Today it is a pleasure to welcome author Tony Riches back to the blog, talking about the inspiration behind his latest book, Essex – Tudor Rebel. Essex is the second book of Tony’s fabulous Tudor Trilogy, looking into some of the most fascinating characters of the Tudor dynasty. The first in the series, Drake – Tudor Corsair was absolutely fabulous!
Inspiration to Write Essex – Tudor Rebel
by Tony Riches
Robert Devereux, Earl of Essex, is one of the most intriguing men of the Elizabethan period. He becomes a ‘favourite’ at court, so close to the queen many wonder if they are lovers. The truth is far more complex, as each has what the other yearns for. Robert Devereux longs for recognition, wealth and influence. His flamboyant naïveté amuses the ageing Queen Elizabeth, like the son she never had, and his vitality makes her feel young.
I decided to explore Robert Devereux’s story when writing the first book of my Elizabethan series, Drake – Tudor Corsair. Drake is appalled when Essex commandeers a warship from the waiting fleet to sail in the ‘English Armada’ and attack Lisbon.
To make things worse, Drake knew Queen Elizabeth had forbidden Essex to join the expedition – and he had no experience of naval command or fighting at sea. With typical bravado, Essex leapt from his ship into deep water, causing many of his followers to drown in their attempt to do the same. He then led the forty-mile march to Lisbon, without waiting for supplies, and many soldiers died from hunger, heat exhaustion and thirst. The whole enterprise proved a costly disaster, and set the tone for Robert’s later adventures.
I wanted to understand why he was so driven to take such risks, when he knew his vengeful queen would be furious. I had access to all his surviving letters, which reveal an intriguing, deeply flawed character, always at the heart of events, the perfect subject for an historical novel.
I particularly wanted to keep his story as factually accurate and authentic as possible, so immersed myself in the dangerous world of Elizabethan London. During my research I was amazed to find Robert Devereux lived at Lamphey Palace, twenty minutes from my home in Pembrokeshire. I also visited the Devereux Tower and Chapel of St Peter ad Vincula at the Tower of London, (where he lies close to Lady jane Grey and Anne Boleyn).
I hope readers will be able to tell that this book is one I’ve really enjoyed researching and writing, and that I’ve been able to find some of Robert Devereux’s redeeming qualities.
Tony Riches is a full-time UK author of best-selling Tudor historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his new Elizabethan series, Tony’s historical fiction novels include the Tudor trilogy and the Brandon trilogy, about Charles Brandon and his wives.
Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.
In 1485 England was a small kingdom, the whole country consisted of a population of less than 3 million people, with 60,000 living in the capital, London.1 The Wars of the Roses was very much a recent trauma in the national memory. The country was a predominantly rural society, with local loyalties to local landowners – such as the Percies in Northumberland – taking precedence over national considerations. Noticeable regional differences varied in speech, diet, cloth, farming methods, the shape of church towers, and even the veneration of the saints. In Tudor Lincolnshire the Fens were yet to be drained, few roads were well-maintained and even they could be treacherous in heavy rains. Lincoln itself had been effected by the decline in the wool trade, and with a shrinking population, its size and prosperity were also decreasing.
A distinction was also rising among the aristocracy of the county and that of the royal court. In the regions, the minor nobility served the king as sheriffs, escheators and justices of the peace, or representing their county in parliament. The greater aristocracy, however, were looking for positions and influence at court; for themselves and their families. The Tudor court was a micro-world in itself. It set the standards in manners for the whole country. Service to the monarch was the primary concern. Most courtiers were related to each other, marriages were negotiated between the prominent families and service to the queen was the highest position a lady could aspire to.
At first glance you would think there was very little interaction between the nobility of Lincolnshire and the Tudor court. However, as we delve deeper we can see that, not only was there movement between the court and the county, it was not only one-sided, but fluid and travelling in both directions. When looking at this over the Tudor period – of over a hundred years of history – we notice the subtle changes in the interactions between the county and royal court, not only based on the progress of the time, but also the personalities involved and their personal experiences.
For some ladies, marrying into a member of the Lincoln aristocracy was a way of getting away from the glare of the court. For Elizabeth (Bessie) Blount, lady-in-waiting to Katherine of Aragon, a former mistress of Henry VIII and the mother of his illegitimate son Henry Fitzroy, Earl of Richmond, it was the chance at a normal life. Born in 1500, Bessie Blount married Gilbert Tailboys in 1519, following her affair with Henry VIII and just months after the birth of the king’s son. The marriage was probably arranged by Henry as a ‘reward’ for Bessie. The couple settled on Gilbert’s family estates at Kyme in Lincolnshire. And despite being far from court, Bessie was not forgotten by the king. She continued to receive Henry’s favour, with various grants between 1522 and 1539 and New Years’ gifts throughout her life; in 1532 Henry sent her a gilt goblet with a cover weighing over 35 ounces.2
Bessie and Gilbert had three children together, Elizabeth, George and Robert, before his death in 1530. Gilbert Tailboys had settled part of his Lincolnshire estates on Elizabeth, giving her an annual income of £200 a year for life. Following his death, Bessie appears to have been happy to stay in Lincolnshire instead of returning to her Shropshire roots, or an unwelcoming royal court. In 1535 she married again, to the soldier Edward Fiennes de Clinton, 9th Baron Clinton and Saye, who was 12 years her junior. Although de Clinton had his family seat in Kent, they settled on Bessie’s Lincolnshire estates. They had three daughters together, Bridget, Katherine and Margaret, before Bessie died sometime before June 1541 (when Clinton remarried). While Elizabeth appears to have stayed away from court, Clinton’s marriage to the king’s former mistress brought him royal favour; he attended on the king at Calais and Boulogne in 1532 and acted as cup-bearer at the coronation of Anne Boleyn in 1533. Following the Lincolnshire Uprising of 1536, one of several rebellions which formed the Pilgrimage of Grace, Clinton was rewarded for staying loyal to the king – most Lincolnshire gentlemen had joined the rebellion – with the dissolved monastery of Sempringham.
Lincolnshire aristocratic families were often very closely related. Elizabeth and Edward’s daughter, Bridget, married Sir Robert Dymoke II, son of Sir Edward Dymoke and his wife Anne, who was the daughter of George Tailboys and the sister of Elizabeth’s first husband, Gilbert. The Dymoke family held Scrivelsby in Lincolnshire, through which tenure they were king’s champions; Sir Edward was champion at the coronations of Edward VI, Mary I and Elizabeth I. Sir Edward’s sister, Margaret, was born in Scrivelsby around 1500 and served several of Henry’s queens. After first marrying Richard Vernon of Haddon Hall, Derbyshire, she then married Sir William Coffin, Anne Boleyn’s Master of Horse. Margaret had been one of Queen Katherine of Aragon’s gentlewomen at the Field of Cloth of Gold and would also serve Henry VIII’s two subsequent queens.
Margaret, however, was not a favourite of Henry’s second queen, Anne Boleyn. She was one of the women who attended the disgraced queen in the Tower of London. Anne was recorded as complaining to her jailer, Sir William Kingston, “I think much unkindness in the king to put such about me as I never loved.”3 Margaret Dymoke, Lady Coffin slept on a pallet bed in the Queen’s bedchamber during her time in the Tower. In her desperation the queen confided in Margaret, unaware that she was acting as a spy for the state. Master Kingston reported to Thomas Cromwell that “I have everything told me by Mistress Coffin that she thinks meet for me to know.” 4 There is also a possibility that Margaret was not only a spy for Kingston, but also for the Imperial ambassador, Eustace Chapuys, who wrote “The lady who had charge of her [Anne] has sent to tell me in great secrecy that the concubine, before and after receiving the sacrament, affirmed to her, on the damnations of her soul, that she had never been unfaithful to the king.”5
Following Anne’s execution, Margaret joined the household of Queen Jane Seymour. Lady Coffin was in high favour in Jane Seymour’s establishment and acted as intermediary for several families who had hopes of placing a daughter in the royal household. Margaret remained with the queen until the end, and was among the mourners who attended the late queen’s body as it lay in state, keeping vigil and attending masses for her soul. Margaret was in the funeral procession that accompanied Jane’s body to her final resting place in St George’s Chapel, Windsor. She rode in the third carriage and bore Princess Mary’s train at the requiem mass; Mary was chief mourner and rode on a horse trapped with black velvet.6
There were several ladies associated with the Tudor court, who married into Lincolnshire society. The most famous must surely be one of Henry VIII’s own queens. Henry’s sixth wife, Katherine Parr was the daughter of Sir Thomas Parr and his wife, Maud Green Parr, a lady-in-waiting to Katherine of Aragon. When Sir Thomas died while Katherine was still a child, Maud took it on herself to arrange her daughter’s future. After a failed proposal to marry Katherine to the son of Lord Dacre, In 1529 Maud turned to another of her late husband’s relatives and arranged for Katherine to marry Edward Burgh the eldest son of Sir Thomas Burgh, Baron Burgh of Gainsborough, Lincolnshire. Sir Thomas’s father, Sir Edward, had been declared a lunatic and Sir Thomas, himself, was renowned for his violent outbursts and wild rages (possibly due to an inherited mental instability in the family) and had a tyrannical control over his family. The first two years of the marriage, spent at Sir Thomas’s new Hall at Gainsborough (now known as the Old Hall), was an unhappy time for Katherine. She wrote, regularly, to her mother of her unhappiness and it seems the situation was only resolved following a visit by Maud Parr, who persuaded Sir Thomas to allow Edward and Katherine to move to their own, smaller, house at Kirton-in-Lindsey, a few miles outside of Gainsborough.
