Anne Boleyn is one of the great enigmas of English history. Credited – or blamed – for Henry VIII’s break with Rome and the English Reformation, she is also the mother of one of England’s greatest monarchs, Queen Elizabeth I. Moreover, Anne Boleyn holds the tragic distinction of being the first queen of England to ever be executed. Historian Heather R. Darsie‘s new book, If Any Person Will Meddle of My Cause: The Judicial Murder of Anne Boleyn, looks into Anne’s queenship and execution – and how the law made her death possible.
And today we have a treat! An extract from the book, to give you a taste of what’s in store….
Welcome Heather!
Anne Boleyn Forces Legal Reform
By Heather R. Darsie, J. D.
Anne Boleyn is famously seen as the reason for Henry VIII breaking from the Catholic church. Her interest in at least reforming religion in England, if not going more toward the way of Martin Luther, made her a figurehead in some ways for underground efforts. In reality, Henry was finishing the work of his forbears from centuries before. He also quickly learned that he needed to pull away from Rome so that he could have full control of legal matters within his kingdom, without outside meddling or dawdling,
“Although Henry had grown frustrated over the confounding dithering of Clement VII and ineptitude of Cardinal Thomas Wolsey in the handling of his Great Matter, the issue of Henry VIII’s annulment from Katharine of Aragon was not the biggest problem. The biggest problem was, Henry rapidly learned, that he had no control over his legal system in very important arenas when he needed it most. Aside from not having legal control, the lag time in communications being sent from London to Rome and back again contributed to the delay in Henry’s annulment proceedings, too.
Once Henry was set on his path inspired by Anne Boleyn, he learned just how much money was being kept out his coffers. Cardinal Wolsey started the process before his death, but Thomas Cromwell and Anne spurred Henry to continue shutting down religious institutions in an effort to redistribute the nation’s wealth in favour of crown and kingdom. None of these ideas were novel….
Loosening the church’s powers with England began at the very tail end of the High Middle Ages with Edward I of England. At the beginning of the thirteenth century with the enaction of Magna Carta, the passing of land to a corporation, like a church, without royal consent was forbidden. …Edward I enacted the Statutum de Viris Religiosis, or Statute of Religious Men, in 1279…It forbade the passage of any lands in mortmain [meaning “deadhand”] to any religious man. If anyone did pass their lands to a religious man, then those lands were forfeited…The goals of the Mortmain statutes were not achieved until Henry VIII’s Parliament passed several statutes in 1529 and one directly addressing mortmain in 1531. Henry then began dissolving the monasteries in the 1530s, something he arguably would not have done without being encouraged by his fixation on and love for Anne Boleyn…
Henry VIII was not the first king of England to challenge the pope’s authority. He was the fourth, although the laws of the first two kings were more or less forgotten by the time Henry started taking action. Edward III passed the first, overtly aggressive statutes against papal power, with his successor Richard II taking even stronger action…The laws fell by the wayside during the fifteenth century, not to be fully revived until Henry VIII needed to assert stronger control….
[Edward III] enacted the Statute of Praemunire Facias, or simply the Statute of Praemunire, in 1353. This statute severely curtailed the influence and outright meddling of papal authority and other foreign powers within England… The punishments for the Statute of Praemunire were…severe. Anyone who effectively requested foreign interference with any legal matter, temporal or ecclesiastical, that rightly was under the purview of the king of England’s courts, was at risk of imprisonment, being outlawed and forfeiting all their property, goods, lands, and chattel. These were extremely serious penalties.
Being outlawed meant that the person had no rights or legal protection. Effectively, they were stripped of personhood and did not exist. If the person were robbed and killed after being outlawed, no crime was committed because the person existed outside of the law. Being outlawed was a desperate state of living and reserved for only the worst criminals, as in some ways it was a fate worse than death. The only positive element of being outlawed was that a person, if they survived their term of outlawry, they could be allowed back into society. Once recognised as a legal person again, they were usually at a diminished station, but at least they were alive and had rights… [Updates] were made to the Statute of Praemunire in 1365, curtailing the ability of the papal court to act as a court of first impression or a court of appeal for matters arising in England…
Roughly twenty-five years later, Richard II continued his grandfather Edward III’s work… The 1393 Statute of Praemunire Facias, enhancing the law passed in 1353, did not allow the papal curia to hear any non-spiritual matters that were prejudicial to the king, or went against the customs and laws of England. Spiritual matters could still be heard in Rome, such as divorces and annulments. Anyone who violated the 1393 statute risked punishment by forfeiting all that they owned and being outlawed. The same punishment applied to anyone who aided and abetted them. This was where Henry VIII suffered from the decisions of his great-great-great-granduncle Richard II in Henry’s Great Matter with Katharine of Aragon. This is why Henry’s annulment proceeding simply had to be heard by the pope in Rome, unless Cardinal Wolsey could figure out a solution.…”
Henry VIII’s need for Anne Boleyn opened his eyes to the restrictions of his legal control within England. Their passion inspired Henry to complete the work that was begun hundreds of years before anyone conjured the name of ‘Anne Boleyn’.
For more, pick up a copy of If Any Person Will Meddle of My Cause: The Judicial Murder of Anne Boleyn, available via hardback and Kindle in the UK, or via Kindle internationally. Hardbacks are available for international pre-order, with release on 21 April 2026.
About the book:
Many people know about the dramatic rise and fall of Anne Boleyn, Henry VIII’s controversial second wife, but this is the first book to look at her life from a Continental perspective. Her role models for queenship came from the Low Countries and France, and this contributed to her tragic end. Heather R. Darsie reviews the political missteps and implications of Anne Boleyn’s queenship, delving into the threat she posed to Henry, and why legal changes made during the early years of the English Reformation allowed the English king to judicially murder his inconvenient queen.
Historically, certain things have been overlooked about Anne’s execution: she wore colours usually associated with martyrdom, announced that she did not come to preach, was killed by beheading instead of burning, and had a very crude burial in an unmarked grave. Anne tried to portray herself as a martyr, and Henry did everything he could to prevent her from reaching that status. If Any Person Will Meddle of My Cause is about Anne Boleyn, but not the Anne Boleyn you know.
About the Author:
Heather R. Darsie is an independent researcher in the US specializing in early modern history. She focuses on researching the Holy Roman Empire and England in the early 16th century. She is the author of ‘Anna, Duchess of Cleves‘, ‘Children of the House of Cleves‘ and ‘Katharine of Aragon, Spanish Princess‘. Her primary career is as an attorney. She runs the website MaidensAndManuscripts.com.
Coming 30 March: Princesses of the Early Middle Ages
Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters of the Conquest explores the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time. Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with some outright refusing the husbands offered to them.
Their stories are touching, inspiring and, at times, heartbreaking.
Princesses of the Early Middle Ages: Royal Daughters of the Conquest is now available for pre-order from Pen & Sword and Amazon.
Also by Sharon Bennett Connolly:
Scotland’s history is dramatic, violent and bloody and Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes. Available now fromAmazon and Pen and Sword Books. Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Ian Mortimer, Bernard Cornwell, Elizabeth Chadwick and Scott Mariani, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
I hope you have all had a wonderful Christmas and enjoyed the New Year celebrations. Thankfully, my Wordly Women series is still going strong. I wonder if I can keep it going the whole year? We’ll see. I have at least 2 more interviews lined up, so we are starting the year strong!
My first guest of the year is a lady I have never met in person, but who feels like an old friend. I regularly chat with Carol Ann Lloyd on her podcast, Royals, Rebels and Romantics, when we have a lot of fun and ALWAYS go over time. Once we get talking, it is hard to stop us!
So, welcome to Carol Ann!
Sharon: Carol Ann, can I ask, what got you into writing?
Carol Ann: I have always really enjoyed writing. In fact, my mom kept a very silly story I wrote as a young school child called “Sam the Clam.” I illustrated it myself. It was pretty terrible, about a clam who of course spoke and moved around. It all rhymed. What I remember, though, it how much fun it was to create a little world.
Sharon: Tell us about your books.
Carol Ann: I’ve published two books about Tudor history: The Tudors by Numbers and Courting the Virgin Queen.
I got the idea for The Tudors by Numbers when I was working on something about the coronations of Mary I and Elizabeth I. We usually think of the two half-sisters as opposing each other: Catholic and Protestant, daughter of Katherine of Aragon and daughter of Anne Boleyn, etc. But I started thinking of them as two succeeding Queens Regnant. When we put them together, the ruled for 50 years, which is a total of 42 percent of the Tudor dynasty. Those are important numbers, and I don’t think we usually consider the Tudor dynasty as having such a high percentage of female rule. Then, if you consider Jane Grey a Queen (which I do), there are three Tudor kings and three Tudor queens: 50 percent each. So I know the number six is the most famous, but I think there are other Tudor numbers that are equally important.
For Courting the Virgin Queen, I was asked to explore Elizabeth’s suitors. That was really interesting for me to take on. We know she never married, but why? I was struck by one of the first diplomatic comments about her reign, when the Count of Feria, the Spanish ambassador, wrote to Philip that “everything depends upon the husband this woman may take.” EVERYTHING. That got me thinking. He was right is so many ways. The foreign policy, the religious policy, trade partners and trade routes, future alliances, standing in Europe and around the world, the future of England—all that depended on the man Elizabeth chose as her husband. And, of course, there were no really good options. Elizabeth saw first-hand the problems with Mary’s Spanish marriage. And she saw all around her how women lost so much by marrying. She may have loved Robert Dudley, but she would have lost enormous credibility in England and abroad by marrying a subject. A foreign alliance might have proven handy at some points, but she would have linked her kingdom to another with no way out. There were no good options. Even though it infuriated her own council and dismayed the foreign picture, remaining the Virgin Queen was her best option.
Sharon: What attracts you to the Tudor period?
Bess of Hardwick
Carol Ann: The women! (Sharon: Yes! This is why we get along so well!) I love Tudor women. Of course, the Queens and the Queen Consorts are terrific. But so many other women are fascinating. Right now, I’m digging into Bess of Hardwick. She blows my mind. She was born around 1520 to a small landowner in Hardwick. The family had some standing, but when Bess’s father John. Hardwick died, the King took control of the lands because the John’s oldest son was just two years old. Bess was around 15 when she married the first time, but Robert Barlow died about 18 months later and she was a widow. She then married Sir William Cavendish of Chatsworth, gaining land and money. Bess and Cavendish had several children, and Bess enjoyed supervising the building works. But Sir William was accused of embezzlement and went into debt, and his death brought her into debt. She became a lady-in-waiting to Elizabeth I and met Sir William St Loe, who became her third husband. She was able to indulge in her passion for building, and the couple seem to have been genuinely in love (if their letters are to be believed).
When St Loe died, his daughters from his first wife had been excluded from his will. Bess’s reputation was tarnished. Still, she was very well off and returned to her home at Chatsworth. When she returned to court in 1566, she met and charmed the very wealthy George Talbot, marrying him in 1567 and becoming the Countess of Shrewsbury. This final marriage was a stormy one, not all that surprising as the couple had to play host to Mary, Queen of Scots. Although Bess and Mary seemed to get along well initially, working on embroidery together, as time went on the relationship soured. Bess also fell out of favour with Queen Elizabeth, although she tried to present herself as one of the Queen’s “most true and faith servants”. It was not entirely successful. Bess hoped her granddaughter Arbella, whom she helped raise, would become Queen after Elizabeth’s death. Her rocky marriage with Shrewsbury ended with his death in 1590. Bess moved back to Hardwick, where she built the new Hardwick Hall (known for being “more glass than wall”). She outlived Elizabeth I and saw James VI of Scotland succeed the English Queen. Bess of Hardwick died in 13 February, around 87 years old. She outlived four husbands and several monarchs (Henry VIII, Edward VI, Jane, Mary I, and Elizabeth I). What an inspiration for making the most of every opportunity!
