Sybilla of Normandy, Queen of Scots

History ... the Interesting Bits
Alexander I, King of Scots

Alexander I was the second-to-youngest son of Malcolm III Canmore and his sainted wife Margaret of Wessex. Born around 1077 or 1078, he was thirty-or-so when he ascended the throne in 1107, ‘as the King Henry granted him.’1 Like his brother Edgar before him, Alexander succeeded to the throne as a vassal of the English crown. He had probably spent the years between his father’s death and Edgar’s accession in exile in England, with Edgar and their younger brother, David. John of Fordun provides a largely flattering assessment of Alexander I as king:

‘Now the king was a lettered and godly man ; very humble and amiable towards the clerics and regulars, but terrible beyond measure to the rest of his subjects; a man of large heart, exerting himself in all things beyond his strength. He was most zealous in building churches, in searching for relics of saints, in providing and arranging priestly vestments and sacred books; most open-handed, even beyond his means, to all newcomers; and so devoted to the poor, that he seemed to delight in nothing so much as in supporting them, washing, nourishing, and clothing them.’2

One of the primary duties of a king is to marry and produce heirs; at least one son, preferably two – the heir and the spare. This guarantees the succession and offers stability to a country. Even daughters were useful to a king, their marriages cementing alliances with friends and enemies alike. Alexander I was married shortly after his accession to the throne. His bride was offered to him by his brother-in-law, King Henry I of England. She was Sybilla, also known as Sybilla of Normandy, one of the King of England’s many illegitimate offspring.

History ... the Interesting Bits
Henry I, Lincoln Cathedral

King Henry had more than twenty illegitimate children and as many as five were by the same mother, his mistress, or concubine, Sybilla Corbet. Orderic Vitalis refers to Sybilla of Normandy as ‘the daughter of King Henry by a concubine’.3 It is highly likely that Sybilla Corbet was Sybilla’s mother, one indication being their shared Christian name. She was the daughter of a Shropshire landowner named Robert Corbet. Her children with the king included Reginald, Earl of Cornwall, and a young man named William, who was described as the queen’s brother when he accompanied the younger Sybilla to Scotland. Sybilla Corbet is also reputed to have been the mother of Robert, Earl of Gloucester, Henry I’s oldest son and the stalwart supporter of his legitimate sister, Empress Matilda, during the Anarchy. After the end of her relationship with the king, Sybilla Corbet would go on to marry Herbert FitzHerbert, who held lands in Yorkshire and Gloucestershire, and have a further five children.

The date of Alexander’s marriage to Sybilla is unknown, though it is thought to have been shortly after his accession to the throne, possibly in 1107 or 1108, and before his involvement in the English campaign in Wales in 1114. It was in a charter dated to 1114 or 1115 that Alexander and Sybilla jointly refounded Scone Abbey, whereby they are referred to as ‘Alexander … King of Scots, son of King Malcolm and Queen Margaret and … Sybilla, Queen of Scots, daughter of King Henry of England.’4

Another unknown is Sybilla’s age at the time of her marriage as her birth was unrecorded. Alexander was in his 30s, while most historians agree that it is likely that Sybilla was born in the mid-to-late 1090s and probably in her mid-teens. Although born out of wedlock, as the acknowledged daughter of King Henry I of England, Sybilla was considered a suitable wife for King Alexander. Henry I’s illegitimate daughters played an important role in his foreign and domestic policies; no fewer than ten of them were married into the upper classes of the Norman-French nobility to cement political alliances. Sybilla’s illegitimate status was of less significance than the fact her father was the King of England.

History ... the Interesting Bits
Matilda of Scotland, Queen of England

The marriage was intended to bind Alexander even closer to England and to King Henry personally, who was already his brother-in-law, having married Alexander’s sister, Matilda of Scotland, shortly after becoming king. The union was also aimed at securing peace along the Anglo-Scottish border. In his chronicle, William of Malmesbury recorded the marriage, though did not name Sybilla and added ‘there was … some defect about the lady either in correctness of manners or elegance of person.’5 Malmesbury stated that Alexander ‘did not sigh much when she died before him, for the woman lacked, as is said, what was desired, either in modest manners, or in elegant body’.6 Unfortunately, William of Malmesbury does not elaborate further on this defect, nor on the reasons behind such an unflattering description of the Scottish queen. No other chronicler mentions any flaws in the queen. It is possible that Malmesbury was playing down the queen’s attributes, and the impact of her death on the king, in order to find favour with her brother-in-law David, Alexander I’s younger brother and heir.

Some historians have interpreted the childless marriage as also being loveless, perhaps drawing on Malmesbury’s depiction of Sybilla, most actually agree that, although there were no children, it was a happy and loving marriage. With this distance of time, it would be difficult to be certain either way. However, despite the lack of an heir, Alexander did not repudiate his wife, though that could always be as a result of who her father was. Rosalind Marshal suggests that Alexander loved Sybilla, and mourned her deeply when she died, founding a church in her memory.

History ... the Interesting Bits
Arms of Scotland

Alexander and Sybilla’s court is said to have been one of splendour, with reference to Arab stallions and Turkish men-at-arms. They issued a number of charters together, including the one founding Scone Abbey, mentioned above. Scone was the ancient site for the installation and crowning of Scotland’s kings, it was the centre of royal power in Scotland. Sybilla’s inclusion in the foundation of the Augustinian priory there demonstrates how she had become an integral part of the Scottish ruling dynasty. She and Alexander also made a joint offering to the cathedral church of St Andrews.

Sybilla also made grants, as an ecclesiastical patron, in her own right. She granted the manor of Beath in Fife to Dunfermline Abbey, the monastery founded by her husband’s parents, Malcolm III and Queen Margaret, their final resting place. Sybilla attested one of the four surviving charters from Alexander I’s reign, demonstrating her presence at court and involvement in the affairs of state. Significantly, it may have been Sybilla who acted as peacemaker between the king and Eadmer, when he became Bishop of St Andrews. Due to the investiture controversy that was causing issues throughout Europe, with kings and bishops in disagreement over the validity of lay investiture, Eadmer accepted the ring of office from King Alexander, but not the staff. The staff had been placed on the altar at the cathedral of St Andrews and it seems likely that Sybilla was the one who broached the compromise whereby Eadmer would take the episcopal ring from the king, but the pastoral staff from the altar. When Eadmer arrived at the cathedral church of St Andrews to take up the pastoral staff, Queen Sybilla was there to greet him.

History ... the Interesting Bits
Saint Margaret, Queen of Scots

Queen Sybilla died suddenly on the Island of the Women at ‘Loch Tay, the cell of the canons of Scone’ on 12 or 13 July 1122 and was buried at Dunfermline Abbey. Afterwards, the king granted the island on Loch Tay, and its surrounding lands, to the canons at Scone, to pray for the soul of Queen Sybilla, and himself. Alexander did not remarry after Sybilla’s death, leaving the crown to his brother, David, on his own death in 1124.

Queen Sybilla has left little imprint on history, beyond her name as a witness on a surviving charter and the founding of Scone Abbey. That she did not bear children, and therefore an heir for Alexander I, means that she did not have living descendants to keep her memory alive and memorialise her life and deeds, as Queen Margaret had. Her significance is, perhaps, not in her impact on Scotland but rather the physical link that she represented between the kingdoms and dynasties of England and Scotland, and thus demonstrating Scottish acceptance of Norman rule in England.

