give the reader a comprehensive view of Stuart life, including the legal, social and personal aspects and implications.

The Peasants Revolting Lives by Terry Deary

Today we are aware of how the rich and privileged have lived in the past because historians write about them endlessly. The poor have largely been ignored and, as a result, their contributions to our modern world are harder to unearth. Skilled raconteur TERRY DEARY takes us back through the centuries with a poignant but humorous look at how life treated the common folk who scratched out a living at the very bottom of society. Their world was one of foul food, terrible toilets, danger, disease and death the last, usually premature. Discover the stories of the teacher turned child-catcher who rounded up local waifs and strays and put them to work, and the thousands of children who descended into the hazardous depths to dig for coal. Read all about the agricultural workers who escaped the Black Death only to be thwarted by greedy landowners. And would you believe the one about the man who betrothed his 7-year-old daughter to a Holy Roman Emperor, or even the brothel that was run by a bishop? On the flip side, learn how cash-strapped citizens used animal droppings for house building and as a cure for baldness; how sparrow s brains were incorporated into aphrodisiacal brews; and how mixing tea with dried elder leaves could turn an extra profit. And of the milestones that brought some meaning to ordinary lives, here are the trials and tribulations of courtship and marriage; the ruthless terrors of the sporting arena; and the harsh disciplines of education all helping to alleviate the daily grind. The Peasants Revolting Lives celebrates those who have endured against the odds. From medieval miseries to the idiosyncrasies of being a twenty-first-century peasant, tragedy and comedy sit side by side in these tales of survival and endurance in the face of hardship.

Terry Deary’s The Peasants’ Revolting Lives is a fun and fascinating read for all the family. Whenever a Terry Deary book arrives on the doorstep, there is an inevitable squabble between myself and my son as to who should read it first – I tend to lose!

With stories that are often amusing, sometimes gruesome and all true, Terry Deary examines every aspect of the life of the peasant – throughout history – from work and religion, to sport, entertainment and education. The book is packed full of facts, each story or anecdote intended to inform and entertain – and they do!

The Peasants’ Revolting Lives is a wonderful reading experience for adult and child alike. The stories are so engaging and interesting that you don’t even realise you are learning about the trials and hardships of life as a peasant down the centuries. It is a must-read for any history lover.

All these books are available from Pen & Sword, with 30% off throughout December.

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Guest Post: Life in Miniature: A History of Dolls’ Houses by Nicola Lisle

16/11/202014/11/2020Sharon Bennett Connolly1 Comment

It is a pleasure to welcome to History … the Interesting Bits today, Nicola Lisle, author of Life in Miniature: A History of Dolls’ Houses as part of her Blog Tour with Pen & Sword. A history of dolls’ houses is a little different to my usual type of post, but reading Life in Miniature brought back some very happy childhood memories of my sister and I playing with our dolls’ house in our grandparents’ attic. So I was very interested in finding out more of their history and origins. Nicola very kindly answered a few of my most pressing questions.

Dolls’ house at Charles Dickens’ House, Doughty Street, London

Hi Nicola, congratulations on the release of Life in Miniature and thank you for stopping by to chat.

1. When I heard about your book, I immediately thought of the dolls’ house my sister and I had as children – we used to play with it for hours. How long have you had a fascination for dolls’ houses? Did you have one as a child?

I did have a dolls’ house as a child, and my sister and I played with it a lot. It was apparently made for us by a distant relative, who also made wooden furniture for it. It’s all quite basic, but I love it because it’s unique and it was part of my childhood. We used to have some tiny dolls for it, and we also used to decorate it at Christmas. We had a Christmas tree and had to cut away a square of carpet to fit it in! Sadly, the dolls and Christmas decorations have been lost, but the original furniture and other bits and pieces are still there. As we grew up we lost interest in the dolls’ house and it was in my parents’ loft for many years gathering dust! It wasn’t until I started writing that I became interested in dolls’ houses again, and it was quite by chance. I subscribed to Writing Magazine and Writers’ News – and still do! – and in one issue there was a piece about Dolls House and Miniature Scene magazine, which was open to submissions from freelance writers. It caught my attention, and I got in touch with some ideas. My first piece for the magazine was about the Museum of Childhood at Sudbury Hall in Derbyshire, and it was published in 2004. I carried on writing for the magazine for many years, and it ignited a real passion in me for dolls’ houses. Eventually I rescued my childhood dolls’ house from my mum’s house, and I’m hoping at some point to find the time to give it a bit of TLC! It’s not in bad condition, but it could definitely do with a bit of a makeover!

2. The thing with dolls’ houses is that they are not just for children, are they? My mum has one!

Dolls’ houses are definitely not just for children. I think a lot of adults who had them as children still treasure them, and collecting vintage and antique dolls’ houses is also popular. For children, they are great for stimulating the imagination, but for adults I think it’s more about appreciating the sheer delight of miniatures and the craftsmanship that went into creating them.

3. I think the most famous dolls’ house has to be Queen Mary’s in Windsor Castle, isn’t it? What is so special about it?

Reproduction of miniature of Conan Doyle’s ‘How Watson Learned the Trick’, written for Queen Mary’s Dolls’ House

Yes, I think Queen Mary’s dolls’ house is probably the most famous. It’s special because it captures a slice of 1920s England in such exquisite detail, from the furniture and soft furnishings right down to the food and drink that were popular at the time. It attracted international interest when it first appeared, and it was a showcase to the world, a display of some of the very finest British talent. I think it also restored some pride and optimism in the country during the immediate post-war years. The house and garden were designed by Sir Edwin Lutyens and Gertrude Jekyll, and among its highlights are miniature books, music scores and paintings by popular writers, composers and artists of the day. Many of the books contained original stories written exclusively for the dolls’ house. Two of these, Fougasse’s J. Smith and Conan Doyle’s How Watson Learned the Trick, have been reproduced as miniature replicas with booklets containing the stories in full-size print. Another, Vita Sackville-West’s A Note of Explanation – a story about a mischievous spirit who inhabits the dolls’ house – was also reproduced in full size. I treated myself to all three when I was researching my book, and they are now treasured items on my bookshelves!

4. How long have dolls’ houses been around, Nicola? I always associate them with the Victorians, but were they around earlier? Are dolls’ houses an English creation, or did they come from the continent?

Dolls’ houses have been around since at least the 16th century and originated in Germany, where they were known as baby houses. The first known dolls’ house was made for the Duke of Bavaria in 1557, and it was a miniature version of his ducal palace. By the 17th century, baby houses had become popular in Germany, particularly in Nuremberg. The idea caught on in Holland towards the end of the 17th century, but instead of baby houses the

Dutch favoured cabinet houses, which were grand, elaborately-carved cabinets containing exquisitely furnished miniature rooms. The earliest dolls’ houses in England appeared in the late 17th century and were similar to the Dutch cabinet houses. By the early 18th century they were beginning to look more like houses than cabinets, and they were often modelled on the great country houses and created by estate carpenters. It wasn’t until the Victorian era that they became regarded as toys for children, and mass production towards the end of the 19th century made them much more widely accessible.

5. And what was their original purpose, were they always aimed at children.

The earliest baby houses, cabinet houses and dolls’ houses were primarily display pieces, and they were very much the preserve of royalty and the aristocracy – each one was a statement of the owner’s wealth and social status. They also had an educational role, often being used to instruct young ladies and servants in efficient household management and domestic skills.

6. I am fascinated by dolls’ houses and have to admit that the first thing I did on getting your book was look at the pictures. The houses are beautiful and the furniture inside is so detailed and intricate, do you have a favourite?

Reproduction of miniature of J. Smith by Fougasse, written for Queen Mary’s Dolls’ House

I saw so many gorgeous dolls’ houses while writing and researching my book that it’s almost impossible to pick a favourite. I think all dolls’ houses have their own particular charm, from the grand, ornate ones to the very simplest, and often it’s the stories behind them that make them special. For this reason, I think the dolls’ house at Uppark in West Sussex is one of my favourites, partly because it’s one of the earliest surviving dolls’ houses from the early 18th century, reflecting the Palladian-style architecture that was popular at the time, and partly because it has a connection with H.G. Wells, and I always love literary connections! Wells’s mother was the housekeeper at Uppark during the late 19th century, and he drew on his childhood memories of Uppark in his novel Tono-Bungay, in which he refers to the “great dolls’ house on the nursery landing”.

Another with a literary connection is the dolls’ house at Charles Dickens’ House at Doughty Street in London. The house doesn’t actually have a connection with Dickens himself, but it was modelled on the Doughty Street house by dolls’ house maker Christopher Cole for his book Make Your Own Dolls’ House, which was published in 1976. It is a simplified version of the real thing, rather than an exact replica, but it is very similar, especially the outside, and it was one I particularly enjoyed going to see! It’s not on public display, but it can be viewed by appointment.