Sharon: Who is your favourite Tudor and why?
Carol Ann: Anne Boleyn. I know it’s a cliché, but I can’t help it. She caught my eye when I was just a kid, watching the PBS (originally BBC) production of The Six Wives of Henry VIII. I saw how she was standing up to the men around her, and I was hooked. She is complicated, both generous and selfish, intelligent and foolish, ambitious and over-reaching. Everything about her intrigues me.
Sharon: Who is your least favourite Tudor and why?
Carol Ann: I’m not crazy about either of Jane Seymour’s brothers. I think they are self-absorbed and ruthless, with little or no thought to the people around them.
Sharon: How do you approach researching your topic?
Carol Ann: I love reading. I can start reading one article, find a reference to something that sounds interesting, and then I’m off down that rabbit hole. More often than not, that new area leads me into several more. There is nothing more fun for me than just losing myself in the little details and wonderful stories of history! I know I should be much more organized, so I’m afraid my approach also includes a lot of “where did I write that down?” searches through piles of paper as well.
Sharon: Tell us your ‘favourite’ true historical story you have come across in your research.
Carol Ann: Anne Boleyn and the Thomas Wyatt versus Henry VIII game of bowls story. Which might or might not be “true”, but it’s in some accounts.
Sharon: Tell us your least ‘favourite’ true historical story you have come across in your research.
Carol Ann:Katherine Parr helping Thomas Seymour hold Elizabeth down while he cut her dress to shreds. I hope against hope she was doing so because her presence there was the only way she could limit how far he would go. But it’s a tough story to read.
Sharon: Are there any other eras you would like to write about?
Eleanor of Aquitaine
Carol Ann: I’m working on a book now that starts in early times with the story of King Arthur and then highlights the time of Eleanor of Aquitaine. I am crazy about her, and it’s been great to explore her through this book. I would love to spend more time there. (Sharon: Oooooh, that sounds amazing. Can’t wait!)
Sharon: What are you working on now?
Carol Ann: I’m working on a book about the history of courtly love (and a bit about chivalry as well), looking closely at two of my favorite historical women: Eleanor of Aquitaine and Anne Boleyn. Two queen consorts who completely rewrote the book and who played courtly love at the highest levels.
Sharon: And finally, what is the best thing about being a writer?
Carol Ann: I love research! (Sharon: oh, me too!) I love traveling to England and heading to the National Archives at Kew and the British Library. I remember holding a seal of Henry VIII and one of Elizabeth I in my hands. In MY hands. It was amazing. I also was able to see the letters patent creating Anne Boleyn as Marchioness of Pembroke at the British Library. The falcon emblem was blazing with gold leaf and nearly as large as my hand. I couldn’t believe I was not dreaming. I also love researching closer to home at Folger Shakespeare Library. Again, I can’t believe I’m holding a document signed by Elizabeth I. I even have been in the room with her red velvet Bible. How can anything match that?!
About the author:
Carol Ann Lloyd turned an obsession with the Tudors into a speaking and writing career. She shares her love of history with Smithsonian Associates, Royal Oak Foundation, Agecroft Hall, Folger Shakespeare Library and other organizations. She holds degrees in Literature and Education and hosts a popular podcast, _British History: Royals, Rebels, and Romantics_. She also offers workshops about using Shakespeare strategies to improve communication skills and is a member of National Speakers Association.
Coming 30 March 2026: Princesses of the Early Middle Ages
Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters of the Conquest explores the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time. Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with some outright refusing the husbands offered to them.
Their stories are touching, inspiring and, at times, heartbreaking.
Princesses of the Early Middle Ages: Royal Daughters of the Conquest is now available for pre-order from Pen & Sword and Amazon.
Also by Sharon Bennett Connolly:
Scotland’s history is dramatic, violent and bloody and Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes. Available now from Amazon and Pen and Sword Books. Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Ian Mortimer, Bernard Cornwell, Elizabeth Chadwick and Scott Mariani, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Just over a year ago I spent a fabulous weekend at the Historical Novel Society Conference at Dartington Hall in Devon. Derek and I hosted a panel under our A Slice of Medieval podcast banner, featuring Elizabeth Chadwick, David Gilman and Matthew Harffy. Bernard Cornwell was on before us and Ian Mortimer followed us onto the stage. I got to meet some of my heroes. Ian Mortimer was lovely to chat to. Michael Jecks told some great stories, one featuring a late-night hotel fire alarm. Steven A. McKay and I talked like old friends, even though it was the first time we had actually met. I got to discuss Emma of Normandy with Patricia Bracewell and medieval Yorkshire with Claire Dunn (C.F. Dunn).
It was a fabulous weekend! And amidst it all I had a chat with Rosemary Griggs. It was cut short because Rosemary knows the area well and was on her way to give a tour of the gardens. So, I was over the moon when Rosemary agreed to participate in my Wordly Women series, so we could have a proper natter!
And Rosemary is another champion of highlighting those women who should be better known to history!
Sharon: Hi Rosemary, welcome to the blog. First and foremost, what got you into writing?
Rosemary: I’ve always wanted to write; ever since a truly inspirational teacher at primary school encouraged me and also sparked my lifelong interest in history. Over the years, I’ve done a lot of writing of one sort or another. I even once won a prize in a travel writing competition. However, during my Civil Service career, I had to write speeches for government ministers and create carefully crafted policy advice; all rather dry! It’s wonderfully freeing that I can now tell the stories of some truly amazing women who lived in sixteenth century Devon.
Sharon: Tell us about your books
Rosemary: Having spent years delving into Devon’s past, I’ve become particularly fascinated by the Champernowne family. They rose to prominence in the sixteenth century as part of a closely connected network of powerful figures whose influence extended far beyond the county. Within their circle were the likes of Raleigh, Drake, Hawkins, and Grenville—names that still resonate today. Yet, the women are so often forgotten. In my “Daughters of Devon” novels, I bring into the spotlight women often overshadowed by their famous menfolk.
My first novel, A Woman of Noble Wit, is the story of Katherine Champernowne, Sir Walter Raleigh’s mother.
Next to catch my eye was a young French Huguenot woman, daughter of the man who killed King Henri II of France in a jousting accident. Although born in France, Lady Gabrielle Roberda Montgomery married into the Champernowne family and spent most of her adult life at Dartington Hall in Devon. I became so fascinated by the challenges she faced as an incomer to Elizabethan England that her story has spilled into two volumes, The Dartington Bride and recently published Mistress of Dartington Hall.
A lot of other Daughters of Devon are waiting to have their stories told.
Sharon: What attracts you to the Tudor period?
Rosemary: My fascination with the Tudor era began with the larger-than-life characters of the royal court. I’m as enthralled by the tales of Henry VIII and his queens as anyone. However, during that tumultuous period, immense social, political, and religious changes affected everyone, regardless of their wealth. The late fifteenth century saw the printing press’s arrival, which opened up learning and information to a wider audience, including many women. It was an ‘information revolution’, not unlike the transformative changes I’ve witnessed in my own life, especially since the internet was born. It’s working out how ordinary people, especially women, managed in such a rapidly changing world that keeps me rooted in those turbulent Tudor years.
Sharon: Who is your favourite Tudor and why?
Rosemary: Elizabeth I is the one who most fascinates me. Her 45-year reign brought stability after years of turmoil. People remember her as an intelligent, politically astute and powerful ruler. She had a formidable education, becoming fluent in multiple languages. Like many people, I admire Elizabeth for her wit and for her determination. I had always seen the defeat of the Spanish Armada as her greatest victory. However, as I was researching for my latest book, I discovered another side to her character. The queen’s reluctance to pay the soldiers and sailors needed to repel the Spanish invasion, or to provide enough arms and munitions was extremely frustrating for her commanders. Without that change in the wind, the outcome could have been very different.
My current research has also brought home to me how perilous Elizabeth’s life was in the years before she came to the throne. Having survived against the odds; she defied expectations by never marrying. Elizabeth was incredibly clever as she played off her various suitors to maintain or forge political alliances. She gave up a lot to rule alone. I would dearly love to be able to ask her what really happened with Thomas Seymour and whether she ever regretted not marrying Dudley.
Sharon: Who is your least favourite Tudor and why?
Rosemary: It would be easy to plump for Henry VIII as the ruthless tyrant he became in his later years. But I have a soft spot for the charismatic, intelligent young man who became king in1509. Instead, I’d go for his father, Henry VII, who has always seemed to me to be a rather cold, calculating type. Perhaps he had to be to return from exile to wrest the throne from Richard III on the battlefield. Yet I can’t forgive him for executing poor Edward of Warwick, or for his treatment of Catherine of Aragon after Prince Arthur died. Somehow, I cannot warm to Henry VII.
Sharon: How do you approach researching your topic?
Rosemary: I always start with original source documents relating to my character. Then I widen the net to consider what surviving documents reveal about those around them. I’m never happier than when I’m poring over a difficult text in the archives.
I’ve chosen a hard path, as I’m researching women whose imprint on the record is light. I can usually discover much more about the men in their lives, but eventually I’m armed with some key events taken from the record. These form the milestones on my subjects ’journeys through life, and I respect them absolutely. However, the beauty of writing fiction is that I can fill the gaps with creative imagination to weave a plausible narrative around those key events. To do that, I study every detail of Tudor life. I read widely about national events; I sift through accounts of local happenings. I question everything. I also visit the places they knew; I dress as they did. I all brings me closer to their world.
Sharon: Tell us your ‘favourite ’Devon story you have come across in your research.
Rosemary: My favourite Devon story doesn’t concern one of the ‘elite ’women I write about. Rather, it is an incident that brings one of the ordinary women of history briefly to our attention. In the mid-1530s, when Thomas Cromwell’s commissioners instructed a man to tear down St Nicholas Priory’s Church in Exeter, Elizabeth Glanfield gathered her friends and neighbours. They would allow no one to desecrate their beloved priory church without a fight. Grabbing brooms, shovels and staves, the pack of women descended on the worker who was dismantling the rood screen. The terrified man climbed high, but the women pursued him until he fell, breaking his arm. Eventually, the mayor of Exeter restored order. When the great and good sat in judgement on Elizabeth and her friends, they expressed the view that men disguised as women perpetrated the attack. Mere women, they suggested, could not be capable of such an act. Fortunately, Elizabeth and her friends escaped serious punishment. However, they did not save their church. Eventually, workers returned to demolish the church. They used some of the stone to repair the Exe bridge into the city. Parts of the priory buildings survived to be converted into an Elizabethan townhouse. Elizabeth Glanfield and the rioting women of Exeter are a rare example of local people resisting the dissolution of the monasteries. There is a longer version of this story on my website.
Sharon: Tell us your least ‘favourite’ Devon story you have come across in your research.
Rosemary: My least favourite is also about another ordinary woman and her appalling fate, although it has also been a tremendous source of inspiration for me. During the reign of Edward VI, Agnes Prest, a poor, uneducated Cornish woman, had heard the scriptures in a language she could understand. Queen Mary insisted she return to the old ways of worship under the Church of Rome. Agnes could not accept what she was being told to believe. The worst part of her story is that her own family, including her husband, ‘shopped ’Agnes to the church authorities. The Bishop of Exeter and all the high-ups of the church summoned Agnes and questioned her. She refused to yield. Eventually, they took Agnes to the prison cells beneath Exeter’s Rougemont Caste. In the second edition of his ‘Book of Martyrs’, Foxe mentions that a gentlewoman, Katherine Raleigh, visited Agnes. In August 1557, that poor Cornish woman walked the short distance from her prison cell to the area of Exeter we now call Southernhay, where she was burned at the stake. She was Exeter’s only Protestant martyr during the reign of Queen Mary.
Sharon: Are there any other eras you would like to write about?
Rosemary: I’ve often thought I could find some strong Devon women who played their part during the English Civil War. However, while recovering from Covid recently, I watched a lot of TV adaptations of Jane Austen novels. I’m now quite drawn to that time too.