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Notes:

1. Manuscript E, The Anglo-Saxon Chronicles, edited and translated by Michael Swanton, p. 241; 2. John of Fordun’s Chronicle of the Scottish nation, pp. 217-218; 3. ‘filiam Henrici regis Anglorun ex concubine’ Orderic Vitalis cited in Danna Messer, Medieval Monarchs, Female Illegitimacy and Modern Genealogical Matters: Part 1: Sybilla, Queen of Scotland, c. 1090-1122, fmg.ac; 4. ‘Alexander…rex Scottorum filius regis Malcolmi et regine Margerete et…Sibilla regina Scottorum filia Henrici regis Anglie’ Scone, 1, p. 1.  Quoted in fmg.ac/Projects/MedLands/SCOTLAND; 5. William of Malmesbury, 400, p. 349, quoted in fmg.ac/Projects/MedLands/SCOTLAND; 6. William of Malmesbury, quoted in Messer, Medieval Monarchs, Female Illegitimacy and Modern Genealogical Matters: Part 1: Sybilla, Queen of Scotland, c. 1090-1122

Images:

Courtesy of Wikipedia except Henry I which is ©2025 Sharon Bennett Connolly

Sources:

The Anglo-Saxon Chronicles, edited and translated by Michael Swanton; John of Fordun’s Chronicle of the Scottish nation; Danna Messer, Medieval Monarchs, Female Illegitimacy and Modern Genealogical Matters: Part 1: Sybilla, Queen of Scotland, c. 1090-1122; fmg.ac/Projects/MedLands/SCOTLAND; Jessica Nelson, Sybilla (d. 1122), queen of Scots and consort of Alexander I, Oxforddnb.com; Walter Bower, Scotichronicon; A.A.M. Duncan, Alexander I, Oxforddnb.com; Forester, The Chronicle of John Florence of Worcester with the two continuations; David Ross, Scotland, History of a Nation; Rosalind K. Marshall, Scottish Queens 1034-1714; Mike Ashley, A Brief History of British Kings & Queens; Richard Oram, editor, The Kings & Queens of Scotland

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Books by Sharon Bennett Connolly

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Books by Sharon Bennett Connolly

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Royal Historical Society

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

A Slice of Medieval

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. 

Every episode is also now available on YouTube.

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Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly

Bitter Enemies: The Empress and the Queen

Books by Sharon Bennett Connolly
Margaret of Wessex, Queen of Scots

The time commonly referred to as the Anarchy is one of the most violent and unstable periods of English history. Lasting almost the entirety of the reign of King Stephen, it truly was a Cousin’s War. The two main protagonists, King Stephen and Empress Matilda, were first cousins, both being grandchildren of William the Conqueror and his queen, Matilda of Flanders. What is perhaps less well known is that Empress Matilda was also first cousin to Stephen’s wife and queen, Matilda of Boulogne. The two Matilda’s were both granddaughters of Margaret of Wessex, Queen of Scots as the wife of Malcolm III Canmore. And later St Margaret. It is through Margaret that the namesake cousins could claim descent from Alfred the Great.

The origins to the Anarchy can be traced back to one dramatic and tragic event: the sinking of the White Ship in 1120. This saw the drowning of the only legitimate son and heir of King Henry I, William Ætheling (or Adelin). The young man was 17 years old at the time, recently married, and his father’s pride and joy. His death gave rise to a constitutional crisis which the widowed Henry I sought to resolve by his speedy marriage to the teenage Adeliza of Louvain, in the hope of begetting yet more sons. Although he was getting on in years at roughly fifty-two, and had only two legitimate children, his brood of more than twenty illegitimate, but acknowledged, offspring gave him cause for optimism.

However, as the years progressed and no children were born, Henry had to look to other ways of resolving the succession crisis. In the years since the death of his son, the king had taken his nephew Stephen of Blois under his wing, showering him with gifts and land, and arranging the young man’s marriage. Stephen was the son of Henry’s highly capable sister Adela of Normandy, Countess of Blois and Stephen, Count of Blois, who had been killed on Crusade. The younger Stephen was created Count of Mortain and married to Matilda of Boulogne, the only child and heiress of Eustace of Boulogne and Mary of Scotland. It is possible that Henry was showing Stephen such favouritism in anticipation of not producing an heir by his new wife and was grooming Stephen to succeed him.

Books by Sharon Bennett Connolly
Empress Matilda depicted in an image from the Gospels of Henry the Lion.

However, the death of his daughter’s husband, Emperor Henry V, in faraway Germany offered Henry an alternative to his nephew. Better still, here was an opportunity to put his own blood on the throne. Shortly after the German emperor’s death in 1125, Henry recalled Empress Matilda to England. She had been sent to Germany at the age of seven, to be raised at the court of the emperor in anticipation of their marriage when she came of age. Matilda had married Henry in 1114, a month before her twelfth birthday. Although she and Henry were married for eleven years, they remained childless. When Henry died in 1125, Henry I of England therefore saw an opportunity to resolve his succession problem by recalling Matilda and making her his heir.

There was one problem with this plan: Matilda was a woman. Henry knew his barons would not be happy with the idea of being ruled by a woman, but by a process of coercion and persuasion he managed to get all his barons to swear to accept her as their next monarch. Following Matilda’s arrival in England in 1126, Henry proceeded to extract oaths of allegiance to her from all the bishops and magnates present at his Christmas court. Notably, this included Stephen of Blois, Count of Mortain, King Henry’s nephew and the empress’s cousin. One of the concessions made to the barons was that they would have a say in Matilda’s choice of husband. After all, as a woman, Matilda would need a husband to rule in her name. The Anglo-Saxon Chronicle reported:

David the king of Scots was there, and all the head [men], clerical and lay, that were in England; and there he [Henry] had archbishops, and bishops, and abbots, and earls, and all those thegns who were there, swear England and Normandy after his day into the hand of his daughter Æthelic [Matilda], who was earlier wife of the emperor of Saxony; and afterwards sent her to Normandy (and with her travelled her brother Robert, Earl of Gloucester, and Brian, son of the earl Alan Fergant), and had her wedded to the son of the Earl of Anjou, [who] was called Geoffrey Martel [Plantagenet]. Despite the fact that it offended all the French and English, the king did it in order to have peace from the Earl of Anjou and in order to have help against William his nephew.1

Books by Sharon Bennett Connolly
Matilda of Boulogne

In trying to resolve the issue of who would rule after him, Henry had inadvertently created a problem that ensured the succession would be anything but smooth. He had created two rivals for the throne. His daughter had the claim that she was Henry’s successor by blood, but she was a woman. Though his blood claim was weaker, Stephen was Henry’s closest living male relative, and in the days when a king not only had to rule but had to lead his men into battle, the prospect of a female ruler struck fear into the hearts of the barons.

Empress Matilda’s actual abilities mattered less than the fact of her gender. Raised at the German imperial court, Matilda was an experienced politician who had acted as regent for her first husband on several occasions. She was confident. She knew, beyond doubt, that she was capable of ruling in her own right. This confidence was her strength but also her weakness; the barons would surely baulk at the idea of a woman who was unwilling to take instruction from them. In contrast, King Stephen was a magnate who was experienced in war and had enjoyed the favour of King Henry I.

Stephen’s wife, Matilda of Boulogne, was a stalwart supporter of her husband. She was arguably more capable than Stephen and often took the initiative in diplomatic negotiations. Acting as Stephen’s queen, she offered a stark contrast to the independence and authority of Empress Matilda that so infuriated the barons. Matilda of Boulogne was a little more subtle than her imperious counterpart, only ever acting in her husband’s name, not her own. Even later, when she held the command of Stephen’s forces during his captivity in 1141, she claimed to act only on behalf of her husband and sons.

Books by Sharon Bennett Connolly
King Stephen, Lincoln Cathedral

Matilda of Boulogne was an example of how a woman was expected to act and comport herself: strong and confident, but subject to her husband’s will. On this last, Empress Matilda failed in the eyes of the barons; she was acting for herself. In the event, the barons of England and Normandy despised her second husband, Geoffrey of Anjou, so they would have been even less receptive to Matilda had her husband tried to assert his authority. It was a conundrum that Matilda was never able to resolve, though she would not give up trying.

And the empress was, ultimately, the winner. With Stephen’s death in 1154, the last flickers of conflict also died. The empress’s oldest son succeeded as Henry II, peacefully and largely unopposed, despite the continued presence of Stephen’s son, William of Blois. Support for William was non-existent, and the war-weary barons were more than happy with the settlement. For Empress Matilda, it must have been a bittersweet moment. She had spent most of the past nineteen years fighting for her birthright and that of her son. While she had never worn the crown, Henry now did. The line of succession had finally passed into the hands of the descendants of Henry I.

