Book Corner: Powers and Thrones by Dan Jones

Dan Jones’s epic new history tells nothing less than the story of how the world we know today came to be built. It is a thousand-year adventure that moves from the ruins of the once-mighty city of Rome, sacked by barbarians in AD 410, to the first contacts between the old and new worlds in the sixteenth century. It shows how, from a state of crisis and collapse, the West was rebuilt and came to dominate the entire globe. The book identifies three key themes that underpinned the success of the West: commerce, conquest and Christianity.

Across 16 chapters, blending Dan Jones’s trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive western powers thrived by attracting – or stealing – the most valuable resources, ideas and people from the rest of the world. It casts new light on iconic locations – Rome, Paris, Venice, Constantinople – and it features some of history’s most famous and notorious men and women.

This is a book written about – and for – an age of profound change, and it asks the biggest questions about the West both then and now. Where did we come from? What made us? Where do we go from here?

Well, isn’t this an epic undertaking. The history of the Middle Ages, across Europe and into the four corners of the world (except Australia because it still hadn’t been discovered) – in 16 chapters, 633 pages and about 25 hours of reading. And it is awesome!

I couldn’t read this book at a leisurely pace because I was actually scheduled to interview Dan Jones on 29 September, for Lindum Books in Lincoln and I desperately wanted to make sure I had read the whole thing beforehand. So, I had 10 days to read it and I am quite proud of myself that I managed it. I put all other books aside and concentrated on this, hoping it would keep my attention. I was a little worried. It is a long book and covers such a wide historical arena. Could it keep my interest? Well, the simple answer is YES!

Powers and Thrones by Dan Jones is a thoroughly enthralling read encompassing over a thousand years of history, from the Sack of Rome in 410AD to the sack of Rome in 1527. Writing the story of the entire medieval era was a massive undertaking that Dan said he wanted to do, both as his 10th book and to mark his 40th birthday. And it is, indeed, a magnum opus to be proud of. Powers and Thrones is a perfectly balanced book, giving just enough attention to each area of interest and geographical location, going from Rome, to Byzantium and on to the rise of Islam, Dan Jones manages to cover the significant events and influences that drove change and development through the entire Middle Ages.

Powers and Thrones demonstrates how climate change, disease, technology and ideology were often the forces behind change. For example, the Guttenberg Press was revolutionary in every way, allowing the mass production of books, pamphlets and the dissemination of knowledge to a far-wider audience. It was the medieval equivalent to our social media, both in its reach and influence, and Dan Jones highlights how significant it was in Europe’s emergence from the medieval era, with its impact on learning, communication and – perhaps above all – religion.

For those alert to signs hidden in the fabric of the world, the Roman Empire’s collapse in the west was announced by a series of omens. In Antioch, dogs howled like wolves, night-birds let out hideous shrieks and people muttered that the emperor should be burned alive. In Thrace, a dead man lay in the road and fixed passers-by with a unnerving, lifelike glare, until after a few days the corpse suddenly disappeared. And in the city of Rome itself, citizens persisted in going to the theatre: an egregious and insanely sinful pastime, which, according to one Christian writer, practically invited the wrath of the Almighty. Human beings have been superstitious in all ages and we are especially good at adducing portents when we have the benefit of hindsight. Hence the opinion of the historian Ammianus Marcellinus, who looked back on the end of the fourth century into which he was born and reflected that this was a time when fortune’s wheel, ‘which is perpetually alternating prosperity and adversity’, was turning fast.

In the 370s, when Rome’s fatal malady set in, the Roman state – monarchy, republic and empire – had existed for more than a millennium. Yet within little more than one hundred years, by the end of the fifth century AD, every province west of the Balkans had slipped from Roman control. In the ancient heartlands of empire, Roman institutions, tax systems and trade networks were falling apart. The physical signs of Roma elite culture – palatial villas, cheap imported consumer goods, hot running water – were fading from everyday life. The Eternal City had been sacked several times, the western crown had passed between a succession of dimwits, usurpers, tyrants and children, until eventually it had been abolished; and territory that formerly comprised the core of a powerful mega-state had been parcelled among peoples whom the proud-hearted citizens of Rome’s imperial heyday had previously scorned as savages and subhumans. These were the ‘barbarians’: a derogatory word which encompassed a huge range of people from itinerant nomadic tribes quite new to the west and ignorant or dismissive of Roman mores, through to longstanding near-neighbours, whose lives were heavily influenced by Roman-ness, but who had not been able to share in the fruits of citizenship.

