Book Corner: Fugitive by Paul Fraser Collard

Roguish hero Jack Lark – soldier, leader, imposter – crosses borders once more as he pursues a brand-new adventure in Africa.

London, 1868. Jack has traded the battlefield for business, running a thriving club in the backstreets of Whitechapel. But this underworld has rules and when Jack refuses to comply, he finds himself up against the East End’s most formidable criminal – with devastating consequences.

A wanted man, Jack turns to his friend Macgregor, an ex-officer, treasure hunter and his ticket out of England. Together they join the British army on campaign across the tablelands of Abyssinia to the fortress of Magdala, a high-stakes mission to free British prisoners captured by the notorious Emperor Tewodros.

But life on the run can turn dangerous, especially in a land ravaged by war . . .

Stupendous!

That is the first word that came to my mind when I was asked what I thought of Fugitive by Paul Fraser Collard. Fugitive is book no. 9 in the adventures of Victorian rogue, Jack Lark. Over the last few years, the release of the latest of Jack Lark’s adventures has become one of the highlights of my summer. Last year’s holiday reading was The Lost Outlaw, and the year before that it was The Rebel Killer. And after such amazing books in recent years, Fugitive had a lot to live up to.

In many of the previous books, Jack has taken on the persona of others, officers and soldiers all. He has travelled the globe, fighting in hotspots from the Crimea to America, more often than not concealing his own identity. In Fugitive, Jack Lark is finally himself, though whether that it a good thing or not is open to discussion.

Jack Lark is a bit of a rascal, taking opportunities where he finds them and running with it. He has fought on both sides of the American Civil War, had a stint in the French Foreign Legion and is now going in search of a fortune – and adventure – in Africa as the British Empire’s inexorable expansion opens more opportunities for those willing to take the risk. And, of course, as with any Jack Lark adventure, things get complicated and he is followed by the trouble he hoped to leave behind in London…

‘Do you think -‘ Bertie started.

‘Hush now.’ Cooper was quick to interrupt. ‘He’s coming.’

The three men looked down the alley as one. Sure enough, a figure was approaching. The fog wrapped around him like a ghostly shawl, so that he was little more than an apparition, a dark shadow shrouded in mist.

‘Is that him?’ Bertie whispered.

‘That’s the captain all right,’ Cooper answered softly, the words barely audible.

The figure came closer. It did not hurry. It did not swagger or strut. It simply moved with purpose.

‘Have you got the rhino?’ There was no greeting. Just five short words, delivered staccato. Little could be seen of the captain’s face beneath a dark-coloured pork pie hat pulled down low. He was tall, just a shade under six foot, and was wearing a tightly buttoned overcoat.

‘Are you truly the captain?’ Oddly, it was Bertie who spoke for the three. He stared at the man, his eyes as wide as those of a child seeing a bear for the first time.

‘I’m the captain.’ The words were spoken softly, but every man heard them. ‘Now have you got the rhino?’

He lifted his chin as he repeated the question. For the first time, the three gentlemen got a good glimpse of his face. A scar ran down the left-hand side, the lower half disappearing into a heavy beard. But it was not that that drew their attention; it was the hard grey eyes that stared back at them as if the captain could see right down to their very souls.

The confirmation of identity was enough. Charles fished into his overcoat and pulled out a thick wedge of banknotes, which he held out in front of him.

The captain took the bundle swiftly. He did not check it. Instead, he carefully unbuttoned his coat and tucked the notes deep into an inside pocket. It was artfully done, every gesture sharp and controlled, the coat pulled open just long enough to give the three men a glimpse of the stout oak cudgel hooked into the captain’s belt.

‘Follow me.’ The captain turned on his heel and walked back down the alley, setting a rapid pace. He did not bother to see if they followed.

Just as his character is an expert at impersonation, Paul Fraser Collard has become a master at drawing out the drama and raising the tension to the very last pages of the book. His writing draws the reader in from the very first page and forces you to stay up late and get up early, just to get one more chapter in before work!

The research is, as always, impeccable, and the author takes the reader from the seedier areas of nighttime London to the fortress of Magdala, in the heart of Abyssinia, on a journey across seas, through the stifling heat of the desert and into the fortress itself, with danger and action following every step of the way. From fights in the backstreets of London to the pitched battles of the Victorian Imperial army against the poorly armed Abyssinian massed army, the reader is drawn into a world full of excitement, danger … and possibilities.

