Guest Post: The Ambassadress by Ronan Beckman

The Historical Writers Forum have released a new Anthology of short stories. You may remember that last year’s Anthology, Alternate Endings, included a short story about the final days of King John, by me! This year’s Anthology, Masterworks: Historical Fiction Inspired by Works of Art, will make you look at some famous artworks a little differently…

Today, I am joined by one of the contributors, Ronan Beckman, whose story is inspired by Emma Hamilton. Over to Ronan…

Do you remember what got you hooked onto a specific time period or aspect of history? I had just finished reading Amanda Foreman’s excellent biography Georgiana, The Duchess of Devonshire , which resulted in my addiction to everything about the Georgian-era but especially to women’s history in that time. Often relegated to the sidelines of history, Georgian times allowed women to begin to step into the spotlight – albeit in very slow, tiny steps. I began to voraciously read biographies of prominent ladies of that time. And one story that truly stood out for me was the life of a blacksmith’s daughter from Cheshire born as Amy Lyon. But the world knows her better as Emma, Lady Hamilton; lover of Admiral Nelson. Flora Fraser’s Beloved Emma laid out the incredible story of the amazing transformation of this pretty young woman into one of the most talked about celebrities of her age.

Portrait of Emma Hamilton by George Romney

Several years later, The National Maritime Museum in London put together a fabulous exhibition entitled Seduction & Celebrity that explored Emma Hamilton’s rise and fall, from beginning to end. One of the most noticeable aspects of the show was that there was ample material to display, primarily from one particular artist. George Romney was one of the most prominent society portrait painters of the late Georgian period. Although his talent was comparable to his well-respected contemporaries, such as Joshua Reynolds, Thomas Gainsborough and John Hoppner; he refused to participate in the antics associated with the Royal Academy of Arts and their annual exhibitions. Artists would become fiercely competitive as they all vied for the most prominent places within the show, hoping that their works would stand out from the rest. Romney wanted no part of this circus, and relied on his talent and reputation to gain custom amongst his wealthy clients. This worked out well for him, and he had no shortage of sitters. However, the tedium of producing staid portraiture of the elite classes began to prove tiresome.

How fortunate for Romney then that a customer, Sir Charles Greville, brought in a secret mistress that he had ensconced away in a humble, rural cottage in nearby Edgeware. The 16 year-old Amy Lyon had already experienced several tragedies in her young life; having found herself pregnant by another aristocratic man, Sir Henry Fetherstonhaugh, who promptly abandoned her. Greville came to the rescue, but on the proviso that she gave her baby away, living a life of thrift and economy whilst being at his beck and call. She had no room to negotiate and was grateful for this second chance. Greville sought to have her beauty be captured and admired on canvas, for him to be able to display to his friends. In effect, he wanted to boast “This heavenly goddess is mine, and you cannot even see her in the flesh. Don’t you envy me?”

Emma Hart by Romney

Romney was immediately enchanted by the charisma and stunning beauty of the newly renamed Emma Hart. Her presence reinvigorated his artwork. They embarked on a creative partnership that resulted in Romney’s finest and most creative output. In return, Emma was portrayed in various guises for posterity. She had to reinvent herself for each sitting, becoming a mythological creature or some historic character from long ago. Emma sat for dozens of paintings by Romney. She was his muse, allowing him to explore his craft beyond the confines of standard portraiture. Greville was happy to loan her modelling services to Romney, for it was increasing the value of his ‘ward’ that he had saved from a certain life of penury. Engravings had been made of some of Romney’s paintings, affording a glimpse of her allure to a wider audience. As her image was circulated, there was an increasing curiosity aroused throughout the capital city. Who was this charming being?

The drip-feed of artistic content provided opportunities for both Romney and Emma. Romney’s reputation and name was further advanced as well as inspiring his art to reach new levels of creativity. Emma became what may well be the very first Supermodel – a celebrity whose fame and notoriety was constantly on an upward trajectory. It seems apparent that Romney became infatuated with Emma. And perhaps Emma appreciated the advice and friendship of a man outside of the realm of the Ton, but who knew of the inner workings and mindset of the Upper Class who made up his clientele.

But this fame and notoriety was not appealing to Sir Charles Greville, who was seeking a wealthy heiress to supplement his dwindling finances. Being saddled with an infamous beauty as a mistress would not make him very appealing as a suitor to the respectable ladies that he wanted to pursue. Therefore, he duped Emma into travelling to Naples, to visit his uncle who was the serving British ambassador there. He had offered her to his uncle as a mistress, without her consent or knowledge. This separation severed the symbiotic artistic relationship between Emma and Romney for several years. Romney, who was prone to depression, was affected by her absence deeply. Although furious with Greville for abandoning her, Emma did make the best of her situation – enjoying her time in the royal court of Naples and eventually becoming quite fond of her ambassador.

In the summer of 1791, Emma returned to England to marry Sir William Hamilton and return to Naples as a respectable wife of the ambassador. During these brief few weeks, Emma reunited with her favourite artist, kick-starting a frenetic pace of artistic output as the painter and his muse were working together again. This brief slice in time intrigued me and I wanted to explore it further. I am fortunate enough to have seen many examples of Romney’s work with Emma as the model. You can feel the creative frisson embedded in these artworks. Romney’s paintings of Emma are seared with an energy that simply does not exist in his other portraits. There was something electric between these two individuals. Was it romantic? There is a feeling of magnetic attraction when one looks through Romney’s gaze in his portraits of Emma. I must say that even though Emma modelled for other great artists (Joshua Reynolds, Thomas Lawrence, Élisabeth Louise Vigée Le Brun, among many others), that spark of something special and extraordinary is just not there.

Romney self-portrait

The last painting that Romney painted of Emma was actually painted on her wedding day. Entitled The Ambassadress, the viewer is a witness to the complete transformation of Emma Hart into Lady Hamilton. As Vesuvius erupts in the dark background, one can imagine the well of emotions bursting forth from Romney’s paintbrush – being well aware that this was the last time that he would lay eyes upon the divine Emma he so cherished. Emma looks back at him, slightly pensive but very refined as she knows she is about to embark on a life of newfound respectability. There is so much wistful emotion silently conveyed in this moving portrait. What were those last moments like in Romney’s studio, as they parted ways for the final time?

The Ambassadress was the inspiration for my short story of the same name. It is one of eleven short stories in the Historical Writer Forum’s anthology entitled Masterworks. Eleven authors have written stories that have been influenced by a particular work of art. The result is a series of stories that takes the reader through time and place, from ancient Sumerian kingdoms to present day London. Available now through Amazon.

About the author:

Ronan Beckman is an American educator who has lived in the UK for over 30 years. His interest in history and genealogy helped to spark an interest in further developing the stories of some of the family he researched – resulting in his debut novel ‘An Actress of Repute’. Subsequently, he has become a bit obsessed with all things Georgian and Regency related. Further adventures are in the works for the character of Elizabeth Searle and her fellow actor friends. His latest project has been editing a transcript of a rare, out-of-print book by a Lancashire coal miner who became secretary of the TUC and a Member of Parliament. The new annotated version of Samuel Woods’ ‘Visions of the Mine’ contains biographical notes and historical images. Visit his blog at http://www.ronanbeckman.com.

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My Books

Christmas is coming!

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Out nowKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady. Nicholaa de la Haye was the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Booksbookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

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Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2023 Ronan Beckman and Sharon Bennett Connolly FRHistS

Guest Post: Fabric as Power by Judith Arnopp

It is an absolute pleasure to welcome novelist and historian Judith Arnopp to History…the Interesting Bits today. Judith’s new book, How to Dress Like a Tudor, is one I have been excited to get my hands on ever since I heard she was writing it. The Tudors had a special talent for sumptuous gowns and bright, vibrant colours. They knew how to steal the show!

So, here’s Judith to give you a little taster of her research.

The Evolving Tudor Image: fabric as power

We have all become so familiar with royal Tudor images that we no longer really see them. One glance tells us who they are. We think we know them. They exude power, majesty and the iron fist of mastery.

Earlier portraits of the Plantagenet kings, and even the early portraits of Henry VII are very different to that of his son and grandchildren. But it was Henry VII, the first ‘Tudor’ king who began to develop the ‘Tudor’ brand.

The Tudors were the new kids on the block; nobody could foresee what sort of King Henry would make and his popularity depended very much on that of his wife, Elizabeth of York. Yorkist propaganda demeaned his claim to the throne, declaring that his mother’s line was illegitimate; that Lancaster had stolen the crown in 1399.

Henry, realising he needed to reinforce his hold on the country, embellished his family history to create an impressive Tudor dynasty. He stressed the royal connection of his mother, Margaret Beaufort, and her descent from John of Gaunt and, to strengthen his claim further, he legally removed the stigma of bastardy from the family. He reiterated the royal descent of his grandmother, Katherine of Valois and, more surprisingly, claimed descent from the ancient Welsh King Cadwaladr, and King Arthur. To further cement his link to Arthur he named his first-born son in his honour and embellished the round table at Winchester with the Tudor rose.

With the blood of both York and Lancaster flowing in the veins of his two sons and several daughters, the Tudor line looked set to continue but Arthur’s sudden death in 1502 taught Henry that a king can never have too many sons. He lost no time in teaching his remaining son, later to become Henry VIII, the finer points of kingship. He stressed the importance of his role, the unreliability of the fickle populace, and the crucial need for strong male heirs to perpetuate the dynasty. The importance of heirs was a lesson young Henry never forgot, and one he fought hard to achieve for the rest of his life.