I also have special fondness for the dolls’ house at Overbeck’s in Devon. It was created during the 1980s by a lady called Mabel Hill, a very talented, self-taught craftswoman who used scraps of leftover material and other household odds and ends to make the furniture and soft furnishings. What’s particularly lovely is that Overbeck’s was used as a convalescent home for wounded soldiers during the First World War, and one of the activities they were encouraged to do as therapy was to make dolls’ house furniture. Although there’s no direct link between that and Mabel Hill’s house, it does feel as though there is a spiritual connection.

Others closer to home, in Oxfordshire, include the Regency-style dolls’ house at the Tolsey Museum in Burford, which was created during the 1930s by members of the local community and reflects the town’s rural industries (another fascination of mine!), and the Palladian-style house at Greys Court, near Henley, which was created by a local lady, Patricia Mackenzie, during the 1970s. Like Mabel Hill, she used old materials and household objects to create the house and its contents. She was inspired by the Carlisle Collection of Miniature Rooms, which she used to visit when it was displayed at Greys Court during the 1970s. The collection is now housed at Nunnington Hall in Yorkshire, and is another favourite of mine, with a fascinating history – as I said, there are so many favourites!

7. I am guessing that some of these dolls’ houses have fascinating histories – is there one that has a story that particularly caught your attention?

Interior of Dolls’ house at Charles Dickens’ House

Something I became fascinated with while researching the book was finding out about famous collectors, particularly Vivien Greene, wife of novelist Graham Greene. Her collection was once housed in a museum in Oxford, not far from where I live, so there’s a bit of a connection there! Tracking down Vivien Greene’s dolls’ houses almost became a project of its own – sadly, she decided to auction her collection during the late 1990s when her eyesight was deteriorating and most of it finished up in private hands. But one that is on public display is Whiteway at Saltram, a National Trust house in Devon, and its Victorian-style interior is exquisite. I particularly loved the library with its miniature books, all made from wood, and the dining room with its plush red furnishings. The provenance of the house is something of a mystery, and I do love a good mystery! There’s another Vivien Greene house on display at Ilkley Toy Museum in Yorkshire, which dates from the late Victorian era and used to belong to a lady in Abingdon, Oxfordshire – again, not far from where I live. At some point it was converted into an hotel and named The Original Swan after a pub in Cowley, just outside Oxford. It has lost some of its original contents, but it is in good condition and you can still see the mahogany bar and its wooden barrels and glass bottles.

8. What made you want to write a book on dolls’ houses?

It was writing for Dolls House and Miniature Scene magazine for so many years that made me think it would be interesting to write a book on the subject. I had already accumulated a lot of information and pictures that I could use as the basis for a book, and I had a lot of fun building on that, visiting various museums and stately homes that had dolls’ houses on display and gathering up lots more fascinating facts about these wonderful miniatures. I enjoyed researching and writing the book so much – it was a real labour of love!

9. What is your next writing project?

I’ve been working on some possible new book ideas, but at the moment I’m very busy with other writing work. I have several article deadlines coming up, and I am also a tutor on four distance-learning courses with The Writers Bureau, so I’m having to work on my book pitches in between everything else! Hopefully, though, at some point I’ll get them finished and sent off!

10. Where can people find you? Do you have a website or blog? Are you on social media?

I’m on Twitter – you can find me at @NicolaLisle1. I did set up a blog a while ago but haven’t actually done anything with it for some time, so it’s due for a major overhaul – that’s probably going to be a Christmas holiday job!

Thank you, Nicola, for such a lovely chat!

Life in Miniature: A History of Dolls’ Houses is available from Amazon or direct from Pen & Sword and would make a perfect Christmas present.

About the author:

Nicola Lisle is a freelance journalist and author specialising in history and the arts. She has written numerous articles for family history magazines, including Who Do You Think You Are?, Your Family History and Discover Your Ancestors, and was a regular contributor to Dolls House and Miniature Scene magazine for many years. She is the author of Tracing Your Family History Made Easy (Which? Books, 2011) and Tracing Your Oxfordshire Ancestors (Pen & Sword, 2018).

My Books

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & Sword, Amazon and from Book Depository worldwide.

Also by Sharon Bennett Connolly:

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©2020 Sharon Bennett Connolly & Nicola Lisle

The Warennes and the First Cluniac Priory in England

05/09/202012/08/2023Sharon Bennett Connolly17 Comments

As with so many nobles of the eleventh century, Gundrada and William de Warenne were known for their piety. Either in 1077 or 1081-3 (the dates vary according to the sources) the couple set off on a pilgrimage to Rome. Unfortunately, they never actually made it as far as Italy, due to the outbreak of war between the pope, Hildebrand, and the Holy Roman Emperor. They did, however, reach the magnificent abbey of St Peter and St Paul at Cluny in Burgundy, where Gundrada’s brother, Gerbod, was now a monk and they themselves were received into the fellowship of the monks.

Shortly after the Norman Conquest, Gerbod had been made Earl of Chester, but had resigned this position and returned to Flanders in 1071. Gerbod’s return home had been essential to guarantee the safety of the family’s lands and interests there. The former earl of Chester’s eventual fate is uncertain, however; one report has him killed while another sees him imprisoned. His most likely fate comes from a third account, which claims that Gerbod accidentally killed his lord, Count Arnulf III, the nephew of Queen Matilda, at the Battle of Cassel in 1071. According to this last account, Gerbod travelled to Rome to perform penance for killing his young lord, but was prevented from his self-imposed mutilation by Pope Gregory VII. Instead, the pope sent him to Abbot Hugh at Cluny, who gave Gerbod absolution and admitted him to the order as a monk.¹ This would explain William and Gundrada‘s visit to Cluny and the Warenne attraction to the Cluniac order, which led to the foundation of the priory of St Pancras at Lewes, the first Cluniac priory founded in England.

The memorial to the 1264 Battle of Lewes, in the grounds of Lewes Priory

Although Abbot Hugh was absent at the time of the de Warenne’s visit, the abbey at Cluny inspired the couple, they ‘were so struck with the high standard of religious life maintained there that they determined to put their proposed foundation under Cluny, and accordingly desired the abbot to send three or four of his monks to begin the monastery. He, however, would not at first consent—fearing that at so great a distance from their mother-house they would become undisciplined’.²

It was only after William and Gundrada managed to gain the backing of the king, William the Conqueror, that the abbot gave his consent and eventually sent a monk named Lanzo, to act as prior, with three other monks to found the community. William gave them the church of St Pancras at Lewes, which had recently been rebuilt in stone, and the land surrounding it. Their territory was extended by William de Warenne acquiring ‘all the land and the island near Lewes which is called Southye’ for his monks, in return for, every Nativity of St John the Baptist, the delivery of ‘ten arrows, barbed, shafted, and feathered.’³ William and Gundrada were expecting to build a community to house twelve monks. All the churches on the vast Warenne estates were given to the priory, including endowments from the lands of Gundrada’s brother Frederic in Norfolk, recently inherited by Gundrada. The priory was to pay a fixed sum of 50s a year to the abbey at Cluny, but the independence of the Lewes monks was severely restricted, with the right of appointing its prior and admitting new monks being solely the reserve of the abbot of Cluny.⁴ A second priory, started by William but finished by his son, also William, was built on the family’s lands at Castle Acre in Norfolk.

The Cluniac order were unique in the church in that they had been granted exemption from excommunication by Pope Alexander II in 1061, who declared that anyone attempting to excommunicate the monks of Cluny would be ‘accursed by our Lord and St Peter, and fit to be burnt in eternal fire with the devil and the traitor Judas, and to be cast down with the impious into the abyss and Tartarean chaos.’⁵ The order had been founded in the year 910 by monks seeking to pursue a more austere lifestyle and a stricter interpretation of the Rule of St Benedict, laid down in the sixth century and the basis for medieval monastic life. Cluniac monks were renowned for the length and rigour of their church worship, the strict rules that governed them and their freedom from lay control and episcopal control, save for the pope. Their stringent rule contrasted with the order’s love of art and decoration, as demonstrated in the magnificent façade of the Cluniac priory of Castle Acre in Norfolk.⁶

The first Cluniac priory in England, St Pancras was also the acknowledged chief among Cluny’s establishments in England, all of which were founded within 150 years of the Norman Conquest; it became one of the wealthiest monasteries in the country. The family chronicle, the Warenne Chronicle may have originated at St Pancras Priory. Although it is also called the Hyde Chronicle, it is so called because it was discovered at Hyde Abbey in Winchester. It’s origin before that is unknown, so it is entirely possible that the chronicle originated was written at Lewes. This would also explain the chronicler’s extensive knowledge of the Warenne family.

