Historical fiction – Page 2 – History… the interesting bits!

Wordly Women: Gillian Bagwell

13/09/202504/09/2025Sharon Bennett Connolly1 Comment

History ... the Interesting Bits: Wordly Women — *Near Dunvegan Castle, Isle of Skye*

Time for another edition of Wordly Women! I am blown away by how receptive people have been to this little series and I am thoroughly enjoying having the chance to highlight the careers and writing experiences of the best of women writers in both history and and historical fiction. Today is another ‘fan girl’ edition as I get to chat with one of my favourite writers, Gillian Bagwell, who has written a wonderful novel about one of my Tudor Heroines, Bess of Hardwick.

Sharon: Firstly, welcome Gillian, what got you into writing?

Gillian: Both of my parents were writers, among other talents and accomplishments, interests, and they both read to my sisters and me a lot when we were kids, so I guess it seemed natural to write. I think I took my first writing class in junior high school. I’d had the idea for one of my novels (not yet published) long ago, and I recently discovered a story that I’d written based on that idea for that class when I was about thirteen. I’d forgotten about it.

Sharon: Tell us about your books.

Gillian: The three books that I have published are all based on the lives of real English women, two in the seventeenth century and one in the sixteenth century. My first novel, The Darling Strumpet, is based on the life of Nell Gwynn, one of the first English actresses and a longtime mistress of Charles II. She was a poor urchin who got her big break in life when Charles reopened the theatres soon after he was restored to the throne, and she got a job selling oranges. She caught the eye of Charles Hart, one of the leading actors, and he became her lover and mentor, teaching her to act, and they became an enormously popular duo onstage, with many “gay couple” (not as we use that phrase today!) comedies written specifically for them. Her career took place during one of the most amazing and important periods in the history of English theatre, when over the space of about fifteen years, performance practices went from Elizabethan/Jacobean to what remained essentially unchanged until the end of the nineteenth century.

I learned about Jane Lane, the heroine of my second novel, when I was researching Nell Gwynn. Her story isn’t much remembered now, but she played a big part in helping Charles escape after the disastrous Battle of Worcester in 1651, saving not only his life but likely the future of the monarchy. She had a pass to travel with a manservant, so he disguised himself and travelled hundreds of miles with her. There were notices all along their way offering a reward of £1000 pounds for information leading to his capture—an enormous amount of money then—and they so narrowly escaped discovery so many times that his six-week odyssey became known as the Royal Miracle. The US title of the book is The September Queen. The UK published it as The King’s Mistress.

My third novel tells the story of Bess of Hardwick, who rose from genteel poverty to become probably the wealthiest and most powerful woman in England after Queen Elizabeth. She’s probably best known for building Hardwick Hall and the original Chatsworth, and for surviving four husbands. I didn’t think I could do justice to her very long and remarkable life in one novel, so Venus in Winter really only covers the first half of it, which included acting as keeper to Mary Queen of Scots for several years, and her granddaughter Arbella nearly succeeding Queen Elizabeth.

My fourth novel, The Tower on the Sea, not yet published, is a Gothic thriller with a heavy dose of romance set mostly on a tiny and remote Scottish island in 1901-1902. I’ve been working on a novel based on the life of Dame Flora MacLeod, who was chief of the Clan MacLeod from 1935 to her death in 1976, but as biographical fiction seems to be hard to sell these days, I’ve set it aside temporarily and am working on something completely different, which I’ll discuss below.

Sharon: What attracts you to the periods in which you write?

Gillian: I became enamoured of Shakespeare very early on, and so was interested in sixteenth-century England. Around the time I turned fourteen, my father was hired as the director of education for the non-profit educational branch of the company that invented and produced the original Renaissance Pleasure Faires, a re-creation of a country fair in Elizabethan England with food, crafts, music, dancing, shows on stage and peformers improvising in the street with each other and the patrons. I know the concept of a Renaissance fair may be unfamiliar to many British people, but that original event inspired hundreds of copycats, mostly in the US but also in other countries. I wrote an article for Smithsonian Magazine about how the first Faire came about: The Surprisingly Radical Roots of the Renaissance Fair.

My whole family became involved and I performed at the Faires from when I was fourteen to when I was twenty—six weekends each at the Renaissance Faires in Southern and Northern California, and six weekends at the Great Dickens Christmas Fair, an indoor recreation of Victorian London at Christmastime. So I spent a lot of time in the sixteenth century and the nineteenth centuries!

Sharon: Who is your favourite Tudor and why?

Gillian: I think that would have to be Elizabeth. She survived an incredibly difficult childhood and youth, with her mother dead and vilified and her own future uncertain, and also managed to come through perilous times as a young woman, especially under the reign of her sister Mary. When she finally became queen, she ushered in a time of great change, mostly in good ways, and I think in general was a great leader—not an easy thing to be, especially for a woman, in those days.

Sharon: Who is your least favourite Tudor and why?

Gillian: Henry VIII. It may be that he became the erratic tyrant he was especially later in life as the result of the injury to his leg and other medical problems, but it doesn’t erase the harm he caused to the six women who had the misfortune to marry him, his dissolution of the church and destruction not only of so many beautiful buildings but of the lives of so many people, both those who were of the church and those they helped, and much, much more.

Sharon: How do you approach researching your books?
Gillian: I read whatever I can find about my heroines, of course, as well as the period they lived in and the events that my books cover. But sometimes there isn’t much information available. The story of Jane Lane, for instance was very well known when Charles II was restored to the throne, but no one’s written a biography of her. There are several biographies of Bess of Hardwick, but they focus on her later life. One of them dispenses with her life up until her second marriage in the first twenty pages. So I have to piece together information, surmise what seems likely, and fill in the gaps with invention—of course mentioning in my author’s notes what historical facts I’ve taken liberty with. I’ve almost always gone to the UK on research trips, too, to find the places my main characters lived and where the action of their stories took place.

There’s nothing like it not only for learning new things but getting inspiration. When I was researching The September Queen/The King’s Mistress, a good friend from London joined me on a trip following in the footsteps of Charles II from Worcester to Staffordshire and Shropshire, and then the route that he and Jane Lane took together. I didn’t know it at the time, but the Monarch’s Way is a marked footpath, which the Monarch’s Way Association maintains and has published maps of. When we went to Boscobel, it was near the end of the day and almost no one else was there. I found myself alone in a closet peering down into the priest hole where Charles hid. And at Trent, the lady at Trent Manor showed us around the house, including her bedroom, with the priest hole where Charles hid there. I also visit libraries and archives to use primary sources. I’ve done research at the British Library, the Theatre Museum in Covent Garden, the National Library and the National Records of Scotland, and the office of the Lord Lyon in Edinburgh. For my current work in progress, I recently I spent eight days at the Bodleian Library doing research and spent the rest of my time exploring Oxford, visiting places where the main characters lived and knew well. I even got a private tour of St. Hugh’s College, where each was principal, from the archivist.

Sharon: Tell us your ‘favourite’ Stuart story you have come across in your research.

Gillian: I’d say that’s the story of Charles II’s six-week odyssey trying to get out of England after the Battle of Worcester. Many, many common people risked their lives to help him, and it was a formative period in his life. He was only twenty-one at the time. He told the stories of his adventures for the rest of his life. Fortunately, the diarist Samuel Pepys sat him down decades later and over the course of a couple of days, took down the story in his famous shorthand. He then gathered all the accounts people had published of their parts in the story and bound them together. It’s an amazing resource, giving us a day-by-day and sometimes hour-by-hour account of what Charles did, said, wore, and ate. In the run-up to the publication of my book about Jane Lane, I blogged the daily events of those weeks. Here’s a link to the story, beginning with the Battle of Worcester: http://theroyalmiracle.blogspot.com/2011/09/september-3-1651-battle-of-worcester.html.

Sharon: And do you have a favourite Tudor story?

