Book Corner: The Six Wives and Many Mistresses of Henry VIII by Amy Licence

For a King renowned for his love life, Henry VIII has traditionally been depicted as something of a prude, but the story may have been different for the women who shared his bed. How did they take the leap from courtier to lover, to wife? What was Henry really like as a lover? Henry’s women were uniquely placed to experience the tension between his chivalric ideals and the lusts of the handsome, tall, athletic king; his first marriage, to Catherine of Aragon, was on one level a fairy-tale romance, but his affairs with Anne Stafford, Elizabeth Carew and Jane Popincourt undermined it early on. Later, his more established mistresses, Bessie Blount and Mary Boleyn, risked their good names by bearing him illegitimate children. Typical of his time, Henry did not see that casual liaisons might threaten his marriage, until he met the one woman who held him at arm’s length. The arrival of Anne Boleyn changed everything. Her seductive eyes helped rewrite history. After their passionate marriage turned sour, the king rapidly remarried to Jane Seymour. Henry was a man of great appetites, ready to move heaven and earth for a woman he desired; Licence readdresses the experiences of his wives and mistresses in this frank, modern take on the affairs of his heart. What was it really like to be Mrs Henry VIII?

I love the writing style of Amy Licence, she makes history enjoyable and accessible; so much so that when The Six Wives and Many Mistresses of Henry VIII dropped on my doormat I put down what I was reading and jump straight in. And I was not disappointed. A thoroughly fun and entertaining read, this is a book that examines every aspect of Henry VIII’s love life, with particular focus on the women, rather than the king.

No stone remains unturned in Amy Licence’s hunt for the women in Henry’s life. Each rumour is examined in great detail, with comprehensive arguments for or against their actual relationship with Henry. As you would expect, Anne Boleyn and Catherine of Aragon, and the other 4 wives, all find their place within the pages of this book. Bessie Blount and Mary  Boleyn are also discussed in detail. Amy Licence does not judge, she tells their stories, the highs and lows, with great sympathy and compassion. The Six Wives and Many Mistresses of Henry VIII also brings to the fore the less well-known women who have been linked to this most controversial of kings. Etiennette de la Baume, Jane Popincourt and several other, even more obscure, women have their relationships with Henry examined.

Investigations are also made into the claims of the illegitimate children, not only those of the children of Mary Boleyn, but also those less well-known, such as Thomas Stukley and John Perrot. Amy Licence expertly investigates their claims and convincingly argues the truth – or not – of their parentage.

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The watchwords for Mary’s relationship with the king were secrecy and discretion. Yet history has tarnished her with scandal and rumour, insults and aspersions, leaving her with a reputation worthiest of the greatest whore at Henry’s court. Just like so many of the facts of Mary’s life, her real personality and appearance elude us. Historians and novelists have deduced various things from the known dates of her service in France, particularly her comparative lack of education and the circumstances of her marriage, yet these have often raised more questions than they have answered. Mary is illuminated in history by the light that fell upon her sister and she has suffered from the comparison ever since. Sadly her light will always be dimmer, her biography more nebulous.

Amy Licence has a reputation as an excellent researcher and writer, she shines a light into the deepest, darkest corners of the Tudors and, indeed, history itself. In  The Six Wives and Many Mistresses of Henry VIII she brings women into the limelight whose fifteen minutes of fame have long since been extinguished. And that is what is truly amazing about this book, not only are the famous and infamous discussed, but the author also highlights those women who have become footnotes in Henry’s life. Every woman who has been linked to Henry, before and after his death, is examined, as is the veracity of their interractions with the king. She tells their stories, examines their relationship with Henry, the rumours and the truth to them.

Through looking into the women involved, Amy Licence also paints a picture of Henry that is rarely seen; Henry the man and lover, rather than Henry the king. Her diligent research and well-thought out arguments demonstrate Henry’s continual search, not only  for an heir, but for love itself. We discover a complex man, a king who can have whatever he wants in material possessions, but who is continually searching for the immaterial, a son and true love.

The text is supported by over 30 gorgeous, colourful images, photographs and reproductions of paintings which help give the reader an impression of the life and times in which Henry VIII, and the women associated with him, lived. Written in a relaxed narrative, the book is as easy to read as any novel, and as exciting as enjoyable as the best of them. Accessible, engaging and brimming with original research, it would be difficult for anyone to not learn something new when reading this wonderful book.