With Dan Jones at The Collection, Lincoln

What makes this book special is the way Dan Jones manages to make Powers and Thrones relevant to today. Writing it in the midst of a pandemic certainly must have helped to give Dan a sense of history all around him and he alludes to this in the book. When interviewing him, Dan told me that living through Covid gave him a better understanding of the plague years of 14th century Europe, of the fear and panic that must have consumed people. And by referring to modern-day equivalents, such as world leaders, the pandemic and the rise of social media, Dan is able to draw the reader in and make medieval history relevant in the modern age.

Dan Jones does not shy away from the harsh questions, either, examining the development and morals of slavery, the reasoning behind the crusades and the rise of Protestantism. What may surprise readers is the facts this book is essentially Euro-centric – it made me realise how Anglo-centric my study of history has been over the years. By focusing on change and development in mainland Europe, whilst encompassing England and the British Isles in various guises where appropriate, it gives the reader a whole new outlook on the medieval era, whilst also demonstrates how events in Europe – even back then – could influence events in England, Scotland, Wales and Ireland. Powers and Thrones highlights the driving forces of change, whether it was people, ideas or technology, and demonstrates how such change effected Europe in general and individuals in particular, whether it was the empire of Charlemagne, the rise of monasticism, or even the development of the humble stirrup that led to the emergence of the knightly class.

In Powers and Thrones, Dan Jones combines a narrative of international events with case studies that focus on individual people, organisations and movements. By highlighting such diverse subjects as Empress Theodora, the rise of Islam, El Cid and the magnificent Lincoln Cathedral, the author manages to personalise what might otherwise have been a wide, sweeping narrative. The Warennes also get a mention in the involvement of William de Warenne, the 1st Earl, and his wife, Gundrada, in founding the first Cluniac priory in England, St Pancras Priory in Lewes, Sussex. From my personal point of view, it is fabulous that Dan Jones chose to include Empress Theodora so prominently – a woman who rose from extremely humble roots to become Empress of Byzantium and a woman who was influential in holding that empire together, especially in adroitly soothing religious dissension. It is impossible to get everything from 1,000 years of history in one book, but by showing the big picture, whilst highlighting particular events, ideas, buildings or people, Dan Jones manages to provide a fascinating narrative that is fast-paced and engaging without being overwhelming.

Powers and Thrones is, quite simply, an amazing book. It is chock full of little snippets of information that you may never have known, it relates medieval events to our modern day equivalents, such as the Black Death to Covid. Such references to the modern era could easily have backfired, but they serve to make the book more accessible and entertaining and not a little amusing. The moments of light-heartedness often provide an extra depth to the reading experience and make the book accessible to every reader.

Powers and Thrones was certainly an ambitious project, but in the hour-long interview I had with Dan Jones, he spoke about every aspect of it with passion and enthusiasm an that same passion and enthusiasm comes across throughout the book. The book is a pleasure to read and would be a welcome addition to any bookshelf.

Powers and Thrones by Dan Jones is available from Amazon and

My Books

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US and Book Depository.

1 family. 8 earls. 300 years of English history!

Also by Sharon Bennett Connolly:

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon and from Book Depository worldwide.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Book Depository.


You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2021 Sharon Bennett Connolly

Book Corner: Lucia by Steven A. McKay

What makes life worth living for a slave of Rome?

The promise of vengeance no matter how long it takes.

At eight years old, Lucia is torn from the life she knew. Her village burned to the ground and parents murdered by Romans, she is kidnapped, sold and shipped abroad to the Villa Tempestatis in Britannia to serve the young Roman army officer Castus.

Faced with a bleak future of decades of servitude to her master, as well as sadistic brutality at the hands of his manageress, Paltucca, she finds herself fixated by one thought alone: vengeance.