Her bloodline had prevailed, but King Stephen had denied Empress Matilda her inheritance, her titles and her due. The irony of this struggle is that, in order to claim the throne, Stephen overruled the same laws of inheritance that saw him become Count of Boulogne. While it was difficult for a woman to manage her own lands and titles, they descended through her to her husband or son. So, as the county of Boulogne was inherited by Queen Matilda, so Stephen held those titles by right of his wife. And this was the dilemma for the Anglo-Norman nobility, and the reason they largely chose to support Stephen: they were suspicious and distrusting of the husband chosen for Empress Matilda. Just like Stephen, Geoffrey of Anjou had every right to claim Matilda’s lands as his own. Not the Geoffrey showed any interest in England; his sights were firmly set on Normandy, which he had conquered by 1144 and handed to his son, Henry in 1150.

The similarities between Empress and Queen are more noticeable than their differences. Both women demonstrated a level of piety which can only have come from their family connection, namely their mutual descent from Margaret of Wessex, Queen of Scots and later saint. Each Matilda was willing to do whatever it took to protect the interests of her children. Queen Matilda appealed to the empress to protect her son Eustace’s inheritance, while the empress invaded England. It is easy to see the empress’s struggle as an expression of her personal ambition to recover the inheritance stolen from her.

Books by Sharon Bennett Connolly
Henry II, Lincoln Cathedral

Yet it is necessary to look deeper and acknowledge that she was also motivated to see her son achieve his birthright. When Stephen usurped her throne, he stole it not just from Matilda but also from Henry. Calling himself Henry Fitz Empress when he joined his mother’s struggle, Henry was the grandson and eventual heir of Henry I. He had been raised to believe that England and Normandy were his destiny, and with the knowledge that his mother was absent for much of his formative years because she was fighting for his inheritance as much as hers.

Both empress and queen were adept at negotiating to achieve their aims, demonstrating impressive diplomatic skills in the most difficult of circumstances. Neither was prepared to sit on the sidelines and let others fight their battles for them. Although they could not wield a sword, nor participate in warfare, neither did they sit and wait in the safety of their ivory towers. They travelled with the armies and participated in councils of war, advising, directing and commanding their forces.

Empress Matilda and Queen Matilda had so much more in common than a name. Indeed, there was more to uniting them than pitting them against one another, be it family ties, abilities or aspirations for their children. What really differentiated them was the way they went about achieving their aims.

Dynastic ambition was a fine line for a woman to walk…

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The story of Empress Matilda and Queen Matilda of Boulogne is examined in greater detail in my book, Women of the Anarchy.

Notes:

1. Anglo-Saxon Chronicle, edited by Michael Swanton

Sources:

Gesta Stephani, translated by K. R. Potter; Henry of Huntingdon, The History of the English People 1000-1154; Marjorie Chibnall, The Empress Matilda: Queen Consort, Queen Mother and Lady of the English; Teresa Cole, The Anarchy: The Darkest Days of Medieval England; Catherine Hanley, Matilda: Empress, Queen, Warrior; Helen Castor, She-Wolves: The Women who Ruled England before Elizabeth; Robert Bartlett, England Under the Norman and Angevin Kings; J. Sharpe (trans.), The History of the Kings of England and of his Own Times by William Malmesbury; Orderici Vitalis, Historiae ecclesiasticae libri tredecem, translated by Auguste Le Prévost; Chronicles of the Reigns of Stephen, Henry II and Richard I; Edmund King, King Stephen; Donald Matthew, King Stephen; Matthew Lewis, Stephen and Matilda’s Civil War: Cousins of Anarchy.

Images:

Courtesy of Wikipedia except King Stephen and Henry II which are ©2025 Sharon Bennett Connolly, FRHistS.

*

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Books by Sharon Bennett Connolly

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Books by Sharon Bennett Connolly

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Royal Historical Society

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

A Slice of Medieval

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Our first ever episode was a discussion on The Anarchy Every episode is also now available on YouTube.

*

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly, FRHistS.

Guest Post: Feisty Females: Writing Lincolnshire’s Medieval Women by Rosanna McGlone

The great Cowcher Book
The Great Cowcher Book

It is a pleasure to welcome my good friend Rosanna McGlone to History … the Interesting Bits to chat about her new book, Feisty Females, a series of short stories inspired by The Great Cowcher Book. Although Feisty Females is Rosanna’s ‘baby’, I feel like its Godmother as we have chatted frequently, over coffee, about the women she included, included Nicholaa de la Haye, Alice de Lacey, Blanche of Lancaster and Gwenllian of Wales – women my readers, I know, are well acquainted with!

Rosanna would meet me, armed with questions about the history of these women and the world they lived in. Then she went away and came back having put her own mark on their stories. And what a fascinating collection of stories it is!

It is a joy to see this project come to fruition. So, over to Rosanna to tell you a little about the process of researching and writing Feisty Females: Old Bolingbroke through our Imaginations.

Feisty Females: Writing Lincolnshire’s Medieval Women by Rosanna McGlone

Henry IV effigy
Henry IV, Canterbury Cathedral

You’ve heard of the Domesday Book, right? But do you know the second most important medieval record book? If you don’t, let me reassure you. Until I received this commission, neither did I. According to staff at the National Archives it’s The Great Cowcher Book, a medieval land registry commissioned by Henry IV to provide a record of lands within the Duchy of Lancaster. Receiver General John Leventhorpe was assigned to visit the 18,000 hectares of rural estates in England and Wales including Cheshire and Lancashire in the West and The Honor of Bolingbroke in Lincolnshire in the East which make up the Duchy of Lancaster. In doing so, he gathered a total of 161 folios and 2,433 charters written in either Latin or medieval French.

What exactly do the two volumes of The Great Cowcher Book contain? As well as including transactions such as the bestowing of Old Bolingbroke Castle to John of Gaunt and his wife Blanche of Lancaster, the book also covers more minor land transactions between people of much lower status.

Additionally, the Great Cowcher Book provides a record of disputes which had been brought before the court seeking resolution.

I was commissioned, and funded, by a number of organisations including the Arts Council, Lincoln County Council, the community of Old Bolingbroke and others to write a creative response to this unique material. Thus, it is from this medieval register that my book of short stories, Feisty Females: Old Bolingbroke through our Imaginations was crafted.

Feisty Females

The beautiful medieval manuscripts have recently been translated into English and I received the information on a rather less romanticised, Excel spreadsheet! The columns display the following headings, however not all of them have been populated for each of the more than 5,000 entries: regnal year, name of vendor, name of buyer, land to be purchased; witnesses to the contract; any special conditions, the original language of the manuscript.

As I poured over in excess of 1,200 entries pertaining to The Honor of Bolingbroke, my key focus, I was struck by the names: Walter son of Andrew; Adam, Hugh, Odo Galle of Saltfletby; Gilbert, Ranulf, Clement Prior of Spaldying, William de Rusmar, Henry de Lascy, Simon le Bret, God and his church.

Where were all of the women? As I note in the introduction to my book, His-tory is so often that, a record of the past through the male lens. For me, it was important to offer a different perspective. Out of the more than 5,000 entries within the Great Cowcher Book there are few female landowners. Yet, I was mindful that any females who did appear would have something remarkable about them to succeed in the male dominated medieval world.

Nicholaa de la Haye effigy
Tomb effigy of Nicholaa de la Haye

Women such as Nicholaa de la Haye, the first female Sheriff of Lincoln and Castellan of Lincoln Castle who withstood not one, but three separate sieges on the castle and earned the respect of King John himself.

Another feisty female for whom I have particular affection is Alice de Lacy, a woman whose story is too incredible to be true, at least that’s what I thought when I read it. Kidnappings, rape, imprisonment by the king, threats of being burnt to death, really how could I possibly capture all of Alice’s turbulent life in a mere 3,000 words? The answer is, I couldn’t. Therefore, I focused upon the catalyst for her troubles, her inheritance. Two bizarre childhood accidents occurred to her brothers which, in my opinion, determined the course of Alice’s life. Firstly, her young brother Edmund fell down a well at Denbigh Castle and died. Then, barely six months later, her other brother, John fell off the battlements at Pontefract Castle. He too perished leaving Alice- still a child herself- as sole heir to her parents, Henry de Lacy, Earl of Lincoln, and Margaret Longespee, Countess of Salisbury.

Whilst all of the other stories are set in medieval times, for Alice’s story I use the framework of a police interview in which she is pushed to reveal the truth of those inciting incidents.

