Elizabeth FitzGerald, ‘Fair Geraldine’

Elizabeth Fitzgerald, painted by Steven van der Meulen

Elizabeth Fitzgerald, a great-granddaughter of Elizabeth Woodville, had been born in Ireland in about 1528 and was the second daughter of Gerald Fitzgerald, 9th Earl of Kildare. Her mother was Lady Elizabeth Grey, daughter of Sir Thomas Grey, Marquess of Dorset and only surviving son of Elizabeth Woodville, Edward IV’s queen, and therefore 1st cousin to Henry VIII.

A wealthy, cultivated family, her early childhood was spent at the Kildare’s stately home of Maynooth, in Ireland, with her father acting as the king’s Lord Deputy in Ireland. However, in 1533 the earl was summoned to court to answer complaints against him. Claiming illness, he initially sent his wife, in hope that she could appease the king, but his presence was demanded and in 1534, the ailing earl left for England, leaving his son, Lord Offaly, as his deputy in Ireland. The Earl of Kildare was charged with treason and imprisoned in the Tower of London, where he died of illness in August 1534. His son had come out in open rebellion against the king and would himself be executed at Tyburn in 1537.

The rebellion caused the downfall of the House of Kildare; the title forfeit and their estates confiscated. Lady Kildare and her children sought assistance from her brother, Lord Leonard Grey, settling on his estate at Beaumanor in Leicestershire. Her eldest son and the Kildare heir, Gerald Fitzgerald,  fled to exile on the continent, protected from Henry VIII by both Francis I of France and Charles V, the Holy Roman Emperor.

Lady Kildare’s family connections to the king meant that young Elizabeth Fitzgerald was able to enter Princess Elizabeth’s household in 1539, possibly as a maid of honour but ostensibly to be raised alongside her cousin. She was only 9 or 10 years old at the time while the princess was about 6-years-old. While in the princess’s household, Elizabeth made an impression, it seems, particularly on Henry Howard, Earl of Surrey, who wrote a sonnet, From Tuscan cam my ladies worthi race in praise of her as his Fair Geraldine;

Bewty of kind, her vertues from above; Happy ys he that may obtaine her love¹.

Elizabeth’s 1st husband, Sir Anthony Browne

In 1542 Elizabeth married her first husband, the wealthy courtier Sir Anthony Browne, who was Henry VIII’s Master of the Horse. The marriage meant that Elizabeth now had the means to restore the family fortunes, applying for military command for her brother, Edward. Her older brother, Gerald returned to England in the reign of Edward VI; he was knighted and his lands restored. In 1554, during the reign of Mary I, Gerald married his sister’s stepdaughter, Mabel (Sir Anthony Browne’s daughter by his 1st wife, Alice Gage).

Elizabeth was widowed in 1548 her two sons by Sir Anthony, Edward and Thomas, had both died in infancy.

In 1552 Elizabeth married again, this time to Edward Fiennes de Clinton, ninth Baron Clinton and Saye; the same Baron Clinton who had married Elizabeth (Bessie) Blount in 1535. Clinton had remarried in 1541, after Bessie’s death, to Ursula, daughter of William, seventh Baron Stourton; Ursula was a niece of John Dudley, Duke of Northumberland in the reign of Edward VI. She died in 1551 and Edward married Elizabeth the following year.

Sir Edward Fiennes de Clinton had led a very successful military career and in May 1550 he had been appointed a privy councillor and lord high admiral of England. He was made a knight of the garter in April 1551 and, later in the same year, was given the former Howard property of Tattershall Castle in Lincolnshire, which he made his principal residence. Clinton was an adept political survivor; after being involved in the plot to put Jane Grey on the throne he was imprisoned for a short while, but managed to win Queen Mary’s trust and was active in her military campaigns.

Tattershall Castle, Lincolnshire

With the accession of Elizabeth I, Clinton was appointed a privy councillor and his wife, Elizabeth Fiennes de Clinton, the queen’s childhood friend, was appointed Gentlewoman of the Privy Chamber ‘without wages’ (this indicated her high-born status, as salaried members were drawn from the lower ranks of the nobility).