Not only did the priory receive gifts and grants from each successive earl of Warenne, but also from other quarters, including those who wished to be buried there and those wanting to become monks. Among the grants issued to the priory over the years were allowances of venison for sick monks, fishing rights, the monopoly of eels from the Warenne’s Yorkshire properties and the right of taking wood three days a week from Pentecost (fifty days after Easter Sunday) to St Peter’s day (29 June).⁷ Of the Warenne earls of Surrey, all were buried at the priory at Lewes, except the third earl, who died on crusade in the Holy Land, and William of Blois, the first husband of Isabel de Warenne, who was buried in France. In addition to the family members, Lewes Priory was the chosen final resting place for the rich and noble, including earls and countesses of Arundel, and members of the prominent Nevill, Maltravers and Bohun families.

Gundrada died in childbirth at Castle Acre in Norfolk on 27 May 1085. It seems the misunderstanding over Gundrada’s parentage, and the claim that she was the daughter of William the Conqueror and his queen, Matilda of Flanders, arose with the monks at Lewes Priory, when a copy of an earlier charter claimed she was the daughter of Matilda of Flanders. Whether this was accidental or a deliberate misdirection is open to conjecture; the impression of royal links could give houses an advantage over other monasteries when seeking patronage.

Gundrada died before her husband received his earldom, and so never bore the title of countess. She was buried in the chapter house of St Pancras Priory at Lewes; her husband would be buried beside her three years later. Around 1145, when new monastic buildings were consecrated at St Pancras, Gundrada’s bones were placed in a leaden chest and interred under a tombstone of black Tournai marble, ‘richly carved in the Romanesque style, with foliage and lions’ heads’.⁸ The sculptor was trained at Cluny and would later work for Henry I’s nephew, Henry of Blois, Bishop of Winchester and brother of King Stephen. The inscription on the tombstone, which runs along all four sides and down the middle, reads:

‘Gundrada, offspring of dukes, glory of the age, noble shoot,

brought to the churches of the English the balm of her character.

As a Martha …

That part of Martha [in her] died; the greater part of Mary survives.

she was to the wretched; a Mary she was in her piety.

O, pious Pancras, witness of truth and justice,

she makes you her heir; may you in your clemency accept the mother.

The sixth day of the kalends of June, showing itself,

broke the alabaster containing her flesh …’
Elisabeth M.C. Van Houts and Rosalind C. Love (eds and trans), The Warenne (Hyde) Chronicle

William de Warenne was awarded the earldom of Surrey in the spring of 1088. He did not live long enough to enjoy his new title, however, dying within months, or possibly weeks, of attaining the honour, in June 1088. It is conceivable that William’s epitaph was written by Orderic Vitalis himself, who recreates it in volume iv of his Ecclesiastical History. [45] It reads:

‘Earl William, in this place your fame is kindled.

You built this house and were its generous friend:

This (place) honours your body, because pleasing was the gift

you gave so willingly to the poor of Christ.

The saint himself, Pancras, your heir, who guards your ashes,

Will raise you to the mansions of the blessed in the stars.

Saint Pancras give, we pray, a seat in heaven

To him who for your glory gave this house.’
Elisabeth M.C. Van Houts and Rosalind C. Love (eds and trans), The Warenne (Hyde) Chronicle

Following the dissolution of St Pancras Priory at Lewes in the sixteenth century, the tombstone was first moved to Isfield Church; it was moved again in 1775 to the parish church of St John the Baptist at Southover in Lewes. The church is situated close to the grounds of the ruined priory and may once have been within the priory’s precincts. The remains of Gundrada and William were discovered in the ruined priory in two leaden chests in 1845 and finally laid to rest in the Gundrada chapel at the Southover church in 1847. ⁹

The priory founded by William and Gundrada would continue its association with the Warenne family until the death of John, the seventh and final Warenne Earl of Surrey, who was buried there in 1347. The relationship was not always amicable, however; Earl Hamelin, the 4th Earl Warenne and second husband of Countess Isabel, had a long-running disagreement with the founding house at Cluny.

But that is a story for another day….

Images:

Footnotes:

¹Elisabeth Van Houts, Hereward and Flanders (article), Anglo-Saxon England vol. 28; ²A History of the County of Sussex: Volume 2 edited by William Page; ³ Lewes Chartulary quoted in W.H. Blaauw, On the Early History of Lewes Priory, and its Seals, with extracts from a MS. Chronicle, Sussex Archaeological Collections; ⁴W.H. Blaauw, On the Early History of Lewes Priory, and its Seals, with extracts from a MS. Chronicle, Sussex Archaeological Collections; ⁵Bullarum. Rom. Pontiff. Collectio, t.l. Roma, 1739-62 quoted in ibid; ⁶Edward Impey, Castle Acre Priory and Castle, English Heritage; ⁷Blaauw; ⁸Warenne, Gundrada de (d.1085) (article) by C.P. Lewis, Oxforddnb.com, oxforddnb.com; ⁹Elisabeth M.C. Van Houts and Rosalind C. Love (eds and trans), The Warenne (Hyde) Chronicle

Sources:

Elisabeth Van Houts, Hereward and Flanders (article), Anglo-Saxon England vol. 28; A History of the County of Sussex: Volume 2 edited by William Page; W.H. Blaauw, On the Early History of Lewes Priory, and its Seals, with extracts from a MS. Chronicle, Sussex Archaeological Collections; Edward Impey, Castle Acre Priory and Castle, English Heritage; Warenne, Gundrada de (d.1085) (article) by C.P. Lewis, Oxforddnb.com, oxforddnb.com; Elisabeth M.C. Van Houts and Rosalind C. Love (eds and trans), The Warenne (Hyde) Chronicle; Jeffrey James, The Bastard’s Sons: Robert, William and Henry of Normandy; Early Yorkshire Charters Volume 8 Edited by William Farrer and Charles Travis Clay; Rev. John Watson, Memoirs of the Ancient Earls of Warren and Surrey, and Their Descendants to the Present Time, Volume I; Alfred S. Ellis, Biographical Notes on the Yorkshire Tenants Named in Domesday Book (article); C.P. Lewis, Warenne, William de, first Earl of Surrey [Earl Warenne] (d. 1088) (article), Oxforddnb.com

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Signed, dedicated copies of all my books are available through my online store.

Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Books, bookshop.org and Amazon.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

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Book Corner: Interview with Tony Riches

21/08/202021/08/2020Sharon Bennett Connolly6 Comments

Guest Interview with Tudor Historical Fiction Author Tony Riches

Carrying on with my series of author interviews, today it is a great pleasure, at History … the Interesting Bits, to welcome author Tony Riches, best-selling author of many historical novels, including The Tudor Trilogy and The Brandon Trilogy. Tony’s latest book, Drake – Tudor Corsair has just hit the shops.

I last interviewed Tony in 2016, so we had some catching up to do!

Hi Tony, thanks so much for agreeing to do an interview, and congratulations on the release of Drake – Tudor Corsair.

So, first question, have you always wanted to be a writer?

I used to write regularly for a range of magazines, and was amazed when my first book (on project management) became a best seller in the US. I wrote my first historical fiction novel ten years ago. Since then, I’ve written at least one book a year, and have been able to write full-time.

Who are your writing influences?

Hilary Mantel and C.J. Sansom are my favourite historical fiction authors, and I’ve just finished reading Alison Weir’s Kathryn Howard – The Tainted Queen, which I highly recommend. I read widely across all genres, and have a huge collection of non-fiction books.

What do you love about writing?

Writing historical fiction is like travelling in time, as I enjoy immersing myself in every detail of the period, from the food they eat to the clothes they wear. In my new Elizabethan series, I had to understand what it was like to wear a ruff. (Francis Drake found his fashionable ruffs uncomfortable, and couldn’t wait to take them off.)

I also look forward to visiting the actual locations used in my books, to have a sense of the local area. When I was researching my book about Katherine Willoughby, I was able to visit the actual rooms at Grimsthorpe Castle where she spent her last years, as well as her amazing tomb at Spilsby.

Social media – do you love it or hate it?

I was an early adopter of Twitter (in July 2009) and over the years have built up a great following, so I use it most days. I never really took to Facebook, but I try to post to my author page once a day, and I’ve recently been participating in some useful and interesting groups, so it has its place. I’m still trying to work out how to make effective use of Instagram…

What advice would you give to someone starting on their writing career?

Write something every day, until writing becomes a habit – and remember that a page a day us a book a year! I try to write at least five-hundred words a day, even when I’m away on research visits.

Many of your stories are set in the Tudor era, what attracted you to setting your stories in the Tudor, what attracted you to writing about this time?

I was born in Pembroke, birthplace of Henry Tudor, who became King Henry VII and began the Tudor Dynasty, but I only began to study its history when I returned to the area as a full-time author.

I found several accounts of Henry’s life, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three, so there would be plenty of scope to explore his life and times.

