Sharon Bennett Connolly

Book Corner: The Druid’s Prey by Steven A. McKay

20/08/2025Sharon Bennett ConnollyLeave a comment

A vicious attack. An enraged warrior-druid. A relentless hunt for vengeance!

Following a cowardly raid on Dun Breatann the Saxon attacker, Saksnot, rides back to rejoin his bretwalda, Hengist, in far-off Garrianum. Bellicus, outraged by the savage attack on his people and his closest friend, follows the perpetrator with just one thing on his mind: bloody justice!
As the towering druid hunts his prey across the summer fields and streams, Arthur, Bear of Britain, seeks to make a lasting peace with the new immigrants from across the sea. Hengist has no such plans however, instead working alongside his terrifying volva, Thorbjorg, to bring only blood, fire, and death to the embattled Britons.

As the brutal struggle for supremacy rages between the two warlords and their armies, Bellicus will find himself drawn into an adventure he could never have foreseen. An adventure that may seal the fate of Britain for generations to come.

Yes! Bellicus is back!

And better than ever! The Druid’s Prey by Steven A. McKay is the seventh book in Steven’s excellent Warrior Druid of Britain Chronicles. As regular readers will know, I have been reading this series since the first book, The Druid. The books follow the adventures of Bellicus the druid, his family and his Roman friend, Duro, as the defend their home, Dun Breatann, and the rest of Britain from the invading Saxons, led by Hengist and Horsa. Well, its just Hengist now, thanks to The Vengeance of Merlin. A sucker for anything Arthurian, Steven A. McKay also draws in the legendary Arthur, Lancelot and his loyal knights. And I love how Arthur is drawn into Bellicus’ story, but never fully takes over.

It’s a perfect combination and partnership.

In The Druid’s Prey, Bellicus is set on revenge, traveling the length of Britain to find the man who had tried to kill him and hurt his friend. Further south, Arthur is trying to take the war to Hengist, to strike a blow that will hurt the Saxon leader’s forces, and to find a friend of his own who has been captured by the enemy. Oh, and while Bellicus is away, his wife and daughter, Narina and Catia, work to strengthen Dun Breatann’s position and stave off the influence of the hated Hengist. Three missions that the reader can’t help but hope they collide…

The bear stopped moving, taking in the sight of the boar which was peering at it in return. And then the bear looked up at Bellicus and their eyes met. The druid swallowed, knowing for certain that he had come across this very animal before – it had attacked them some years prior, not far from where they were now, badly injuring King Coroticus and Gavo and killing one warrior and three dogs. It had eventually decided to give up the fight but only once it had a spear stuck in its back and a number of arrows from the Damnonii hunters’ bows. Bellicus examined its hairy pelt for evidence of those earlier wounds but it seemed to have healed well in the intervening years.

As if it recalled the battle the bear suddenly stood up on its hind legs and let out an enormous roar. Bellicus gazed at it in awe – the animal was not just enormous, it was majestic, and the thought of trying to kill it again was truly terrifying.

It seemed the boar had similar thoughts, for instead of charging at the bear, it turned and hurried off into the trees, the spear that Duro had planted in its side clattering noisily against tree trunks until, at last, it must have snapped off for there was a last, distant squeal and then only the low growling of the bear was left to fill the clearing.

“Mithras protect us, we’re in for it now,” Duro said, doing his best to draw his spatha while still gripping the trunk of his tree for dear life. “At least the boar couldn’t get up here.”

“Don’t do anything,”Bellicus ordered in a low voice. “Do you not recognise it?”

“Aye,” the centurion nodded. “It’s the same bear that almost killed us all before. You told us to let it go back then for some mad reason.”

“The Bear of Britain,” Bellicus said, so softly Duro could not hear him. “That’s what the Merlin had called Arthur.” Memories of the previous encounter with the bear were filling his mind and he remembered being in a shocked stupor as he’d stared at the bear bristling with missiles like a hedgehog. The animal had lost the will to fight that day and Bellicus had commanded those with him to let it go, a decision he’d never really understood himself. For some reason he’d seen the beast as connected to Arthur, or perhaps he just didn’t want any more people – or Cai, for the mastiff had been involved in the fighting too – getting injured or killed.