Yet Villa Tempestatis, with its picturesque surroundings in Britannia’s green countryside, offers a life that’s a little easier than elsewhere in the Roman empire. The slaves form strong bonds of love and friendship, enjoy feasts and holiday celebrations together, and are even allowed, sometimes, to start a family. Many of them are happy enough with their lot.

Despite that, every moment of Lucia’s life is blighted by her hatred for Castus and Paltucca, and only seeing them both destroyed will bring her a measure of peace, even if it takes decades of work and planning…

From the moment you read the dedication in the front of Lucia, you will know you are in for an emotional rollercoaster:

Dedicated to all the men, women and children forced into slavery and forgotten by history.

And you would be right!

Lucia is one of those novels that will stay with you long, long … long after you have read the final page and closed the book (probably with a tear on your cheek). To say it is thought-provoking would be an understatement. This is one of those stories that will really get under your skin.

I have read everything Steven A. McKay has written, from his unique take on the Robin Hood stories to his wonderfully atmospheric Warrior Druid of Britain series, but Lucia is on another level. It is probably his best writing yet. It is a story that is at once desperate and uplifting, a story that touches you deep in your soul.

Set in a splendid villa in Roman Britain, Lucia captures perfectly a life of slavery. The brutality, the feeling of helplessness, the inhumanity is contrasted with the compassion, the humanity and the sense of family and comradeship with fellow slaves. Steve A. McKay clearly and cleverly depicts the blurred lines of the master and slave relationship and the slaves serve the Roman family, being detached from it and at the same time an integral part of the family life.

The villa was a wonderful sight on a July day like this, with its white plastered walls and red-tiled roofs seeming to glow in the sunshine, while its position on the hill afforded superb views of the land around: well-tended fields of corn and grain; groves of trees once sacred to the native Britons; and the sparkling waters of the narrow river that flowed past the western wing, providing their water for drinking, cleaning, cooking and, of course, bathing.

Sometimes, on particular beautiful days, Lucia forgot about her previous life, as the daughter of a warlord in Germania. Forgot about her previous existence before she was captured by the Romans who had destroyed her village, slaughtered her people and sold her at the market to her master.

It had been a year already since Publius Licinius Castus, a young Roman officer himself, had bought her from that terrible slave-market and shipped her here, to his lavish country villa in this damp land.

Villa Tempestatis

A lump came to her throat as an image of her parents – happy, smiling down with pride on their beloved daughter – came to her, and she angrily brushed away the tears forming in her eyes before they had a chance to streak her grimy cheeks.

Yes, sometimes she was able to forget her previous, free life in Germania, but it was never long before reality returned and she felt her spirit crushed so hard that it almost stopped her heart from beating.

The beauty of the villa and its surroundings hid the pain of dozens of slaves who had lived here over generations, young and old. Some of them, like Paltucca, were able to adapt and even thrive in such conditions, while others wilted and eventually, under the weight of what they’d lost, rendered themselves useless to the master. Those unfortunates soon disappeared, never to be heard of again.

Lucia wondered if she would end up like that one day, sold to be worked to death in a mine perhaps, when the stolen memory of the joy of her childhood became too much to bear.

Lucia explores the life of a girl forced into slavery by the Romans at the age of 8, and her relationship with her master and her fellow slaves. The book does a wonderful job of depicting not only the life of a slave but also their emotions, the fact that they do live their lives despite a lack of freedom, that they lived, loved, even raised families. It clearly demonstrates the contrast between the acceptance and cooperation that you still have to live, despite not being free, and that deep, constant yearning for freedom.

Lucia is one of those books for which you can write an awesome review – and yet, still know that your review will never do the book justice. It is, beyond doubt, the best thing Steven A. McKay has ever written, simply because it makes the reader re-evaluate the way they think and feel – and takes them to a depth of their soul they probably have never visited before.

Touching a topic that has affected lives throughout history, and yet seems just as relevant today; slavery. Lucia plays on all your emotions: anger, pity, empathy, love and hate. At times, Lucia is a hard book to read, but is essential reading on so many levels. Steven A McKay has written a truly riveting depiction of the life of a slave.