I’m pleased to say all three books of the Tudor trilogy became best-sellers in the US and UK, and I decided to write a ‘sequel’ about the life of Henry VII’s daughter, Mary Tudor, who became Queen of France. This developed into the Brandon trilogy, as I was intrigued by the life of Mary’s second husband, Charles Brandon, the best friend of Henry VIII. The final book of the Brandon trilogy, about his last wife, Katherine Willoughby, has also become an international best-seller.

Katherine saw Elizabeth Ist become queen, and I began planning an Elizabethan series, so that my books tell the continuous stories of the Tudors from Owen Tudor’s first meeting with Queen Catherine of Valois through to the end of Queen Elizabeth’s reign.

What particularly interested you in writing the story of Francis Drake?

I decided to show the fascinating world of the Elizabethan court through the eyes of the queen’s favourite courtiers. Francis Drake’s story is one of the great adventures of Tudor history. He intrigued me because he was a self-made man, who built his fortune by discovering the routes used by the Spanish to transport vast quantities of gold and silver. He had a special relationship with Queen Elizabeth, and they spent long hours in private meetings, yet he was looked down on by the nobility – even after he was knighted.

I’ve enjoyed tracking down primary sources to uncover the truth of Drake’s story – and discovering the complex man behind the myths. I’ve also learnt that most of what I thought I knew about Drake was wrong, so I’m hoping my new book will help to set the record straight.

What comes first, the research or the story?

I spend about a year researching each book, making notes, looking for important details, and thinking about my approach. I decided to write Drake in the first person, and can imagine him as a unreliable narrator, keen to impress his queen with his stories of stolen gold, dangerous islanders and long-necked sheep (llamas).

How do you decide whose story to write next?

Although it’s important for each book to stand alone, there is a thread which connects them all, and some readers have noticed how there is some mention of the next subject, in each book. There are so many fascinating characters in the Elizabethan court I decided not to limit myself to a trilogy and to make it a series.

You have written about several fascinating people, from Eleanor Cobham to Francis Drake, who was your favourite subject and why?

Whoever I’m writing about at any point in time becomes my new favourite subject, but if I have to choose one, Owen Tudor has a special place as the one who started it all. I’d written the first three chapters when I read Hilary Mantel’s Wolf Hall, and decided to rewrite Owen in first person present tense. It was a gamble, but I’ve just checked and at the time of writing he has 676 reviews on Amazon US – and has been #1 in the US, UK and Australia, so he’s served me well.

Tony Riches

Fabulous talking to you Tony! Thank you!

About the author:

Tony Riches is a full-time UK author of best-selling historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Tudors. For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook and Twitter @tonyriches.

Links:

Amazon UK: https://www.amazon.co.uk/Tony-Riches/e/B006UZWOXA

Amazon US: https://www.amazon.com/Tony-Riches/e/B006UZWOXA

Website: https://www.tonyriches.com/

Writing blog: https://tonyriches.blogspot.com/

Twitter: https://twitter.com/tonyriches

Facebook: https://www.facebook.com/tonyriches.author

Podcasts: https://tonyriches.podbean.com/

Goodreads: https://www.goodreads.com/author/show/5604088.Tony_Riches

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Conisbrough Castle – its Life and History

01/08/202020/07/2023Sharon Bennett Connolly24 Comments

Growing up near Conisbrough Castle, South Yorkshire, I did not know much about its history. It was rather underrated. We always thought it was just a bland old place – it was great for exploring and rolling down the hills and playing hide and seek in the inner bailey. However, being so far from London, the centre of power, it didn’t seem to have much history or national importance. The most famous thing about it was that it was used as the Saxon castle in Sir Walter Scott’s Ivanhoe.

The castle’s early history

English Heritage have spent a lot of money on it in recent years. When I worked there in the early 1990s there was no roof, it was open to the elements, with green moss on the walls and erosion caused by acid rain. And there was just a very narrow walkway around the inside of the keep. It was just a shell. Now it has a roof, floors on every level, sensitive lighting, information videos on each floor and a fantastic little visitor centre with a small museum. It looks so much better (although I still wouldn’t want to stand on the battlements on a windy day like today).

When I joined the castle team as a volunteer tour guide, I started looking into the actual history of the Castle, seeing it more for what it has been, than for the visitor attraction it is now. Instead of being a forgotten, unimportant little castle in the middle of nowhere, Conisbrough Castle comes to life through the history it has been a part of, and the people who have called it home.

According to Geoffrey of Monmouth, in his Historia Regum Britanniae (History of the Kings of Britain), Conisbrough was founded as ‘Conan’s Burg’ by a British leader called Conan. It was said to have later belonged to Ambrosius Aurelianus, a candidate for the legendary King Arthur. As Geoffrey of Monmouth says, Ambrosius captured the Saxon leader Hengist, once a mercenary for Vortigern, at the battle of ‘Maisbeli.’ And brought him to his stronghold at Conisbrough. Hengist was then beheaded on Ambrosius’ orders and buried at the entrance to the castle of ‘Cunengeburg’, that is Conisbrough. A small hill, locally called Hengist’s Mound, is in the grounds of the outer bailey.

What we know, for certain, is that by 1066 the Honour of Conisbrough belonged to Harold Godwinson, Earl of Wessex and later King Harold II of England, though there is no evidence that he ever visited. On a prominent, steep hill, the castle guards the main road between Sheffield and Doncaster to the east, and the navigable River Don to the north.

010 (2) — The kitchen range in the inner bailey

Following Harold’s defeat and death at the Battle of Hastings, and shortly after the Harrying of the North of 1068 Conisbrough was given to one of William the Conqueror’s greatest supporters, William de Warenne. Warenne was a cousin of Duke William of Normandy and fought alongside him at the Battle of Hastings. He was given land in various counties, including Lewes in Sussex and Conisbrough in Yorkshire; and although he developed his property at Castle Acre in Norfolk, little was done at Conisbrough. In those days the castle itself was little more than a wooden motte and bailey construction, surrounded by wooden palisades and earthworks.

A thoroughly modern Castle

It was not until the reign of Henry II that the Castle began to take on the majestic appearance we know today. Conisbrough came into the hands of Hamelin Plantagenet, illegitimate half-brother of King Henry II; Hamelin had married the de Warenne heiress, Isabel, 4th Countess of Warenne and Surrey, and became 4th Earl of Warenne and Surrey by right of his wife.

029 — Fireplace in the bedchamber in the keep

It was Hamelin who built the spectacular hexagonal keep that we can see today. The stairs to the keep were originally accessed across a drawbridge, which could be raised in times of attack. The ground floor was used for storage, with a basement storeroom below, housing the keep’s well, and accessed by ladder.

The first floor holds the great chamber, or solar, with a magnificent fireplace and seating in the glass-less window. According to Margaret Wood’s The English Medieval House, “It has been shown * that the two earliest known examples of a hooded fireplace, at Conisborough [sic] keep (c. 1185)‘ in Yorkshire (PI. XLI p), occur where the circular plan of the room made an arched fireplace difficult to construct. Here a lintel was formed along a chord of the circumference, and the resulting filling above assumed a hooded form.” This is where the Lord would have conducted business, or entertained important guests. Henry II, King John and King Edward II are known to have visited Conisbrough: King John even issued a charter from Conisbrough Castle in March 1201.

The second floor would have been sleeping quarters for the lord and lady. Both the solar and the bedchamber have impressive fireplaces, garderobes and a stone basin, which would have had running water delivered from a rainwater cistern on the roof.

On this floor, also, built into one of the keep’s buttresses is the family’s private chapel. This may well have been the chapel endowed by Hamelin and Isabel in 1189-90, and dedicated to St Philip and St James (although there was a, now lost, second chapel in the inner bailey to which the endowment could refer). The chapel is well-decorated, with quatrefoil windows, elaborate carving on the columns and a wonderful vaulted ceiling.

There is a small sacristy for the priest, just to the left of the door, with another basin for the priest’s personal use, and cavities for storing the vestments and altar vessels.

The winding stairs, built within the keep’s thick walls, give access to each successive level and, eventually, to the battlements, with a panoramic view of the surrounding area.

These battlements also had cisterns to hold rainwater, a bread oven and weapons storage; and wooden hoardings stretching out over the bailey to aid in defence. The keep and curtain walls – which were built slightly later – were of a state-of-the art design in their day. The barbican, leading into the inner bailey, had 2 gatehouses and a steep passageway guarded by high walls on both sides; an attacking force would have been defenceless against missiles from above, with nowhere to run in the cramped corridor.

Although the encircling moat is dry (the keep is built high on a hill), all the detritus from the toilets and kitchens drained into it; another little aid to defence – imagine having to attack through that kind of waste?

None of the buildings in the inner bailey have survived, although you can see their stone foundations in the ground. Along one wall there were kitchens and service rooms leading into a great hall, with a raised dais at the far end, and a solar and living quarters above. Another range of buildings attached to the western wall also held living quarters, possibly for the garrison and any guests. There’s even a small jail cell just to the side of the barbican.