Gillian: There are many great stories about the Tudors, of course, but I became fascinated with this nugget mentioned in Robert Hutchinson’s The Last Days of Henry VIII, and have thought of writing a story or play about it. In the bitter cold of early February 1547, the body of Henry VIII lay at Windsor Castle, and amid clouds of incense, requiem masses were being held night and day to waft the soul of the dead tyrant to heaven. Fierce struggles for power raged at court, as the new king, Edward VI, was a child, and who controlled him would effectively rule. Against this backdrop of intrigue, John de Vere, the sixteenth Earl of Oxford, planned a dramatic event of his own: the presentation of a play he had written on the death of the king, to be performed by his own company of players. But as the actors rehearsed for their day in the winter sun, Bishop Gardiner, though recently banned from the Palace of Westminster, intended to claw his way back to power, and he would do whatever he must to prevent Oxford’s play from coming to the stage.

I find a lot intriguing about this story, not least the fact that John de Vere was the father of Edward DeVere, the seventeenth Earl of Oxford, whom many serious people believe could have been the author of the plays attributed to William Shakespeare. He was almost seven years old at the time of this cancelled performance, and it’s interesting to think that he might have witnessed the drama offstage as well as on. The evidence for the argument for Oxford as the author includes a wealth of similarities in his life and experience and the plays; the fact that he was familiar with theatre from an early age, as his father kept a company of players; and that he was regarded as an accomplished and playwright, though none of his plays survive. Charlton Ogburn’s 600-page tome The Mysterious William Shakespeare is an exhaustive study of the evidence in favor of Oxford.

Notable authorship skeptics include included Mark Rylance, Derek Jacobi, John Gielgud, Tyrone Guthrie, David McCullough, and Supreme Court Justices Sandra Day O’Connor, John Paul Stevens, Harry A. Blackmun, and Lewis F. Powell (Declaration of Reasonable Doubt, Shakespeare Oxford Fellowship – Famous Authorship Skeptics).

Sharon: Tell us your least ‘favourite’ Tudor story you have come across in your research.

Gillian: Many of the Tudors were responsible for a lot of bloodshed and cruelty, of course. I think Henry VIII’s persecution and elimination of the Pole family, who he considered a threat to his keeping the throne, ranks high, especially the murder of Lady Margaret Pole, the Countess of Salisbury, who was sixty-seven and had spent her life serving the Tudors. The executioner botched the job terribly, and it was a gruesome death. Here’s Tracy Borman’s post on the Historic Royal Palaces’ website: The Extraordinary Life and Death of Lady Margaret Pole, Countess of Salisbury.

Sharon: Are there any other eras you would like to write about?

Gillian: Well, I’ve moved into the early twentieth century with The Tower on the Sea, and both Flora MacLeod’s story and my current work in progress take me further into the 1900s and has a contemporary timeline too. There are other stories I’d love to write about, including from the eighteenth and nineteenth centuries.

Sharon: What are you working on now?

Gillian: I’m working on a novel with dual timelines inspired by the true story of Eleanor Jourdain and Charlotte Anne Moberly, two Oxford academics who visited Versailles in 1901, had a very strange experience, encountering people in eighteenth-century dress who behaved oddly, and came to believe they’d walked into the eighteenth century. I learned about this story from Miss Morison’s Ghosts, a British movie made in 1981, and I’ve wanted to write about it ever since. Having gone through the seventeen boxes of their notes, correspondence, drawings, photos, maps, and other documentation of their eight or so years of research about their experience at Versailles, I can say that something extraordinary happened to them, though I don’t know exactly what and neither did they.

Sharon: And finally, what is the best thing about being a writer?

Gillian: Exploring the worlds of my characters is endlessly fascinating. I get chills when I experience or discover something that connects me viscerally with the people I’m writing about, for instance holding letters they wrote, or being in the rooms where important things took place. And much as I like adventure and travel, all my life, I’ve been something of a homebody, too, so I love being able to work at home, especially on days when I don’t have to do anything but write.

About Gillian Bagwell:

Gillian Bagwell’s historical novels have been praised for their vivid and lifelike characters and richly textured, compelling evocation of time and place. Her first career was in theatre, as an actress and later as a director and producer, and she founded the Pasadena Shakespeare Company and produced thirty-seven shows over ten years. Gillian has found her acting experience helpful to her writing, and many of the workshops and classes she’s taught at the annual Historical Novel Society Conferences in the US and the UK relate to her life in theatre, including writing effective historical dialogue, using acting tools to bring characters to life on the page, and giving effective public readings. She’s also a professional editor and provides writing coaching and manuscript evaluations. Gillian lives in Berkeley, California in the house where she grew up, her life enlivened by her five rescue cats.

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Elizabeth Chadwick, Helen Castor, Ian Mortimer, Scott Mariani and Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Templar Traitor by Angus Donald

04/09/2025Sharon Bennett ConnollyLeave a comment

“Do not lie to me, Templar, or it will be the last thing you do.”

July 1241. Western Europe cowers in terror before the threat of a Mongol invasion. The swift cavalry columns of Genghis Khan have smashed the steel-clad warriors of Russia, Poland and Hungary – and now Austria lies directly in their path.

At a skirmish outside the walls of Vienna, German knights capture a squad of Mongol scouts and are astonished to discover one of their number is an Englishman – a former Templar – who has been riding with these Devil’s horsemen for more than twenty years.

Interrogator Father Ivo of Narbonne is summoned to draw the truth from the prisoner before his impending trial, to find out why he abandoned his faith, his Brethren and his homeland to become… a traitor to Christendom.

Based on a true story, this is the first novel in a new blockbuster trilogy from ‘master of the genre’ Angus Donald.

My first thought when I heard about Templar Traitor by Angus Donald was “ooh, Templars – love anything Templar related. And by Angus Donald, too! Must read.” My second was “a Templar fighting with the Mongols? Yeah, right!” And with those conflicting thoughts in mind, I decided to give it a go. Angus Donald is a great writer, so even if it is more fantasy than reality, he may be able to pull it off. How surprised was I to discover, from the very first pages, that this wasn’t a fantasy, nor a King & Conqueror-esque rewriting of History. (Forgive me for mentioning King & Conqueror, but when someone butchers History like that, the pain is real!)

This was a true story!

A clever, original plot is the more remarkable for the fact it derives from the true story of a Templar knight fighting with the Mongol horde, in the army of Genghis Khan, no less!

Templar Traitor gives a unique angle on the Templars, the Crusades and the Mongols. It also gives an insight into events we rarely hear about and rebuffs the Euro-centric view of the Middle Ages. In Templar Traitor Angus Donald expertly portrays the contrast and melding of the different civilisations of the European Christian and the Mongol. The clash of cultures adds an intensity top the story, beyond the warmongering and empire-building. The human toll of ambition and deceit is evident.

It seemed to Robert a desperate last throw of the dice for the Latin kingdoms. If this attempt on Damietta failed, the Christians would likely be swept into the Mediiterranean.

Yet, despite the importance of this expedition, Robert was concerned for his brother, who, he knew, would soon be hurled into the fury of battle. Gilly was not a weakling, but there was an air of fragility about him that inspired protectiveness in Robert. It had been like this since childhood.

‘I have just written to Father,’ continued Gilbert, ‘and told him about your predicament. And that I am to be dispatched to Egypt with the first of our knights. I only pray that the old man lives long enough to receive the letter. You knew that Henry had taken to his bed before I left England? I do not think he will ever walk or ride again.’

‘You told me, Gilly. Our earthly father will soon be with our Heavenly one.’

‘What will they do with you, Rob? said Gilbert. ‘Will they show mercy?’

‘God chose me as his servant, Gilly – He will not abandon me. And I have served the Order faithfully these past ten years. That must count for something.’

‘I shall pray for you,’ said Gilbert. ‘I shall pray for you every night, Rob.’

‘And I you. I want you to promise me something, Gilly. You are not to court danger unnecessarily in Damietta. They will call for volunteers, they will ask you to risk your life for the cause. Do not do this again. If you love me, brother, remain silent when the call goes out for brave knights to undertake some fresh perilous mission.’

