Toni Mount – History… the interesting bits!

Guest Post: Inside the Book Trade of Late Medieval London by Toni Mount

30/07/2025Sharon Bennett ConnollyLeave a comment

It is always a pleasure to welcome Toni Mount to History … the Interesting Bits. Toni is a brilliant historian and born storyteller and she is here today to give a glimpse of the history behind her latest Seb Foxley novel, The Colour of Darkness. If you haven’t met him yet, I really do recommend you pick up a Foxley book. They are simply delicious!

So, it’s over to Toni…

Inside the Book Trade of Late Medieval London

When we think about medieval London, we probably imagine grimy streets, plague and maybe a knight or two clanking through the city. But tucked within the chaos was a quiet revolution – one involving paper, ink and a growing thirst for knowledge. By the late 1400s, the book trade in London wasn’t just alive; it was thriving. And at the heart of it all stood St Paul’s Cathedral – not just a place of worship, but a book-fest for the city’s literate elite.

To put this in context, the printing press arrived in England when William Caxton famously set up the first one at Westminster in 1476 and the world of books was changing fast. Previously, books were hand-copied by scribes – as at the fictional Seb Foxley’s workshop in Paternoster Row, just north of St Paul’s, in my latest novel, The Colour of Darkness. Writing every page by hand meant they were expensive and slow to produce. But then came the printing press – a real game-changer.

Printing took a decade or two to catch on in England, mainly because it was a tricky procedure to master – see my next guest Blog on printing books – but once the techniques were established books could be produced faster and cheaper. More books available led to an increase in literacy, especially among the urban middle classes, clergy and educated elite. London, with its bustling population and growing trade networks, became a prime spot for this new business.

St Paul’s Cathedral: The Book Trade’s Beating Heart

Forget the grand white dome you see today in the City of London because that was designed by Sir Christopher Wren after the Great Fire of 1666. Before that catastrophe, it was ‘Old St Paul’s’, a massive gothic structure that dominated the skyline with a spire over 400 feet tall, at least until it was struck by lightning in the reign of Elizabeth I. Its precinct and churchyard weren’t just for prayer and pigeons but, together with nearby Paternoster Row, were at the very centre of London’s book trade. In fact, Paternoster Row remained at the heart of the British publishing industry until it was destroyed by bombs during World War II.

But returning to the late fifteenth century, imagine a lively courtyard filled with wooden stalls, booksellers shouting out their latest wares, customers thumbing through new pamphlets and prayer books. The area around St Paul’s was known for its ‘stationers’ – a term that, back then, didn’t just mean a place to buy paper and pens. These were the printers, booksellers, and binders who brought the written word to the people.

Why did St Paul’s become such a hive of book-production? The cathedral’s proximity to learning helped. The Cathedral School and other educational institutions were nearby, including the Inns of Court to the west of the city where lawyers were trained and the sons of the aristocracy were schooled in the arts required for life at the royal court. The clergy needed books for sermons, study and teaching, so local demand was ensured.

Who were the Printers?

By the 1480s, London had a small but important group of professional printers. William Caxton deserves the spotlight since he was the first to introduce a press, having learned the business in Burgundy and the Low Countries. His press in Westminster produced some of the first books in English, making literature and religious texts more accessible to the public. After Caxton, his former assistant, Wynkyn de Worde, took over the operation and moved it closer to the action, by St Paul’s. De Worde knew the churchyard was where the customers would come. He printed everything from devotional tracts to almanacs and even the occasional romance or how-to guide. He’s sometimes credited with being one of the first to market printed books to a wider audience.

But printers, like the scribes before them, didn’t only create the pages. They often collated and stitched the pages before either binding them or passing them on to a specialist binder to stitch the pages into a cover. A book’s binding could range from simple stitched parchment to elaborately tooled leather with jewelled clasps. The wealthy might commission personalised bindings with their family crests. The printers often dealt with sales too or went into partnership with independent booksellers. These sellers might have a permanent stall near St Paul’s or be mobile, setting up shop at fairs or markets – wherever there were customers.

What was on the shelves?

So what were Londoners reading? A lot of religious texts, unsurprisingly: sermons, Books of Hours, Psalters and the lives of popular saints. The Church was a dominant force in everyday life and owning religious books was a sign of piety and status. For this reason, the new fashion of portrait painting would frequently show the sitter with a religious book in their hands. But secular works were creeping in, too. Translations of classical texts, histories, medical manuals and even cookbooks began to appear. One popular genre was that of ‘books of courtesy’ – guides to correct behaviour, speech and etiquette for the aspiring gentleman or gentlewoman. There were also the early English romances and poetry. Caxton and de Worde printed tales of King Arthur, Chaucer’s Canterbury Tales and other stories that helped shape English literary culture down to our own times.

Not only Men’s work

While the big names in printing were all men, there is increasing evidence that women played a quiet but important role in the trade. Widows who took over their husbands’ businesses often became successful printers or booksellers in their own right. The trade was one area in medieval commerce where women participated openly, though their contributions often went under-recorded.

Censorship and Control

Of course, not everyone was thrilled about the explosion of printed material. The Church and the Crown kept a watchful eye on the presses. Unauthorised texts, especially those seen as heretical or politically subversive – such as the Ars Notoria in The Colour of Darkness – could get a printer, stationer or book seller into trouble. The Stationers’ Company, officially incorporated in 1557 but already in existence in the fifteenth century to oversee the production of hand-written books, would help regulate who could print what when printing eventually came under its umbrella.

By the early 1500s, the London book trade was setting the stage for what would become a publishing powerhouse in later centuries. It was local but also international, connected by trade routes that brought in books and ideas from France, the Low Countries and beyond. Some of the early printers, like Wynkyn de Worde, brought their foreign know-how to the new trade. The stalls around St Paul’s would continue to be a hub for centuries, long after the old cathedral itself was gone. In fact, it’s reckoned that one reason why the building burned so ferociously during the Great Fire of 1666 was that the printers and stationers stored their stocks of paper and books in St Faith’s Chapel in the cathedral’s undercroft – a disaster just waiting to happen.

The people who browsed there – the scholars, preachers, merchants, citizens and maybe a curious apprentice or two – were part of a quiet revolution, one that transformed how knowledge spread and who had access to it.

So next time you think about medieval London, picture not just mud and markets but a vibrant little world of booksellers shouting above the crowd, customers thumbing through the latest printed pamphlets and the great gothic walls of St Paul’s towering above it all. The presses may have been small but their impact was monumental.

About the book:

My new Sebastian Foxley novel, The Colour of Darkness, transports readers to midsummer 1480, in medieval London where our hero has to solve a number of serious crimes, involving Master Caxton’s printing business, ‘suspect’ books and witchcraft. London is ready for a joyous festivity but, for some, there is nothing to celebrate when Death stalks the city’s sweltering streets. As livelihoods are brought to ruin and trust withers in the heat, our hero and artist-cum-sleuth discovers trouble has come to his own doorstep. Plague rears its hideous head; fire, theft and disease imperil the citizens.

Meanwhile, a beautiful young woman enchants the men of London and the mob shrieks that witchcraft is to blame when waxen dolls, spiked with pins, are discovered. With such horrors in his possession and discovering that guilt lies too close at hand, can Seb unravel the mysteries and save those he loves before it’s too late?

Join Seb Foxley in this intriguing and danger-riddled new adventure, The Colour of Darkness, out now from MadeGlobal.

Buy The Colour of Darkness

About the Author:

Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.

Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.

Find Toni Mount’s books here

Find Toni on Social Media:

Amazon; Website; Seb Foxley website; Facebook: Medieval England Facebook; Seb Foxley Facebook; Twitter

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Guest Post: A Pilgrim’s Visit to Canterbury Cathedral by Toni Mount

25/03/202411/06/2024Sharon Bennett Connolly2 Comments

It is always a pleasure to welcome historian and author, Toni Mount, to History… the Interesting Bits. Toni enjoys really getting a deep understanding of her characters, the lives they lived and the places they visited. For “The Colour of Sin”, her main characters were off on pilgrimage and that meant a lot of interesting places to research. Here, Toni talks about Canterbury Cathedral and how pilgrimage actually worked. Over to Toni Mount…

A Pilgrim’s Visit to Canterbury Cathedral

*Christ Church Gate, Canterbury Cathedral*

In order to research my new novel, The Colour of Sin, we visited Canterbury Cathedral. The story would involve our hero, Sebastian Foxley, taking his family on a pilgrimage to visit the shrine of St Thomas Becket in the cathedral, leaving behind his usual haunts in the City of London so a change of venue for him – and for me. I particularly wanted to get a feeling of what it would be like for a fifteenth-century pilgrim, to attempt to see things and experience them as he would have done. Fortunately, we had a wonderfully knowledgeable and helpful guide in Geoff Webb who was a mine of intriguing information.

Firstly, we had to remember that the cathedral was attached to a Benedictine monastery in those days so it was a far bigger larger complex of buildings, including the monks’ dormitory, rere-dorter or latrines, refectory, chapter house, infirmary, kitchen and other areas all of which would have been out-of-bounds to the pilgrims. Today, visitors can wander through the cloisters and view the garden with its water tower but for a pilgrim in 1480 this wouldn’t have been allowed. The magnificent chancel and choir were where the monks continued to hold their services throughout the day even as other areas of the cathedral were thronged with pilgrims. The same is the case today – most ordinary daily services are held in the choir but tourists may pass through whenever a service isn’t in progress, seeing some architectural wonders the medieval pilgrim would not have seen.

Secondly, how were the pilgrims ‘managed’ by the monks? Did they get a guided tour? Were they kept to a set route through the cathedral or could they wander off to admire the art works or the stained glass, or even the tomb or chantry chapel of someone important to them, personally? Geoff pointed out little windows high up, overlooking the place where Becket’s jewel-encrusted shrine would have stood. From here, the monks kept watch on the pilgrims gathered at the tomb, to make sure they behaved reverently and didn’t attempt to prise any gemstones from their settings as souvenirs. Elsewhere, stone seats were placed strategically for the similar purposes, where the monks could keep the crowds in order, if necessary.

Rather than a guided tour, there was a continuous line of pilgrims circling the cathedral, each following the one in front. On entering, the vast nave with its soaring fluted columns would have dragged every eye heavenwards. There would’ve been no seating but more than likely market stalls selling refreshments, pilgrim badges, phials of holy water and other saleable merchandise, the locals wouldn’t want to miss such a lucrative opportunity. The tour seems to have progressed along the side aisles, the north aisle having a specially constructed covered passage to take the pilgrims to the actual site of Becket’s martyrdom without disturbing the monks. Today, there is a plain stone table with a single candle burning upon it and a sculpture above representing the swords which slew Becket, forming an alarming jagged cross. This dates only to the 1990s but there would have been an altar here until the Reformation of 1538 destroyed it. Also, imprints on the floor show where memorial brasses were laid here, indicating important burials beneath. To the left is the chapel of Our Lady of the Martyrdom and St Blaise, newly constructed by the gifted mason and architect Richard Beke just thirty years before our hero, Seb Foxley’s pilgrimage.

In the area of the Martyrdom a flight of steps leads down to the crypt. For fifty years after he was slain, Becket’s tomb was down here among the Norman semi-circular arches of the 11th-century cathedral with its short, substantial round pillars, each with unique pattern and decoration, awaiting the completion of the ‘modern’ Trinity Chapel overhead. In 1220, the archbishop’s remains were ‘translated’ upstairs to the purpose-built and fabulous shrine. A later Chapel of Our Lady Undercroft was constructed down here in the mid-14th century by the royal architect, Henry Yevele, for Edward, the Black Prince. The prince wished to be buried here but, when he predeceased his father, Edward III, the king insisted that his eldest son, hero of Crecy and Poitiers, wouldn’t be hidden away in the undercroft but should share the prestigious Trinity Chapel with Becket, where every pilgrim would pass by the prince’s tomb and, hopefully, pray for his soul.