The blooming of the Renaissance and the introduction of men like Holbein to the royal court helped to reinforce this new Tudor image and during Henry VIII’s reign new style of royal portraiture began.

I think of them as ‘power portraits’ that were loud declarations of Tudor permanence and dominance.

The one with which we are most familiar was painted by Holbein the younger after 1537, at a time when Henry was at the height of his power. He had freed himself from Anne Boleyn, and the Pope, and Jane Seymour had finally provided the son and heir he’d been craving.

Everything in this portrait is designed to impress and I certainly succeeds; we cannot take our eyes from the breadth of shoulder, the sumptuous quality of his clothes, his immovable stance, the potent codpiece, and the unflinching expression in his eye. The portrait exudes wealth, power and uncompromising control. It is an unspoken challenge.

Edward VI, and Mary I also used art to illustrate their power but it was Elizabeth, arguably the greatest Tudor of them all, who exploited royal portraiture to the full. The queen was very aware of the power of image and iconography. Encouraged by her adviser, John Dee, her portraits became more and more extreme. In every image she is majestic and fabulously dressed, her tiny frame all but

obliterated by satin, velvet, lace and jewels. In looks, Elizabeth resembled her great grandmother, Margaret Beaufort and her grandfather, Henry VII but by nature she was very much like her father.

Elizabeth’s portraits are perfect examples of Renaissance iconography. Every item represents a characteristic, not of the woman within but of the nature of her reign. It is all there; virginity, wisdom, power, world domination, military genius, and the all-seeing eye of queenship.

In The Armada Portrait c.1588 Elizabeth’s femininity is eclipsed by her magnificent clothing. She has so much padding, she appears every bit as broad and powerful as her father.

If Elizabeth’s grandfather and father had coveted England and parts of France, Elizabeth cast her ambitious eye farther – to the New World. Her hand rests on a globe and just in case the viewer should forget who wears it, the crown of England is just above. If you look closely her famously long white fingers are covering the Americas and, behind her are commemorations of the Spanish fleet being driven onto a rocky shore by a storm that became known as the ‘Protestant wind,’ inferring God’s approval in England’s victory over Spain. Elizabeth is proclaiming herself as the saviour of her people; the mother of her expanding empire; a victorious, virgin queen, blessed by God.

These are the things she wanted the world to see and believe. Her private, inner feelings were none of our concern and so they turned their faces into masks – a blank page, devoid of personality yet replete with majesty.

The portraits of the Tudors reveal so much about that far off world. Holbein in particular is invaluable to anyone studying the period. It is solely due to Holbein’s sketches taken at the court that we know exactly what was going on behind the gabled hoods of Catherine of Aragon and Jane Seymour. A particular favourite sketch of mine is of a woman on a settle which shows her sons dressed in replica garments of adult men. His sketches provide a behind the scenes glimpse of life at court, something the formality of the finished portraits don’t convey.

One of the best parts of writing How to dress like a Tudor for Pen and Sword books was the chance to closely examine the court portraits, and the informal sketches of the royal painters and trace the evolving fashions, styles, fabrics of the era. The Tudors were the new icons, monarchs to be worshipped, feared and respected and their portraits a shield, concealing every vestige of human frailty from common view.

How to Dress like a Tudor doesn’t just examine the clothing of royalty but of courtiers, commoners, children, monks and fools.

About the Author:

Judith Arnopp writes historical fiction set during the late medieval and Tudor period. Her usual focus is on the women who lived close to the monarch, women like Margaret Beaufort, Elizabeth of York and Mary Tudor but more recently has been writing from the perspective of Henry VIII himself. Her books are on Kindle, Audible and Paperback. You can find her fiction books here: http://author.to/juditharnoppbooks

She also writes non-fiction, her work featuring in many anthologies and online magazines. Her latest non-fiction, How to Dress like a Tudor published by Pen & Sword Books is available now. http://mybook.to/howtodress

Judith is a founder member of a reenactment group The Fyne Company of Cambria, and began making Tudor costumes for herself, her husband, John, and other members of the group. It was this that inspired How to Dress like a Tudor and she hopes to write more non-fiction Tudor history in the future. You can find Judith on Facebook, Twitter, Linked-in, Goodreads, Bluesky, Instagram, webpage

Illustrations

Eliz I The Armada Portrait Wikimedia commons [[File:Elizabeth I (Armada Portrait).jpg|Elizabeth I (Armada Portrait)]]

Henry VIII After Hans Holbein the Younger, Public domain, via Wikimedia Commons

Edward VI Attributed to William Scrots (active 1537-1553) [1], Public domain, via Wikimedia Commons

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My Books

Christmas is coming!

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Out nowKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady. Nicholaa de la Haye was the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Booksbookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

*

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

*

©2023 Judith Arnopp and Sharon Bennett Connolly FRHistS

Guest Post: The Kingmaker’s Women by Julia A. Hickey

Today it is an absolute pleasure to welcome fellow historian Julia A. Hickey to History… the Interesting Bits. I have been following Julia’s work for many years and regularly turn to her blog, The History Jar, for information and inspiration for my own work. And, apparently, Julia does the same with History… the Interesting Bits, so we’re forming a bit of a mutual appreciation society. Julia’s latest book focuses on the Wars of the Roses and, in particular, the wife and daughters of Richard Neville, Earl of Warwick, known to history as ‘The Kingmaker.’ And here she is to give us a little taster of her book, The Kingmaker’s Women, Anne Beauchamp and Her Daughters, Isabel and Anne Neville by Julia A Hickey.

So, it’s over to Julia…

The Kingmaker’s Women, Anne Beauchamp and Her Daughters, Isabel and Anne Neville.

Julia A. Hickey

Anne Neville, Middleham Church

Isabel and Anne Neville led brief but turbulent lives. Their father, Richard Neville, 16th Earl of Warwick by right of his wife, Anne Beauchamp, was at the heart of the conflicts of the mid-fifteenth century, earning himself the name ‘Warwick the Kingmaker’. Countess Anne and her children were chronicled, on occasion, alongside the earl in his long-played political game spanning more than twenty years, concluding only with his death on a foggy Easter morning at Barnet in 1471. It is impossible to write about their lives without setting them in the context of the War of the Roses and the earl’s influence upon it.

Anne Beauchamp, descended from King Edward III, the Despensers and the Mortimers as well as the earls of Warwick, was married to Richard Neville in 1434 at Abergavenny when she was 8 years-old and her husband was only 6. The union was subsidiary to the wedding of their siblings Henry Beauchamp, the 13th Earl of Warwick’s heir, and Cecily Neville which was celebrated at the same time. There was no reason to expect that the marriage would transform Richard, who was heir to his father Richard Neville and his mother, Alice Montacute, the heiress of the Earl of Salisbury, into one of the most powerful nobles of the fifteenth century.

It was Anne’s unexpected inheritance of the earldom of Warwick and all its estates upon the death of her brother in 1446 followed by her young niece, named after her, in 1449 that transformed the couple’s fortunes. Anne, who had three elder half-sisters from the 13th earl’s first marriage to Elizabeth de Berkeley, was the only full-blooded relation of the 15th countess. The law, viewing the deceased countess’s collateral heirs, saw only that Anne was more closely related to her niece than the other women. Inheritance was not awarded based on direct descent from Richard Beauchamp, 13th Earl of Warwick who had been outlived by both his son and his granddaughter. The decision triggered a legal dispute and a feud with the families of Anne Beauchamp’s half-sisters which resonated throughout the conflict between York and Lancaster. As daughters of the 13th earl, Margaret, Eleanor and Elizabeth expected to be coheiresses to the earldom alongside their younger half-sibling. Margaret’s husband, John Talbot, contended that as the husband of the 13th earl’s eldest daughter, it was he rather than Richard Neville who should become the 16th Earl of Warwick by right marriage (jure uxoris).

Middleham Castle

The new countess travelled with her husband, oversaw the management of their estates in his absence, was party to his schemes and subject to the State’s wrath after his death. One of the consequences of the lived experience of the countess and her daughters was that they did not leave the kind of documentary trail that would help to shine a light upon their lives in present times. It was only when medieval women became widows in receipt of dower and jointure rights that they gained legal independence and a voice in the official record. Isabel, born in 1451, and Anne, born in 1456, grew up, lived and died largely unheralded in a masculine world, or so it appears at first glance. Dig deeper and the echo of women with voices demanding to be heard, including Countess Anne, can be found in court records, financial accounts, charters and wills; books commissioned by wealthy well-educated women like the Nevilles and Beauchamps; as well as the establishment of chantries and the building of parish churches throughout the realm.

Isabel Neville, who died when she was 25, was married, in secret at Calais, to King Edward IV’s brother George, Duke of Clarence in 1469. Her father was eager to link the Neville name with that of Plantagenet. Clarence was desirous of the match because Isabel was the elder daughter of one of England’s most powerful men and an heiress to vast estates. There was also a distinct possibility that Warwick would topple Edward from the throne as the relationship between the men deteriorated and place Clarence upon it in his brother’s stead. Circumstantial evidence demonstrates that Isabel was beloved by George who was only a year older than his bride. Unlike the king, Clarence had no known mistresses or illegitimate children. No one can know how Isabel felt about her husband; her experience as a fugitive in 1470, forced to give birth onboard ship to a still born child outside Calais; or the turning of her husband’s coat that September when he re-joined his brother’s cause. It had become clear that Warwick was less interested in making him king than Clarence might have previously supposed. Nor is it possible to know what the relationship between the two sisters was like when Anne Neville was placed in George’s custody in 1471 or even if Isabel supported George’s attempt to prevent the division of her parents’ estates. It is certainly true that Clarence was grief-stricken by his wife’s death and he was permitted, as he desired, to be interred next to Isabel at Tewkesbury following his own execution for treason in 1478.