The Six Wives and Many Mistresses of Henry VIII is a wonderful, exquisitely written investigation into the lives of the women in Henry VIII’s life.

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Amy Licence has been a teacher for over a decade. She has an MA in Medieval and Tudor Studies and has published several scholarly articles on the Tudors. She is an author and historian of women’s lives in the medieval and Tudor period.

The Six Wives and Many Mistresses of Henry VIII is available on Amazon in the UK and in the US.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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©2017 Sharon Bennett Connolly

Book Corner: A Guest Post from Amy Licence

indexToday, it is my pleasure to welcome Amy Licence on the final leg of her Blog Tour. A few weeks ago, I had the pleasure of reviewing Amy’s latest book, Catherine of Aragon, an Intimate Life of Henry VIII’s True Wife and today she is back with an extract from this fabulous look into the life and struggles of Henry VIII’s first queen.

This extract is taken from the end of 1529, just before the Reformation parliament meet, illustrating how the marriage was under tension but Catherine was still fighting back.

Catherine was permitted to return for the Christmas season, which was traditionally presided over by the King and Queen together. And Henry was not quite ready to dispense with traditions, either religious or marital; he would need a couple more years for that. Hall related that the season was observed “in great triumph… with great plenty of viands and diverse disguisings and interludes, to the great rejoicing of his people” but it was definitely not a triumph for Catherine. To observers, it seemed that Henry was being pleasant to Catherine, showing his wife “more consideration than was his wont,” and with Anne not making an appearance. However, all was less than harmonious behind the scenes. On Christmas Eve, after her return, Henry had told Catherine that even if the Pope declared their marriage lawful, he still intended to divorce her and he would get his way, as the Church of Canterbury was more important than Rome and he would declare the Pope a heretic. Something must have broken in Catherine to hear this. She had, related Chapuys “lost all hope of bringing him to a sense of right and duty” never could think that her affairs would fall so low as they are at present. She always fancied that the King, after pursuing his course for some time, would turn away, and yielding to his conscience, would change his purpose as he had done at other times, and return to reason.” She had been wrong.

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Portrait of Catherine of Aragon by Michel Sittow

Yet the Queen had also been working behind the scenes. She might have been down but Catherine was nothing if not an indefatigable fighter, so she was not yet out. In the knowledge that Henry was hoping for the French and Italian universities to confirm his view of his marriage, Catherine set out to counter his efforts. She was more than a match for him intellectually and in terms of character, but in her present restricted circumstances, there was little she could do, being excluded from the political process as the Reformation Parliament met for the first time. Appealing to the universities was something positive that she hoped might influence the Council. The same Edward Lee, Henry’s almoner, had informed the king that nobody in Spain apart from the Emperor, “cared a straw” whether or not the marriage was dissolved, so Catherine asked Charles to ask the Spanish Universities to write in her defence, along with her niece, Empress Isabella. She hoped that if the Archbishop of Toledo could gather their responses, “her case might be considerably improved.” She also wrote to Margaret of Savoy with the same request, and “wherever else it may be considered expedient” as it was the only thing now she thought might “stop the King in his course.”

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Woodcut of Henry and Catherine’s joint coronation

Catherine feared that her husband was “so blind as passionate in these matters, that it is much to be feared that one of these days he will take steps which may perhaps induce his people and the Commons… to consent to the divorce.” She begged Henry for permission to consult her Council of advisers, and was granted permission for them to attend her at Richmond. However, this kindness may have only been conferred “in order to discover whether she had received a recent dispatch from Rome.” In fact, Henry’s new Parliament would not yet discuss Catherine and her marriage in its coming session, instead they were setting about the process of undermining the ties that bound England to Rome.

I would like to congratulate Amy on a fabulous Blog Tour, and thank her for asking History…the Interesting Bits to be a part of it. You can find out more about Amy Licence on her website, and this amazing, definitive, biography of Catherine of Aragon is available from Amazon.