The women with the most charters in the Great Cowcher Book is Hawise de Quincy, first Countess of Lincoln, who has a remarkable 40 entries. Whilst the vast majority of these relate to land acquisitions, the one upon which my tale focuses concerns a dispute was between Hawise and Philip de Kyma. To quote the Great Cowcher, this disagreement was

‘…concerning a certain obstruction of a certain watercourse made by the said Philip in Torp to the nuisance of the port of the said Hawise in Weynfled. Because it was then clear the land of both sides of that watercourse towards the port of Weynfled is of the said Philip…’

And so on… In essence, Philip de Kyma was preventing Hawise de Quincy from accessing her port and, therefore, the valuable port fees. So, what was she to do? This is what my story explores. Does pragmatism work, or must Hawise resort to womanly wiles?

Gwenllian of Wales
Memorial to Gwenllian, Sempringham Priory

An incredibly wronged female in Feisty Females is Gwenllian, the last Princess of Wales who was incarcerated in a Lincolnshire Priory from which there was little chance of escape, unless she had inside help…

In all cases, bar one, the women come from the Great Cowcher book, however in Matilda’s case my desire to write on the specific topic of that story arose first, based on a certain building referenced in The Great Cowcher. Matilda’s Story begins thus:

It was the day after Candlemas that we held my brother’s funeral. There was just one problem: he wasn’t dead.

It has been a pleasure to learn more about these characters and to bring them to life for readers, giving them voices after 800 years, or more, of silence. The book is a celebration of the female power which was understood by Chaucer who, himself, makes an appearance in Blanche’s Story. In the epigraph to my book Chaucer describes women thus:

‘And what is better than wisedoom? Womman.

And what is better than a good woman? Nothyng.’1

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Notes: 1. Geoffrey Chaucer, ‘The Tale of Melibee’ The Canterbury Tales.

Images: The Great Cowcher Book (DL 42/2, fol. 231r, the property of His Majesty The King in Right of His Duchy of Lancaster and is reproduced by permission of the Chancellor and Council of the Duchy of Lancaster.); Photos of Henry IV, Nicholaa de la Haye and Gwenllian of Wales are ©Sharon Bennett Connolly FRHistS.

To Buy the Book:

Just click on the link to buy: Feisty Females

About the Author:

Rosanna McGlone

Rosanna McGlone is a writer and journalist. Her book, The Process of Poetry -which explores the development of early drafts of poems by some of the country’s leading poets- was number 1 on Amazon and featured on Radio 4’s Front Row. The sequel, The Making of a Poem, focuses on the work of Australian foremost poets. She has written more than 100 features for the national press, including: The GuardianThe IndependentThe Sydney Morning Herald and The Australian. Rosanna has written memoirs, community plays and collected oral histories. Feisty Females, a creative response to The Great Cowcher Book, a medieval book, is out on June 8th 2025.

To find out more follow Rosanna at @rosannamcglone.bsky.social

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My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Out Now! Scotland’s Medieval Queens

Books by Sharon Bennett Connolly

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Books by Sharon Bennett Connolly

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Royal Historical Society

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

A Slice of Medieval

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. 

Every episode is also now available on YouTube.

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Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly, FRHistS and Rosanna McGlone

Wordly Women: Carol McGrath

Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.

So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.

Over to Carol…

Sharon: Carol, what got you into writing?

Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.

Sharon: You write both fiction and non-fiction-is one harder than the other?

Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.

Sharon: Tell us about your books

St Sophia, Kyiv

Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.

Sharon: What Attracts you to the Period?

Harold’s daughter’s burial place in St Sophia Kyiv

Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.

Sharon: Who is your favourite Tudor and Why?

Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.

Sharon: Who is your least favourite Tudor

Hever Castle

Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.

Sharon: How do you approach researching your topic

Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.

Sharon: What is your favourite Medieval or Tudor Story found in Research

Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.

Sharon: What is your least Favourite Story

Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.

Sharon: Are there any other eras you would like to write about?

Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.

Sharon: What are you working on now?

Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.

Sharon: What do you love most about being a writer

Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.

About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.

Where to find Carol

Website (Subscribe to her newsletter via the drop down menu on the web-site Home Page); Amazon; The Stolen Crown

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen. 

Every episode is also now available on YouTube.

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Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly, FRHistS and CarolMcGrath

Cover Reveal!

Princesses of the Early Middle Ages: Royal Daughters from the Conquest
Here’s a taster – the back cover….

Don’t scroll down!

Be patient!

As many of you may know I have spent the last year on a project that was originally titled ‘The Medieval Princess: Royal Daughters from the Conquest to the Wars of the Roses’. It was one of those projects that seemed to go on and on, with no end in sight. But then, at the end of April, it was done. With one tiny snag. The reason it had seemed never-ending was the word count: a whopping 143,000 words!

Cover reveal coming – be patient!

What does that mean in terms of a physical book? Well, it was 50% more words than in my contract and would come out at a book-and-a-half – about 500 pages.

Just wait a little longer…

It is not a surprise, really, Mary Anne Everett Green’s The Lives of the Princesses of England from the Norman Conquest was published in six volumes in the19th century; the first 3 volumes covered the medieval period. So, I knew all along it was going to be a challenge to bring the book in at under 100,000 words.

And I failed miserably!

Stop scrolling – cover reveal coming soon….

Luckily, I have a very understanding editor and her first words, when I confessed my massive word count, was, ‘well, we’re not going to make you cut 20,000 words. Let’s split it in two!

What a relief!

Not long now…

So, I have spent May splitting the books, polishing off book no. 1 and changing the introduction and conclusions so they are relevant to that particular book. And we have settled on titles. The first book is entitled Princesses of the Early Middle Ages: Royal Daughters of the Conquest and will look at the English princesses from the daughters of Harold II to King John.

Nearly there….

I still have work to do on book no. 2, Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets, which will include all the royal daughters from Henry III to Edward IV. There will be more on that at the end of the summer…

It’s time!

Did you peek?

So, here it is. The cover for Princesses of the Early Middle Ages: Royal Daughters from the Conquest

Drum roll please….

Princesses of the Early Middle Ages: Royal Daughters from the Conquest

Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest will explore the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time.

Princesses of the Early Middle Ages: Royal Daughters from the Conquest

Almost as interesting as the marriages these girls made are the ones that were never realised. Many English princesses were betrothed, or proposed as brides, three or more times before they were married. Their failed marriage proposals demonstrated their influence and worth on the international royal marriage market, as well as the changing allegiances between countries and the making and breaking of international friendships.

Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with some outright refusing the husbands offered to them. Their stories are touching, inspiring and, at times, heartbreaking.

Princesses of the Early Middle Ages: Royal Daughters from the Conquest is due for release in the spring of 2026, with Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets coming in the summer.

I can’t wait for you to read them!

About the Author:

Sharon Bennett Connolly

Sharon Bennett Connolly is the bestselling author of several non-fiction history books. A Fellow of the Royal Historical Society, Sharon has studied history academically and just for fun – and has even worked as a tour guide at a castle. She also writes the popular history blog, http://www.historytheinterestingbits.com and co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. Sharon regularly gives talks on women’s history, for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the Norman Conquest in the National Curriculum. She is a feature writer for All About History, Tudor Places and Living Medieval magazines and her TV work includes Australian Television’s Who Do You Think You Are?

Her previous books include: Heroines of the Medieval World, Silk and the Sword: The Women of the Norman Conquest, Ladies of Magna Carta: Women of Influence in Thirteenth-Century England, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, King John’s Right-Hand Lady: The Story of Nicholaa de la Haye, Women of the Anarchy, Heroines of the Tudor World and Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.

Wordly Women: Catherine Hanley

I am very happy today to welcome historian Catherine Hanley to History…the Interesting Bits in a new instalment of my Author Spotlight series, Wordly Women. Catherine is the author of Matilda, 1217 and her latest book, Lionessheart, about Joanna, the sister of Richard the Lionheart. Catherine also writes a historical fiction A Medieval Mystery series under the name C.B. Hanley, following the adventures of Edwin Weaver, bailiff of Conisbrough Castle and its lord, William de Warenne, 5th Earl of Warenne and Surrey. It is a fabulous series that I can highly recommend!

Sharon: So, Catherine, what got you into writing?