Although Conisbrough is not a large castle, the extensive range of buildings, the magnificent decorations of the fireplaces and chapel, suggest it would have been impressive in its day; and reflects the importance of the castle’s owners and occupants.

The Castle’s Residents

The Warenne Earls of Surrey were close to the crown, and the centre of government, for the best part 3 centuries. The daughter of the 2nd Earl, Ada, had married the heir to the Scots throne and was mother to 2 Scottish kings; Malcolm the Maiden and William the L i on.

Hamelin’s son and heir, William, 5th Earl of Warenne and Surrey, married Maud Marshal, daughter of the Greatest knight, William Marshal, Earl of Pembroke and Regent during Henry III’s infancy. A cousin of King John, William was deeply involved in the Magna Carta crisis, though not always in support of his cousin. Their son John, the 6th Earl, was Edward I’s lieutenant in Scotland and beat the Scots at the Battle of Dunbar in 1296, though he had been defeated by William Wallace at Stirling Bridge the following year. John’s daughter, Isabella, married John Balliol, King of Scots, and was mother to Edward Balliol, another Scottish king. John’s sister, Isabel, married Hugh d’Aubigny, 5th Earl of Arundel, and is remembered as the countess who stood up to Henry III, invoking Magna Carta, when he appropriated land that was rightfully hers.

The 7th – and last – Warenne earl, John, was a colourful character who lived through some of the most dramatic events of English history; the reign of Edweard II. John was the grandson of the 6th earl; his father, William de Warenne, had diedbeen killed in a tournament at Croydon, in December 1286, when John was just 6 months old. Although he was married to Joan of Bar, a granddaughter of Edward I, John lived openly with his mistress and made several unsuccessful attempts to obtain a divorce from his wife. A private feud with Thomas Earl of Lancaster saw John arrange the kidnapping of Earl Tomas’ wife, Alice de Lacey, possibly in retaliation for Lancaster standing in the way of Surrey’s longed-for divorce. The result was the 1st – and only – siege of Conisbrough Castle.

Lancaster sent forces to seize the Warenne castles at Sandal and Conisbrough. His men found the gates of Conisbrough closed to them. The castle was defended by only six men, including the town miller and three brothers, Thomas, Henry and William Greathead, who were men-at-arms. The siege lasted less than two hours and the defenders appear to have relinquished the castle after apparently putting up a token resistance; the three brothers were fined for drawing blood. The chapel in the castle’s inner bailey may have been damaged in the brief altercation, as the following year, Lancaster sent orders to his castellan at Conisbrough, John de Lassell, to ‘repailler la couverture de la chapele de Conynggesburgh.’¹

028 — The bedchamber in the keep, with wash basin and stairway leading to the garderobe and battlements

The last Earl of Surrey died without heirs in 1347 and Conisbrough passed to John de Warenne’s godson, Edmund of Langley, fourth son of Edward III. Edmund’s wife Isabella of Castile gave birth to her 3rd child, Richard Earl of Cambridge (also known as Richard of Conisbrough) at Conisbrough, possibly in the lavish bedchamber within the keep itself. Cambridge had the dubious reputation of being England’s poorest Earl and was executed following his involvement in the Southampton plot against Henry V; however, he is remembered to history as the grandfather of the Yorkist kings, Edward IV and Richard III.

Following Cambridge’s execution for treason in 1415 his 2nd wife, Maud Clifford, made Conisbrough her principal residence until her death in 1446. Maud entertained her Clifford family here and her great-nephew and godson John Clifford, known to Yorkists as the Butcher of Skipton was born there in 1435. In a strange twist of fate, John Clifford is the one accused of murdering the Earl of Cambridge’s 17-year-old grandson Edmund, Earl of Rutland, following the Lancastrian’s defeat of the Yorksists at the Battle of Wakefield on 30 December 1460. Maud died at the castle in August 1446 and is buried in Roche Abbey, about 10 miles from her home.

The castle underwent repairs during the reigns of Edward IV and Richard III, in 1482-3, but by 1538 a survey revealed the it had fallen into neglect and decay, with parts of the curtain wall having slipped down the embankment.

From then on, although it has had successive owners until it came under the protection of English Heritage, Conisbrough Castle has been a picturesque ruin, a wonderful venue for picnics and exploring its many hidden treasures.

Conisbrough Castle from the outer bailey

All photographs are copyright to Sharon Bennett Connolly, 2015.

Footnote:

¹Hunter’s South Yorkshire ii; Deanery of Doncaster ii quoted in F. Royston Fairbank, The Last Earl of Warenne and Surrey, and the Distribution of His Possessions, Yorkshire Archaeological Journal, p. 213

Sources:

Further reading: East Yorkshire Charters Volume 8: The Honour of Warenne, edited by William Farrer & Charles Travis Clay; English Heritage Guidebook for Conisbrough Castle by Steven Brindle and Agnieszka Sadrei; English Tourist Board’s English Castles Almanac; The English Medieval House by Margaret Wood; http://www.kristiedean.com/butcher-skipton; On the Trail of the Yorks by Kristie Dean; F. Royston Fairbank, The Last Earl of Warenne and Surrey, and the Distribution of His Possessions, Yorkshire Archaeological Journal.

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Isabel de Warenne, Countess of Surrey

13/07/202011/01/2024Sharon Bennett Connolly40 Comments

025 — Seal of Isabel de Warenne, Conisbrough Castle

Isabel de Warenne was the only surviving child of William de Warenne, 3rd Earl of Warenne and Surrey, and his wife Adela, or Ela, de Talvas, daughter of William III of Ponthieu. When her father died on the Second Crusade to the Holy Land, in around 1148, Isabel became 4th Countess of Surrey, in her own right, and one of the most prized heiresses in England and Normandy, with large estates in Yorkshire.

Isabel was born during a period of civil war in England, a time known as The Anarchy (c.1135-54), when King Stephen fought against Empress Matilda, the daughter of Henry I, for the right to rule England. Isabel’s father, William, was a staunch supporter of the king and had fought at the Battle of Lincoln in February 1141, though without distinction; his men were routed early on in the battle and William was among a number of earls who fled the field. He later redeemed himself that summer by capturing Empress Matilda’s brother and senior general, Robert Earl of Gloucester, at Winchester.

The earl appears to have tired of the civil war in 1147 and departed on Crusade with his half-brother, Waleran de Beaumont, Count of Meulan, and their cousin, King Louis VII of France. In the same year, as part of King Stephen’s attempts to control the vast de Warenne lands during a crucial time in the Anarchy, Earl Warenne’s only daughter, Isabel, was married to Stephen’s younger son, William of Blois, who would become Earl by right of his wife, following the 3rd earl’s death on Crusade in 1148; the earl was killed fighting in the doomed rearguard at the Battle of Mount Cadmus near Laodicea in January 1148.

It has been suggested that William of Blois was some 7 or 8 years younger than his wife, Isabel. However, this seems improbable and it appears more likely that the young couple were of similar ages. Isabel’s father had been born in 1119 and was no older than 29 when he died; his wife, Ela de Talvas, was a few years younger than her husband. This means that, even if the couple married as soon as they reached the ages allowed by the church, 12 for a girl and 14 for a boy, which would have been 1133 at the earliest, and Ela fell pregnant on her wedding night, Isabel could have been no older 13 in 1147. Given the danger associated with girls giving birth before their teens, it seems plausible that Isabel was not born until the late 1130s and may have been between 10 and 12, or younger when she married William of Blois.

Even before it was known that Earl Warenne had died on crusade, William of Blois was already being referred to as earl in a number of charters relating to Warenne lands, one such charter, dated to c.1148, was issued with the proviso ‘that if God should bring back the earl [from the crusade] he would do his best to obtain the earl’s confirmation, or otherwise that of his lord earl William, the king’s son.’¹

During the 3rd earl’s absence, and while the new earl and countess were still only children, the vast Warenne lands were administered by the 3rd earl’s youngest brother, Reginald de Warenne, Baron Wormegay, who was a renowned and accomplished administrator and estate manager. We do not know when news reached England of the earl’s death, the tidings may have arrived before the return of the earl’s half-brother, Waleran, later in the year. However, the future of the earldom was already secure with the succession of Isabel and her young husband, carefully watched over by Isabel’s uncle, Reginald.

In August 1153 the young couple’s future prospects could have changed drastically when William’s elder brother Eustace, their father’s heir, died. As a consequence, William inherited his mother’s County of Boulogne from his brother, adding to his already substantial domains. He may also have expected to inherit his brother’s position as heir to the throne – or not. It seems that William’s ambitions did not extend to the lofty heights of the throne, or he was not considered suitable for the crown. Either way, the young man was removed from the succession to the crown by his own father, when Stephen made a deal with Empress Matilda’s son, Henry of Anjou, that the throne would go to him on Stephen’s death, thus returning the crown to the rightful line of succession.