We do not know whether Edward was a sickly individual, or whether or not he succumbed to a sudden illness, but their happiness was short-lived, as he died in the spring of 1533, after only 4 years of marriage. Having no children, Katherine was left with little from the marriage, and, with her mother having died the previous year, she was virtually alone in the world; possibly as a remedy to her isolation, Katherine married her second husband, Lord Latimer, in the same year as she lost her first. There is no record that Katherine served any of henry VIII’s queens. Her first appearance at court seems to be in 1542, when she became a lady-in-waiting in Mary Tudor’s household, before she caught the King’s eye. She does not seem to have forgotten her time with the Burgh family, however, and when she became queen Katherine paid a pension from her own purse to her former sister-in-law, Elizabeth Owen, widow of her husband’s younger brother, Thomas. Poor Elizabeth had been accused of adultery by her domineering father-in-law, Sir Thomas, and her children were declared illegitimate by Act of Parliament in 1542.
Lord Burgh’s third surviving son, William, born in the early 1520s, would eventually succeed his father to the barony. He married Katherine Fiennes de Clinton, daughter of Edward Fiennes de Clinton – the future Earl of Lincoln – and Bessie Blount, demonstrating the interlinking relationships between the various great Lincolnshire families.
Where Katherine Parr was linked to Lincolnshire before joining the royal court, others saw Lincolnshire as a place of retirement. Maria de Salinas was a lady-in-waiting and close friend to Katherine of Aragon; indeed, it seems that she came to England with the Spanish princess in 1501 for the marriage to Henry’s older brother, Arthur, Prince of Wales. Katherine and Maria were very close and by 1514 Caroz de Villagarut, ambassador of Katherine’s father, Ferdinand of Aragon, was complaining of Maria’s influence over the queen after she tried to persuade Katherine not to cooperate with the ambassador and encouraged the Queen to favour her English subjects.7 In June 1516 Maria married the largest landowner in Lincolnshire, William Willoughby, 11th Baron Willoughby de Eresby. The King and Queen paid for the wedding, which took place at Greenwich, and gave them a wedding gift of Grimsthorpe Castle, in Lincolnshire. The Queen even provided Maria with a dowry of 1100 marks.
Maria remained at court for some years after her wedding, and attended Katherine at the Field of Cloth of Gold in 1520. Henry VIII was godfather to Maria and William’s oldest son, Henry, who died in infancy. Another son, Francis, also died young and their daughter Katherine, born in 1519, would be the only surviving child of the marriage. Lord Willoughby died in 1526, and for several years afterwards Maria was embroiled in a legal dispute with her brother-in-law, Sir Christopher Willoughby, over the inheritance of the Willoughby lands. It seems William had settled some lands on Maria which were entailed to Sir Christopher. The dispute went to the Star Chamber and caused Sir Thomas More, the king’s chancellor and a prominent lawyer, to make an initial redistribution of some of the disputed lands.
This must have been a hard fight for a newly-widowed Maria, and the dispute threatened the stability of Lincolnshire itself, given the extensive lands involved. However, Maria attracted a powerful ally in Charles Brandon, Duke of Suffolk and brother-in-law of the King, who called on the assistance of Cardinal Thomas Wolsey, Henry’s first minister at the time, in the hope of resolving the situation. Suffolk had managed to obtain the wardship of Katherine Willoughby in 1529, intending her to marry his eldest son and heir Henry, Earl of Lincoln, and so had a vested interest in a favourable settlement for Maria. This interest became even greater following the death of Mary Tudor, Suffolk’s wife and Henry VIII’s sister, in September 1533, when only three months later the fifty-year-old Duke of Suffolk married fourteen-year-old Katherine, himself. Although Suffolk pursued the legal case with more vigour after the wedding, a final settlement was not reached until the reign of Elizabeth I. Suffolk eventually became the greatest landowner in Lincolnshire and, despite the age difference, the marriage does appear to have been successful. Katherine served at court, in the household of Henry VIII’s 6th and last queen, Katherine Parr. She was widowed in 1545 and lost her two sons – and heirs – by the Duke, Henry and Charles, to the sweating sickness, within hours of each other in 1551.
As duchess of Suffolk, Katherine was a stalwart of the Protestant learning and used her position to introduce Protestant clergy to Lincolnshire, even inviting Hugh Latimer to preach at Grimsthorpe Castle. It was she and Sir William Cecil who persuaded Katherine Parr to publish her book, The Lamentacion of a Sinner in 1547, demonstrating her continuing links with the court despite her first husband’s death.
Following the death of her sons by Suffolk, Katherine no longer had a financial interest in the Suffolk estates, which went to the heirs of Mary Tudor, Henry VIII’s sister. However, Katherine still had her own Willoughby estates to look after and it was in order to safeguard these that Katherine married her gentleman usher, Richard Bertie. The couple had a difficult time navigating the religious tensions of the age and even went into exile on the Continent during the reign of the Catholic Queen, Mary I. Following their return to England, on Elizabeth’s accession, Katherine resumed her position in Tudor society; her relations with the court, however, were strained by her tendency towards Puritan learning. She used her position in Lincolnshire and extensive patronage to help disseminate the Puritan teachings. The records of Katherine’s Lincolnshire household show that she employed Miles Coverdale – a prominent critic of the Elizabethan church – as tutor to her two children by Bertie; Susan and Peregrine.8 Unfortunately, Katherine died after a long illness, on 19th September 1580 and was buried in her native Lincolnshire, in Spilsby Church.
Katherine’s mother, Maria de Salinas, Lady Willoughby, had died in 1539 and had stayed loyal to her mistress, Katherine of Aragon, throughout her married life and widowhood. Indeed, when Katherine was reported to be dying at Kimbolton Castle, Maria applied for a license to visit her ailing mistress, but was refused by Sir Thomas Cromwell, the King’s chief minister at the time. Despite this setback, Maria set out from London to visit Katherine at the beginning of January 1536 and contrived to get herself admitted by Sir Edmund Bedingfield by claiming a fall from her horse meant she could travel no further. According to Sarah Morris and Nathalie Grueninger, Katherine and Maria spent hours talking in their native Castilian; the former queen died in Maria’s arms on 7th January 1536. Katherine of Aragon was buried in Peterborough Cathedral on 29th January, with Maria and her daughter, Katherine, attending the funeral.9
The composition of the Tudor court changed under Elizabeth I. The new queen valued loyalty and most positions went to members of her extended family; the Howards and Careys among them. Throughout the forty-five years of Elizabeth’s reign, only twenty-eight women were appointed to salaried positions in the privy Chamber. Positions in the Bedchamber, Privy Chamber and Presence Chamber were highly sought after and mainly given to ladies from the same families, who were assigned positions based on their social status. The senior positions were those of the Chief and Second Gentlewoman of the Privy Chamber, these were followed by the Ladies of the Bedchamber, the Ladies of the Privy Chamber and the Ladies of the Presence Chamber, in descending order. Unmarried young ladies were given positions as maids of honour and were supervised by the Mother of the Maids.
Elizabeth Fitzgerald, a great granddaughter of Elizabeth Woodville, had entered Princess Elizabeth’s household in 1539, possibly as a maid of honour but ostensibly to be raised alongside her cousin. She was only nine or ten years old at the time. Elizabeth Fitzgerald had been born in Ireland in about 1528 and was the second daughter of Gerald Fitzgerald, 9th Earl of Kildare. Her mother was Lady Elizabeth Grey, daughter of Sir Thomas Grey, Marquess of Dorset and only surviving son of Elizabeth Woodville, Edward IV’s queen. Elizabeth Fitzgerald must have been quite a beauty as Henry Howard, Earl of Surrey, wrote a sonnet, From Tuscan cam my ladies worthi race in praise of her as his Fair Geraldine; Bewty of kind, her vertues from above; Happy ys he that may obtaine her love.10
In 1542 Elizabeth married her first husband, Sir Anthony Browne, but he died in 1548 and their two sons died in infancy. In 1552 she married again, this time to Edward Fiennes de Clinton, 9th Baron Clinton and Saye; the same Baron Clinton who had married Bessie Blount in 1535. Clinton had remarried in 1541, after Bessie’s death, to Ursula, daughter of William, 7th Baron Stourton; Ursula was a niece of John Dudley, Duke of Northumberland during the reign of Edward VI. She died in 1551 and Edward married Elizabeth the following year. Sir Edward Fiennes de Clinton had led a very successful military career and in May 1550 he had been appointed a privy councillor and lord high admiral of England. He was made a knight of the garter in April 1551 and, later in the same year, was given the former Howard property of Tattershall Castle in Lincolnshire, which he made his principal residence. Clinton was an adept political survivor; after being involved in the plot to put Jane Grey on the throne he was imprisoned for a short while, but managed to win Queen Mary’s trust and was active in her military campaigns. With the accession of Elizabeth I, Clinton was appointed a privy councillor and his wife, Elizabeth Fiennes de Clinton, was appointed Gentlewoman of the Privy Chamber ‘without wages’ (this indicated her high-born status, as salaried members were drawn from the lower ranks of the nobility).
In 1572 Baron Clinton was rewarded for his service with the earldom of Lincoln. Elizabeth had practically been raised with the new queen since she was ten years old and was able to use her influence at court to benefit her family, affecting the restoration of the Fitzgeralds to their blood and lineage, which they had lost when Elizabeth was a child. Suits made to Elizabeth as Countess of Lincoln demonstrate that she was believed to have influence with the queen, who she served until 1585. Edward trusted his wife considerably, and made her executor of his will, bequeathing Semprigham to Elizabeth, and Tattershall to his eldest son, Henry (his son by Ursula). Edward, Earl of Lincoln, died in 1585 and just before his father’s death, his son Henry had written to William Cecil, Lord Burghley, in an attempt to overturn his father’s will, accusing Elizabeth of attempting to deprive him of his inheritance, and of maligning him to the queen. However, Henry’s tactic failed and the will was confirmed in 1587. Elizabeth herself appears to have withdrawn from court following her husband’s death and when she died in March 1589 was laid to rest beside her husband in the Lincoln Chapel of St George’s Chapel Windsor.