Sharon: What are you working on now?
Rosemary: I’m very excited about my current project, my first work of nonfiction. A woman connected to the Champernownes has elbowed her way to the front of the queue of women whose stories I want to tell. Fans of Tudor history know her as Kat Ashley, Queen Elizabeth’s childhood governess. When I began mapping out a fictional account of her life, I found the character emerging from my detailed research was a little different from the woman familiar to us. Going back to the original sources made me question the accepted narrative. I had also discovered some interesting details historians seem to have overlooked. So, I am thrilled that Pen and Sword Books are giving me the opportunity to set out all of my research into this fascinating woman who had so much influence on Elizabeth I. Here is the fantastic jacket design. We are targeting publication summer of 2026.
Sharon: I’m looking forward to getting my hands on a copy – and don’t Pen & Sword do the most gorgeous covers?
Sharon: And finally, what is the best thing about being a writer?
Rosemary: Opening that box, holding your book for the first time is very special. But above all, it is when people tell me my story transported them back in time and they’ve enjoyed reading it, or even that it’s made them think. That’s what makes it all worthwhile.
About the Author:
Rosemary Griggs is an author, researcher, seamstress and popular West Country speaker. She has a particular interest in Devon’s sixteenth-century history and the Champernowne family.
She loves telling the stories of the forgotten women of history; wives, sisters, daughters and mothers who played their part during the tumultuous Tudor years: the Daughters of Devon. Rosemary also researches, creates and wears sixteenth-century clothing. She brings the past to life through a unique blend of theatre, history and re-enactment at appearances and talks for museums and community groups all over the West Country. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house in rolling south Devon parkland near Totnes.
All three books are available as paperbacks from UK bookshops, and as Ebook worldwide. The first two are also available as audible: Rosemary’s bookshop; Amazon UK; Amazon US.
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Today, it is a pleasure to welcome Susan Abernethy back to History… the Interesting Bits, to chat about her fabulous new book, The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court.
How I Decided to Write The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court
It all started with the random purchase of a used copy of a biography of Isabel of Portugal by Aline S Taylor. It just so happened that Isabel was the daughter of King John I of Portugal and Philippa, daughter of John of Gaunt, Duke of Lancaster and son of King Edward III of England. To my surprise, Isabel was married, at the venerable age of 33, to Philip the Good, Duke of Burgundy as his third wife. At the time, I had no idea who Philip was and knew nothing about the duchy of Burgundy.
Isabel had a son who succeeded his father with the moniker of Charles the Bold. It turned out I owned a reprint of a turn of the century biography of Charles by Ruth Putnam in my library. Both Isabel and Charles greatly intrigued me as tenacious and resolute characters. I had to learn more. My research began with Putnam’s biography and progressed to the four volume biographies of each of the Valois dukes of Burgundy by Richard Vaughan.
As my knowledge of Burgundian history expanded, more women in history emerged. From the wives, daughters, grand-daughters and nieces, they were all used as pawns in the dukes’ diplomatic efforts to expand as well as govern the Burgundian Empire. The dukes could not have amassed their empire, the size of England and Wales combined, without their women. Some of these women lived lives of comfort and supreme authority while others were relentlessly bullied and badgered into surrendering their patrimony. This book is a collection of thirty-one of these women, related to the Valois dukes by blood, marriage and politics.
Isabel of Portugal
Many of them had a major role in the history of Western Europe, spreading their influence across numerous countries, including France, Germany, England, the Low Countries, Italy, Spain and many more. The first chapter of the book is a concise summary of how the Valois dukes grew their empire, beginning with the death of the Philip I, the last duke of the House of Burgundy. With his death, the duchy of Burgundy reverted to the French crown, and it was up to King John II of France to determine its fate. John had a younger son, Philip, who had distinguished himself as a fighter during the Hundred Years’ War.
As a reward for his faithful service, his father gave him the duchy of Touraine. Philip would later trade this small principality for the more prestigious duchy of Burgundy in 1363. He had a long-time dream of merging his new duchy to the county of Burgundy, otherwise known as the Franche-Comté and to do this, he needed to marry the heiress. So in the summer of 1369, he married Margaret of Male, who stood to inherit not just the Franche-Comté, but also Flanders and the counties of Rethel and Nevers, along with other territories.
So we have the first formidable woman, Margaret of Male, who not only gave birth to many children but aided her husband in ruling his newly acquired conglomeration of territories. Philip the Bold instituted a deliberate program of marrying his daughters into various regions around his provinces, not just as respectable mates for the grooms but to increase his territories. Richard Vaughan says Philip the Bold was one of the most talented diplomats of his age.
Margaret of Male
Two of Margaret’s daughters were exceedingly influential but for different reasons. One of my favorite discoveries in writing this book was Catherine of Burgundy, Duchess of Austria and Countess of Ferrette. Philip had is eye on the county of Ferrette (now a part of Alsace in northeastern France), which was under the influence of Leopold IV, Duke of Austria. Catherine’s marriage to Leopold would be a success in that the couple got along well; however, they had no children. When Philip the Bold failed to pay Catherine’s dowry she convinced Leopold to grant her the governance of the county of Ferrette which would give her an income.
She ruled the county competently, acting as a diplomat for her Burgundian ducal brother and nephew, John the Fearless and Philip the Good respectively, making economic and trade alliances and waging petty wars in the surrounding area. Catherine is one of the few women I’ve found who operated as a man would have in the medieval era which makes her pretty unique. Even more exceptionally, once Catherine became a widow, she married a handsome young nobleman without her brother’s permission, to the astonishment of just about everyone around her. She certainly must have been charming and persuasive.
Catherine’s sister Mary married Amadeus VIII, Duke of Savoy in the spring of 1401 but did not arrive in her new home until September 1403. Mary and Amadeus had many children, the most influential being their son Louis, who succeeded his father as duke of Savoy in 1440. He married Anne of Cyprus and together they had about nineteen children. Mary of Burgundy’s legacy lies among these grandchildren.
Catherine of Burgundy
Louis and Anne of Cyprus’ eldest son, Amadeus IX, married Yolande of France, the daughter of King Charles VII and Marie of Anjou. Yolande’s story looms large as one of the formidable women in the book. At the age of two, she left France to live in Savoy to be educated and to learn the language and customs of her new home. Her husband died young from various congenital ailments and Yolande acted as regent for her son during his minority.
As the leader of her country, Yolande became entangled in the web of the Spider King, her brother Louis XI of France and his mortal enemy, Charles the Bold, Duke of Burgundy as well as her numerous brothers-in-law and the crafty Duke of Milan. With authority and finesse, Yolande navigated these treacherous times. The intrepid Yolande would be captured and held captive twice along with her children. In both cases, she made brave and daring escapes.
Louis and Anne of Cyprus had two other daughters who made their mark in history. At one time, the English monarch Edward IV considered Bona of Savoy as a wife. The negotiations stalled when Edward married the enchanting Elizabeth Woodville in 1464. By 1468, negotiations for her marriage to Galeazzo Maria Sforza, Duke of Milan were completed. Bona immediately gave birth to an heir and spare and modelled the perfect Italian Renaissance wife as her husband descended into paranoia and mental illness.
Bona of Savoy
When Galeazzo Maria was assassinated in 1476, Bona acted as regent for her minor son. At first, she met with great success but eventually she ran into trouble with her brother-in-law, Ludovico Sforza, who wrested power from her, forcing her to struggle for the rest of her life with being separated from her children and inconsistent income.
Bona’s sister Charlotte of Savoy married the Spider King Louis XI of France when she was nine years old and Louis twenty-seven. Of course, the marriage was not consummated until Charlotte came of age and she had three remarkable children. Her son would succeed his father in 1483 as King Charles VIII. Her daughter Anne of France, Duchess of Bourbon acted as regent for her minor brother for eight years and steered France through several crises.
Anne’s greatest achievement would be the annexation to France of the significant duchy of Brittany, one of her lifelong dreams, when her brother married the Breton duchess, Anne. Charlotte’s youngest daughter, Jeanne, born with several severe disabilities, would eventually become Queen of France as the wife of King Louis XII. The marriage would be extremely unhappy, and Louis XII did all in his power to obtain a divorce. After numerous attempts and following the payment of an enormous bribe to Pope Alexander VI, he obtained his annulment, and Louis XII married the widowed queen, Anne of Brittany.
Jeanne of France
King Louis made sure Jeanne had abundant properties to guarantee a steady and ample income. Jeanne had a lifelong dream of living a monastic life. She used her funds to successfully build a convent and found a monastic order in Bourges. Her Order of the Virgin Mary, dedicated to the Renunciation, was so successful, it is still in existence to this day in monasteries in France, Belgium, Poland, Costa Rica, Guatemala and Africa. Jeanne was canonized in May 1950.
These and other stories of courageous, intelligent, audacious and fearless women populate this book. Some of the relationships between the women are complex so included in the back of the book are several family trees that illustrate their associations. We are lucky enough to have numerous portraits of most of the women in the collection and these are included in the plate section. My purpose in writing the book is to feature these women and shed light on the history of the Burgundian Empire.
Susan’s passion for history dates back fifty years and led her to study for a Bachelor of Arts degree in history at the University of North Carolina at Charlotte. She is currently a member of the Rocky Mountain Medieval and Renaissance Association, the Society for Renaissance Studies, The Historical Writers Association, and the Historical Association. Her work has appeared on several historical websites and in magazines and includes guest appearances on historical podcasts. Her blog, The Freelance History Writer, has continuously published over five hundred historical articles since 2012, with an emphasis on European, Tudor, Medieval, Renaissance, Early Modern and women’s history. She is currently working on her third non-fiction book.
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My Books:
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
It is time for another edition of Wordly Women! And today I am chatting with an author who, like me, likes to bring historical female characters to the fore, from the early medieval to the Tudors. She has also written a fabulous trilogy on Henry VIII himself. Judith Arnopp writes both historical fiction and non-fiction and has a wonderful back catalogue for you to explore, if you have not discovered her yet. Judith is also one of those authors who is happy to share her experiences with readers and writers alike.
Hello Judith! Welcome!
Sharon: What got you into writing?
Judith: It was so long ago now I barely remember. I have always written stories, as a child I wrote things to read to my dolls who were always very appreciative. When I was about fourteen I wrote a torrid romance featuring a heroine called Rosalind and a hero named Tybalt – I bet you can’t guess where the inspiration for those names came from – lol. My best friend used to come round every evening to hear the next chapter and there’d be hell to pay if it wasn’t ready. I’d love to get my hands on it now. I bet it was dreadful!
When marriage and children came along I still managed to write stories but now they featured my kids who loved listening to themselves having adventures. It wasn’t until my daughter and three sons had grown old enough not to need me 24/7 that I enrolled at the University of Wales and did a degree in English literature and Creative Writing. I loved it so much I stayed on to do a masters in Medieval History. I would have liked to remain at uni forever but one has to leave eventually and find a proper job.
At that time, we lived on a rural smallholding, far from town and suitable jobs were few so it made sense to concentrate on what I loved and what I was reasonably good at. Historical fiction was the obvious choice and luckily the internet, which was relatively new then, made easing myself into the book world achievable, even from the wilds of Wales. There were great online groups then, like You Write On where I encountered other authors, most of whom I am still in touch with today.
Sharon: Tell us about your books.
Judith: My first published novel was Peaceweaver; the story of Eadgyth, who was consort to both Gruffydd ap Llewellyn of Wales and Harold II of England. In the recent TV debacle, King and Conqueror, they renamed her Margaret for some reason and she played a much larger role in Harold’s story. My book is set in the years leading up to the Norman Conquest, culminating just after the Battle of Hastings.