‘Would you do that, brother?’ asked Gilbert. ‘The Robert of Hadlow I know prizes risk and danger more highly than anything else. Would he duck a challenge? No. The knight who won the First Lance badge for skill at arms three years in a row? A feat no other Templar has ever achieved. Would he shirk his duty? I think not.’

‘It is not shirking. You already serve God by serving the Order. And to serve God is to serve mankind. There is no need to risk your life further. Others also seek glory. Let them step forward.

‘There is a whiff of hypocrisy in your words, brother. I know that you would never dodge a chance to strike a blow for Christ. How can you ask that of me?’

‘This is not about me. This is about you, your life. Father will soon be gone to his reward and I … Well, look at me, in this cell, awaiting trial for my foolishness. Learn from my example. Do not seek out unnecessary risk in Egypt – that is all I ask.’

‘I shall do as I think fit. As you would do. But I shall pray for God’s guidance.’

I cannot imagine the amount of research that must have gone into recreating the lands the Mongols conquered. Legendary cities such as Samarkand are rebuilt and brought to life. The Nomadic lifestyle of the Mongols means the marauding army takes its own sheep, goats and herds of horses campaigning with it. The women accompany the army, making a home in the encampment wherever they stop.

Angus Donald sheds light on the knight’s story, fleshing out the gaps in the known history to create a remarkable adventure that will leave the reader eager for more. The Templar knight, Robert of Hadlow, has his own secrets, motives and family concerns. Add to this a private feud with a priest, the need to rescue his baby brother and forbidden love, and Robert’s story has all the ingredients for a magnificent adventure.

Robert of Hadlow is a likeable character, even if the reader feels they cannot wholly trust him. The author implants that niggling doubt in the reader’s subconscious and I’m not quite sure how and when he did it!

All in all, Templar Traitor is definitely in my Top 10 of Books of 2025. The originality of the story is refreshing. The attention to detail and the layers of plot make it a gripping, fascinating read. Oh, and there’s enough single combat and vivid battle scenes to satisfy anyone who likes a jolly good battle! From the first page, the story is intriguing. I enjoyed the fact that I didn’t know what the endgame was. This is far from formulaic historical fiction where the hero knight saves the day. There is mystery and deceit throughout – on both sides – with ulterior motives and hidden agendas.

Templar Traitor is probably the best book Angus Donald has written, possibly even better than his Holcroft Blood series – and that was excellent! I cannot recommend it highly enough.

Look out for Angus chatting with Derek and I about Templar Traitor and the Mongols on A Slice of Medieval soon.

Buy the book:

Templar Traitor by Angus Donald is out now.

About the author:

Angus Donald is the author of the bestselling Outlaw Chronicles, a series of ten novels set in the 12th/13th centuries and featuring a gangster-ish Robin Hood. Angus has also published the Holcroft Blood trilogy about a mildly autistic 17th-century English artillery officer, son of notorious Crown Jewels thief Colonel Thomas Blood. Before becoming an author, Angus worked as a fruit-picker in Greece, a waiter in New York City and as an anthropologist studying magic and witchcraft in Indonesia. For fifteen years he was a journalist working in Hong Kong, India, Afghanistan and London. He now writes full time from a medieval farmhouse in Kent. http://www.angusdonaldbooks.com.

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Elizabeth Chadwick

30/08/202530/07/2025Sharon Bennett Connolly3 Comments

Throughout my writing career, I have been very lucky to have enjoyed the friendship of Elizabeth Chadwick. A truly generous person, Elizabeth and I shared a stage at the Newark Book Festival in July 2018. I had only published my first book, Heroines of the Medieval World the previous September, and I was a nervous wreck. Elizabeth was the star of the show, I was the newcomer, and she could have easily dominated the conversation – no one would have blamed her. Everyone was there to see her, not me. But Elizabeth was calm, encouraging and made sure I had my say. I will never forget that.

So, it is an honour and a pleasure to welcome Elizabeth to History … the Interesting Bits as part of my Wordly Women series, to discuss her writing career and her love of history – and William Marshal, of course!

Sharon: Hi, Elizabeth. So, what got you into writing?

Elizabeth: I came into the world as a storyteller. I can remember very clearly telling myself stories with beginnings, middles and ends at the age of three. Throughout my childhood I made up stories, inspired from illustrations I liked in books. I’d invent whole tales around pieces of artwork, say from the wonderful pages of Ladybird books. Even at a young age I was asking myself ‘What if this happened?’ Who, where, what why? I learned the art of story telling just by having fun – and reading a lot obviously. I didn’t write anything down until my mid-teens by which time I decided that I wanted to bring some posterity to my verbal stories and so began writing them down. I was fifteen when I wrote my first historical novel, purely for fun, and enjoyed the experience so much that I decided that I wanted to do this for my career. Eight unpublished novels later I finally got there.

Sharon: Tell us about your books.

Elizabeth: I write historical fiction set in the Middle Ages, mostly covering England and France with a bit of the Middle East thrown in. I began writing my stories with imaginary protagonists but then moved on to biographical fiction. They are character-driven stories of the life and times of the people, focussing on their family lives interwoven with political and emotional drama. I research the period meticulously and blend fact and fiction with an emphasis on telling an engrossing story without depriving the facts of their integrity. I have award winning novels and New York Times bestsellers among my published novels to date.

Sharon: What attracts you to the medieval period?

Elizabeth: It was actually chance that brought me to the Middle Ages. As I’ve mentioned above, I told myself stories throughout my childhood. I enjoyed historical TV dramas and became quite hooked on The Six Wives of Henry VIII starring Keith Michell. That led me to write down my first ever story over the summer holidays when I was fourteen. I enjoyed the exercise, but ran out of steam, however, I’d laid the groundwork. I became very enamoured of a knight in a children’s TV program put out by the BBC and dubbed from the French. It was called Desert Crusader, In French it was Thibaud ou les Croisades. My weekly doses of Desert Crusader led me to take up my pen again, and this time I didn’t run out of steam. This time I wrote a whole novel. It started out as a piece of fan fiction I guess, but within two chapters had taken on a life of its own – rather like me making up brand new stories to the Ladybird books of my childhood. Once I had the basic visual inspiration I was off. Since I knew nothing about the Holy Land and very little about the Middle Ages I had to begin researching because I wanted my story to have veracity and feel real. However if I hadn’t fallen for actor Andre Lawrence as Thibaud, ‘Le Chevalier Blanc’ I might never have taken to the Medieval period the way I did. Such are moments of chance in our lives.

Sharon: Who is your favourite medieval character and why?

Elizabeth: It would have to be the great William Marshal. You don’t get many of his kind to the pound. He had an amazing life and great integrity. He rose from the ranks of the ordinary jobbing nobility and a life in the military, and by using his charisma, intelligence, physical abilities and sheer personality, came to the attention of the Angevin royal family. Having saved the life of Eleanor of Aquitaine, he was taken into royal service. He was a champion of the tourneys, a far-travelled pilgrim, a counsellor of kings. He had his ups and downs and he wasn’t perfect by any manner of means, but the Angevins trusted him enough to give him a fantastic marriage to a great heiress (and they appear to have been very compatible despite a more than 20 year age gap). He became earl of Pembroke under King John and involved in the development of Magna Carta. When King John died, William took over the rule of England on behalf of John’s 9 year old son Henry III. He dealt with the volatile political situation in a way that showed he had a firm grasp of the politics and a practical knowledge of what to do. And at the battle of Lincoln in 1217, aged approx. 71, he saw off the French and got the country back on an even keel.

Sharon: Who is your least favourite medieval character and why?

Elizabeth: I don’t have a least favourite. Even the villains are interesting. I have some very least favourite modern politicians, but that’s because they’re in my face and I am having to deal with emotions engendered as consequences of their actions rather than being more objective. I do find it fascinating how people almost come to blows over Richard III and Henry VII and hold such passionate loyalties over a pair of men who are now bones. The War of the Roses is fought over and over and over again all day online! Having said that, I do admit I have a huge fondness for William Marshal which is certainly not dispassionate. I don’t however, get in a lather about King John!

Sharon: How do you approach researching your topic?