Catherine: Oddly, that question is kind of the wrong way round for me. When I did my PhD I was reading and writing all day every day for years; after it was finished and I got a full-time job that didn’t involve writing, I missed it so much that I just had to take it up on top of work. As the cliché goes, I write because I simply can’t *not* write. Eventually, over the years, it came to replace the day job rather than being an add-on.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Catherine: On a day when I’m writing fiction, I’d say non-fiction was easier, and vice versa …

Sharon: Tell us about your books.

Catherine: My non-fiction mainly explores different facets of war and politics in the twelfth and thirteenth centuries – sometimes via biographies of individuals, and sometimes in the form of more wide-ranging surveys.

My fiction is a series of murder mysteries set during the early thirteenth century, during and just after the French invasion that followed the Magna Carta wars. My main characters are fictional, but the stories are set against a factual backdrop, with some real people in the background. It all started because, during some academic research, I discovered that a certain high-profile individual had changed sides twice during that war, but nobody knew why. So I decided to make up a (plausible!) story about why this had happened, and then once I’d started I just kept going.

Sharon: What attracts you to the 13th century?

Catherine: It is the best century, and I will be taking no further questions and entering into no arguments on this subject. (Sharon: no argument from me! I totally agree with this analysis!)

Sharon: Who is your favourite 13th century personality and why?

Catherine: OK, so this is very niche, but it’s Philip of Dreux, a member of a cadet branch of the Capetian royal house, who was the bishop of Beauvais in France. He was a younger son, so he’d been ‘donated’ to the Church by his family early in life. Unfortunately for him this had been done purely on the basis of birth order rather than aptitude or inclination, and he was one of the most bellicose men you could imagine. He fought in the Third Crusade, during which he travelled to Cyprus to tell Richard the Lionheart to his face that he should stop ‘arrogantly persecuting innocent Christians when close by there were still so many thousands of Saracens whom he should be attacking’, which went down about as well as you might expect. He was still going decades later, and fought in battle of Bouvines when aged in his sixties; there he battered the much younger earl of Salisbury to the ground with a mace ‘that he happened to have in his hand’, which is one of the best primary-source lines you’ll ever read.

If I ever decide to write a new series of novels when my current one is finished, the bishop of Beauvais and his mace are going to have starring roles …

Sharon: Who is your least favourite 13th century personality and why?

Catherine: It’s unfortunate for the purposes of this question that Richard the Lionheart died in 1199, thus making him a personality of the twelfth century, so I can’t nominate him! I also think that William Marshal has been vastly overrated.

Sharon: How do you approach researching your topic?

Catherine: I read A LOT, making sure that I’m consulting a wide range of primary sources rather than merely relying on what other people have said in secondary sources.

Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.

Catherine: Basically the entire career of Philip Augustus of France, but I can’t give you too many spoilers on that just now …

Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.

Catherine: It’s always difficult reading about the many atrocities that took place in the past. One that got to me quite recently was the sad tale of Owain ap Dafydd, the son of Welsh prince Dafydd ap Gruffudd. Dafydd was captured by Edward I and then hanged, drawn and quartered, and his two sons were sentenced to harsh imprisonment. The elder of them died not long afterwards, but Owain, who was 7 when he was incarcerated, lived on for more than 40 years. He was kept in solitary confinement (and, as an adult, actually in a cage), and this stunted his mental as well as his physical development. A sad letter was later sent on his behalf asking if he could please have more adequate food and clothing, and whether he might be allowed out of his cell occasionally ‘to play’. He was at that point 37.

Sharon: Are there any other eras you would like to write about?

Catherine: Not really. There’s still so much to be discovered and said about the twelfth and thirteenth centuries that I can happily spend the rest of my career there, although I do venture occasionally into the fourteenth. The thought of writing about anything post-medieval gives me a nosebleed.

Sharon: What are you working on now?

Catherine: *Takes a deep breath* As ever, I have several projects on the go, all at different stages. In non-fiction, I’m at page-proof stage for Nemesis: Medieval England’s Greatest Enemy (about the French king Philip Augustus), for publication in September 2025; almost at manuscript delivery stage for Women in Medieval Families (for 2026 publication) and in the early stages of a whopping volume called The English at War in the Middle Ages for 2027.

In fiction, A Pale Horse, number 9 in my series of medieval mysteries, is due out in June 2025, and I’m having some initial thoughts about book 10.

That’s probably enough to be getting on with!

Sharon: And finally, what is the best thing about being a writer?

Catherine: Being able to sit in a roomful of books by myself all day and lose myself in the Middle Ages. It’s such a privilege that I can still hardly believe it’s happening.

About the Author:

Dr Catherine Hanley holds a PhD in Medieval Studies and is a Fellow of the Royal Historical Society. After producing several scholarly publications she decided to write something more interesting, and she now splits her time between writing popular history and historical fiction.

Catherine: I have no social media (anyone who wants to contact me may do so by writing in ink on parchment and then sending it via a messenger on a fast horse).

Bookshop link: https://uk.bookshop.org/shop/catherinehanley

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

And we will be chatting with Catherine Hanley about Joanna Plantagenet, Lionessheart, in a couple of months!

*

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

*

©2025 Sharon Bennett Connolly, FRHistS and Dr Catherine Hanley, FRHistS

Queen of Scots

St Margaret, Queen of Scots

The Queens of Scots of the medieval era are a fascinating variety of women and I can only hope that I have done them justice in my latest book, Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.

Scottish history is fascinating! It is violent, politically charged and passionate. Being inconveniently situated on England’s northern border was never easy for Scotland, but it has made for some great stories over the centuries. Scotland’s story is often that of brother against brother, ambition and family rivalries causing feuds that threatened the stability of the crown itself. Such fissures, of course, grew and ruptured with the aid of English interference and encouragement. The King of England was always happy to play one side off against the other if it weakened Scotland’s position.

And Scotland’s medieval queens, be they Scottish, English, Danish or French, formed a big part of that story.

More often than not, these disputes north and south of the border were resolved in peace treaties, sealed by wedding bells. A number of English princesses and noblewomen found themselves married to Scotland’s kings as a consequence.

Queen Elizabeth de Burgh

For over 400 years, Shakespeare’s version of Lady Macbeth has been the woman most people are familiar with. In the bard’s famous drama, also known as ‘The Scottish Play’, Lady Macbeth is not even given her name. Presented as a scheming, manipulative woman, Shakespeare did as good a hatchet job on Gruoch, a royal princess in her own right, as he had on Richard III. Unfortunately, there is no society established to repair Gruoch’s reputation.

The scheming, ambitious woman who will stop at nothing to put her husband on the Scottish throne – and commit murder to keep him there. But is that the real Lady Macbeth? The story of Queen Gruoch, Lady Macbeth, is one shrouded in mystery, tantalisingly obscure. If only we could know more. The lack of information on Gruoch makes it easy for Shakespeare’s interpretation to be accepted as fact, but it is more than likely an injustice to a woman who survived her first husband’s gruesome death, protected her son and came to an agreement with Macbeth to become his wife, securing her son’s future in the process, and later becoming queen as a consequence.

Queen Gruoch is the first queen of Scots for whom we have a name.

From the highly educated and pious Margaret of Wessex to the glamorous Margaret of Denmark, their lives and experiences tell the story of their nation. Some, such as Matilda de Senlis and Ermengarde de Beaumont, barely make an impression on history, though merely by producing a son, they each guaranteed that Scotland would persevere. And Isabella de Warenne, wife of John Balliol, who is a ghost on the pages of Scotland’s history. And it is not that these made no impression. Their influence was in the domestic sphere, raising children and supporting their husbands, rather than on the political or the international stage. Although Isabella’s story is even more obscure by the fact all mention of the Balliol dynasty was forbidden by the Bruce regime.

Marrying an English princess, for example, did not always guarantee the peace with England that was intended. As the wife of Alexander II, Joan of England did her best to maintain cordial relations with her brother Henry III, often using private letters to broker diplomatic solutions. And Henry III’s own daughter Margaret, in marrying Alexander III, brought Scotland more years of peace with England. As a consequence, Scotland and England enjoyed over 70 years of peaceful relations. These years were shattered dramatically by the deaths of Alexander III, his three children and his little granddaughter, Margaret, the Maid of Norway. Little Margaret’s death left the Scots throne vacant, with thirteen Competitors vying for the crown, staking their claims as Edward I of England acted as adjudicator.