*View in the Trinity Chapel, of the candle identifying the site of the shrine to St Thomas a Becket.*

Beyond the Chapel of Our Lady Undercroft, towards the east, is the original site of Becket’s tomb between 1170 and 1220, still revered today with a candle burning on the floor and, beyond that, the circular Jesus Chapel, dedicated to Christ and his mother, the Virgin Mary. Pilgrims would have visited the undercroft as part of their ‘tour’. Graffiti adorn some of the walls beside the site of the tomb, among them a most artistic rendering of St John with his emblem of a majestic eagle. It’s thought that the graffiti were scratched in the stone by bored monks, spending hours here, watching the earlier pilgrims and making sure they didn’t do anything untoward in God’s house.

Also in the undercroft we saw a real jewel: St Gabriel’s Chapel. Its medieval wall paintings were encased in stone back in the 12th century because the wall was thought to be about to collapse – so Seb would have missed seeing them. Incidentally, this action kept them safe from the destruction of the Reformation and preserved them from the Puritan zealots of the Civil War, too. Now these once-forgotten paintings are revealed. To us, they are a marvel but to our medieval pilgrims they wouldn’t be unusual because the cathedral – and most parish churches – would have been painted with vivid murals, telling stories from the Bible for those who couldn’t read. St Gabriel’s other highlight is the glorious carvings on its central column, sharp, pristine and amusing, animals playing musical instruments, weird beasts and monsters conjured from the mason’s imagination.

Next door is the Black Prince’s Chantry Chapel where he planned prayers would be said forever for him and his beloved wife, Joan of Kent. Sadly for him, nine years after the prince’s death, in her will Joan requested burial beside her first husband and first love, Thomas Holland, Earl of Kent, at the Greyfriars, Stamford, Lincolnshire, and this was granted. The prince’s chantry is now used for services held in French. The Black Prince would have spoken courtly French so perhaps this is appropriate.

*The magnificent stained glass of Canterbury Cathedral*

Back up to the north aisle, we passed tombs of this archbishop and that, including that of Archbishop Chichele with its cadaver or memento mori beneath it, reminding all that no one escapes death. Next along is the tomb of Archbishop Thomas Bourchier, incumbent at the time of Seb’s visit. Bourchier was getting on in years so it’s quite possible that his tomb could have been under construction in 1480. Along the way, Geoff pointed out the glorious medieval stained glass windows. The Yorkist Royal window is famous, showing Edward IV kneeling with his two legitimate sons (the Princes in the Tower) behind him and facing his wife, Elizabeth Woodville, and their five daughters opposite. It was commissioned by Edward and glazed c.1480 so I don’t know whether Seb could have stood and admired this brand new window.

We climbed the steep stone stairs, dished and worn by the feet of countless pilgrims – I believe the pilgrim circuit ran anticlockwise, so they would have walked down these steps on the north side – up to the Trinity Chapel, now lacking the sumptuous shrine with its colonnaded openings through which pilgrims could reach in and touch the martyr’s coffin within for that moment of extra closeness to sainthood, to beseech Becket to put in a good word to God on their behalf. All around us were the vivid gemstone colours of the Miracle Windows, recording Becket’s known miraculous healings required as testimony to qualify for canonisation by the pope. Geoff told us to look for the green box shown at the end of each miracle story – the cash box in which the healed individual would put his donation to the cathedral in thanks for his recovery and a reminder to the pilgrims to do the same. I imagine these green boxes were all along the pilgrims’ route, maybe chained and the lids locked so nobody could help themselves to the offerings.

Beyond the Trinity Chapel is the small, circular Corona Chapel, perhaps an even holier point of contact with St Thomas than the shrine. Corona means crown and it was here that the martyr’s severed crown of his head was kept in a jewelled reliquary, the remnant of his mortal remains most closely associated with the moment of his death since this injury killed him. Gory but holy. We were now on the south side of the cathedral.

Here we passed the Black Prince’s tomb, directly opposite that of his nephew, Henry IV and his queen, Joan of Navarre. Henry IV was the first Lancastrian king and had ousted the Black Prince’s son, Richard II, from the throne in 1399 and done away with him. So Henry was greatly in need of prayers for his soul and turned the Chapel of St Edward the Confessor, the saintly king, into a chantry for himself. The Black Prince’s likeness lies in full armour, hands together in prayer, gazing up forever at the tester above him, just as in a medieval bed. The tester is painted with the image of the Trinity for which the prince had special reverence, even clinging to life in his last illness long enough to die on Trinity Sunday. Above the tester are modern but authentic replicas of his helmet, surcoat-of-arms (embroidered by the Royal School of Needlework), gauntlets and shield.

Walking back towards the Choir, Cardinal Archbishop John Morton, nemesis of King Richard III, has a finely painted tomb. Seb would have been spared the sight of his patron’s future enemy. Instead, knowing Seb, he would probably have spent ages gazing at the stained glass and the mural paintings, causing a bottle-neck in the orderly progress of pilgrims around the cathedral, being told to move along by an impatient Benedictine, back down another long flight of worn stone steps – the pilgrims would have climbed these on their knees up towards the shrine – to return to the south aisle of the nave.

Another intriguing piece of masonry is on the wall of the south aisle. It consists of three little blind arched arcades: two Norman round arches and a pointed one of the earliest style. Geoff suggested this was the mason’s demonstration piece to the dubious monks showing them how a pointed arch would work and look, being a thing never seen before in England. Maybe it’s true, maybe not, but it’s a good story.

A detour up more steps gave us a great view down the nave on one hand and the fantastic 14th-century Choir Screen on the other with its carved Lancastrian kings, constructed to give the monks more privacy as they worshipped while the pilgrims streamed by on either side. Here there’s a massive stone armchair – doesn’t look very comfortable – the seat of the Ostiarius or gate-keeper monk who guarded the entrance to the monks-only choir, making sure no pilgrim wandered in where they didn’t belong.

Outside in the Precinct, we saw the colonnade of huge Norman arches that were once the Infirmary and I have to mention a modern installation – an enormous but charming warhorse, made of off-cuts of fencing.

My thanks go to our marvellous guide, Geoff Webb, and to Melodie Robson for organising this brilliant tour around Canterbury Cathedral and inspiring me with ideas for the novel, The Colour of Sin.

To buy The Colour of Sin click here

Catch up on the ‘Colour of…’ series

Toni Mount’s Website

The Colour of Sin

Come with Seb Foxley, Rose and their enigmatic friend Kit, a priest with a shadowy past, as they join a diverse group of pilgrims on what should be an uplifting spiritual journey to Canterbury Cathedral.

Beset by natural disasters and unexplained deaths, the dangers become apparent. Encountering outlaws and a fearsome black cat, every step is fraught with peril.

Amidst the chaos, Seb finds himself grappling with the mysteries surrounding him, as well as his own demons, while Rose’s reunion with her family sets off a chain of events with unforeseen consequences.

But the greatest threat lies in the shadows, where sinister forces unleash evil upon the unsuspecting pilgrims. In a world where trust is a scarce commodity and even allies may harbour dark intentions, Seb must uncover the truth and protect his fellow travellers.

Prepare to be enthralled by a tale of betrayal, intrigue and redemption as Seb Foxley races against time to unravel the malevolent secrets hidden within the heart of the pilgrimage. Who can you trust when even friends prove false?

Praise for Toni Mount’s Sebastian Foxley Medieval Murder Mystery Series

“An evocative masterclass in storytelling.” – Tony Riches, author of The Tudor Trilogy

“It’s superb. What a plot. What characters” – Carol McGrath, author of the She-wolves trilogy

“Toni mount gives you a real sense of actually being there”

“an excellent mystery, with multi-layers of plot”

“Much better than the average period detective story.”

“Toni Mount brings characters leaping off the page… plots that twist and turn, I am in heaven when reading her books”

Competition: Poster Giveaway

Want the chance to win a unique poster of The Colour of Sin by Toni Mount, the twelfth book in her Sebastian Foxley Medieval Murder Mystery series? You’ll be the only person in the world to have this full colour poster! Enter here!

About the Author:

Toni Mount earned her Master’s Degree as a mature student at the University of Kent by completing original research into a unique 15th-century medical manuscript.

She is the author of several successful non-fiction books including the number one bestsellers, Everyday Life in Medieval London and How to Survive in Medieval England, which reflects her detailed knowledge of the lives of ordinary people in the Middle Ages.

Toni’s enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her Sebastian Foxley medieval murder mysteries.

Toni’s first career was as a scientist and this brings an extra dimension to her novels. She writes regularly for The Richard III Society’s Ricardian Bulletin and a variety of history blogs and is a major contributor to MedievalCourses.com.

As well as writing, Toni teaches history to adults, is an enthusiastic member of two creative writing groups and is a popular speaker to groups and societies.

The twelfth novel in Toni’s popular “Sebastian Foxley” murder mystery series, The Colour of Sin, is set in the ancient cathedral city of Canterbury, Kent.

My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Out Now! Women of the Anarchy

Two cousins. On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available from Bookshop.org, Amberley Publishing and Amazon UK.

Coming on 15 June 2024: Heroines of the Tudor World

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.

Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops or direct from Pen & Sword Books, bookshop.org and Amazon. Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Guest Post: creating Books in the Sixteenth Century by Toni Mount

28/10/202324/10/2023Sharon Bennett ConnollyLeave a comment

As always, it is a pleasure to welcome my dear friend Toni Mount to History… the Interesting Bits. Toni has just written an informative and highly entertaining book, How to Survive in Tudor England, and she is here today to tell us about what went in to publishing a book in Tudor times.

Over to Toni…

Creating Books in the Sixteenth Century

A Printing Press in the sixteenth century

I’ve been really busy this year, working on three books, all at the same time, each one at a different stage of production. I’m just completing the final proofs: text and images, and compiling the index for a popular history book – a fun guide to living in the Dark Ages – my next Sebastian Foxley medieval murder mystery is with the publisher and a third book is being researched. With so much scribing and checking going on, I thought this would be an opportunity to think about how my experiences of writing, printing and publishing might compare to those of a sixteenth-century author. What sort of books would they write? How would they write them? What were the new requirements of the printing press as opposed to books written by hand?

What sort of books would they write?

Some of the answers may surprise you. Religious subjects were to the fore around the time of the Reformation and would continue to be but self-help instruction books were extremely popular. Tales with a moral were reckoned most educational. History books tended to retell Classical events, such as the Siege of Troy, the founding of Rome and the Punic Wars fought between Romans and Carthaginians, as well as stories of the Roman emperors. The heroic exploits of Alexander the Great were retold as were those of King Arthur and his Knights of the Round Table in various guises. Science books were appearing too. With the advent of the printing press, scholarly treatises were no longer limited to a few hand-written copies but could be widely disseminated as printed editions. Since they were usually written in Latin as the universal language of academia and the Roman Catholic Church, they could be read – if not always understood – across Europe and the Americas. Novels, as such, were not yet recognised but obviously romantic stories of heroes and heroines, along with collections such as Chaucer’s Canterbury Tales and Boccaccio’s Decameron remained popular as ever. Poetry was also published.

One of the most popular religious books of the second half of the sixteenth century was Foxe’s Book of Martyrs. Originally published in London by John Day in 1563 under the title Actes and Monuments, it was written by John Foxe, a Protestant, giving an account of those who had suffered martyrdom at the hands of the Roman Catholic Church, particularly in England and Scotland, giving maximum coverage to those burnt at the stake during Mary Tudor’s reign. Now that Elizabeth was on the throne, the book became so popular it went through four editions and numerous reprints, including an abridged version known as the Book of Martyrs, before Foxe died in 1587. Long after his death, the book continued to influence anti-Catholic sentiments and was virtually compulsory reading for those of the Protestant faith in England.