Elizabeth: I’ve been studying the Middle Ages since I was fifteen years old and I am a few decades older now, so I have a good grounding in the general research of the period. I don’t have to start from scratch. I research using academic and specialist books of which I have a wide-ranging library – in several rooms of my house! I research online these days – when I began my career that wasn’t an option, but now it is, and it’s more a case of limiting the information and knowing which are the bona fide sites. While there’s a great deal of marvellous research resources out there, it has to be said that sadly copious amounts of rubbish exist too and one has to become an expert at sifting. I might do bits of experimental living history. I used to re-enact before I ran out of time and I still have all the kit and friends in the business toward whom I can direct questions. I also have friends in the academic community who are very helpful.

Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.

Elizabeth: I think that would have to be the great William Marshal who attended a tournament with his lord the Young King, eldest son of Henry II. During the tournament they captured another knight for ransom and brought him back to their own camp sitting on his horse with a lead rein. However, on the way there they had to pass some buildings and the captured knight lifted himself off his horse and shimmied up a gutter pipe and clambered onto a house gallery (upstairs veranda sort of thing). Meanwhile, William Marshal was riding along, holding the reins of a riderless horse and not realising his captive had absconded until the Young King, doubled up with laughter, let him know – he’d been in on the joke for a while!

Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.

Elizabeth: There are quite a few, but here’s a typical one. It would be in a work I was reading on criminal cases in Medieval Coventry. Someone stole a horse and was put in the stocks for it by the bailiff. But it was a very, very cold night and the criminal got frost bite which resulted in his lower legs perishing and then dropping off! He died, and the bailiff was arrested for murder – pretty gruesome!

Sharon: Are there any other eras you would like to write about?

Elizabeth: Arthurian might be interesting, although I’d need to do a lot of reading up because history has changed a lot since I became a fan of that era via various novels. When I first began writing as a teen, I almost wrote a Regency novel, but Medieval pipped Regency at the post. It might still be interesting to do, but again, I’d need to get stuck into the research so probably not.

Sharon: What are you working on now?

Elizabeth: I’ve just completed The Uncrowned Queen, the second part of Joan of Kent’s amazing story and I am now working on an untitled novel about Katherine Swynford and her two husbands – Hugh Swynford and John of Gaunt. I am finding it fascinating, especially the way research has moved on and changed datelines, nuances and our understanding of the period and the protagonists. It goes to show that so much of the time what we think we know is actually what we don’t know. Actually, if we are prepared to swallow long-cherished beliefs and re-learn, it’s immensely exciting and rewarding!

Sharon: And finally, what is the best thing about being a writer?

Elizabeth: Being your own boss to an extent. As long as I put in the word count, I can get up as I please and go to bed as I please. Equal with that are the many good friends I have made over my career, both the readers and the historians – and I’ve learned a lot of cool things too!

About the Author:

Elizabeth Chadwick is a UK million selling historical novelist whose works are based in the medieval period. She won a Betty Trask award for her first published novel The Wild Hunt and the RNA prize for Historical fiction in 2011 with To Defy A King. Her novel The Greatest Knight is a New York Times bestseller and has been optioned for film and TV together with several others in the same series. Specialising in the Middle Ages, with a particular interest in the life and times of William Marshal and the Angevin court, she occasionally lectures on the academic circuit and gives talks on historical tours. Elizabeth is also a member of The Royal Historical Society. When not writing, Elizabeth enjoys chatting to readers on all sorts of subjects but with a strong emphasis on reading and medieval history.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Elizabeth Chadwick and Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: The Queen’s Musician by Martha Jean Johnson

22/08/202520/08/2025Sharon Bennett ConnollyLeave a comment

For fans of Philippa Gregor, Alison Weir and Elizabeth Fremantle, an untold story about how the plot against Anne Boleyn entrapped a gifted young musician. A glamorous queen, a volatile king, a gifted musician concealing a forbidden romance.

Everyone knows Anne Boleyn’s story. No one knows Mark Smeaton’s. On May 17, 1536, a young court musician was executed, accused of adultery and treason with the queen. Most historians believe both he and Anne Boleyn were innocent – victims of Henry VIII’s rage.

Mark Smeaton was a talented performer who rose from poverty to become a royal favourite. He played for the king in private and entertained at sumptuous feasts. He witnessed Anne Boleyn’s astonishing rise and fall – her reign of a thousand days. History tells us little about him, other than noting his confession and execution. The Queen’s Musician imagines his story, as seen from his perspective and that of the young woman who loves him. It all takes place amid the spectacle and danger of the Tudor court.

What an interesting take on a well known story!

The Queen’s Musician by Martha Jean Johnson looks at the story of Anne Boleyn’s downfall through the eyes of her musician, Mark Smeaton. Smeaton was the lowliest, in terms of social standing, of the men accused of sleeping with Henry VIII’s second queen. You cannot fail to feel sympathy for the poor musician, drawn into a scandal created by his social superiors.

Young Mark Smeaton establishes himself in the reader’s affections from the very beginning. You find yourself invested in his life, enjoying his journey, his music and his success. But then, once in a while, you remember where the book is going, inexorably, to its tragic, dramatic end. The tension is palpable the closer you get to the dramatic events of 1536.

All to bring down a queen.

Poor Mark!

Even if he hadn’t been king, His Majesty would have been a commanding figure. He was vigorous, with masculine features, draped in white and gold. The rotund, graying cardinal hovered near him like a honeybee buzzing a flower. Recalling the scene later, I could see the rupture between them. More than once, the cardinal leaned close to His Majesty to begin a conversation, but the king turned his head away.

The room was still noisy, the diners talking among themselves. I waited for someone to call for quiet so the concert could begin. Several minutes passed, and I stood beside the stool uncertain what to do. I bowed to His Majesty and the others, but they took no notice. I began to worry that my great opportunity would turn out to be a humiliating disappointment. Then the king brought his goblet to his lips, drank slowly, paused, and raised his hand for silence. He said nothing, but his command was clear: I am ready now. You may begin.

Dressed like a prince and given this chance to entertain the king, I was pleased with my performance that night. I played six pieces, mostly English, before ending with the French love song. The king stood at his place and applauded. “Excellent, my boy, wonderful. Your songs bring me back to my younger days.”

I stood and bowed deeply. “Thank you, Your Majesty.” I glanced at the cardinal who looked only at the king.

“What is your name?”

“I am Mark Smeaton, Your Majesty.” I bowed again, elated by even this brief attention.

“The French song – it was perfection. I might want to sing it. Send me the music and the words.”

“With great pleasure, Your Majesty. I would be most honored to prepare a copy.”

“Be sure to get it from him.” The king motioned to one of his grooms who, like me, kept bowing his head.

The cardinal edged closer to the king and said, “It will be done before you leave, Your Majesty.” The king acted like he didn’t hear.

After my performance, I joined several other musicians playing light music to enhance what seemed like a festive mood. The cardinal approached and said, “Thank you, Mark – your songs have lifted His Majesty’s spirits. Please prepare the manuscript tomorrow morning.”

“You will have it before ten o’clock, Your Eminence.” In this moment, my excitement at playing for the king blended with my concern for the cardinal’s enterprise. “I hope I have helped you, sir,” I added. The old man’s nod of the head signaled his gratitude.

The next day after breakfast, I ran to the chapel to make the copy and tell Master Peter that the king had complimented my playing.

“The king has already left,” he said…

Although you know Anne Boleyn’s story, The Queen’s Musician by Martha Jean Johnson will catch you out and draw you in. The author does a wonderful job of depicting the Tudor court; its decadence, the political intrigues, the social strata and the dangerous undercurrents. The latent fear. In Tudor times, ability and intelligence could rise to the top – but it could also lead to one’s downfall.

The Queen’s Musician has all of this … with a little bit of forbidden love thrown into the mix!