If you’d like to catch up with the previous stops on Amy’s Blog Tour, simply click on the day: Monday; Tuesday; Wednesday; Thursday.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

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Pictures courtesy of Amy Licence

©Sharon Bennett Connolly 2016 & Amy Licence 2016

Book Corner: Catherine of Aragon by Amy Licence

indexCatherine of Aragon continues to fascinate readers 500 years after she became Henry VIII’s first queen. Her life was one of passion and determination, of suffering and hope, but ultimately it is a tragic love story, as circumstances conspired against her. Having lost her first husband, Henry’s elder brother Prince Arthur, she endured years of ill health and penury, to make a dazzling second match in Henry VIII. There is no doubt that she was Henry’s true love, compatible with him in every respect and, for years, she presided over a majestic court as the personification of his ideal woman.

However, Catherine’s body failed her in an age when fertility was a prerequisite of political stability. When it became clear that she could no longer bear children, the king’s attention turned elsewhere, and his once chivalric devotion became resentment. Catherine’s final years were spent in lonely isolation but she never gave up her vision: she was devoted to her faith, her husband and to England, to the extent that she was prepared to be martyred for them. Banished and close to death, she wrote a final letter to her ‘most dear lord and husband’. ‘I pardon you everything… mine eyes desire you above all things.’ The fidelity of this remarkable woman never wavered.

Catherine of Aragon, an Intimate Life of Henry VIII’s True Wife by Amy Licence is one of those incredible books that you can’t get away from. Days after you’ve finished it, your mind is still pondering the twists and turns in the incredible story that has unfolded before you. And yet, this is not a gripping novel, it’s a biography … a real-life story of one of England’s most famous queens, told in an expert, accessible fashion by one of today’s most prominent historians of women’s history.

330px-juan_de_flandes_002The level of detail in this book is incredible, Amy Licence has looked into every corner of Catherine’s life-story. It paints a wonderful, vivid picture of the life of a Renaissance princess. From even before her earliest years, the author charts Catherine’s life in its entirety, giving us a complete picture of the world that surrounded the young princess from the moment she was born to the moment of her death.

Plans for Catherine’s marriage started early. As far back as the spring of 1489, Ferdinand and Isabella had received a delegation sent by Henry VII of England, seeking her as a bride for his son. That March the royal family were at the castle of Medina del Campo, a blockish red medieval fortress situated on a mound dominating the town, to hear the culmination of a year’s worth of offers and promises, conditions and stipulations, about the futures of two small children. Catherine was then three years old, a small sturdy princess with auburn hair … Her prospective husband was barely out of the cradle. Henry VII’s eldest son Arthur, was the first-born child of a new dynasty, and nine months Catherine’s junior …

Not only does the author retell the events of the life of Catherine of Aragon, chronologically, but she also highlights the influences that affected her decisions and actions throughout that life. From her parents and the reconquest of Spain, through her marriage to Arthur and the lonely years following Arthur’s death, we see the events that influenced and shaped Catherine’s life as Queen of England and wife of Henry VIII.

Catherine of Aragon, an Intimate Life of Henry VIII’s True Wife discusses the personalities and character of those who had a major effect on Catherine’s life, giving us an unprecedented, detailed view of those who surrounded her at various stages in her career as princess and queen. Catherine’s marriage to Prince Arthur is thoroughly examined, giving an insight into the relationship of this young couple, a relationship that would eventually change the course of English history. We see the good and bad of the men who were to decide Catherine’s fate, in her father, Ferdinand, and father-in-law, Henry VII, and learn of Catherine’s struggles to stay positive in the face of the two kings trying to get the best deal for themselves in Catherine’s marriage. And we see an intriguing biography of Henry VIII as he grows from being Catherine’s saviour and a magnificent Renaissance prince, to being her jailer and tormentor.

330px-catherine_aragonAmy Licence places Catherine’s life firmly within the Europe of the time, displaying a brilliant understanding of the Reformation, and its progress from central Europe to Henry’s court. Moreover, despite the eventual failure of the marriage, Amy Licence paints a glittering picture of the court of Henry and Catherine at its height, when this young, formidable couple were the superstars of Europe.

The most revealing part of the book is in the character of Catherine herself. The author has researched every aspect of Catherine’s life and personality, providing a portrait of a formidable woman navigating her way through a male-dominated world while trying to hold true to her deeply ingrained Catholic principles. And with this comes the realisation that it must have taken an inordinate amount of personal courage to face down Henry and his demands, and the overriding fear for her own personal safety.