Margaret, Maid of Norway

Edward I took advantage of this to try to assert his overlordship of Scotland, but William Wallace, Robert the Bruce and countless others pushed back, ushering in decades of war with England, the Scottish Wars of Independence.

Edward III’s sister Joan of the Tower was to have no such legacy of peace as the earlier Joan and Queen Margaret could boast. Her brother’s ambition would blight her marriage for years. Edward leant his support to the rival claimant to the Scottish throne, Edward Balliol. If he had not been so keen to exploit Scotland’s dynastic divisions, maybe Joan and David II would have had a happier marriage. We will never know.

One cannot help but feel sympathy for Elizabeth de Burgh, seeing her fortunes rise and fall at the whim of England’s king, Edward I, held captive for eight years when she should have been sitting in splendour on Scotland’s throne.

Or poor Marjorie Bruce, whose childhood was torn from her by that same English king, held far away from everyone she loved, only to be married as she tasted freedom, and dead in childbirth by the age of 19. Passed over for the throne because she was a woman, she still managed to give birth to a dynasty, the Stewarts.

Joan Beaufort, Queen of Scots

Scotland was the first nation in the British Isles to accept a queen regnant when Margaret, Maid of Norway, was recognised as its queen in 1290. How her queenship would have developed, we have no way of knowing. The poor girl died before she even landed in mainland Scotland. Her significance is in that she was proclaimed queen and the possibilities that heralded, even if it got no further. We can only speculate as to how a successful rule by a queen regnant in the thirteenth century may have changed the lives and experiences of women in subsequent centuries. Her death was a tragedy, not just to her family, but to women’s rights to rule.

But then again, as her father-in-law, it may well be that Edward I would have taken Scotland under his wing … and never let go.

Although we have charters and chronicles, and evidence of religious and charitable donations, most of these women remain elusive. They are enigmas.

We do not – and cannot – know them intimately as the one thing that is missing is their own voice. Their thoughts and personalities are lost to us. Even letters to family members are often formulaic and rarely speak of their true feelings, of their happiness – or not – and their cares and concerns for themselves. We know what they endured for the sake of Scotland, the risk of death in childbirth, the grief of lost children, or the grief of no children. Every woman in medieval Europe was exposed to similar experiences. Scottish queens, however, had to endure imprisonment, scheming noblemen and the early deaths of their husbands more times than they should have had to.

Anabella Drummond, Queen of Scots

But, once in a while, we come across a marriage that is a true partnership. A love story, even. And we discover moments of affection, of amusement, of unity and mutual support. Little moments that remind us that these people are not just stories. They are lives that were lived to the full, however short or long a time they had.

Scotland’s story is often violent and suffered greatly from the machinations if its powerful southern neighbour. However, Scotland did emerge from the Middle Ages as, still, an independent, sovereign nation. And Scotland’s medieval queens had each made their own contribution to the country’s continuing survival and independence. From Saint Margaret – even from Gruoch – to Margaret of Denmark, each queen, to varying degrees of success, made their own indelible imprint on Scotland’s remarkable story.

Images:

Courtesy of Wikipedia

Selected Bibliography:

John of Fordun’s Chronicle of the Scottish Nation; Walter Bower, Scotichronicon; Andrew Wyntoun, The orygynale cronykil of Scotland; Calendar of documents relating to Scotland preserved in Her Majesty’s Public Record Office; Richard Oram, editor, The Kings and Queens of Scotland; Rosalind K. Marshall, Scottish Queens 1034–1714; Nigel Tranter, The Story of Scotland; David Ross Scotland, History of a Nation; Liber pluscardensis, edited by Felix James Henry Skene; Mediaeval chronicles of Scotland: the chronicles of Melrose and Holyrood, translated by Joseph Stephenson; The Chronicle of Lanercost, edited by Sir Herbert Maxwell; The Ecclesiastical History of England and Normandy by Ordericus Vitalis; The historie and cronicles of Scotland … by Robert Lindesay of Pitscottie, 3 volumes, A.J.G. Mackay, editor.

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

*

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

*

©2025 Sharon Bennett Connolly, FRHistS

Book Corner: The Pilgrim’s Revenge by Scott Mariani

1190 – Humble layman Will Bowman lives in the countryside with his pregnant wife, when soldiers from Richard Lionheart’s army tear through his home. Will is beaten unconscious, and awakes to find his wife murdered, his farm burnt down, and his life forever changed.

In vengeance, Will infiltrates Richard’s army to find the marauding gang, and finds himself swept along in the march of the Crusades. With the help of new allies and fuelled by his loss, Will crosses Europe with the King’s army.

Can Will avenge his wife? Or will he be swept away by the unstoppable force of Richard’s Crusade?

I have been a Scott Mariani fan for a while now and was disappointed that Ben Hope has finally retired, though relieved for Ben that he survived 30 books of people trying to kill him. When one brilliant series ends, you begin to worry that what comes next will be a disappointment, or not as addictive, that you will not feel so invested in the new characters. Especially when the author moves genre. It is a big risk that author and reader take together.

So, when Scott Mariani moved from thriller with a historical twist to full-blown historical fiction, I was a tad concerned. Fans of historical fiction can be pedants. If there is a grey squirrel out of place, ie, in medieval England, someone will notice. If a character lives longer than he actually did (I am looking at Sweyn Forkbeard in Vikings Valhalla) someone will notice. There is a knack to historical fiction, to weaving the story within the known facts, to introducing fictional characters and creating their interactions with historical figures. The story has to have that essence of authenticity.

I needn’t have worried!

In fact, I probably should have trusted that Scott Mariani knew what he was doing. Though I may not have agreed with some of his theories in The Tudor Deception, the actual history was spot on. Having read the last Ben Hope book, The Templar Secret, after Christmas, I should have known a historical fiction book was around the corner. It is obvious the author loves his history. And, given the topic of that last Hope book, it should come as no surprise that Mariani’s first foray into historical fiction involved the crusades – the Third Crusade, to be precise.

Not that we get more than a glimpse of the Holy Land in this first book – all that is still to come.

By now Will had almost reached the nearest of the horsemen on his side of the yard. Up close, the rider was an intimidating figure looming far above him in the saddle with the blade of his drawn arming sword glinting in the sunlight. Before Will reached him the horseman saw his approach and wheeled his mount around to face him, dust flying from its hooves. With an angry shout the rider spurred the horse towards Will, swinging his sword down at him. Will ducked, and the double-edged blade hissed through the air above him.

It had been a blow meant to separate his head from his shoulders, and it had only narrowly missed its mark. The horse thundered past, shaking the ground. The rider reined it brutally around and charged at Will again.

Nothing like this had ever happened or even been heard of in Will’s experience. He had never been in a real fight, except a minor scuffle once when he was a lad, settled quickly with a couple of punches. This was deadly serious combat, and he was unprepared for it. But the terrible shocking sight of Beatrice in the soldiers’ clutches and the sound of her screams was enough to dispel his confusion and fear, filling him with rage and determination to do anything he could to drive these raiders away and make this stop. And the obvious realisation suddenly occurred to him, for the first time, that he was holding the very means of doing that in his hands. His bow was still unstrung, no more than a long wooden shaft with its hemp cord loosely attached to the bottom end. But practice had made him very adept at readying the weapon in moments; as the horseman bore down on him with the sword raised high, he bent the stave against his foot and looped the string into place.

The rider was almost on him. Will snatched an arrow from his quiver, nocked it to the string and simultaneously raised his bow and pulled it to full draw. He had never before pointed any weapon in anger at another human being, but there was little time to reflect on that fact, or even to take aim, as his enemy closed in. Will stood his ground until the last moment, released his arrow and saw it fly and hit the rider full in the chest.

The soldier flinched violently at the arrow strike. A normal opponent would have been a dead man, his heart split in two by the power of the longbow at such close range. But instead of piercing deep into his flesh the iron point glanced off his heavy chain mail and the broken pieces of the arrow shaft spun away through the air. Then Will had to leap out of the way of the charging horse, and he threw himself to the ground.

