Her father’s only daughter.
Her country’s only hope.
The King of Leinster, awaiting news of his newborn child, is disappointed to hear he has a daughter. Diarmait MacMurchada wanted another strapping son to shoulder a spear, wield a sword, and protect his kingdom. But the moment Diarmait holds tiny Aoife in his arms, he realised she would be his most precious treasure.
Forced into exile Aoife and her family find themselves at the mercy of Henry II. Aoife – aware of her beauty but not its power – intrigues and beguiles Henry in equal measure. He agrees to help her father, an alliance that leads the MacMurchadas to the charistmatic Richard de Clare, a man dissatisfied with his lot and open to new horizons.
Diarmit promises Richard Aoife’s hand in marriage in return for his aid in Ireland, but Aoife has her own thoughts on the matter. She may be a prize, but she is not a pawn, and she will play the men at their own game. For herself, for her family, and for her country.
From the royal halls of scheming kings, to staunch Welsh border fortresses and the wild green kingdoms of Ireland, The Irish Princess is a sumptuous, journey of ambition and desire, love and loss, heartbreak and survival.
Elizabeth Chadwick’s The Irish Princess is one of the most anticipated historical fiction novels of the year. I was lucky enough to receive and advance copy from NetGalley – and it more than lives up to expectation. Telling the story of the marriage of Richard de Clare (Strongbow) and his Irish princess, Aoife MacMurchada, against the backdrop of the Norman invasion of Ireland it seamlessly weaves together the various strands to make an engaging and utterly engrossing story.
Aoife is a proud and precocious princess who has grown up amid the brutality of the power struggles of the Irish clans. She has seen brothers maimed and murdered, the heads of her father’s enemies decorating her home and had to flee into exile, all before she had left what should have been the innocence of childhood. Her marriage to Richard de Clare, Earl of Striguil, is a political necessity in the strategies of her father, to recover his lost kingdom of Leinster.
Richard de Clare, on the other hand, is a man on the outside; not trusted or employed by King Henry II, he sees helping Aoife’s father as an opportunity to gain a wife and heirs, lands and influence. He still has to play the courtier, however, and has to walk a fine line with Henry, deferring to the king whilst protecting his own interests – not an easy path to walk.
The entrance to the castle was above ground level with steps leading to a doorway decorated with a patterned arch of zig-zags and painted chevrons. A man stepped from the darkness of the arch and came down the steps to greet them. Tall and well proportioned, he moved with confident grace. His tunic was grey, topped by a cloak of a darker, charcoal hue, lined with squirrel fur, creating a strong but subtle contrast. His hair was the same rich auburn as the squirrel pelts.
Welcome to Striguil, sire.’ He bowed his head in courtesy and extended his hand to clasp her father’s. ‘I trust you have journeyed well?’ his voice was light, but the words were clearly spoken and his smile showed a flash of white teeth. he sent a brief glance in her direction, as he encompassed everyone in his greeting.
‘Well enough, my lord,’ her father answered in accented French. ‘But glad to arrive. You have a fine castle.’ His gaze roved the walls.
‘It serves its purpose well,’ de Clare replied, still smiling. ‘Will you come within?’
Diarmait presented Aoife’s mother and her brothers to de Clare, and then spread his arm in a flourish. ‘And this is my daughter Aoife.’
Aoife swallowed and held her ground as she had held it before King Henry. De Clare’s eyes were clear with a glassy mingling of sea-colours, utterly striking against the dark contrast of his pupils. His stare was as intense as Henry’s had been but assessing her rather than predatory.
‘My lady, you are indeed welcome,’ he said, speaking slowly and clearly to help her understand him. ‘Word of your great beauty has carried, and it is not exaggerated.’
Elizabeth Chadwick wonderfully combines the history of the conflict with the private lives and experiences of her leading characters. The personal stories are what make this book truly a incredible read. I wasn’t keen on Aoife at first, but she grows on you as she grows up and is a courageous heroine, who has to use all her attributes as a woman in order to survive and prosper. No shrinking violet and no meek, biddable child, she is well versed in the politics of Ireland and England, but knows her place as a woman of the times; advising and steering policy in private and charming the English king to gain his protection.
From Aoife herself, to her sister-in-law Basilia, from Richard de Clare to King Henry, it is the characters in The Irish Princess that serve as the backbone of the novel. They drive the direction of the story and the empathy and engagement of the reader, even more so than the action and intrigue of the times.
Elizabeth Chadwick, as always, has done extensive research and the historical story comes across in each page, even as she weaves in the recreated words and emotions of the characters, adding a sense of having a fly-on-the-wall view of events as they happened. The sweeping landscapes of Ireland, the bloody battlefields, the warmth and comfort of the lord’s hall and the intimacy of the lady’s private quarters are beautifully recreated and woven into the story to draw the reader into the world of Ireland at the time of the Norman invasion.
And to top it all, a cameo appearance by … (not saying, I don’t want to spoil the surprise!)
Fans of Elizabeth Chadwick – old and new – will not be disappointed by this wonderful novel. The author has lived up to every expectation in this wonderful novel. The story and characters are beautifully crafted to bring the reader an epic tale of love, war betrayal … and family.
The Irish Princess by Elizabeth Chadwick will be released on 12 September 2019 and is available from Amazon UK.
About the Author:
New York Times bestselling author Elizabeth Chadwick lives in a cottage in the Vale of Belvoir in Nottinghamshire with her husband and their 3 dogs. Her first novel, The Wild Hunt, won a Betty Trask Award and To Defy a King won the RNA’s 2011 Historical Novel Prize. She was also shortlisted for the Romantic Novelists’ Award in 1998 for The Champion, in 2001 for Lords of the White Castle, in 2002 for The Winter Mantle and in 2003 for The Falcons of Montabard. Her sixteenth novel, The Scarlet Lion, was nominated by Richard Lee, founder of the Historical Novel Society, as one of the top ten historical novels of the last decade. She often lectures at conferences and historical venues, has been consulted for television documentaries and is a member of the Royal Historical Society.
For more details on Elizabeth Chadwick and her books, visit http://www.elizabethchadwick.com, follow her on Twitter, read her blogs or chat to her on Facebook.
From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon UK, Amberley Publishing, Book Depository and Amazon US.
Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World, is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.
©2019 Sharon Bennett Connolly