Of course, the latter part of the book focuses on the divorce. I am no great fan of Catherine of Aragon and have often wondered at her stubbornness and why she was so unmovable in the face of Henry’s desperate need for an heir. Amy Licence explains Catherine’s viewpoint with absolute clarity; the reasons she stuck to her guns at the risk of her own safety and that of her daughter. The author’s theories and arguments are well though-out and incisive, giving an unprecedented insight into  the mind of this amazing queen and evoking empathy in the least sympathetic of readers, I’m sure.

I have no doubt that Catherine of Aragon, an Intimate Life of Henry VIII’s True Wife will be seen as the definitive biography of Catherine of Aragon. It is an impressive, essential complement to any Tudor library.

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10384680_10153841333263942_6977345604197683474_nAmy Licence has been a teacher for over a decade. She has an MA in Medieval and Tudor Studies and has published several scholarly articles on the Tudors. She is an author and historian of women’s lives in the medieval and Tudor period.

Catherine of Aragon, an Intimate Life of Henry VIII’s True Wife is available on Amazon in the UK from 15th October and in the US from 14th March 2017.

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©2016 Sharon Bennett Connolly.

My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

Book Corner – Red Roses by Amy Licence

51V9Q+iXiyLRed Roses: From Blanche of Gaunt to Margaret Beaufort traces the story of the women of the House of Lancaster, from the children borne by Blanche, wife of John of Gaunt, in the fourteenth century, through the turbulent fifteenth century to the advent of Margaret Beaufort’s son in 1485 and the establishment of the Tudor dynasty. From the secret liaisons of Katherine Swynford and Catherine of Valois to the love lives of Mary de Bohun and Jacquetta of Luxembourg, to the queenship of Joan of Navarre and Margaret of Anjou, this book explores their experiences as women. What bound them to their cause? What real influence did they wield?

With this book, historian Amy Licence has excelled herself. Red Roses is a thorough and  comprehensive examination of the lives of the women of the House of Lancaster, from its inception with the marriage of Blanche of Lancaster and John of Gaunt to its crowning glory, with the regency of Margaret Beaufort for her 17-year-old grandson, Henry VIII.

I have waited eagerly for this book, bringing together all the Lancastrian ladies in one volume was an incredible undertaking and has been achieved with great skill and tact. As I have researched several of these ladies myself over the last year I was keen to see if Amy Licence’s own opinions and theories differed greatly from my own. (And I was happy to see I hadn’t made any glaring errors in my own assessments).

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The birth of the Lancastrian dynasty: the marriage of Blanche of Lancaster and John of Gaunt

I was amazed at the detailed research involved in creating this book, and the little extra snippets of information which the author has found, but which had eluded earlier historians. There are several new pieces of information brought to light, which were previously unknown – and I will have to edit some of my own articles, including those on Blanche and Katherine Swynford in light of this new information.

This meticulously research is presented in a largely chronological format, detailing not only the lives of John of Gaunt’s 3 wives and of the major Lancastrian wives who came after, but also of women with less  obvious Lancastrian links, such as Joan Beaufort, queen of James I.

The author takes care to bring to light the struggles of some and the near obscurity of others; demonstrating how some women became the centre of attention, stepping into the limelight, while others remained influential only in the family sphere, bringing into the world the next generation of the dynasty – or dying in the attempt. She considers how some were bargaining tools in international diplomacy, while others were tainted by scandal, how some were countesses while others were queens; but they were all great and interesting ladies worthy of our attention.

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Margaret Beaufort

Amy Licence emphasises the deep sense of family and duty each woman felt towards the Lancastrian dynasty. She skilfully highlights the changes in the actions and responsibilities of the women over time; clearly demonstrating the differences in expectations from the marriage of Blanche of Lancaster to the marriages of Margaret Beaufort.

Ms Licence’s passionate narrative builds on the lives of these women, demonstrating how events impacted on them, and how they influenced those around them, not only in their close family spheres, but also on the international stage. The work analyses the effects on the fortunes of the dynasty and the lives of the women, caused by plague, war and political machinations and discusses the vulnerabilities and risks of being a woman in the later middle ages; from childbirth to accusations of witchcraft.