Warwick Castle

The idea of heiress as powerless trophy is a trope embedded into our common view of Anne Neville, thanks to Shakespeare’s portrayal of her in Richard III as a pawn furthering her father’s ambitions. She has also served since Tudor times as a sickly cypher to illustrate Richard’s manifest evil. The story, told by Shakespeare, is based on Sir Thomas More’s History of King Richard III. In reality, Anne’s life was an example of the changeability of fortune depicted by the popular medieval philosophy of Fortuna’s wheel. History does not know if she was a woman of courage or shrewd intelligence in the way the Lady Margaret Beaufort is recognised, but John Rous who knew Anne described her as ‘amiable and beauteous and in conditions full commendable and right virtuous’. Whatever her health might have been, she was made of the same stern stuff as Henry Tudor’s mother to whom she was distantly related. Anne endured a sea battle when her father was forced to flee England in 1470; was married to Edward of Lancaster, the son of her father’s bitterest enemy; made a forced march with the Lancastrian army from the south of England to Tewkesbury in 1471; was widowed after five months of marriage; and escaped the clutches of her land-hungry brother-in-law. She preferred to risk the criminals of St Martin’s sanctuary near Westminster so that she could make a second marriage to Richard, Duke of Gloucester who would fight for her inheritance and see her returned to her own rightful position in society.

Anne’s marriage to Richard was unusual for a couple of their rank in that no dowry could be agreed for her because, by then, the estates associated with the Nevilles and the Earldom of Warwick lay within the king’s gift. The legal rights of Anne’s mother, the suo jure Countess of Warwick, were stolen from her by King Edward IV and Parliament through the simple expedient of having Anne Beauchamp declared legally dead. The countess’s letters written from sanctuary at Beaulieu following her husband’s death demanding her legal rights remain as testimony to both her own education and the potential power of aristocratic women to intervene in political decision making. The effectiveness of her correspondence to the highborn men and women who surrounded the king is best illustrated by Edward IV’s orders that she should be prevented from the continuation of her writing.

Memorial brass to Isabel Neville and George, Duke of Clarence, Tewkesbury Abbey

Had King Edward IV not died in 1483 while his eldest son was still a child, Anne Neville might have spent the remainder of her days overseeing her household and servants at Middleham as the Duchess of Gloucester. Hers would have been a story of estate management, a piety shared with her spouse, and the trials of childbirth.

Fortuna’s wheel carried Anne to the apex of society when her husband was declared King Richard III on 25 June 1483. As queen she chose to surround herself with Neville kinswomen familiar since childhood, including her own illegitimate half-sister, Margaret Huddleston who was married to the Lord of Millom. Fate continued its abrupt revolution. The loss of her only son, Edward of Middleham, followed hard on the heels of a double coronation and triumphant progress to York. It was not long before Anne became so unwell that her doctors prohibited the king from sharing her bed. As winter turned into spring in March 1485, Anne died and was buried in Westminster Abbey, leaving behind only rumour, speculation and rebellion. Five months later Richard was dead at Bosworth, buried with scant regard for ceremony, leaving Anne to be characterised as a victim rather than a woman born with a powerful name and the potential of political agency.

Even more extraordinary, the circumstances surrounding the end of Isabel and Anne Neville’s lives were both followed by accusations of murder and witchcraft. Clarence, to modern eyes at least, maddened with grief following the untimely death of Isabel in December 1476, accused one of his wife’s own household of murder. Ankarette Twynyho, possibly a trusted midwife, was shoehorned by the duke into an evolving stereotype of a witch. Clarence had no hesitation either in kidnapping the woman or having her judicially murdered. Later, the Tudor propaganda machine, whatever the truth of the matter, vilified Richard III as the murderer of his nephews, a poisoner and a man of such diabolical intensity that he terrified Anne into an early grave.

Countess Anne lived on after her daughters. Consigned to the footnotes or forgotten by history, the suo jure Countess of Warwick, declared legally dead in 1474, refused to be stripped of her voice or her rights. She may have commissioned The Pageants of Richard Beauchamp, Earl of Warwick and the Rous Roll that depict the lives of the Earls of Warwick, the countess, and Isabel and Anne. There was no such thing as a bad Earl of Warwick in her opinion. She knew that her power and that of her daughters lay in the land that they represented, in their kinship networks and the men they slept with.

A pragmatist and survivor, Countess Anne negotiated her return to legal life with the accession of the Tudors on the condition that she broke the entail that lay upon her estates and gifted then to Henry VII. When she died in 1492, she was buried next to her husband in Bisham Abbey. She left Isabel’s surviving children, Margaret and Edward, nothing, apart from a Plantagenet legacy that would see Edward, the 17th Earl of Warwick, executed for treason in 1499 and, Margaret Pole, suo jure Countess of Salisbury, butchered by an inept headsman in 1541.

Medieval chroniclers and the focus of history’s lens marginalises women like Countess Anne and her daughters by imposing a distinction between the masculine public and the feminine domestic spheres. The messy reality is that the countess and her daughters, and women like them, lived complex and sometimes contentious lives, risking everything to protect their family’s interests.

To Buy the Book

The Kingmaker’s Women, Anne Beauchamp and Her Daughters, Isabel and Anne Neville by Julia A Hickey, published by Pen and Sword is currently priced at £20.00. It is available direct from Pen and Sword as well as from Amazon and Waterstones. It is the third of Julia’s books to be published by Pen and Sword. The Son that Elizabeth I Never Had: The Adventurous Life of Robert Dudley explores the life of the Earl of Leicester’s illegitimate son while Medieval Royal Mistresses: Mischievous Women who Slept with Kings and Princes takes an overview of the women who shared the beds of some of England and Scotland’s rulers.

About the author

Julia Hickey describes herself as a general historian but is often drawn back to the Wars of the Roses and the Tudor period. Her interest in history began at an early age when she lived near Plymouth and her father recounted the story of Sir Francis Drake playing bowls before setting sail to vanquish the Armada. She has a particular passion for the reivers who operated in the borders between England and Scotland before James I ascended the throne in 1603 not only because riding names such as Armstrong and Musgrave resonate in her husband’s family tree but because a glimpse may be caught of ordinary men and women in ballads of the period. Little known or untold stories, the contribution made by women and the lives of people who populate the footnotes of History fascinate her. She is at her happiest exploring and photographing castles, ruins, cathedrals and stately homes – preferably followed by a visit to a café.

Her first degree was in English and History from the University of Kent which she followed up with an M.A. by research and teaching qualification. Since then, she has taught in a range of settings from secondary schools to venues used by the Workers Educational Association (WEA). These days she is a freelance speaker, writer and blogger at thehistoryjar.com. She can also be found at https://www.instagram.com/thehistoryjar/ and https://www.facebook.com/TheHistoryJar.

When she’s not writing, she can be found in her garden, enjoying the Peak District in all its seasons or crafting. Almost inevitably her interests take a historical turn. This year she has taken part in the Unstitched Coif, a co-created artwork and research project undertaken by a PHD student at Sheffield in association with the V & A Museum, using blackwork embroidery to stitch a previously unworked seventeenth century design.

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My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out nowKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Booksbookshop.org and Amazon.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and  Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

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Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2023 Sharon Bennett Connolly FRHistS and Julia A. Hickey

Guest Post: The Boy Who Would be King by Mark Turnbull

I am currently reading a fabulous, very personal biography of King Charles I, by Mark Turnbull. Charles I’s Private Life concentrates on the personal, rather than political, life of one of England’s most controversial kings – the only one to be convicted of treason and publicly executed. It is a fascinating, intimate, biography. And Mark has very kindly joined me today with a taster of what you can expect from the book.

The Boy who Would be King

The past is full of anchor points and legendary facts. Henry VIII’s marital record, for example, snags many history enthusiasts, helping the 118-year Tudor rule flourish in books, films, and television. By comparison, at 111 years, the Stuart era often flounders because this stormy period has so many complicated threads – most especially the Wars of the Three Kingdoms.

The monarch during the civil wars was King Charles I. His death is probably the most well-known fact about him that sticks in our minds. On a cold January afternoon, wearing two shirts lest shivering give the appearance of fear, he was executed outside his palace. In the aftermath of his death, his enemies were keen to portray him as a tyrant responsible for the deaths and atrocities. King Henry’s divorce had given birth to the Church of England, but it was Charles’s defence of it that led to his veneration as a martyr when the monarchy was eventually restored. Over the centuries he has increasingly become a two-dimensional martyr or murderer; an anachronism to many today. History has almost severed his personal character, life, and loves.

Charles I’s Private Life digs deep into the man behind the crown, to better understand him, and in turn, the wars that dominated his reign. With emphasis on his personal relationships, I have aimed to produce a most intimate biography. One of the fresh aspects is closer examination of his overlooked childhood – years that formed his character and beliefs.

Charles as a child with his parents, James VI and I and Anne of Denmar

Born in 1600, the second son of King James VI of Scotland had a sickly start. In 1603, when James acceded to the English throne, the royal family hurriedly crossed the border. Charles was not deemed to be up to the journey for another year. He initially struggled to walk and talk but fought and overcame this restrictive existence.