The Pilgrims’ Revenge starts in England and follows the journey of a crusader fleet to Outremer, with adventures that are often overlooked by historical fiction authors eager to get to the nitty gritty of the crusade. But what a story they miss out! Scott Mariani includes the little-known excursion of part of the fleet, into Portugal to help with the crusades there. Then, of course, we arrive in Sicily, where Richard the Lionheart frees his sister, Joanna, meets his bride Berengaria and antagonises his ‘ally’ Philip II of France. And then we get a wonderful, vivid depiction of the conquest of Cyprus.

All is seen through the eyes of our hero, Will Bowman, a men seeking revenge for the murder of his wife and unborn child. He only joins the crusade to chase the murderers but finds a purpose, a talent for soldiering, comradeship and a bent to command along the way. Scott Mariani seamlessly blends together the wider story of Richard the Lionheart’s crusading enterprise with Will’s personal story and experiences.

The Pilgrims’ Revenge is the first of what promises to be a fast-paced, exhilarating – and, hopefully, long – series. Punctuated by bloody battles, exquisite swordplay and a thrilling storyline, the action is relentless and Scott Mariani fans will not be disappointed. The research is exemplary, especially with regard to the conflict in Portugal, which is usually ignored. The historical figures are wonderfully written and the locations evocative, dusty, hot and exotic.

Will Bowman is a character I look forward to hearing much more about.

The Pilgrim’s Revenge will be available from 24 April 2025

Order The Pilgrim’s Revenge.

About the author:

Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.

Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.

*

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

*

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

*

©2025 Sharon Bennett Connolly, FRHistS

Author Spotlight: Scott Mariani

Do excuse me if a get a little giddy and fan girly with this one! One of my favourite thriller writers is about to release the first book in a new series – in historical fiction!

I absolutely love Scott’s Ben Hope books and got the last in the series, The Templar Secret, for Christmas. They are modern day thrillers with a historical twist – and are great fun to read.

And Scott agreed to do an interview with me!

I also have an advance copy of the new novel, The Pilgrim’s Revenge, so expect a review shortly. And Scott will be joining Derek and I for a chat in an upcoming episode of A Slice of Medieval. But, in the meantime, Scott and I had a chat….

Hi Scott, thank you for joining me, how did you start your writing career?

It came about both gradually, and suddenly. I’d always been interested in stories – as a kid I used to mess around with drawing and writing, and sometimes combining the two to create my own stupid little cartoon strips which were usually pretty unoriginal rehashes of things like King Kong or Jaws or Tintin, as well as historical themes based on Ivanhoe or Chevalier Ardent – I was into all sorts of things at that young age! Aged about eight, I think, I wrote a sci-fi horror story in which the entire male population of the human race was wiped out in a war against giant robot dinosaur creatures; but we won in the end because ‘the women bred’ (that’s a quote) and repopulated the army so that humans could defeat the monsters. It was not a promising start to my career. Later, in my early twenties, I dabbled with various ideas and projects, one or two of which were completed but have never seen the light of day – for which the world can be thankful, as they weren’t very good either.

Then one day after moving to Wales – this is in about 2006 – while out walking the dogs in the fields the idea for a character called Ben Hope popped into my head more or less fully-formed. What emerged from that was a novel called The Fulcanelli Manuscript, which ended up in the hands of the world’s worst London literary agent and being published by a hardback-only library publisher who printed 400 copies and had no intention of ever doing more. That could have been, and nearly was, the end for me. The book lay dead and buried for a year until I (not the literary agent) managed to gain interest from Avon, then a new imprint of HarperCollins UK, for the paperback rights which, thank God, the library publisher hadn’t been interested in grabbing. Suddenly – overnight really – the Ben Hope series was rebooted with Avon offering a deal for four books. The Fulcanelli Manuscript became retitled The Alchemist’s Secret . . . and that’s how it all began. I still can’t believe the series ended up thirty books long!

What is the best thing about being a writer?

Assuming that you’re able to drag your way up to a reasonable level in the industry: working from home, setting your own hours, not having to commute anywhere, seldom needing to travel unless you’re into doing a lot of physical research, being about as free and independent as it’s possible to get whilst still remaining gainfully employed . . . and getting paid for indulging the interests and passions that you would be preoccupied with even if they were just a hobby. It suits me perfectly.

What is the worst thing about being a writer?

When you’re starting out, the competition is crushing – especially if you had a bad start as I did. Unless you’re fortunate to have strong backing from a good agent, you may feel you’re embarking on an impossible quest that will only end in heartbreak or madness: I know, I suffered from both at various times! It can also be a horribly cruel and unjust industry. So many talented writers get crushed under the wheels of the machine and never get anywhere, while success very often doesn’t depend on the quality of the work. While most editors are lovely folks, you may be unlucky enough to have to work with people who have great control and leverage over what you do, and don’t necessarily have your best interests at heart. I could talk a lot about the high number of truly decent writers I’ve known who have fallen by the wayside, some very sad stories among them. It is a tough world.

You have been writing modern thrillers with a historical twist for years, what made you take the leap into full-on historical fiction?

I’ve always loved history. I wish I had had the sense when I was seventeen to want to study it at university! And it was a fascinating, highly educational and satisfying experience to write all those Ben Hope novels, each featuring its own historical backstory or mystery to a greater or lesser degree. The downside was that, because I’ve always produced two books a year, every six months I would have to uproot myself from whatever fascinating historical world I’d been so immersed in, clear it all from my head and plunge straight into the next. One minute you’re delving into ancient Babylon or Egypt, the next you’re off to the Chinese Cultural Revolution or the American Civil War. All wonderful stuff, of course, but it’s like being a perpetual globetrotter, always on the move, and never being able to stay in one location for long even though you might have fallen in love with the place and wanted to live there forever. Then one day while I was working on Ben Hope 28, The Tudor Deception, and deep into all the intrigues of medieval England, I thought: ‘You know what, I really love being here reading and writing about all this medieval stuff. What if I could just keep on doing that, and remain in one setting rather than having to jump about all the time?’ So, to cut a long story short, that’s what I’ve done. It wasn’t as simple or easy a decision as I’m perhaps making it sound – and of course the end of the Ben Hope series has upset a lot of fans – but nonetheless I’m really happy that I took the plunge.

I’m going to miss Ben Hope…

What were your main challenges when you switched from thrillers (Ben Hope was excellent, by the way) to historical fiction?

Because you’re going much deeper into just one time setting, it becomes all the more important to get the details as correct and authentic as possible: hence the research process is that bit more intensive. The good news for me is that I love research! I’ve accrued such a library of books on my favourite areas of history that when I get stuck in, they pile up so high around me on the desk that it’s like being inside a canyon. Because I’ve picked a medieval time / place setting that’s so well chronicled (the events of the Third Crusade), and because I want to stay as faithful to the true facts and timelines as possible, my plotline is already laid out for me to some extent by the historical sources. That’s been an unusual experience for someone who’s used to having to make it all up themselves! But although it might make life easier in some regards, it also creates the new challenge having to insert, or you might say superimpose, a fictitious main protagonist into the mix, through whose eyes we experience those well-known events in a fresh and dramatic way. Having to blending the worlds of fiction and non-fiction together like that, so that the (non-historian) reader hopefully can’t see the joins, is a whole new kind of fun. I’ve enjoyed being able to create scenes where my fictitious character is in dialogue with famous real-life figures like King Richard I and Eleanor of Aquitaine.

Tell us about The Pilgrim’s Revenge. What attracted you to writing about the Crusades?

The Pilgrim’s Revenge is the first book in my new series introducing the character of Will the Bowman, or just Will Bowman. The story begins in the year 1190, when Will, a young Englishman, has his happy married life torn apart by marauding soldiers who raid his home, and he’s forced to join up with King Richard’s expedition to the Holy Land as a means of catching up with the villains who did it. Actually we don’t quite reach the Holy Land in Book 1 – that’s for the next. But I hope there’s plenty there to excite and interest the reader. I adore the medieval period – grew up in a historic town, wept as a child when taken to the spot in Rouen where they burned poor Jeanne d’Arc, later read medieval French at University, learned to play with great big swords and shoot a bow – but the whole crusades period has a particular fascination for me. And what could be more cool than the most iconic crusade of them all, the conquest that pitted Richard the Lionheart against the great Saladin? Will Bowman and his comrades get embroiled right in the thick of the drama, and it’s a ride! At any rate it has been for me. I hope readers will love it too . . .

