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Guest Post: A Pilgrim’s Visit to Canterbury Cathedral by Toni Mount

25/03/202411/06/2024Sharon Bennett Connolly2 Comments

It is always a pleasure to welcome historian and author, Toni Mount, to History… the Interesting Bits. Toni enjoys really getting a deep understanding of her characters, the lives they lived and the places they visited. For “The Colour of Sin”, her main characters were off on pilgrimage and that meant a lot of interesting places to research. Here, Toni talks about Canterbury Cathedral and how pilgrimage actually worked. Over to Toni Mount…

A Pilgrim’s Visit to Canterbury Cathedral

*Christ Church Gate, Canterbury Cathedral*

In order to research my new novel, The Colour of Sin, we visited Canterbury Cathedral. The story would involve our hero, Sebastian Foxley, taking his family on a pilgrimage to visit the shrine of St Thomas Becket in the cathedral, leaving behind his usual haunts in the City of London so a change of venue for him – and for me. I particularly wanted to get a feeling of what it would be like for a fifteenth-century pilgrim, to attempt to see things and experience them as he would have done. Fortunately, we had a wonderfully knowledgeable and helpful guide in Geoff Webb who was a mine of intriguing information.

Firstly, we had to remember that the cathedral was attached to a Benedictine monastery in those days so it was a far bigger larger complex of buildings, including the monks’ dormitory, rere-dorter or latrines, refectory, chapter house, infirmary, kitchen and other areas all of which would have been out-of-bounds to the pilgrims. Today, visitors can wander through the cloisters and view the garden with its water tower but for a pilgrim in 1480 this wouldn’t have been allowed. The magnificent chancel and choir were where the monks continued to hold their services throughout the day even as other areas of the cathedral were thronged with pilgrims. The same is the case today – most ordinary daily services are held in the choir but tourists may pass through whenever a service isn’t in progress, seeing some architectural wonders the medieval pilgrim would not have seen.

Secondly, how were the pilgrims ‘managed’ by the monks? Did they get a guided tour? Were they kept to a set route through the cathedral or could they wander off to admire the art works or the stained glass, or even the tomb or chantry chapel of someone important to them, personally? Geoff pointed out little windows high up, overlooking the place where Becket’s jewel-encrusted shrine would have stood. From here, the monks kept watch on the pilgrims gathered at the tomb, to make sure they behaved reverently and didn’t attempt to prise any gemstones from their settings as souvenirs. Elsewhere, stone seats were placed strategically for the similar purposes, where the monks could keep the crowds in order, if necessary.

Rather than a guided tour, there was a continuous line of pilgrims circling the cathedral, each following the one in front. On entering, the vast nave with its soaring fluted columns would have dragged every eye heavenwards. There would’ve been no seating but more than likely market stalls selling refreshments, pilgrim badges, phials of holy water and other saleable merchandise, the locals wouldn’t want to miss such a lucrative opportunity. The tour seems to have progressed along the side aisles, the north aisle having a specially constructed covered passage to take the pilgrims to the actual site of Becket’s martyrdom without disturbing the monks. Today, there is a plain stone table with a single candle burning upon it and a sculpture above representing the swords which slew Becket, forming an alarming jagged cross. This dates only to the 1990s but there would have been an altar here until the Reformation of 1538 destroyed it. Also, imprints on the floor show where memorial brasses were laid here, indicating important burials beneath. To the left is the chapel of Our Lady of the Martyrdom and St Blaise, newly constructed by the gifted mason and architect Richard Beke just thirty years before our hero, Seb Foxley’s pilgrimage.

In the area of the Martyrdom a flight of steps leads down to the crypt. For fifty years after he was slain, Becket’s tomb was down here among the Norman semi-circular arches of the 11th-century cathedral with its short, substantial round pillars, each with unique pattern and decoration, awaiting the completion of the ‘modern’ Trinity Chapel overhead. In 1220, the archbishop’s remains were ‘translated’ upstairs to the purpose-built and fabulous shrine. A later Chapel of Our Lady Undercroft was constructed down here in the mid-14th century by the royal architect, Henry Yevele, for Edward, the Black Prince. The prince wished to be buried here but, when he predeceased his father, Edward III, the king insisted that his eldest son, hero of Crecy and Poitiers, wouldn’t be hidden away in the undercroft but should share the prestigious Trinity Chapel with Becket, where every pilgrim would pass by the prince’s tomb and, hopefully, pray for his soul.