After the 1605 Gunpowder Treason broke, he would have known that his own death had been part of the plot. Aged five, whilst traversing Whitehall Palace, the hub of Stuart government, he was no stranger to gossip and fear. On one occasion, he wandered into one of his father’s meetings, only for James to hold him aloft in jubilant relief at their survival. While plague had wiped out many, it helped save the Stuarts. The opening of Parliament had been postponed on account of it, causing delays that saw the plot unravel. Pestilence also helped foster a strong bond between Charles and his elder brother, Henry, when the pair were packed off to the country to escape it.

Charles hero-worshipped his brother. When Henry was absent on progresses, a pining Charles would visit his brother’s stables and ride his horses. He offered to give “anie thing that I have” to his eldest sibling, whether it be horses, crossbows or books. One particular gem of research was a short poem Charles penned in 1608, aged seven, whilst preparing for a jaunt on Henry’s miniature vessel, named Disdain. There is a timeless innocence and excitement in the simplicity of the request for gunpowder for the cannons:

“Saterday is the day

let 4 great barrels of pouder cume away”

Many suggest Charles was overshadowed by Henry. The latter’s numerous talents, which he had no qualms of showing off, certainly made him a legendary figure. Athletic and good looking, he was paraded as the embodiment of honour, courage and princely virtue. The hopes of vast swathes of people were placed in him and as a result it is easy to write Charles off as irrelevant.

King Charles I

The elder, however, was not a good scholar and Charles was held up as an example to follow. Indeed, King James once threatened to leave the crown to Charles who was “far quicker at learning”. Despite his slim physique, Charles proved himself adept at running at the ring, handling a pike, hunting and riding. His future had seemed mapped out from a young age. Many references pointed, surprisingly, to a military career. It was one that Charles seemed to relish, and on one occasion the 6-year-old marched up to the Venetian Ambassador with a ‘harquebus’ on his shoulder to declare he was thus armed for the Republic’s service.

Though numerous siblings followed Charles (Robert, Mary and Sophia) they all perished at tragically young ages. As a result, Charles’s father called him ‘Baby Charles’ well into manhood. Apart from being embarrassing, the sobriquet must have been a constantly reminder of royal mortality. Considering Charles’s rushed christening and fragile early years, it seemed as though God had preserved him. But for what?

The sudden death of Prince Henry at the age of 18 was a momentous turning-point that shocked the three kingdoms. King James retreated to the country, while Queen Anna shut herself away and refused to eat. Princess Elizabeth was also inconsolable. The twelve-year-old Charles was left to lead the nation, whilst shouldering an impossible burden of expectation. I was struck by the similarities between Henry’s funeral in 1612 and that of Diana, Princess of Wales, in 1997. For Charles, who led the former through central London, it must have been traumatic to say the least.

A teenage sonnet Charles penned to his mother between the years 1613 and 1619 hints at innermost thoughts over the way his life and character changed forever. He wrote the sonnet to help explain their construction, but the contents are extremely poignant. The daily ‘fascherie’ [troubles] had, he wrote, quenched the heavenly furious fire that once burned inside him.

“In place whereof came sad & thorny cares

Which restlesly no time nor season spares”

From that moment on, Charles pretty much had to take on the guise of his dead brother. His own personality was often suppressed and stifled. Peeling back the layers of propaganda (that of his own and his enemies) reveals a man with faults and foibles, courage and charisma. New evidence in the biography also sheds light on key events such as the start of civil war in England and Charles’s death upon the scaffold.

This article was first published in Historia Magazine (Historical Writers Association)

About the Author:

After a visit to Helmsley Castle at the age of 10, Mark bought a pack of ‘top trump’ cards featuring the monarchs of England. The card portraying King Charles I fascinated him. Van Dyck’s regal portrait of the King and the fact that he was executed by his own people were the beginnings of a passionate interest in the Civil Wars that has lasted ever since.

Mark also produces a podcast called Cavalier Cast – The Civil War in Words. This was the first podcast solely dedicated to the Wars of the Three Kingdoms and explores a variety of topics with leading historians, archaeologists, and re-enactors. Mark lives in County Durham with his wife and two children. http://www.1642author.com

To Buy the Book:

Charles I’s Private Life by Mark Turnbull is now available from Amazon.

*

My Books

Signed, dedicated copies of all my books are available through my online store.

Out nowKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Booksbookshop.org and Amazon.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and  Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

*

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2023 Sharon Bennett Connolly FRHistS and Mark Turnbull

Guest Post: Childbirth and the Victorian Workhouse by Jessica Cox

Today it is an absolute pleasure to welcome Jessica Cox to History…the Interesting Bits with a guest article offering insight into her newly released book, Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain

Childbirth and the Victorian Workhouse

by Jessica Cox

‘The patient […] stretched out her hand towards the child. The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back – and died’

So ends the life of the eponymous hero’s mother in the opening of Charles Dickens’s Oliver Twist (1838). Her infant son initially appears likely to follow in her footsteps:

For some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them.

Though fictional, the circumstances of Oliver’s birth reflect those of many thousands of babies born in the workhouses of Victorian Britain. Between 1861 and 1865 in London alone, almost twelve thousand women gave birth in workhouses. Giving birth in the workhouse was risky, with an average maternal mortality rate of 0.8 per cent. Overall, maternal mortality rates remained relatively steady throughout the Victorian period, with approximately one in two hundred births (0.5 per cent) resulting in the death of the mother, but this varied according to circumstances and locale. As these figures suggest, the maternal mortality risk in workhouses was somewhat higher than average, and in some of these institutions, it was higher still: in Islington workhouse in 1865, for instance, it was over five per cent.

Clerkenwell Workhouse 1882

As Dickens’s description suggests, Oliver’s survival was against the odds. Infant mortality was high throughout the Victorian period – averaging around twenty per cent, but as high as fifty per cent in some areas. Amongst infants born in the workhouse whose mothers died in childbirth, it was even higher. If mother and baby did survive, they might be relocated to the workhouse nursery, and, as with the lying-in wards, these places were often far from sanitary, and unlikely to contribute to the recovery of mothers or the healthy development of infants. The Medical Officer at the Strand Workhouse in London included a description of the nursery there when testifying to a House of Commons select committee looking at conditions in the workhouse in 1861:

[The nursery] was a wretchedly damp and miserable room, nearly always overcrowded with young mothers and their infant children. That death relieved these young women of their illegitimate offspring was only what was to be expected, and that frequently the mothers followed in the same direction was only too true. I used to dread to go into this ward, it was so depressing. Scores and scores of distinctly preventable deaths of both mothers and children took place during my continuance in office through their being located in this horrible den.

The care which Oliver and his mother received also parallels the reality for many birthing women who ended up in one of Britain’s many workhouses. Such places, as the above description suggests, were often unsanitary, and medical assistance could not be guaranteed, though of course medical aid was no guarantee of a successful outcome anyway – especially in lying-in wards such as those found in the workhouses, where infections could be easily spread between patients. Whilst all workhouses were required to employ a medical officer, he was not necessarily summonsed to births, and in some instances, women were attended in childbirth only by fellow paupers. Whilst Dickens is guilty of perpetuating the stereotype of the drunken, incompetent midwife in his fiction (Martin Chuzzlewit’s Mrs Gamp being the most notable example), it was nonetheless the case that many of the women who gave birth in the Victorian workhouse received inadequate – and sometimes no – medical attention.

Dinnertime at St Pancras Workhouse, London, 1911

Like many of those born in the workhouse, Oliver Twist is illegitimate. The various lying-in hospitals in Victorian Britain, which provided support for poorer women in childbirth, typically offered aid only to married women, so poor unmarried mothers often had no choice but to attend the workhouse. By and large, these were far from welcoming institutions: concerns were raised about women taking advantage of the care provided and entering the workhouse too early. This resulted in some women being turned away. In one tragic case in 1857, an eighteen-year old woman was turned away from Bradford Workhouse after the matron decided the birth was not imminent. Shortly afterwards, she collapsed in the street, where she gave birth to a stillborn child without any medical assistance. In addition, some workhouses participated in the widespread moral condemnation of unmarried mothers, by forcing them to wear particular colours or items of clothing as a marker of their ‘disgrace’.

Despite the harsh conditions and attitudes associated with giving birth in the workhouse, it did at least – assuming the mother survived – allow for rest after childbirth: women were generally permitted to stay in the lying-in ward for one month following delivery. Whilst there is no doubt that the workhouse was not a particularly desirable option, all things considered, the alternative for poorer women was often to return to hard labour – domestic or paid – soon after giving birth. Prior to the establishment of the National Health Service, the workhouse represented one of the only means of state support for poorer citizens. Today, women who once would have had little choice but to give birth in the workhouse, risking their own and their babies’ lives, have undisputed rights to hospital and medical care. The last workhouses in Britain closed their doors in 1948 – the same year the NHS was formed.

Jessica Cox’s book Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain is published by The History Press and is available now.

About the book:

Covering a fascinating period of population growth, high infant mortality and deep social inequality, rapid medical advances and pseudoscientific quackery, Confinement is the untold history of pregnancy and childbirth in Victorian Britain.

During the nineteenth century, having children was frequently viewed as a woman’s central function and destiny – and yet the pregnant and postnatal body, as well as the birthing room, are almost entirely absent from the public conversation and written histories of the period. Confinement corrects this omission by exploring stories of pregnancy and motherhood across this period. Drawing on a range of contemporary sources, Jessica Cox charts the maternal experiences of women, examining fertility, pregnancy, miscarriage, childbirth, maternal mortality, unwanted pregnancies, infant loss, breastfeeding, and postnatal bodies and minds.