It appears that the ideal Lancastrian woman of the fourteenth century was essentially well bred and beautiful, an adored wife and mother, pious and dignified, devoted and loyal to the dynasty’s cause. Yet, as the fifteenth century advanced, women marrying Lancastrian husbands increasingly began to step outside this role, to challenge it and redefine concepts of femininity and rule…..

A great strength of the book, which spans a 150-year time period, is the way in which the author successfully maintains, throughout, the links between the various eras in which these women lived. She displays a deep understanding of how traditions and perceptions will have changed over time during the period under investigation. After all, how much has life changed for us since 1866?

The text provides thorough analysis of primary and secondary sources, and even includes assessments of popular fiction classics and arguments put forward by contemporary historians. These assessments are fair, persuasive counter-arguments professed with demonstrative respect for the authors in question. In the end, however, Ms Licence presents her own findings in a clear, convincing manner.

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Margaret of Anjou, the last Lancastrian queen

The only minor bug-bear I have with the book is the title. Blanche of Lancaster was never actually known as Blanche of Gaunt, but I guess it will make the book appear to a wider audience; as so many more people have heard of John of Gaunt than have heard of Blanche.

I love the way Amy Licence clearly explains the relationships between the disparate Lancastrian women, whether it is familial, chronological, or by experience. For example, Katherine Swynford is discussed not only in respect of her relationship with John of Gaunt, but also as governess to his children, companion to his daughter-in-law and as matriarch of the extended Lancastrian family.

This is a comprehensive and thorough analysis of the lives of the Lancastrian women, told in an engaging and entertaining manner. Amy Licence tells the story, not only of the individual women, but also of a dynasty; and how that dynasty was held together by the wives and mothers essential to its survival, continued existence and eventual success. She also takes care to demonstrate how responsibilities and perceptions changed through time, affected by events and changing circumstances.

I have to recommend Red Roses as a thoroughly enjoyable read. The author engages with the reader from the outset, drawing you in to the lives of these varied and remarkable women, demonstrating how they all fit together in the story of the House of Lancaster, like the individual pieces of a jigsaw.

In short, this is a wonderful book, telling the story of a dynasty and, in my opinion, Amy Licence’s best yet.

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10384680_10153841333263942_6977345604197683474_nAmy Licence has been a teacher for over a decade. She has an MA in Medieval and Tudor Studies and has published several scholarly articles on the Tudors. She is an author and historian of women’s lives in the medieval and Tudor period.

Red Roses: From Blanche of Gaunt to Margaret Beaufort is available on Amazon in the UK from Monday 7th March and in the US from Monday 15th March 2016.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

©2016 Sharon BennettConnolly

Book Corner: Interview with historian Amy Licence

51T3oNzwxuLThis week I have had the good fortune to review a wonderful new joint biography of Edward IV and Elizabeth Woodville by author and historian Amy Licence.

Amy was also kind enough to answer a few questions for me; about her love of writing and history.

What made you become a writer?
I’ve always been a writer, since I could write, since I could formulate a narrative. I wrote my first story when I was three and I decided that was what I wanted to do when I was eight years old – that was after I rejected the possibility of being a ballerina, an actor, an architect and an interior designer. I sent off my first novel at sixteen – it was rejected, of course! Since then I’ve always written, it was just something I had to do, I don’t feel right it I’m not writing: if I’m breathing, I’m writing. Words – their meaning and rhythm – are how I make sense of the world. I kept doing it all through university, and while I was a teacher, having articles, poems and stories published, but it wasn’t until 2011 that I finally signed a contract!

With young children around, how do you discipline yourself to write?
Luckily for me, it’s not a question of having to discipline myself. Writing is my escape and my relaxation; I feel most myself when I’m writing, so it’s essential for me to do it. Finding the time can be difficult though, so I write by stealth, whenever and wherever I can. It’s not too hard because I love it; I always have a book in my hand to research from or a notebook to jot ideas in. My hands will be changing a nappy while my head is in the fifteenth century. I have to be very organised to divide my time between my children and my work so I choose how I spend my time and try not to waste it. I don’t watch a lot of TV, for example. I have to be able to switch in and out of it quickly, as I’ll be writing and then a plaintive voice will ask for a drink, or for a story to be read, so I’m off for ten minutes then back to finish my thought.