William seems to have accepted this, on the whole. Although there is some suggestion of his involvement in a plot against Henry later in 1154, during which William suffered a broken leg, he served Henry loyally, once he became king, until his own death, returning from the king’s campaign in Toulouse, in 1159.

Now in her mid-20s, and as their marriage had been childless, Isabel was once again a prize heiress. Although she seems to have had a little respite from the marriage market, by 1162 Henry II’s youngest brother, William X, Count of Poitou, was seeking a dispensation to marry her. The dispensation was refused by Thomas Becket, Archbishop of Canterbury, on the grounds of consanguinity; the archbishop’s objection was not that Isabel and William were too closely related, but that William and Isabel’s first husband had been cousins. William died shortly after the archbishop refused to sanction the marriage – it is said, of a broken heart.

King Henry was not to be thwarted so easily in his plans to bring the Warenne lands into the royal family, and his illegitimate half-brother, Hamelin, was married to Isabel in 1164. Hamelin was the son of Herny’s father, Geoffrey, Count of Anjou, and an unknown woman, born around 1130, in the time when Geoffrey and Empress Matilda were estranged. In an unusual step, Hamelin took his wife’s surname and bore the titles Earl of Warenne and Surrey in her right.

The marriage appears to have been highly successful. Hamelin was loyal to his brother and his nephew, Richard I, and played a prominent part in English politics whilst Richard was absent on the 3rd Crusade. He also built the highly innovative keep at Conisbrough in the 1170s and 1180s.

220px-Conisbrough_keep — The keep at Conisbrough Castle

Isabel and Hamelin had four surviving children. Their son and heir, William, would become the 5th Earl of Surrey and married Matilda Marshal, daughter of the great William Marshal, Earl of Pembroke and regent for King Henry III. There were also three daughters, Ela, Isabel and Matilda. It has been suggested that Matilda was Hamelin’s daughter by a previous relationship, but this theory is based on an erroneous death date for her husband. One of the daughters – although it is not clear which – bore an illegitimate son, Richard Fitzroy, by her cousin, John (the future King John).

Isabel died in her mid-60s, in 1203, and was buried at Lewes Priory, alongside Hamelin, who had died the previous year. In 1202, Countess Isabel had granted ‘for the soul of her husband earl Hamelin, to the priory of St Katherine, Lincoln, of similar easements for 60 beasts, namely for 40 as of his gift and 20 as of hers.’²

Footnotes: ¹Farrer, William and Charles Travis Clay, editors, Early Yorkshire Charters, Volume 8: The Honour of Warenne; ²ibid

Sources: Robert Batlett, England Under the Norman and Angevin Kings; Dan Jones, The Plantagenets; Donald Matthew, King Stephen; Medieval Lands Project on the Earls of Surrey, Conisbrough Castle; Farrer, William and Charles Travis Clay, editors, Early Yorkshire Charters, Volume 8: The Honour of Warenne; Morris, Marc King John: Treachery, Tyranny and the Road to Magna Carta; Church, Stephen, King John: England, Magna Carta and the Making of a Tyrant; doncasterhistory.co.uk

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Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

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Guest Post: Busting Mediaeval Building Myths: Part Two

16/10/201916/10/2019Sharon Bennett Connolly4 Comments

I think after the wonderful insights of last week’s Guest Post: Busting Mediaeval Building Myths: Part One, we have all been eagerly awaiting Part Two of James Wright‘s brilliant article – I know I have!

So, without further ado. Here it is:

Busting Mediaeval Building Myths: Part Two

James Wright, Buildings Archaeologist, Triskele Heritage

In my last guest blog for History the Interesting Bits, we discussed five common myths about mediaeval buildings. These tall tales included stories of secret passages, yarns about the twist of spiral staircases relating to right-handed defenders and anecdotes that lepers were provided special windows in churches to watch the mass through.

As a buildings archaeologist I often meet folk who are eager to tell me all about their properties and their enthusiasm is genuinely infectious. I’m a great lover of historic architecture and believe that we can learn so much of value about a society by what it builds. However, romanticised and elaborated stories often grow up around certain mysterious features in mediaeval buildings – and it is surprising how often these get repeated all across the country in so many different structures.

In the second part of this series, I will discuss five more common misconceptions, attempt to explain how they come about and what the underlying truth behind each myth is. Hopefully this will help to give a broader and deeper understanding of historic buildings that will bring us that little bit closer to their former occupants.

Ship Timbers

Perhaps the most tenacious and persistent mediaeval building myth is that lots of timber-framed buildings were constructed from salvaged ship timbers. There is even a house in Hertfordshire that is actually called Ships Timbers! Given that traditional British boozers have a reputation as hotbeds of rumour and intrigue, it will come as no shock that many pubs have the reused ship timbers story associated with them – often linked to a famous battle such as Trafalgar. Is there any truth in these tales?

On extremely rare occasions, it can be demonstrated that specific pieces of timber may have genuinely originated from a ship. I cannot stress just how rare this is and that documentary evidence is often lacking. My former colleague, Damian Goodburn, Historic Timber Specialist at MOLA, has pointed out that ship timbers rarely lend themselves to reuse in terrestrial buildings due to extreme weathering, their shaping designed for aquatic settings and the overall unworkability of seasoned oak. Instead, timbers from ship-breaking yards tend to be reused in marine or inter-tidal architecture, such as the Bermondsey foreshore of the River Thames in London. Alternatively, ship timbers may occasionally be found in the foundations of structures located very close to waterways, such as the three pieces recorded in the foundations of the Rose Playhouse, Bankside, London.

The vast majority of timber-framed buildings were constructed from newly felled trees and/or reused terrestrial structures such as barns, granaries and houses. The reuse of buildings is widely documented – for example the building accounts for Tattershall Castle, Lincolnshire, refer to the removal of timber from nearby Revesby Abbey in 1434-5. Reused timber will often be placed in a different part of the new building to the original structure leaving rectangular holes, known as mortises, visible and it is probably this which gives us the origin of the romantic story of timbers salvaged from wrecked ships.

Arrow-sharpening Grooves

Worn into the hard stonework of the interior of many a church porch can be found clusters of strange vertical grooves which visitors are commonly told were created by archers sharpening their arrows, such as those at Holy Trinity, Lambley, Nottinghamshire. Given Edward III’s law of 1363, that all able-bodied men aged between 16 and 60 must practice their archery on Sundays and holy days, plus the location of many archery butts close to the parish church, the arrow-sharpening story has become received wisdom wherever the grooves are found.

There is neither any documentary evidence to suggest that archers sharpened their arrows on the stones of church porches, neither would this be a practical solution to the problem of dulled arrowheads. As churchyards were consecrated ground, archery butts were located elsewhere in the manor, creating a laborious trek to the porch. Instead, the sixteenth century archery expert, Roger Ascham tells us that bowmen would sharpen their arrows using hand-held files and whetstones. Equally, the majority of the grooves are orientated vertically and are located relatively low-down in the porches which render them as impractical for drawing a metre long arrow shaft across. Finally, these grooves are often found on soft limestones entirely useless for honing an edge.

The swashbuckling tales of English victories at Crécy and Azincourt have led to nationalistic myths of an epic proportion. Not only have accounts of the battles become rather knotted, but the desire to connect local history to the heroic archers has led to a misreading of the evidence. Folk traditions from pre-modern Germany and France, collected in the nineteenth century by Charles Rau, refer to parishioners scraping powder from church stonework to use in rituals. The stone was seen as a powerful holy material which was ingested as cures for fever or impotence. It is likely that similar ritualistic practises associated with holy buildings were also once common in Britain and the grooves in church porches relates to this folk ritual.

Murder Holes

Look up whilst you are visiting castles and you will often see voids in the overhead masonry associated with the defence of the building. These can take the form of slots overhanging the walls, known as machicolations (for example at Berry Pomeroy, Devon), or holes in the gate passage, known as murder holes (such as those at Caernarfon, Gwynedd). The popular story is that they were built so that the defenders could pour boiling oil down upon attackers.

Although it is not a myth that these holes were created to potentially hurl items into the spaces below them, including projectiles, stones and caustic lime, their uses were even more complicated. They could act as safe observation points from which the wall foot or passageway could be seen. If fires were started, either accidentally or deliberately, during a siege the slots could also be used to douse the flames with cold water.

Boiling oil was rarely used – it was prohibitively expensive, not often available in large enough quantities to be effective, would have been difficult to heat (it has a boiling point at 204⁰C), problematic to transport around the parapets and could have been a fire risk in itself. There are a very small number of scattered references to the use of hot oil, including at the siege of Orléans in 1428. For the most part, castles were rarely laid siege to and murder holes were mostly left untested. In fact many of them were intended to be nothing more than symbols of architectural prestige: the machicolations at Tattershall would have directly overlooked the roofs of the castle’s Inner Ward – not the best place to drop offensive weapons or scalding materials!