Whatever his motives had been, the bear stared up at him now, its round, dark eyes fixing on his own. There seemed an intelligence behind that gaze that Bellicus had not expected. Did it recognise him? Did it understand that he’d been the one that called off the attack on it and most likely saved its life after their previous encounter? Maybe. The druid knew that bears had an even more developed sense of smell than dogs, so it was possible the beast, which had dropped back to all fours now, recognised his scent if not his face.

The bear made a strange, ululating, guttural grunting sound and then simply wandered off into the trees, quickly disappearing from sight.

“Is… Is it over?” Duro gasped, sword still glinting in the last of the sunshine as he lowered himself down, hanging from a branch by one arm as he tried to see through the foliage and make sure the bear had really gone.

Hengist is on the road to revenge, taking any opportunity he can to punish his brother’s killers, whilst at the same time increasing his hold on Britain, extending his influence and grabbing more land. He sends an assassin north to Dun Breatann, captures one of Arthur’s leading men and seeks allies among the enemies of Bellicus and Queen Narina. The Druid’s Prey by Steven A. McKay has more than one story within its pages – and more than one hero!

It is a rollercoaster journey through post-Roman Britain as the lead characters fight to hold onto their lands, their friends and their family. Their are more than a few heart-in-the-mouth moments along the way. And, if you are reading at night, beware! “Just one more chapter…” will lead to 3 or 4 more!

As we are at book no. 7 in the Warrior Druid of Britain series, Steven A. McKay’s characters are well developed and very familiar to us. We know how Bellicus will react to his family and friends being attacked. We know that his daughter, Catia, now 12 years old, is not a little girl to whom things happen-she is a pre-teen, trained in warfare, experienced beyond her years but still needing the guidance of parents to keep her out of the worst trouble. And Arthur, everyone’s hero and Bellicus’ friend. Well, his adventures never fail to inspire and entertain. And each of these characters have to make choices and decisions that affect, not only themselves but also their people. Agonising decisions will lead to more danger, adventure and not a little swordplay.

I won’t tell you any more – I do not want to ruin it for anyone.

All I will say is, The Druid’s Prey by Steven A. McKay is the 7th book in a series and yet is as fresh and original as the first. If you have not yet read this excellent series, you are missing a treat – but I envy the fact you have 7 books to read, one after the other. What a treat you have instore.

To Buy the Book: The Druid’s Prey

About the author:

Steven A. McKay was born in Scotland in 1977 and always enjoyed studying history. He decided to write his Forest Lord novels after seeing a house called “Sherwood” when he was out at work one day. Since then he’s started a new series, the Warrior Druid of Britain Chronicles, and just completed a trilogy about Alfred the Great.

In 2021 the Xbox game HOOD: Outlaws and Legends was released, featuring Steven’s writing.

He used to be in a heavy metal band although he tends to just play guitar in his study these days. He did use those guitars to write the theme song for the podcast he co-hosted, Rock, Paper, Swords! with Matthew Harffy, though. Give it a listen, they’ve interviewed great guests like Diana Gabaldon, Simon Scarrow, Bernard Cornwell, Dan Jones and more!

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Kathryn Warner

16/08/202502/07/2025Sharon Bennett ConnollyLeave a comment

I am very happy today to welcome historian Kathryn Warner to History…the Interesting Bits in a new instalment of my Author Spotlight series, Wordly Women. Kathryn is the ‘go to’ person for all-things Edward II. She has also written about John of Gaunt, the Beaumont kings of Jerusalem, the Clare sisters and her latest book is The Black Death in England: Journal of the Plague Years in the Fourteenth Century. Her books are always well research and enjoyable reads. And when we get together to chat on A Slice of Medieval, it is always a fabulous discussion and a pleasure.

So, over to Kathryn…

Sharon: Hi Kathryn, I would love to know what got you into writing?

Kathryn: In a nutshell, my passion for Edward II and his era! It was strange, because during my time at university studying medieval history, I’d never been that interested in him, but my fascination developed some years after I graduated. I started writing stories about him, then started a blog about him and his reign as well, because my passion was so overwhelming that I just had to get it down on paper or on a screen and share it with people. Some years later, I wrote some academic articles about him, then went on to write a full-length biography of Edward and his life and reign, which became my first published book.

Sharon: Tell us about your books.

Kathryn: I’ve written at least twenty non-fiction books now. My earlier ones are biographies and joint biographies, including Edward II’s queen Isabella of France, their daughter-in-law Philippa of Hainault, their grandson John of Gaunt, Edward II’s last and most powerful favourite Hugh Despenser the Younger, Edward’s nieces the de Clare sisters, and Edward III’s granddaughters. These days, I’m massively getting into social history too, and have written a book about aspects of life in London between 1300 and 1350, one about the victims and survivors of the fourteenth-century pandemics of the Black Death, and one called Life in a Medieval Town.