*View in the Trinity Chapel, of the candle identifying the site of the shrine to St Thomas a Becket.*

Beyond the Chapel of Our Lady Undercroft, towards the east, is the original site of Becket’s tomb between 1170 and 1220, still revered today with a candle burning on the floor and, beyond that, the circular Jesus Chapel, dedicated to Christ and his mother, the Virgin Mary. Pilgrims would have visited the undercroft as part of their ‘tour’. Graffiti adorn some of the walls beside the site of the tomb, among them a most artistic rendering of St John with his emblem of a majestic eagle. It’s thought that the graffiti were scratched in the stone by bored monks, spending hours here, watching the earlier pilgrims and making sure they didn’t do anything untoward in God’s house.

Also in the undercroft we saw a real jewel: St Gabriel’s Chapel. Its medieval wall paintings were encased in stone back in the 12th century because the wall was thought to be about to collapse – so Seb would have missed seeing them. Incidentally, this action kept them safe from the destruction of the Reformation and preserved them from the Puritan zealots of the Civil War, too. Now these once-forgotten paintings are revealed. To us, they are a marvel but to our medieval pilgrims they wouldn’t be unusual because the cathedral – and most parish churches – would have been painted with vivid murals, telling stories from the Bible for those who couldn’t read. St Gabriel’s other highlight is the glorious carvings on its central column, sharp, pristine and amusing, animals playing musical instruments, weird beasts and monsters conjured from the mason’s imagination.

Next door is the Black Prince’s Chantry Chapel where he planned prayers would be said forever for him and his beloved wife, Joan of Kent. Sadly for him, nine years after the prince’s death, in her will Joan requested burial beside her first husband and first love, Thomas Holland, Earl of Kent, at the Greyfriars, Stamford, Lincolnshire, and this was granted. The prince’s chantry is now used for services held in French. The Black Prince would have spoken courtly French so perhaps this is appropriate.

*The magnificent stained glass of Canterbury Cathedral*

Back up to the north aisle, we passed tombs of this archbishop and that, including that of Archbishop Chichele with its cadaver or memento mori beneath it, reminding all that no one escapes death. Next along is the tomb of Archbishop Thomas Bourchier, incumbent at the time of Seb’s visit. Bourchier was getting on in years so it’s quite possible that his tomb could have been under construction in 1480. Along the way, Geoff pointed out the glorious medieval stained glass windows. The Yorkist Royal window is famous, showing Edward IV kneeling with his two legitimate sons (the Princes in the Tower) behind him and facing his wife, Elizabeth Woodville, and their five daughters opposite. It was commissioned by Edward and glazed c.1480 so I don’t know whether Seb could have stood and admired this brand new window.

We climbed the steep stone stairs, dished and worn by the feet of countless pilgrims – I believe the pilgrim circuit ran anticlockwise, so they would have walked down these steps on the north side – up to the Trinity Chapel, now lacking the sumptuous shrine with its colonnaded openings through which pilgrims could reach in and touch the martyr’s coffin within for that moment of extra closeness to sainthood, to beseech Becket to put in a good word to God on their behalf. All around us were the vivid gemstone colours of the Miracle Windows, recording Becket’s known miraculous healings required as testimony to qualify for canonisation by the pope. Geoff told us to look for the green box shown at the end of each miracle story – the cash box in which the healed individual would put his donation to the cathedral in thanks for his recovery and a reminder to the pilgrims to do the same. I imagine these green boxes were all along the pilgrims’ route, maybe chained and the lids locked so nobody could help themselves to the offerings.

Beyond the Trinity Chapel is the small, circular Corona Chapel, perhaps an even holier point of contact with St Thomas than the shrine. Corona means crown and it was here that the martyr’s severed crown of his head was kept in a jewelled reliquary, the remnant of his mortal remains most closely associated with the moment of his death since this injury killed him. Gory but holy. We were now on the south side of the cathedral.