From the royal family to inhabitants of the workhouse, this absorbing history reveals what motherhood was truly like for the women of nineteenth-century Britain.

About the author:

Jessica Cox is a Reader in English Literature at Brunel University, London. She specialises in maternal histories, Victorian sensation fiction, the Brontes, and neo-Victorianism.

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My Books

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Booksbookshop.org and Amazon.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and  Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

*

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2023 Jessica Cox and Sharon Bennett Connolly FRHistS

Guest Post: Children of the House of Cleves by Heather R Darsie

Today it is an honour and pleasure to open the blog tour for Heather R. Darsie’s latest book, Children of the House of Cleves: Anna and Her Siblings. You may remember that Heather wrote a fabulous biography of Anna of Cleves, Henry VIII’s fourth wife, a few years back. She has now followed that up with a look into Anna’s family.

Mental Illness in the House of Cleves

By Heather R. Darsie, J.D.

The von der Mark family, particularly once it came to the mental health of Anna of Cleves’ fraternal nephew Johann Wilhelm, was marred with mental health issues. Unfortunately, it is impossible to diagnose individuals from hundreds of years ago with afflictions that the modern person would recognize. To that end, terms from the time are rather simplistic.

Anna of Cleves’ family did not appear to have any serious mental health concerns on her father Johann III’s side, although Johann was regarded as being simple-minded. Madness featured on the maternal, Jülich-Berg side of Anna’s family. Her mother Maria of Jülich-Berg’s paternal grandfather, Gerhard of Jülich-Berg. He, “fell in and out of madness, beginning when William was still an infant…” That eventually led to William’s regency on the late 15th century, until Gerhard died.

William’s daughter Maria, mother of Anna and her siblings, was said to have died in a fit of rage. She was recognized as an intelligent, capable woman in her lifetime. Beyond her heartbroken rage at the end of her life, there is nothing to hint that Gerhard’s mental instability was passed down to Maria.

Anna’s brother Wilhelm is difficult to discern. After a series of strokes in his forties and fifties, Wilhelm occasionally suffered from a mental stupor. Whether it was from the strokes or a mental disorder is hard to sort. However, whatever his post-stroke limitations, a regency was never necessary during Wilhelm’s long reign as Duke of Jülich-Cleves-Berg.

Anna’s second sister-in-law through Wilhelm, Maria von Habsburg, was prone to fits of melancholy. Sometimes, the fits, or what the modern person might suspect to be depression, could be quite intense. She was one of Juana the Mad’s granddaughters, after all.

With the exception of perhaps Gerhard of Jülich-Berg, no one in the family was quite as mad as Anna’s nephew, Johann Wilhelm of Jülich-Cleves-Berg. Johann Wilhelm’s peculiar disposition began presenting itself in his youth, although it was easy enough to put him away in a religious establishment. Unfortunately, by the time he became a young man, there was no hiding his infirmity.

Again, there are really only glimpses of what ailed Johann Wilhelm. At times, he seemed to have entered an almost catatonic state. At other times, he seemed perfectly lucid, but was highly paranoid.

As the decades rolled on and Anna’s brother Wilhelm sought method after method of treating Johann Wilhelm, nothing worked. Multiple doctors saw him, including a known quack. Even witches were consulted in hopes of curing Johann Wilhelm, but nothing worked. On top of Johann Wilhelm’s mental illness, he failed to conceive any children.

Likely motivated by her own desperation for a child, Johann Wilhelm’s wife arranged an exorcism for him,

“The exorcism, which began around 5 September 1599, was violent, but started off harmlessly enough. Johann Wilhelm and members of his court were at Hambach Castle [near the city of Jülich], then being used by the duke as a hunting lodge. Foreign priests … and their religious retinue awaited Johann Wilhelm and his company as they returned from a hunting excursion. The priests gathered in Hambach Castle’s galleries to greet Johann Wilhelm, who was immediately apprehensive when he saw them. According to the report, Johann Wilhelm behaved strangely toward them because, “he was able to think or suspect without a doubt that the priests or monks are not being called for in vain, but are called to the place for the sake of the cause” of exorcising him.

Aside from dispossessing Johann Wilhelm of whatever demon was harassing him, the monks and priests wished to remove any impediment to Johann Wilhelm’s marriage bed…. The hope was that God would make them fruitful. Johann Wilhelm was keenly aware that the United Duchies needed an heir, especially since his first marriage was childless.”

What follows is a curious description of the efforts to which the priests went in cleansing Johann Wilhelm of the demon or demons whom they believed were vexing him. It was a shameful event.

If this excerpt piqued your interest, consider reading Children of the House of Cleves: Anna and Her Siblings, set for release in the UK on 15 June 2023 and in the US/Internationally on 12 September 2023. Can’t wait until September? The US Kindle version is released on 15 June, too! You might also like to read Heather R. Darsie’s biography on Anna of Cleves, the first researched and written from the German perspective, Anna, Duchess of Cleves: The King’s Beloved Sister.

Children of the House of Cleves: Anna and Her Siblings is available from Amberley Publishing and Amazon in the UK and US

About the Author:

Heather R. Darsie is an independent researcher in the US specializing in early modern history. She focuses on researching the Holy Roman Empire and England in the early 16th century. She is the author of ‘Anna, Duchess of Cleves’ and ‘Catherine of Aragon – Spanish Princess’. Her primary career is as an attorney. She runs the website MaidensAndManuscripts.com.

Sources & Suggested Reading

1. Darsie, Heather R. Children of the House of Cleves: Anna and Her Siblings. Stroud: Amberley (2023).

2. Darsie, Heather R. Anna, Duchess of Cleves: The King’s Beloved Sister. Stroud: Amberley (2019).

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My Books:

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Out Now!

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available for pre-order from Pen & Sword Booksbookshop.org and Amazon UK. (I will hopefully have a US release date shortly)

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers. Not once, but three times, earning herself the ironic praise that she acted ‘manfully.’ Nicholaa gained prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215.

A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by me:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and  Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

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Podcast:

Have a listen to my A Slice of Medieval podcast:

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2023 Heather R. Darsie and Sharon Bennett Connolly FRHistS

Guest Post: Researching the Elizabethan Court, by Tony Riches

Today, it is an absolute pleasure to welcome my friend and fellow author Tony Riches to History…the Interesting Bits to talk about the research behind his latest book Penelope – Tudor Baroness, the fourth book in his Elizabethan series.

Researching the Elizabethan Court, by Tony Riches

I’ve spent the past five years immersed in the strange world of the court of Queen Elizabeth I researching my Elizabethan series. I wanted to keep the books as historically accurate and consistent as possible. My favourite source is Marion E. Colthorpe’s fascinating website, ‘The Elizabethan Court Day by Day’. This is the result of her decades of research, and includes details of other useful sources.

Penelope and her sister Dorothy (Wikimedia Commons)

To show the many complex facets of the last Tudor queen, I decided the first three books of the series would see her through the eyes of three of her favourites, Drake, Essex, and Raleigh – each of whom knew a different side of their queen. Drake was in awe of her, and showered her with (looted) jewels, Essex was like the son she never had, and Raleigh was the captain of her guard.

These are to be followed by books about three of Queen Elizabeth’s ladies. Less well known, they all had close contact with her, a certain amount of influence with her advisors, and the opportunity to see behind the queen’s carefully contrived façade.

I chose the life of Lady Penelope Devereux as the fourth book in Elizabethan series. Penelope’s great-grandmother was Queen Elizabeth I’s aunt, Mary Boleyn. Her father was Sir Walter Devereux, 1st Earl of Essex, and her mother was Lady Lettice Knollys, banished from court for her secret marriage to the queen’s great favourite, Sir Robert Dudley.

A famous beauty, Penelope was well educated, an accomplished dancer and musician. Fluent in Italian, French and Spanish. Penelope became a prominent figure in the courts of Queen Elizabeth I and King James I. She was also involved in political intrigue, influencing the succession and her brother’s ill-fated Essex rebellion.

A measure of the challenges in researching Elizabethan ladies is the range and number of primary sources, such as letters. When I researched Penelope’s brother Robert for my book Essex – Tudor Rebel, I had Walter Bourchier Devereux’s ‘Lives and Letters of the Devereux, Earls of Essex’ – a two volume collection of his letters and papers, complete with detailed analysis and context.

Baron Robert Rich (Wikimedia Commons)

In Penelope’s case, I managed to track down only twenty-seven letters in English, six in French and seven letters in Spanish. Interestingly, many use code words or are deliberately obscure, although analysis of them all reveal an invaluable sense of Penelope’s character, and how she related to others.

I began my research expecting Penelope to have been greatly disadvantaged by her mother’s banishment from court, yet she became a Maid of Honour to Queen Elizabeth until her stepfather, Sir Robert Dudley arranged her marriage to Baron Rich. (An unlikely choice of husband for her, he was the grandson of Richard Rich, Thomas Cromwell’s right hand man in the Dissolution of the monasteries.)

Another surprise was the inconsistent records of Penelope’s many children. Some biographers have them in the wrong order and others omit some entirely. The situation is not helped by the question of who their fathers were, and several premature or stillbirths with no baptism. My solution was to create my own list from the best information I could find, (and I updated her Wikipedia page accordingly.)