I love that Jack Lark is not a man who goes looking for trouble – he tends to fall into it. However, once trouble finds him, he doesn’t shirk from the challenge and faces whatever is set before him. The character development of Jack Lark himself, throughout all 9 books, is fascinating, and probably the best I’ve ever read. He grows and learns from each adventure and is more self-aware in Fugitive of his own abilities – and his failings. He finds out exactly who he is, discovering himself just as the reader does; accepting his flaws.

As the books are set half a century after the Peninsular War, Jack Lark’s adventure are often compare to those of Bernard Cornwell’s Richard Sharpe; with the comparison extending to the two authors. I am not sure Lark and Sharpe are too much alike, beyond the fact they each have a scar on their faces and are ferocious fighters. Sharpe fights within the British army system, whereas Lark is very much an outsider. However, they bot come from similar backgrounds and I can’t help but think that, had they met, they would have got on like a house on fire – or killed each other.

With that in mind, any fan of Bernard Cornwell would not be disappointed if they picked up a Jack Lark book to try. The wonderfully vivid and lively characters Paul Fraser Collard has created – and the very unlikely hero – are a treat for any lover of action and adventure in their historical fiction

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About the author:

Paul Fraser Collard’s love of military history started at an early age. A childhood spent watching films like Waterloo and Zulu whilst reading Sharpe, Flashman and the occasional Commando comic, gave him a desire to know more of the men who fought in the great wars of the Nineteenth and Twentieth Centuries. This fascination led to a desire to write and his series of novels featuring the brutally courageous Victorian rogue and imposter Jack Lark burst into life in 2013. Since then Paul has continued to write, developing the Jack Lark series to great acclaim. To find out more about Paul and his novels visit www.paulfrasercollard.com or find him on twitter @pfcollard.

To buy the book: Amazon UKAmazon US.

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My Books

Ladies of Magna Carta: Women of Influence in Thirteenth Century England  looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & SwordAmazon and from Book Depository worldwide.

Also by Sharon Bennett Connolly:

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Book Depository.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2020 Sharon Bennett Connolly

Book Corner: Interview with Paul Fraser Collard

One of the best things about being an author with a blog is that I get to chat with some of the best writers out there, about their books, writing, social media and anything else they are happy to talk about. It is a distinct pleasure, here at History … the Interesting Bits, to welcome Paul Fraser Collard, best-selling author of the Jack Lark books. Paul’s latest book, Fugitive, hits the shops today and it is awesome!

I last chatted to Paul about his writing 4 years ago, after the release of The Last Legionnaire, book no. 5 in the series. And time has moved on, Fugitive is the 9th book! In that time, an awful lot has happened. So, without further ado, it’s over to Paul…

Hi Paul, thanks so much for agreeing to do an interview. And congratulations on the release of Fugitive.

1. So, first question, have you always wanted to be a writer?

The short and simple answer is no! I never even contemplated writing anything at all until I was in my thirties. I was commuting into London at the time, and I was devouring books at a tremendous rate. I began to think about what it would be like to write something of my own. I made a start, but it took years to get anything finished. That first project died a death, but I had caught the writing bug and I was enjoying using my commuting time to try to write. So, I persevered and a few years later, THE SCARLET THIEF, was done.

2. Who are your writing influences?

It should be no surprise that I was inspired by the great Bernard Cornwell. I first read a Sharpe novel when I was 11 or 12 (Sharpe’s Honour) and I was hooked. My parents got me the rest of the series that year for Christmas and I worked my way through them all. I have read pretty much everything Mr Cornwell has written since. My other great inspiration was George MacDonald Fraser’s peerless Flashman books. I discovered the books quite late, I think in my twenties, and I tore through the whole series utterly mesmerised by the writing. I cannot think of another writer who writes with the same sheer panache. I would never try to mimic such a bold style, but it was the Flashman series that first gave me the idea of setting each book in a new location and against a new campaign or period.

3. What do you love about writing?

For me, it’s the planning and the research. I love learning about the period, and by moving Jack around the globe I’ve been able to learn so much about the different events that he experiences. I also find coming up with the plot and then planning it out a huge amount of fun. Maybe it’s the power, or just the thrill of constructing the story and imagining the trials Jack will have to endure, but I enjoy it immensely.

4. What do you hate about writing?

That first draft! When I have finished researching and plotting, I have a good outline of the whole story that runs to about 20,000 to 30,000 words. All the fun stuff is done and I have to plough through that long first draft that always takes me months. I do enjoy the feeling of getting it done though, and generally I love the next stage of going over and over the story trying to add the magic and make it as good as I can.