In 1572 Baron Clinton was rewarded for his service with the earldom of Lincoln.  Elizabeth had practically been raised with the new queen since she was ten years old and was thought to have considerable influence; she regularly received petitions and suits from others requesting she intervene with Elizabeth I on their behalf. She was also able to use her influence at court to benefit her own family; in 1569 Elizabeth and her brothers, Gerald and Edward, and sisters, Margaret and Cecily, successfully petitioned Queen Elizabeth for  the  restoration of the Fitzgeralds to their blood and lineage.

Edward trusted his wife considerably, and made her executor of his will, bequeathing Semprigham to Elizabeth, and Tattershall to his eldest son, Henry (his son by Ursula). Edward, Earl of Lincoln, died in 1585 and just before his father’s death, his son Henry had written to William Cecil, Lord Burghley, accusing Elizabeth of attempting to deprive him of his inheritance, and of maligning him to the queen. However, Henry’s tactic failed and the will was confirmed in 1587.

Elizabeth Fitzgerald, by an unknown artist

Elizabeth herself appears to have withdrawn from court following her husband’s death. When she died in March 1589, the ‘Fair Geraldine’ was laid to rest beside her husband in the Lincoln Chapel of St George’s Chapel Windsor.

Although one of the greatest noble ladies of her time, with her only 2 children having died in infancy, Elizabeth’s legacy is in the poetry left by Henry Howard, Earl of Surrey;

Do not deface them than wyth fansies newe, Nor chaunge of mindes let not thy minde infect.¹

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Footnote:  ¹H. Howard [earl of Surrey], Poems, ed. E. Jones (1964)

Pictures courtesy of Wikipedia, except photo of Tattershall Castle, ©2017 Sharon Bennett Connolly

Bibliography: Accounts of the Chamber and Great Wardrobe Public Record Office; Howard [earl of Surrey], Poems, edited by E. Jones (1964); John Leland Leland’s itinerary in England and Wales 1535-43 edited by L Toulmin Smith (1906-10); Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII 1509-47 edited by JS Brewer, James Gairdner and RH Brodie, HMSO London 1862-1932; Privy Purse Expenses of King Henry VIII from November MDXIX to December MDXXXII edited by Sir Nicholas Harris Nicolas 1827; Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman edited by Maria Dowling and Joy Shakespeare; Bulletin of the Institute of Historical Research, 1980 & 1982; A Guide to Gainsborough Old Hall by Sue Allan; Bastard Prince: Henry VIII’s Lost Son by Beverley A Murphy; Elizabeth’s Women by Tracy Borman; England Under the Tudors by Arthur D Innes; Henry VIII: King and Court by Alison Weir; In Bed with the Tudors by Amy Licence; In the Footsteps of the Six Wives of Henry VIII by Sarah Morris and Natalie Grueninger; Ladies-in-Waiting: Women who Served at the Tudor Court by Victoria Sylvia Evans; The Earlier Tudors 1485-1558 by JD Mackie; The Life and Times of Henry VII by Neville Williams; The Six Wives and Many Mistresses of Henry VIII: The Women’s Stories by Amy Licence; Oxforddnb.com; Tudorplace.com

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My Book:

Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2017 Sharon Bennett Connolly

Book Corner: Fools and Mortals by Bernard Cornwell

Fools and Mortals follows the young Richard Shakespeare, an actor struggling to make his way in a company dominated by his estranged older brother, William. As the growth of theatre blooms, their rivalry – and that of the playhouses, playwrights and actors vying for acclaim and glory – propels a high-stakes story of conflict and betrayal.

Showcasing his renowned storyteller’s skill, Bernard Cornwell has created an Elizabethan world incredibly rich in its portrayal: you walk the London streets, stand in the palaces and are on stage in the playhouses, as he weaves a remarkable story in which performances, rivalries and ambition combine to form a tangled web of intrigue.

I have been a fan of Bernard Cornwell since reading my first Sharpe book as a teenager. I have read everything, eagerly awaiting each new book and devouring it within days of its release. So when I was offered the chance of an advance copy of Fools and Mortals – well – I jumped at it.

Fools and Mortals is a major departure for Bernard Cornwell. There are no world-changing battles as in the Sharpe and Last Kingdom books, no ancient legends such as in the King Arthur and Thomas of Hookton series; in fact, this book is all about pretend, following the antics of William Shakespeare’s younger brother as he tries to make his way as a player in Elizabethan England. And it is fascinating.