A further two novels followed, The Forest Dwellers, set in the New forest after the invasion and another, The Song of Heledd, set in 7th century Powys. My early books barely made a ripple and sales were slow but people constantly asked me if I had written anything ‘Tudor’ – in the end, I caved in and wrote The Winchester Goose. That was the jumping off point really and I spent the next few years writing about Henry VIII’s queens, The Kiss of the Concubine, the story of Anne Boleyn, Intractable Heart, the story of Katheryn Parr, and was about Henry’s daughter, Mary. Once I’d written them I began to wonder if I was ready to tackle Henry himself.
Henry VIII is a huge undertaking. He had already cropped up in most of my books, The Beaufort Chronicle which is about his grandmother Margaret Beaufort, and A Song of Sixpence which is about his mother, Elizabeth of York. During the course of skirting around the king, I realised how few books there are that look at the events from his perspective. I knew it was time to stop being afraid, and just do it.
The four years it took me to write the trilogy were hard. I know it sounds silly but Henry figured so largely in my head that he became real and as I neared his later years, it became really difficult to live in such close proximity.
The trilogy is written in Henry’s voice. I imagined him sitting with me in my office as he related his story. Sometimes he would grow so indignant, so angry, so defensive that I forgot it was simply fiction.
Henry always had the perfect excuse and if he began to feel uncomfortable while making a confession he either grew angry and stormed out or just lied. He was a very unreliable narrator, which is something I love in other people’s books and it was fun to use the device in my own work. It is up to the reader to decide how much of his revelation is truth, and how much is gloss.
But somehow, particularly as I neared the end, I was able to empathise with him. I acknowledged his many sins but I had also come to a better understanding of what drove him. I wouldn’t say I pitied him exactly but I came to regret how his life unfolded. He could have been a great king.
Sharon: What attracts you to the Tudor period?
Judith: I think it is the intrigue, the uncertainty, the politics, the unacknowledged fear that everyone walked in. And then, of course, there are the fabulous clothes. When the reenactment group was still running I used to make heaps of Tudor gowns for when I played Mary I, and doublets and gowns for my husband who played Norfolk. Ill health has forced us to stop that for a while but I’d like to do it again. With a gown like that hanging in the wardrobe, it’s a shame not to.
We know so much about the reign of Henry VIII yet there are still so many questions that will never be answered. Nobody seemed to learn from past mistakes. After the plight of Anne Boleyn, why oh why did Katherine Howard play fast and loose with the king; and what was Jane Rochford thinking to encourage the queen in such a dangerous game?
I’d like to travel back in time to visit the Tudor court to find the answers, but not as a person, I value my head too much. Perhaps I could be a bird in the rafters of the great hall, or a fly on the bedchamber wall. Or maybe one of Henry’s beloved spaniels so I could listen in while he fondled my ears – that would be safer!
Sharon: Who is your favourite Tudor and why?
Judith: It is close between Margaret Beaufort or Henry VIII. I seem to be drawn to the historical figures who are regarded as ‘baddies’ but I am always puzzled by Margaret’s bad reputation. She was strong, brave, determined and loyal yet many people are convinced she was involved in the disappearance of the princes. Online arguments can be quite heated but I don’t join in. There is little point growing hot and bothered over a supposed crime with no evidence or even the certainty that foul play even took place. It would be totally out of character for Margaret, a pious woman of unblemished reputation to resort to infanticide. I disregard the theory yet remain totally fascinated. I do have my own ideas but like everyone else’s there is no evidence.
As to why Henry is one of my favourite Tudors, I guess I already answered that in the last question but I will try to sum it up.
If you put aside the fact of his crimes and focus on his motives, he becomes rather more understandable. I often wonder what I would have done were I in his shoes. To understand him we must put aside all modern opinion and look at it entirely from the perspective of a 16th century king.
He was unexpectedly thrust into kingship. He was raised to believe that as king his will was akin to God’s. It was drummed into him that a king’s first and only duty was to produce an heir, and protect the dynasty. He knew from the experience of losing his elder brother that one son was not enough for a king. In his youth, Henry excelled at everything, from wrestling and jousting to poetry and music. To fail was unthinkable and when he began to recognise he was not fulfilling expectations, it was unbearable. Time was running out, Katherine of Aragon was no longer fertile so he kicked out like an angry toddler and in doing so destroyed his wives, his oldest friends, his mentors, and he ultimately destroyed himself and his shining, unspotted image.
Many people hate Henry and I do not in any way admire him but he is nonetheless fascinating.
Sharon: Who is your least favourite Tudor and why?
Judith: I hate to say it but I think it is Jane Seymour. Not because of modern day perceptions of her as a home wrecker but simply because unlike the other queens, she does not emerge from the historical record as a fully rounded character. Even though she is often regarded as Henry’s greatest love, it is quite likely he would have moved on if he’d had time to grow tired of her. She is a bit yawny. The only extant historic item to provide a glimmer of her inner self is her splendid portrait. (which incidentally is on the cover of my non-fiction book about Tudor clothing, How to Dress Like A Tudor.)
Jane seems quite plain to our eyes, chubby face, cheesy-green skin tone which probably has more to do with the age of the painting than Jane herself. I suppose, after Anne, anyone would seem dull and we shouldn’t really compare them. If she’d had longer to make a personal dent in history I am sure I would feel differently but the only time I have felt a spark of interest in her is Hilary Mantel’s portrayal in Bring Out the Bodies. But that is fiction and Hilary was a genius.
Sharon: How do you approach researching your topic?
Judith: I’ve been researching in one way or another for donkey’s years but it wasn’t until I went to uni that I learned how to do it properly. I’ve been writing in roughly the same era for so long that I no longer need to research as deeply I used to. When I first began I had to know everything about Tudor life, customs, clothing, diet, housing, social niceties but now it is more a case of refreshing my knowledge. I usually write in the first person and I make a point of reading several different biographies of my subject, both contemporary and modern accounts to get a rounded picture.
As I said previously, I usually opt for ‘difficult’ characters so I read both sides of the matter, question everything and make a timeline of their lives, marking where they were and when so I can follow as close as possible in their footsteps.
But I always bear in mind that both primary and secondary accounts will be biased one way or another. There are very few first-person historical accounts (Oh how I’d love a secret diary of Margaret Beaufort to be discovered) so I can only surmise their inner thoughts by careful study of recorded reactions to events.
For instance, the death of Katherine and Henry’s children. We always hear how dreadful it must have been for her to watch her offspring die, and indeed it must have been. But they were Henry’s children too. His devastation must have been equal to Katherine’s. His grief would have matched his anger at God for depriving him of an heir. Of course, he hid it, he was very proud but I can imagine the death of each child increased his already burgeoning terror that he might fail to beget a son.
But sorry, I digress. Once I have sketched the outline of the story, I put aside the huge pile of research books I’ve accumulated and let my imagination take over. During the revision process I frequently return to my research to see where or if I have diverted – sometimes I correct it, but if it adds to the drama I don’t delete the scene but I make a note of the diversion in the authors’ note.
Sharon: Tell us your ‘favourite’ Wars of the Roses story you have come across in your research.
Judith: I’ve read historical fiction since I was a girl. I always sided with York (don’t shoot me!) and enjoyed books that portrayed women like Maguerite of Anjou and Margaret Beaufort as evil intentioned. Until relatively recently, any woman that stepped from her prescribed role was viewed negatively. As a young girl I never even questioned it but these days I am more neutral. I am old enough to realise that evil is in the eye of the beholder and things just aren’t black and white.
I still enjoy books set in the era but I no longer take up arms. As in any conflict there is good and bad on both sides.
It wasn’t until I began to read in this unbiased way that I even considered questioning Marguerite of Anjou’s portrayal in both fiction and non-fiction. She really wasn’t liked then and neither is she now. Shakespeare didn’t help by naming her as the ‘she-wolf’. But when you consider the whole York/Lancaster war from her point of view, the story changes.
She is an anointed queen, her incompetent husband goes a bit crazy, York comes strutting into court demanding to be regent when she has proven herself perfectly capable in the role but, of course, she is a woman, and a French woman at that! York then names her child illegitimate and somehow has him ousted from succession.
It is no wonder she was miffed!
Marguerite fought valiantly and tirelessly for her son’s rights until his death at Tewkesbury and there was nothing left to fight for. I rather admire that. Ok, some atrocities were carried out in her name, her ungoverned armies won her few friends but York and his contemporaries also carried out atrocious acts. The murder of Henry VI by Edward IV, the drowning of Clarence in the Tower. I could provide more examples.
Atrocities happen in war.
The injustices heaped upon Marguerite, coupled with the slurs that are still being spoken against her today inspired me to write her story but do not worry, I have not turned her into a saint. In my book, Marguerite: Hell Hath No Fury! you will encounter a young French girl who arrives in England to marry the king as part of the peace process at the end of the hundred years war. She is hated and reviled as a ‘foreigner’ from the start, saddled with an incompetent king, expected to produce an heir yet when she does, they name her an adulteress and her son a bastard.
As the long fight for justice continues, she is often rash, ungoverned, unwise. She grows angrier, and toward the end perhaps a little mad, but she fights tirelessly until she has nothing left worth fighting for. In judging Marguerite we should use the same rules as when judging her male counterparts.
Sharon: Tell us your least ‘favourite’ Wars of the Roses story you have come across in your research.
Judith: I don’t really have a ‘least favourite’. As a historian I try to remain objective so I am not squeamish when it comes to the murders and betrayal. If anything, the worse the story is, the more fascinating I find it.
It is important, imperative even, to view events from the perspective of the era. I am always impatient to hear Edmund Tudor derided as a child molester because of Margaret’s age when Henry VII was conceived. It may have raised a few eyebrows at the time but there is nothing in the record to suggest she was unwilling. Margaret was not alone, it was not unheard of and other women of the era also married and gave birth at a young age. Margaret always looked kindly on Edmund and in her will, requested to be buried with him rather than any of her other spouses. Her request was ignored and she lies in splendour at Westminster Abbey but her wish to be with Edmund suggests to me that she thought well of him and held no grudge, so why should we?
I try to keep a neutral opinion until the times comes to start writing and assume the persona of my chosen subject. As far as I am concerned, the more shocking the event, the better.
I am often so consumed by the subject of my novel that it prevents me from sleeping. The characters linger in my head for long after I’ve published and Henry has been the worst one for that. It is getting on for three years since the final volume of The Henrician Chronicle was published and he is still lurking but then, I guess it is to be expected as he always was an attention seeker.
Sharon: Are there any other eras you would like to write about?
Judith: Most of my books are set in transitional periods. I began my career writing about the Norman invasion, focusing on the problems regime changes bring. I covered the dissolution of the monasteries and the Reformation in Sisters of Arden, an era that was also life changing to the people of England. The war of the roses is similarly ‘transitional’ and there are still historical figures I’ve not yet covered. I quite fancy the glorious revolution and I’ve read a lot of novels set in and around WWI and WWII but I am too old now to carry out the research required to write in that era. It will be better to stick where I am, safe in the very dangerous world that I know.
Sharon: What are you working on now?
Judith: Marguerite: Hell Hath No Fury! was only published a short time ago and I am supposed to taking a few months off to rest. However, I have begun to play with something else. I have written a few chapters but am still finding my feet. Rather like The Book of Thornhold that jumps through several eras of history, it is about a place, rather than any particular period. The focus is on the history of the building, the people who lived there and the events that left a mark. Layers of history that build a transparency of events that shaped the building into what it is today. This of course, makes for a lot of research and the resulting book will be very hard to market but I’ve always been a glutton for punishment.
Sharon: And finally, what is the best thing about being a writer?
Judith: Oh, now there’s a question. It is very hard being a writer just now. It is all very fine when sitting in my own home, losing myself in time while tapping out fabulous stories but in recent years, marketing has become a living nightmare!