A first edition of Foxe’s *Book of Martyrs,* 1563

Thomas Tusser [1524-80] was a farmer who fancied himself a poet. He wrote an instruction book for his fellow farmers – husbandmen – and their wives, all in rhyme. First published in 1557, A Hundreth Good Pointes of Husbandrie was enlarged and republished in 1573 as Five Hundred Points of Good Husbandry, being reprinted numerous times. It’s a fascinating book about country life and customs in the Tudor era and the source of information for some of my articles for this magazine. My favourite Tusser couplet is:

A respite to husbands the weather may send,

But housewife’s affairs have never an end.

How true.

Moral tales were regarded as educational and could also be fun to read. Aesop’s Fables were a perennial favourite, as were the adventures of Reynard the Fox, author unknown, but they date back to the eleventh century in France. The year 1481 saw the first printed edition of The History of Reynard the Fox to come from the Westminster press, just five years after William Caxton had set up the first ever printing business in England. Subsequent reprints appeared in 1489 and, after Caxton’s death, more were produced by Richard Pynson in 1494, 1500, 1506 and 1525. In fact, there were twenty-three editions of Reynard published in England in the sixteenth and seventeenth centuries, so Caxton had found a runaway bestseller.

Reynard, the anti-hero, relies on brains rather than brawn to get the better of his enemies, often having others do his dirty work. For example, in taking Tybert the Cat to the farmer’s barn where he can feast on mice, Reynard is well aware of the trap set by the farmer to catch him, after he stole some hens recently. Of course, it’s Tybert who gets trapped. But the Fox’s cleverness extends to the subtleness of a lawyer and the honeyed tongue of a courtier, saying all the right things, not only arguing his way out of trouble but to promoting his own cause at the king’s court – lessons to be learned for the would-be courtier perhaps.

One of the first scientific books was written by Robert Recorde, a Welsh mathematician living in England. Recorde was the first ‘popular science’ writer and, although he knew Greek and Latin, he taught and wrote in English so anyone who was literate could understand his work. In 1542, his text book on arithmetic, The Grounde of Artes, first introduced the plus, minus and equals signs [+, -, =] that make the writing of equations so much quicker. He read Nicolaus Copernicus’ ground-breaking book De Revolutionibus, published in 1543, that put the Sun, not the Earth, at the centre of the universe for the first time. Recorde gave the theories a lot of thought, noting his favourable conclusions in The Castle of Knowledge, published in 1551, agreeing that the new ‘heliocentric’ universe fitted the calculations more nearly and made more sense. In 1551, he published The Pathway to Knowledge, the first geometry book in English.

Robert Recorde’s The Ground of Arts [1542]

Towards the end of the Tudor period, William Gilbert, a physician in London for many years who served as Queen Elizabeth’s doctor, spent much of his time studying rocks as England’s first geologist. He was particularly fascinated by ‘lodestones’ that occur naturally as permanent magnets. Gilbert published his discoveries in his book De Magnete [About Magnets] in 1600. The book, written in Latin, soon became the standard text on magnetic phenomena throughout Europe. In it, Gilbert discussed and disproved the folktales about lodestones – that their effect was reduced if diamonds or garlic were nearby and that they could cure headaches. He replaced such odd ideas with proper physical laws of magnetism: that the north and south poles of a magnet attract each other but like poles repel.

Poetry, often of epic lengths, was far more popular in Tudor times than with today’s audience. Whereas Thomas Tusser wrote his practical instruction book in rhyming couplets, Edmund Spenser’s epic in six books, The Faerie Queene, was very different, composed in ‘Spenserian stanzas’, a form the poet invented specially. The Faerie Queene is a romance, taking elements from Arthurian legend, including a female knight, The Roman de la Rose and other medieval sources. Yet Spenser explains that his epic poem is full of ‘allegorical devices’ and intended ‘to fashion a gentleman or noble person in virtuous and gentle discipline’, so this too is an instruction book of sorts. The author presented the first three books to Queen Elizabeth in 1589 and was rewarded by her majesty with the very decent pension of £50 a year for life, so it was well worth the effort. Whether the queen ever read it – or perhaps Spenser read excerpts aloud to the court – we don’t know but it’s quite widely read today, often being a ‘set book’ in schools.

How would they write them?

Throughout the Tudor period, as well as for centuries before and since, the original work would have to be written out in long hand with pen and ink, occasionally on parchment but increasingly on paper. It is actually easier to make corrections on parchment because the ink can be scraped off the surface layer but it’s far more difficult with paper because the ink soaks right in. All corrections, re-writes and edits had to be copied out again which makes me ever grateful for my computer. Love poems were often exquisitely written in the final version and given as gifts to the beloved. Surprisingly, the idea of the typewriter was thought up in the mid-seventeenth century when an anonymous Englishman applied for a patent for just such a machine, supplying a full description, drawings and diagrams of his invention. Nothing ever came of it at the time, as far as we know, but more recently, the device was constructed from the diagrams and it worked! What a boon that would have been to authors and poets.

With medieval manuscripts, all the text, any artwork, images or decoration would be done by hand on the page but, of course, the process had to be repeated for every subsequent copy. This meant each book was unique and expensive to produce so the spreading of ideas and knowledge was slow. The printing press, first invented in c.1440 by the German goldsmith, Johannes Gutenburg, and brought to England in 1476 by William Caxton [see above], made the mass production of books a possibility. Gutenburg also came up with the idea of making hundreds or even thousands of individual letters out of little squares of lead alloy – all reversed mirror images – and punctuation.

What were the new requirements of the printing press as opposed to books written by hand?

Just as today, the publisher/printer would require a perfect copy of the final manuscript of the book to work from. I simply attach my – hopefully – faultless final document to an email to the publisher and click ‘send’. The Tudor author would have taken his completed hand-written manuscript to the publisher, having kept at least one other perfect copy for himself, if he was wise. This was a good idea because a few manuscripts that were used as printers’ copies have survived to the present and they are scribbled with annotations and notes for the setting of the type and other parts of the process. The author’s pristine manuscript is gone forever if he didn’t have a second copy.

If illustrations are to be included in my books, I simple email a set of high resolution images, including photographs or downloaded pictures and diagrams. One thing I have to consider that a Tudor author wouldn’t need to bother about is the minefield of copyright on downloads. Early printed books – sometimes referred to as incunabulae – most often used woodcuts as a means of illustrating the text and the printer would have no qualms about using the same woodcut in a completely different work, if it served the purpose.

A Tudor printing press was a hefty machine, often taller than a man. Gutenburg had copied the idea from the grape presses used in wine-making. The tiny individual metal letters or ‘type’ were set up by a compositor, in reverse order, right to left, into the required lines of text. Several lines were arranged at once in a wooden frame known as a galley. Once the galleys were composed, they would be laid face up in a large frame [a forme] and this was placed onto a flat stone [the bed or coffin]. The text was then inked using two ball-shaped pads with handles. The balls were made of dog skin leather – because it has no pores – and stuffed with sheep’s wool. The ink was applied to the text evenly. A damp sheet of paper was held in one frame [the tympan] by small pins: damp so the type ‘bit’ into the paper better. The sheet was then sandwiched between the tympan and another paper- or parchment-covered frame [the frisket] to fix it so it could not move, curl up or wrinkle.

The two frames with their paper sandwiched were then lowered so the paper lay on the surface of the inked type. The whole bed was rolled under the platen using a handle to wind it into place. Then came the part of the process that required the most muscle power: screwing down the platen, using a bar called the ‘devil’s tail’, so the inked type and woodcuts pressed against the paper, making a perfect impression. The bar was supposed to spring back, lifting the platen, the bed rolled out, the frames lifted and the printed paper released, all text and images now appearing the right way round.

That would complete the process for a poster but, to make a book, this sheet of pages had to be turned over and printed again, this time with the text for the alternate pages. The sheets would then be cut up and assembled in the correct order. I have printed little eight-page booklets and the logistics of getting the double-sided pages printed correctly required a bit of thinking. For an A5 booklet, pages 8 and 1 have to be printed side by side, in that order, on an A4 sheet which is then turned over and pages 2 and 7 printed on the other side. Pages 6 and 3 are then printed with 4 and 5 on the reverse. I’m sure there must be computer algorithm for this these days but imagine trying to work that out with eight or sixteen pages on a sheet to produce the 1,500 pages of Foxe’s Book of Martyrs.

Foxe’s book had the additional complication of being illustrated with over sixty woodcut impressions and was, at the time, the most ambitious publishing project undertaken in England. Earlier, I mentioned that previous woodcuts were often reused but Foxe’s subject matter was entirely new so every woodcut was made especially. Like the type, woodcuts also had to be made as reverse images, carved from a single block of fine-grained wood. The image also had to be ‘negative’ in that the parts cut away would appear white on the page, the ink only adhering to the raised wood remaining to give the dark lines of the picture. When Foxe’s book was finished, compiled and bound, ready for sale, it was said to weigh as much as a small infant. Well, I always think of my books as my ‘babies’ and, even with modern technology, they take at least as long to produce, from conception until I hold the final product in my hands.

If you wish to read about many interesting characters, places, clothing, food and pastimes of the sixteenth century, my new book How to Survive in Tudor England is published on 30^th October 2023.

About the book:

Imagine you were transported back in time to Tudor England and had to start a new life there, without smart phones, internet or social media. When transport means walking or, if you’re lucky, horse-back, how will you know where you are or where to go? Where will you live and where will you work? What will you eat and what shall you wear? And who can you turn to if you fall ill or are mugged in the street, or God-forbid if you upset the king? In a period when execution by be-heading was the fate of thousands how can you keep your head in Tudor England?

All these questions and many more are answered in this new guide book for time-travellers: How to Survive in Tudor England. A handy self-help guide with tips and suggestions to make your visit to the 16th century much more fun, this lively and engaging book will help the reader deal with the new experiences they may encounter and the problems that might occur.

Enjoy interviews with the celebrities of the day, and learn some new words to set the mood for your time-travelling adventure. Have an exciting visit but be sure to keep this book to hand.

About the author:

Toni Mount researches, teaches and writes about history. She is the author of several popular historical non-fiction books and writes regularly for various history magazines. As well as her weekly classes, Toni has created online courses for http://www.MedievalCourses.com and is the author of the popular Sebastian Foxley series of medieval murder mysteries. She’s a member of the Richard III Society’s Research Committee, a costumed interpreter and speaks often to groups and societies on a range of historical subjects. Toni has a Masters Degree in Medieval Medicine, Diplomas in Literature, Creative Writing, European Humanities and a PGCE. She lives in Kent, England with her husband.

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Books, bookshop.org and Amazon.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

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Guest Post: The Crown Sild by Toni Mount

20/02/202320/02/2023Sharon Bennett ConnollyLeave a comment

Today, it is a pleasure to welcome author Toni Mount to the History … the Interesting Bits to celebrate the release of the latest instalment of Toni’s Seb Foxley mysteries.

The Crown Sild, Cheapside, London

When I began writing my new Sebastian Foxley medieval murder mystery, The Colour of Bone, I had never heard of the Crown Sild but it came to my attention when I was lucky enough to be given a wonderful book of drawings: Old London – Illustrated [1962]. The book contains numerous reconstructed scenes of medieval London and Westminster by H.W. Brewer [d.1903] with explanatory texts and there, in Plate 10, ‘Cheapside from the east’, was a marvellously ornate two-storey Gothic building on the south side of London’s main east-west thoroughfare, labelled ‘Crown Sild or Sildam’. What on earth was it? I was intrigued.

In the text, discussing the church of St Mary-le-Bow, it tells us:

In front of Bow Church was a costly building of stone, known as the “Crown Sild” or “Sildam”, with an open arcade in the upper story (sic) facing the street, which was used by Royalty and their visitors for witnessing tournaments, pageants and processions. The tower of the present church has a balcony overlooking the street, placed there by Wren to commemorate the “Crown Sild”.

Surprisingly for this ‘costly building of stone’, I discovered that ‘sild’ is the medieval word for a shed! That’s a very posh shed. ‘Wren’ is Sir Christopher who rebuilt the church after it was destroyed during the Great Fire of London in 1666, along with the ‘shed’ next door. But why was the Sild built, what was it used for and is there any evidence of it remaining?