To avoid too many spoilers, I shall not say here what I made of her brother accusing Penelope of encouraging his rebellion, or her relationship with Queen Elizabeth after he was executed for treason. Her story does take readers past the end of the Tudors with the death of Elizabeth, and how she became a lady of the bedchamber to Queen Anne.

Lord Byron’s saying ‘Tis strange — but true; for truth is always strange; Stranger than fiction; if it could be told.’ is proven right by my research. Although historical fiction, I have only had to ‘fill in the gaps’, and believe my new book is therefore one of the most comprehensive accounts of Penelope’s amazing story.

Tony Riches

About the book:

Penelope – Tudor Baroness (Book Four of The Elizabethan Series)

Penelope’s life is full of love and scandal. The inspiration for Sir Philip Sidney’s sonnet Astrophel and Stella, she is inevitably caught up in her brother Robert’s fateful rebellion.

A complex and fascinating woman, her life is a story of love, betrayal, and tragedy. Discover how Penelope charms her way out of serious charges of treason, adultery, and forgery, and becomes one of the last truly great ladies of the Tudor court.

A maid of honour to Queen Elizabeth, Penelope outlives the end of the Tudors with the death of the old queen and the arrival of King James, becoming a favourite lady-in-waiting to the new queen, Anne of Denmark.

“This is the story of a woman who lived life on her own terms, and one that will stay with you long after you finish reading it.”

To Buy the Book:

Amazon US: https://www.amazon.com/dp/B0C78KDRK3

Amazon UK: https://www.amazon.co.uk/dp/B0C78KDRK3

Amazon CA: https://www.amazon.ca/dp/B0C78KDRK3

Amazon AU: https://www.amazon.com.au/dp/B0C78KDRK3

About the Author:

Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his new Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook and Twitter @tonyriches.

Find Tony at: Amazon UK: https://www.amazon.co.uk/Tony-Riches/e/B006UZWOXA Amazon US: https://www.amazon.com/Tony-Riches/e/B006UZWOXA Website: https://www.tonyriches.com/ Writing blog: https://tonyriches.blogspot.com/ Twitter: https://twitter.com/tonyriches Facebook: https://www.facebook.com/tonyriches.author Instagram: https://www.instagram.com/tonyriches.author/ TikTok: https://www.tiktok.com/@tonyriches.author Podcasts: https://tonyriches.podbean.com/ Goodreads: https://www.goodreads.com/author/show/5604088.Tony_Riches

*

My Books:

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available for pre-order from Pen & Sword Booksbookshop.org and Amazon UK. (I will hopefully have a US release date shortly)

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers. Not once, but three times, earning herself the ironic praise that she acted ‘manfully.’ Nicholaa gained prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215.

A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

Also by me:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, and  Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

*

Podcast:

Have a listen to my A Slice of Medieval podcast

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

*

©2023 Tony Riches and Sharon Bennett Connolly FRHistS

Guest Post: The Crown Sild by Toni Mount

Today, it is a pleasure to welcome author Toni Mount to the History … the Interesting Bits to celebrate the release of the latest instalment of Toni’s Seb Foxley mysteries.

The Crown Sild, Cheapside, London  

When I began writing my new Sebastian Foxley medieval murder mystery, The Colour of Bone, I had never heard of the Crown Sild but it came to my attention when I was lucky enough to be given a wonderful book of drawings: Old London – Illustrated [1962]. The book contains numerous reconstructed scenes of medieval London and Westminster by H.W. Brewer [d.1903] with explanatory texts and there, in Plate 10, ‘Cheapside from the east’, was a marvellously ornate two-storey Gothic building on the south side of London’s main east-west thoroughfare, labelled ‘Crown Sild or Sildam’. What on earth was it? I was intrigued. 

In the text, discussing the church of St Mary-le-Bow, it tells us: 

In front of Bow Church was a costly building of stone, known as the “Crown Sild” or “Sildam”, with an open arcade in the upper story (sic) facing the street, which was used by Royalty and their visitors for witnessing tournaments, pageants and processions. The tower of the present church has a balcony overlooking the street, placed there by Wren to commemorate the “Crown Sild”. 

Surprisingly for this ‘costly building of stone’, I discovered that ‘sild’ is the medieval word for a shed! That’s a very posh shed. ‘Wren’ is Sir Christopher who rebuilt the church after it was destroyed during the Great Fire of London in 1666, along with the ‘shed’ next door. But why was the Sild built, what was it used for and is there any evidence of it remaining?  

The story goes that the Sild was constructed by King Edward III, following a disaster in September 1331. The king planned to hold a magnificent tournament to celebrate the birth of his son and heir, Prince Edward of Woodstock [later known as the Black Prince] the year before. The tournament would take place in the heart of the City of London, in its widest street, Cheapside. Carpenters were commissioned to build a large wooden grandstand for Queen Philippa and her ladies to sit and watch the spectacle in comfort. King Edward would take part in tournament himself, a risky endeavour since fatalities were not unknown but he was young and daring and determined to impress the ladies and his fellow knights. 

However, it wasn’t the king who almost came to grief that day.  

As the queen and her ladies took their places on the cushioned benches among the flower garlands and bunting, the hastily constructed wooden grandstand began to creak and groan, then to sway and crack before it gave way beneath the royal and noble spectators. The whole edifice collapsed to the great horror of those looking on, including the king. By a miracle, no one was killed but there must have been injuries among the ladies, although the queen was badly shaken but otherwise unharmed. The hot-blooded king’s rage was terrible. 

He ordered that all the carpenters involved in the construction of the grandstand be arrested and hanged forthwith, there and then, on the spot. Fortunately, the queen was a shocked by this as by her brush with death and had wits enough to go on her knees before her irate husband. She begged him to spare the carpenters and, willing to grant her every wish at that moment, Edward let the carpenters live. He also insisted that the tournament continue as planned. A disaster wasn’t going to deter this royal showman. But, for any future, similar events in Cheapside, he wasn’t going to risk the queen’s life in the hands of those incompetent carpenters. Instead, he commissioned the stone masons to build a permanent grandstand at the best vantage point beside St Mary-le-Bow Church, fit for royalty with all the comforts and shelter from the weather. This was the Crown Sild. 

We don’t know how often royalty made use of it. Tournaments were held more frequently at Smithfield, outside the city walls, where there was far more space for the crowds. But the procession of the monarch on the eve of their coronation travelled from the Tower of London to Westminster Palace via Cheapside so the citizens could see the new king or queen and the sild would be the best viewpoint. Other processions, pageants, street festivals and entertainments took place in Cheapside too and the last royal spectators to use the sild for such an event were Henry VIII and Queen Anne Boleyn.  

By the later fifteenth century, when not in use by VIPs, the lower level was rented by the Vintners’ Company and used as storage for their barrels of wine. This is the sild as I describe it in my novel The Colour of Bone when Seb Foxley, the artist-cum-sleuth, his family and friends pay to watch the street entertainments from this ‘royal box’ with disastrous consequences which have nothing to do with it collapsing beneath them – you’ll have to read the book if you want to know what happens. 

At the head of this blog, I also asked whether there is any evidence of the Crown Sild remaining today? I don’t know what may lie among the foundations of the shops and office buildings along modern Cheapside, constructed after the devastation of the bombing during World War II but back in Victorian times, a letter was written concerning it. Here are the relevant bits from a letter written by Thomas Lott, Esq. F.S.A. to Sir Henry Ellis, K.H., Secretary of the Society of Antiquities on 19th December 1844, ‘describing some remains of ancient buildings to the west side of Bow Churchyard’:  

Dear Sir, 

…It is not generally known that there exist, in its immediate neighbourhood, subterranean 

architectural remains, although evidently of a later date, yet of a very interesting character. 

Having occasion to inspect several of the houses on the west side of Bow Church-yard, the property of the parish, I was surprised, on descending into the cellars, to find (as the foundation of three of the houses) stone vaultings of very substantial masonry. 

On a subsequent visit (accompanied by my friend Mr. Chaffers, who has kindly assisted me in describing the place), we found beneath the house No. 5, occupied by Messrs. Groucock, a square vaulted chamber, 12 feet by 7 feet 3 inches in height, with a slightly pointed arch of ribbed masonry, similar to some of those of the Old London Bridge. We were informed that 

there had been, in the centre of the floor, an excavation, which appeared formerly to have been used as a bath, but which was now arched over and converted into a cesspool. 

Proceeding northwards towards Cheapside, we found what appeared to be a continuation of the vault, beneath the houses Nos. 4 and 3. The arch of the vault here is plain, not ribbed, and more pointed. The masonry appears, from an aperture made to the warehouse above, to be of considerable thickness. This vault or crypt is 7 feet in height from the floor to the crown of 

the arch, and is 9 feet in width, and 18 feet long. Beneath the house No. 4 is an outer vault. The entrance to both these vaults is by a depressed Tudor arch with plain spandrils, 6 feet high, the thickness of the walls about 4 feet. 

In the thickness of the eastern wall, in the vault of the house No. 3, are cut triangular-headed niches, similar to those in which in ancient ecclesiastical edifices the basins containing the holy water, and sometimes lamps, were placed. … In some other parts of these vaults are modern imitations of these recesses. The vaulting beneath the house No. 2, appears to have been destroyed to add convenience to the warehouses; but the buildings, of which these are the vestiges, appear to have extended to Cheapside; for beneath a house in Cheapside, in a direct line with these buildings, and close to the street, is a massive stone wall. 