When I first began, around 2004, it was fun but now my mailbox in overflowing with faux promoters, faux publishers, tic-tockers, all demanding money for promises they either cannot fulfil or have no intention of delivering. It is no longer possible to know who to trust. There is also AI to deal with – a constant battle … AI stole our intellectual property for training purposes and is now putting the authors it stole from, and illustrators out of work … but I will leave it there, you asked what the best thing is…
For me it is the camaraderie with fellow authors, the mutual support, the back slapping, the advice, the encouragement. We may never meet face to face but authors understand things that non-writers can’t. I couldn’t do without them and neither could I continue to work without my readers. I appreciate every reader who takes the time to email to say how much they enjoy my work, the ones who go the extra mile of leaving a wonderful review or recommend my books to others. Like most authors, I need constant reassurance that I am doing ok. When the praise stops, the words falter and I am in danger of wandering away from my desk.
I am solitary by nature and writing is a lonely place but it pleases me to look up from my work and rediscover the wonderful view from my house that looks over Cardigan Bay. I save the few thousand words I have added to my wip, close my laptop and spend the rest of the day either gardening or walking on the beach or restoring my antique doll’s houses. Sometimes it is hard to believe that this is my job – I’ve no lengthy commute, no office clique to deal with, no rules. I may not be a big-name author but I love writing and I love my readers, and judging from their emails, they love me in return. I am grateful that they buy my books and keep me from penury. I am the author of my own life and that is just perfect.
About the Author:
Judith Arnopp’s novels are set during the War of the Roses and the Tudor era. They focus on women like Margaret Beaufort, Anne Neville, Elizabeth of York, Anne Boleyn, and Mary Tudor.
She has a Master’s degree in medieval studies and a BA in English and creative writing from the University of Wales, making Historical Fiction the obvious career choice. She lives on the coast of West Wales with her husband, John, and now her family have flown the nest she writes full time from her home overlooking Cardigan Bay. Her early books were set in the Anglo-Saxon period but since switching to the Wars of the roses and Tudor era her career has flourished and she now has a substantial collection of titles in her catalogue. All books are available on Kindle and in paperback, some are on Audible.
Judith also writes non-fiction, her most recent published by Pen and Sword is a study of Tudor clothing and fashion, How to Dress Like a Tudor. Her work features in several anthologies and magazines.
She runs a small seaside holiday let in Aberporth and when she has time for fun, likes to garden and restore antique doll’s houses. You can find her on most social media platforms.
Her novels include:
A Daughter of Warwick: the story of Anne Neville, Queen of Richard III; Marguerite: Hell Hath No Fury! the story of Marguerite of Anjou; A Song of Sixpence: the story of Elizabeth of York; The Beaufort Chronicle: the life of Lady Margaret Beaufort (three book series); A Matter of Conscience: Henry VIII, the Aragon Years (Book One of The Henrician Chronicle); A Matter of Faith: Henry VIII, the Days of the Phoenix (Book Two of The Henrician Chronicle); A Matter of Time: Henry VIII, the Dying of the Light (Book Three of The Henrician Chronicle); The Kiss of the Concubine: a story of Anne Boleyn; Sisters of Arden: on the Pilgrimage of Grace; The Winchester Goose: at the court of Henry VIII; Intractable Heart: the story of Katheryn Parr; The Heretic Wind: the life of Mary Tudor, Queen of England; Peaceweaver; The Forest Dwellers; The Song of Heledd; The Book of Thornhold
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
The author of The King’s Mistress (U.S. title The September Queen) explores Tudor England with the tale of Bess of Hardwick—the formidable four-time widowed Tudor dynast who became one of the most powerful women in the history of England.
On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society.
When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .
Venus in Winter by Gillian Bagwell transports you to Tudor England.
In her novel, Venus in Winter, Gillian Bagwell tells the story of the early years of one of my favourite Tudor heroines, Bess of Hardwick. Gillian follows Bess’s life from her teenage years through her first 3 marriages. The first, to Robert Barlow, which was over all-too-soon. Her second husband, William Cavendish, helped her claim her dower rights from Barlow’s estate and, through Cavendish leaving his estate to her, rather than their children, gave Bess the financial independence that few Tudor women knew and enjoyed. The third husband, Sir William St Loe, was trusted by Queen Elizabeth I herself. Each successive marriage gave Bess greater influence, position and financial independence.
Bess of Hardwick is a woman determined never to be poor again. Clever, beautiful and wise beyond her years, she makes the rules of Tudor society work for her.
But it is not all about money. Gillian Bagwell’s Bess is a fine young woman, learning to find her way in the world, to trust her own instincts to help her children and her wider family. She suffers loss, hardship and uncertainty and is the stronger for it. But this is Tudor England! She also finds herself in the Tower of London, facing questions from the queen’s inquisitors. This is the portrayal of a remarkable young woman who became the matriarch of a powerful family.
On New Years’ Day, as the Zouches and their attendants made their way to the presence chamber of Hampton Court, Bess was very excited. For on this day the king would be presented with his gift – the splendid table and chess pieces, which had been completed in time and had traveled from London swaddled in layers of wool.
The mood at court was lighter and happier than at any time Bess could recall. Anne of Cleves was present, companionably chatting with King Henry, and the shadow of Catherine Howard was almost dispelled by the warmth and light from the hundreds of candles, which made the air redolent of honey. A band of musicians played jaunty dance tunes, and the walls were hung with garlands of holly and ivy. Near the king, a table was stacked with gifts of such magnificence that it staggered Bess. Golden goblets, engraved silver coffers, books in richly ornaments bindings, jeweled collars and belts, furs of deep and gleaming pile, which she longed to touch. But nothing like the chess table the Zouches had brought.
Rich pastries and savory morsels were piled on platters, and great bowls of punch perfumed the air with steam. The room rang with laughter and chatter. Bess, Lizzie, and Doll took up a position near the door where they could watch each new arrival while Audrey trailed Lady Zouche as she made her way around the room greeting friends.
“There’s Anne Basset,” Doll said. “I like her. She always makes me laugh.”
“Lady Latimer is looking very pretty, don’t you think?” Bess asked, eyeing the lady’s emerald silk gown with envy. She didn’t recognize the handsome dark-haired man next to her, but knew it was not Lord Latimer. “Her husband must be too ill to be here.”
“Small wonder, as old as he is,” Doll whispered. “That’s Sir Thomas Seymour with her.”
In Venus in Winter, Gillian Bagwell has skillfully recreated the Tudor world, from the wilds of Derbyshire, to the splendour of the Tudor court. From the last, fearful years of the reign of Henry VIII to the glory and pageantry of Elizabeth I. Her attention to detail and considerable research means that, while the story is fiction it is woven around the historical facts. From her descriptions of the Derbyshire countryside and the detail of the Tudor palaces, you know that Gillian took her research seriously and visited everything she could, adding a note of authenticity to the story.
The characters in Bess of Hardwick are deep and diverse. Bess of Hardwick is a complex young woman, spurred on by a childhood threatened by poverty. She is ambitious, not so much for success as for security. Some of the great names of the Tudor world also put in an appearance. From Elizabeth I to Robert Dudley to Katherine Grey, Bess’s world is occupied by the great and the good of the 16th century. Bess once served in the household of Frances Grey, daughter of Henry VIII’s sister and mother of Jane Grey and Gillian Bagwell draws their story into Bess’s, showing how deep Bess’s affection for the family went. And telling the story of the Nine Days’ Queen through her eyes.
Venus in Winter is not only a wonderful retelling of Bess of Hardwick’s story but also a fascinating exercise in observing the goings-on of the Tudor court through Bess’s eyes. The attention to detail is exquisite.
I would love to see Gillian write a sequel to this, tackling Bess’s last marriage to George Talbot, Earl of Shrewsbury. It would be great to read her take on Bess and Shrewsbury’s deteriorating relationship as they act as gaolers for Mary Queens of Scots. And to see how Bess became friends with the captive queen, their scheming to marry Bess’s daughter to Mary’s cousin, that could have put Bess’s granddaughter, Arbella, on the throne, had it not all gone so terribly wrong. What a tale that would be! Especially with Gillian’s genius at storytelling.
To Buy the book: Venus in Winter is available from Amazon
About the author:
Gillian Bagwell’s historical novels have been praised for their vivid and lifelike characters and richly textured, compelling evocation of time and place. Her first career was in theatre, as an actress and later as a director and producer, and she founded the Pasadena Shakespeare Company and produced thirty-seven shows over ten years. Gillian has found her acting experience helpful to her writing, and many of the workshops and classes she’s taught at the annual Historical Novel Society Conferences in the US and the UK relate to her life in theatre, including writing effective historical dialogue, using acting tools to bring characters to life on the page, and giving effective public readings. She’s also a professional editor and provides writing coaching and manuscript evaluations. Gillian lives in Berkeley, California in the house where she grew up, her life enlivened by her five rescue cats.
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Elizabeth Chadwick, Helen Castor, Ian Mortimer, Scott Mariani and Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Helena Snakenborg, Marchioness of Northampton, in coronation robes, 1603
An Elizabethan whose story I became aware of through a novel is Helena Snakenborg, who features in Tracy Borman’s novel, The King’s Witch. I had to know more about this Swedish lady living in Tudor England, and include her in my own Heroines of the Tudor World. Even more so after I learned that Helena was the only foreigner amongst Queen Elizabeth’s ladies. Helena was born in 1548, into an ancient Swedish baronial family. Her father, Ulf Henriksson, had been a trusted supporter of King Gustav I Vasa of Sweden. Her mother, Agneta Knuttson, was a descendant of the earls of Orkney and it is from her mother’s family that Helena took her name, Snakenborg.
In 1564, at the age of fifteen, Helena was appointed a maid of honour to Gustav Vasa’s daughter, and the sister of the new King Eric XIV, Princess Cecilia. Later that same year, Princess Cecilia embarked on a voyage to England, taking Helena with her. Cecilia claimed that as a committed Anglophile, she wanted to meet the queen of England. She may also have been hoping to revive her brother’s suit for Queen Elizabeth’s hand in marriage. Their overland journey to England was long and arduous.
They travelled through Poland and Germany in order to avoid hostile countries and were hampered by bad weather. The princess was accompanied by her husband and fell pregnant during the journey, necessitating further delays. Almost a year had passed by the time they arrived in London in September 1565, with the Spanish ambassador reporting to Philip II,
‘On the 11th instant [of September] the king of Sweden’s sister entered London at 2 o’clock in the afternoon. She is very far advanced in pregnancy, and was dressed in a black velvet robe with a mantle of black cloth of silver, and wore on her head a golden crown… She had with her six Ladies dressed in crimson taffety with mantles of the same.’1
The arrival of the Swedish princess caused a great deal of excitement at court and the queen gave them a lavish reception. Among Cecilia’s six ladies was Helena Snakenborg and in a letter to her mother, Helena wrote of their reception in England: ‘There came so many to visit us that there was no end to it. All wished us a hearty welcome to England.’2 After the official ceremonies were completed, Princess Cecilia was taken at once to the place designated for her confinement, where she gave birth to a son on 14 September. The princess was given the use of Bedford House as her London residence. She did not remain long in seclusion after the birth and she and her entourage soon became regular visitors at court, treated to receptions and entertainments.
William Parr, Marquess of Northampton
Helena was by all accounts a beautiful young woman, with large brown eyes, red hair and a pink and white complexion. She attracted the attention of William Parr, Marquess of Northampton, a man thirty-five years her senior whose sister, Kateryn Parr, had been Henry VIII’s sixth and final wife. In a letter to her mother, Helena told her about the marquess’s attention:
‘Amongst the gentlemen was a courtier who always came with the earliest arrivals and left amongst the last. When my gracious Lady had been “churched” after the baby was born, the Marquess of Northampton (for that was the courtier’s name) talked to my gracious lady about me.’3
The marquess of Northampton wasted no time in pressing his suit with Helena, sending her lavish gifts of clothes and jewels, and ‘being an impressionable and romantic young girl, Helena was swept off her feet by the experienced older man.’4 Helena was beguiled by Northampton, who wanted to marry her but felt prevented from doing so because, although divorced in 1551, his first wife Lady Anne Bourchier was still alive and there were some doubts as to the validity of the divorce.