This is how books should be written, with passion and compassion. If you only read one more book this year, it should be Lucia.

Lucia is now available from Amazon


About the author:

Steven McKay was born in 1977 near Glasgow in Scotland. He live in Old Kilpatrick with his wife and two young children. After obtaining his Bachelor of Arts degree with the Open University he decided to follow his life-long ambition and write a historical novel.

He plays guitar and sings in a heavy metal band when they can find the time to meet up.

You can check out his website here. Steven also has an Amazon Author page and can be found on Twitter and Facebook.


My Books

Ladies of Magna Carta: Women of Influence in Thirteenth Century England  looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & SwordAmazon and from Book Depository worldwide.

Also by Sharon Bennett Connolly:

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Book Depository.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.


You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2020 Sharon Bennett Connolly

Book Corner: Commodus by Simon Turney

Worshipped by Rome. Betrayed by love. Stalked by death. Rome is enjoying a period of stability and prosperity. The Empire’s borders are growing, and there are two sons in the imperial succession for the first time in Rome’s history. But all is not as it appears. Cracks are beginning to show. Two decades of war have taken their toll, and there are whispers of a sickness in the East. The Empire stands on the brink of true disaster, an age of gold giving way to one of iron and rust, a time of reason and strength sliding into hunger and pain. The decline may yet be halted, though. One man tries to hold the fracturing empire together. To Rome, he is their emperor, their Hercules, their Commodus. But Commodus is breaking up himself, and when the darkness grips, only one woman can hold him together. To Rome she was nothing. The plaything of the emperor. To Commodus, she was everything. She was Marcia.

Commodus by Simon Turney is the second in his The Damned Emperors series, exploring the lives of those emperors even Rome wanted to erase from history. The first in the series, Caligula was a fabulous and intelligent read that really made you think about the political intrigues of ancient Rome. Commodus is no less thought-provoking.

The thing that struck me after reading both Caligula and Commodus is why on earth would anyone want to be emperor – or even close to the emperor in ancient Rome. Yes, the job came with ‘phenomenal cosmic power’ (as the genie in Aladdin would put it) but you did not expect to die in your bed – unless it was from poison or an assassin in the night.

What makes The Damned Emperors series so unique is that Simon Turney uses the women close to the emperor to tell his story. In Caligula it was his own sister, Livilla, who witnessed her brother’s rise to ‘the purple’ and followed his story to an inevitable violent conclusion. In Commodus the tale is told through Marcia, a childhood friend who rose to be the emperor’s lover and consort, though not his wife and empress. Each woman is able to narrate the emperor’s life and the events which shape his personality and rule. Each book is a standalone.

‘I’m supposed to turn my other cheek to you, ignore your violence and forgive you. And because I want to be a good Christian, I’ll do that. I’ll forgive you but only this once.’

He made .to push me again, but perhaps something in my expression stopped him. Certainly, he stepped back. I was a freedwoman of the emperor Lucius Verus, and he was a slave. I had allowed him to get away with pushing me over in anger, but I had warned him not to do so again. For my part, I meant every word. I would punch him in the eye if he tried again. For his part, I suspect he thought I meant I would report his behaviour to the major-domo, which would have seen him beaten at the very least. Whatever the case, he walked away. As he reached the door, he paused and turned.

‘In the old days, they used to burn your sort.’

And then he was gone. I seethed, shaking, promising myself that one day I would settle that score. I received my second shock in a short space as Commodus emerged from the shadows near another door, confusion creasing his young, innocent face.

‘What’s a Criss-chen?’ he asked, stumbling a little over the unfamiliar word.

Hmm. I thought lessons would be cancelled today, what with Fulvus bedridden, but it seemed I was to teach instead. I thought long and hard on the question as he watched me with those intelligent, searching eyes.

‘We believe in only one God. He is the creator of all things and the world is made according to His plan.’ I shrugged, trotting out the words I’d heard so many times. ‘There’s more to it, but that’s the main thing.’

‘Which god?’