The court and society were both in a state of change during Elizabeth’s reign. Local Lincolnshire lords, such as the Burghs of Gainsborough, were increasingly absentee landlords, preferring to stay in their southern properties closer to the royal court and leaving their estates to run themselves. The Burghs increasingly resided mainly at their residence in Surrey, Sterborough Castle. Lord Thomas de Burgh fell heavily into debt in service of the Queen and was in failing health when his wife, Lady Frances begged Queen Elizabeth that he be relieved of his position as Governor of the Brill in the Netherlands. Sir Robert Sydney is quoted as saying in November 1595 “God send lady… better success than my lady Borow [Burgh], whose desire was absolutely denied and the Queen took it very ill that in such time he could desire to be from this government.”11 When Lord Burgh died in 1597 he asked the Queen, in his will, to protect his wife and family, who were now living in poverty due to his having spent his patrimony in Elizabeth’s service. The Queen, however, devised a a way of avoiding the duty imposed upon her, by requesting that whoever was appointed to Lord Burgh’s now vacant post, as Governor of Brill, should give £500 a year to his widow for her maintenance.
Religious divisions were becoming more pronounced as Queen Elizabeth’s reign advanced, not only between Catholicism and Protestantism, but within Protestantism itself. With the encouragement of Katherine Willoughby, Duchess of Suffolk, ministers with Puritan leanings had been appointed to various churches throughout Lincolnshire. Several of the Pilgrim Fathers, who sailed to America on the Mayflower, would come from the region, including William Brewster and William Bradford. Families with strong ties to service at the Tudor court, such as the Burghs of Gainsborough, were moving south, closer to London and the person of the Queen, while other families were moving north. The Old Hall at Gainsborough was sold to William Hickman, a wealthy merchant who was the grandson of Sir William Locke, Henry VIII’s Royal Mercer, and the son of Lady Rose Hickman.
According to Lady Rose her father, Sir William Locke, a merchant with strong links to Antwerp, had smuggled ‘herectic’ Protestant writings from abroad for Queen Anne Boleyn herself. Lady Rose had long been familiar with the new learning and wrote in 1610: “My mother in the dayes of King Henry the 8th came to some light of the gospel by means of some English books sent privately to her by my father’s factor from beyond the sea: where upon she used to call me with my 2 sisters into her chamber to read to us out of these same good books very privately for feare of troble because these good books were then accepted hereticall…”12
The Hickman family had become known for their Puritan leanings; Puritans were those who wanted the ‘purer’ church as envisaged in the reign of Edward VI, rather than the compromise established by Elizabeth I. In 1593, in order to curb the activities of such religious dissidents, Elizabeth I’s government had approved the ‘Act Against Puritans’, whereby it became illegal to become a Puritan or encourage others to that tendency. As a result, official appointments at court, for those known to have Puritan connections, suddenly dried up. Lady Rose’s son Walter, deeply entrenched in court circles and an old hand at brokering appointments for friends and family (usually with a financial incentive) discovered the implications of the new stance in 1594. The Cecil Papers show that Walter was refused when he applied for the position of Receiver of the Court of Wards for his brother William, despite offering an inducement of £1,000.13 The increasing hostility towards Puritans, and the possibility of escalating religious persecution, may well have persuaded William to move his family north; away from the prying eyes of the authorities and into Lincolnshire, a county with strong Puritan leanings thanks to the efforts of Katherine Willoughby, Duchess of Suffolk.
In the early years of the Tudor dynasty, the counties of Lincolnshire and Yorkshire were still greatly associated with the old Yorkist dynasty. Henry VII made a progress through the counties only a year after his accession, keeping Easter 1486 at Lincoln and making a great show of regal pomp. His son, Henry VIII, also saw the need to show himself to his northern subjects. Following the defeat of the Pilgrimage of Grace and its forebear, the Lincolnshire Rising, Henry made a great progress through Lincolnshire and Yorkshire. He spent several days at Gainsborough Old Hall in August 1541, holding meetings of the Privy Council there on the 14th, 15th and 16th of August. At Lincoln Henry and his young queen, Katherine Howard, made a great show of royal majesty; “The King and Queen came riding into their tent, which was pitched at the furthest end of the liberty of Lincoln, and there shifted their apparel, from green and crimson velvet respectively, to cloth of gold and silver…”14
Henry VIII’s children, however, did not venture north. Although Elizabeth I had intended to visit York at various points in her reign, she stayed within the Home Counties, venturing no further north than East Anglia. This may well have contributed to the changing nature of Tudor Society in Lincolnshire, where the influence from court circles appears to have waned as the years progressed. Lincolnshire towns, such as Gainsborough and Boston, provided such families with the opportunities of, to some extent, religious freedom while also allowing them to continue with their merchant activities, due to navigable rivers that would take goods to the East coast ports and on to the Continent. Whereas those who saw the government as a hindrance to their personal liberties ventured away further from the centre of power; those who saw their futures in the person of the monarch, and whose duties at the Tudor Court were taking up more and more of their time, saw the need to move closer to London and the centre of power,
1 Neville Williams, The Life and Times of Henry VII; 2 Beverley A Murphy, Bastard Prince: Henry VIII’s Lost Son; 3Letters and Papers, Foreign and Domestic, of Henry VIII, Volume 10, note 797; 4 Ibid; 5 Ibid; 6 Letters and Papers Volume 12, Part 2, note 1600; 7 Retha M. Warnicke, Oxforddnb.com; 8 Susan Wabuda, Oxforddnb.com; 9 Sarah Morris and Natalie Grueninger, In the Footsteps of the Six Wives of Henry VIII; 10 H. Howard [earl of Surrey], Poems, ed. E. Jones (1964); 11 Quoted by Sue Allan in A Guide to Gainsborough Old Hall; 12 Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman; 13 Quoted by Sue Allan in A Guide to Gainsborough Old Hall; 14Letters and Papers, Foreign and Domestic, of Henry VIII, 1541
John Leland Leland’s Itinerary in England and Wales 1535-43 edited by L Toulmin Smith (1906-10); Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII 1509-47 edited by JS Brewer, James Gairdner and RH Brodie, HMSO London 1862-1932; Privy Purse Expenses of King Henry VIII from November MDXIX to December MDXXXII edited by Sir Nicholas Harris Nicolas 1827; Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman edited by Maria Dowling and Joy Shakespeare; Bulletin of the Institute of Historical Research, 1980 & 1982; Oxforddnb.com; A Guide to Gainsborough Old Hall by Sue Allan; The Life and Times of Henry VII by Neville Williams; Bastard Prince: Henry VIII’s Lost Son by Beverley A Murphy; In the Footsteps of the Six Wives of Henry VIII by Sarah Morris and Natalie Grueninger; H. Howard [earl of Surrey], Poems, ed. E. Jones (1964); The Earlier Tudors by J.D. Mackie; Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman; Tudorplace.com; Elizabeth’s Women by Tracy Borman; England Under the Tudors by Arthur D Innes; Henry VIII: King and Court by Alison Weir; In Bed with the Tudors by Amy Licence; Ladies-in-Waiting: Women who Served at the Tudor Court by Victoria Sylvia Evans; The Six Wives and Many Mistresses of Henry VIII: The Women’s Stories by Amy Licence.
Coming 31 May:
Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.
Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey is now available for pre-order from Pen & Sword Books.
Winter, 1539: María de Salinas is dying. Too ill to travel, she writes a letter to her daughter Katherine, the young duchess of Suffolk. A letter telling of her life: a life intertwined with her friend and cousin Catalina of Aragon, the youngest child of Isabel of Castile. It is a letter to help her daughter understand the choices she has made in her life, beginning from the time she keeps her vow to Catalina to share her life of exile in England.
Love wins out in the end.
All Manner of Things by Wendy J. Dunn is the second book in the Falling Pomegranate Seeds series, although it works perfectly well as a standalone. In fact, if you didn’t know it was part of a series, nothing in the pages would tell you. You do not feel as if you are missing part of the story, or need to read the first book in the series, The Duty of Daughters, to grasp what is going on. Which makes it eminently readable for everyone.
And what a fabulous book it is!
All Manner of Things follows the story of Infanta Catalina (Katherine of Aragon) from her journey to the English court to marry Arthur Tudor, Prince of Wales, to the Field of the Cloth of Gold of 1520, when Henry VIII met Francis I in a spectacular display of pageantry and might. The event also marked the introduction of Anne Boleyn to English affairs; Anne was still in the service of Queen Claude of France but returned to England soon afterwards.
The story tells of the pitifully short marriage of Catalina and Arthur, the lonely years following Arthur’s death, when Catalina was a hostage, in all but name, of the English king, Henry VII, and the early years of her marriage to King Henry VIII. Historically, it documents how the relationship between Henry and Catalina changed over time, how a promising marriage and love was soured by Henry’s frequent infidelities, Catalina’s miscarriages and the many lost infants that turned a loving relationship sour.
All Manner of Things by Wendy J. Dunn is told through the eyes of Maria de Salinas, Catalina’s closest friend and companion, though no fan of Henry VIII, which puts an interesting slant on the story and shows Henry in two lights: how he is adored by his wife, and how his wife’s friend sees him. It is an interesting dichotomy that works wonderfully in the novel and demonstrates the author’s deep understanding of the Tudor court and the personalities involved.
The overriding theme of this book is friendship and love; the sisterly love and friendship between Catalina (Katherine of Aragon) and her childhood friend and almost-constant companion, Maria de Salinas.
When Maria returned to the bedchamber, Catalina was awake and at her writing desk. She lifted her head, put aside her quill and smiled at her. “You have been gone for a while.”
“I have been talking to our companions.”
“Mm…” Catalina picked up her quill again, her attention returned to the parchment in front of her.
“Catalina – could you please listen to e for a moment?”
Catalina twisted around. “What is it?”
“I think it would be wiser if we are not alone so much. The other women are your companions too. They are unhappy. I do not believe it is simply due to this long journey.”
Catalina pursed her mouth. “Do you know what troubles them?”
“They are jealous.” Maria sighed.
“Jealous?” A frown so alike her mother’s knotted between Catalina’s thinned eyebrows.