The story goes that the Sild was constructed by King Edward III, following a disaster in September 1331. The king planned to hold a magnificent tournament to celebrate the birth of his son and heir, Prince Edward of Woodstock [later known as the Black Prince] the year before. The tournament would take place in the heart of the City of London, in its widest street, Cheapside. Carpenters were commissioned to build a large wooden grandstand for Queen Philippa and her ladies to sit and watch the spectacle in comfort. King Edward would take part in tournament himself, a risky endeavour since fatalities were not unknown but he was young and daring and determined to impress the ladies and his fellow knights.

However, it wasn’t the king who almost came to grief that day.

As the queen and her ladies took their places on the cushioned benches among the flower garlands and bunting, the hastily constructed wooden grandstand began to creak and groan, then to sway and crack before it gave way beneath the royal and noble spectators. The whole edifice collapsed to the great horror of those looking on, including the king. By a miracle, no one was killed but there must have been injuries among the ladies, although the queen was badly shaken but otherwise unharmed. The hot-blooded king’s rage was terrible.

He ordered that all the carpenters involved in the construction of the grandstand be arrested and hanged forthwith, there and then, on the spot. Fortunately, the queen was a shocked by this as by her brush with death and had wits enough to go on her knees before her irate husband. She begged him to spare the carpenters and, willing to grant her every wish at that moment, Edward let the carpenters live. He also insisted that the tournament continue as planned. A disaster wasn’t going to deter this royal showman. But, for any future, similar events in Cheapside, he wasn’t going to risk the queen’s life in the hands of those incompetent carpenters. Instead, he commissioned the stone masons to build a permanent grandstand at the best vantage point beside St Mary-le-Bow Church, fit for royalty with all the comforts and shelter from the weather. This was the Crown Sild.

We don’t know how often royalty made use of it. Tournaments were held more frequently at Smithfield, outside the city walls, where there was far more space for the crowds. But the procession of the monarch on the eve of their coronation travelled from the Tower of London to Westminster Palace via Cheapside so the citizens could see the new king or queen and the sild would be the best viewpoint. Other processions, pageants, street festivals and entertainments took place in Cheapside too and the last royal spectators to use the sild for such an event were Henry VIII and Queen Anne Boleyn.

By the later fifteenth century, when not in use by VIPs, the lower level was rented by the Vintners’ Company and used as storage for their barrels of wine. This is the sild as I describe it in my novel The Colour of Bone when Seb Foxley, the artist-cum-sleuth, his family and friends pay to watch the street entertainments from this ‘royal box’ with disastrous consequences which have nothing to do with it collapsing beneath them – you’ll have to read the book if you want to know what happens.

At the head of this blog, I also asked whether there is any evidence of the Crown Sild remaining today? I don’t know what may lie among the foundations of the shops and office buildings along modern Cheapside, constructed after the devastation of the bombing during World War II but back in Victorian times, a letter was written concerning it. Here are the relevant bits from a letter written by Thomas Lott, Esq. F.S.A. to Sir Henry Ellis, K.H., Secretary of the Society of Antiquities on 19^th December 1844, ‘describing some remains of ancient buildings to the west side of Bow Churchyard’:

Dear Sir,

…It is not generally known that there exist, in its immediate neighbourhood, subterranean

architectural remains, although evidently of a later date, yet of a very interesting character.

Having occasion to inspect several of the houses on the west side of Bow Church-yard, the property of the parish, I was surprised, on descending into the cellars, to find (as the foundation of three of the houses) stone vaultings of very substantial masonry.

On a subsequent visit (accompanied by my friend Mr. Chaffers, who has kindly assisted me in describing the place), we found beneath the house No. 5, occupied by Messrs. Groucock, a square vaulted chamber, 12 feet by 7 feet 3 inches in height, with a slightly pointed arch of ribbed masonry, similar to some of those of the Old London Bridge. We were informed that

there had been, in the centre of the floor, an excavation, which appeared formerly to have been used as a bath, but which was now arched over and converted into a cesspool.

Proceeding northwards towards Cheapside, we found what appeared to be a continuation of the vault, beneath the houses Nos. 4 and 3. The arch of the vault here is plain, not ribbed, and more pointed. The masonry appears, from an aperture made to the warehouse above, to be of considerable thickness. This vault or crypt is 7 feet in height from the floor to the crown of

the arch, and is 9 feet in width, and 18 feet long. Beneath the house No. 4 is an outer vault. The entrance to both these vaults is by a depressed Tudor arch with plain spandrils, 6 feet high, the thickness of the walls about 4 feet.

In the thickness of the eastern wall, in the vault of the house No. 3, are cut triangular-headed niches, similar to those in which in ancient ecclesiastical edifices the basins containing the holy water, and sometimes lamps, were placed. … In some other parts of these vaults are modern imitations of these recesses. The vaulting beneath the house No. 2, appears to have been destroyed to add convenience to the warehouses; but the buildings, of which these are the vestiges, appear to have extended to Cheapside; for beneath a house in Cheapside, in a direct line with these buildings, and close to the street, is a massive stone wall.

I cannot think they were any portion of the Grammar School which Stowe says “was let out in the reign of Henry VIIth for fowr shillings a year, and a cellar for two shillings the year; two vaults under the church for fifteen shillings both.”

The Sild – the building in the bottom left hand corner.

Mr. Chaffers seems disposed to think these may be the remains of the stone building erected by Edward the Third, from which to view the processions, jousts, &c. described thus by Stowe: “Within the north side of St Mary Bow, towards West Cheape, standeth one fair building of stone called in record Sildam, SL shed, &c. King Edward IIIrd. upon occasion, (viz. the falling of the wooden scaffold) caused this sild or shed to be made and strongly to be built of stone for himself, the Queen, and other estates, to stand in them to behold the joustings and other shows at their pleasure, and this house for a long time after served to that use, namely, in the reigns of Edward IIIrd and Richard IInd; but, in the year 1410, Henry IVth confirmed the said shed or building to Stephen Spilman and others, by the name of one new sildam, shed, or building, with shops, cellars, and edifices appertaining, called Crown Silde or Tamer Silde, situate in West Cheape, and in the parish of St Mary de Arcubus.”

According to the same author, notwithstanding this grant, the kings of England still occasionally repaired to the same building to view the shows; and we find a century afterwards, that “Henry VIIIth, his Queen, and nobles frequently came here to behold the great marching watches on the eves of St John and St Peter; remaining there until the morning.”

Thus it will be seen that this sild or shed, strongly built of stone, still remained in Stowe’s time, two hundred and fifty years after its erection, darkening (as Stowe says) the doors and windows on that side of the church. Mr. Chaffers states, it has been thought that the Crown sild stood on the spot between the tower of the present church and Bow Lane; but he does not think, from Stowe’s account, such could have been the case, as Stowe, speaking of Cordwainers Street, afterwards Hosier Lane, then Bow Lane, says:

“This street begins by West Cheape, and St Mary Bow Church is the head thereof on the west side, and runneth down south.” Had such a spacious building as the Crown-sild been situated between the church and Cheapside, Stowe would doubtless have mentioned it. There is no doubt, it was Crown property, as it now pays a trifling fee-farm rent to the Crown.

If this building was erected for purposes of a domestic kind … since the original building was destroyed, which was probably in the fire of London … there are no old maps of the parish to throw any light on the subject, nor do the ancient city maps and plans, which profess to contain elevations of the buildings, assist in the discovery.

I hazard no opinion on this matter, contenting myself with having thus drawn attention to it from those whose greater experience, more extensive research, and leisure opportunities will enable them to form a more correct judgment…

I remain, dear Sir,

Your faithful obedient Servant,

THOMAS LOTT.

So now you know as much as I do.

As to whether the Crown Sild stood to the east or west side of St Mary-le-Bow Church, Brewer’s drawing shows it to the east whereas, if Lott’s friend Mr Chaffers is correct in thinking they had found its ancient vaults, it was to the west. Perhaps we shall never know. But you can have my version of the Crown Sild where traumatic events happen, if you read my latest Sebastian Foxley medieval murder mystery, The Colour of Bone.

The Colour of Bone by Toni Mount:

It’s May 1480 in the City of London.

When workmen discover the body of a nun in a newly-opened tomb, Seb Foxley, a talented artist and bookseller is persuaded to assist in solving the mystery of her death when a member of the Duke of Gloucester’s household meets an untimely end. Evil is again abroad the crowded, grimy streets of medieval London and even in the grandest of royal mansions.

Some wicked rogue is setting fires in the city and no house is safe from the hungry flames. Will Seb and his loved ones come to grief when a man returns from the dead and Seb has to appear before the Lord Mayor?

Join our hero as he feasts with royalty yet struggles to save his own business and attempts to unravel this latest series of medieval mysteries.

About the author:

Toni Mount is a best-selling author of medieval non-fiction books. She is the creator of the Sebastian Foxley series of medieval murder mysteries and her work focuses on the ordinary lives of fascinating characters from history. She has a first class honours degree from the Open University and a Master degree by research from the University of Kent however her first career was as a scientist which brings an added dimension to her writing. Her detailed knowledge of the medieval period helps her create believable characters and realistic settings based on years of detailed study. You can find Toni at:

www.tonimount.com

https://www.amazon.co.uk/Toni-Mount/e/B0034P0FF8/

https://www.facebook.com/toni.mount.10/

https://twitter.com/tonihistorian

My Books:

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Coming 30 May 2023!

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available for pre-order from Pen & Sword Books and Amazon UK. (I will hopefully have a US release date shortly)

In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers. Not once, but three times, earning herself the ironic praise that she acted ‘manfully’. Nicholaa gained prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215.

A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

Also by Sharon Bennett Connolly:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, Bookshop.org and Book Depository.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Guest Post: Playing the Lute by Toni Mount

05/05/202202/05/2022Sharon Bennett Connolly2 Comments

Today it is a pleasure to welcome historian and novelist Toni Mount to my blog, to talk about the latest instalment in her fabulous Seb Foxley mysteries, The Colour of Rubies. Which is released today. Toni is here to tell us all about her research into the lute. Over to Toni….

In my tenth and latest Seb Foxley medieval murder mystery, The Colour of Rubies, the hero needs to get to know his fellow clerks in the King’s Scriptorium at Westminster Palace for one of them may be a murderer!

Queen Elizabeth I playing a lute, c.1580
A miniature by Nicholas Hilliard (c.1547 – 1619)
Trustee of the Will of the 8th Earl of Berkeley
Digital picture kindly supplied by Martin Shepherd

In the case of the Chief Clerk, Hal Sowbury, who plays the lute, Seb has his colleague give him a few basic beginner’s lessons on the instrument. Since I have no knowledge whatsoever of lutes, except that they’re stringed instruments something like a guitar, this aspect of the novel required some research. I discovered the most useful website was https://www.wikihow.com/Play-the-Lute because it comes with diagrams and written instructions. The YouTube videos were good but I couldn’t keep up, making notes, but they did show how the lute should be held correctly.

I learned the correct terminology: they’re not called ‘strings’, they’re ‘courses’ and come in pairs except for the single course at the bottom, known as the ‘chanterelle’, yes, just like the mushroom. Basic lutes have 6 or sometimes 8 courses but some can have quite a few more, may be up to 12. For Seb, I thought 6 was enough. The main body of the lute, the sound-box, is known as the ‘bowl’ and it should rest on your right thigh. The bowl has a central cut-out design, the ‘rose’, to let the sound out and this can be ornate and beautiful. The thin part is the ‘neck’ with frets for fingering, ending in the ‘peg-box’ with pegs to tune the courses.