Marcia’s own story is as fascinating as that of the emperor she adores, and serves as an example of how power corrupts not only the leaders, but those around them. Marcia is an interesting character who uses necessity and love to justify actions that many would find questionable, if not downright abhorrent. And yet you can’t help liking and sympathising with a woman who had little real power and influence over her own life, let alone anyone the emperor’s!

Simon Turney is a master of intrigue and has a remarkable ability to get inside the head of the women who lived alongside these emperors. And then into the heads of the emperors themselves. You cannot help but have sympathy for these great men, who rose to such heights that they practically ruled the world, but could trust no one. His knowledge of Roman history is second-to-none and he puts it to good use in depicting not only the Roman psyche, but also the Roman way of life.

Simon Turney vividly recreates the streets of Rome, the buildings, people and events to the extent that you can practically smell the markets, the blood in the arenas and the wondrous aromas of the lavish meals served to the imperial family. As a consequence, you can also feel the despair and despondency of the poor and unrepresented populace – the plebs and the slaves – who are ignored and left to suffer famine and plague by their indifferent rulers.

Commodus is not always an easy read, but it is fascinating. It draws you in from the very first pages, and leads you on a journey of discovery, not only of the emperor himself but of the life of the imperial family. It is eye-opening! Beautifully written and addictive, it is one of those books that you can’t wait to finish – and yet, desperately want it not to end.

To buy the book:

Commodus: The Damned Emperors Book 2 by Simon Turney is available from Amazon in the UK and US.

About the author:

Simon lives with his wife, children and dogs in rural North Yorkshire. Having spent much of his childhood visiting historic sites with his grandfather, a local photographer, Simon fell in love with the Roman heritage of the region, beginning with the world famous Hadrian’s Wall. His fascination with the ancient world snowballed from there with great interest in Egypt, Greece and Byzantium, though his focus has always been Rome. A born and bred Yorkshireman with a love of country, history and architecture, Simon spends most of his rare free time travelling the world visiting historic sites, writing, researching the ancient world and reading voraciously.

Simon’s early career meandered along an arcane and eclectic path of everything from the Ministry of Agriculture to computer network management before finally settling back into the ancient world. During those varied years, Simon returned to university study to complete an honours degree in classical history through the Open University. With what spare time he had available and a rekindled love of all things Roman, he set off on an epic journey to turn Caesar’s Gallic War diaries into a novel accessible to all. The first volume of Marius’ Mules was completed in 2003 and has garnered international success, bestseller status and rave reviews, spawning numerous sequels. Marius’ Mules is still one of Simon’s core series and although Roman fiction features highly he now has Byzantine, Fantasy and Medieval series, too, as well as several collaborations and short stories in other genres.

Now, with in excess of 25 novels available and 5 awaiting release, Simon is a prolific writer, spanning genres and eras and releasing novels both independently and through renowned publishers including Canelo and Orion. Simon writes full time and is represented by MMB Creative literary agents.

Look out for Roman military novels featuring Caesar’s Gallic Wars in the form of the bestselling Marius’ Mules series, Roman thrillers in the Praetorian series, set during the troubled reign of Commodus, adventures around the 15th century Mediterranean world in the Ottoman Cycle, and a series of Historical Fantasy novels with a Roman flavour called the Tales of the Empire.


My Books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.


You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2019 Sharon Bennett Connolly 

Book Corner: The Last of the Romans by Derek Birks

Northern Italy.

Dux Ambrosius Aurelianus has served the Roman Empire with distinction.

His bucellarii, a small band of irregular soldiers, have helped to bring a fragile peace to the beleaguered empire in the west. But, with the empire now at peace, his master, Flavius Aetius, decides to chain up his dogs of war.

Ambrosius and his men are left to idle away their days in a rural backwater, but Ambrosius’ boredom is brutally swept aside when old rivals seize the opportunity to destroy him.

Pursued as a traitor by the imperial guard, Ambrosius takes his loyal band, along with other dissident soldiers and a Saxon girl, Inga, into the mountains.

Since nowhere is safe, Ambrosius travels north, across the crumbling ruins of the empire, to his estranged family in Gaul. But there too, he finds nothing but conflict, for his home town is now besieged by a small army of rebellious Franks.

Freedom and peace seem a world away. 