Historically accurate, it gets you thinking, too. That you may have heard Smeaton’s music without even knowing it. That his music was attributed to others, or marked as anonymous in order to guarantee its survival following Smeaton’s downfall and execution. It makes you wonder…

Martha Jean Johnson has found a unique angle for telling a familiar story. But this is not Anne Boleyn’s tale. It’s the story of a man who fell victim to those determined to bring down a queen, at all costs. No matter the collateral damage it would take to do it. The tragedy is the poor boy was a pawn, drawn into the intrigues of the great and good, who stepped on him, destroyed him to gain for themselves more power, more influence…

I admit it, I cried.

I always think it is the sign of a good book if it can bring me to tears. The Queen’s Musician is a good book!

The Queen’s Musician by Martha Jean Johnson is beautifully written, thoughtful and deep.

To Buy the Book: The Queen’s Musician

About the author:

Martha Jean Johnson is a writer of fiction and non-fiction and the author of a series of books and articles on public opinion and public policy. The Queen’s Musician is her debut novel. She also reviews trends in historical fiction and discusses her own love of reading and writing in her biweekly blog, Historical Magic. She currently divides her time between writing and her work with the National Issues Forums Institute, an organization that encourages civil discourse and nonpartisan deliberation on national and local issues. During a long public policy career, she analyzed and reported on American public thinking, working with noted social analyst and public opinion pioneer, Daniel Yankelovich. She has published articles in USA Today and The Huffington Post and appeared on CNN, MSNBC, and PBS. She is the author of a series of nonfiction paperbacks on major political issues, co-authored with Scott Bittle and published by HarperCollins. She holds degrees from Mount Holyoke College, Brown University, and Simmons College. She lives in Jersey City, New Jersey.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: The Druid’s Prey by Steven A. McKay

20/08/2025Sharon Bennett ConnollyLeave a comment

A vicious attack. An enraged warrior-druid. A relentless hunt for vengeance!

Following a cowardly raid on Dun Breatann the Saxon attacker, Saksnot, rides back to rejoin his bretwalda, Hengist, in far-off Garrianum. Bellicus, outraged by the savage attack on his people and his closest friend, follows the perpetrator with just one thing on his mind: bloody justice!
As the towering druid hunts his prey across the summer fields and streams, Arthur, Bear of Britain, seeks to make a lasting peace with the new immigrants from across the sea. Hengist has no such plans however, instead working alongside his terrifying volva, Thorbjorg, to bring only blood, fire, and death to the embattled Britons.

As the brutal struggle for supremacy rages between the two warlords and their armies, Bellicus will find himself drawn into an adventure he could never have foreseen. An adventure that may seal the fate of Britain for generations to come.

Yes! Bellicus is back!

And better than ever! The Druid’s Prey by Steven A. McKay is the seventh book in Steven’s excellent Warrior Druid of Britain Chronicles. As regular readers will know, I have been reading this series since the first book, The Druid. The books follow the adventures of Bellicus the druid, his family and his Roman friend, Duro, as the defend their home, Dun Breatann, and the rest of Britain from the invading Saxons, led by Hengist and Horsa. Well, its just Hengist now, thanks to The Vengeance of Merlin. A sucker for anything Arthurian, Steven A. McKay also draws in the legendary Arthur, Lancelot and his loyal knights. And I love how Arthur is drawn into Bellicus’ story, but never fully takes over.

It’s a perfect combination and partnership.

In The Druid’s Prey, Bellicus is set on revenge, traveling the length of Britain to find the man who had tried to kill him and hurt his friend. Further south, Arthur is trying to take the war to Hengist, to strike a blow that will hurt the Saxon leader’s forces, and to find a friend of his own who has been captured by the enemy. Oh, and while Bellicus is away, his wife and daughter, Narina and Catia, work to strengthen Dun Breatann’s position and stave off the influence of the hated Hengist. Three missions that the reader can’t help but hope they collide…

The bear stopped moving, taking in the sight of the boar which was peering at it in return. And then the bear looked up at Bellicus and their eyes met. The druid swallowed, knowing for certain that he had come across this very animal before – it had attacked them some years prior, not far from where they were now, badly injuring King Coroticus and Gavo and killing one warrior and three dogs. It had eventually decided to give up the fight but only once it had a spear stuck in its back and a number of arrows from the Damnonii hunters’ bows. Bellicus examined its hairy pelt for evidence of those earlier wounds but it seemed to have healed well in the intervening years.

As if it recalled the battle the bear suddenly stood up on its hind legs and let out an enormous roar. Bellicus gazed at it in awe – the animal was not just enormous, it was majestic, and the thought of trying to kill it again was truly terrifying.

It seemed the boar had similar thoughts, for instead of charging at the bear, it turned and hurried off into the trees, the spear that Duro had planted in its side clattering noisily against tree trunks until, at last, it must have snapped off for there was a last, distant squeal and then only the low growling of the bear was left to fill the clearing.

“Mithras protect us, we’re in for it now,” Duro said, doing his best to draw his spatha while still gripping the trunk of his tree for dear life. “At least the boar couldn’t get up here.”

“Don’t do anything,”Bellicus ordered in a low voice. “Do you not recognise it?”

“Aye,” the centurion nodded. “It’s the same bear that almost killed us all before. You told us to let it go back then for some mad reason.”

“The Bear of Britain,” Bellicus said, so softly Duro could not hear him. “That’s what the Merlin had called Arthur.” Memories of the previous encounter with the bear were filling his mind and he remembered being in a shocked stupor as he’d stared at the bear bristling with missiles like a hedgehog. The animal had lost the will to fight that day and Bellicus had commanded those with him to let it go, a decision he’d never really understood himself. For some reason he’d seen the beast as connected to Arthur, or perhaps he just didn’t want any more people – or Cai, for the mastiff had been involved in the fighting too – getting injured or killed.

Whatever his motives had been, the bear stared up at him now, its round, dark eyes fixing on his own. There seemed an intelligence behind that gaze that Bellicus had not expected. Did it recognise him? Did it understand that he’d been the one that called off the attack on it and most likely saved its life after their previous encounter? Maybe. The druid knew that bears had an even more developed sense of smell than dogs, so it was possible the beast, which had dropped back to all fours now, recognised his scent if not his face.

The bear made a strange, ululating, guttural grunting sound and then simply wandered off into the trees, quickly disappearing from sight.

“Is… Is it over?” Duro gasped, sword still glinting in the last of the sunshine as he lowered himself down, hanging from a branch by one arm as he tried to see through the foliage and make sure the bear had really gone.

Hengist is on the road to revenge, taking any opportunity he can to punish his brother’s killers, whilst at the same time increasing his hold on Britain, extending his influence and grabbing more land. He sends an assassin north to Dun Breatann, captures one of Arthur’s leading men and seeks allies among the enemies of Bellicus and Queen Narina. The Druid’s Prey by Steven A. McKay has more than one story within its pages – and more than one hero!

It is a rollercoaster journey through post-Roman Britain as the lead characters fight to hold onto their lands, their friends and their family. Their are more than a few heart-in-the-mouth moments along the way. And, if you are reading at night, beware! “Just one more chapter…” will lead to 3 or 4 more!

As we are at book no. 7 in the Warrior Druid of Britain series, Steven A. McKay’s characters are well developed and very familiar to us. We know how Bellicus will react to his family and friends being attacked. We know that his daughter, Catia, now 12 years old, is not a little girl to whom things happen-she is a pre-teen, trained in warfare, experienced beyond her years but still needing the guidance of parents to keep her out of the worst trouble. And Arthur, everyone’s hero and Bellicus’ friend. Well, his adventures never fail to inspire and entertain. And each of these characters have to make choices and decisions that affect, not only themselves but also their people. Agonising decisions will lead to more danger, adventure and not a little swordplay.

I won’t tell you any more – I do not want to ruin it for anyone.

All I will say is, The Druid’s Prey by Steven A. McKay is the 7th book in a series and yet is as fresh and original as the first. If you have not yet read this excellent series, you are missing a treat – but I envy the fact you have 7 books to read, one after the other. What a treat you have instore.