Templar Graffiti

Type “Templar graffiti” into a search engine and you will find a mind-boggling number of links to hundreds of castles and churches, from the dungeons of Warwick Castle to the porch of Worksop Priory, Nottinghamshire. The websites invariably refer to cross-shaped graffiti left behind by the enigmatic Order of the Knights Templar (founded 1199 and dissolved 1312) and their crusading brethren. The legend that he Templars harboured the Holy Grail is all-consuming and many believe that the location of the cup of Christ can be found by decoding intriguing symbols and carvings at sites such as Royston Cave, Hertfordshire.

One of the principle problems with these romanticised notions is that they have more akin to conspiracy theories and Dan Brown novels than to historical research. In particular, it can be demonstrated that the “dungeon” at Warwick Castle was actually the storage basement of Caesar’s Tower, built over 30 years after the Templars were dissolved. Similarly, the carvings at Royston Cave, have been identified, by archaeologist Matthew Champion, as dating to the late fourteenth and fifteenth centuries. Again, this falls outside of the Templar period and the religious character of the carvings is entirely consistent with those in a wide variety of other sites of the period.

Ultimately, crosses are a very common discovery in mediaeval graffiti surveys. They may be related to devotional activities such as prayer, but, as large numbers – around 80% – are found in church porches (as at Worksop) it is also likely that they relate to more secular behaviour. In particular, there is good evidence for mediaeval porches being used as sheltered meeting rooms, places where manorial courts were held, locations for reading wills and a site for parish notices to be read or fixed. As such the graffiti crosses may have been left as contractual memorials akin to swearing on the Bible or signing a document.

Devil’s Door

Many churches, such as St Lawrence, Warkworth, Northumberland, have their north aisle doors blocked up – a phenomena which has been increasingly referred to as the Devil’s Door. Tradition states that this door, nearest to the font, was left open during baptisms so that demons could escape from the new-born child upon command of the priest. The north side of the church was thought of as being connected with the devil and after the Reformation these doors were blocked up as they were considered to relate to superstitions incompatible with the Protestant faith.

Francis Young has written eloquently on the subject of baptismal folklore and suggests that the sacrament was never considered to be a true exorcism, thus we might not be expecting demons to come flying out of the north door. Furthermore, Nicholas Groves has pointed out that the part of the baptism when the devil was commanded to leave the body of the infant, actually took place outside of the south porch in the churchyard. Equally, the belief that the north side of the church was particularly feared also does not stand up. Many churches have their principle entrance to the north, including Southwell Minster, Nottinghamshire, they face the principle access route from the settlement. It is also the case that large numbers of churches retained both their north and south porches, as at Kelham, Nottinghamshire.

Although it is acknowledged that north aisle doors may have been left open during baptisms, this was never part of the established liturgy. However, a number of formal church processions, including that on Palm Sunday, required the north porch as an exit point prior to walking, clockwise, around the east end of the church and back in through the south porch. Following the Reformation, these processions no longer took place making the door and porch essentially redundant. Churchwardens eventually decommissioned many of them as an expensive maintenance liability.

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I hope that you enjoyed this blog and that it will prove useful in trying to fully understand mediaeval buildings on your own visits. Should you wish for more information on this subject, please feel free to tweet me on @jpwarchaeology or email on james@triskeleheritage.com

All images courtesy of James Wright.

I would like to say a HUGE THANK YOU to James Wright for taking the time to write two incredibly fascinating post. I owe you one, James.

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Guest Post: Busting Mediaeval Building Myths: Part One

09/10/201910/10/2019Sharon Bennett Connolly11 Comments

Last week I had the pleasure of attending a talk given by buildings archaeologist James Wright, of Triskele Heritage, on Medieval Graffitti. It was a fascinating lecture and thoroughly enjoyable – if you ever get the chance to go and hear James talk, I highly recommend you do. Anyway, chatting to James afterwards we got on to the topic of the many myths surrounding medieval buildings and James very kindly agreed to write a blog post for me. It is, in fact, a rather large topic – especially after James’ Twitter followers got involved – and so has turned into 2 posts. Part Two will be along next week, but here’s Part One for your delectation.

Busting Mediaeval Building Myths: Part One

James Wright, Buildings Archaeologist, Triskele Heritage

As a buildings archaeologist, I am very fortunate to have access to all manner of mediaeval structures, many of which are not open to the public. I feel a great affinity with these buildings, be they timber-framed houses, stunning parish churches or the castles of great lords, and sense a responsibility to let folk know about new discoveries using a wide range of media. There is simply no point doing archaeology unless you tell others what you have done!

Recently I met my friend, the author Sharon Bennett Connolly, after giving a talk on the mediaeval period. Whilst we were having a catch-up, the subject of popular myths about mediaeval buildings cropped up and Sharon asked if I would be interested in submitting a guest blog for this website.

During my visits to mediaeval buildings, the information relayed on websites, leaflets and guidebooks or by property owners, custodians and stewards is not always wholly precise. I want to use this blog to gently bust a few of the more common myths. There is rarely any malicious intent in such stories – they are usually the result of the misidentification of a structure by an early antiquarian, amateur or even professional historian. If something has been repeated enough times or put into print it becomes “real”. Once it becomes “received wisdom” the myth is widely taken as factual and repeated often.

So here are the first five of ten myths, associated with mediaeval buildings, and the (often more interesting) realities hiding behind them…

Secret Passages

Tales of underground secret passages are so common that almost every village and town have their own version. Usually the tunnel connects two rather contrasting, and faintly scandalous, locations such as the manor house and the nunnery or the priest’s house and the local pub! In my own home town of Stone, Staffordshire, there is a persistent rumour that a passageway linked the site of the twelfth century priory to Aston Hall.

The fact that the two buildings are over one and half miles apart, and that the intervening land is on the flood plain of the River Trent, never seemed to raise any scepticism when the locals of various pubs were discussing this! How would the presence of the passage be kept secret? Who paid for it? Why was it constructed? Where was the spoil put? How was it kept drained? The practicalities all seem rather insurmountable.

Although some sites do feature genuine tunnels, such as Strelley Hall in Nottinghamshire or Ashby Castle in Leicestershire, they tend to be both post-mediaeval in date and are relatively short in length. In both cases they offer access for goods and connect different buildings within a single complex. The vast majority of tunnel myths turn out to be simple drains when investigated. The origin of the story at Stone is probably related to the survival of a small section of a storage undercroft, from the priory, which is now the cellars of a much later house.

Spiral Staircases

Go and visit any castle in the land and you will inevitably find a guidebook, audio-tour, interpretation panel or tour guide stating that all spiral staircases twist clockwise to provide a swordsman’s advantage for the right-handed defenders, who were able to easily wield their weapons, whilst attackers would be at a disadvantage. I’ve spotted this being presented to visitors recently at both Arundel, Sussex and Colchester, Essex.

A brilliant survey of castle staircases, by Neil Guy of the Castle Studies Group, has demonstrated that, contrary to the myth, anti-clockwise spiral staircases were incredibly common. We can find them in the eleventh century at the Tower of London; twelfth century at Newark, Nottinghamshire; thirteenth century at Conwy, Gwynedd; fourteenth century at Carisbrooke, Isle of Wight and fifteenth century at Kirby Muxloe, Leicestershire. Many of these castles were built during periods of military activity such as the Norman Conquest or Edwardian invasion of Wales – yet they still feature anti-clockwise stairs.

Some castle gatehouses (for example, Tonbridge, Kent) feature two staircase turrets, one clockwise and one anti-clockwise. They seem to relate to a similar pattern of access in monastery and cathedral towers (such as St Alphage Tower, London) which may be “up” and “down” routes to avoid collisions and jams. Many castles, such as Richmond, North Yorkshire, even feature straight stair passages. Finally, sieges rarely ended with fighting in the interiors of castles, let alone on the staircases – if the enemy was on your stair the battle was probably already lost!

Burn Marks

Huge numbers of timber-framed buildings are littered with curious tear-shaped burn marks which are often over-looked by custodians and visitors alike. However, when attention is drawn to them, as in the kitchens at Haddon Hall, Derbyshire or on an upper floor at Tudor House, Southampton, Hampshire, they are usually interpreted as being scorch marks left by unattended candles, rushlights, tapers or lamps. Many buildings, such as Gainsborough Old Hall, Lincolnshire, are so riddled with burn marks that their occupants must have been so careless that it is astonishing they are still standing!

Instead, a great piece of experimental archaeology, undertaken by John Dean and Nick Hill and published by the Vernacular Architecture Group, showed that these marks were deliberately created. A tear-shaped burn mark is almost impossible to replicate by leaving a light unattended. They found that the only way to leave such a mark was to hold a taper at a 45 degree angle, a few millimetres away from the timber, for between 5 and 15 minutes. Many marks are also found in locations unsuitable for supporting lights – the backs of doors and window shutters – and few had associated evidence of how lights would have been supported.