‘Show me the nightgown!’ the twin whose sword was still scabbarded demanded, and the Percy tossed down the rochet. ‘Oh pretty,’ the twin said. ‘Is this what papists wear to vomit their filth?’

‘Give it back,’ Alan Rust demanded, slightly raising his borrowed sword.

‘Are you threatening me?’ the twin with the drawn blade asked.

‘Yes,’ Rust said.

‘Maybe we should arrest him,’ the twin said, and lunged his blade at Alan.

And that was a mistake.

It was a mistake because one of the first skills any actor learns is how to use a sword. The audience love combats. They see enough fights, God knows, but those fights are almost always between enraged oafs who hack and slash until, usually within seconds, one of them has a broken pate or a pierced belly and is flat on his back. What the groundlings admire is a man who can fight skillfully, and some of our loudest applause happens when Richard Burbage and Henry Condell are clashing blades. The audience gasp at their grace, at the speed of their blades, and even though they know the fight is not real, they know the skill is very real. My brother had insisted I take fencing lessons, which I did, because if I had any hope of assuming a man’s part in a play I needed to be able to fight. Alan Rust had learned long before, he had been an attraction with Lord Pembroke’s men, and though what he had learned was how to pretend a fight, he could only do that because he really could fight, and the twins were about to receive a lesson.

I know that not every Bernard Cornwell fan will be impressed by this new story; if they  are only reading Cornwell for the blood-curdling action, they will be disappointed in this book. But if they read Cornwell because he is THE greatest storyteller, because he can transport you through time and space to a world that is recreated from history and his imagination, they will love this book.

William Shakespeare

I admit I was a little dubious at first, but once you start reading, it is – as usual with a Bernard Cornwell book – impossible to put down. It may be because this is not a war story, is not a crime thriller, and is a totally new departure for the author, that this story works so well. It proves just what an excellent wordsmith he is.

As has come to be expected with one of our greatest authors, the research is impeccable and interwoven in the story are many of the political concerns of the time, the opposition to theatres, the hunt for Catholics and their sympathisers, and even the constant need to impress the aging queen, Elizabeth I. However, Fools and Mortals is not a simple melodrama. There are many threads to the story, the development of professional theatre, love, intrigue, betrayal and sibling rivalry being just a few.

Everything about this book proves why Bernard Cornwell is one of the greatest storytellers of our generation. The writing is of his usual high standard, and keeps you engaged to the very end. The hero, if a complete contrast to Sharpe and Uhtred, is an engaging and entertaining protagonist, with whom the reader can readily invest their hopes and expectations of a great story. Richard Shakespeare is a young man, trying to find his role in life, whilst trying to survive medieval London and negotiate that age-old problem – a superstar older brother!

Any fan of Bernard Cornwell knows that he loves the theatre and the bestselling writer has put all his knowledge and passion into creating this amazing novel. It more than lives up to the high standards we have come to expect in all his work.

Fools and Mortals is released on 19th October in the UK.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Sharons book cover

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2017 Sharon Bennett Connolly

Book Corner: Queen of Martyrs, the Story of Mary I by Samantha Wilcoxson

‘God save the Queen! God save our good Queen Mary!’

When these words rang out over England, Mary Tudor thought her troubles were over. She could put her painful past – the loss of her mother and mistreatment at the hands of her father – behind her.

With her accession to the throne, Mary set out to restore Catholicism in England and find the love of a husband that she had long desired. But the tragedies in Mary’s life were far from over. How did a gentle, pious woman become known as ‘Bloody Mary’?

Queen of Martyrs, The Story of Mary I is the final book in Samantha Wilcoxson’s Plantagenet Embers series. It tells the story, in the third person, from the point of view of Mary I. Mary was the eldest daughter of King Henry I and England’s first ever queen regnant. Although part of a series, the book also works perfectly well as a standalone.

Samantha Wilcoxson has a unique writing style which makes her stand out from other Tudor storytellers. She gets into the mind of her main character and writes Mary’s story as if she’s seeing it through the queen’s own eyes. If Mary did not see something happen, then the reader does not know about it until the queen is informed. This distinctive writing style makes the book a personal journey, both for the subject and the reader.

Mary I

Queen of Martyrs, The Story of Mary I tells the story of Mary I, from the time  of Henry VIII’s marriage to Katherine Parr, to her own death.Telling the story through Mary’s own eyes, we follow her personal and  public relationships, through her brother’s reign and the usurpation of Lady Jane Grey until she is sitting on the throne herself.