To Buy the Book: The Druid’s Prey

About the author:

Steven A. McKay was born in Scotland in 1977 and always enjoyed studying history. He decided to write his Forest Lord novels after seeing a house called “Sherwood” when he was out at work one day. Since then he’s started a new series, the Warrior Druid of Britain Chronicles, and just completed a trilogy about Alfred the Great.

In 2021 the Xbox game HOOD: Outlaws and Legends was released, featuring Steven’s writing.

He used to be in a heavy metal band although he tends to just play guitar in his study these days. He did use those guitars to write the theme song for the podcast he co-hosted, Rock, Paper, Swords! with Matthew Harffy, though. Give it a listen, they’ve interviewed great guests like Diana Gabaldon, Simon Scarrow, Bernard Cornwell, Dan Jones and more!

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Guest Post: Inside the Book Trade of Late Medieval London by Toni Mount

30/07/2025Sharon Bennett ConnollyLeave a comment

It is always a pleasure to welcome Toni Mount to History … the Interesting Bits. Toni is a brilliant historian and born storyteller and she is here today to give a glimpse of the history behind her latest Seb Foxley novel, The Colour of Darkness. If you haven’t met him yet, I really do recommend you pick up a Foxley book. They are simply delicious!

So, it’s over to Toni…

Inside the Book Trade of Late Medieval London

When we think about medieval London, we probably imagine grimy streets, plague and maybe a knight or two clanking through the city. But tucked within the chaos was a quiet revolution – one involving paper, ink and a growing thirst for knowledge. By the late 1400s, the book trade in London wasn’t just alive; it was thriving. And at the heart of it all stood St Paul’s Cathedral – not just a place of worship, but a book-fest for the city’s literate elite.

To put this in context, the printing press arrived in England when William Caxton famously set up the first one at Westminster in 1476 and the world of books was changing fast. Previously, books were hand-copied by scribes – as at the fictional Seb Foxley’s workshop in Paternoster Row, just north of St Paul’s, in my latest novel, The Colour of Darkness. Writing every page by hand meant they were expensive and slow to produce. But then came the printing press – a real game-changer.

Printing took a decade or two to catch on in England, mainly because it was a tricky procedure to master – see my next guest Blog on printing books – but once the techniques were established books could be produced faster and cheaper. More books available led to an increase in literacy, especially among the urban middle classes, clergy and educated elite. London, with its bustling population and growing trade networks, became a prime spot for this new business.

St Paul’s Cathedral: The Book Trade’s Beating Heart

Forget the grand white dome you see today in the City of London because that was designed by Sir Christopher Wren after the Great Fire of 1666. Before that catastrophe, it was ‘Old St Paul’s’, a massive gothic structure that dominated the skyline with a spire over 400 feet tall, at least until it was struck by lightning in the reign of Elizabeth I. Its precinct and churchyard weren’t just for prayer and pigeons but, together with nearby Paternoster Row, were at the very centre of London’s book trade. In fact, Paternoster Row remained at the heart of the British publishing industry until it was destroyed by bombs during World War II.

But returning to the late fifteenth century, imagine a lively courtyard filled with wooden stalls, booksellers shouting out their latest wares, customers thumbing through new pamphlets and prayer books. The area around St Paul’s was known for its ‘stationers’ – a term that, back then, didn’t just mean a place to buy paper and pens. These were the printers, booksellers, and binders who brought the written word to the people.

Why did St Paul’s become such a hive of book-production? The cathedral’s proximity to learning helped. The Cathedral School and other educational institutions were nearby, including the Inns of Court to the west of the city where lawyers were trained and the sons of the aristocracy were schooled in the arts required for life at the royal court. The clergy needed books for sermons, study and teaching, so local demand was ensured.

Who were the Printers?

By the 1480s, London had a small but important group of professional printers. William Caxton deserves the spotlight since he was the first to introduce a press, having learned the business in Burgundy and the Low Countries. His press in Westminster produced some of the first books in English, making literature and religious texts more accessible to the public. After Caxton, his former assistant, Wynkyn de Worde, took over the operation and moved it closer to the action, by St Paul’s. De Worde knew the churchyard was where the customers would come. He printed everything from devotional tracts to almanacs and even the occasional romance or how-to guide. He’s sometimes credited with being one of the first to market printed books to a wider audience.

But printers, like the scribes before them, didn’t only create the pages. They often collated and stitched the pages before either binding them or passing them on to a specialist binder to stitch the pages into a cover. A book’s binding could range from simple stitched parchment to elaborately tooled leather with jewelled clasps. The wealthy might commission personalised bindings with their family crests. The printers often dealt with sales too or went into partnership with independent booksellers. These sellers might have a permanent stall near St Paul’s or be mobile, setting up shop at fairs or markets – wherever there were customers.

What was on the shelves?

So what were Londoners reading? A lot of religious texts, unsurprisingly: sermons, Books of Hours, Psalters and the lives of popular saints. The Church was a dominant force in everyday life and owning religious books was a sign of piety and status. For this reason, the new fashion of portrait painting would frequently show the sitter with a religious book in their hands. But secular works were creeping in, too. Translations of classical texts, histories, medical manuals and even cookbooks began to appear. One popular genre was that of ‘books of courtesy’ – guides to correct behaviour, speech and etiquette for the aspiring gentleman or gentlewoman. There were also the early English romances and poetry. Caxton and de Worde printed tales of King Arthur, Chaucer’s Canterbury Tales and other stories that helped shape English literary culture down to our own times.

Not only Men’s work

While the big names in printing were all men, there is increasing evidence that women played a quiet but important role in the trade. Widows who took over their husbands’ businesses often became successful printers or booksellers in their own right. The trade was one area in medieval commerce where women participated openly, though their contributions often went under-recorded.

Censorship and Control

Of course, not everyone was thrilled about the explosion of printed material. The Church and the Crown kept a watchful eye on the presses. Unauthorised texts, especially those seen as heretical or politically subversive – such as the Ars Notoria in The Colour of Darkness – could get a printer, stationer or book seller into trouble. The Stationers’ Company, officially incorporated in 1557 but already in existence in the fifteenth century to oversee the production of hand-written books, would help regulate who could print what when printing eventually came under its umbrella.

By the early 1500s, the London book trade was setting the stage for what would become a publishing powerhouse in later centuries. It was local but also international, connected by trade routes that brought in books and ideas from France, the Low Countries and beyond. Some of the early printers, like Wynkyn de Worde, brought their foreign know-how to the new trade. The stalls around St Paul’s would continue to be a hub for centuries, long after the old cathedral itself was gone. In fact, it’s reckoned that one reason why the building burned so ferociously during the Great Fire of 1666 was that the printers and stationers stored their stocks of paper and books in St Faith’s Chapel in the cathedral’s undercroft – a disaster just waiting to happen.

The people who browsed there – the scholars, preachers, merchants, citizens and maybe a curious apprentice or two – were part of a quiet revolution, one that transformed how knowledge spread and who had access to it.

So next time you think about medieval London, picture not just mud and markets but a vibrant little world of booksellers shouting above the crowd, customers thumbing through the latest printed pamphlets and the great gothic walls of St Paul’s towering above it all. The presses may have been small but their impact was monumental.

About the book:

My new Sebastian Foxley novel, The Colour of Darkness, transports readers to midsummer 1480, in medieval London where our hero has to solve a number of serious crimes, involving Master Caxton’s printing business, ‘suspect’ books and witchcraft. London is ready for a joyous festivity but, for some, there is nothing to celebrate when Death stalks the city’s sweltering streets. As livelihoods are brought to ruin and trust withers in the heat, our hero and artist-cum-sleuth discovers trouble has come to his own doorstep. Plague rears its hideous head; fire, theft and disease imperil the citizens.

Meanwhile, a beautiful young woman enchants the men of London and the mob shrieks that witchcraft is to blame when waxen dolls, spiked with pins, are discovered. With such horrors in his possession and discovering that guilt lies too close at hand, can Seb unravel the mysteries and save those he loves before it’s too late?

Join Seb Foxley in this intriguing and danger-riddled new adventure, The Colour of Darkness, out now from MadeGlobal.