This miniature of Queen Elizabeth I playing the lute is dated to exactly a century later than Seb’s lessons and, apparently, the sloping shoulders of the bowl and the long neck make this an English lute, not a Genoese instrument like Hal Sowbury’s which would have a more rounded bowl and shorter neck. There is much expert discussion about the lute in this image, whether there is French influence in the design and how accurate is the artist’s depiction of it. Apparently, Queen Elizabeth really could play the lute – and the virginals though, to her disgust, Mary, Queen of Scots, was said to be far more accomplished on this keyboard instrument – but it’s thought the processes and circumstances of the portrait make it unlikely that it was painted on an actual occasion of royal music-making. It’s more likely to be symbolic, suggesting the harmony of the English body politic [definitely a fiction in the 1580s] and a reference to the musical interests of the Carey family who commissioned it.

But for Seb’s lessons, like a modern guitarist, he has to learn the fingering of the basic chords with his left hand and how to play the courses with his right. Interestingly, one YouTube video stressed that the thumb must stroke downwards quite gently, brushing the courses, while the index finger plucks upwards. I hope that’s correct because that’s what Hal instructs Seb to do in his first attempt at making music on the lute.

The anatomy of a lute [https://sunnylazic.com/shawm/]

Unfortunately – or perhaps fortunately for me with my meagre knowledge – Seb has the opportunity for only a couple of lessons with Hal before his employment in Westminster’s scriptorium comes to an end but, who knows, maybe one day he will have another chance to learn to play the lute. We are already familiar with Seb’s love of singing and choral talent, so he must have a musician’s ear and probably the gift of perfect pitch. With an artist’s dexterity, I’m sure his nimble fingers will soon master their positions on the frets and the brushing and plucking of the courses to make beautiful music.

So music gives a lighter side to the action in my new novel but if you want to join Seb, his family and friends on their exploits in medieval London and Westminster, stealing down dark alleyways, waiting nervously in opulent chambers and freezing their fingers off in the icy scriptorium where a murderer lurks, the spying and other dirty deeds aplenty, I’m afraid you’ll have to read the book: The Colour of Rubies, by Toni Mount, published 5th May 2022.

Follow the blog tour:

About the book:

Murder lurks at the heart of the royal court in the rabbit warren of the Palace of Westminster. The year is 1480. Treason is afoot amongst the squalid grandeur and opulent filth of this medieval world of contrasts. Even the Office of the King’s Secretary hides a dangerous secret.

Meeting with lords and lackeys, clerks, courtiers and the mighty King Edward himself, can Seb Foxley decipher the encoded messages and name the spy?

Will Seb be able to prevent the murder of the most important heir in England?

All will be revealed as we join Seb Foxley and his abrasive brother Jude in the latest intriguing adventure amid the sordid shadows of fifteenth-century London.

Praise for Toni Mount’s The Colour of Rubies

Tony Riches, author of The Tudor Trilogy “An evocative masterclass in storytelling.” Carol McGrath, author of the She-wolves trilogy “I was utterly transported – It’s superb”. “What a plot. What characters. Perfect pitch”.

“I loved the relationship between Seb and Jude”.

“The Colour of Rubies is a totally immersive experience as richly stitched as one of King Edward IV’s gorgeous tapestries. This cleverly plotted novel with its twists and turns will keep a reader page turning late into the night until the book’s final scenes. Sebastian and Jude are wonderfully realised personalities with similar emotions, concerns, fears and hopes we have have today. Their medieval London felt real and intriguing to me with unexpected dangers lurking in alleyways. I felt as if I was walking in Sebastian’s footsteps. With this thrilling novel Toni Mount has shown herself a master of medieval suspense. More please”.

Praise for Toni Mount’s Sebastian Foxley Medieval Murder Series

Tracy Borman, historian and broadcaster “An atmospheric and compelling thriller that takes the reader to the dark heart of medieval London.”

Matthew Lewis author of Richard III Loyalty Binds Me “Toni Mount continues to delight with the superbly crafted Seb Foxley mysteries. Impeccable research and sculpted characters combine with an engaging narrative to create another irresistible story. This series goes from strength to strength, and I’m already looking forward to the next instalment”

J.P. Reedman, author of the I, RICHARD PLANTAGENET series: “Sebastian Foxley is the Cadfael of the 15th century”.

“The Sebastian Foxley Medieval Mystery Series by Toni Mount is not only filled by dastardly murders and gripping intrigue but contains many well-researched historical facts from the Wars of the Roses era”

Samantha Willcoxson, author & historian “Toni Mount is simply brilliant”.

“If you love CJ Sansom’s Matthew Shardlake (and I do) you will love Toni’s Sebastian Foxley”.

“From learning how a 15th century scrivener created illuminated manuscripts to venturing within the dank tunnels beneath the Tower of London, Toni is an artist who completely immerses the reader in another time and place and always leaves one eager for the next book.”

Stephanie Churchill, author of historical fiction and epic fantasy “Leave it to Seb to unravel another international spiderweb of intrigue, betrayal, murder, and deceit. Our flawed, loveable hero has done it again. And at the end of it all, his future is looking brighter than ever. I cannot wait to find out what happens to him next!”

Sharon Bennet Connolly, author and medieval historian “A beautifully crafted mystery that brings the dark, dangerous streets of medieval London to life. Toni Mount is a magician with words, weaving a captivating story in wonderful prose. The Colour of Evil is, to put it simply, a pleasure to read.”

Rosalie Gilbert, medieval historian and author “The author’s knowledge of medieval history shines through the narrative in the small details which enhance the story woven into it. The details about the inside workings of medieval trade practices lent themselves perfectly for a background to murder and deceit”.

“Recommended for lovers of historic fiction.”

Joanne R Larner author of Richard Liveth Yet trilogy: “I always look forward to a new ‘Colour of…’ book. I can’t wait to see what escapades Seb Foxley and his brother, Jude, get up to next. They, and all the characters, are endearing and colourful. The books are always well written, conjuring 15th century London into the reader’s mind and the plots are excellent!’

Mel Starr bestselling author of the Hugh de Singleton chronicles: “If I believed in reincarnation I would be willing to think that Toni Mount lived a previous life in 15th century London. The scents, the sights, the tastes of the late Middle Ages are superbly rendered.”

About the Author:

Toni Mount is the author of several successful non-fiction books including How to Survive in Medieval England and the number one best-seller, Everyday Life in Medieval England. Her speciality is the lives of ordinary people in the Middle Ages and her enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her medieval mysteries. Her main character, Sebastian Foxley is a humble but talented medieval artist and was created as a project as part of her university diploma in creative writing. Toni earned her history BA from The Open University and her Master’s Degree from the University of Kent by completing original research into a unique 15th century medical manuscript.

Toni writes regularly for both The Richard III Society and The Tudor Society and is a major contributor to MedievalCourses.com. As well as writing, Toni teaches history to adults, and is a popular speaker to groups and societies.

My Books

Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, Bookshop.org and Book Depository.

1 family. 8 earls. 300 years of English history!

Also by Sharon Bennett Connolly:

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Guest Post: Trial by Combat – Rough Justice by Toni Mount

28/06/202128/06/2021Sharon Bennett ConnollyLeave a comment

It is an absolute pleasure to welcome author and historian Toni Mount back to the blog, with an article based on her research for her latest non-fiction book, How to Survive in Medieval England. Toni has a wonderful way with words to the extent that her books – fiction and non-fiction alike – are a pure pleasure to read.

So, without further ado, it is over to Toni:

Trial by Combat – Rough Justice

My new book, How to Survive in Medieval England, published by Pen & Sword, is a guide to travelling in history: what to expect, how to dress, how to stay safe and what to look for on the menu.

If you were able to go back in time to medieval England, so much would be very different and so many things missing – all technology, from engines to the Internet. All work would be done by hand. In medieval England, the law sometimes works quite differently from the way we expect today. Trial by Ordeal was a means of deciding who was innocent and who was guilty. A suspect or the accused would be taken to a church and with a priest presiding, subjected to one of a number of horrific acts.

Trial by Fire – a priest (centre) blesses the ordeal as the accused (left) takes the red-hot iron in hand.
[Readers may note the accused wears ‘motley’ – parti-coloured cloth – a sure sign of untrustworthiness.’

A favourite was Trial by Fire. In this case, a piece of iron was heated to red-hot in a brazier and the accused had to remove the metal from the fire – by hand! His burns would be bandaged and left for a week. When inspected by the priest at the end of seven days, if they were healing well this was God’s decision and the accused was innocent. But if the burns were septic and weeping, that was also God’s doing and proved the accused was guilty because God was not on his side.

Trial by Water could be similar with the accused having to plunge his hand into a cauldron of boiling water. Or, an alternative Ordeal by Water involved throwing the accused into a pond or river, though this one always seems most unfair to me. If the accused sank and, therefore, probably drowned, he was innocent because the water, having been blessed by a priest, ‘accepted’ him. If he floated, he was guilty because the blessed water refused him. In which case, he would be hanged, so he died either way.

Another method was Trial by Combat in which the accuser and the accused fought it out with weapons. God would cause whoever was telling the truth to win the battle.

In 1249, a gang of thieves was terrorising Winchester, Salisbury and Guildford, specialising in stealing expensive clothing and shoes. The gang was often violent and, although folk in the area knew who they were, they were too scared to accuse them.

Top right corner – Walter (left) fighting Hamo (right) and Hamo (top centre) being hanged after he lost
[https://blogs.loc.gov/law/2018/09/judicial-combat-barbarous-relic-or-timeless-litigation-strategy/]

In my new book, I include some imagined interviews with real people of the time as a means of telling about true aspects or incidents in their lives. Let’s speak to Walter Blowberme, a member of this notorious gang of thieves:

‘Now Walter, you were caught in the act, I believe, and admitted your crimes. Tell us what you did.’

‘Well, see, we stoled all this valuable stuff, didn’t we? Good cloth, shoes, some jewellery and silver cups. Made a fine profit ’til I got caught, filching a gold brooch. I knewed this meant a date wi’ the hangman for me so I told the sheriff I’d be an approver.’

‘What is an approver?’

‘You don’t know? What a dim-wit. It means my life’ll be spared if I telled the court the names of ten others involved in the crimes. I didn’t want t’ do it, ’cos they was my mates but a man has t’ lookout for hisself.’

‘So you snitched on your fellows. What happened then?’

‘I named six fellows from Guildford who was all members of the gang. They was all arrested, tried and condemned. I didn’t feel too bad about them ’cos I never liked most of ’em, except Tom. It was a shame about him. But I still needed another four fellows convicted to save my own neck, so I accused three from Hampshire. They wasn’t in the gang; just fellows I knowed and didn’t like much. They was found not guilty and released so I had t’ name four others as gang members. It’s a good thing I know so many folk and don’t like none of ’em. These four was nasty bits o’ work, I can tell you, but when the sheriff tried to take ’em, three managed to escape. But because they never turned up in court, they was found guilty anyway. The fourth fellow, Hamo Stare – my sister’s husband what I never liked – was brung to trial but things was so complicated, the judge offered Hamo a trial by ordeal.’

‘I thought trial by ordeal was made illegal by the Church?’

‘Don’t ask me; I’m not the judge. Anyhow, Hamo chosed trial by combat and I, as his accuser, had to be his opponent. We had wooden clubs and shields and fighted ’til we was both bloody but Hamo gave in first. The judge declared God had gived me most strength, so I must have spoke truly against Hamo. Hamo was hanged – good riddance – and I’d managed to get ten fellows convicted, so my life was spared but I got banished from the district forever ’cos I admitted being guilty of so many crimes.’

‘But you didn’t mend your ways, Walter?’

‘Nay. Couldn’t resist some silver bits, could I? I comed t’ London and just six months later I got caught, thieving a chalice and candlesticks from St Mary-le-Bow church.’

‘And this time there is no second chance for you, is there, Walter?’

‘Nay. This time it’s the gallows for me. T’morrow. Pray for me soul, won’t you?’