Maria sighed again. “Of me. They are jealous of me.”
Catalina looked taken aback. “But you and I have always been together.”
Maria shrugged. “I think it would be wise to remember the queen’s advice not to have obvious favourites. Once we are in England, your companions will form your inner court within your court.”
“But I think of you as my sister,” Catalina said. “Even mother kept those she trusted close to her, your mother for one.”
“Si, and like my mother for your mother, I vow to serve you to the day of our death. But the other girls begin to worry me. They are scared too about the sea voyage and, like us, they are leaving behind everything they love for England. Pray, for my sake, let us eat with them and spend more time getting to know them. I think if you befriend them, really befriend them, they won’t be so jealous and cause mischief. I do not like their black looks.”
Having researched Maria’s story myself, Maria’s life at court, marriage and constant support for her friend and queen, it is obvious that Wendy J. Dunn has done her homework. In All Manner of Things, Wendy J. Dunn captures wonderfully not only the friendship between Catalina (Katherine of Aragon’s name in her native Castilian) and Maria, but also the complications that arise from life at the Tudor court, and a friendship with a queen.
Wendy J. Dunn expertly recreates the Tudor court, the glamour of the royal family and the drama associated with all aspects of their lives – and of the lives of those who serve them. The reader is drawn into the relationships, the intrigues and the underlying falsehoods that accompany any court, expertly contrasting the ‘show’ with the friendships and relationships behind the scenes, of the queen with her ladies. The glamour of court life itself reveals the contradictions, and the changing relationships as the characters grow and are affected by the challenges they face and the secrets they have to keep.
Wendy J. Dunn wonderfully combines the history and fiction to create a gripping drama, where you will find it hard to know where fact ends and fiction begins. The storytelling is first class!
Falling Pomegranate Seeds: All Manner of Things by Wendy J. Dunn is available from Amazon.
About the Author:
Wendy J. Dunn is an Australian author, playwright and poet who has been obsessed by Anne Boleyn and Tudor History since she was ten-years-old. She is the author of two Tudor novels: Dear Heart, How Like You This?, the winner of the 2003 Glyph Fiction Award and 2004 runner up in the Eric Hoffer Award for Commercial Fiction, and The Light in the Labyrinth, her first young adult novel.
While she continues to have a very close and spooky relationship with Sir Thomas Wyatt, the elder, serendipity of life now leaves her no longer wondering if she has been channeling Anne Boleyn and Sir Tom for years in her writing, but considering the possibility of ancestral memory. Her family tree reveals the intriguing fact that her ancestors – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally.
Wendy tutors at Swinburne University in their Master of Arts (Writing) program.
As I said the other day, I am well behind on the list of book reviews I still have to write up, so the second article to include mini-reviews of several books that I have read and enjoyed over the last few months, to clear the backlog and give you some fabulous ideas if you’re looking for that next read (or a last minute Christmas pressie).
Four Queens and a Countess by Jill Armitage
When Mary Stuart was forced off the Scottish throne she fled to England, a move that made her cousin Queen Elizabeth very uneasy. Elizabeth had continued the religious changes made by her father and England was a Protestant country, yet ardent Catholics plotted to depose Elizabeth and put Mary Stuart on the English throne. So what was Queen Elizabeth going to do with a kingdomless queen likely to take hers? She had her placed under house arrest with her old friend Bess of Hardwick, then married to her fourth husband, the wealthy and influential Earl of Shrewsbury. The charismatic Scotswoman was treated more like a dowager queen than a prisoner and enjoyed the Shrewsbury’s affluent lifestyle until Bess suspected Mary of seducing her husband. But for sixteen years, with the never-ending threat of a Catholic uprising, Bess was forced to accommodate Mary and her entourage at enormous cost to both her finances and her marriage. Bess had also known the doomed Jane Grey and Mary Tudor, Queen of France. She had been in service in the Grey household and companion to the infant Jane. Mary Tudor had been godmother to Bess’s fifth child. Four Queens and a Countess delves deep into the relationships of these women with their insurmountable differences, the way they tried to accommodate them and the lasting legacy this has left. The clash of personalities and its deadly political background have never been examined in detail before.
Jill Armitage looks at the second half of the Tudor period through the lives of the four queens that shaped it and one remarkable countess. The flowing narrative tells the stories of Lady Jane Grey – the queen for 9 days – Mary I, Elizabeth I and Mary Queen of Scots alongside that of Bess of Hardwick, jailer of the Scottish queen. Four Queens and a Countess is a wonderful study of these remarkable women; women who, between them, influenced the direction of England for generations to come.
Jill Armitage investigates their various characters, relationships and disagreements, and explains how their relationships with each other affected the nations as a whole, and each other on an individual basis. Four Queens and a Countess is a thoroughly enjoyable and absorbing read, providing new insight and a refreshing change of focus on the Tudor era.
I highly recommend it!
Katherine Parr: Oppportunist, Queen, Reformer by Don Matzat
Don Matzat here provides a new perspective on the life of Katherine Parr, the sixth and final wife of the infamous Henry VIII. While most biographers suggest that Katherine chose to marry the obese, irascible monarch in order to further some reformation or obey a divine imperative, the author goes against the tide and concludes that Katherine was an opportunist who married the king in order to enjoy the comforts of being the Queen of England, proven by her sumptuous lifestyle. But everything changed for Katherine when she had a dramatic conversion experience, embracing the primary tenets of the Protestant Reformation as described in her seminal work, The Lamentation of a Sinner. Her newly found belief placed her in a precarious position, not only with her husband but with the heresy hunters who, with the king’s blessing, beheaded those who held such beliefs. Yet Katherine had the courage to discuss her faith with her dangerous husband during the final months of his life. The life of Katherine Parr was one of drama, intrigue, danger, deceit, clandestine romance, scandal, tragedy and mystery. She came to a tragic end, and for three hundred years her burial site remained unknown. Katherine ruled England while Henry went to war against France. She was the first woman published in England under her own name. Her Lamentation of a Sinner is a little-known gem of the Protestant Reformation. Her influence upon the children of Henry, the future monarchs Edward VI, Mary I and Elizabeth I, would affect English history for many years to come.
I think, out of all Henry VIII’s queens, Katherine Parr’s story fascinates me the most. And its not just because she lived at Gainsborough Old Hall – one of my favourite haunts – for a time. Henry VIII was Katherine’s third husband – and she was his sixth wife. But Katherine Parr was so much more than Henry VIII’s wife. She was an intelligent woman and a proponent of the new Protestant faith – indeed, she almost met the fate of her predecessors, Anne Boleyn and Catherine Howard, when Henry suspected her of heresy.
Author Don Matzat looks at Katherine’s life and her religious outlook using The Lamentations of a Sinner, written by Katherine herself, to give him an insight into Katherine the woman and Katherine the queen.
In Katherine Parr: Opportunist, Queen, Reformer Don Matzat uses Katherine Parr’s own writings and letters to paint a vivid picture of this remarkable queen. Beautifully written, engaging and thoroughly researched, this book is a wonderful addition to any Tudor library.
The Bastard’s Sons by Jeffrey James
“William the Conqueror’s intellect is said to have remained clear right up to his death. He would have questioned whether any of his three sons individually had the ability to rule the troublesome amalgam of England, Normandy and Maine once he was gone. The Bastard’s Sons is the story of those three men: Robert, William and Henry of Normandy.
Of Robert, the dying king is said to have claimed he was ‘a proud and silly prodigal’, adding that ‘the country which is subject to his dominion will be truly wretched’. Yet Robert became a great crusader. William got on better with his namesake, known to us as William Rufus for his florid looks. He was, like his father, of kingship material, and might have gained the throne of England on his father’s nod, but, equally plausibly, orchestrated a coup. The youngest of the Bastard’s sons, Henry, inherited money from his father, but not land. To placate Henry, the Conqueror is alleged to have told him that one day he would gain both England and Normandy.
The stage was set for an epic power struggle between the three men and their barons, who held lands on both sides of the Channel and were thus caught in a difficult position. A mysterious death in the forest, a crusading hero’s return and the tenacity of an overlooked third son would all combine to see this issue settled once and for all.”
The Bastard’s Sons: Robert, William and Henry of Normandy by Jeffrey James is a wonderful book telling the story of the post-Conquest years through the power struggles of William the Conqueror’s three surviving sons. In a wonderful, engaging narrative, Jeffrey James provides a unique insight into these three, very different brothers.
By looking at their relationships with each other, at the nobles who surrounded and supported them, and at the events of the latter part of the eleventh century and beginning of the twelfth, Jeffrey James shows us how these three brothers influenced each other’s lives, and the lives of those around them; as well as the politics of England and Normandy and of Europe in general.
The Bastard’s Sons: Robert, William and Henry of Normandy is an absorbing read, offering a new perspective on the post Conquest years and demonstrating the far reaching influences of all three of William the Conqueror’s surviving sons. It is a must-read for anyone interested in the post Conquest years of England and Normandy, and in the establishment of the Norman dynasty.
Eleanor of Aquitaine by Sara Cockerill
“In the competition for remarkable queens, Eleanor of Aquitaine tends to win. In fact her story sometimes seems so extreme it ought to be made up.
The headlines: orphaned as a child, Duchess in her own right, Queen of France, crusader, survivor of a terrible battle, kidnapped by her own husband, captured by pirates, divorced for barrenness, Countess of Anjou, Queen of England, mother of at least five sons and three daughters, supporter of her sons’ rebellion against her own husband, his prisoner for fifteen years, ruler of England in her own right, traveller across the Pyrenees and Alps in winter in her late sixties and seventies, and mentor to the most remarkable queen medieval France was to know (her own granddaughter, obviously).
It might be thought that this material would need no embroidery. But the reality is that Eleanor of Aquitaine’s life has been subjected to successive reinventions over the years, with the facts usually losing the battle with speculation and wishful thinking.