Buy The Colour of Darkness

About the Author:

Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.

Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.

Find Toni Mount’s books here

Find Toni on Social Media:

Amazon; Website; Seb Foxley website; Facebook: Medieval England Facebook; Seb Foxley Facebook; Twitter

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Carol McGrath

07/06/202507/06/2025Sharon Bennett ConnollyLeave a comment

Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.

So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.

Over to Carol…

Sharon: Carol, what got you into writing?

Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.

Sharon: You write both fiction and non-fiction-is one harder than the other?

Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.

Sharon: Tell us about your books

Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.

Sharon: What Attracts you to the Period?

*Harold’s daughter’s burial place in St Sophia Kyiv*

Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.

Sharon: Who is your favourite Tudor and Why?

Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.

Sharon: Who is your least favourite Tudor

Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.

Sharon: How do you approach researching your topic

Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.

Sharon: What is your favourite Medieval or Tudor Story found in Research

Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.

Sharon: What is your least Favourite Story

Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.

Sharon: Are there any other eras you would like to write about?

Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.

Sharon: What are you working on now?

Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.

Sharon: What do you love most about being a writer

Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.

About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.

Where to find Carol

Website (Subscribe to her newsletter via the drop down menu on the web-site Home Page); Amazon; The Stolen Crown

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Samantha Wilcoxson

24/05/202516/05/2025Sharon Bennett ConnollyLeave a comment

Today we are hopping across the pond for the next chat in my Wordly Women series. Joining me is Samantha Wilcoxson. Author of fiction novels mainly based in the late medieval and Tudor eras and and non-fiction books on the American Revolution, Samantha’s books – literally – span the Atlantic divide. Samantha has a knack for getting into the heads of the people she is writing about. Her book, Plantagenet Princess, Tudor Queen, about Elizabeth of York, is still one of the most insightful novels I have ever read.

Sharon: What got you into writing?

Samantha: What got you into writing? I have always loved reading and used to write dozens of book reviews every year. Many of those books were historical fiction and nonfiction. When I was considering ways to earn money while a stay-at-home mom, my husband suggested I write a book. I had never considered taking this step, so the first obstacle was deciding what I would want to write about. It didn’t take me long to settle on Elizabeth of York, and I quickly became passionate about the project. That novel turned into a series, and I’ve ventured into other historical eras since then.

Sharon: Tell us about your books.

Samantha: Each of my novels explores the life of a real historical figure in a way that helps readers connect with them on a personal level. My Plantagenet Embers series includes three novels featuring Elizabeth of York, Margaret Pole, and Mary I. It also has three novellas that offer new points of view of the same events by focusing on Margaret Beaufort, Elizabeth Woodville, and Reginald Pole. Then I moved into US history with my next two novels. Luminous is biographical fiction of real life radium girl Catherine Wolfe Donohue, and But One Life explores the life of American Revolution soldier Nathan Hale. My nonfiction books are Women of the American Revolution and a newly released biography of James Alexander Hamilton.

Sharon: What attracted you to the Tudors?

Samantha: When I started writing the series that ended up covering the early Tudor era, I was actually obsessed with the Wars of the Roses. I thought Elizabeth of York was an unsung heroine, so I started with her with no real intention of writing about the Tudors! This is actually a great insight into my writing. I never know what is coming next.

Sharon: So, what is coming next?

Samantha: I am currently writing a trilogy set during the Wars of the Roses for Sapere Books. It includes multiple women’s points of view. For example, book one has chapters featuring Marguerite of Anjou, Cecily Neville, and Anne Beauchamp. That one is in editing, and I’m working on book two, which will add the perspective of Elizabeth Woodville and others.

Sharon: How do you approach researching your topic?

Samantha: This depends a lot on whether I’m writing fiction or nonfiction. For novels, I largely depend on biographies already written, but for nonfiction I look for more primary resources like personal letters and diaries. For either, I like to visit locations important to the people I’m writing about so that I can include details about the places they experienced.

Sharon: You also write US history non-fiction.

Samantha: Tell us your ‘favourite’ story you have come across in your research? My research into James Alexander Hamilton uncovered loads of interesting discoveries, partly because nobody else has really written about him. I held letters written between James and Andrew Jackson, Martin Van Buren, John Quincy Adams, and so many others. (Gotta admit, it was tempting to try sneak that JQA letter into my bag!) I think the most fun story I came across, besides John Quincy writing about being too old to stay up all night at a lively Hamilton party, was learning that James was part of the crew of the schooner America for which the America’s Cup is named.

Sharon: Tell us your least ‘favourite’ US history story you have come across in your research?

Samantha: I don’t know if I would call it a least favorite, but I decided to write a novel about Nathan Hale because I often came across quotes attributed to him such as, “I only regret that I have but one life to give for my country” but very little else about who Hale was. What happened in this young man’s life to create such bravery and patriotism? Few references to him offered much, so I decided to dig in and reveal the story of Nathan Hale before his famous execution during the American Revolution.

Sharon: Are there any other eras you would like to write about?

Samantha: I always have a few ideas brewing but am committed to the next couple of books on the Wars of the Roses right now. I have started a bit of research into a historical event that occurred near my home in Michigan in 1847 that I would like to consider for a future project. I’m not one of those writers who has the next five years planned out and I tend to impetuously strike out in new directions, so we’ll see what happens.

Sharon: And finally, what is the best thing about being a writer?

Samantha: Besides spending my day reading, writing, and learning about history, I love the flexibility of being a writer. I began as a stay-at-home mom, and I still appreciate the ability to easily set my work aside for a few days if one of my adult children needs anything. I’ve also made many friends in the writing community who make me feel less alone as a history nerd and have provided amazing support and encouragement for each of my book projects.

About the Author:

Samantha Wilcoxson is an author of emotive biographical fiction and nonfiction featuring history’s unsung heroes. Her novel Luminous has been named Book of the Year by Ruins & Reading and Yarde Book Reviews. Samantha’s most recent work is the first biography of James Alexander Hamilton, published by Pen & Sword History. She is currently writing a Wars of the Roses trilogy for Sapere Books. When not reading or writing, Samantha loves sharing trips to historic places with her family and spending time by the lake with a glass of wine.

Where to find Samantha Wilcoxson:

Website; Instagram; Amazon Author Page; Newsletter Signup; Goodreads; Pinterest; Twitter; Shop Direct; Audible

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Catherine Hanley

10/05/202510/05/2025Sharon Bennett Connolly1 Comment

I am very happy today to welcome historian Catherine Hanley to History…the Interesting Bits in a new instalment of my Author Spotlight series, Wordly Women. Catherine is the author of Matilda, 1217 and her latest book, Lionessheart, about Joanna, the sister of Richard the Lionheart. Catherine also writes a historical fiction A Medieval Mystery series under the name C.B. Hanley, following the adventures of Edwin Weaver, bailiff of Conisbrough Castle and its lord, William de Warenne, 5th Earl of Warenne and Surrey. It is a fabulous series that I can highly recommend!

Sharon: So, Catherine, what got you into writing?

Catherine: Oddly, that question is kind of the wrong way round for me. When I did my PhD I was reading and writing all day every day for years; after it was finished and I got a full-time job that didn’t involve writing, I missed it so much that I just had to take it up on top of work. As the cliché goes, I write because I simply can’t *not* write. Eventually, over the years, it came to replace the day job rather than being an add-on.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Catherine: On a day when I’m writing fiction, I’d say non-fiction was easier, and vice versa …

Sharon: Tell us about your books.

Catherine: My non-fiction mainly explores different facets of war and politics in the twelfth and thirteenth centuries – sometimes via biographies of individuals, and sometimes in the form of more wide-ranging surveys.

My fiction is a series of murder mysteries set during the early thirteenth century, during and just after the French invasion that followed the Magna Carta wars. My main characters are fictional, but the stories are set against a factual backdrop, with some real people in the background. It all started because, during some academic research, I discovered that a certain high-profile individual had changed sides twice during that war, but nobody knew why. So I decided to make up a (plausible!) story about why this had happened, and then once I’d started I just kept going.