The novel demonstrates the human side of Mary I, her fears, insecurities and compassion, and her innate need to be loved; by her sister, her husband and her people. It shows her as a child of the Reformation, just as much as Elizabeth I, but on the opposing side. She is a queen struggling to do the right thing by her conscience and her people.

This compassionate portrayal helps to explain how the descent into the burning of protestants was not a plan, but a consequence of cumulative events and Mary’s own fear of displeasing God. Mary cuts a sad and lonely figure, desperate for love and constantly disappointed; by her father, her sister and, ultimately her husband.

With no children of her own, Mary doted upon Edward and Elizabeth in a way their father never would. She made her way now through the small, crowded room to her father’s other bastardized princess.

Elizabeth performed a perfect curtsy for her sister before letting her guard drop and offering a smile.

“I pray you are well, sister.” Elizabeth said with a sincerity of one unaware of the former bad feelings one has had toward them.

“My thanks to you and to God for seeing that I am indeed restored to health and am able to see a good friend and my dear father united in marriage.” As she said it, Mary was surprised to find that she meant it.

“I wish them great happiness,” Elizabeth agreed without emotion.

“You will find Katryn to be a loving mother, and she may be a calming presence for our father,” Mary encouraged her.

“Undoubtedly, you shall be proven correct.”

Sometimes Elizabeth’s habit of saying only what was expected could annoy, but Mary knew that she was simply doing her best to play her part to perfection. It was an effect of the quick succession of stepmothers and the gruesome connection between marriage and death that the young girl had witnessed.

What I love about this book is that it is Mary’s story. Elizabeth is a peripheral figure, making few appearances and always in her sister’s shadow. Philip of Spain is an unsympathetic character, desperate to get away from a marriage that he doesn’t want. The only character who is symbiotic with Mary is her cousin, Cardinal Reginald Pole, she sees him as an equal, in faith and outlook and he’s the only one she seems comfortable with.

Brilliantly researched, this is a sympathetic portrayal of a queen, known in many history books as Bloody Mary, who is often vilified and criticised for the burning of Protestants. Samantha Wilcoxson doesn’t just go with the flow, but manages to examine the queen’s life, loves and personal tragedies. In doing so, she shows us why the name of Bloody Mary is too simplistic for this complex woman who went through so much adversity before she ascended the throne.

Queen of Martyrs, The Story of Mary I is a wonderful, compassionate story of a frequently misunderstood woman. Samantha Wilcoxson’s writing style makes this an intimate portrayal of the Tudor queen, giving the reader a deep, personal relationship with the book and its subject, the queen’s story staying with them long after the last page has been turned.

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Picture of Mary courtesy of Wikipedia.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

©2017 Sharon Bennett Connolly

Katherine Willoughby, the Puritan Duchess

Catherine,_Duchess_of_Suffolk_by_Hans_Holbein_the_Younger
Katherine Willoughby, Duchess of Suffolk

Maria de Salinas was a lady-in-waiting and close friend to Katherine of Aragon; indeed, she probably came to England with the Spanish princess in 1501 for the marriage to Henry’s older brother, Arthur, Prince of Wales. Katherine and Maria were very close and the Spanish ambassador complained of Maria’s influence over the queen, especially after she tried to persuade Katherine not to cooperate with the ambassador and encouraged the Queen to favour her English subjects.

In June 1516 Maria married the largest landowner in Lincolnshire, William Willoughby, 11th Baron Willoughby de Eresby. The wedding was a lavish affair – attended and paid for by the King and Queen. It took place at Greenwich Palace and the couple were given Grimsthorpe Castle, in Lincolnshire, as a wedding present. The Queen even provided Maria with a generous dowry of 1100 marks.

Maria remained at court for some years after her wedding, and attended Queen Katherine at the Field of Cloth of Gold in 1520. Henry VIII was godfather to Maria and William’s oldest son, Henry who died in infancy. Another son, Francis, also died young and their daughter Katherine, born on 22nd March 1519 and named after the queen, would be the only surviving child of the marriage. With her father holding over 30 manors in Lincolnshire alone, and an annual income of over £900 a year, Katherine was one of the great heiresses of her generation.