Judicial tests and ordeals had been abolished at an important Lateran Council meeting, held by the pope in 1215, stating that churchmen may ‘neither pronounce nor execute a sentence of death. Nor may they act as judges in extreme criminal cases, or take part in matters connected with.’ This meant trial by ordeal no longer had God’s sanction – a priest had to be present as His representative – since it was God who determined the outcome. However, obviously, such trials must have continued for at least another thirty years.

A naughty priest in the stocks along with his mistress – churchmen’s punishments were not so bad.
[https://www.historyextra.com/period/medieval/monks-sex-drink-gamble-history-pope/]

Churchmen could no longer sit in judgement but neither could they be tried in a state court. They had to be tried in church courts by their fellow clerics and a death sentence could never be past, even for murder. So, in medieval England, if anyone could prove they were a man of the cloth, or a nun, then they could, literally, get away with murder. Here’s how: only trained clerics can read Latin; so if the accused can read the Bible – always in Latin – he must be a churchman. To prove a person can read, the same passage is always required to be read aloud from the Bible: ‘Oh loving and kind God, have mercy. Have pity upon my transgressions.’ (Psalm 51, Verse 1.) This meant that any forward-thinking criminal learned this verse by heart, in Latin, even if he couldn’t read a word. It saved the necks of so many miscreants, it was known as the ‘Neck-Verse’ and got a great number of very guilty people out of trouble.

Readers can find out far more about medieval lives, meet some of the characters involved and get a ‘taste’ of the food of the time in How to Survive in Medieval England, my new book from Pen & Sword, published on 30th June 2021 and available for pre-order now on Amazon.

About the book:

How to Survive in Medieval England by Toni Mount
Pen & Sword History (30 Jun. 2021)

Imagine you were transported back to Medieval England and had to start a new life – without mobile phones, ipads, or social media. When transport meant walking or, if you’re lucky, horse-back; how will you know where you are or what to do? Where will you live? What is there to eat? What shall you wear and how can you communicate? Who can you turn to if you fall ill or are mugged in the street,? All these questions and many more are answered in this new guide book. How to Survive in Medieval England is a handy self-help guide with tips and suggestions to make your visit to the Middle Ages much more fun. Learn the rules so you don’t get into trouble or show your ignorance in embarrassing
situations and read interviews with the stars of the day, from a celebrity chef to King Richard III himself. Have an exciting visit but be sure to keep this book to hand.

About the Author

Toni Mount is a history teacher and a best-selling author of historical non-fiction and fiction. She’s a member of the Richard III Society’s Research Committee, a regular speaker to groups and societies and belongs to the Crime Writers’ Association. She writes regularly for Tudor Life magazine, has written several online courses for http://www.MedievalCourses.com and created the Sebastian Foxley series of medieval murder mysteries. Toni has a First class honours degree in history, a Masters Degree in Medieval History, a Diploma in English Literature with Creative Writing, a Diploma in European Humanities and a PGCE. She lives in Kent, England with her husband and has two grown-up sons.

Web http://www.tonimount.com

Social https://www.facebook.com/toni.mount.10/ https://twitter.com/tonihistorian https://www.instagram.com/toni.mount.10/

My Books

1 family. 8 earls. 300 years of English history!

Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US and Book Depository.

Also by Sharon Bennett Connolly:

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Book Corner: The Colour of Evil by Toni Mount

02/04/202130/03/2021Sharon Bennett Connolly3 Comments

Every Londoner has money worries. Talented artist and some-time sleuth, Seb Foxley, is no exception.
When fellow craftsmen with debts to pay are found dead in the most horrid circumstances, fears escalate. Only Seb can solve the puzzles that baffle the authorities.
Seb’s wayward elder brother, Jude, returns unannounced from Italy with a child-bride upon his arm. Shock turns to dismay when life becomes more complicated and troubles multiply.
From counterfeit coins to deadly darkness in London’s worst corners; mysterious thefts to attacks of murderous intent, Seb finds himself embroiled at every turn. With a royal commission to fulfil and heartache to resolve, can our hero win through against the odds?
Share Seb Foxley’s latest adventures in the filthy streets of medieval London, join in the Midsummer festivities and meet his fellow citizens, both the respectable and the villainous.

The Colour of Evil by Toni Mount is the 9th book in Toni’s marvellous Sebastian Foxley Medieval Mystery series. If you haven’t read any of these books yet, you are really missing a treat!

Toni Mount has a unique, engaging writing style. Her beautiful prose and clever use of language instantly transports you back to 15th century England. The story revolves around a series of murders linked to counterfeit coins, into which Seb Foxley is brought as a consultant by the local bailiff.

The eponymous hero of the story, Seb Foxley, is a wonderful, intelligent character, who is, perhaps, a little too straitlaced and naive for his own good. His brother is a little too worldly-wise and entitled, but much less self-aware than is good for a grown man – I wanted to punch him on a number of occasions (and I’m not a violent person). The Colour of Evil places these brothers at the heart of the story, highlighting their conflicts and rivalries as London is in the grip of a series of gruesome murders.

As the mystery deepens, the reader is absorbed into the sights, smells and story of London; the excitement, fear and mystery is palpable. The Colour of Evil is an absorbing thriller.

Over ale, Thaddeus told me of the man – the thief we had taken in possession of his ill-gotten gains.
‘His name is Philip Hartnell, a most respectable citizen and a cutler by craft. He said he was walking along Bladder Street, passed the house with its window wide to the pleasant evening air when he saw the candlesticks by the open casement. At a glance, he was quite certain they were the same ones he had bought his wife as a wedding gift ten years since. His wife has much fondness for the sticks, so he took them, thinking to please her.’
‘Had they been stolen away from him previously, then? Is that the way of it?’ I sipped my ale. Thaddeus did likewise afore continuing.
‘That was my first thought. I tell you, Seb, it took a deal of cajoling and probing to get the truth out of Philip Hartnell. The candlesticks weren’t stolen from him but he apparently gave his goodwife to think they had been taken. The truth is that Hartnell has fallen into debt. He took the candlesticks to a goldsmith and sold them to pay off a sizeable loan. When his wife found them gone, she was much upset – more so than Hartnell ever expected. Thus, he told her they had been stolen, rather than admit his actions and the fact that he was over the ears in debt to a moneylender.’
‘An unfortunate situation but how does that excuse his actions of yestereve?’
‘It doesn’t. Besides, the candlesticks he stole from the house in Bladder Street were never his. Similar in shape but not the same ones.’
‘He has no right to them, even had they been the same. He sold them and has had the profit from the sale. Hartnell is a thief and we caught hm. He deserves just punishment, does he not? I do not see any reason for your difficulties in this matter, Thaddeus.’
‘He had never had any dealings with the law before, Seb. He’s a respected member of the Cutlers’ Company and a churchwarden. He loves his wife and family, works hard and earns a good living.’
‘Not good enough, so it would seem, else why would he be in debt?’
‘A foolish mistake, he said though he withheld further details. I had the feeling another woman was involved. In every other respect, Hartnell is a decent citizen. I think he deserves a second chance.’
‘What of the house in Bladder Street? The folk he robbed? Not to mention all the neighbourhood having to rally to the hue-and-cry.’
‘The candlesticks were returned – dented, it’s true but Hartnell says he will pay for their repair. The householder is agreeable. Besides…’
Thaddeus drained his ale.
‘Besides?’
‘Philip Hartnell is not alone, Seb. He is the fourth… no, the fifth respectable citizen that has come to my notice, by one means or another, who has found himself in debt and unable to repay. There’s something going on in London, concerning underhanded financial dealings, and I don’t like the smell of it.
‘Watch your purse, my friend. Every one of them is of middling status like you. Outwardly decent and honest yet they find themselves in dire need, monetarily. I wouldn’t want that to happen to you.’
‘Fear not, I owe no man so much as a ha’penny. So you will let Hartnell go?’
‘Aye, I think so. Both Newgate and the Counter are overfull of vile inmates. Hartnell is not of their kind. They’d make a hearty supper of him on his first day inside.’

The Colour of Evil by Toni Mount paints a wonderful, full-colour image of London in the time of Edward IV. The streets, taverns, work places and dark alleys are brought to vivid, vibrant life by Toni Mount’s beautiful prose and fantastic imagination. The author’s research is impeccable, her knowledge of 15th century medieval England allowing the reader to sit back and be transported back in time. Toni Mount clearly demonstrates how the guilds, the law and money, works and how it was all an integral part of life in medieval London. She recreates the world of 500 years ago to give the reader not only a great story, but the experience of being amongst the people and places of the time.

The characters are wonderfully individuals, each with their own strengths and flaws – though some have mostly flaws and very few strengths. I always think the sign of a good book is when you find yourself frustrated with the actions of a favourite character – or wanting to punch one who seems thoughtless or heartless; or when you find yourself egging a character on – or wanting to shout ‘no, don’t go down there’. The Colour of Evil certainly takes you through all these emotions and more.

The Colour of Evil by Toni Mount is a beautifully crafted mystery that brings the dark, dangerous streets of medieval London to life. Toni Mount is a magician with words, weaving a captivating story in wonderful prose. The Colour of Evil is, to put it simply, a pleasure to read.

If you haven’t read a Seb Foxley book before, don’t worry, each book works as a standalone. Though I have to warn you – after reading one, you will want to read the rest!

To buy the Book: http://getbook.at/colour_of_evil http://mybook.to/Colour_Evil

About the Author

Toni Mount earned her Master’s Degree by completing original research into a unique 15th-century medical manuscript. She is the author of several successful non-fiction books including the number one bestseller, Everyday Life in Medieval England, which reflects her detailed knowledge in the lives of ordinary people in the Middle Ages. Toni’s enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her Sebastian Foxley medieval murder mysteries. Toni’s first career was as a scientist and this brings an extra dimension to her novels. It also led to her new biography of Sir Isaac Newton. She writes regularly for both The Richard III Society and The Tudor Society and is a major contributor of online courses to MedievalCourses.com. As well as writing, Toni teaches history to adults, coordinates a creative writing group and is a member of the Crime Writers’ Association.

You can find Toni at: Her website; Seb Foxley’s website; Seb Foxley’s Facebook page; Toni’s ‘Medieval England’ Facebook page; Toni Mount’s Facebook page; Toni Mount online courses.

My books

Coming 31st May:

Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey will be released in the UK on 31 May and in the US on 6 August. And it is now available for pre-order from Pen & Sword Books, Amazon in the UK and US and Book Depository.

Also by Sharon Bennett Connolly:

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Guest Post: The Root of all Evil by Toni Mount

24/03/202124/03/2021Sharon Bennett Connolly6 Comments

Today it is a pleasure to welcome author and historian Toni Mount to the blog, as part of Toni’s blog tour for her fabulous new novel, The Colour of Evil, which is released on 25th March.

The Root of all Evil – Money to spend in Medieval London

Portrait of Sebastian Foxley by Dmitry Yakovsky @ Madeglobal Publishing

The theme in my latest novel in the The Colour of … series is money, whether earning it, owing it, forging it or even murdering because of it. Our hero, Seb Foxley, has to solve the mysteries, however he can. So I thought an article about medieval money might interest readers.

Silver penny of Henry II – note the cross-shape on the reverse so it could be cut accurately into halfpennies or farthings

From Anglo-Saxon times, England’s currency system was based on the penny which contained one pennyworth of silver. These were minted from high quality ‘sterling’ silver, so called because the earliest coins were known as steorlings or little stars; perhaps a star was part of the original design. By the time of William the Conqueror [1066-86] a pounds worth of starlings was accepted as well-respected money across Europe. However, not all Kings of England took care to keep constant the value of silver in a penny. Henry I’s reign was a particularly bad time for the coinage and in 1124 the Anglo-Saxon Chronicle recorded that ‘pennies were so adulterated, a pound at market could not purchase twelve pence worth of anything’. Since 12 pence = 1 shilling and 20 shillings = £1, this meant a penny wasn’t worth one-twentieth of its original value back in 1066. The reign of King Stephen [1135-54] didn’t help as it was a period of almost constant civil war. In fact, things became worse because different factions set up their own mints and coins became mere tokens, often spendable only within the jurisdiction of a particular faction. Somebody had to sort out the mess.