Sharon: What attracts you to the 13th century?

Catherine: It is the best century, and I will be taking no further questions and entering into no arguments on this subject. (Sharon: no argument from me! I totally agree with this analysis!)

Sharon: Who is your favourite 13th century personality and why?

Catherine: OK, so this is very niche, but it’s Philip of Dreux, a member of a cadet branch of the Capetian royal house, who was the bishop of Beauvais in France. He was a younger son, so he’d been ‘donated’ to the Church by his family early in life. Unfortunately for him this had been done purely on the basis of birth order rather than aptitude or inclination, and he was one of the most bellicose men you could imagine. He fought in the Third Crusade, during which he travelled to Cyprus to tell Richard the Lionheart to his face that he should stop ‘arrogantly persecuting innocent Christians when close by there were still so many thousands of Saracens whom he should be attacking’, which went down about as well as you might expect. He was still going decades later, and fought in battle of Bouvines when aged in his sixties; there he battered the much younger earl of Salisbury to the ground with a mace ‘that he happened to have in his hand’, which is one of the best primary-source lines you’ll ever read.

If I ever decide to write a new series of novels when my current one is finished, the bishop of Beauvais and his mace are going to have starring roles …

Sharon: Who is your least favourite 13th century personality and why?

Catherine: It’s unfortunate for the purposes of this question that Richard the Lionheart died in 1199, thus making him a personality of the twelfth century, so I can’t nominate him! I also think that William Marshal has been vastly overrated.

Sharon: How do you approach researching your topic?

Catherine: I read A LOT, making sure that I’m consulting a wide range of primary sources rather than merely relying on what other people have said in secondary sources.

Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.

Catherine: Basically the entire career of Philip Augustus of France, but I can’t give you too many spoilers on that just now …

Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.

Catherine: It’s always difficult reading about the many atrocities that took place in the past. One that got to me quite recently was the sad tale of Owain ap Dafydd, the son of Welsh prince Dafydd ap Gruffudd. Dafydd was captured by Edward I and then hanged, drawn and quartered, and his two sons were sentenced to harsh imprisonment. The elder of them died not long afterwards, but Owain, who was 7 when he was incarcerated, lived on for more than 40 years. He was kept in solitary confinement (and, as an adult, actually in a cage), and this stunted his mental as well as his physical development. A sad letter was later sent on his behalf asking if he could please have more adequate food and clothing, and whether he might be allowed out of his cell occasionally ‘to play’. He was at that point 37.

Sharon: Are there any other eras you would like to write about?

Catherine: Not really. There’s still so much to be discovered and said about the twelfth and thirteenth centuries that I can happily spend the rest of my career there, although I do venture occasionally into the fourteenth. The thought of writing about anything post-medieval gives me a nosebleed.

Sharon: What are you working on now?

Catherine: *Takes a deep breath* As ever, I have several projects on the go, all at different stages. In non-fiction, I’m at page-proof stage for Nemesis: Medieval England’s Greatest Enemy (about the French king Philip Augustus), for publication in September 2025; almost at manuscript delivery stage for Women in Medieval Families (for 2026 publication) and in the early stages of a whopping volume called The English at War in the Middle Ages for 2027.

In fiction, A Pale Horse, number 9 in my series of medieval mysteries, is due out in June 2025, and I’m having some initial thoughts about book 10.

That’s probably enough to be getting on with!

Sharon: And finally, what is the best thing about being a writer?

Catherine: Being able to sit in a roomful of books by myself all day and lose myself in the Middle Ages. It’s such a privilege that I can still hardly believe it’s happening.

About the Author:

Dr Catherine Hanley holds a PhD in Medieval Studies and is a Fellow of the Royal Historical Society. After producing several scholarly publications she decided to write something more interesting, and she now splits her time between writing popular history and historical fiction.

Catherine: I have no social media (anyone who wants to contact me may do so by writing in ink on parchment and then sending it via a messenger on a fast horse).

Bookshop link: https://uk.bookshop.org/shop/catherinehanley

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

And we will be chatting with Catherine Hanley about Joanna Plantagenet, Lionessheart, in a couple of months!

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Bess – Tudor Gentlewoman by Tony Riches

07/05/202505/05/2025Sharon Bennett ConnollyLeave a comment

Today, it is an absolute pleasure to welcome Tony Riches back to History … the Interesting Bits for a little chat about his latest book, Bess: Tudor Gentlewoman, the sixth and final book in his magnificent, and enthralling, Elizabeth series.

Sharon: So, Tony, what made you pick Bess Throckmorton as the subject of your sixth and final book in your Tudor series?

Tony: The idea behind the Elizabethan series was to see the enigmatic Queen Elizabeth through the eyes of three of her favourite men and three of her ladies. Each had a very different relationship with the queen, as Drake was in awe of ‘Gloriana’, Essex was like the son she never had and Raleigh was the captain of her guard. I had plenty of ladies to choose from, and was intrigued by Essex’s sister Penelope Devereux (who he blamed for encouraging his ‘rebellion’). His wife, Frances, seemed an unlikely choice, but as I looked into her life as the daughter of the queen’s spymaster, Sir Francis Walsingham, I found she was closely involved with the key events of the Elizabethan era.

Bess’ story allowed me to complete the story of Walter Raleigh (which ended with the death of Queen Elizabeth), and I was intrigued at how she remained so loyal to Walter, even living in his cell at the Tower of London to keep him company. As my research continued, I found she lived until the age of eighty two – well past the end of the Tudors and into the Stuart era, making her one of the last true Elizabethans.

Sharon: Who has been your favourite Tudor to write about?

Tony: I would have to say Bess Raleigh, as she was a remarkable woman, (and I’ve been living with her every day for the past eighteen months), but if time travel is perfected I would love to visit Katherine Willoughby, as she knew every one of the wives and children of King Henry VIII, and must have a lot of secrets! I visited Katherine’s home at Grimsthorpe Castle during my research, and felt a real connection with her at her tomb in Spilsby parish church.

Sharon: Are there any Tudors you would still like to write about?

Tony: The ‘one who got away’ is Sir Philip Sidney, the fascinating and brilliant warrior poet. He features in three of my books, as he was the Earl of Essex’s mentor, Lady Penelope Devereux’s lover and Frances Walsingham’s first husband.

Sharon: Who is your favourite Tudor?

Tony: I never tire of reading about Queen Elizabeth I, who appears in seven of my books. Every time I think I understand her, I discover something new that makes me think again.

Sharon: And who is your least favourite Tudor?

Tony: The villain of the piece, Sir Richard Rich, who oversaw the trials of Catholic martyrs Thomas More and Bishop John Fisher, as well as the Protestant martyr Anne Askew. Richard Rich can never be forgiven for what he did to poor Anne Askew, who never betrayed Katherine Willoughby – even when tortured on the rack and burned at the stake.

Sharon: What’s next?

Tony: I am now researching the life of the first Stuart queen, Anna of Denmark, who I introduce in my last book, when she visits Bess and Walter at the Tower of London to speak with Walter about his herbal potions. Although I covered the English Civil War in my history lessons, the Stuart queens had only a brief mention, so I would like to help restore them to the place in history they deserve by bringing their stories to life.

About the book:

Bess: Tudor Gentlewoman

“A thrilling portrait of a remarkable woman who witnessed the key events of Elizabethan England.”

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante.

Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission?

Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.

Can she outwit her enemies, protect her family, and claim her destiny in a world where women are pawns and survival is a game of deadly consequences?

This is the true story of the last of the Elizabethans, which ends the story of the Tudor dynasty – and introduces their successors, the Stuarts.

Buy the book

About the author:

Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook, Instagram, Bluesky and Twitter @tonyriches.

Links:

Website: Facebook: Twitter: Bluesky: Instagram: Amazon Author Page: Goodreads: LinkedIn.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

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About Gillian Bagwell:

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Inside the Book Trade of Late Medieval London

St Paul’s Cathedral: The Book Trade’s Beating Heart

Who were the Printers?

What was on the shelves?

Not only Men’s work

Censorship and Control

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