Sharon: What attracts you to the 14th century?

Kathryn: It was such an astonishingly dramatic and turbulent era. As well as the chaos of Edward II’s reign early in the century – battles, rebellions, executions, betrayals, changes of fortune, hatreds and passions, Edward’s forced abdication, and much else – there were natural disasters too. The pandemics of the Black Death are well known, especially the first one in 1348/49, but there was also a massive famine in England in the 1310s. Edward III began what we know as the Hundred Years War against France in the 1330s, his grandson Richard II witnessed the Peasants’ Revolt in 1381, and so on. I really don’t think I’d have liked to live in the fourteenth century, haha, but it’s an endlessly fascinating era to research and write about.

Sharon: Who is your favourite 14th century person and why?

Kathryn: To the surprise of absolutely no one who knows me, Edward II! Without question, he’s one of England’s most unsuccessful kings in history, and was the first one who suffered the fate of deposition or forced abdication in 1327. His reign of just under 20 years is dramatic almost beyond the telling of it, as Edward lurched constantly from one crisis to the next, crises almost entirely of his own making. He was completely unsuited to the position he’d been born into, and was a deeply unconventional man by the standards of his era. I feel that he makes much more sense to us than he did to his contemporaries: he openly loved men, he enjoyed the company of his common subjects and even went on holiday with them, he enjoyed being outdoors and doing hard physical labour. Edward II, born in 1284, is exactly 700 years older than Prince Harry the Duke of Sussex, born in 1984, and I often think that Edward would have been much happier and more successful if he’d been born into the royal family of the late twentieth century than he was in his own lifetime.

Sharon: Who is your least favourite 14th century person and why?

Kathryn: That’s a tricky question to answer, really, as even the people I instinctively don’t tend to like all that much intrigue me and led fascinating lives that I want to delve into. Someone like Roger Mortimer, the first earl of March, for example. He played a massive role in Edward II’s downfall in 1326/27, and as such is someone I feel I should dislike, but I really don’t, because he’s such a complex fascinating person. It’s not Roger that I dislike, it’s the way he’s often been written in modern times, in this absurdly over-romanticised way as the adored lover and saviour of Edward II’s queen, Isabella of France. It flattens his character and turns him into a caricature that has very little to do with the person he actually was. So I can’t say that I have a least favourite fourteenth-century person, but I do often profoundly dislike the simplistic, one-dimensional ways in which many fourteenth-century people are depicted nowadays.

Sharon: How do you approach researching your topic?

Kathryn: I think a lot of people might be surprised at just at how many sources we have from the fourteenth century, and how much information there actually is once you start delving into them. In the period I write about, pretty well all the sources are written in Latin or French, and though many have been transcribed and translated, many have not. Looking at original documents in the National Archives is such a joy! I’ve found lots of wonderful details about Edward II and his life and household from his extant accounts, for example. I often fall down a rabbit-hole of research and emerge blinking hours later, and oddly enough, some of my best finds are things I stumbled upon by accident while researching something else.

Sharon: Tell us your ‘favourite’ 14th century story you have come across in your research.

Kathryn: While I was researching a book about London between 1300 and 1350, I came across this fab story. The rector of the church of St Margaret Lothbury in London around the year 1300, whose name was William (his last name was not recorded), had an insatiable curiosity about a disease he called Le Lou. This means ‘The Wolf’ in medieval French, and probably referred to the condition we now call lupus, which means ‘wolf’ in Latin. Believing that wolf flesh could cure the disease, William ordered a cask of four dead wolves from abroad (where exactly was not specified) to be sent to his church. By the time the dead animals arrived in London, however, their corpses had become ‘putrid’, and William was hauled before the court of the mayor of London, Elias Russel, on 5 January 1300, and ordered to explain himself. To me, this situation reveals several things that are worth knowing about the early fourteenth century. Firstly, that a man in England somehow managed to contact a person on the Continent who was willing and able to send him dead wolves; secondly, that officials around the year 1300 were aware that the welfare of the general public in a crowded city might be worsened by the presence of decaying animal corpses; and thirdly, that a person was deeply interested in a particular disease and cared about its victims, and attempted, albeit in a comically misguided way, to find a cure for it.