In this biography Sara Cockerill has gone back to the primary sources, and the wealth of recent first-rate scholarship, and assessed which of the claims about Eleanor can be sustained on the evidence. The result is a complete re-evaluation of this remarkable woman’s even more remarkable life. A number of oft-repeated myths are debunked and a fresh vision of Eleanor emerges. In addition the book includes the fruits of her own research, breaking new ground on Eleanor’s relationship with the Church, her artistic patronage and her relationships with all of her children, including her family by her first marriage.”
Sara Cockerill’s Eleanor of Aquitaine: Queen of France and England, Mother of Empires was one of the most anticipated history books of 2019 and it did not disappoint. Dispelling many of the rumours and stories that float around whenever Eleanor of Aquitaine is mentioned, Sara Cockerill looks for the real woman behind the legend.
Mainly using primary sources, Sara Cockerill re-examines every aspect of Eleanor’s life. The research is impeccable and Sara Cockerill’s arguments and analysis are well reasoned and compelling. Eleanor of Aquitaine: Queen of France and England, Mother of Empires is essential reading for anyone interested in the era in general and Eleanor of Aquitaine’s story in particular.
This is one of those books that should sit in all medieval history lovers’ libraries, to be read and devoured.
The Anarchy by Teresa Cole
When the mighty Henry I died in December 1135, leaving no legitimate son, who was to replace him on the throne of England? Would it be Stephen, nephew to the king and showered with favours that maybe gave him ideas above his station? Or could it be a woman, Henry’s own choice, his daughter Matilda, who had been sent away when eight years old to marry the Holy Roman Emperor, widowed, then forced into a hated second marriage for political reasons? Stephen was the first to act, seizing the throne that had been promised to Matilda, but he would find taking a crown far easier than keeping it. The resulting struggle became known as ‘the Anarchy,’ a time when fortune changed sides as frequently and dramatically as in any page-turning thriller, and with a cast of characters to match – some passionately supporting Stephen or Matilda, others simply out to grab what they could from the chaos. These supporting players are not overlooked here: Henry of Blois, brother of Stephen, Bishop of Winchester, and largely orchestrator of the church’s response to the conflict; Robert of Gloucester, illegitimate son of Henry I and chief supporter of his half-sister; and Geoffrey of Anjou, husband of Matilda, determined to secure Normandy (traditional enemy of Anjou) for himself. Covering all the twists and turns of this war between cousins, as first one side then the other seemed within touching distance of total victory, The Anarchy blends contemporary, sometimes eyewitness accounts with modern analysis to describe a period of England’s history so dark and lawless that those who lived through it declared that ‘Christ and his saints slept.’
When I told Amberley I wanted to do a book about the Anarchy, they were reluctant, saying that Teresa Cole had a book coming out about the Anarchy, and they were worried the books would be too similar. So I promised to concentrate on the Women of the Anarchy (my book’s working title), but was – from that moment – curious to read Teresa Cole’s take on the events. Luckily I got the chance.
The Anarchy: The Darkest Days of Medieval England is an intelligent, engaging study of the 19 years of English history during which the Anglo-Saxon Chronicle bemoaned that ‘Christ and his Saints slept’. Told in a chronological narrative, Teresa Cole examines every aspect of the period; the personalities involved and the extent of devastation and destruction caused by the conflict – both in England and Normandy.
Using eyewitness accounts and contemporary chronicles, Teresa Cole examines the motives behind the two protagonists, King Stephen and Empress Matilda, looking at their reasons for wanting the throne – and for wanting to keep it. The Anarchy: The Darkest Days of Medieval England also provides insight into the leading supporters on both sides of the conflict and demonstrates that though war was waged over a 19 year period, the main battles were fought in the early years and by 1147 the nobles were getting so tired of war they were looking to make mutual protection treaties between themselves, or go on crusade, rather than continue a war that had been fought to a stalemate.
The Anarchy: The Darkest Days of Medieval England is an interesting, enjoyable read offering new insight and perspective on an often overlooked period of English history, the only time that a woman led a faction to war on English soil.
I am well behind on the list of book reviews I still have to write up, so I though I would do a couple of articles that include mini-reviews of several books that I have read and enjoyed over the last few months, to clear the backlog and give you some fabulous ideas if you’re looking for that next read.
A Hidden History of the Tower of London by John Paul Davis
Famed as the ultimate penalty for traitors, heretics and royalty alike, being sent to the Tower is known to have been experienced by no less than 8,000 unfortunate souls. Many of those who were imprisoned in the Tower never returned to civilisation and those who did, often did so without their head! It is hardly surprising that the Tower has earned itself a reputation among the most infamous buildings on the planet. There have, of course, been other towers. Practically every castle ever built has consisted of at least one; indeed, even by the late 14th century, the Tower proudly boasted no less than 21. Yet even as early as the 1100s, the effect that the first Tower had on the psyche of the local population was considerable. The sight of the dark four-pointed citadel – at the time the largest building in London – as it appeared against the backdrop of the expanding city gave rise to many legends, ranging from the exact circumstances of its creation to what went on within its strong walls. In ten centuries what once consisted of a solitary keep has developed into a complex castle around which the history of England has continuously evolved. So revered has it become that legend has it that should the Tower fall, so would the kingdom. Beginning with the early tales surrounding its creation, this book investigates the private life of an English icon. Concentrating on the Tower’s developing role throughout the centuries, not in terms of its physical expansion into a site of unique architectural majesty or many purposes but through the eyes of those who experienced its darker side, it pieces together the, often seldom-told, human story and how the fates of many of those who stayed within its walls contributed to its lasting effect on England’s – and later the UK’s – destiny. From ruthless traitors to unjustly killed Jesuits, vanished treasures to disappeared princes and jaded wives to star-crossed lovers, this book provides a raw and at times unsettling insight into its unsolved mysteries and the lot of its unfortunate victims, thus explaining how this once typical castle came to be the place we will always remember as THE TOWER.
What a wonderful read!
Packed to the brim with the best stories from the Tower, and almost 1,000 years of history – some you will know and some you won’t. John Paul Davis tells the remarkable story of the Tower of London through the lives of the people who have resided under its roofs – some of them most unfortunate indeed! We hear the stories of those fortunate people who escaped – and the not-so-fortunate who died in the attempt. John Paul Davis examines every aspect of the Tower of London, its role as a royal fortress, prison and place of execution; and the national events in which it played apart, such as the Peasants’ Revolt and the executions of 2 of Henry VIII’s queens. Written in 23 chapters, the story of the Tower as a prison is told from its foundation in 1066 to the present day.
With these incredible and often heart breaking stories, John Paul Davis clearly demonstrates how the fortress acquired its sinister reputation.
A Hidden History of the Tower of London is a thoroughly enjoyable read, and impossible to put down.
Lost Heirs of the Medieval Crown by J.F. Andrews
When William the Conqueror died in 1087 he left the throne of England to William Rufus … his second son. The result was an immediate war as Rufus’s elder brother Robert fought to gain the crown he saw as rightfully his; this conflict marked the start of 400 years of bloody disputes as the English monarchy’s line of hereditary succession was bent, twisted and finally broken when the last Plantagenet king, Richard III, fell at Bosworth in 1485.
The Anglo-Norman and Plantagenet dynasties were renowned for their internecine strife, and in Lost Heirs we will unearth the hidden stories of fratricidal brothers, usurping cousins and murderous uncles; the many kings – and the occasional queen – who should have been but never were. History is written by the winners, but every game of thrones has its losers too, and their fascinating stories bring richness and depth to what is a colourful period of history. King John would not have gained the crown had he not murdered his young nephew, who was in line to become England’s first King Arthur; Henry V would never have been at Agincourt had his father not seized the throne by usurping and killing his cousin; and as the rival houses of York and Lancaster fought bloodily over the crown during the Wars of the Roses, life suddenly became very dangerous indeed for a young boy named Edmund.
With Lost Heirs of the Medieval Crown, author JF Andrews provides a fascinating study of the also-rans and almost-made-its of medieval history; those children of the kings of England who died before they could claim their birth-right, or were passed over due to the dynastic squabbles of the Norman and Plantagenet dynasties that ruled England from the Norman Conquest in 1066 to the advent of the Tudor age.
From the battles of Robert Curthose, eldest son of William the Conqueror, to the tragic lives of the Yorkist heirs, Edward V, Edward of Middleham and Edward Earl of Warwick, Lost Heirs of the Medieval Crown is a thoroughly engaging read, examining the lives of the heirs who were unable to claim their birthright, imprisoned for their royal blood, died before their time, or died in the attempt to claim the throne. Each individual story is brought into one volume, and demonstrates the struggle for power and supremacy in medieval England.
Beautifully written and well researched, it is an engaging read.
Decoding the Bayeux Tapestry by Arthur C. Wright
For the first time, a scholar reveals the meaning of the marginal images on the Bayeux Tapestry, unlocking a completely new meaning of the work.
The story of the Norman Conquest and the Battle of Hastings as shown in the Bayeux Tapestry is arguably the most widely-known in the panoply of English history, and over the last 200 years there have been hundreds of books on the Tapestry seeking to analyze its meanings. Yet, there is one aspect of the embroidery that has been virtually ignored or dismissed as unimportant by historians—the details in the margins.
The fables shown in the margins are neither just part of a decorative ribbon, nor are they discontinuous. They follow on in sequence. When this is understood, it becomes clear that they must relate to the action shown on the body of the Tapestry. After careful examination, the purpose of these images is to amplify, elaborate, or explain the main story.
In this groundbreaking study, Arthur Wright reveals the significance of the images in the margins. Now it is possible to see the “whole” story as never before, enabling a more complete picture of the Bayeux Tapestry to be constructed. Wright reexamines many of the scenes in the main body of the work, showing that a number of the basic assumptions, so often taught as facts, have been based on nothing more than reasoned conjecture.
It might be thought that after so much has been written about the Bayeux Tapestry there was nothing more to be said, but Decoding the Bayeux Tapestry shows how much there is still to be learned.