Here we passed the Black Prince’s tomb, directly opposite that of his nephew, Henry IV and his queen, Joan of Navarre. Henry IV was the first Lancastrian king and had ousted the Black Prince’s son, Richard II, from the throne in 1399 and done away with him. So Henry was greatly in need of prayers for his soul and turned the Chapel of St Edward the Confessor, the saintly king, into a chantry for himself. The Black Prince’s likeness lies in full armour, hands together in prayer, gazing up forever at the tester above him, just as in a medieval bed. The tester is painted with the image of the Trinity for which the prince had special reverence, even clinging to life in his last illness long enough to die on Trinity Sunday. Above the tester are modern but authentic replicas of his helmet, surcoat-of-arms (embroidered by the Royal School of Needlework), gauntlets and shield.

Walking back towards the Choir, Cardinal Archbishop John Morton, nemesis of King Richard III, has a finely painted tomb. Seb would have been spared the sight of his patron’s future enemy. Instead, knowing Seb, he would probably have spent ages gazing at the stained glass and the mural paintings, causing a bottle-neck in the orderly progress of pilgrims around the cathedral, being told to move along by an impatient Benedictine, back down another long flight of worn stone steps – the pilgrims would have climbed these on their knees up towards the shrine – to return to the south aisle of the nave.

Another intriguing piece of masonry is on the wall of the south aisle. It consists of three little blind arched arcades: two Norman round arches and a pointed one of the earliest style. Geoff suggested this was the mason’s demonstration piece to the dubious monks showing them how a pointed arch would work and look, being a thing never seen before in England. Maybe it’s true, maybe not, but it’s a good story.

A detour up more steps gave us a great view down the nave on one hand and the fantastic 14th-century Choir Screen on the other with its carved Lancastrian kings, constructed to give the monks more privacy as they worshipped while the pilgrims streamed by on either side. Here there’s a massive stone armchair – doesn’t look very comfortable – the seat of the Ostiarius or gate-keeper monk who guarded the entrance to the monks-only choir, making sure no pilgrim wandered in where they didn’t belong.

Outside in the Precinct, we saw the colonnade of huge Norman arches that were once the Infirmary and I have to mention a modern installation – an enormous but charming warhorse, made of off-cuts of fencing.

My thanks go to our marvellous guide, Geoff Webb, and to Melodie Robson for organising this brilliant tour around Canterbury Cathedral and inspiring me with ideas for the novel, The Colour of Sin.

To buy The Colour of Sin click here

Catch up on the ‘Colour of…’ series

Toni Mount’s Website

The Colour of Sin

Come with Seb Foxley, Rose and their enigmatic friend Kit, a priest with a shadowy past, as they join a diverse group of pilgrims on what should be an uplifting spiritual journey to Canterbury Cathedral.

Beset by natural disasters and unexplained deaths, the dangers become apparent. Encountering outlaws and a fearsome black cat, every step is fraught with peril.

Amidst the chaos, Seb finds himself grappling with the mysteries surrounding him, as well as his own demons, while Rose’s reunion with her family sets off a chain of events with unforeseen consequences.

But the greatest threat lies in the shadows, where sinister forces unleash evil upon the unsuspecting pilgrims. In a world where trust is a scarce commodity and even allies may harbour dark intentions, Seb must uncover the truth and protect his fellow travellers.

Prepare to be enthralled by a tale of betrayal, intrigue and redemption as Seb Foxley races against time to unravel the malevolent secrets hidden within the heart of the pilgrimage. Who can you trust when even friends prove false?

Praise for Toni Mount’s Sebastian Foxley Medieval Murder Mystery Series

“An evocative masterclass in storytelling.” – Tony Riches, author of The Tudor Trilogy

“It’s superb. What a plot. What characters” – Carol McGrath, author of the She-wolves trilogy

“Toni mount gives you a real sense of actually being there”

“an excellent mystery, with multi-layers of plot”

“Much better than the average period detective story.”