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Charles Brandon, Duke of Suffolk

Little Katherine was only 6 or 7 when her father, Lord Willoughby, died in 1526. For several years afterwards Maria was embroiled in a legal dispute with her brother-in-law, Sir Christopher Willoughby, over the inheritance of the Willoughby lands. It seems William had settled some lands on Maria which were entailed to Sir Christopher. The dispute went to the Star Chamber and caused Sir Thomas More, the king’s chancellor and a prominent lawyer, to make an initial redistribution of some of the disputed lands.

This must have been a hard fight for the newly widowed Maria, and the dispute threatened the stability of Lincolnshire itself, given the extensive lands involved. However, Maria attracted a powerful ally in Charles Brandon, Duke of Suffolk and brother-in-law of the King, who called on the assistance of Cardinal Thomas Wolsey, Henry’s first minister at the time, in the hope of resolving the situation.

Suffolk had managed to obtain the wardship of Katherine Willoughby in 1529, intending her to marry his eldest son and heir Henry, who had been made Earl of Lincoln in 1525, and so had a vested interest in a favourable settlement for Maria. Suffolk’s acquisition of the de la Pole estates had given him a prominent position in East Anglia; with properties these added to young Katherine’s lands in Lincolnshire, he would create an impressive power base.

Hans_Holbein_the_Younger_-_Henry_Brandon,_2nd_Duke_of_Suffolk_(1535-51)_-_Google_Art_Project
Henry Brandon, 2nd Duke of Suffolk

Whether or not the young earl of Lincoln was a sickly child (as he died in 1534) is uncertain; however the marriage was not to be. Suffolk had been married to king Henry VIII’s little sister, Mary Tudor, Dowager Queen of France, but she died in September 1533. The 50-year-old Duke of Suffolk caused a great scandal when, only 3 months later, he married 14-year-old Katherine himself. She was Suffolk’s 4th wife.

The marriage made Suffolk the greatest landowner in Lincolnshire and, despite the age difference, it does appear to have been successful. Katherine and Charles were to have 2 sons. The 1st, Henry, was born in 1535 and the youngest, Charles, was born in 1537.

Although Suffolk pursued the legal case with more vigour after the wedding, a final settlement was not reached until the reign of Elizabeth I. The combined properties of Charles Brandon, Duke of Suffolk, and Katherine made Suffolk the greatest magnate in Lincolnshire. He added to their properties by purchasing monastic land and built a fine house at Grimsthorpe Castle. His prominence in the county meant Suffolk was instrumental in suppressing the Lincolnshire rebellion in 1536 (part of the Pilgrimage of Grace), a consequence of the Dissolution of the Monasteries.

Hans_Holbein_the_Younger_-_Charles_Brandon_(Royal_Collection)
Charles Brandon, 3rd Duke of Suffolk

Along with her mother, Katherine was an official mourner at the funeral of Katherine of Aragon in 1536. Sadly, it was only 3 years later, in 1539, that Queen Katherine’s former lady-in-waiting, Maria de Salinas, Lady Willoughby, passed away.

Katherine served at court, in the household of Henry VIII’s sixth and last queen, Katherine Parr. A stalwart of the Protestant learning, Katherine used her position to introduce Protestant clergy to Lincolnshire, even inviting Hugh Latimer to preach and Grimsthorpe Castle. It was she and Sir William Cecil who persuaded Katherine Parr to publish her book, The Lamentacion of a Sinner in 1547.

In the early  1540s Suffolk played a big part in Henry’s wars with France and Scotland; in 1544 he successfully prosecuted the siege of Boulogne and was rewarded in February 1545 with the lands of Tattershall College, which he was allowed to purchase for less than half price.

Amid preparations for another expedition to France, Suffolk died at Guildford in August 1545; the cause of death is not known. He would have been in his early 60s. Suffolk’s son and heir, Henry, was just 10 years old. Katherine was granted his wardship in May 1546, for the sum of £1500 and he was sent to the household of Prince Edward to continue his studies. It must have been a cause of great pride for Katherine when Henry and Charles were both knighted at Edward VI’s coronation, with Henry having the honour of carrying the orb during the ceremony.

In 1549 Henry and Charles were enrolled at St John’s College, Cambridge, in order to finish their education.