Sharon: Tell us your least ‘favourite’ 14th century story you have come across in your research.

Kathryn: It’s one that breaks my heart. At the start of the year 1349, Agnes Stokwell was living on Whitecross Street in London with her family, who consisted of her father Walter, a painter; her mother Joan; her older brother Laurence; and her three older sisters, Christine, Imania, and Alice. She also had an aunt named Isabel and an uncle named William, her father’s siblings, and her father’s apprentice Thomas Bournham lived in the household as well. The Stokwell family were pretty well-off and thriving, but by the end of 1349, all of them were dead in the first massive pandemic of the Black Death, except only Agnes. She was just seven years old, and within a few months had lost her entire family, every living relative; her parents, her four older siblings, and her aunt and uncle. Thankfully, her late father’s apprentice Thomas Bournham also lived through the plague, the only other survivor of the household, and was given custody of Agnes at the end of 1349. They both disappear from written record after that, or at least I’ve never been able to find them again, but I hope they lived long and thrived.

Sharon: Are there any other eras you would like to write about?

Kathryn: My second favourite era after the fourteenth century is the eleventh century. I did a few courses on Old English language, literature, history and culture at university, and loved it. I’m particularly interested in the first few decades of the 1000s – the end of Aethelred’s reign, the brief reign of his son Edmund Ironside, King Cnut and his son, and Emma of Normandy, who married both Aethelred and Cnut.

Sharon: What are you working on now?

Kathryn: My current project is provisionally titled Murder and Mayhem, and is about some of the violence, homicide, gangs and feuds in fourteenth-century England. There’s a wealth of material, almost too much, in fact! The book after that is about the royal English household in the late Middle Ages, which is a subject I’ve been wanting to write about for ages.

Sharon: Now that, I want to read!

Sharon: And finally, what is the best thing about being a writer?

Kathryn: For me, it’s the chance to immerse myself in the fourteenth century, to discover fascinating stories and to share them with readers. I also love that my time is unstructured, and I can write whenever I like and take breaks whenever I like, which suits me very well. And finally, it’s simply amazing that I’ve been able to turn my passion for fourteenth-century history into a job!

About the Author:

Kathryn Warner holds two degrees in medieval history from the University of Manchester. She is considered a foremost expert on Edward II and an article from her on the subject was published in the English Historical Review. She has run a website about him since 2005 and a Facebook page about him since 2010 and has carved out a strong online presence as an expert on Edward II and the fourteenth century in general. Kathryn teaches Business English as a foreign language and lives between Dusseldorf and Cumbria.

To buy: Kathryn’s books

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Anne de Beaujeu, ‘the least foolish woman in France’

09/08/202516/08/2025Sharon Bennett Connolly2 Comments

Anne de France, also known as Anne de Beaujeu, crosses the invisible divide between the medieval and Tudor eras. As with many rulers from medieval times, Anne was called upon to act as regent for an underage king. She was regent of France during the minority of her younger brother, Charles VIII. Anne was the third child born to Louis XI of France and his second wife, Charlotte of Savoy, but she was the first to survive infancy. Louis’ first wife, Margaret of Scotland, was a daughter of James I and Joan Beaufort and had died in August1445, aged 20.

Anne was born at Genappe, near Brussels, in April 1461. At the time of her birth her father was still dauphin of France. However, just a few months later, Anne’s grandfather, Charles VII, the man who had attained the crown thanks to the efforts of Joan of Arc, died.

The unfortunate king had had a fractious relationship with his son and heir, Louis; they did not see each other for the last fifteen years of Charles VII’s life. Louis plotted intrigue with his neighbours and had even raised an army against his father in 1455, following arguments over Louis’ marriage to Charlotte. He eventually fled to Burgundy with his wife after his father threatened to invade his lands in the Dauphiné. He refused to return to France, despite being told that his father was dying; Louis waited at the French border for news that he was king. Charles VII died of starvation on 22 July 1461, after a tumour in his jaw prevented him from eating, and Louis immediately returned to France for his coronation.