How are you going to cope with the lack of guns? Will the body count be lower?

Are you kidding? We don’t need guns. We have bows and arrows that can pierce chain mail armour from a long way off; we have double-edged swords and scimitars that’ll whip off arms, legs and heads; we have great big siege catapults that can take down massive stone ramparts from two hundred paces; we have thundering great charges of heavy cavalry bearing down on the enemy with lances; we have crossbows and axes and flails and daggers and all sorts of goodies to play with! And did I mention Greek Fire? It’s like The Iliad out there . . . No question, the body count and general level of mayhem and destruction are considerably higher than anything in the Ben Hope books . . . not that that makes it better, of course!

Phew! That’s a relief!

What comes first, the story or the research?

When I was constantly hunting around for fresh material for the Ben Hope books, it was more a question of finding the basic idea first. That could come, and did come, from all kinds of possible places as I was (and am) constantly reading. The basic idea for The Mozart Conspiracy came about from an old book I’d had for years about Mozart’s last year and just happened to revisit one day. The Babylon Idol popped into my head while driving and listening to a Louis Armstrong gospel number about King Nebuchadnezzar’s golden idol. The Forgotten Holocaust, dealing with the Irish famine of 1847, was a subject I’d wanted to do for years and nearly did as a historical stand-alone because I’d no idea at first how to make it work as a Ben Hope book. But in general, that initial concept could come from anywhere. Then you’d have to delve a little deeper to see if your idea had any legs or not – sometimes it did, sometimes it didn’t and you’d need to go and find something else. From there, the story and the research would generally develop in parallel. There was no particular system, but I’m pleased to say it worked pretty well. Now with the Will Bowman series, the case is slightly altered: the historical backdrop dictates a lot about the trajectory of the storyline, and the depth of research required fleshes out what’s going on while also providing inspiration for new story and character angles. If you can get all those stars lined up for you, then it all happens in an organic kind of way that feels very natural.

Have you got the historical fiction bug now? What comes next?

This is going to be the shortest answer. Yes, for sure! What comes next? More Will Bowman books. I’ve got four to do to begin with, but I would like to do more. A lot more. Mustn’t jinx it by saying too much, though.

Are there any other eras – or writing genres – you would like to write about?

As I think anyone who’s read much of my backlist knows already, my historical interests are pretty wide-ranging. Who can say if something else would come up in the future? Never say never: and that goes for genres too. Right now, however, I’m very content to stay exactly where I am. I no longer have to worry about where I’m going next: I’m free to trace the story arc of Will Bowman for as long as I’m able to. What better way to create a truly immersive experience for readers interested in our rich and exciting past?

The Pilgrim’s Revenge will be available from 24 April 2025

Pre-order The Pilgrim’s Revenge.

About Scott Mariani:

Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.

Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

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Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly, FRHistS and Scott Mariani

Guest Post: The Book and the Duchess by Katarzyna Ogrodnik-Fujcik

Last month, we lost one of the great historians of medieval history, Martin Aurell. A few years ago, I had the honour of translating one of Martin’s essays on Eleanor of Aquitaine for a compilation on England’s medieval queens. He had a wonderful insight into Eleanor and I would have loved to meet him. So, when my dear friend Kasia asked if I would publish her tribute to Martin, I jumped at the chance.

The Book and the Duchess: Eleanor of Aquitaine and her Artistic Legacy….

In memory of Professor Martin Aurell

Eleanor of Aquitaine’s tomb effigy, Fontevraud Abbey

Richard of Devizes called her femina incomparabilis “a woman without compare” and in many respects she was. Queen of both France and England respectively, duchess of a great duchy in her own right, rebel wife who openly went to war against her husband, Eleanor of Aquitaine needs no introduction. And yet very little is actually known about one of the most famous women in history. Thus we should not find it surprising that all the myths and misconceptions about her got so firmly established in the popular consciousness. One of them is Eleanor as a very active artistic patron. However, if we raise the question, her artistic legacy is rather modest. There are only few surviving objects that can be safely associated with her.

First and foremost, there is her tomb effigy at Fontevraud Abbey, which is the earliest funerary monument that we know of to depict a woman with a book. Also, as it seems, it is the only one to depict a man or a woman in the act of reading. The book Eleanor is holding is a restoration. The original had been destroyed during the Revolution. It is probably devotional work…. book of prayers, psalter or gospel book.

A noble lady kneeling in a psalter of Eleanor of Aquitaine

The effigy is one of the few instances when Eleanor can be safely identified as an artistic patron. She most probably commissioned it herself. Also the effigies of Henry II and Richard I the Lionheart (the one of Isabelle of Angouleme was commissioned more than forty years later) which were created at the same time (as stylistic similarities indicate). Made from tuffeau limestone from the Loire valley they successfully stood the test of time. despite different vagaries of history. What makes us believe Eleanor was a commissioner? First and foremost, Eleanor’s presence at Fontevraud Abbey at the time. After Richard’s death in 1199 she left the walls of the abbey, but stayed in Anjou, defending it for John. Later she retreated to the abbey again and spent her last years there. The effigies must have been created between the death of Richard and her own death in 1204 (also the year Anjou fell to the Capetians).

Another object connected with Eleanor is the afore-mentioned Eleanor’s vase, which was a wedding gift she presented to her first husband Louis VII of France. It had stayed in her family since the reign of her famous/infamous grandfather, William IX the Troubadour, who had brought it with him from Spain. Louis gave it to Abbot Suger as a gift for St Denis. Suger added all the ornamentation. It was a classic crystal rock vessel when Eleanor presented it to Louis.

Another work of art associated with Eleanor is the so-called Fecamp Psalter (or Psalter of Eleanor of Aquitaine), one of the oldest manuscripts preserved at the Dutch Royal Library at the Hague. With 27 full-page miniatures, 36 calendar miniatures depicting the Labours of the Months, and 11 historiated initials illustrating the major divisions of the psalter it is exquisitely beautiful. By the end of the 11th century Fécamp was a leading centre for manuscript copying in Normandy and in the late 12th century (c. 1180) this beautifully illuminated psalter was probably commissioned by Eleanor herself. In 2016 student Jesus Rodriguez Veijo identified the figure on the Beatus page of the psalter with Eleanor, relying in part on the scholarship relating to the Radegonde mural. You can view the manuscript on the official site of Koninklijke Bibliotheek, Hague.

An image of the chase in a fresco in the chapel of St Radegonde

The so-called Poitiers Window is one of the few contemporary depictions of Eleanor. She, Henry and their four sons are shown in a small scene, being a part of a larger depiction of Crucifixion, in the area reserved for patrons. Eleanor and Henry hold an image that represents the window itself. This image is not a part of the original, but a result of 19th-century restoration by Adolphe Steiheil. The window must have been commissioned between 1166 and 1173, the birth of John and the outbreak of the Great Revolt, when the royal family was still undivided.

The famous Radegonde Mural preserved in the chapel of Sainte Radegonde, Chinon has been a subject of heated debates since its discovery in 1964 by Albert Heron. This representation has been widely accepted as a depiction of the Plantagenet family, identifying the central ”crowned” figure as Eleanor. Later research, however, helped to determine that all the figures were actually male. This led the historians to believe that the central crowned figure was in fact Eleanor’s eldest surviving son, Henry the Young King.

The Eleanor Vase

In her article entitled Two reputed representations of Eleanor of Aquitaine from her lifetime – a re-evaluation Sara Cockerill, the author of the latest Eleanor biography, revisits the evidence for both these representations and formulates yet one more theory that the scene is in fact a representation of the characters from St Radegonde’s legend. This led her to the following conclusion: while the same person may well have commissioned both depictions, only one, the Psalter, should be regarded as attempting to portray Eleanor herself.

By Katarzyna Ogrodnik-Fujcik

About the author:

Katarzyna Ogrodnik-Fujcik specializes in British literature and history, her area of expertise being the first Plantagenets (the Angevins). She lives in Poland. She writes for different magazines and websites on Polish and European Middle Ages. She runs a blog dedicated to Henry the Young King. She consulted a BBC documentary on William Marshal.

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

*

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly, FRHistS and Katarzyna Ogrodnik-Fujcik