I cannot think they were any portion of the Grammar School which Stowe says “was let out in the reign of Henry VIIth for fowr shillings a year, and a cellar for two shillings the year; two vaults under the church for fifteen shillings both.” 

The Sild – the building in the bottom left hand corner.

Mr. Chaffers seems disposed to think these may be the remains of the stone building erected by Edward the Third, from which to view the processions, jousts, &c. described thus by Stowe: “Within the north side of St Mary Bow, towards West Cheape, standeth one fair building of stone called in record Sildam, SL shed, &c. King Edward IIIrd. upon occasion, (viz. the falling of the wooden scaffold) caused this sild or shed to be made and strongly to be built of stone for himself, the Queen, and other estates, to stand in them to behold the joustings and other shows at their pleasure, and this house for a long time after served to that use, namely, in the reigns of Edward IIIrd and Richard IInd; but, in the year 1410, Henry IVth confirmed the said shed or building to Stephen Spilman and others, by the name of one new sildam, shed, or building, with shops, cellars, and edifices appertaining, called Crown Silde or Tamer Silde, situate in West Cheape, and in the parish of St Mary de Arcubus.” 

According to the same author, notwithstanding this grant, the kings of England still occasionally repaired to the same building to view the shows; and we find a century afterwards, that “Henry VIIIth, his Queen, and nobles frequently came here to behold the great marching watches on the eves of St John and St Peter; remaining there until the morning.” 

Thus it will be seen that this sild or shed, strongly built of stone, still remained in Stowe’s time, two hundred and fifty years after its erection, darkening (as Stowe says) the doors and windows on that side of the church. Mr. Chaffers states, it has been thought that the Crown sild stood on the spot between the tower of the present church and Bow Lane; but he does not think, from Stowe’s account, such could have been the case, as Stowe, speaking of Cordwainers Street, afterwards Hosier Lane, then Bow Lane, says:

“This street begins by West Cheape, and St Mary Bow Church is the head thereof on the west side, and runneth down south.” Had such a spacious building as the Crown-sild been situated between the church and Cheapside, Stowe would doubtless have mentioned it. There is no doubt, it was Crown property, as it now pays a trifling fee-farm rent to the Crown.  

If this building was erected for purposes of a domestic kind … since the original building was destroyed, which was probably in the fire of London … there are no old maps of the parish to throw any light on the subject, nor do the ancient city maps and plans, which profess to contain elevations of the buildings, assist in the discovery. 

I hazard no opinion on this matter, contenting myself with having thus drawn attention to it from those whose greater experience, more extensive research, and leisure opportunities will enable them to form a more correct judgment…  

I remain, dear Sir, 

Your faithful obedient Servant, 

THOMAS LOTT. 

So now you know as much as I do.  

As to whether the Crown Sild stood to the east or west side of St Mary-le-Bow Church, Brewer’s drawing shows it to the east whereas, if Lott’s friend Mr Chaffers is correct in thinking they had found its ancient vaults, it was to the west. Perhaps we shall never know. But you can have my version of the Crown Sild where traumatic events happen, if you read my latest Sebastian Foxley medieval murder mystery, The Colour of Bone.  

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The Colour of Bone by Toni Mount:

It’s May 1480 in the City of London.

When workmen discover the body of a nun in a newly-opened tomb, Seb Foxley, a talented artist and bookseller is persuaded to assist in solving the mystery of her death when a member of the Duke of Gloucester’s household meets an untimely end. Evil is again abroad the crowded, grimy streets of medieval London and even in the grandest of royal mansions.

Some wicked rogue is setting fires in the city and no house is safe from the hungry flames. Will Seb and his loved ones come to grief when a man returns from the dead and Seb has to appear before the Lord Mayor?

Join our hero as he feasts with royalty yet struggles to save his own business and attempts to unravel this latest series of medieval mysteries.

About the author:

Toni Mount is a best-selling author of medieval non-fiction books. She is the creator of the Sebastian Foxley series of medieval murder mysteries and her work focuses on the ordinary lives of fascinating characters from history. She has a first class honours degree from the Open University and a Master degree by research from the University of Kent however her first career was as a scientist which brings an added dimension to her writing. Her detailed knowledge of the medieval period helps her create believable characters and realistic settings based on years of detailed study. You can find Toni at:

www.tonimount.com

https://www.amazon.co.uk/Toni-Mount/e/B0034P0FF8/

https://www.facebook.com/toni.mount.10/

https://twitter.com/tonihistorian

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My Books:

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Coming 30 May 2023!

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available for pre-order from Pen & Sword Books and Amazon UK. (I will hopefully have a US release date shortly)

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers. Not once, but three times, earning herself the ironic praise that she acted ‘manfully’. Nicholaa gained prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215.

A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, Bookshop.org and Book Depository.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  AmazonBookshop.org and from Book Depository worldwide.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, Bookshop.org and from Book Depository worldwide.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, Bookshop.org and Book Depository.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2023 Sharon Bennett Connolly FRHistS and Toni Mount

Guest Post: Revolutionary Female Friends by Samantha Wilcoxson

Today it is a pleasure to welcome Samantha Wilcoxson to History the Interesting Bits…. with an article about Mercy Otis Warren and her friend Catharine Macauley. Samantha’s new book Women of the American Revolution – her first non-fiction – provides a fabulous insight into the often-overlooked and severely underestimated women of the period. It is truly illuminating!

Revolutionary Female Friends: Mercy Otis Warren and Catharine Macaulay

Mercy Otis Warren by John Singleton Copley

In July 1784, Catharine Macaulay arrived in America where she visited Mercy Otis Warren. One wonders if those around them appreciated the historic value of this meeting between two early female historians. Catharine in England and Mercy in America had each written multiple works responding to events of the day in an era when women were not expected to discuss politics let alone write about it. Finally meeting after years of letter writing, it must have been an exciting introduction.

Catharine was outspoken and published in her own name, while Mercy’s satirical plays had been published anonymously. Boldly writing to American patriots to offer her support, Catharine initially corresponded with Mercy’s brother, James Otis Jr, who Catharine wrote was ‘the great guardian of American liberty.’

When James suffered from mental instability following a beating by British customs agents, Mercy took over the correspondence. Both women made astute observations on the evolving political situation. In 1767, Macaulay prophetically wrote that a democratic republic was the ‘only form of government….capable of preserving dominion and freedom to the people.’ The following year, Mercy foresaw that when British soldiers arrived in Boston ‘The American War may be dated from the hostile parade of this day.’

Catharine watched the Revolution from a distance, supporting the American colonies and encouraging members of parliament to consider their position and negotiate rather than losing them altogether. The opposite course was taken with British troops sent to Boston in 1768 and the Coercive Acts passed in 1774. Mercy had an insider’s view of the Revolution. Her husband, another James, served as Paymaster-General, was appointed to the Continental Congress, and sat on the Continental Navy Board. While Mercy was a patriot, she worried about her five sons ‘who must buckle on the harness. And perhaps fall a sacrifice to the manes of liberty.’

Catharine Macauley

When Mercy met Catharine in person for the first time in 1784, she had lost no sons to war, though one had been severely wounded. Perhaps it was not until this meeting that the women realized how different they were. Through letters which focused on their shared political ideas and observations, they may have been convinced that they held more in common that they did.

Catharine arrived in America with a new, young husband. William Graham was twenty-one when he married the forty-seven-year-old Catharine six years earlier. Mercy, who frequently gave her sons moral lectures in her letters, would have been shocked by this relationship and the rumors that Catherine also had an affair with her brother-in-law. The values of simplicity and frugality held by Mercy were not as closely held by Catharine, who patronized the Sans Souci, a fashionable club that Mercy believed was the sort of establishment that would lead the new nation into a rapid decline.

Despite a falling out over their differences on morality, Mercy and Catharine salvaged their friendship before Catharine left America. They continued their correspondence, debating the strengths and weaknesses of the proposed US Constitution as fervently as the men in congress.

Mercy opposed the ratification of the Constitution and attempted to influence state leaders with a pamphlet titled Observations on the New Constitution, and on the Federal and State Conventions by a Columbian Patriot. She was concerned that individual rights were not established in the Constitution. While some states requested the addition of a Bill of Rights, none made their ratification dependent upon it. In a moment of frustration over the course the country was taking, Mercy wrote to Catharine in 1789, ‘we are too poor for Monarchy, too wise for Despotism, and too dissipated, selfish, and extravagant for Republicanism.’

Mercy’s History

Catharine wrote a letter to George Washington, who she had met during her year in America, congratulating him ‘on the event which placed you at the head of the American government.’ She was also not afraid to share her opinions with him warning of growing inequality between two houses of legislature and the possibility of the ‘evils of Aristocracy’ which America had thus far been ‘exempt from.’

Mercy and Catharine, through their epistolatory relationship, discussed the French Revolution, the writing of Edmund Burke, women’s rights, and any number of topics that 18th century women were not meant to discuss. Their civil discourse came to an end with Catharine’s death on 22 June 1791. Mercy finally published her History of the Rise, Progress, and Termination of the American Revolution at age seventy-seven in 1805. She died on 19 October 1814 during the War of 1812, which solidified the independent status of the United States of America.

Sources:

The Muse of the Revolution: The Secret Pen of Mercy Otis Warren and the Founding of a Nation by Nancy Rubin Stuart https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/catharine-sawbridge-macaulay-graham-1731-1791/ https://allthingsliberty.com/2019/10/catharine-macaulay-her-final-gifts-to-america-and-france-1787-1791

To Buy the Book:

Women of the American Revolution by Samantha Wilcoxson is available now from Amazon and Pen and Sword in the UK. It is available for pre-order on Amazon in the US and is now available worldwide from Book Depository.