Louis XI was thirty-eight years old when he became king. He was not a likable man. He possessed a keen intelligence and few scruples. His main political aim was to expand his kingdom, using whatever methods would achieve this. He was pious and cultivated, in contrast to the ostentation and debauchery of his predecessors. His web of political intrigues often got him into international hot water, such as the adventure of Péronnne in 1468, when Louis incited the people of Liège to revolt against the Duke of Burgundy. Under the pretext of negotiation, Louis was arrested by the Duke and forced to offer him financial aid. However, these initial setbacks did not last. Louis was a wily diplomat, at home and abroad, earning him the nickname ‘the universal spider’. He managed to extend French territory by acquiring the French duchy of Burgundy, Picardy, Anjou, Maine and Provence. Louis relied on men of modest means to run his administration, rightfully anticipating that they would be more dependent on him and his goodwill than wealthy nobles. He encouraged the bourgeoisie and initiated the Grand Conseil. He also increased the number of military companies who came directly under the command of the king rather than his nobles.

On his accession, Louis’ daughter, Anne, was installed in the Chateau at Amboise, away from the court, with her mother Charlotte of Savoy and paternal grandmother, Marie of Anjou. Anne was given her own attendants, including chambermaids, nurses and a cradle-rocker. Her mother was in charge of Anne’s education. The queen had an extensive library, including classical works by authors such as Cicero, romances, psalters, histories and books on government. Anne inherited the books on her mother’s death; they were still in her library at Moulins when she herself died.

While still in the cradle, in fact as soon as her father was on the throne, Anne was the most eligible princess in Europe. Combined with great energy; many thought her the mirror image of her father in her keen political mind, although not in other ways. She was considered as a bride for Edward IV in England, Duke Francis II of Brittany and even her uncle Charles, Duke of Berry. Any age difference did not matter to her father, who offered the four-year-old princess to the thirty-two-year-old Count of Charolais– Charles the Bold, the future Duke of Burgundy. A betrothal to Nicholas, Duke of Lorraine, came to nothing when the duke broke it off to pursue Mary, Duchess of Burgundy. When she was twelve, almost thirteen, Anne’s future was decided when she married Pierre de Bourbon on 3 November 1473. At thirty-four, Pierre was twenty-one years her senior.

Pierre’s brother, the Duke of Bourbon, allowed him to use the courtesy title of Lord of Beaujeu and gave him rule of the Beaujolais. However, the newly married couple resided in the king’s court at Plessis-lès-Tours. For Anne, the next ten years were spent at the court and, particularly, with her father– during which time Louis XI said Anne was ‘the least foolish woman in France, but a wise one there was not’ (‘Elle était la moins folle femme de France, car de sage il n’en était point’). Anne, who would be called ‘Madame La Grande’ had a sharp political intelligence. She had a handsome face but was not considered beautiful. She fell pregnant in 1476, but little is known of the outcome of the pregnancy, it is possible that she had a short-lived son, Charles, Count of Clermont, but the details are sketchy. In 1481, Anne was given the County of Gien by her father to allow her to finance her own household. In April 1483 she was despatched to Hesdin to bring her little brother’s bride, three-year-old Margaret of Austria, to France. The little princess was to be brought up at the French court until she was old enough to marry the thirteen-year-old dauphin, Charles.

Anne was twenty-two years old when Louis XI died aged sixty on 30 August 1483, at Plessis-lès-Tours in the Loire Valley. He was succeeded by his son, Charles VIII, who was thirteen years old. Louis had not provided for a regency – young Charles was ten months short of his majority – although he had intended to set up a regency council, which would include the young king’s mother, Charlotte of Savoy, and Louis, Duke of Orléans. Louis was a great-grandson of Charles V and brother-in-law to the king and his sister, Anne de Beaujeu, being married to Jeanne de France; he was also Charles VIII’s heir until he produced a son of his own.

Anne’s husband Pierre, Lord of Beaujeu, was to be appointed the council’s president. However, Anne and her husband had also been appointed Charles’s guardians and it seemed a natural progression for them to take over the government of the realm. Charles was crowned on 30 May 1484 and, in the same year, to appease the populace, an Estates General was called. The body which brought together representatives from the Three Estates (nobility, clergy and commons) had last met in 1439. Their grievances, such as requests for reductions in the tailles and no taxation without the consent of the Estates, were heard and promises made; and the representatives went home content they had been listened to, even though their demands were not entirely met.

The nobility, who had control of the army, and Louis d’Orléans in particular, were not happy with the arrangements. Encouraged by Archduke Maximilian of Austria and Duke Francis of Brittany, Louis and his supporters took up arms in what became known as ‘the mad war’ or ‘the silly war’. They were soundly defeated, their army crushed at Saint-Aubin-du-Cormier in July 1488, and the Duke of Orléans taken prisoner.