5. Social media – do you love it or hate it?

To be honest, its somewhere in between the two. I don’t find it easy to promote my books and I worry a lot about how I come across and what people must think of me. But at the same time, I have met some absolutely wonderful people through social media. I know that’s become something of a cliché, but I don’t care as its absolutely true. I am constantly gobsmacked at the help and the support I receive from a wide range of people all around the world. It is both humbling and delightful at the same time.

6. What advice would you give to someone starting on their writing career?

Just sit down and do it. I get this question a lot and I always say the same thing. Just start writing. It doesn’t matter if its good or if it’s absolutely bloody awful. Just get words down, build the story, get the characters going then write and write and write. You can always go back and make it better, but you can do nothing with a blank page.

7. What attracted you to setting your stories in the 19th century?

I have to blame Sharpe and Zulu. Both captivated me at an impressionable age. The choice of the Crimea for the first book in the series was more pragmatic. At the time, few writers had tackled the Battle of the Alma or the Crimean War and I had a feeling I had to start with something a little different. It was also the perfect jumping off point for the next adventures.

8. Did you ever expect to be still writing about Jack Lark 9 books later?

Honestly, no. It seems pretty incredible to me, especially as there must be over 1 million printed words that I have written now. I always think back to an English exam I took when I was about 14 or 15. I got some awfully low mark, and for a while it quite put me off reading and writing. Yet now here I am, with nine novels and four short stories to my name. It just shows, you really never know what you can do.

9. Jack Lark has become one of my favourite literary characters, how did you create such a complex character development?

That is very kind of you! I think my aim all along was to create a character that was both believable and relatable. When I started writing Jack’s stories, it seemed to me that a lot of other heroes in historical fiction were really rather good chaps, who generally did the right thing and although they had a tough time, their experiences never really seemed to linger with them. I have always read as many first-hand accounts as I can, covering any period of warfare, and I want to convey something of that universal experience of war through Jack. If I have done a half-decent job of that then I am truly happy.

10. Jack Lark is a bit of a globetrotter, how do you research the various societies and lands he has visited?

Thankfully, most of the campaigns and battles in the Jack Lark books are well-covered (sometimes too well covered!) I always start by reaching for the relevant Osprey books first and there is no better way to begin a new project. From there, I search for as many first-hand accounts as I can find, so that I can get the view of the ordinary soldier on the field of battle. That is what I find fascinating. Grand strategy and the calculated movement of troops are certainly interesting, but I want to know what it was like to stand on the front line and trade vollies with the enemy, or how men felt as they were ordered to charge directly into the fire of a well dug in defender.

11. What comes first, the research or the story?

Research for sure. It is only when I have a pretty good idea of the event or battle that I plan to cover, that I can start to work out how to weave Jack’s story into that timeline. More often than not, the research inspires me, and for quite a few of the books, the half-baked notions I had for the story before I started, get completely forgotten when I learn what really happened and how it happened.

12. How do you decide where Jack goes next?

This is the tricky bit. A lot was happening in the world in the mid to late 19th century, and it has often been really difficult to decide where Jack goes, especially as I can look globally. Usually something jumps out at me, and I definitely prefer something less well known to a famous battle or campaign.

13. With Bernard Cornwell’s Last Kingdom series, we’ve known, almost from the beginning, that the books will end at the famous Battle of Brunanburh, does Jack Lark similarly have a final battle that will be his swansong?

To be honest, I have no idea where or how the Jack Lark series will end. I think that’s rather exciting. If I have no idea, then neither will a reader!

14. Will Jack ever find love and settle down, or will he always be a drifter?

Never say never. I think Jack may well find someone he wants to settle down with. I just don’t know if I will let him! There is something of The Littlest Hobo in Jack (if you remember that kid’s TV programme!). It’s his lot to always be moving on to where he is needed next. I certainly don’t see Jack settling down to become a farmer or something equally innocuous.

15. What will come after Jack Lark, do you have other projects on the horizon?

I have so many ideas! I have two outlines for books set in London in WW2, as well as a fully completed manuscript that tells the story of an SOE agent in the middle of the war. I also have some half-formed thoughts for a serial killer book and another for a story set in a dystopian future. The recent events have also given me a terrific idea for a pandemic novel (well, I think it’s terrific). The problem is how to fit everything in, as I still work full-time. I don’t know when I will get to some of these ideas, but perhaps at least I will have an interesting and busy retirement when I eventually get there!