In the meantime, Princess Cecilia had run up some rather large debts due to her lavish lifestyle in England. Her debts, in excess of £3,000, had been amassed as a result of the purchase of poultry, articles of plate and jewellery, a kirtle wrought with gold, a Venice lute – the list goes on. The princess left England in order to escape her creditors, though she had been obliged by the queen to sell whatever she could in order to raise as much money as she could to pay off at least some of the debt, leaving England in April 1566. The princess had wanted to take Helena with her, but the young woman was enjoying life in England, and the attentions of the marquess of Northampton, and wanted to stay.
Queen Elizabeth I
Queen Elizabeth came to Helena’s rescue by offering her a place in her household, appointing her a maid of honour in 1567 and later promoting her to Gentlewoman of the Privy Chamber. Although unpaid, the queen awarded her new maid of honour additional privileges, including lodgings at court, servants and a horse. It seems Queen Elizabeth had grown fond of Helena and was keen to help the budding romance of Helena and Northampton. Helena, in her turn, was in the queen’s thrall, emulating her dress and manners and even her signature, underlining the ‘H’ with the same flourish Elizabeth did with her ‘E’. Helena was diligent and conscientious in her duties and became an indispensable member of the queen’s household.
Helena’s relationship with Northampton was still hindered by Northampton’s ambiguous marital status, but the marquess was still generous with Helena, assigning ten of his own servants to care for her and giving her everything she needed or wanted. Helena told her mother: ‘I cannot imagine I shall ever want for anything however beautiful or expensive that his Lordship can buy without his getting it at once for his Elin.’5 The couple’s patience was eventually rewarded, so to speak, with the death of Anne Bourchier in January 1571. William Parr was finally free to marry.
A Young Lady Aged 21 in 1569, tentatively identified as a portrait of Helena Snakenborg
The wedding took place in May in the presence of Queen Elizabeth, who had offered her own closet in Whitehall Palace for the ceremony. The bride was twenty-two and the groom fifty-seven. The newlyweds divided their time between their houses in Guildford, Surrey, and Stanstead Hall, Essex, close enough to London that Helena could attend court regularly. The happy marriage came to a sudden end within just a few months, when the marquess fell ill at Warwick in September 1571. He had been suffering from gout for some time and it now took a turn for the worse. Helena nursed her ailing husband through the ensuing weeks, but the earl succumbed to his illness on 28 October. They had been married just five months. The queen bore the costs of the funeral and even provided material from her own wardrobe for the mourning outfits.
Helena was left a young widow with a substantial dower of £368 per annum from her husband’s estates in Cumberland. She could have retired from court and lived in comfort for the rest of her life, but Helena chose to return to the queen’s service just as soon as her husband’s affairs were settled. It was not long, however, before she attracted a new admirer in Thomas Gorges. Although the queen was initially in favour of the match, she refused to consent to a marriage, either out of jealousy or concern for the disparity in their statuses. Helena was a marchioness, whereas Thomas was merely a gentleman, serving as a Groom of the Privy Chamber. In spite of the queen’s objections, the couple married in secret in 1576, earning themselves Elizabeth’s wrath.
Dismissed from court, Helena wrote to the queen to beg forgiveness, describing herself as ‘a poure, desolate, and banished creature’.6
Thomas Gorges
Helena was soon forgiven and welcomed back to court, with the queen granting Helena manors in Huntingdonshire and Wiltshire. Her second marriage appears to have been as happy as the first, if not happier. Two years later, Helena left court to give birth to her first child, a daughter named after Elizabeth for whom the queen acted as godmother, presenting Helena with a silver-gilt bowl at the christening. A son, Francis, was probably born the following year, with at least six more children after that, two more daughters and four more sons, the last being born in 1589.
Despite her growing brood Helena still served the queen, acting as her deputy at the baptisms of children of distinguished noblemen, especially towards the end of the reign as the queen’s health was deteriorating. Helena was with Elizabeth during her final illness at Richmond and remained with the queen’s body after her death on 24 March 1603, watching over the corpse as it was laid in a lead coffin and then accompanied it as it was taken by barge from Richmond to Whitehall Palace in a sombre torchlit procession. As senior peeress, Helena was chief mourner at Elizabeth’s funeral at Westminster Abbey on 28 April.
Joint tomb of Helena and Sir Thomas Gorges, Salisbury Cathedral
The reign of King James I (VI of Scots) inevitably meant changes at court and Thomas Gorges was demoted. Helena, too, lost some of her privileges. And with the death of Thomas on 30 March 1610, she increasingly retreated from public life. A devoted member of the Church of England, she died on 10 April 1635, having lived in England for almost exactly seventy years. She granted over £1,700 in annuities and bequests in her will. At the time of her death, Helena had ninety-two living, direct descendants.
Helen Snakenborg, Marchioness of Northampton, was buried in Salisbury Cathedral, beside her second husband Thomas Gorges who had been laid to rest there in 1610.
In her long life, Helena Snakenborg had been lucky enough to enjoy two happy marriages, both made for love, and to have enjoyed the love and patronage of Queen Elizabeth. Even when she had faced the wrath of the queen, Helena had managed to win back her favour.
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Images:
Courtesy of Wikipedia
Notes:
1. CSPS, Elizabeth 1558-67, I, 475 quoted in Tracy Borman, Elizabeth’s Women, p. 278; 2. ibid; 3. ibid; 4. Paul Harrington, ‘Gorges [née Snakenborg], Helena, Lady Gorges [other married name Helena Parr, marchioness of Northampton],’ Oxforddnb.com; 5. Tracy Borman, Elizabeth’s Women, p. 281; 6. BM Cotton MS Titus B II, f. 346 quoted in Tracy Borman, Elizabeth’s Women, p. 357
Sources:
Tracy Borman, Elizabeth’s Women; Paul Harrington, ‘Gorges [née Snakenborg], Helena, Lady Gorges [other married name Helena Parr, marchioness of Northampton],’ Oxforddnb.com; Calendar of State Papers Domestic: Edward VI, Mary and Elizabeth, 1547-80, ed. Robert Lemon; Elizabeth Norton, The Lives of Tudor Women; Amy Licence, Tudor Roses: From Margaret Beaufort to Elizabeth I; Paul Kendall, Queen Elizabeth I: Life & Legacy of the Virgin Queen; Lisa Hilton, Elizabeth I: Renaissance Prince, A Biography; John Guy, Elizabeth: The Forgotten Years; Laura Brennan, Elizabeth I: The Making of a Queen; R.E. Pritchard, Sex, Love & Marriage in the Elizabethan Age; Alison Weir, Elizabeth the Queen; Neville Williams, The Life and Times of Elizabeth I; Sarah Gristwood, The Tudors in Love: The Courtly Code Behind the Last Medieval Dynasty
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My Books:
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Time for another edition of Wordly Women! I am blown away by how receptive people have been to this little series and I am thoroughly enjoying having the chance to highlight the careers and writing experiences of the best of women writers in both history and and historical fiction. Today is another ‘fan girl’ edition as I get to chat with one of my favourite writers, Gillian Bagwell, who has written a wonderful novel about one of my Tudor Heroines, Bess of Hardwick.
Sharon: Firstly, welcome Gillian, what got you into writing?
Gillian: Both of my parents were writers, among other talents and accomplishments, interests, and they both read to my sisters and me a lot when we were kids, so I guess it seemed natural to write. I think I took my first writing class in junior high school. I’d had the idea for one of my novels (not yet published) long ago, and I recently discovered a story that I’d written based on that idea for that class when I was about thirteen. I’d forgotten about it.
Sharon: Tell us about your books.
Gillian: The three books that I have published are all based on the lives of real English women, two in the seventeenth century and one in the sixteenth century. My first novel, The Darling Strumpet, is based on the life of Nell Gwynn, one of the first English actresses and a longtime mistress of Charles II. She was a poor urchin who got her big break in life when Charles reopened the theatres soon after he was restored to the throne, and she got a job selling oranges. She caught the eye of Charles Hart, one of the leading actors, and he became her lover and mentor, teaching her to act, and they became an enormously popular duo onstage, with many “gay couple” (not as we use that phrase today!) comedies written specifically for them. Her career took place during one of the most amazing and important periods in the history of English theatre, when over the space of about fifteen years, performance practices went from Elizabethan/Jacobean to what remained essentially unchanged until the end of the nineteenth century.
Experiencing the battlefield of Worcester
I learned about Jane Lane, the heroine of my second novel, when I was researching Nell Gwynn. Her story isn’t much remembered now, but she played a big part in helping Charles escape after the disastrous Battle of Worcester in 1651, saving not only his life but likely the future of the monarchy. She had a pass to travel with a manservant, so he disguised himself and travelled hundreds of miles with her. There were notices all along their way offering a reward of £1000 pounds for information leading to his capture—an enormous amount of money then—and they so narrowly escaped discovery so many times that his six-week odyssey became known as the Royal Miracle. The US title of the book is The September Queen. The UK published it as The King’s Mistress.
My third novel tells the story of Bess of Hardwick, who rose from genteel poverty to become probably the wealthiest and most powerful woman in England after Queen Elizabeth. She’s probably best known for building Hardwick Hall and the original Chatsworth, and for surviving four husbands. I didn’t think I could do justice to her very long and remarkable life in one novel, so Venus in Winter really only covers the first half of it, which included acting as keeper to Mary Queen of Scots for several years, and her granddaughter Arbella nearly succeeding Queen Elizabeth.
My fourth novel, The Tower on the Sea, not yet published, is a Gothic thriller with a heavy dose of romance set mostly on a tiny and remote Scottish island in 1901-1902. I’ve been working on a novel based on the life of Dame Flora MacLeod, who was chief of the Clan MacLeod from 1935 to her death in 1976, but as biographical fiction seems to be hard to sell these days, I’ve set it aside temporarily and am working on something completely different, which I’ll discuss below.
Sharon: What attracts you to the periods in which you write?
William Shakespeare
Gillian: I became enamoured of Shakespeare very early on, and so was interested in sixteenth-century England. Around the time I turned fourteen, my father was hired as the director of education for the non-profit educational branch of the company that invented and produced the original Renaissance Pleasure Faires, a re-creation of a country fair in Elizabethan England with food, crafts, music, dancing, shows on stage and peformers improvising in the street with each other and the patrons. I know the concept of a Renaissance fair may be unfamiliar to many British people, but that original event inspired hundreds of copycats, mostly in the US but also in other countries. I wrote an article for Smithsonian Magazine about how the first Faire came about: The Surprisingly Radical Roots of the Renaissance Fair.
My whole family became involved and I performed at the Faires from when I was fourteen to when I was twenty—six weekends each at the Renaissance Faires in Southern and Northern California, and six weekends at the Great Dickens Christmas Fair, an indoor recreation of Victorian London at Christmastime. So I spent a lot of time in the sixteenth century and the nineteenth centuries!
Sharon: Who is your favourite Tudor and why?
Gillian: I think that would have to be Elizabeth. She survived an incredibly difficult childhood and youth, with her mother dead and vilified and her own future uncertain, and also managed to come through perilous times as a young woman, especially under the reign of her sister Mary. When she finally became queen, she ushered in a time of great change, mostly in good ways, and I think in general was a great leader—not an easy thing to be, especially for a woman, in those days.
Sharon: Who is your least favourite Tudor and why?
Gillian: Henry VIII. It may be that he became the erratic tyrant he was especially later in life as the result of the injury to his leg and other medical problems, but it doesn’t erase the harm he caused to the six women who had the misfortune to marry him, his dissolution of the church and destruction not only of so many beautiful buildings but of the lives of so many people, both those who were of the church and those they helped, and much, much more.