Fortunately for the reputation of England’s monetary system, Henry Plantagenet became King Henry II in 1154 and from 1158 he issued an entirely new set of currency, asserting royal control over just thirty designated mints and restored not only the silver content of the pennies but confidence in English money. And this was a good time to do so because trade across Europe was changing from the barter system, when a dozen eggs could pay for a pair of shoes to be mended, or a day’s work might be repaid with a sack of flour, to the purchase of goods and services using money.

It was easier also to gather taxes and customs duties for the king in coin, rather than in kind, and Henry demanded efficiency in their collection. In fact, the system worked so well in England that when Henry’s son, Richard the Lionheart, was held to ransom in 1192 for the incredible sum of £100,000 [about $17.5 million today], most of it was gathered in England and paid in English pennies, despite Richard’s realm including much of France at the time.

Westminster Hall where the Trial of the Pyx were first held

Having put the monetary system in good order, the ‘Trial of the Pyx’ was invented to keep it that way and safeguard the value of new-minted coins. It is thought that this institution began in the twelfth century but in 1282 Edward I made it official and records have been kept ever since. Conducted like a public legal trial, twelve ‘discreet and lawful’ citizens of London and twelve members of the Goldsmiths’ Company sat as a jury to judge the legitimacy of the newly minted coins. Coin samples were taken from every minting and set aside for assay in secure chests called pyx – hence the name of the trial. It’s the same word used for the box in which consecrated bread is kept at Holy Communion, showing the significance of this procedure. For centuries they were stored in the Pyx Chamber in Westminster Abbey, along with other important items belonging to both state and church.

Early trials were held first in Westminster Hall and later in the Exchequer at Westminster, taking place annually. The jury was summoned by and the trial presided over by the King’s [or Queen’s] Remembrancer of the Royal Courts of Justice. The size, weight, silver purity and content of the coins were all examined and verified, the jury passing its verdict on the results. The trial was held at the beginning of the year on the previous year’s samples, allowing two months for the proceedings and a third month for the assayers’ testing and reports before the Remembrancer announced the result of the trial.¹

The medieval monetary system of England was complicated, to say the least. As I write this, it’s fifty years since the decimalisation of our coinage in Britain [15^th Feb 1971] and our own pre-decimalisation coinage was still based upon the medieval system: 12 pennies [12d] = 1 shilling; 20 shillings [20s] = £1 and, therefore 240 pennies = £1. It made accounting tricky and you had to know your 12 times table. But until 1489, there was no coin of the value of £1 and there were no shilling coins until 1504.

In some ways, to the average carpenter, shoemaker and housewife, this didn’t matter very much because with a skilled man’s wages counted in pennies, the chance of him requiring, handling – or even seeing – a coin of denomination larger than a groat was slim indeed. A groat was a silver coin worth 4 pennies, the word ‘groat’ being a corruption of the French word gros, meaning large because, in 1279, when Edward I first issued it, it was the biggest coin in circulation. 3 groats = 1 shilling but even then a groat was engraved with a design to divide it exactly into four quarters so it could be reduced to 2 half-groats [worth 2d each] or even 4 equal pennyworths of silver. The round 1 penny coins [1d] were similarly engraved so they could be cut into 2 halfpennies and again into 4 farthings [originally ‘fourthings’]. England still used farthings as proper, circular coins, not cut-downs, into the 1950s. These were the coins of everyday use in medieval times.

But there were people who dealt in larger sums than pennies. A medieval merchant’s cargo of wine imported from Bordeaux was going to cost more than a few pence, as would the hire of the ship and the customs duties to be paid. Counting out hundreds of tiny coins, some of them wedge-shaped from being cut down, was a time-consuming business and time – as ever – was money. So it made sense to have some higher value coins in use for such transactions. Pounds and shillings, maybe? No. Nothing so simple as that. The account ledgers might show business conducted in pounds, shillings and pence but the coins changing hands bore little resemblence to what was noted down. A common amount used in both theoretical and practical accounting was the mark.

Edward IV gold angel, worth 6s 8d or half a mark
note the image of the Archangel Michael slaying the devil

The mark had been around since Anglo-Saxon times and had varied in value but, by the fifteenth century, a mark was worth 13s 4d. This may seem an arbitrary amount but is 160 pennies = two-thirds of £1. The half-mark [6s 8d, one-third of £1 or 80 pence] was an actual coin so that three half-marks equalled £1 in total comprised of just three coins that were so much easier to count and handle. There were even quarter-marks worth 3s 4d. This explains the frequent appearance of these values in medieval accounts ledgers. The half-mark was minted in gold and at various times was known as the noble, the rose-noble and the angel – this last after the image of St Michael the Archangel on the reverse. There was also a short-lived gold ryal [or royal] from 1465 worth 10 shillings.

Henry VII was not only determined to refill his empty coffers, by fair means or otherwise – his tax-gatherering methods were notorious – he wanted to be certain the actual coins were worth their face value, so one of the first things he did after becoming king was overhaul the coinage. Firstly, in 1489, he invented the £1 coin, called it a sovereign and had it minted in gold with his own image on the the obverse – a declaration that the Tudor king had arrived, if ever there was one.

The 10 shilling ryal and the 6s 8d angel were both reminted as silver coins, their previously gold counterparts having often been hoarded or melted down into cups, plates and jewellery. Pennies, half-groats [2d] and groats were all redesigned and their silver content assured, as well as the new silver shillings by 1504.

Readers may think that the writing of cheques cannot predate the banking system – the Bank of England was first set up in 1694, although Italian bankers go back centuries before that. Surprisingly, the first ‘cheques’ were invented by ordinary citizens and had nothing to do with banks. Rather, it had to do with keeping heavy valuables safe. In medieval times, people kept their assets in solid form, as gold plate, silver gilt candlesticks, fine goblets, jewellery and even expensive textiles and books. The crown jewels were frequently used as collateral to borrow money by kings in need of ready cash. A wary citizen would want his bulky treasures stored safely where thieves couldn’t help themselves and even the Royal Treasury at Westminster was looted on one occasion in the fourteenth century – the thieves were apprehended in the end but not all the swag was recovered. However, few folk had the facilities for storing their treasures. Important documents were sometimes locked in a chest at the parish church to which only the priest and the churchwarden had keys. But there wasn’t room for stacks of gold plate or suchlike. In London, the Goldsmiths’ Company kept their precious resources in their vaults underneath Goldsmiths’ Hall and were willing to rent out space to others to store their assets. This kept everything secure but what happened when, say, a wealthy merchant wished to use his set of gold plate to purchase a house from a rich widow? Instead of going to the goldsmiths, demanding his plates and then carrying the heavy weight across the city, risking robbery along the way, and handing them to the widow who would probably then have to arrange the plates’ return to the goldsmiths’ for safe-keeping, the cheque was invented. The cheque was simply a written document to inform the goldsmiths that the wealthy merchant’s gold plate stored in their vaults had now been transferred to the property of the rich widow. No physical effort, inconvenience or risks of loss were involved.

A cheque dated 16^th February 1659
No medieval cheques are known to survive but would have looked similar, probably with a red wax seal, as here

In fact, bank notes, invented much later, were simply ready-written cheques made out for specific sums and, in theory at least, like the earlier cheques, could be used to redeem the valuables themselves. Today, Bank of England notes still say in very small print ‘I promise to pay the bearer on demand the sum of five pounds’, or whatever the value, signed on behalf of the Government and Company of the Bank of England by the bank’s Chief Cashier. I wonder what they’d do if I did present my fiver and demand the equivalent in silver or gold? Laugh themselves silly, probably.

Footnote:

¹ For more information on the history and the conduct of the Trial of the Pyx in the 21^st century see https://www.assayofficelondon.co.uk/about-us/trial-of-the-pyx

*

Huge thanks to Toni for a fantastic article and good luck with the new book. To look back on the rest of the blog tour:

About ‘The Colour of Evil’:

Every Londoner has money worries. Seb Foxley, talented artist and some-time sleuth, is no exception but when fellow indebted craftsmen are found dead in the most horrible circumstances, fears escalate. Only Seb can solve the puzzles that baffle the authorities and help Bailiff Thaddeus Turner to track down and apprehend the villains.

When Seb’s wayward, elder brother, Jude, returns, unannounced, from Italy with a child-bride upon his arm, shock turns to dismay as life becomes more complicated and troubles multiply.

From counterfeit coins to deadly darkness in the worst corners of London, from mysterious thefts to attacks of murderous intent – Seb finds himself embroiled at every turn. With a royal commission to fulfil and heartache to resolve, can our hero win through against the odds?

Share Seb Foxley’s latest adventures in the filthy streets of medieval London, join in the Midsummer festivities and meet his fellow citizens, both the respectable and the villainous.

The Colour of Evil comes out on 25th March.

To buy the Book: http://getbook.at/colour_of_evil http://mybook.to/Colour_Evil

About the Author

http://www.tonimount.com (my website) http://www.sebastianfoxley.com (Seb’s own website) http://www.facebook.com/sebfoxley (Seb’s Facebook page) http://www.facebook.com/medievalengland (my ‘Medieval England’ Facebook page) http://www.facebook.com/toni.mount.10 (my general Facebook page) http://www.medievalcourses.com (seven of my history courses ‘online’ for download)

My books

Coming 31st May:

Also by Sharon Bennett Connolly:

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Guest Post: Frost Fairs by Toni Mount

09/10/202021/09/2020Sharon Bennett Connolly1 Comment

Today it is a pleasure to welcome historian Toni Mount to History…the Interesting Bits, with an article on the Frost Fairs on the River Thames.

Frost Fairs

Anyone who was in the UK, Ireland or much of Europe in February and March 2018 will probably remember the weather phenomenon of anticyclone Hartmut, better known as ‘The Beast from the East’. The Beast began its onslaught on 22nd February, bringing heavy snowfall and unusually low temperatures which lasted into the first week of March. Across Europe, it caused 95 deaths, seventeen of them in the UK. The deepest snowfall in England was 22 inches [57 cm] in Gloucestershire. The lowest temperature, measured in the Cairngorm Mountains in Scotland was -14℃ [7℉] with winds up to 70 mph [110 km/hr]. Two weeks of such intense cold weather is unusual in the UK today, though who knows what may lie ahead in the future with the effects of climate change. However, climate change is nothing new. The lifetime of Isaac Newton, from 1642 to 1727, saw far worse winter weather during ‘The Little Ice-Age’, as it is known, and the period from December 1683 to March 1684 saw an unprecedented cold spell in England.

Engraving of the Frost Fair on the Thames in London, 1683-84 [British Museum Collection]

Thermometers were a recent invention and a universal scale of temperature readings had yet to be established but descriptions of the thickness of ice formed on ponds in a single night suggest the long spell of exceptional freezing weather was worse than any winter before and has still to be surpassed. December 1683 began with a hard frost, followed by a bitter east wind laden with snow. In London, the snow melted on the 7^thbut a sharp frost on the 12^thwas succeeded by a week of heavy snowfall and a north-easterly wind. Places other than London suffered similarly. Bristol suffered badly on the 19^th; Durham on Christmas Eve and Oxford had its worst snow on Christmas Day, although London only saw snow showers that day.

The previous October 1683 had seen temperatures more than 4°F below the average, so the ground was already colder than normal when the bad weather began in December. Daily thermometer readings – however inaccurate – were recorded by Dr John Downes in London. According to him, the greatest cold occurred on 15^th-16^th January when ‘the spirit fell within the ball’ of his thermometer so gave no reading. His thermometer probably hung indoors, close to a window was the usual position for such instruments, suggesting a likely reading of 25°F indoors when he took note of it, mid‐morning. This would probably indicate a temperature of below 10°F outdoors. It was almost as cold in the first days of February.