Paul, thank you so much for taking the time to talk to me. Such wonderful answers. And now I can’t get the theme tune to The Littlest Hobo out of my head! I wish you every success with Fugitive. Jack Lark is such a wonderful character and I urge everyone to take a look at his latest adventures. Look out for my review of Fugitive sometime next week!

About the Author:

Paul Fraser Collard’s love of military history started at an early age. A childhood spent watching films like Waterloo and Zulu whilst reading Sharpe, Flashman and the occasional Commando comic, gave him a desire to know more of the men who fought in the great wars of the Nineteenth and Twentieth Centuries. This fascination led to a desire to write and his series of novels featuring the brutally courageous Victorian rogue and imposter Jack Lark burst into life in 2013. Since then Paul has continued to write, developing the Jack Lark series to great acclaim. To find out more about Paul and his novels visit www.paulfrasercollard.com or find him on twitter @pfcollard.

To buy the book: Amazon UK; Amazon US.

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My Books

Ladies of Magna Carta: Women of Influence in Thirteenth Century England  looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & SwordAmazon and from Book Depository worldwide.

Also by Sharon Bennett Connolly:

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Book Depository.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2020 Sharon Bennett Connolly


Book Corner: The Last Legionnaire by Paul Fraser Collard

indexJack Lark has come a long way since his days as a gin palace pot boy. But can he surrender the thrill of freedom to return home?

London, 1859. After years fighting for Queen and country, Jack walks back into his mother’s East End gin palace a changed man. Haunted by the horrors of battle, and the constant fight for survival, he longs for a life to call his own. But the city – and its people – has altered almost beyond recognition, and Jack cannot see a place for himself there.

A desperate moment leaves him indebted to the Devil – intelligence officer Major John Ballard, who once again leads Jack to the battlefield with a task he can’t refuse. He tried to deny being a soldier once. He won’t make the same mistake again.

Europe is about to go to war. Jack Lark will march with them.

Jack Lark is back!

I have spent a wonderful week on the battlefields of Victorian Europe, reading Jack Lark’s latest adventure. The Last Legionnaire is the 5th book in Paul Fraser Collard‘s fabulous series of novels based on the chameleon soldier, Jack Lark – and what a fabulous, eye-catching book cover! Lark is a serial imposter, one day taking on the guise of a rank-and-file soldier, the next sitting comfortably, in a captain’s uniform, the officers mess. This makes for some interesting and uncomfortable situations; it means you can always find Jack where the action is, but also means he’s vulnerable to the demands of intelligence officer, Major Ballard, who knows his secret.

255px-Légion_Étrangère_1852
A French Legionnaire, 1852

The story begins by bringing Jack home the rookeries of Whitechapel, in London, where the poorest a most desperate of Victorian society reside. However, he soon realises it’s no longer home; Jack Lark is one of those men who is most comfortable in the army, among soldiers. It’s what he’s good at. And it doesn’t take long to find his way back to war – with the French army – in search of a man who ran away from home and joined the French Foreign Legion.

There is action in abundance. It is frenetic and vivid. Paul Collard’s battlefield scenes are a masterpiece of descriptive writing. You can almost hear the cacophony of the cannons, see the regiments advancing in column, hear the screams of the wounded and frightened horses.  The author manages to impart not only the action, but also the misery, the fear, the danger – and the lust for battle, the addiction to fighting and the power a man can find in sword, bayonet and rifle. Descriptions of the battlefield hospital, the surgeons at work – as well as the battlefield itself – demonstrate the grim reality of war.

The story is at times touching and often brutal. Jack Lark is a unique character. He serves as an example of how men can find a pleasure, or sense of accomplishment, in battle … and in another battle survived. The Last Legionnaire always has a view to the human element. Jack is aware of is soldiering abilities, even scared of what he is; he knows what he is capable of and tries hard to keep himself under control. But he also has a chivalric nature; he wouldn’t be able to resist helping a damsel in distress, rescuing a child or stopping a regiment, on the verge of panic, from running.

“I’ve seen men like you before.” Palmer broke the silence. “They survive a battle or two, so they start to believe that they’re good at fighting, that they have a talent for it.” He watched Jack pull out the small pot of grease that he used to seal each freshly loaded chamber on his revolver. “Truth is they were just lucky. One day that luck runs out, and they’re just as dead as the poor bastard who died in the first five minutes of his first battle.”