Anne’s greatest success was in Brittany, a semi-autonomous duchy within France. The Duke of Brittany, Francis, died in 1488 leaving his thirteen-year-old daughter Anne as his sole heir. Before his death, in an attempt to keep Brittany from being swallowed up by the French crown, the Duke offered his daughter’s hand in marriage to Maximilian of Austria. However, Maximilian was too far away to protect the duchy when the French army invaded. Anne of Brittany was forced to agree to marry Charles VIII, although Brittany would remain in Anne’s hands. This move eventually led to the annexation of Brittany by the crown. No longer needed as a bride, little Margaret of Austria was sent home and Charles VIII married Anne of Brittany on 6 December 1491. The marriage treaty had one unusual clause in that should Charles die before they had children, Anne was to marry Charles’s heir, the next king of France.

This diplomatic coup was one of the last of the Beaujeu regency as Charles VIII was now twenty and of an age and desire to rule. In 1488, Anne de Beaujeu had become Duchess of Bourbon following the death of Pierre’s older brother, John; the title had initially passed to another older brother, Charles, an Archbishop, who was persuaded to relinquish it after holding it for just two weeks, following Pierre’s invasion of the duchy. Anne and Pierre, now the Duke and Duchess of Bourbon, had become the richest, most powerful nobles in the realm. Although she still acted as an advisor to her young brother, Anne de Beaujeu now turned her attention to her new duchy, familiarising herself with her lands and its administration. She started a building programme, which included the rebuilding of the ducal castle at Gien, and the palace at Moulins. She also reorganised the duchy’s administration, codified its laws and raised taxes. Theirs was the epitome of a Renaissance court, the couple being patrons of the arts and literature. Anne particularly loved paintings, tapestries and books.

Anne finally gave birth to a surviving child, a daughter, on 10 May 1491, who was named Suzanne. Suzanne was carefully educated by her mother, who wrote a book, Les Enseignements d’Anne de France, Duchesse de Bourbonnais et d’Auvergne, à sa fille Suzanne de Bourbon, giving advice to her daughter on the proper behaviour expected of a noblewoman. Anne de Beaujeu was made regent again in 1494, when her brother Charles VIII led his army into Italy. She financially supported the king’s campaign by loaning him 10,000 livres; she made him pay it back in instalments and had recovered the full amount within a year. Charles died in 1498 after striking his head on a door lintel, leaving no direct heir. His distant cousin Louis, Duke of Orléans, succeeded him as King Louis XII. He immediately applied to the papacy for an annulment of his marriage to Anne de Beaujeu’s sister, Jeanne, in order to marry the dowager queen, Anne of Brittany, as the terms of her original marriage contract dictated. In return for Anne de Beaujeu’s support of his accession and repudiation of her sister, Louis agreed to waive royal rights to the duchy of Bourbon and the Auvergne and to allow these rights to pass to Suzanne, should Anne produce no male heir.

In 1503, Pierre de Beaujeu, Duke of Bourbon, fell ill while returning home to Moulins from the French court. He succumbed to a fever, which attacked his body for two months before he died on 10 October. Pierre arranged for Suzanne to marry a prince of royal blood, Charles d’Alençon, and called him to Moulins so the wedding could take place before his death. However, Charles arrived too late and could only act as chief mourner at Pierre’s funeral, rather than as bridegroom to Suzanne. Suzanne’s mother then broke the marriage contract and Suzanne would marry her cousin, Charles III of Bourbon Montpensier, Constable of France, but she died in 1521, childless.

Anne de Beaujeu, Duchess of Bourbon, died on 14 November 1522 at the Château of Chandelle, Coulandon. She was buried alongside her husband and daughter in the abbey at Sauvigny. Her lands and personal title, at her own request, passed to her son-in-law, Charles of Bourbon-Montpensier.

Anne de Beaujeu was regent of France at a time when the country was transitioning from the medieval to the early modern era. She successfully steered the country through civil unrest and initiated the merging of Brittany into the French crown, which would be definitively sealed in 1532.