Whatever course the soldier takes, Ambrosius and his bucellarii will need to muster all their strength and skill to survive.

At the twilight of the empire, they may be the Last of the Romans…

I have to admit that I loved Derek Birks‘ books on the Wars of the Roses, but was a little dubious about this excursion into the late Roman era. I enjoy reading some Roman novelists, such as SJA Turney and Gordon Doherty, but I do prefer the medieval and I was concerned that I might not enjoy The Last of the Romans as much as other Roman stories or, indeed, Derek’s Wars of the Roses series. I needn’t have worried.

The Last of the Romans opens as the Roman Empire is falling apart and follows one man, Ambrosius Aurelianus, and his small band of soldiers as they try to escape the clutches of vengeful assassins. We follow the small cohort of soldiers as the escape northern Italy across France, with the constant threat of attack nagging their every step. The reader is drawn into their desperate fight to survive and escape, the bucellarii’s loyalty to their dux tested to the limit.

Ambrosius Aurelianus has always been a personal favourite of mine – he has links to my ‘local’ – Conisbrough Castle – and is a contender for the legendary King Arthur. The Last of the Romans tells the story of Ambrosius’ career in the Roman army, before his arrival in Britain. The book draws a portrait of the man as a great warrior and leader, driven by a need to survive and protect those who follow him and trust him.

For the past three years Rome’s supreme military commander, the Magister Utriusque Militiae, Flavius Aetius, had sent Ambrosius wherever trouble erupted across the failing empire. Wherever an army was too many, or an assassin too few, he and his band of disparate bucellarii were despatched – and death went along for the ride. They slew every zealot, every ambitious politician, every fool and murderer, across the empire from the west coast of Galicia to eastern Thrace. In truth, Ambrosius and his comrades did little else but send men to an early grave.

Since he was recruited in Gallia, he reflected that his own fortunes had become inextricably harnessed to those of Magister Aetius. He could not resist a grim smile of admiration for the man who, against all the odds, still held the fate of the western empire in his firm grip. Without him, Ambrosius would still be a renegade bandit living among the Franks in north-western Gallia. Instead he was the commander of an elite band of mounted warmongers and carried the rank of dux. He was both feared and despised by his enemies – and very likely by some of the imperial guard as well.

Thus, Ambrosius slept alone; yet, there she lay… half-covered by the coarse blanket. So, yes, he was getting soft. But then, after the sudden demise of the Hun king, Attila, everything had changed. Peace had come to Rome – albeit a fragile peace brokered by exhausted combatants, but a peace all the same. And, in the wake of peace, it seemed that the wolf must remain caged. So, Ambrosius found himself marooned in this shabby caupona on the shores of a lake far from the imperial court. While he preferred to remain at the inn, most of his bucellarii made frequent visits to nearby Verona where they were no doubt even now exhausting whatever coin they had left.

“Even you need to stop killing eventually,” Aetius had told him. “Believe me, you need a rest from it; I know that better than anyone: killing eats into your soul…”

The Last of the Romans is a departure from Derek Birks’ usual era, the Wars of the Roses. And as a consequence, he has moved away from a period of history that is constantly discussed and analysed, to one where the sources are few and far between. He has had to reconstruct a world that has not existed for 1,500 years. the landscape and architecture of late-Roman era France is described in fabulous detail, transporting the reader to the time and place where Roman law was breaking down, and native leaders were battling – against each other and the Roman regional commanders – to fill the void.

As you would expect from Derek Birks, the action is never-ending. The story moves at a fantastic pace, leaving the reader little time to catch their breath. The battles are meticulously choreographed, while appearing totally chaotic; the battle to survive only rivaled by the relentless pursuit of their enemies. The Last of the Romans brings the fall of the Roman Empire into vivid, colourful perspective.

What makes this book impossible to put down are the characters, the heroic Aurelius Ambrosius, loyal Marcellus and Inga, the freed slave whose bravery earns her a special place in the heart of the bucellarii. There is love, loss, confusion, courage and hatred. Through Ambrosius Aurelianus and his small band of men, we see the individual struggle to survive amidst the greater catastrophe and upheaval that always accompanies the end of a civilisation.