“Toni Mount brings characters leaping off the page… plots that twist and turn, I am in heaven when reading her books”

Competition: Poster Giveaway

Want the chance to win a unique poster of The Colour of Sin by Toni Mount, the twelfth book in her Sebastian Foxley Medieval Murder Mystery series? You’ll be the only person in the world to have this full colour poster! Enter here!

About the Author:

Toni Mount earned her Master’s Degree as a mature student at the University of Kent by completing original research into a unique 15th-century medical manuscript.

She is the author of several successful non-fiction books including the number one bestsellers, Everyday Life in Medieval London and How to Survive in Medieval England, which reflects her detailed knowledge of the lives of ordinary people in the Middle Ages.

Toni’s enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her Sebastian Foxley medieval murder mysteries.

Toni’s first career was as a scientist and this brings an extra dimension to her novels. She writes regularly for The Richard III Society’s Ricardian Bulletin and a variety of history blogs and is a major contributor to MedievalCourses.com.

As well as writing, Toni teaches history to adults, is an enthusiastic member of two creative writing groups and is a popular speaker to groups and societies.

The twelfth novel in Toni’s popular “Sebastian Foxley” murder mystery series, The Colour of Sin, is set in the ancient cathedral city of Canterbury, Kent.

My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Out Now! Women of the Anarchy

Two cousins. On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available from Bookshop.org, Amberley Publishing and Amazon UK.

Coming on 15 June 2024: Heroines of the Tudor World

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.

Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops or direct from Pen & Sword Books, bookshop.org and Amazon. Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

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Guest Post: A Fairy Step-mother by Laura Adkins

23/03/202411/06/2024Sharon Bennett ConnollyLeave a comment

We have another fabulous guest post to celebrate Women’s History Month 2024. Laura Adkins is visiting History … the Interesting Bits to talk about my favourite of Henry VIII’s six queens, Katherine (or Kateryn, as she would have written it) Parr.

Over to Laura…

A Fairy Step-mother – Kateryn Parr

Although she only had one biological child, two of Kateryn Parr’s marriages would bring her five stepchildren whom she loved dearly as if they were her own.

Katheryn first foray into motherhood was when she became stepmother to Lord Latimer’s teenage son and daughter. It is more than likely that Latimer, when looking for a wife, was after someone who could be a mother to his children and be present in their lives as he was away a lot. He may have seen those motherly qualities in Kateryn. It would be his daughter, Margaret, 9 years old at the time of her father’s marriage to Kateryn, who would grow close to her new stepmother.

Margaret’s own mother had died in 1527 and her first stepmother died in 1530. This led to Kateryn becoming the only mother figure in the young girl’s life, and at an impressionable age. Kateryn would fill the role of mother, treating Margaret as if she were her own, even after Latimer’s death. Kateryn not only had a legal duty to the two teenagers at this time but a sense of parental duty and love.

Margaret’s father had been strongly Catholic, therefore, his children would have been Catholic. However, times were changing and in Margaret’s will there are curtain wordings which give an indication that she was more inclined towards the reformed religion. Could Kateryn have played a role in this? We do not know for certain, but Kateryn would certainly have been aware of Margaret’s beliefs and most likely had some impact on it. The only thing that would separate the two was Margaret’s death at the young age of 21, in 1545. In her will Margaret thanks Kateryn for ‘the godly education and tender love and bountiful goodness which I have ever found in her highness’. Kathryn had provided a mother figure for Margaret during her short life. She had provided the young girl with companionship when an alternative could have been a very lonely existence. Throughout her marriage to Henry, she was then able to bring her stepdaughter into court life and provide her with connections which she may never have had initially.

Of Latimer’s eldest child, John, things would be slightly different; however not as a result of Kateryn’s parenting. John was 14 years old when Kateryn and his father married, an age where he would have already established his own views, thoughts and personality. The young boy had been without a mother figure through puberty and his adolescent development. We know, from Kateryn’s own words, that things had been a bit more difficult between stepmother and son than with Kateryn and Margaret. His father did not leave his properties to John, nor appoint him executor of his will. That his father did not have much faith in his sensitive, sulking and lying teenager gives an indication that John was maybe a bit more of a handful than most. And given what he went on to do later in his life (arrested for attempted rape of one of his servants in 1557 and murder in 1563) one can quite believe his upbringing was not an easy task for Kateryn. There must have been some mutual fondness for one another, as when she became queen, she gave his wife a place as one of her ladies-in-waiting. Also, the fact that his aggressive nature came to the surface after her death shows that maybe she had some influence on his nature.

