Even after years of Roman rule, Britannia is a conflicted and largely untamed land.
Disgraced Imperial Officer, Dux Ambrosius Aurelianus, flees to its shores seeking sanctuary in the land of his deceased mother. His years of loyal service to the emperor count for nothing now. He must carve out a new life beyond the empire.
Accompanying Ambrosius is a disparate group of fellow refugees: Inga, a freed Saxon slave, his bucellarii – warriors sworn to him – and the surviving members of his estranged family.
The burden of command weighs heavy on his shoulders, for when he lands in the country, winter is fast approaching.
But the weather is not the only thing inhospitable towards the newcomers.
Plagued by troubles, Ambrosius faces opponents among both the native Britons and Saxon settlers. He discovers that no-one in Britannia – least of all, the High King, Vortigern – still fears the soldiers of the decaying empire.
When those he loves are savagely abducted and betrayal divides his company, Ambrosius is left with only a handful of his bucellarii. Though heavily outnumbered and unfamiliar with the land, Ambrosius remains undaunted.
Pitted against powerful opponents, the Roman will need new allies if he is to free the hostages and make Britannia his home.
There will be blood.
Derek Birks has fast become one of my favourite authors. His first novel, Feud, is still one of my personal favourites. He has a knack for fast-paced action woven into a wonderful story that keeps the reader hooked from the first page to the last. This latest offering is no different. Trouble arrives almost at the very first page and leaves the reader on the edge of their seat to the very end. Survival is far from certain and each character has their own battle to fight – and their own demons to face – within the larger story.
Britannia: World’s End is the second book in Derek Birks’ new series based in the twilight of the Roman era, which follows the exploits of Ambrosius Aurelianus and his small band of loyal warriors, and a disparate group of waifs and strays that he has picked up since being chased out of the Roman Empire. Ambrosius leads his people to the island of Britain, in the hope of finding a new home, but only finds more problems and more enemies to fight.
Set in the age of King Arthur, there are suggestions of the famous Arthurian legends, and the links to Ambrosius Aurelianus, though the story is firmly set in the history and reality of Britain at the waning of the Roman Empire, where land and people were open to exploitation and manipulation.
With a final scowl at Remigius, Ambrosius leapt from the boat onto the stony shore where dog-tired men were cheering and clapping each other on the back. They deserved to celebrate, he thought, for though they were some yards east of the camp now, at least they had salvaged the boat. By the time he heard the hooves, it was too late and he could only stare, helpless, as a dozen horsemen cantered through his camp.
By the time he roared: “To arms!”, women were already scattering in fear. Obliged to retrieve their scattered weapons from all along the beach, Ambrosius and his bucellarii were slow to return to the camp. Ambrosius was still trying to disentangle his spatha from his belt when he heard Inga’s voice, heaping Saxon abuse at her assailants.
“I’m here, Inga!” he cried, as he watched her trying to fend off one of the riders with her knife. “Run – this way! Run to us!”
Defiant as ever, she retorted: “I have Ferox with me!”
Thank God for Ferox, thought Ambrosius, as he stumbled towards her. Of course, the damned dog had not been warning him about the boat at all, for how would a dog know the boat was drifting out to sea? No, Ferox had caught the scent of strangers and their horses, but Ambrosius, like some green recruit, had ignored the animal’s alert and allowed himself to be drawn away from camp.
Though he had told Inga to run, of course, she had not. Armed only with her long blade, she stood her ground, flailing at her mounted assailants. Ambrosius cursed under his breath as he ran, for had he not told her how brave she was – as brave as any one of his bucellarii? And because he encouraged her, she fought, when she should have run. One moment Ambrosius glimpsed her, slashing out in vain, the next she was grappling with her captor. Racing to her side, spatha in hand and ready to dispense death to the villains who had dared to assault his camp, he was relieved to see that she had broken free.
“Stay behind me!” he ordered, but Inga’s blood was up and she took a snarling pace towards one of the horsemen. Thrusting out an arm to pull her back, Ambrosius’ fingertips scarcely brushed hers, as she was lifted clean off her feet and borne away.
Derek Birks has several great strengths as a writer. He is a natural storyteller and has a knack for knowing how to draw a reader in and holding their attention, so that you’re always promising yourself ‘just one more page’ or ‘just one more chapter’. His actions scenes are second-to-none and help to keep the tension high throughout the book.
His greatest skill, however, is in his characters. Despite a large number of supporting characters, Derek Birks has the ability to make each and everyone of them an individual. Not just in their appearance, but in their actions and in their individual stories. Each character has a legend that is his or her own; this means that each character has their own motivations and their own set of rules.
The author is also known for creating strong, independent female characters, such as the great Eleanor Elder in his two series set in the Wars of the Roses. In The Last of the Romans, it is Inga, a former sex slave, who steals the show with her strength and quiet determination. And then there is the dog, Ferox, a ferocious war dog with a soft spot for Inga, and a scene stealer in every chapter in which he appears. He is such a unique character!
There is one other thing Derek Birks has become renowned for in his books;; no character is so precious that he cannot be killed off, if the story asks for it. Not even the hero of the book is safe. And this brings an added tension to the book; the reader does not know who will make it out alive!
These 3 great strengths in the author are a fantastic combination that leads to another amazing novel. I have never had any qualms about recommending Derek Birks’ books to any fan of action-packed historical fiction, and Britannia: World’s End is no exception.
It is an awesome book!
About the author:
Derek was born in Hampshire in England but spent his teenage years in Auckland, New Zealand, where he still has strong family ties.
On his return to England, he read history at Reading University and for many years he taught history in a secondary school. Whilst he enjoyed his teaching career and it paid the bills, he found a creative outlet in theatrical activities, stage-managing many plays and outdoor Shakespeare performances.
Derek always wanted to write and began, aged 17, writing stories, songs and poetry – in fact virtually anything. Inevitably, work and family life took precedence for a long period of time but in 2010 Derek took early retirement to indulge his passion for history and concentrate on his writing. He is interested in a wide range of historical themes but his particular favourite is the late medieval period.
Derek writes action-packed fiction which is rooted in accurate history. He also produces podcasts on the Wars of the Roses for those interested in the real historical background to his books. Check them out on his website at: https://www.derekbirks.com/history-podcasts/
His historical fiction works include:
Rebels & Brothers – a 4-book series set during the fifteenth century, which follows a fictional family, the Elders, through their struggle to survive the Wars of the Roses up to 1471. The Craft of Kings – a sequel series which finds the Elder family ten years later in 1481. The latest book in this series is book 3, Echoes of Treason, which is set during the short and turbulent reign of Richard III.
He has recently embarked upon a new Post-Roman series and the first book is out now: The Last of the Romans
Apart from his writing, he enjoys travelling – sometimes, but not always, to carry out research for his books. He also spends his time walking, swimming and taking part in archaeological digs.
He was a regular presence at the Harrogate History Festival, is an active member of the Historical Novel Society and you will also find him each summer signing books – and selling them – at the Chalke Valley History Festival outside Salisbury in Wiltshire.
Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & Sword, Amazon and from Book Depository worldwide.
Also by Sharon Bennett Connolly:
Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, Book Depository.
Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.
©2020 Sharon Bennett Connolly