Once it was realised that the marks were created deliberately, archaeologists mapped their locations and found that the vast majority were on timbers near doors, windows and chimneys. In the mediaeval period, these areas were widely believed to be vulnerable to malicious fires and invasion by evil spirits. Therefore many of the marks were possibly created as part of a tradition of magical house protection. By burning the timber a little bit it would drive away the threat of more significant damage. Equally, there may be other ritual purposes associated with burn marks that may be connected to prayer, devotion, healing or purification.

Leper Squints

Many parish churches feature curious holes penetrating their walls which are sometimes identified as windows through which sufferers of leprosy (now known as Hansen’s Disease) could observe services. Considered to be contagious and deformed, lepers were literally suffering purgatory on earth, and were therefore discouraged from mixing with the congregation.

Although lepers were considered to be outcasts, they were regularly provided for in charitable hospitals (such as St Nicholas, Harbledown, Kent) which were located on the edge of towns or at crossroads. Ultimately, they were not encouraged to enter regular communities and the provision of squints at parish churches is unlikely.

Location and form is key here. A number features identified as leper squints (for example at St Cuthbert’s, Aldingham, Cumbria) are very small square holes, on the exterior of the church, capped by a thin lintel stone. These are relict putlog holes – left behind by builders whose mediaeval timber scaffolding was physically bonded into the masonry of the wall during construction. At the end of the work, carpenters would saw off the timber flush with the wall and over time the wood would rot away to leave a hole. Alternatively, small, low down windows like the one at St Leonard’s, Wollaton, Nottinghamshire (which usually have evidence for shutters) were probably built to allow ventilation rather than cater to lepers.

Holes found internally, such as that at St Thomas Becket, Lewes, East Sussex, are usually at an oblique angle through the wall separating the aisle from the chancel. These are formally designed, sometimes elaborately decorated, hagioscopes. This feature enabled priests officiating at side aisle altars to be able to simultaneously engage with the main celebrant, at the high altar in the chancel, during the Elevation of the Host – indicating that the ritual bread was now the body of Christ.

Mason’s Marks

Stone buildings were constructed by masons – often considered to be a secretive bunch given to various arcane practises. One tradition states that masons had their own individual symbol (such as the illustrated example from Warkworth Castle, Northumberland) which they would chisel onto a piece of stone, once it was finished, so that they could be paid for it. By finding these marks we may be able to trace the career of a mason as he travelled from site to site.

Although there are definitely marks on the walls of mediaeval buildings which can be attributed to stonemasons, the reasons for their presence has become a little scrambled. Firstly, masons were very rarely paid per stone (i.e. piecework). Mediaeval building accounts (such as those for Caister Castle, Norfolk) indicate that masons were paid weekly wages. Secondly, the simplicity of masons marks means that they get widely repeated. Identical examples to those recorded in the early sixteenth century Hospital of the Savoy, London, were also found in fourteenth century Strasbourg Cathedral, France; seventeenth century Kirby Hall, Northamptonshire and nineteenth century Canton Viaduct, America.

The marks left behind by masons were not necessarily specific to an individual. There was no register of such things and it is likely that they were assigned to either individuals or entire work-gangs just for the lifespan of the building project. When they moved on to a new site, new marks were distributed. On a particular project the marks would be used by foremen to account for productivity, ensuring that the required number of stones were cut during set time periods.

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I hope that you enjoyed this blog and that it will prove useful in trying to fully understand mediaeval buildings on your own visits. Part two of this series will discuss subjects including crusader graffiti and ship’s timbers in mediaeval buildings.

Should you wish for more information on this subject, please feel free to tweet me on @jpwarchaeology or email on james@triskeleheritage.com

I have to extend a huge ‘thank you‘ to James for such a fabulous article. Can’t wait for Part Two!

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Book Corner: All Things Georgian by Joanne Major and Sarah Murden

16/07/201916/07/2019Sharon Bennett ConnollyLeave a comment

Take a romp through the long eighteenth-century in this collection of 25 short tales. Marvel at the Queen s Ass, gaze at the celestial heavens through the eyes of the past and be amazed by the equestrian feats of the Norwich Nymph. Journey to the debauched French court at Versailles, travel to Covent Garden and take your seat in a box at the theatre and, afterwards, join the mile-high club in a new-fangled hot air balloon. Meet actresses, whores and high-born ladies, politicians, inventors, royalty and criminals as we travel through the Georgian era in all its glorious and gruesome glory. In roughly chronological order, covering the reign of the four Georges, 1714-1830 and set within the framework of the main events of the era, these tales are accompanied by over 100 stunning colour illustrations.

I have to say that All Things Georgian: Tales from the long Eighteenth Century is one of the most beautiful books I have ever read. Crammed full of glossy, colourful paintings and photographs, it is impossible for the reader not to appreciate how aesthetically pleasing this book is. It is a pleasure to browse through, just to appreciate the gorgeous images scattered throughout the book.

Having said that, the images are not all this book has to offer. All Things Georgian: Tales from the long Eighteenth Century is co-written by Joanne Major and Sarah Murden and is replete with some of the best stories from the eighteenth century; scandals, love stories and mysteries fill the pages. The most amazing characters of the Georgian era complement the colourful photos; from Marie Antoinette to ‘Crazy Sally’, from coffee shop rivalries, to smuggling, female jockeys and intrepid balloon rides.

This book has stories to entertain everyone.

On the evening of 20 June 1791, Louis XVI and Marie Antoinette of France, together with their children and a handful of trusted attendants, made an ill-fated attempt to escape the revolutionary forces who were keeping them closely watched. The plan had taken many weeks to bring to fruition and the French queen, to whom it was inconceivable that she should survive without the everyday luxuries with which she was surrounded, had been engaged in smuggling various items to the safety of her sister in Brussels. AN infamous Scottish courtesan played a key role in one of these transactions, risking her life in Marie Antoinette’s service.
Grace Dalrymple Elliott, tall, willowy and stunningly beautiful, had gained her notoriety following a very public Criminal Conversation trial and divorce from her portly little husband, Dr (later Sir) John Eliot; Grace had been discovered in a Berkeley Row bagnio with her lover, the worthless Viscount Valentia who soon after discarded his mistress. The handsome Earl of Cholmondeley became her protector; tall and athletic, he was the perfect match for Grace, and the two made an attractive if slightly disreputable couple but, when a countess’s coronet was not forthcoming, Grace left for France and the arms of Louis XVI’s cousin, Louis Philippe Joseph, Duke d’ Orléans (later known as Philippe Egalité). A brief interlude back in London followed where grace bagged the affections of the young Prince of Wales and gained a permanent memento of her royal dalliance in the person of her daughter, Georgiana, who the future monarch privately – if not publicly – acknowledged as his child. The Earl of Cholmondeley became the child’s guardian and Grace, with an annuity from the royal purse, returned to her French duke, only to become trapped in Paris during the French Revolution. …

Sarah Murden and Joanne Major have done a wonderful job of recreating the Georgian world. The language is beautiful, the stories both exciting and entertaining; and scattered with just the right amount of famous and infamous people to make the reader go ‘ooh!’. The two authors are so in sync that it is impossible to discern which story is told by one of the writers and which by the other.

I usually read through books as quickly as possible, devouring them, so-to-speak. However, with All Things Georgian: Tales from the long Eighteenth Century I have taken my time, read only one or two of the fabulous stories at a time. Reading this book is a truly pleasurable experience, and I wanted to take my time and savour every moment.

All Things Georgian: Tales from the long Eighteenth Century by Joanne Major and Sarah Murden is a wonderful little treasure trove of stories and facts, brought to life in beautiful prose and accompanied by glorious images. Well researched and beautifully presented, it would be a stunning addition to any library – it even smells special!

All Things Georgian: Tales from the long Eighteenth Century is available from Amazon UK and US.

About the authors:

Joanne Major and Sarah Murden are supersleuthing historians who enjoy bringing the Georgian era to life. Their lives were changed forever when they (metaphorically) met an eighteenth-century courtesan, and this is now their fourth book together. Along with their respective families, they live in Lincolnshire.

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Guest Interview with Tudor Historical Fiction Author Tony Riches

Who are your writing influences?

What do you love about writing?

Social media – do you love it or hate it?

What advice would you give to someone starting on their writing career?

Many of your stories are set in the Tudor era, what attracted you to setting your stories in the Tudor, what attracted you to writing about this time?

What particularly interested you in writing the story of Francis Drake?

What comes first, the research or the story?

How do you decide whose story to write next?

You have written about several fascinating people, from Eleanor Cobham to Francis Drake, who was your favourite subject and why?

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The castle’s early history

A thoroughly modern Castle

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Coming 15 January 2024: Women of the Anarchy

Coming on 15 June 2024: Heroines of the Tudor World

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Busting Mediaeval Building Myths: Part One

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