Sharon: How do you approach researching your books? Gillian: I read whatever I can find about my heroines, of course, as well as the period they lived in and the events that my books cover. But sometimes there isn’t much information available. The story of Jane Lane, for instance was very well known when Charles II was restored to the throne, but no one’s written a biography of her. There are several biographies of Bess of Hardwick, but they focus on her later life. One of them dispenses with her life up until her second marriage in the first twenty pages. So I have to piece together information, surmise what seems likely, and fill in the gaps with invention—of course mentioning in my author’s notes what historical facts I’ve taken liberty with. I’ve almost always gone to the UK on research trips, too, to find the places my main characters lived and where the action of their stories took place.
Jane Lane
There’s nothing like it not only for learning new things but getting inspiration. When I was researching The September Queen/The King’s Mistress, a good friend from London joined me on a trip following in the footsteps of Charles II from Worcester to Staffordshire and Shropshire, and then the route that he and Jane Lane took together. I didn’t know it at the time, but the Monarch’s Way is a marked footpath, which the Monarch’s Way Association maintains and has published maps of. When we went to Boscobel, it was near the end of the day and almost no one else was there. I found myself alone in a closet peering down into the priest hole where Charles hid. And at Trent, the lady at Trent Manor showed us around the house, including her bedroom, with the priest hole where Charles hid there. I also visit libraries and archives to use primary sources. I’ve done research at the British Library, the Theatre Museum in Covent Garden, the National Library and the National Records of Scotland, and the office of the Lord Lyon in Edinburgh. For my current work in progress, I recently I spent eight days at the Bodleian Library doing research and spent the rest of my time exploring Oxford, visiting places where the main characters lived and knew well. I even got a private tour of St. Hugh’s College, where each was principal, from the archivist.
Sharon: Tell us your ‘favourite’ Stuart story you have come across in your research.
A young Charles II
Gillian: I’d say that’s the story of Charles II’s six-week odyssey trying to get out of England after the Battle of Worcester. Many, many common people risked their lives to help him, and it was a formative period in his life. He was only twenty-one at the time. He told the stories of his adventures for the rest of his life. Fortunately, the diarist Samuel Pepys sat him down decades later and over the course of a couple of days, took down the story in his famous shorthand. He then gathered all the accounts people had published of their parts in the story and bound them together. It’s an amazing resource, giving us a day-by-day and sometimes hour-by-hour account of what Charles did, said, wore, and ate. In the run-up to the publication of my book about Jane Lane, I blogged the daily events of those weeks. Here’s a link to the story, beginning with the Battle of Worcester: http://theroyalmiracle.blogspot.com/2011/09/september-3-1651-battle-of-worcester.html.
Sharon: And do you have a favourite Tudor story?
Gillian: There are many great stories about the Tudors, of course, but I became fascinated with this nugget mentioned in Robert Hutchinson’s The Last Days of Henry VIII, and have thought of writing a story or play about it. In the bitter cold of early February 1547, the body of Henry VIII lay at Windsor Castle, and amid clouds of incense, requiem masses were being held night and day to waft the soul of the dead tyrant to heaven. Fierce struggles for power raged at court, as the new king, Edward VI, was a child, and who controlled him would effectively rule. Against this backdrop of intrigue, John de Vere, the sixteenth Earl of Oxford, planned a dramatic event of his own: the presentation of a play he had written on the death of the king, to be performed by his own company of players. But as the actors rehearsed for their day in the winter sun, Bishop Gardiner, though recently banned from the Palace of Westminster, intended to claw his way back to power, and he would do whatever he must to prevent Oxford’s play from coming to the stage.
I find a lot intriguing about this story, not least the fact that John de Vere was the father of Edward DeVere, the seventeenth Earl of Oxford, whom many serious people believe could have been the author of the plays attributed to William Shakespeare. He was almost seven years old at the time of this cancelled performance, and it’s interesting to think that he might have witnessed the drama offstage as well as on. The evidence for the argument for Oxford as the author includes a wealth of similarities in his life and experience and the plays; the fact that he was familiar with theatre from an early age, as his father kept a company of players; and that he was regarded as an accomplished and playwright, though none of his plays survive. Charlton Ogburn’s 600-page tome The Mysterious William Shakespeare is an exhaustive study of the evidence in favor of Oxford.
Notable authorship skeptics include included Mark Rylance, Derek Jacobi, John Gielgud, Tyrone Guthrie, David McCullough, and Supreme Court Justices Sandra Day O’Connor, John Paul Stevens, Harry A. Blackmun, and Lewis F. Powell (Declaration of Reasonable Doubt, Shakespeare Oxford Fellowship – Famous Authorship Skeptics).
Sharon: Tell us your least ‘favourite’ Tudor story you have come across in your research.
Gillian: Many of the Tudors were responsible for a lot of bloodshed and cruelty, of course. I think Henry VIII’s persecution and elimination of the Pole family, who he considered a threat to his keeping the throne, ranks high, especially the murder of Lady Margaret Pole, the Countess of Salisbury, who was sixty-seven and had spent her life serving the Tudors. The executioner botched the job terribly, and it was a gruesome death. Here’s Tracy Borman’s post on the Historic Royal Palaces’ website: The Extraordinary Life and Death of Lady Margaret Pole, Countess of Salisbury.
Sharon: Are there any other eras you would like to write about?
Gillian: Well, I’ve moved into the early twentieth century with The Tower on the Sea, and both Flora MacLeod’s story and my current work in progress take me further into the 1900s and has a contemporary timeline too. There are other stories I’d love to write about, including from the eighteenth and nineteenth centuries.
Sharon: What are you working on now?
Gillian: I’m working on a novel with dual timelines inspired by the true story of Eleanor Jourdain and Charlotte Anne Moberly, two Oxford academics who visited Versailles in 1901, had a very strange experience, encountering people in eighteenth-century dress who behaved oddly, and came to believe they’d walked into the eighteenth century. I learned about this story from Miss Morison’s Ghosts, a British movie made in 1981, and I’ve wanted to write about it ever since. Having gone through the seventeen boxes of their notes, correspondence, drawings, photos, maps, and other documentation of their eight or so years of research about their experience at Versailles, I can say that something extraordinary happened to them, though I don’t know exactly what and neither did they.
Sharon: And finally, what is the best thing about being a writer?
Gillian: Exploring the worlds of my characters is endlessly fascinating. I get chills when I experience or discover something that connects me viscerally with the people I’m writing about, for instance holding letters they wrote, or being in the rooms where important things took place. And much as I like adventure and travel, all my life, I’ve been something of a homebody, too, so I love being able to work at home, especially on days when I don’t have to do anything but write.
About Gillian Bagwell:
Gillian Bagwell
Gillian Bagwell’s historical novels have been praised for their vivid and lifelike characters and richly textured, compelling evocation of time and place. Her first career was in theatre, as an actress and later as a director and producer, and she founded the Pasadena Shakespeare Company and produced thirty-seven shows over ten years. Gillian has found her acting experience helpful to her writing, and many of the workshops and classes she’s taught at the annual Historical Novel Society Conferences in the US and the UK relate to her life in theatre, including writing effective historical dialogue, using acting tools to bring characters to life on the page, and giving effective public readings. She’s also a professional editor and provides writing coaching and manuscript evaluations. Gillian lives in Berkeley, California in the house where she grew up, her life enlivened by her five rescue cats.
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Elizabeth Chadwick, Helen Castor, Ian Mortimer, Scott Mariani and Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
For fans of Philippa Gregor, Alison Weir and Elizabeth Fremantle, an untold story about how the plot against Anne Boleyn entrapped a gifted young musician. A glamorous queen, a volatile king, a gifted musician concealing a forbidden romance.
Everyone knows Anne Boleyn’s story. No one knows Mark Smeaton’s. On May 17, 1536, a young court musician was executed, accused of adultery and treason with the queen. Most historians believe both he and Anne Boleyn were innocent – victims of Henry VIII’s rage.
Mark Smeaton was a talented performer who rose from poverty to become a royal favourite. He played for the king in private and entertained at sumptuous feasts. He witnessed Anne Boleyn’s astonishing rise and fall – her reign of a thousand days. History tells us little about him, other than noting his confession and execution. The Queen’s Musician imagines his story, as seen from his perspective and that of the young woman who loves him. It all takes place amid the spectacle and danger of the Tudor court.
What an interesting take on a well known story!
The Queen’s Musician by Martha Jean Johnson looks at the story of Anne Boleyn’s downfall through the eyes of her musician, Mark Smeaton. Smeaton was the lowliest, in terms of social standing, of the men accused of sleeping with Henry VIII’s second queen. You cannot fail to feel sympathy for the poor musician, drawn into a scandal created by his social superiors.
Young Mark Smeaton establishes himself in the reader’s affections from the very beginning. You find yourself invested in his life, enjoying his journey, his music and his success. But then, once in a while, you remember where the book is going, inexorably, to its tragic, dramatic end. The tension is palpable the closer you get to the dramatic events of 1536.
All to bring down a queen.
Poor Mark!
Even if he hadn’t been king, His Majesty would have been a commanding figure. He was vigorous, with masculine features, draped in white and gold. The rotund, graying cardinal hovered near him like a honeybee buzzing a flower. Recalling the scene later, I could see the rupture between them. More than once, the cardinal leaned close to His Majesty to begin a conversation, but the king turned his head away.
The room was still noisy, the diners talking among themselves. I waited for someone to call for quiet so the concert could begin. Several minutes passed, and I stood beside the stool uncertain what to do. I bowed to His Majesty and the others, but they took no notice. I began to worry that my great opportunity would turn out to be a humiliating disappointment. Then the king brought his goblet to his lips, drank slowly, paused, and raised his hand for silence. He said nothing, but his command was clear: I am ready now. You may begin.
Dressed like a prince and given this chance to entertain the king, I was pleased with my performance that night. I played six pieces, mostly English, before ending with the French love song. The king stood at his place and applauded. “Excellent, my boy, wonderful. Your songs bring me back to my younger days.”
I stood and bowed deeply. “Thank you, Your Majesty.” I glanced at the cardinal who looked only at the king.
“What is your name?”
“I am Mark Smeaton, Your Majesty.” I bowed again, elated by even this brief attention.
“The French song – it was perfection. I might want to sing it. Send me the music and the words.”
“With great pleasure, Your Majesty. I would be most honored to prepare a copy.”
“Be sure to get it from him.” The king motioned to one of his grooms who, like me, kept bowing his head.
The cardinal edged closer to the king and said, “It will be done before you leave, Your Majesty.” The king acted like he didn’t hear.
After my performance, I joined several other musicians playing light music to enhance what seemed like a festive mood. The cardinal approached and said, “Thank you, Mark – your songs have lifted His Majesty’s spirits. Please prepare the manuscript tomorrow morning.”
“You will have it before ten o’clock, Your Eminence.” In this moment, my excitement at playing for the king blended with my concern for the cardinal’s enterprise. “I hope I have helped you, sir,” I added. The old man’s nod of the head signaled his gratitude.
The next day after breakfast, I ran to the chapel to make the copy and tell Master Peter that the king had complimented my playing.
“The king has already left,” he said…
Although you know Anne Boleyn’s story, The Queen’s Musician by Martha Jean Johnson will catch you out and draw you in. The author does a wonderful job of depicting the Tudor court; its decadence, the political intrigues, the social strata and the dangerous undercurrents. The latent fear. In Tudor times, ability and intelligence could rise to the top – but it could also lead to one’s downfall.
The Queen’s Musician has all of this … with a little bit of forbidden love thrown into the mix!
Historically accurate, it gets you thinking, too. That you may have heard Smeaton’s music without even knowing it. That his music was attributed to others, or marked as anonymous in order to guarantee its survival following Smeaton’s downfall and execution. It makes you wonder…
Martha Jean Johnson has found a unique angle for telling a familiar story. But this is not Anne Boleyn’s tale. It’s the story of a man who fell victim to those determined to bring down a queen, at all costs. No matter the collateral damage it would take to do it. The tragedy is the poor boy was a pawn, drawn into the intrigues of the great and good, who stepped on him, destroyed him to gain for themselves more power, more influence…
I admit it, I cried.