330px-Catherine_Willoughby,_portrait_miniature_3
Katherine Willoughby

It was in the summer of 1551 that an outbreak of sweating sickness struck Cambridge. Henry and Charles moved to Buckden in Huntingdonshire, in a futile attempt to escape the disease. For it was at Buckden, on July 14th 1551, and with their desperate mother moving between the 2 sickbeds, that the boys both passed away within minutes of each other. Charles became the 3rd Duke of Suffolk when he survived his brother by about half an hour. The boys, who had shown great promise at Cambridge, were buried together at Buckden.

Following the deaths of her sons by Suffolk, Katherine no longer had a financial interest in the Suffolk estates, which went to the heirs of Mary Tudor, Henry VIII’s sister. However, Katherine still had her own Willoughby estates to look after and in order to safeguard these, Katherine married her gentleman usher, Richard Bertie, in 1552. This marriage appears to have been made for love and with mutual religious beliefs; unfortunately for the couple, Katherine was unsuccessful in her attempts to gain the title of Lord Willoughby for her 2nd husband.

The couple had a difficult time navigating the religious tensions of the age and, during the reign of the Catholic Queen Mary I, in early 1555, even went into exile on the Continent, travelling through Wesel, Strasbourg and Frankfurt. And at the time of Mary’s death, in 1558, they were staying at the court of the king of Poland. They returned to England the following year. During the reign of Elizabeth I, Katherine resumed her position in Tudor society; however, her relations with the court were strained by her tendency towards Puritanism.

Susan_Bertie,_Countess_of_Kent
Susan Bertie, Countess of Kent

Katherine used her position in Lincolnshire and extensive patronage to help disseminate the Puritan teachings. The records of Katherine’s Lincolnshire household show that she employed Miles Coverdale – a prominent critic of the Elizabethan church – as tutor to her two children by Bertie. The couple’s 1st child, a daughter, Susan, was born in 1554 and was still a baby when she went into exile on the continent, with her parents. A son, Peregrine, was born in Wesel in Cleves in 1555, whilst the family was still exiled from England.

Susan went on to marry Reginald Gray of Wrest in 1570. Reginald would be restored to the family title of Earl of Kent in 1572, but died in March 1573. They couple had no children and the Dowager Countess of Kent would marry again in 1581, to Sir John Wingfield, a nephew of the redoubtable Bess of Hardwick. they had 2 sons.

Peregrine Bertie spent his teenage years in the household of Sir William Cecil, a good friend of his mother and Queen Elizabeth’s principal secretary. It was there that he met and fell in love with Mary de Vere, orphaned daughter of John de Vere, 16th Earl of Oxford. Despite opposition from Katherine and the bride’s brother Edward de Vere, 17th Earl of Oxford, the couple married sometime in late 1577, or early 1578. The marriage appears to have been happy and loving, and produced 5 sons and a daughter.

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Peregrine Bertie, 13th Baron Willoughby de Eresby

Peregrine succeeded as the 13th Baron Willoughby of Willoughby, Beck and Eresby on the death of his mother and would serve Queen Elizabeth, both as a soldier and administrator, until his own death in 1601.

Katherine had been a strong supporter of the Protestant faith; numerous books carried her coat of arms, or were dedicated to her, including works by Erasmus and William Tyndale. The family’s adventures on the continent were retold in John Foxe’s Acts and Monuments, and even in popular Elizabethan ballads.

Katherine Willoughby, Dowager Duchess of Suffolk and 12th Baroness Willoughby de Eresby, died after a long illness, on 19th September 1580, at Grimsthorpe Castle. She was interred with a fine, alabaster tomb in Spilsby Church, in her native Lincolnshire. Her husband, Richard, died 2 years later and was buried beside her.

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Grimsthorpe Castle

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Pictures courtesy of Wikipedia

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Sources: Susan Wabuda, Oxforddnb.com; Sarah Morris and Natalie Grueninger, In the Footsteps of the Six Wives of Henry VIII; Retha M. Warnicke, Oxforddnb.com; England Under the Tudors by Arthur D Innes; In Bed with the Tudors by Amy Licence; Ladies-in-Waiting: Women who Served at the Tudor Court by Victoria Sylvia Evans; The Earlier Tudors 1485-1558 by JD Mackie; The Six Wives and Many Mistresses of Henry VIII: The Women’s Stories by Amy Licence; Elizabeth’s Women by Tracy Borman.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Sharons book cover

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

 

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©Sharon Bennett Connolly 2016