About the book:

Women of the American Revolution will explore the trials of war and daily life for women in the United States during the War for Independence. What challenges were caused by the division within communities as some stayed loyal to the king and others became patriots? How much choice did women have as their loyalties were assumed to be that of their husbands or fathers? The lives of women of the American Revolution will be examined through an intimate look at some significant women of the era.

Some names will be familiar, such as Martha Washington who travelled to winter camps to care for her husband and rally the troops or Abigail Adams who ran the family’s farms and raised children during John’s long absences. Elizabeth Schuyler Hamilton is popular for her role in Hamilton the musical, but did you know she was also an early activist working tirelessly for multiple social causes? Decide for yourself if the espionage of Agent 355 or the ride of Sybil Ludington are history or myth. Not all American women served the side of the revolutionaries. Peggy Shippen gambled on the loyalist side and paid severe consequences. From early historian Mercy Otis Warren to Dolley Madison, who defined what it means to be a US First Lady, women of the American Revolution strived to do more than they had previously thought possible during a time of hardship and civil war.

About the Author:

Samantha Wilcoxson is an author of historical fiction and administrator of a history blog. She has written four full-length novels, three novellas, and two middle grade chapter books. Topics of her writing have ranged from the Wars of the Roses to America’s Civil Rights Movement. Samantha is passionate about history and exploring the personal side of events. In her writing, she urges the reader to truly experience what it might have felt like to live through a moment in history. Samantha’s most recent novel is biographical fiction featuring Catherine Donohue, one of America’s “radium girls.” She is currently working on a novelization of the life of Nathan Hale, and features in Hauntings, an anthology published by the Historical Writers Forum.

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My books:

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, Bookshop.org and Book Depository.

1 family. 8 earls. 300 years of English history!

Also by Sharon Bennett Connolly:

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  AmazonBookshop.org and from Book Depository worldwide.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, Bookshop.org and Book Depository.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Bookshop.org and Book Depository.

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©2022 Sharon Bennett Connolly

Guest Post: First Impressions and their Consequences by Anna Belfrage

It is always a pleasure to welcome my good friend and fellow author, Anna Belfrage, to History…the Interesting Bits. Anna’s fabulous new Castilian Saga is a pleasure to read – and I will be posting a review of the latest instalment, Her Castilian Heart, shortly. But, for now, Anna is here to tell us about how she met the hero and the story that developed…

First impressions and their consequences.

The first time I met Robert FitzStephan, he had his arms full of apple blossom.

“Sorry,” he said, squeezing by me on the narrow stairs, “I have a wife to make amends to.” And off he went, leaving me in the damp gloom with a flaring torch the only source of light. I suppose this is when I should clarify that this was not an IRL (in real life) meeting: no, all of this happened in my roomy brain, an ever-expanding universe in which my characters pop up out of nowhere, demanding I tell their stories.

Robert FitzStepahn left an impression of light eyes and a HUGE nose and. . .

“Not that huge,” he protests, setting a finger to the rather impressive protuberance.

“No, it isn’t,” his wife, Noor says (apparently, the apple blossom did the trick) She gives me a severe look. “And one should not make fun of people because of their looks.”

“I wasn’t,” I try. After all, Robert is tall and broad and strong and. . .

Noor gives me another glare. “He’s mine!”

Of course. I don’t want a medieval man—I don’t live in that era, no matter that I write about it.

A Courting Man, Codex Manesse

Now, aside from being tall and all that, Robert is a self-made man, a man whose years of loyal service to his king, Edward I, were rewarded when the king gave him Noor—Eleanor d’Outremer—in marriage. With Noor came a fortified manor and some lands—and an indirect blood-tie to Queen Eleanor. Not that being related to the queen is necessarily a boon.

Initially, the Robert and Noor marriage had its bumps—as described in His Castilian Hawk. Like when Robert realised Noor was related to the princes of Gwynedd and that the orphan she’d taken in was the unknown son of the rebellious Dafydd ap Gruffyd, former prince whose head now adorned London Bridge. Should the king find out about the child, he’d lock the toddler up with the child’s unfortunate brothers in Bristol Castle and potentially sever Robert’s head for harbouring him. Our hero was somewhat torn between his loyalties to his liege and those to his wife. . .

“Never,” Robert says. “I am the king’s man, but my wife comes first.”  

Aww. . . Such a nice quality in a man!

Noor’s decision to take in the orphan was to have consequences, especially once Queen Eleanor began suspecting who the child was. Which was how Robert and Noor found themselves unofficially exiled to Aragon and Castile—arriving just in time for Robert to participate in the battle of Col de Panissars, where the king of Aragon defeated the French who’d attempted to invade his country under the of a crusade. Their sojourn on the Iberian Peninsula was fraught with adventure and danger, as described in The Castilian Pomegranate.

In Her Castilian Heart, Robert and Noor are safely back in England. Well, safely may not be the right word, what with Robert’s half-brother wanting to murder him, but still. Plus, the queen remains suspicious of their foundling, and God alone knows what an irate queen may do. This time, the events are woven round King Edward’s attempts to broker peace between the pope, the king of France and the king of Aragon—that failed French effort to invade Aragon, a.k.a. the Aragonese Crusade, has caused quite a political mess.

King Edward’s reasons for involving himself are to some extent personal: one of his daughters is contracted to marry King Alfonso of Aragon, but the pope has threatened him with brimstone and sulphur if he allows his daughter to do so without the pope’s explicit permission. Which isn’t forthcoming, as the pope is seriously ticked off about the fact that Aragon has taken Sicily back from Charles d’Anjou. The pope has a much better relationship with the Angevin than with the king of Aragon—maybe because he excommunicated Alfonso’s father for having supported the Sicilians when they rebelled against years of Angevin oppression (and then consolidated Sicily as part of his kingdom)

Philippe of France wants restitution for the loss of the crown of Aragon—which is rather odd, seeing as Aragon wasn’t his to begin with, but the young French king has not lived down the humiliation of losing to Aragon. Young Alfonso wants peace—but not at the expense of relinquishing Sicily, and no way is he going to compensate the French for invading his kingdom! In fact, they should compensate him!

King Edward I

King Edward is faced with quite the balancing act: how is he to placate the pope, somehow knock some sense into the young hot-headed kings and deliver a treaty that will hold? And on top of all this, King Edward has an ailing wife and the rebellious Welsh to handle! Not that he involves himself in the actual fighting win Wales—he leaves the rekindled Welsh uprising to Robert to handle together with Roger Mortimer.

Her Castilian Heart was originally supposed to be the final book in this series, but as Robert has as yet not shared the reason for having to placate his wife with apple blossom, I still have more stories to tell about Robert, Noor, their foundling Lionel—and the brave and rebellious Welsh. King Edward may think he has the Welsh dragon tamed, but he is wrong—oh, so wrong!

About Her Castilian Heart:

Blood is not always thicker than water…

At times a common bloodline is something of a curse—or so Robert FitzStephan discovers when he realises his half-brother, Eustace de Lamont, wants to kill him.  

A murderous and greedy brother isn’t Robert’s only challenge.  He and his wife, Noor, also have to handle their infected relationship with a mightily displeased Queen Eleanor—all because of their mysterious little foundling whom they refuse to abandon or allow the queen to lock away.

Eustace is persistent. When Robert’s life hangs in the balance, it falls to Noor to do whatever it takes to rip them free from the toothy jaws of fate. Noor may be a woman, but weak she is not, and in her chest beats a heart as brave and ferocious as that of a lioness. But will her courage be enough to see them safe?

To buy the book:

Her Castilian Heart is available now from: http://myBook.to/HEART

About the author:

Had Anna been allowed to choose, she’d have become a professional time-traveller. No luck there, so instead she became a financial professional with two absorbing interests; history and writing. These days, Anna combines an exciting day-job with a large family and her writing endeavours. Plus she always finds the time to try out new recipes, chase down obscure rose bushes and initiate a home renovation scheme or two.

Anna has authored the acclaimed time travelling series The Graham Saga , set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy.

Anna has also published The Wanderer, a fast-paced contemporary romantic suspense trilogy with paranormal and time-slip ingredients. Her September 2020 release, His Castilian Hawk is a story of loyalty and love set against the complications of Edward I’s invasion of Wales in the late 13th century.

Her most recent release, The Whirlpools of Time , is a time travel romance set against the backdrop of brewing rebellion in the Scottish highlands.

All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of several Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.

Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com 

Social Media Links:

Website: www.annabelfrage.com; Twitter: https://twitter.com/abelfrageauthor; Facebook: https://www.facebook.com/annabelfrageauthor; Instagram: https://instagram.com/annabelfrageauthor; Book Bub: https://www.bookbub.com/profile/anna-belfrage; Amazon Author Page: http://Author.to/ABG; Goodreads: https://www.goodreads.com/author/show/6449528.Anna_Belfrage

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My Books:

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword BooksAmazon in the UK and US, Bookshop.org and Book Depository.

1 family. 8 earls. 300 years of English history!

Also by Sharon Bennett Connolly:

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  AmazonBookshop.org and from Book Depository worldwide.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, Bookshop.org and Book Depository.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Bookshop.org and Book Depository.

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You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2022 Sharon Bennett Connolly.