Decoding the Bayeux Tapestry: The Secrets of History’s Most Famous Embroidery Hidden in Plain Sight by Arthur C. Wright is a wonderful, engaging study of this most famous of embroideries, retelling the Norman Invasion in stunning, colourful needlework. Arthur C. Wright studies every aspect of the Tapestry, from the beasts in the margins to the story being played out in dramatic detail in the main part of the Tapestry. The author demonstrates how the images in the tapestry, even the animals and mystical creatures in the margin, serve to tell the story of the tapestry and the Norman Conquest.
An entertaining read and thoughtful study of the most famous of tapestries Decoding the Bayeux Tapestry is an illuminating work, beautifully illustrated along the way with images from the famous needlework.
Sex and Sexuality in Stuart Britain by Andrea Zuvich
Peek beneath the bedsheets of Stuart Britain in this frank, informative, and captivating look at the sexual lives of the peoples of the British Isles between 1603 and 1714. Popular Stuart historian Andrea Zuvich, The Seventeenth Century Lady , explores our ancestors’ ingenious, surprising, bizarre, and often entertaining beliefs and solutions to the challenges associated with maintaining a healthy sex life, along with the prevailing attitudes towards male and female sexual behaviour. The author sheds light not only on the saucy love lives of the Royal Stuarts, but also on the dark underbelly of the Stuart era with histories of prostitution, sexual violence, infanticide, and sexual deviance. What was considered sexually attractive in Stuart Britain? At which ages would people be old enough for marriage? What were the penalties for adultery, incest, and fornication? How did Stuart-era peoples deal with infertility, sexually-transmitted illnesses, and child mortality? Find out the answers to these questions – and more – as fashion, food, science, art, medicine, magic, literature, love, politics, faith and superstition of the day are all examined, leaving the reader with a new regard for the ingenuity and character of our seventeenth and early eighteenth-century ancestors.
Sex and Sexuality in Stuart Britain by Andrea Zuvich is a wonderful study of the bedroom exploits of the Stuart dynasty of the seventeenth century. Andrea Zuvich examines all aspects of Stuart sexual life, from attitudes to rape and pornography, to the notions of love and marriage. Zuvich also looks at the lives of the Stuart monarchs, examining the rumours around them, the various mistress and lovers and the perceptions they gave to their people and to history. This is a truly fascinating study of a part of life that is important to all of us – and necessary for our continued existence – but so rarely talked about. Sex and Sexuality in Stuart Britain is so much more than a study of sexual practices in Stuart Britain, it also analyses the effects of child mortality, the dangers of childbirth. It also looks at the seedier side of society, such as infanticide and sexually transmitted diseases.
Sex and Sexuality in Stuart Britain is fascinating! It is a book that needed to be written and provides a wonderful contrast to the usual books on Stuart Britain, which concentrate on the Civil Wars, rather than the lives, loves and desires of the people. Andrea Zuvich has written a marvelous study of Stuart attitudes towards sex and sexuality, leaving no stone unturned to give the reader a comprehensive view of Stuart life, including the legal, social and personal aspects and implications.
The Peasants Revolting Lives by Terry Deary
Today we are aware of how the rich and privileged have lived in the past because historians write about them endlessly. The poor have largely been ignored and, as a result, their contributions to our modern world are harder to unearth. Skilled raconteur TERRY DEARY takes us back through the centuries with a poignant but humorous look at how life treated the common folk who scratched out a living at the very bottom of society. Their world was one of foul food, terrible toilets, danger, disease and death the last, usually premature. Discover the stories of the teacher turned child-catcher who rounded up local waifs and strays and put them to work, and the thousands of children who descended into the hazardous depths to dig for coal. Read all about the agricultural workers who escaped the Black Death only to be thwarted by greedy landowners. And would you believe the one about the man who betrothed his 7-year-old daughter to a Holy Roman Emperor, or even the brothel that was run by a bishop? On the flip side, learn how cash-strapped citizens used animal droppings for house building and as a cure for baldness; how sparrow s brains were incorporated into aphrodisiacal brews; and how mixing tea with dried elder leaves could turn an extra profit. And of the milestones that brought some meaning to ordinary lives, here are the trials and tribulations of courtship and marriage; the ruthless terrors of the sporting arena; and the harsh disciplines of education all helping to alleviate the daily grind. The Peasants Revolting Lives celebrates those who have endured against the odds. From medieval miseries to the idiosyncrasies of being a twenty-first-century peasant, tragedy and comedy sit side by side in these tales of survival and endurance in the face of hardship.
Terry Deary’s The Peasants’ Revolting Lives is a fun and fascinating read for all the family. Whenever a Terry Deary book arrives on the doorstep, there is an inevitable squabble between myself and my son as to who should read it first – I tend to lose!
With stories that are often amusing, sometimes gruesome and all true, Terry Deary examines every aspect of the life of the peasant – throughout history – from work and religion, to sport, entertainment and education. The book is packed full of facts, each story or anecdote intended to inform and entertain – and they do!
The Peasants’ Revolting Lives is a wonderful reading experience for adult and child alike. The stories are so engaging and interesting that you don’t even realise you are learning about the trials and hardships of life as a peasant down the centuries. It is a must-read for any history lover.
All these books are available from Pen & Sword, with 30% off throughout December.
1564: Devon sailor Francis Drake sets out on a journey of adventure.
Drake learns of routes used to transport Spanish silver and gold, and risks his life in an audacious plan to steal a fortune.
Queen Elizabeth is intrigued by Drake and secretly encourages his piracy. Her unlikely champion becomes a national hero, sailing around the world in the Golden Hind and attacking the Spanish fleet.
King Philip of Spain has enough of Drake’s plunder and orders an armada to threaten the future of England.
I have read practically everything Tony Riches has ever written and I have to say, this is one of his best!
Drake – Tudor Corsair, is the first in a new Elizabethan Series. It follows the career of Sir Francis Drake from his first days as a sailor on a slave ship, to becoming captain of his own ship captain, to his raid on Cadiz and the Spanish Armada and to his final voyage as one of the greatest sailors England has ever produced. It is a life full of danger and adventure – and ambition.
As I have come to expect from Tony Riches, the book is meticulously researched and draws on primary sources to recreate Drake’s life as a novel. The result is a stunning, detailed story that draws the reader onto every aspect of Elizabethan naval life.
I confess, I knew nothing of Francis Drake beyond his participation in defeating the Spanish Armada. Tony Riches paints the portrait of a fascinating character, adventurous, ambitious, caring of his family and his crews. Drake pushed the boundaries of navigation, seamanship and – oftentimes – the law. He was a thorn in the side of the Spanish, preying on their colonies and treasure ships – they must have hated him.
I’d grown tired of remaining on the ship and wanted to experience something of Africa. I armed myself with an old sword, and found a leather bag to carry anything of value I discovered. For years I’d dreamed of searching for gold in this wild country, and now I had my chance.
Morgan cursed as the dark mud at the landing place chosen by our guide clung like glue to his boots. We walked in single file down the narrow path and I hacked at the undergrowth with my sword, mindful of stories of poisonous spiders, deadly snakes and dangerous animals.
The village came into view, in a clearing surrounded by thick forest. I was surprised by the silence; it seemed the villages had learned of our approach and fled. We’d been ordered to keep together, but the men began rushing from hut to hut, their discipline lost in the search for gold.
The first arrow flashed through the air and struck the man ahead of me in the throat. He fell with bright blood gushing from a deep wound. More arrows flew from the forest, finding their targets with deadly accuracy.
I froze in panic. We’d walked into a trap and were a long way from the boats. An arrow thudded deep into a tree close to where I stood, and Master Gilbert yelled in pain as another hit him in the shoulder.
A native ran towards me, his spear raised high in the air. Painted with red earth, he wore a necklace of curved white fangs. His muscular arm drew back, ready to put all his strength into the throw.
I turned and ran back the way we’d come, the yells and cries of pain urging me on as my heart pounded and I ran for my life. The low branch of a thorn tree scratched across my face, drawing blood, and I expected an arrow to strike my back at any moment.
Drake – Tudor Corsair is a thoroughly enjoyable read. Rich in detail and characters, it depicts the good and bad of Tudor history, delicately dealing with sensitive issues such as the slave trade, while not ignoring the brutality nor immorality of it. Tony Riches depicts the drama and danger of life at sea in a Tudor warship – fighting against not only the Spanish and the often violent natives, but also the elements themselves; the weather and the dangerous, uncharted coastlines.
Tony Riches’ characters are always rich and full of life. Sir Francis Drake himself is a likable character, he has some flaws, but comes across as someone who knows what he wants, who he wants to be and naturally takes command of every situation.
Drake – Tudor Corsair is a fabulous, entertaining read. It takes the reader on a journey full of adventure and fraught with danger, to the West Indies, Africa, South America and the Spanish coast. The various voyages and natives they encounter leave Drake – and the reader – in suspense as to whether they are friend and foe.
Tony Riches highlights the dangers faced by Drake and the brave adventurers of his era, who pushed their ships further and for longer in the name of discovery and of Elizabeth I. These were men who pushed the boundaries and often paid the ultimate price. As a result, Drake – Tudor Corsair is also a story of friendship, companionship and survival, with a twist of betrayal when ambition outweighs friendship.
And what’s more, Tony Riches is telling an epic, real-life story!
Drake – Tudor Corsair is out now and available from Amazon.
About the author:
Tony Riches is a full-time writer and lives with his wife in Pembrokeshire, West Wales, UK. A specialist in the history of the early Tudors, Tony is best known for his Tudor Trilogy. His other international best-sellers include Mary – Tudor Princess, Brandon – Tudor Knight and Katherine – Tudor Duchess.
Guest Interview with Tudor Historical Fiction Author Tony Riches
Carrying on with my series of author interviews, today it is a great pleasure, at History … the Interesting Bits, to welcome author Tony Riches, best-selling author of many historical novels, including The Tudor Trilogy and The Brandon Trilogy. Tony’s latest book, Drake – Tudor Corsair has just hit the shops.