On her marriage to Henry VIII in 1543, Kateryn found herself a stepmother once more, this time to two daughters and a son. These royal children would be familiar to Kateryn and were all at various stages of their lives. Mary was only four years younger than her new stepmother; Elizabeth Tudor was 9, the same age that Margaret had been when Kateryn entered her life and Edward who was approaching the age of 6. Kateryn had a real impact on all three of Henry’s children, so much so that it helped shape their future as monarchs and for Elizabeth as a woman. All three have left in their own words their affection for Kateryn, the first of Henry’s wives that they all accepted and most likely loved.

It was through her love for her stepchildren and not a power play which made Kateryn try to reunite them with their father. She wanted to reconcile the broken family and bring happiness back to the court. She knew such love and happiness growing up and sadness with the loss of her father and wanted to try and assist her stepchildren to have some happiness like she did. Henry had both Mary and Elizabeth re-established in the line of succession, something which Kateryn at least had some part in. It would be at Ashridge in August 1543 where the three Tudor children, Kateryn and their father would stay together for the first time.

During her role as regent all three of the royal children would stay at the court, with their stepmother. It would be Elizabeth’s longest stay since she was a baby and one which most historians agree had a huge impact on her. Here both Mary and Elizabeth witnessed a woman governing and imposing her authority on her male counsellors. And not just a woman from afar but their stepmother, one who loved them and could and most likely help guide and mentor them, preparing them for their potential futures as powerful women in a world of men.

With Mary, the relationship was more of close friendship. Kateryn was not stupid to try and push herself as stepmother to Mary. She used her new position as queen to try and help Mary, not only to restore her in the line of succession but also to reunite her with her father. The two bonded over their love of fashion, jewellery and music. This friendship had already been established when Kateryn was a lady in Mary’s household after the death of Latimer. Mary would also see Kateryn as another female of learning and virtue and held her stepmother in high regard. The Spanish ambassadors wrote that Kateryn has behaved affectionately towards her [Mary] and go on to thank Kateryn for the kindness shown to the princess. Even their opposing religious beliefs did not seem to hinder their relationship. Kateryn had nothing but love for Mary. and it was through this love which brought her, for the first time in over a decade, some sense of peace, happiness and a form of stability.

For Elizabeth and Edward, her role was ever more impressionable. Edward’s mother, Jane Seymour had died when he was only a few days old. The next two of Henry’s wives were in and out of his life so quickly the young boy barely had time get to know them. A boy who had only had one parent in his life, the distant albeit slightly affectionate Henry. Edward lacked someone who showed him love and affection. It seems he grew with a fence up from female affection. When Kateryn came along, she wanted to knock down the fence and show the boy that it is ok to love and that he was loved and displays of affection were allowed. And she succeeded. From an early stage he was referring to her as his dearest mother and signing himself as her most abundant son. This young boy, who was a secretive cold and judgmental child who showed genuine fondness for very few people had grown attached to his new stepmother and finally had a mother whom he could love and who would love him in return.

For Elizabeth, Kateryn appeared at the time when she was needed the most. The stepmother and daughter were most likely the closest of the Tudor children. Elizabeth was at an age when she needed guidance and understanding; she also needed a mother’s love and someone who could match her growing intelligence. It would be Kateryn who also brought William Grindle onboard to teach Elizabeth, which led to the future queen’s love of the humanist principles. The earliest surviving letter of Elizabeth’s in existence is one she had written to her stepmother, dated 31 July 1544 . She despairs of not seeing Kateryn’s illustrious presence for a whole year and appeals to Kateryn’s clemency to speak to the king on her behalf so she can join them at court. Here Elizabeth feels she can approach her stepmother without repercussions and that her stepmother loved her greatly. She wanted to be not only with the king but Kateryn too at court.