I always think it is the sign of a good book if it can bring me to tears. The Queen’s Musician is a good book!
The Queen’s Musician by Martha Jean Johnson is beautifully written, thoughtful and deep.
Martha Jean Johnson is a writer of fiction and non-fiction and the author of a series of books and articles on public opinion and public policy. The Queen’s Musician is her debut novel. She also reviews trends in historical fiction and discusses her own love of reading and writing in her biweekly blog, Historical Magic. She currently divides her time between writing and her work with the National Issues Forums Institute, an organization that encourages civil discourse and nonpartisan deliberation on national and local issues. During a long public policy career, she analyzed and reported on American public thinking, working with noted social analyst and public opinion pioneer, Daniel Yankelovich. She has published articles in USA Today and The Huffington Post and appeared on CNN, MSNBC, and PBS. She is the author of a series of nonfiction paperbacks on major political issues, co-authored with Scott Bittle and published by HarperCollins. She holds degrees from Mount Holyoke College, Brown University, and Simmons College. She lives in Jersey City, New Jersey.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Anne de France, also known as Anne de Beaujeu, crosses the invisible divide between the medieval and Tudor eras. As with many rulers from medieval times, Anne was called upon to act as regent for an underage king. She was regent of France during the minority of her younger brother, Charles VIII. Anne was the third child born to Louis XI of France and his second wife, Charlotte of Savoy, but she was the first to survive infancy. Louis’ first wife, Margaret of Scotland, was a daughter of James I and Joan Beaufort and had died in August1445, aged 20.
Anne was born at Genappe, near Brussels, in April 1461. At the time of her birth her father was still dauphin of France. However, just a few months later, Anne’s grandfather, Charles VII, the man who had attained the crown thanks to the efforts of Joan of Arc, died.
The unfortunate king had had a fractious relationship with his son and heir, Louis; they did not see each other for the last fifteen years of Charles VII’s life. Louis plotted intrigue with his neighbours and had even raised an army against his father in 1455, following arguments over Louis’ marriage to Charlotte. He eventually fled to Burgundy with his wife after his father threatened to invade his lands in the Dauphiné. He refused to return to France, despite being told that his father was dying; Louis waited at the French border for news that he was king. Charles VII died of starvation on 22 July 1461, after a tumour in his jaw prevented him from eating, and Louis immediately returned to France for his coronation.
Louis XI, known as the Universal Spider
Louis XI was thirty-eight years old when he became king. He was not a likable man. He possessed a keen intelligence and few scruples. His main political aim was to expand his kingdom, using whatever methods would achieve this. He was pious and cultivated, in contrast to the ostentation and debauchery of his predecessors. His web of political intrigues often got him into international hot water, such as the adventure of Péronnne in 1468, when Louis incited the people of Liège to revolt against the Duke of Burgundy. Under the pretext of negotiation, Louis was arrested by the Duke and forced to offer him financial aid. However, these initial setbacks did not last. Louis was a wily diplomat, at home and abroad, earning him the nickname ‘the universal spider’. He managed to extend French territory by acquiring the French duchy of Burgundy, Picardy, Anjou, Maine and Provence. Louis relied on men of modest means to run his administration, rightfully anticipating that they would be more dependent on him and his goodwill than wealthy nobles. He encouraged the bourgeoisie and initiated the Grand Conseil. He also increased the number of military companies who came directly under the command of the king rather than his nobles.
On his accession, Louis’ daughter, Anne, was installed in the Chateau at Amboise, away from the court, with her mother Charlotte of Savoy and paternal grandmother, Marie of Anjou. Anne was given her own attendants, including chambermaids, nurses and a cradle-rocker. Her mother was in charge of Anne’s education. The queen had an extensive library, including classical works by authors such as Cicero, romances, psalters, histories and books on government. Anne inherited the books on her mother’s death; they were still in her library at Moulins when she herself died.
Charlotte of Savoy
While still in the cradle, in fact as soon as her father was on the throne, Anne was the most eligible princess in Europe. Combined with great energy; many thought her the mirror image of her father in her keen political mind, although not in other ways. She was considered as a bride for Edward IV in England, Duke Francis II of Brittany and even her uncle Charles, Duke of Berry. Any age difference did not matter to her father, who offered the four-year-old princess to the thirty-two-year-old Count of Charolais– Charles the Bold, the future Duke of Burgundy. A betrothal to Nicholas, Duke of Lorraine, came to nothing when the duke broke it off to pursue Mary, Duchess of Burgundy. When she was twelve, almost thirteen, Anne’s future was decided when she married Pierre de Bourbon on 3 November 1473. At thirty-four, Pierre was twenty-one years her senior.
Pierre’s brother, the Duke of Bourbon, allowed him to use the courtesy title of Lord of Beaujeu and gave him rule of the Beaujolais. However, the newly married couple resided in the king’s court at Plessis-lès-Tours. For Anne, the next ten years were spent at the court and, particularly, with her father– during which time Louis XI said Anne was ‘the least foolish woman in France, but a wise one there was not’ (‘Elle était la moins folle femme de France, car de sage il n’en était point’). Anne, who would be called ‘Madame La Grande’ had a sharp political intelligence. She had a handsome face but was not considered beautiful. She fell pregnant in 1476, but little is known of the outcome of the pregnancy, it is possible that she had a short-lived son, Charles, Count of Clermont, but the details are sketchy. In 1481, Anne was given the County of Gien by her father to allow her to finance her own household. In April 1483 she was despatched to Hesdin to bring her little brother’s bride, three-year-old Margaret of Austria, to France. The little princess was to be brought up at the French court until she was old enough to marry the thirteen-year-old dauphin, Charles.
Les Enseignements d’Anne de France, Duchesse de Bourbonnais et d’Auvergne, à sa fille Suzanne de Bourbon
Anne was twenty-two years old when Louis XI died aged sixty on 30 August 1483, at Plessis-lès-Tours in the Loire Valley. He was succeeded by his son, Charles VIII, who was thirteen years old. Louis had not provided for a regency – young Charles was ten months short of his majority – although he had intended to set up a regency council, which would include the young king’s mother, Charlotte of Savoy, and Louis, Duke of Orléans. Louis was a great-grandson of Charles V and brother-in-law to the king and his sister, Anne de Beaujeu, being married to Jeanne de France; he was also Charles VIII’s heir until he produced a son of his own.
Anne’s husband Pierre, Lord of Beaujeu, was to be appointed the council’s president. However, Anne and her husband had also been appointed Charles’s guardians and it seemed a natural progression for them to take over the government of the realm. Charles was crowned on 30 May 1484 and, in the same year, to appease the populace, an Estates General was called. The body which brought together representatives from the Three Estates (nobility, clergy and commons) had last met in 1439. Their grievances, such as requests for reductions in the tailles and no taxation without the consent of the Estates, were heard and promises made; and the representatives went home content they had been listened to, even though their demands were not entirely met.
Suzanne de Bourbon
The nobility, who had control of the army, and Louis d’Orléans in particular, were not happy with the arrangements. Encouraged by Archduke Maximilian of Austria and Duke Francis of Brittany, Louis and his supporters took up arms in what became known as ‘the mad war’ or ‘the silly war’. They were soundly defeated, their army crushed at Saint-Aubin-du-Cormier in July 1488, and the Duke of Orléans taken prisoner.
Anne’s greatest success was in Brittany, a semi-autonomous duchy within France. The Duke of Brittany, Francis, died in 1488 leaving his thirteen-year-old daughter Anne as his sole heir. Before his death, in an attempt to keep Brittany from being swallowed up by the French crown, the Duke offered his daughter’s hand in marriage to Maximilian of Austria. However, Maximilian was too far away to protect the duchy when the French army invaded. Anne of Brittany was forced to agree to marry Charles VIII, although Brittany would remain in Anne’s hands. This move eventually led to the annexation of Brittany by the crown. No longer needed as a bride, little Margaret of Austria was sent home and Charles VIII married Anne of Brittany on 6 December 1491. The marriage treaty had one unusual clause in that should Charles die before they had children, Anne was to marry Charles’s heir, the next king of France.
Pierre de Bourbon
This diplomatic coup was one of the last of the Beaujeu regency as Charles VIII was now twenty and of an age and desire to rule. In 1488, Anne de Beaujeu had become Duchess of Bourbon following the death of Pierre’s older brother, John; the title had initially passed to another older brother, Charles, an Archbishop, who was persuaded to relinquish it after holding it for just two weeks, following Pierre’s invasion of the duchy. Anne and Pierre, now the Duke and Duchess of Bourbon, had become the richest, most powerful nobles in the realm. Although she still acted as an advisor to her young brother, Anne de Beaujeu now turned her attention to her new duchy, familiarising herself with her lands and its administration. She started a building programme, which included the rebuilding of the ducal castle at Gien, and the palace at Moulins. She also reorganised the duchy’s administration, codified its laws and raised taxes. Theirs was the epitome of a Renaissance court, the couple being patrons of the arts and literature. Anne particularly loved paintings, tapestries and books.
Anne finally gave birth to a surviving child, a daughter, on 10 May 1491, who was named Suzanne. Suzanne was carefully educated by her mother, who wrote a book, Les Enseignements d’Anne de France, Duchesse de Bourbonnais et d’Auvergne, à sa fille Suzanne de Bourbon, giving advice to her daughter on the proper behaviour expected of a noblewoman. Anne de Beaujeu was made regent again in 1494, when her brother Charles VIII led his army into Italy. She financially supported the king’s campaign by loaning him 10,000 livres; she made him pay it back in instalments and had recovered the full amount within a year. Charles died in 1498 after striking his head on a door lintel, leaving no direct heir. His distant cousin Louis, Duke of Orléans, succeeded him as King Louis XII. He immediately applied to the papacy for an annulment of his marriage to Anne de Beaujeu’s sister, Jeanne, in order to marry the dowager queen, Anne of Brittany, as the terms of her original marriage contract dictated. In return for Anne de Beaujeu’s support of his accession and repudiation of her sister, Louis agreed to waive royal rights to the duchy of Bourbon and the Auvergne and to allow these rights to pass to Suzanne, should Anne produce no male heir.
Anne with her daughter Suzanne
In 1503, Pierre de Beaujeu, Duke of Bourbon, fell ill while returning home to Moulins from the French court. He succumbed to a fever, which attacked his body for two months before he died on 10 October. Pierre arranged for Suzanne to marry a prince of royal blood, Charles d’Alençon, and called him to Moulins so the wedding could take place before his death. However, Charles arrived too late and could only act as chief mourner at Pierre’s funeral, rather than as bridegroom to Suzanne. Suzanne’s mother then broke the marriage contract and Suzanne would marry her cousin, Charles III of Bourbon Montpensier, Constable of France, but she died in 1521, childless.
Anne de Beaujeu, Duchess of Bourbon, died on 14 November 1522 at the Château of Chandelle, Coulandon. She was buried alongside her husband and daughter in the abbey at Sauvigny. Her lands and personal title, at her own request, passed to her son-in-law, Charles of Bourbon-Montpensier.
Anne de Beaujeu was regent of France at a time when the country was transitioning from the medieval to the early modern era. She successfully steered the country through civil unrest and initiated the merging of Brittany into the French crown, which would be definitively sealed in 1532.
Pierre Goubert, The Course of French History; Les Enseignements d’Anne de France, Duchesse de Bourbonnais et d’Auvergene, à sa fille Suzanne de Bourbon (‘The lessons of Anne of France, Duchess of Bourbon and Auvergne, to her daughter Suzanne of Bourbon’); Abernethy, Susan, ‘Anne de Beaujeu, Duchess of Bourbon and Regent of France’ (article);
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My Books:
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
History... the interesting bits! 