Hi Tony, thanks so much for agreeing to do an interview, and congratulations on the release of Drake – Tudor Corsair.
So, first question, have you always wanted to be a writer?
I used to write regularly for a range of magazines, and was amazed when my first book (on project management) became a best seller in the US. I wrote my first historical fiction novel ten years ago. Since then, I’ve written at least one book a year, and have been able to write full-time.
Who are your writing influences?
Hilary Mantel and C.J. Sansom are my favourite historical fiction authors, and I’ve just finished reading Alison Weir’s Kathryn Howard – The Tainted Queen, which I highly recommend. I read widely across all genres, and have a huge collection of non-fiction books.
What do you love about writing?
Writing historical fiction is like travelling in time, as I enjoy immersing myself in every detail of the period, from the food they eat to the clothes they wear. In my new Elizabethan series, I had to understand what it was like to wear a ruff. (Francis Drake found his fashionable ruffs uncomfortable, and couldn’t wait to take them off.)
I also look forward to visiting the actual locations used in my books, to have a sense of the local area. When I was researching my book about Katherine Willoughby, I was able to visit the actual rooms at Grimsthorpe Castle where she spent her last years, as well as her amazing tomb at Spilsby.
Social media – do you love it or hate it?
I was an early adopter of Twitter (in July 2009) and over the years have built up a great following, so I use it most days. I never really took to Facebook, but I try to post to my author page once a day, and I’ve recently been participating in some useful and interesting groups, so it has its place. I’m still trying to work out how to make effective use of Instagram…
What advice would you give to someone starting on their writing career?
Write something every day, until writing becomes a habit – and remember that a page a day us a book a year! I try to write at least five-hundred words a day, even when I’m away on research visits.
Many of your stories are set in the Tudor era, what attracted you to setting your stories in the Tudor, what attracted you to writing about this time?
I was born in Pembroke, birthplace of Henry Tudor, who became King Henry VII and began the Tudor Dynasty, but I only began to study its history when I returned to the area as a full-time author.
I found several accounts of Henry’s life, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three, so there would be plenty of scope to explore his life and times.
I’m pleased to say all three books of the Tudor trilogy became best-sellers in the US and UK, and I decided to write a ‘sequel’ about the life of Henry VII’s daughter, Mary Tudor, who became Queen of France. This developed into the Brandon trilogy, as I was intrigued by the life of Mary’s second husband, Charles Brandon, the best friend of Henry VIII. The final book of the Brandon trilogy, about his last wife, Katherine Willoughby, has also become an international best-seller.
Katherine saw Elizabeth Ist become queen, and I began planning an Elizabethan series, so that my books tell the continuous stories of the Tudors from Owen Tudor’s first meeting with Queen Catherine of Valois through to the end of Queen Elizabeth’s reign.
What particularly interested you in writing the story of Francis Drake?
I decided to show the fascinating world of the Elizabethan court through the eyes of the queen’s favourite courtiers. Francis Drake’s story is one of the great adventures of Tudor history. He intrigued me because he was a self-made man, who built his fortune by discovering the routes used by the Spanish to transport vast quantities of gold and silver. He had a special relationship with Queen Elizabeth, and they spent long hours in private meetings, yet he was looked down on by the nobility – even after he was knighted.
I’ve enjoyed tracking down primary sources to uncover the truth of Drake’s story – and discovering the complex man behind the myths. I’ve also learnt that most of what I thought I knew about Drake was wrong, so I’m hoping my new book will help to set the record straight.
What comes first, the research or the story?
I spend about a year researching each book, making notes, looking for important details, and thinking about my approach. I decided to write Drake in the first person, and can imagine him as a unreliable narrator, keen to impress his queen with his stories of stolen gold, dangerous islanders and long-necked sheep (llamas).
How do you decide whose story to write next?
Although it’s important for each book to stand alone, there is a thread which connects them all, and some readers have noticed how there is some mention of the next subject, in each book. There are so many fascinating characters in the Elizabethan court I decided not to limit myself to a trilogy and to make it a series.
You have written about several fascinating people, from Eleanor Cobham to Francis Drake, who was your favourite subject and why?
Whoever I’m writing about at any point in time becomes my new favourite subject, but if I have to choose one, Owen Tudor has a special place as the one who started it all. I’d written the first three chapters when I read Hilary Mantel’s Wolf Hall, and decided to rewrite Owen in first person present tense. It was a gamble, but I’ve just checked and at the time of writing he has 676 reviews on Amazon US – and has been #1 in the US, UK and Australia, so he’s served me well.
Fabulous talking to you Tony!Thank you!
About the author:
Tony Riches is a full-time UK author of best-selling historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Tudors. For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook and Twitter @tonyriches.
1520 explores the characters of two larger-than-life kings, whose rivalry and love-hate relations added a feisty edge to European relations in the early sixteenth century. What propelled them to meet, and how did each vie to outdo the other in feats of strength and yards of gold cloth? Everyone who was anyone in 1520 was there. But why was the flower of England’s nobility transported across the Channel, and how were they catered for? What did this temporary, fairy-tale village erected in a French field look like, feel like and smell like? This book explores not only the political dimension of their meeting and the difficult triangle they established with Emperor Charles V, but also the material culture behind the scenes. While the courtiers attended masques, dances, feasts and jousts, an army of servants toiled in the temporary village created specially for that summer. Who were the men and women behind the scenes? What made Henry rush back into the arms of the Emperor immediately after the most expensive two weeks of his entire reign? And what was the long-term result of the meeting, of that sea of golden tents and fountains spouting wine? This quinquecentenary analysis explores the extraordinary event in unprecedented detail. Based on primary documents, plans, letters and records of provisions and with a new focus on material culture, food, textiles, planning and organisation.
There are some books that are just a pleasure to review and I have been looking forward to reviewing 1520: The Field of the Cloth of Goldby Amy Licence since about the second chapter in. It was a pure pleasure to read and is a pleasure to review.
1520: The Field of the Cloth of Gold by Amy Licence was a wonderful insight into the magnificence of the Field of the Cloth of Gold
There is so much information in its 288 pages!
Told in a beautiful, colourful narrative, Amy Licence brings the Field of the Cloth of Gold to vivid life. Providing an in-depth analysis of the sources material, from letters of the participants to diplomatic dispatches, lists of attendees, lists of entertainments, lists of building materials, lists of supplies from food, to cloth, to wine, 1520: The Field of the Cloth of Gold presents the spectacle to the reader as if they were actually there, amidst these two tented towns, created so that two monarchs could meet without either insulting the other’s dignity.
The first thing to mention has to be the colossal amount of research that must have gone into writing this book. Amy Licence has looked into every aspect of the the Field of the Cloth of Gold, from every angle, and produced a comprehensive, informative study of this remarkable event in Tudor history. Every facet of the meeting of Henry VIII of England and Francis I of France is covered in wonderful detail; from the political implications of the gathering, to the vast amount of supplies, people and organisation needed to pull off this unique event.
The year 2020 marks the 500th anniversary of the meeting between Henry VIII, King of England and Francis I, King of France. They came face to face in a French valley midway between the towns of Guines and Ardres in the modern Pas-de-Calais department of northern France. Today, a minimalist stone plinth marks the spot where thousands of attendees feasted, danced and jousted. Dressed in cloth of gold, crimson satin and yellow velvet, or in the servants’ livery clothes of Tudor white and green, and Valois black, white and tawny, they converged in the ‘golden valley’ between 7 and 24 June 1520. Due to the quantities of glittering material used in their costumes and tents, it would go down in history as The Field of the Cloth of Gold.
Modern retellings of the period have tended to relegate the events to the status of a glorious party. Undoubtedly there was a party atmosphere, with fabulous costumes, temporary palaces and tents, dazzling props, masked dancers and chivalric feats. At a distance, these epitomise the glamour of the Tudor period, condense it into a short summer’s lease, and present it as a glittering historic bauble. In many ways, the Field of the Cloth of Gold represents the perfect simulacrum of the Tudor experience. It was the long-awaited meeting between two European giants, alike in dignity and ambition; it was the height of Tudor spectacle and pageantry, and it was the most expensive display of magnificence of which either king would ever conceive. It shines across five centuries as a stand-alone moment amid the turbulence of international politics, reformation and national redefinition. As such, it makes for a full and rewarding micro study of Anglo-French spectacle. But it was also far more than this.
Amy Licence manages to get over to the reader the great significance of the Field of Cloth of Gold, not just for the participants, but for Europe as a whole. This was a meeting of two kings from countries who had traditionally been enemies for centuries. And they were two of the three great European powers of the time. The Holy Roman Emperor was watching, along with the rest of Europe, to ensure his own interests were not affected by this new amity.
1520: The Field of the Cloth of Gold is also a tale of the people and personalities involved in the ruling of early modern Europe. The organisation of the event was not just logistical but also political; egos had to be stroked, etiquette observed and there was a delicate balancing act to ensure that neither king felt snubbed or received more precedence that the other. Amy Licence clearly demonstrates how the personalities involved shaped and styled the event; from the diplomatic discussions, to the sumptuous meals and feasting, to the jousting and lavish entertainments. The sheer amount of organisation involved in putting together an event like this – when everything had to be arranged via correspondence and couriers, is mind-boggling.
As ever with Amy Licence, the prose flows wonderfully, making this book a thoroughly absorbing, engaging and enjoyable read. I have always marveled at how she can make a non-fiction book as easy to read as a novel. It makes the pages fly by and you are at the end of the book long before you are ready to finish it. Amy Licence leaves you with mental images of the magnificent spectacle of the Field of the Cloth of Gold that will take a while to fade.
1520: The Field of the Cloth of Gold is a truly remarkable study of a unique event in English, French and European history. It is a must-read for anyone interested in the splendour, pageantry and politics of the Tudor era.