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Amy Licence

How do you organise your writing day?
Usually it fits around the school day, so it’s balanced between getting my eldest son ready and out on time and playing with my younger one. I manage to do my best work in the morning once I get back, between about 9 and 11, often with my younger boy sitting beside me, drawing or playing. We’ll have lunch together and play in the afternoon. The boys will happily play together for about an hour when we get in from the school run so I sometimes manage another hour then. I’ll try and do some more in the evening too, or at least sit with my family if they’re watching TV with a pile of books and do some research. We try and spend as much time together as we can on the weekend but if I have a deadline looming, my husband will take the boys out for a morning.

How many projects do you have going at once, or do you concentrate on one at a time?
It depends upon my deadlines. I usually have four or five ideas for different things running in my head and work on them at different speeds. Typically, I might have one main book to be written, which I’m preparing for a deadline, and a second in the planning and research stage, plus a couple of novels I’m tinkering with and a number of articles and/or reviews. Each has a different speed. I have two reading piles too; one with books for my writing, which I’m dipping in and out of, and another for escapism reading. I like to have four or five books on the go that are totally different to what I’m writing about – the Post-Impressionists, Ted Hughes, D.H Lawrence and Tolstoy at the moment.

How long do you spend researching your subject before you start writing?
This is an odd one because it has been a slow-burning process. I’m not coming to any of my topics new, so although I’m writing about them now, I’ve been reading about them for 25 years. By the time I was 15 I’d read all the books in my local library about the Tudors and I completed my MA in Medieval and Tudor history in 1995. Since then I’ve been reading everything new about them I can get my hands on. So the general research has been on-going. With each book though, I do more specific “honing” research, which is the trawling through primary sources and that can take between 6 and 9 months.

What do you enjoy most about writing as a career?
I actually enjoy the process of writing! It’s lovely when a book comes out and the reviews start to come in; it’s great to see my name on Amazon and it’s a real buzz to give author talks to people who are interested in my work. Best of all though, is just me sitting down at the computer and writing. It takes me to another place.

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The family of Henry VIII

What is the worst thing about writing as a career?
That it’s not a viable career. I work long hours, very hard, building on years of perseverance and dedication, overcoming rejections and I get paid less than if I was working in a supermarket stacking shelves.

How long does it take to do a project from start to finish?
Again this can vary, given that the ideas have been brewing for a long time, but the period from signing a contract to submitting the book is usually about a year, sometimes more.

Have you ever considered writing a novel? What would it be about?
Novel writing was my first love. I worked for ten years with a top literary agent and submitted about five novels to them; they loved them and said my writing was beautiful but that the market wasn’t quite right for them. I like to write literary fiction; my heroes are Woolf, Dostoevsky, Gorky and Nabokov but the current market isn’t particularly welcoming for new authors in this style. I have written historical fiction too; while I was at university I wrote a novel about the death of Amy Dudley and more recently, one about a teeth stealer on the battlefield of Waterloo, plus I’m half way through one about Edward IV. It’s just finding the time to finish it!

Who are your favourite personalities from history?
Quite honestly, I get interested in most characters I research. I don’t go for particular sides or affiliations, but I am drawn to people who challenged or defied the rules in some way, either breaking the law or transgressing social boundaries. I’m interested in people’s motivation under duress and the people who really carved out their own niches and made their own luck so I am fascinated by the lives of Edward IV and Richard III.

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Choosing the Red and White Roses

Which is your favourite and why, the Wars of the Roses or the Tudor era?
I like both very much, I like the century straddling the two, from about 1450 to 1550. I think we tend to perpetuate something of an artificial divide between them and I’ve just submitted a book proposal that covers exactly this period, both Wars of the Roses and Tudors and looks at the continuity. If I had to choose between one or the other, I’d probably go for the court of Edward IV, simply because the Tudors have already received so much attention.

Why Edward IV and Elizabeth? What is it about them that fascinates you?
I think there are so many interesting things about this pair, individually and collectively. The more I research Edward, the more of an interesting figure I find him, in terms of his personal rule, charisma and abilities: he was a supremely able man who conquered the country twice and held it together by force of his personality. I really think he has been overlooked by history. His marriage to Elizabeth and their relationship intrigues me too. I also feel that she has had a very raw deal from historians, almost written up as a caricature, typifying the notions of patriarchal history and “cherchez la femme”, and she deserves to be analysed far more objectively. Despite the initial objections to her background, birth, age and marital history, Elizabeth can be seen as conforming to contemporary notions of ideal queenship; beautiful, fertile, submissive. She is a paradox who has divided historians for centuries, but much of that is the repetition of a patriarchal mind-set that has remained unchallenged until recently.