Images:

Sources:

Pierre Goubert, The Course of French History; Les Enseignements d’Anne de France, Duchesse de Bourbonnais et d’Auvergene, à sa fille Suzanne de Bourbon (‘The lessons of Anne of France, Duchess of Bourbon and Auvergne, to her daughter Suzanne of Bourbon’); Abernethy, Susan, ‘Anne de Beaujeu, Duchess of Bourbon and Regent of France’ (article);

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Guest Post: Announcing Gothic Precarity by Tim Rideout

06/08/202507/08/2025Sharon Bennett ConnollyLeave a comment

Today, it is a pleasure to welcome to History…the Interesting Bits, Dr Tim Rideout. I have known Tim since 2017, when Heroines of the Tudor World came out. He is the ‘go to’ person if you need an interviewer for your literary festival and chaired a panel, which included me, at the Newark Book Festival a few years ago. His first book, ‘Gothic Precarity: Fear and Anxiety in Twenty-First-Century Fiction’ comes out next month.

So, Tim dropped by to tell me a little bit about it.

Announcing Gothic Precarity by Tim Rideout

I’m thrilled to announce the upcoming publication of my new book, ‘Gothic Precarity: Fear and Anxiety in Twenty-First-Century Fiction’, which will be released on 15th September by the University of Wales Press as part of their excellent Gothic Literary Studies series.

This book emerges from a sustained engagement with contemporary fiction that situates the Gothic not simply as a mode of terror or horror, but as a rich cultural register through which the anxieties of our time—social, economic, ecological, and psychological—are exposed and decoded. Over the past two decades, the Gothic has flourished in fiction as a form uniquely attuned to chronic unease, existential threat, and the slow violence of neoliberalism, climate crisis, and systemic collapse.

Why ‘Gothic Precarity’?

The term precarity has become a central keyword in contemporary critical theory, capturing the conditions of instability and insecurity that define life in the early twenty-first century. In my book, I argue that the Gothic offers a distinctive aesthetic and affective vocabulary for exploring those conditions—particularly the entanglement of fear, anxiety, and dread as they permeate everyday life.

Drawing on a wide range of works from authors such as Yiyun Li, Ahmed Saadawi, Silvia Moreno-Garcia, Viet Thanh Nguyen, Diane Cook, and others, Gothic Precarity considers how fiction engages with themes such as economic precarity, racialised violence, climate trauma, and ontological uncertainty. These texts do more than simply represent fear—they perform it, immersing readers in atmospheres of claustrophobia, dread, and instability that mirror our own precarious moments.

Gothic Forms for Precarious Times

Rather than treating the Gothic as a genre of the past, the book rethinks it as a living, evolving mode of cultural critique. It shows how contemporary authors adapt and reconfigure Gothic conventions—hauntings, uncanny spaces, spectral figures, disrupted chronologies—to address the deep unease that defines much of the twenty-first-century experience.

At its heart, Gothic Precarity is a study of how fiction helps us feel, name, and navigate the crises of our time. It’s a book about fear—but also about how fear can become a means of political and ethical awareness, a platform for counter-narratives.

About the book:

Ours is an age of precarity, as fear and anxiety have come to define the twenty-first century. Politically, economically and socially, the neoliberal orthodoxy has become globally dominant and, as a direct result, traditional frameworks of protection have been dismantled, while existential insecurity is increasingly passed from nations and institutions to individuals. In the meantime, the Gothic mode of fiction is experiencing a new ascendancy, strengthening the argument that the Gothic represents the best literary mode with which to decode this age of precarity. In this context, the present study offers a groundbreaking examination of the Gothic mode’s conceptual affinity with notions of neoliberal precarity. Exploring twenty-first-century Gothic fiction’s engagement with the most pressing issues of our age, it considers the oppression and existential entrapment experienced by marginalised populations in the provincial China of the late 1970s, and observes a modern-day Frankenstein’s creature occasion violence and destruction across Baghdad post the 2003 Iraq War. The reader will also discover vampires (representatives of a voracious, toxic economic model) in an alternate Mexico City, encounter a nomadic group traversing the only remaining wilderness in a near-future North America devastated as a result of the climate crisis, and be haunted by a spectral migrant who died in their efforts to flee political oppression in Vietnam.

Pre-Order and More

‘Gothic Precarity: Fear and Anxiety in Twenty-First-Century Fiction’ will be available from the 15th September via the University of Wales Press, Amazon, Waterstones and major retailers. I’ll be sharing more updates, events, and discussions around the book in the coming weeks.

For academics, students, and readers interested in contemporary literature, the Gothic, affect theory, or cultural responses to crisis, I hope this book offers both insight and provocation.

Thank you for reading—and stay tuned for more!