Elizabeth would always sign her letters to Kateryn as ‘Your most obedient daughter and most faithful servant…’ Kateryn had captured the young princess’s heart and interest.

Elizabeth was a bright and intelligent child and noticed what was going on around her. She would not fail to miss the authority of her new stepmother and how she wielded her own power whilst keeping the right balance of femininity, and without, most of the time offending Henry or the men around her.

After the death of Henry, Kateryn set up her home at Chelsea, along with Elizabeth. It would be at Chelsea where Elizabeth and Kateryn’s relationship was tested to its limit, nearly severing the close ties these two had for good. Kateryns forth husband, Thomas Seymour began to grow an unhealthy interest in Elizabeth. He started to enter her bedchamber in the early morning before she was dressed and wearing only her undergarments. Her governess, Kat Ashley had tried to dissuade him from doing so and even approached Kateryn herself. There was even an occasion where Kateryn held Elizabeth in a supposed playful jest while Thomas cut Elizabeth’s gown to shreds. Not appropriate behaviour from either of them. It was eventually evident to Kateryn that Elizabeth had feelings for Thomas. Because of his lust for her stepdaughter and for reasons of propriety, Kateryn sent Elizabeth away from Chelsea. Kateryn had by this time found out she was pregnant; she wanted Thomas to only have eyes for her and knew the implications that could happen should word get out of what was going on, and under her own roof. It had to stop, and more importantly she needed it to stop for the love she bore Elizabeth as her stepmother, even though she was hurt by Elizabeth’s actions. Although this flirtation with Thomas and the danger it had put them in had been a huge thrust of the knife at Kateryn, her love for Elizabeth did not wane. Within weeks Kateryn had written to Elizabeth, and she had written back. Both were declaring their love for one another, with Kateryn missing her young charge.

Kateryn approached the role of motherhood with all her heart and passion for her stepchildren as if they were her own flesh and blood. Lord Latimer certainly saw something in her when he chose her to be his wife, he wanted not only a companion but a mother to John and Margaret. Kateryn’s involvement with Henry’s children’s lives was accepted, encouraged and appreciated by the king. He may have even finally enjoyed playing happy families after all the turmoil of the previous few decades. Her warmth and affection assisted her in persuading him to place his daughters back into the line of succession. For Mary it was a little different as she had experienced it from her biological mother, but this love had been torn from her when she needed it most. Maybe Kateryn had helped bring back those cherished memories to her. Kateryn was able to provide her stepdaughters with a female role model, who they could look up to and learn from. Particularly as two of her stepdaughters were of royal blood who might one day become queens. This mother’s love she provided would have certainly made an impact on how they approached womanhood and their confidence that they could perform their role as queen.

About the Author:

Ever since being inspired by her history teacher in secondary school and the 1997 movie Titanic, Laura has had a passion for history, especially medieval and Tudor eras. She writes her blog the Local History Blogger which focuses on her home county of Essex, England. In her past jobs, she has been fortunate to work in historic locations such as the Tower of London and Banqueting House, Whitehall where she gave public talks on its history and talks on the Tudors and Stuarts. Her other passion in life is her daughter who now joins Laura on her history trips and outings. When she is not exploring Laura enjoys reading and adding to her growing collection of books. Katheryn Parr: Henry VIII’s Sixth Queen is her first book.

To Buy the Book:

Laura’s book Kateryn Parr: Henry VIII’s sixth queen is now available in Hardback from Pen and Sword.

Find Laura Adkins on social media at:

Website: http://www.thelocalhistoryblogger.co.uk; Instagram – @localhistoryblogger; X – @TLHBlogger

Images:

1. Kateryn Parr – after Master John, c.1545. Oil on panel. The original portrait was initially thought to be of Lady Jane Grey and was only recently attributed to be Kateryn. Public domain image, via Wikimedia Common

2. Queen Mary Tudor – Anthonis Mor, 1554. Oil on panel. Public domain image, via Wikimedia Commons

3. King Edward VI – Workshop of Master John, c.1547. Public domain image, via Wikimedia Common

4. The young Princess Elizabeth – attributed to William Scrots, c.1546-1547. Oil on oak panel .Public domain image, via Wikimedia Commons