What era that you haven’t yet written about would you like to get your teeth into?
Good question. Definitely the English Civil War and its aftermath; I’d love to do something on the failed experiment of the radical sects in the C17th, or on Charles and Cromwell, or the period slightly before. I’d also quite like to write about Eleanor of Aquitaine and I’m very keen to do another early C20th book, about some of the makers of Modernism. I have plans in the pipeline for that last one.

51V9Q+iXiyLA lot of your work has been about women in history. What attracted you to their stories?
I wrote my first published book, In Bed with the Tudors, because I’d just had my first child. I was interested to explore the experiences of women during pregnancy and birth in the past, so I suppose it does have a lot to do with the fact that I am a woman. However, I’m also drawn to write about marginal figures whose stories have been overlooked and I’m fascinated by alternative narratives. In my forthcoming “Red Roses” (The History Press, March 2016) I trace an alternative thread to the male metanarrative that has dominated historiography, connecting the women of the Lancastrian dynasty between the 1340s and 1509 and seeking common themes in their lives. The study of women’s history is comparatively new and it’s shocking how often their lives are simply retold in the same ways, without attempts being made to get inside their heads and see things from their perspectives.

Do you every get writer’s block? If so, how do you get round it?
I don’t believe in writer’s block. If you’re a serious writer, you have to be professional about it and just get on with it. There is always something to be done, even if it turns out not to be perfect. If you’re finding one section difficult, write another part, or go back and revise. If writing is tricky that day, research, read, make notes, collect images or jot down some ideas. You can always go back and change them, or reject them entirely, but it’s a process of crafting and clarification, so the next time you attempt that bit, it will be that little bit better. If you produce nothing, you have nothing to work with, you’re still at step one. My mantras are: “the worst thing you write is always better than the best thing you don’t write” and “the only way to do it, is to do it!”

Do you find social media – such as Facebook – a help or a distraction?
Both. It has been invaluable for connecting me with wonderful, like-minded people from all round the world. I thank them profusely for their friendship and kindness, for sharing their thoughts and research; I’ve made some great friends on Facebook who have inspired and influenced me and kept me sane. It is also my shop-front and without question, has helped me reach a far wider audience and update people about my work and appearances. However, it can be a huge time waster. Sometimes, especially with deadlines looming, I have to step back from it, or else I would get nothing done.

330px-Catherine_aragon
Catherine of Aragon

What is your next project?
I’ve signed three contracts and am about to sign one more, to keep me busy for the next couple of years. I will keep some of those projects secret for a while, but can tell you I’ve begun writing a huge biography of Catherine of Aragon. Catherine tends to get often in terms of her gynecological record and marriage to Henry but I want to analyse her as a queen in the context of her childhood and parentage. I want to explore the influence of her mother Isabella – who expelled the Jews from Spain and founded the secular branch of the Inquisition, as well as patronising female humanist scholars – and how this shaped the mind-set of a woman who never forgot she was Isabella’s daughter and resisted Henry’s demands because she felt the higher calling of God. I want to see Catherine as a Renaissance woman in her own right. Henry is definitely taking a back seat for this one.

I’d like to extend a huge thank you to Amy Licence for answering all my questions and giving us an insight into her writing life. Edward IV & Elizabeth Woodville: A True Romance is available from Monday 15th February in the Uk and Red Roses: From Blanche of Gaunt to Margaret Beaufort is set for release in early March.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

Book Corner: Edward IV and Elizabeth Woodville: A True Romance by Amy Licence

51T3oNzwxuLTraditionally it happened on May Day, early in the morning … two women slipped away from the manor house … They were a mother and daughter … They hurried on foot across the Wydeville land, towards the edge of the estate …. There stood a small priory or hermitage, dedicated to St Mary and St Michael … Waiting inside was a tall, athletic and distinguished young man in rich clothes, a priest and a choir boy and two gentlewomen, to act as witnesses. There, before this tiny group, Elizabeth Wydeville was married without pomp or ceremony to the King of England.”