The Last of the Romans is a gripping adventure. Exciting, enthralling and fast-paced it is an amazing novel for the author’s first excursion into the era. It works perfectly as a standalone novel, but I truly hope Derek Birks decides to continue the story – I am desperate to know where Ambrosius and his bucellarii go next!

The Last of the Romans is now available on Kindle from Amazon and will be released in paperback shortly.


About the author:

Derek was born in Hampshire in England but spent his teenage years in Auckland, New Zealand, where he still has strong family ties. 

On his return to England, he read history at Reading University and for many years he taught history in a secondary school. Whilst he enjoyed his teaching career and it paid the bills, he found a creative outlet in theatrical activities, stage-managing many plays and outdoor Shakespeare performances.
Derek always wanted to write and began, aged 17, writing stories, songs and poetry – in fact virtually anything. Inevitably, work and family life took precedence for a long period of time but in 2010 Derek took early retirement to indulge his passion for history and concentrate on his writing. He is interested in a wide range of historical themes but his particular favourite is the late medieval period. 

Derek writes action-packed fiction which is rooted in accurate history. He also produces podcasts on the Wars of the Roses for those interested in the real historical background to his books. Check them out on his website at:

His historical fiction works include: 
Rebels & Brothers – a 4-book series set during the fifteenth century, which follows a fictional family, the Elders, through their struggle to survive the Wars of the Roses up to 1471.  The Craft of Kings – a sequel series which finds the Elder family ten years later in 1481. The latest book in this series is book 3, Echoes of Treason, which is set during the short and turbulent reign of Richard III.

He has recently embarked upon a new Post-Roman series and the first book is out now: The Last of the Romans

Apart from his writing, he enjoys travelling – sometimes, but not always, to carry out research for his books. He also spends his time walking, swimming and taking part in archaeological digs.

He was a regular presence at the Harrogate History Festival, is an active member of the Historical Novel Society and you will also find him each summer signing books – and selling them – at the Chalke Valley History Festival outside Salisbury in Wiltshire.

His books are available on Amazon in the UK and US.
You can find Derek at;


My books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.


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©2019 Sharon Bennett Connolly

Book Corner: Legionary: The Blood Road by Gordon Doherty

381 AD: The Gothic War draws to a brutal climax, and the victor’s name will be written in blood…

The great struggle between the Eastern Roman Empire and the Gothic Horde rumbles into its fifth year. It seems that there can be no end to the conflict, for although the Goths are masters of the land, they cannot topple the last of the imperial cities. But heralds bring news that might change it all: Emperor Gratian readies to lead his Western legions into the fray, to turn matters on their head, to crush the horde and save the East!

The men of the XI Claudia legion long for their homeland’s salvation, but Tribunus Pavo knows these hopes drip with danger. For he and his soldiers are Gratian’s quarry as much as any Goth. The road ahead will be fraught with broken oaths, enemy blades… and tides of blood.

Gordon Doherty‘s Legionary: The Blood Road is the 7th book in his acclaimed Legionary series and is a masterpiece of Roman fiction. I don’t often read Roman historical fiction, but whenever I do stray from medieval history into the realms of the legions, I find myself asking ‘why don’t I do this more often?’ Legionary: The Blood Road again made me realise how much I love a good book about Rome!.

Legionary: The Blood Road  is a fast-paced, enjoyable novel of the Roman legions which grips you from the very first page. The action and intrigue never lets up, from the opening lines to the last, taking the reader on a journey through the Eastern Empire of Theodosius and its struggles against the Goths. The battles are so vividly portrayed, they feel real; the tactics of the Roman legions and of the Gothic horde, have obviously been extensively researched. The author transports you back to the events and leaves you feeling that you were a spectator to the actual battles. The suspense is tangible, the end of the book cleverly disguised so that, to the very last pages, you are fearful that the hero may not prevail.

‘For the Claudia,’ panted one voice, thick with emotion.