Jack stopped what he was doing and met Palmer’s flat stare. “And you’re different, I suppose?”

Palmer shrugged. “I do what has to be done, nothing more, nothing less. I know that one day  my luck will run out. I don’t see the point in trying to make that day come along any quicker than it needs to.”

Jack’s anger had disappeared. He could not argue against the truth. He returned his attention to his revolver. Only when he had finished loading it did he look at Palmer again. “What about that lucky man? What if his luck holds? What if he goes on surviving?

“Then I pity the poor bastard.”

Paul Collard’s characters are incredibly diverse and full of life. Jack invokes the reader’s sympathy for a man who tries to do the right thing, but sometimes manages to go the wrong way about it. He marches to war with a small entourage, a mismatch of individuals who all want something from him.

450px-Yvon_Bataille_de_Solferino_Compiegne
Battle of Solferino, 1859

His sense of chivalry means he has taken under his wing a face from his past; Mary, and her young son Billy, no longer have a home and Jack does his best to protect and support them, despite frequent criticism of his inadequacies. Major Ballard is an intelligence officer; comfortable in using others’ weaknesses in order to achieve his ends. And then there’s Palmer, Ballard’s man, but he has a soft spot for Jack; he sees much of himself in the younger man. The partnership of Jack and Palmer is a strong part of the story. The 2 men grow to like and trust each other; they play to their individual strengths and their banter is enjoyable and entertaining.

Ever since reading Beau Geste as a child, I’ve had a soft spot for French Foreign Legion stories and this one is fabulous. Paul Collard has done his homework and it shines through, his knowledge of the Legion, their history and ethos, is second-to-none.

The author has an incredible sense of adventure, which he manages to get across on every page of his writing; you can tell he grew up reading Cornwell, MacDonald-Fraser and Forrester. Jack Lark is his own unique hero and he is a worthy successor to the great literary soldiers who came before him. I couldn’t help imagining him sat round a table with Sharpe, Flashman and Hornblower; he would certainly be able to hold his own when it came to telling the stories of their adventures!

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Paul Fraser Collard‘s Jack Lark series of books are available now from Amazon

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter.

Book Corner: Interview with Paul Fraser Collard

Author ImageJack Lark exploded onto Kindles and bookshelves everywhere in Paul’s 1st novel, The Scarlet Thief, and now, 3 years later, The Last Legionnaire is Jack Lark’s 5th adventure. And what an adventure!

This week, after finishing his latest book, The Last Legionnaire, I was lucky enough to catch up with its author, Paul Fraser Collard and ask him a few questions about his writing and  the hero of his books, Jack Lark.

What made you become a writer? I have always read a lot. For years, I spent my daily commute to work reading anything I could get my hands on. My favourite books were always historical fiction, especially the Sharpe novels by Bernard Cornwell. When I was in my early thirties, I began to wonder if I had it in me to write my own novel. One day, after a tough day at work, I opened up my laptop and made a start.

Who are your major writing influences? Bernard Cornwell stands out. I have read every book he has ever written. For me, he gets the mix of historical detail and plot exactly right. The books never fail to sweep me away into the past whilst still giving me a wonderful education into the period he is covering.

I would also say I have been influenced by the fantastic George McDonald Fraser. His Flashman series is quite magnificent. I could never hope to write anything close to such brilliance, but it did give me the idea of setting each novel in a new setting with a different cast of supporting characters.

index2Jack Lark is quite a unique character, a soldier/officer impostor. How did you come up with him as your character? Is he based on an actual historic person? The idea for Jack was developed from the desire to find a way to move a character around without tying him to a single regiment or a particular military campaign. I knew that is what I wanted to make my series stand out, and so I thought long and hard how to create a character that was unique enough to be able to travel the Victorian world.

The idea for an imposter came from the real story of Percy Toplis, a man made famous by the BBC TV series called The Monocled Mutineer. Percy was a rogue from a mining town in the north of England, yet he managed to pass himself off as a British army officer during the First Word War. Poor Percy met a rather nasty end, but he gave me the proof I felt I needed that a lad from a very humble background could manage to impersonate an officer.

If someone said they wanted to make a film of your books, who would you pick to play Jack Lark? Goodness, I hope this happens! However, I am dreadful at answering this question. I just don’t know of any actor that matches the picture of Jack that I carry in my head. Perhaps readers of this interview can send me their suggestions!