It is the stuff legends are made of – and fairy tales. The story of how a penniless widow rose to become the Queen of England. After examining the lives of many of the characters of the Wars of the Roses and the Tudor period, author and historian Amy Licence has turned her attention to the greatest love story of Medieval England; Edward IV and Elizabeth Woodville, a true Cinderella story if ever there was one.

Amy Licence’s latest book, Edward IV and Elizabeth Woodville: A True Romance, is remarkable in that it is not a fairy tale, it’s not a historical fiction novel. It is the true story of how Edward IV came to be married to a mere ‘commoner’. In a wonderfully lively retelling of the lives of Edward IV and his queen, Ms Licence leaves no stone unturned. She tells the story from the beginning in a fascinating and engaging narrative of the lives of her main characters, and the lives of those around them.

255px-Edward_IV_PlantagenetEdward has become the ghost of a king, a historical filler before Richard III assumed the throne, a bit-player in Shakespeare’s trilogy about Henry VI, the father of the Princes in the Tower, the husband of the White Queen. Edward has become one of our many ‘missing kings’.”

Amy Licence goes into great detail about Edward’s love life and relationships, examining all the accusations ever levelled against him. Her love of her subjects shines through. The book provides a thorough analysis, whilst being lively and enthralling.

A True Romance” is a marvelous piece of research presented in such a manner that will have the novice and the expert glued to every page. The controversies surrounding the couple are discussed in detail: their secret marriage, Edward’s reputation, Elizabeth’s social status.

This romance is presented in the context of the period in which it happened. The author gives a comprehensive overview of the Wars of the Roses, and the characters involved, detailing the lives of the individuals close to Edward and Elizabeth, and the separate lives of the couple themselves before they come together. Their relationship is not only presented as a love story, but also in the context of the period in which they were living, demonstrating how big an upset it caused on the international stage.

330px-ElizabethWoodville… Elizabeth Wydeville, an unlikely queen, whom he had chosen in spite of tradition, in spite of advice, perhaps even in spite of himself. Her beauty was legendary but on almost every other level, she was an unacceptable choice for an English queen.

In this book Ms Licence demonstrates not only her extensive knowledge of the events of the era, but of all aspects of the period; from May Day traditions to the Sumptuary Laws, to the people themselves.

Amy Licence’s writing style is so easy to read and free-flowing, it is as if she is in the room talking to you. She brings the past to life in a vivid and entertaining way. Crammed full of facts and information taken from primary sources, the book tells the story not only of Edward and Elizabeth, but also of their wider family and affinity, demonstrating how the lives of their friends and family are interlinked and how it influences the couple, their decisions and the world around them.

The book discusses all aspects of the evidence available. This is presented in an objective and fair way; from the chronicles of the time, to literary representations and even rumours and archaeological evidence. The reliability and veracity of the evidence is explained and thoroughly analysed in detail, leaving the reader nodding in agreement at the author’s conclusions; her arguments are thorough and persuasive.

A major strength in Ms Licence’s work is that she shows respect when discussing the theories of fellow historians; whether she agrees with them or not.

EdwardIVThis biography of Edward IV and Elizabeth Woodville leaves no stone unturned. Amy Licence discusses every legend related to the couple, explores the development of their relationship and its effects on the lives of the couple, their families and the nation at large. Every aspect of their lives is discussed, leaving no situation unexamined and no rumour ignored.

Amy Licence presents a marriage and relationship that is as human and complex as any celebrity marriage of today. This is a wonderful study of one of the most famous love affairs in history in a book which is at once sympathetic, vivid and lively.

In short, this book is a fabulous biography of a romance that changed English history a forever. Thoroughly researched and stunningly presented, it is a must-read for all lovers of history, romance and the Wars of the Roses, themselves.

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51T3oNzwxuL._AA160_Amy Licence has been a teacher for over a decade. She has an MA in Medieval and Tudor Studies and has published several scholarly articles on the Tudors. She is an author and historian of women’s lives in the medieval and Tudor period.

Edward IV & Elizabeth Woodville: A True Romance is available on Amazon in the UK from Monday 15th February and in the US soon.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

©2016 Sharon Bennett Connolly