1520: The Field of the Cloth of Gold is now available in hardcover from Amazon UK
About the author:
Amy Licence is an historian of women’s lives in the medieval and early modern period, from Queens to commoners. Her particular interest lies in the late fifteenth and early sixteenth century, in gender relations, Queenship and identity, rites of passage, pilgrimage, female orthodoxy and rebellion, superstition, magic, fertility and childbirth. She is also interested in Modernism, specifically Woolf and the Bloomsbury Group, Picasso and Post-Impressionism.
Amy has written for The Guardian, The TLS, The New Statesman, BBC History, The English Review, The Huffington Post, The London Magazine and other places. She has been interviewed regularly for BBC radio, including Woman’s Hour, and made her TV debut in “The Real White Queen and her Rivals” documentary, for BBC2, in 2013. She also writes historical and literary fiction and has been shortlisted twice for the Asham Award.
MISTRESS CROMWELL presents the rise of Tudor England’s most powerful courtier, Thomas Cromwell, through the eyes of the most important – and little known – woman in his life . . .
When beautiful cloth merchant’s daughter Elizabeth Williams is widowed at the age of twenty-two, she is determined to make a success of the business she inherited from her father. But there are those who oppose a woman making her own way in the world, and soon Elizabeth realises she may have some powerful enemies – enemies who know the dark truth about her dead husband.
Happiness arrives when Elizabeth meets ambitious young lawyer, Thomas Cromwell. Their marriage begins in mutual love and respect – but it isn’t always easy being the wife of an independent, headstrong man in Henry VIII’s London. The city is both merciless and filled with temptation, and Elizabeth soon realises she must take care in the life she has chosen . . . or risk losing everything.
Mistress Cromwell was first published as The Woman in the Shadows. What a treat of a book it is! Mistress Cromwell is a fabulous fictional account of the life and times of Elizabeth Cromwell, wife of Henry VIII’s famous – some would say notorious – adviser. It is an enjoyable, thoughtful story which gives the reader an insight into life in Tudor London, in general, and in a Tudor household in particular. Following Elizabeth from the funeral of her first husband, through her widowhood and new love and marriage with Thomas Cromwell, this is not the story of Henry VIII and the Tudor court, but of the ‘ordinary’ people without whom the Tudors would not have been able to sustain their glamorous court.
Written in colourful, vivid language that draws you in from the first page, Mistress Cromwell is a wonderful novel, full of life and imagery. And, of course, the fact I could find no picture of Elizabeth Cromwell – only ones of Thomas – serves to highlight how little information we have about the ordinary Tudor woman. Carol McGrath’s novel gives us a rarely seen insight into everyday life of the non-aristocratic family in Tudor London. However, if you were expecting melodrama, this book is not it; adventure and mystery are given equal billing, with murder, arson and secrets, ambushes in dark corners and some strange, scary personalities making this an exciting story which is not to be missed.
Cromwell’s rise to power at the Tudor court runs parallel with his family concerns, with the arrival of children and Elizabeth’s own business adventures. His mysterious past – as a soldier and adventurer in Italy – is alluded to and even comes in useful. Carol McGrath does an excellent job of portraying the enigma that is Thomas Cromwell; the courtier, soldier and statesman who is also merchant, husband and father. The characters are brought to life in vivid, vibrant detail, creating a tableau that is hard to forget even once the last page has been read.
For several hours, I spoke little and ate sparingly. Father went about the hall speaking with merchants. I wondered how I would manage but knew I must and would. A chair scraped beside me, jolting me out of my thoughts. I felt a light touch on my elbow and glanced up. The feast was ending. My merchant had left his place. Gone to the privy, no doubt. Instead, Father stood by my chair, with Master Cromwell by his side.
‘Lizzy, Master Cromwell is my new cloth middle-man. He would like you to show him your bombazine cloth. He has admired your mourning gown.’
I started. This was nothing new. Father always employed different cloth middlemen to sell his fabrics to Flanders, thinking each one better than the last but today, at my husband’s funeral it was not seemly. Master Cromwell was watching me through eyes of an unusual shade, not quite blue or grey.
He bowed and said, ‘Forgive me for staring, Mistress Williams, but you see I knew you as a child. Your father used our fulling mill in Putney.’ He smiled at Father.
That was why he was familiar. I stared back, and in a moment or two I had recollected a tough, wicked little boy, some years older than I, who taught me to fish in the river with a string and a hook with a wriggling worm at the end of it.
‘I do recollect you, Master Cromwell. We played together as children,’ I said, feeling my mouth widen into a smile. ‘Father sent your father our cloth to be washed, beaten, prepared and softened for sale. I remember climbing trees and stealing apples. You led me astray.’
Elizabeth Cromwell herself is a wonderful, strong character, facing the prejudices of the merchant class and her own family in order to take some control over her life. And Mistress Cromwell will make you want to know more Although a history buff would know what is to become of Cromwell and Elizabeth, the author cleverly manages to avoid inserting any hindsight into the story. If you don’t know what becomes of the characters, you will soon be scouring the history books for the true story.
Carol McGrath’s wonderful novel transports you through time and space to the streets of London and Northampton at the height of Henry VIII’s magnificent reign. With colourful, vivid imagery she recreates a world and its people which has been otherwise lost through the centuries. The city, the characters and the lifestyle have been brought back to life, recreating the vibrant world in which Thomas Cromwell would eventually rise to be the king’s chief statesman. The story follows Elizabeth’s life; her family, her business and her husband, cleverly demonstrating how these are affected and changed by her husband’s inexorable rise to power.
The attention to detail is phenomenal, showing many of the social conventions of the time, while not detracting from the story, nor making the reader feel like they’re in a lecture on social history. It paints a fascinating tableau of merchant life in Tudor London, portraying the struggles and successes facing a widow trying to keep her business going in a man’s world. Rich in detail in every aspect, Carol McGrath’s meticulous research has produced a novel which plunges the reader into the middle of Elizabeth’s household in Tudor London. From funeral and marriage arrangements, births and christenings, to the contents of a Tudor garden and the conduct of the cloth trade, Mistress Cromwell acts as a window into Tudor merchant society.
If you liked Hilary Mantel’s Wolf Hall you will love Mistress Cromwell by Carol McGrath. It shows the human side of the Cromwell family and is a treat for any lover of historical fiction, and especially for a fan of Tudor history. It is a novel not to be missed, and which must be devoured for both the meticulous detail and the wonderful story – especially the story.
Based in England, Carol McGrath writes Historical Fiction and Non-Fiction. She studied History at Queens University Belfast, has an MA in Creative Writing from the Seamus Heaney Centre, Queens University Belfast and an English MPhil from Royal Holloway, University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, is republished by Headline. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, was published 2nd April 2020 and comes out 23rd July 2020 as a PB. also published by the Headline Group. Tudor Sex & Sexuality will be published in 2022. Carol speaks at events and conferences. She was the co-ordinator of the Historical Novels’ Society Conference, Oxford in September 2016 and is an avid reader and reviewer, in particular, for the Historical Novel Society. She is a member of the Romantic Novelists’ Association and Historical Writers Association. Carol lives in Oxfordshire with her husband. Website: http://www.carolcmcgrath.co.uk. Newsletter: bit.ly/39eUgKl for the signup page. Amazon.
From the author of the best-selling Tudor Trilogy, the true stories of the Tudor dynasty continue with Mary Tudor, daughter of King Henry VII and sister of King Henry VIII.
Born into great privilege, Mary has beauty and intelligence beyond her years and is the most marriageable princess in Europe. Henry plans to use her marriage to build a powerful alliance against his enemies. Will she dare risk his anger by marrying for love?
Meticulously researched and based on actual events, this ‘sequel’ follows Mary’s story from book three of the Tudor Trilogy and is set during the reign of King Henry VIII.
Brandon – Tudor Knight
Handsome, charismatic and a champion jouster, Sir Charles Brandon has a secret. He has fallen in love with Henry VIII’s sister, Mary Tudor, the beautiful widowed Queen of France, and risks everything to marry her without King Henry’s consent.
Brandon becomes Duke of Suffolk, but his loyalty is tested fighting Henry’s wars in France. Mary’s public support for Queen Catherine of Aragon brings Brandon into dangerous conflict with the ambitious Boleyn family and the king’s new right-hand man, Thomas Cromwell.
Torn between duty to his family and loyalty to the king, Brandon faces an impossible decision: can he accept Anne Boleyn as his new queen?
Katherine – Tudor Duchess
Attractive, wealthy and influential, Katherine Willoughby is one of the most unusual ladies of the Tudor court. A favourite of King Henry VIII, Katherine knows all his six wives, his daughters Mary and Elizabeth, and his son Edward.
She marries Tudor knight, Sir Charles Brandon, and becomes Duchess of Suffolk at the age of fourteen. Her Spanish mother, Maria de Salinas, is Queen Catherine of Aragon’s lady in waiting, so it is a challenging time for them all when King Henry marries Anne Boleyn.
Following Anne’s dramatic downfall, the tragic death of Jane Seymour, and the short reign of Catherine Howard, Katherine’s young sons are tutored with the future king, Prince Edward, and become his friends.
Katherine and Charles Brandon are chosen to welcome Anna of Cleves as she arrives in England. When the royal marriage is annulled, Katherine’s friend, Catherine Parr becomes the king’s sixth wife, and they work to promote religious reform. When King Edward dies, his Catholic sister Mary is crowned queen, and Katherine’s Protestant faith puts her family in great danger – from which there seems no escape.
About the Author
Tony Riches was born in Pembrokeshire, West Wales, UK, and spent part of his childhood in Kenya. He gained a BA degree in Psychology and an MBA from Cardiff University. After writing several successful non-fiction books, Tony decided his real interest is in the history of the fifteenth and sixteenth centuries, and now his focus is on writing historical fiction about the lives of key figures of medieval history. His Tudor Trilogy has become an international best-seller and he is in regular demand as a guest speaker about the lives of the early Tudors. Find out more at his website https://www.tonyriches.com/ and find him on Facebook and Twitter @tonyriches.