How long do you spend researching a novel before you start writing? I always start any novel with a period of research. This generally begins whilst I am still working on another book. I work full time so everything has to be fitted in 2as and when I can. I would say that on average I spend around three months learning the history of the next novel. Some have been easier than others. The American Civil War or the events of the Indian Mutiny are covered by hundreds of books, whereas the campaign against the Shah of Persia and the battle of Khoosh-Ab barely feature anywhere!

What comes first, your storyline or your research? They both develop together. The history gives me the framework and the plot is the fabric that gets woven around it. I put the two together in a very detailed plan that tends to be around 20-30,000 words. Then all I have to do it flesh it all out.

With The Last Legionnaire, Jack becomes embroiled in a war that Britain took no part in; how did you decide where he was going to fight next? I always have a vague idea where Jack is going for the next couple of novels. From there, I cast around to see what events happened in the years following the last novel I have planned. The tricky bit is thinking of how Jack can go from one to the other. I remember a review of The Maharajah’s General that stated that it would be a dull series indeed, if Jack just moved from one convenient identity to another (a Victorian version of Mr Ben, if you like!). So I always think very carefully about the link between the novels. Hopefully they work!

Do you know how the book is going to end when you start it? Pretty much. As I have to cram my writing into short gaps in my day, I need to be able to write fast. This makes planning pretty important and my novel outline is always very detailed. That said, it can and does change. The ending to The Last Legionnaire change dramatically about one week before I had to submit it to my editor. The ending I had planned just didn’t sit well and so it had to be changed.

How do you organise your writing day? My writing time is squeezed into my commute at the start and the end of the day. I have quite a long journey so that gives me just under two hours a day dedicated to writing. I then fit what I can into other times. This means I have to be very disciplined about using what time I have as e3ffectively as I can. I try hard to write at full speed on the train, making sure I cram as much productivity into those two hours as I can. I am not one of those writers who had the luxury of ruminating over the perfect sentence!

What do you enjoy most about writing? Creating the story is the best bit and I love plotting and creating the detailed outline.

What is the worst thing about writing? Finishing the first draft! This gets harder, if I start planning the next novel before I have finished the current one.

How long does it take to do a project from start to finish? So far I am getting a novel done in around ten months. I tend to work on multiple books at the same time. Right now I am polishing book 6, writing a short story whilst also plotting and researching for book 7.

Who are your favourite personalities from history? Is there anyone you would particularly like to write about, or include in Jack’s adventures? I love the idea of working in a reference to Flashman in one of Jack’s stories, but I must say, I have always been much more interested in the ordinary men and women who found themselves caught up in the cataclysm of war than the great and famous personalities. For me, the tale of an ordinary infantryman is more interesting than that of a famous general. Apart from a few exceptions, Jack’s stories will focus on what the battles were like for the poor bloody individuals on the front line.

What other historical periods would you like to write about? I w4ould really enjoy writing about WW2. If anything this period fascinates me even more than the Victorian Empire. I have written a novel set in WW2, but for now it is on the back burner as its needs a re-write that I just don’t have time to do. For the moment at least!

Do you ever get writer’s block? If so, how do you get around it? I have to say that I don’t often get writer’s block. I think this is because I have so little time to actually write. I tend to do my thinking at other times. When I sit down to write, I slip into blast mode and just go for it. If I do get stuck then I jump to something else. I cannot bear to waste time! It is too precious.

Do you find social media – such as Facebook – a benefit or a hindrance? I love it! The publishers are very keen on social media and I was a little daunted at first. But now I think it is the best outlet I have. I have found so many brilliant people on Facebook and on Twitter and I would now count many of them as friends. I love the fact that I can be available to anyone kind enough to read my books and I always enjoy being able to chat about history or anything else that comes up.

What will be your next project? Where is Jack fighting next – and when do we get to read it? Next up is the start of The American Civil War and specifically the First Battle of Bull Run (Jack fights for the Union in this one). If you have finished The Last Leindexgionnaire then you will have an idea of what takes Jack across the Atlantic.

This one should be out early in 2017.

How many more Jack Lark adventures do we have to look forward to? Do you have a number in mind, or will he keep fighting until there are no wars left? I cannot imagine ever letting Jack settle down and I hope he can keep going for many years, and many novels, to come. You will know when I have written the last one as I will make sure the cover image is of him facing the reader for the first time.

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I would like to extend my thanks to Paul Fraser Collard for his fantastic answers. Look out for my review of The Last Legionnaire, which should go live on Friday 13th May, 2016.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

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©2016 Sharon Bennett Connolly