He turned to the rise, seeing the men of the First Century slacken in relief. Seven legionaries lay still on reddened earth; another dozen groaned and clutched wounds. Pavo betrayed not a chink of emotion, the ‘soldier’s skin’ like a layer of old boot leather around his heart. He quietly stooped to pack a little frost around the stinging gash on the back of his hand. Primus Pilus Sura, his most trusted man in the legions and out, wrenched his spear clear of the shoulder of another Hun corpse, his blonde hair shuddering and his boyish features ruined by a snarl. ‘We weren’t sent here to fight Huns,’ he seethed at the toppling body.

‘Thank Mithras we were here though,’ said Pavo, peeling his helm from his head and scruffing a hand through his short, dark hair. He offered a nod to the onager crew – fifty strides back – who had measured the range and unleashed the rock that had destroyed the ice-bridge. ‘Imagine we were not. These bastards would have poured across, then sent back word to others. The nightmare on the far banks would have spilled over here in its entirety.’

‘Still a bit of a nightmare on this side too, Tribunus,’ said Centurion Libo, throwing his helmet to the ground and scratching behind his ear like a dog, flakes of dry skin spraying from his wild matter hair. His painted, wooden eye remained fixed and staring while the good eye swivelled to look south, he like the many others thinking of the turmoil still ongoing many miles away.


And what a hero! Pavo is a fabulous character, who is vividly portrayed. It’s almost like you know him personally. Human, flawed, ruthless; but a beloved leader whose men will follow him, no matter what. He has earned their loyalty by giving them his loyalty and it is this mutual strength and trust which provides the backbone to the story. You find yourself rooting for him through is many trials and tribulations, while at the same time wondering how anyone could get  out of the predicaments in which he finds himself!

Pavo, however, has made some powerful enemies, and it is his relationship with these enemies – the Emperor Gratian, no less – that leads Pavo into the greatest danger. Gratian doesn’t want Pavo dead – he wants him to suffer. Pavo has to balance his need to stay away from Gratian – and his personal band of assassins – against his duties to protect and defend the empire against the invading horde and an ever-elusive dream of peace. The suspense is almost too much to take and will keep you reading long into the dark hours of the night.

In Legionary: The Blood Road Gordon Doherty expertly transports you back to the great days of the Roman Empire, using his extensive knowledge of the era and incredible story-telling skills to give the reader the impression of being there, in the midst of battle and court politics. The sights, sounds and smells of the eastern empire can be vividly imagined as you get absorbed into the story and atmosphere of Imperial Rome.

I have read a couple of the earlier Legionary books, but have missed a few. However, with Legionary: The Blood Road you could easily read this book if it was your first introduction to author Gordon Doherty. This is a self-contained novel that introduces past events when they need explanation, but tells a complete story in the author’s own, inimitable style.

Gordon Doherty is one of the must-read authors of Roman history, a wonderful story-teller who vividly recreates the era, through the landscape, people and the politics. The battles and intrigues are masterfully recreated to entertain and engage the reader; I cannot recommend it highly enough. Legionary: The Blood Road is a fabulous read!


You can find out about the rest of the series here (linked pics below)

To buy Legionary: The Blood Road.

About the author: 

Gordon Doherty is a Scottish writer, addicted to reading and writing historical fiction.

His love of history was first kindled by the ruins of Hadrian’s Wall and the Antonine Wall, and travelling around the ancient world has kept the fire burning brightly ever since. The later Roman Empire and Byzantium hold a particular fascination for him. There is something quite special about the metamorphosis from late antiquity into the ‘dark ages’ and the medieval period.

While historical fiction is his passion, he alsoenjoy writing comedy and sci-fi too. Perhaps one day he’ll find a way to combine all three!

Gordon Doherty on social media: websiteFacebook; Twitter.


My books

Heroines of the Medieval World tells the stories of women, famous, infamous and unknown, who shaped the course of medieval history. It is available in hardback in the UK from both Amberley Publishing and Amazon UK. It is now available in Hardback from Amazon US  and worldwide from Book Depository.

From Emma of Normandy, wife of both King Cnut and Aethelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Silk and the Sword: the Women of the Norman Conquest will be released in the UK on 15 November 2018 and is available for pre-order on Amazon UKAmberley Publishing and Book Depository.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.


©2018 Sharon Bennett Connolly