In Durham, farther north in Teesdale, a fellow scientist, Mr Sanderson, made occasional records of the thickness of ice formed ‘where John Aislaby gets his water, on 12^th-13^th February, ice formed two inches thick overnight’. He then adds ‘it was in my gazette [newspaper] that at the Downs [part of the English Channel off the coast of Kent] the water was frozen a mile into the Sea, which was never known before’. This occurred during the latter part of January. From other sources we learn that, for fourteen days, in the English Channel, packet‐boats with the mail could not leave the Belgian coast and that ‘the sea was frozen for two leagues off Caen [in Normandy, France]’. Near Manchester, Sanderson noted, ‘it did freeze ice more than half a yard thick, and some ice continued till 25^th March’.

Undeterred by the cold, the people of Leeds in Yorkshire held a frost fair on the frozen River Aire. According to Ralph Thoresby, an ox-roast was set up there and various sporting activities organised. January saw no improvement and in the south, by the end of the month, the Thames estuary was frozen a mile out to sea and wagons were hauling goods downriver from London as far as Gravesend in Kent.

In London, John Evelyn’s diary provides a wealth of information, noting that brewers and other tradesmen reliant on a water supply were out of work because all the pipes were frozen. He was greatly concerned that:

The fowls, fish and birds and all our plants and greens universally perishing. Many parks of deer are destroyed and all sorts of fuel so dear that there were great contributions to keep the poor alive. … London, by reason of the excessive coldness of the air hindering the ascent of the smoke, was so filled with the fuliginous steam of sea-coal that one could hardly see across the streetes… and no one could scarcely breathe.

Evelyn also tells us that ‘every moment was full of disastrous accidents’ and trees were being cracked asunder by the frost as if by a lightning strike. Despite these gloomy realities, Londoners made the best of the weather conditions. A broadsheet of the time calls it ‘Great Britain’s Wonder or London’s Admiration: a prodigious frost which began about the beginning of December and continued till the fourth day of February following’. The Thames had frozen over before but never had the freeze lasted so long. The river ice was more than a foot thick [30cms] enabling it to be crossed by coach, carriage, sledge or on foot. Enterprising boatmen, robbed of their livelihood otherwise, put wheels under their boats to ferry passengers across the river. By 1^st January, a fair and marketplace had been set up on the ice.

King Charles II and members of the royal court visited the makeshift town, enjoying eating meat from an ox-roast, taking part in a fox-hunt on ice and having souvenir cards printed in a booth where a printer had set up his press. The cards proved popular, the printer reckoning to make at least £5 per day at sixpence a time. In other words, he was printing around 200 cards every day and making an excellent income from his ingenuity. Food stalls sold everything from pancakes to roast beef and there were numerous taverns, goldsmiths’ shops, a toy shop, coffee-houses, a lottery booth, a music booth and even a brothel: all doing a brisk trade on ice. A circus was put on by Mr Chipperfield: the first known performance of a family business that still continues today, if in a very different health-and-safety, animal-welfare conscious, twenty-first-century format. No such niceties concerned the entrepreneurs who arranged the bull- and bear-baiting spectacles either.

John Evelyn wrote that:

Coaches plied from Westminster to the Temple… to and fro, as in the streets; sleds, sliding with skeetes [skates], a bull-baiting, horse and coach races, puppet plays and interludes [short dramatic sketches], cooks, tippling [drinking] and other lewd places, so that it seemed to be a bacchanalian triumph, or a carnival on water.

Others noted sporting activities, including football and skittles being played. The ice began to thaw a little on 4^th-5^th February and the booths began to be dismantled but it froze again so that Evelyn could still cross in his coach to Lambeth Palace to dine with the Archbishop of Canterbury. On other occasions, he walked upriver on the ice from his home in Deptford.

In Newton’s long lifetime the Thames would freeze over again in 1709 but the ice did not last so long as to allow another frost fair that year. However, the winter of 1715-16 was sufficiently severe and long-lasting that the river was frozen for almost three months and a fair was set up once more. On this occasion, there was far more snow than in 1683-84, ‘vast quantities fallen at different times in the season’, so that London was described at the time as being ‘almost impassable’.

Below, is an excerpt from a poem written in 1684:

BEHOLD the Wonder of this present Age,
A Famous RIVER now becomes a Stage.
Question not what I now declare to you,
The Thames is now both Fair and Market, too.
And many Thousands dayly do resort,
There to behold the Pastime and the Sport
Early and Late, used by young and old,
And valu’d not the fierceness of the Cold….

Back in history, the Thames had been frozen before. For example, in the reign of King Stephen, in 1150, ‘after a very wet summer there was in December so great a frost that horses and carriages crossed it [the Thames] upon the ice as safely as upon the dry ground, and that the frost lasted till the following month of March’. Again, in 1281, the Thames was frozen over and when the ice broke up at last, it carried away five of the stone arches of London Bridge, causing it to partially collapse and making this entrance into the city impassable until it was repaired. In 1434, ‘the Thames was so strongly frozen over, that merchandise and provisions brought into the mouth of the river were obliged to be unladen, and brought by land to the city’. In 1515, too, carriages passed over on the ice from Lambeth to Westminster and once more, when the ice melted a number of arches of London Bridge were ‘borne downe and carried away with the streame’. On the 21^st of December 1564, during a lengthy hard frost, football and ‘shooting at marks’ were played on the Thames. Courtiers came from Whitehall Palace to mix with common citizens and watch the fun. Tradition says that Queen Elizabeth I herself walked upon the ice but all was gone by 5^th January. However, Londoners had the chance to play all manner of sports and visit trading stalls on the river again in 1620, in the reign of James I.

The River Thames last iced over completely, enough to hold a Frost Fair on its frozen waters, in 1814 but, since then, the building of the Victoria and Albert Embankments has made it faster-flowing and less likely to ice up. However, it partially froze in the harsh winters of 1947 and 1963.

Who can say whether or not even more extreme weather events may happen in the future as a result of climate change? Only time may tell if another Frost Fair, like those experienced by Isaac Newton and his colleagues, will ever be held again on the Thames.

The World of Isaac Newton by Toni Mount

For nine decades Isaac Newton strode the world of science and discovery, religion and thought – from 17^th century Lincolnshire farm-boy to one of the most influential scientists of all time – his discoveries have relevance for us today and for our future. This fascinating new biography looks at his world, his times, the people he influenced and the breakthroughs in science and thought that would change the world.

About the Author

Toni Mount’s first career was in science, leading to many years in a second profession in teaching. Her love of history led to a third career as a writer with her first book, released by Amberley Publishing in 2014, Everyday Life in Medieval London. She continues to teach history to adults both in person and online and has now written many successful non-fiction and fiction books. This latest study allows her to return to her first love, science, and the chance to bring a fresh look at one of the world’s most famous characters.

Links

www.tonimount.com

www.facebook.com/toni.mount.10

www.twitter.com/tonihistorian

My Books

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & Sword, Amazon and from Book Depository worldwide.

Also by Sharon Bennett Connolly:

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Guest Post: Whores and Winchester Geese – Prostitution in Medieval London

28/08/202028/08/2020Sharon Bennett Connolly1 Comment

Today it is a pleasure to welcome Toni Mount to History … the Interesting Bits as a stop on her ‘The Colour of Shadows’ Blog Tour. The Colour of Shadows is the latest instalment in Toni’s Sebastian Foxley Medieval Murder Mysteries series.

So it’s over to Toni

Whores and Winchester Geese – Prostitution in Medieval London

by Toni Mount

In my new Sebastian Foxley murder-mystery novel The Colour of Shadows, set in medieval London, some of the action takes place on the south side of London Bridge, in a seedy brothel known as ‘The Mermaid’. Mermaids were believed by medieval folk to seduce mariners, luring them to their deaths at sea. This nasty trait made ‘The Mermaid’ a most suitable name for a house of ill-repute in medieval Southwark but what was life really like for the unfortunate women, forced to earn their living in such places?

Prostitution is said to be the oldest profession. If you’re wondering, the second oldest is spying – both are mentioned in the Bible. Throughout history, prostitution has been seen as a necessary fact of life, for the most part tolerated by civic authorities, if rarely approved. In medieval London, the city tried to regulate the work of ‘common women’, confining them to particular areas, such as Cock Lane, in the north-west, near Newgate. But better yet was to keep them outside the city, out of sight and, hopefully, out of mind, across the Thames in Southwark, where they wouldn’t sully the city’s precious reputation. The Liberty of the Clink was an area in Southwark that, although actually in Surrey, was exempt from the jurisdiction of the county’s sheriff and came under the authority of the Bishop of Winchester. The bishop’s London residence, Winchester House, was built in the liberty, originally surrounded by parkland. Because the liberty lay outside the jurisdiction of the City of London and that of the county authorities of Surrey, some activities forbidden in those areas were permitted here.

In 1161 the bishop was granted the power to license prostitutes and brothels in the liberty and the women became known as ‘Winchester Geese’. To be ‘bitten by a Winchester goose’ meant to contract a venereal disease and ‘goose bumps’ was slang for the symptoms of the disease. Medieval attitudes to prostitution were mixed. Sex was only for procreation but, if it couldn’t be helped, at least the geese prevented good Christian men falling into even worse practices – like sodomy or masturbation – seen as mortal crimes by the church – so prostitution was a kind of safety valve for wicked desires and had the added benefit of filling the bishop’s coffers. When the poor Geese died, they had the final indignity of being buried in unconsecrated ground. The Cross Bones graveyard in Southwark has been preserved by local residents and a little memorial set up to commemorate the Winchester Geese.

Clients would come by boat from a jetty at Stew Lane in the city across the river to avoid being questioned if they went through the gates at London Bridge and, of course, the gates were closed after dusk. As clients approached the south bank, they’d see signs with the brothels’ names, painted on the white walls of detached houses surrounded by gardens. In early Tudor times, there were the Bear’s Head, the Cross Keys, the Gun, the Castle, the Crane, the Cardinal’s Hat, the Bell and the Swan. Under the direction of the Bishop of Winchester there were some restrictions: the brothels were not permitted to open on Sundays or religious days. There was also some attempt to stop prostitution getting out of hand, with a fine of twenty shillings should any ‘woman of the bordello… draw any man by his gown or by his hood or any other thing’. And the ordinances were meant to protect the prostitutes as well, requiring that women were not held against their will. Whether that actually happened is up for debate. We have some fascinating poll tax records documenting the extent of the ‘trade’, including those from 1381, recording seven local ‘stew-mongers’ each keeping between two and six ‘servants’, the latter probably a mix of both servants and prostitutes. Others are said to have worked on a ‘freelance’ basis, operating out of the likes of Paris Garden, the manor next to the Clink, or St Thomas’ Hospital.

By the time Henry VI came to the throne in 1422, the Southwark stews were at the peak of their profitability and the money flooding in allowed many stew-holders to buy themselves freehold property elsewhere in Southwark. Some used these additional properties to open inns or taverns which doubled as illegal brothels in Borough High Street, but that was only the beginning of the trouble their new riches brought. In order to serve on a fifteenth-century jury, you had to be a property-owner, which was taken as evidence you had a stake in society and could be trusted to take your responsibilities in court seriously. This gave the newly propertied stew-holders another opportunity for corruption. By hiring out their services to the highest bidder, stew-holders on the jury could deliver whatever verdict their paymasters required.

In 1473, Elizabeth Butler was visiting a friend’s London house when she met Thomas Boyd for the first time. Boyd offered her a job as a domestic servant at what he said was a Bankside inn, promising good pay and excellent working conditions. She accepted and went with him to the inn, where she quickly realised the place was actually a brothel and Boyd was its manager. Far from the light housekeeping duties his original offer implied, Boyd’s real plan was for Elizabeth to join his stable of whores. ‘He would have compelled me to do such things and service as other his servants done there’, she later testified. When Elizabeth refused to sell herself, Boyd claimed she owed him rent and took her to the Bishop of Winchester’s court, demanding a cash sum so large he knew she could never hope to pay it. The court found Elizabeth Butler guilty and gaoled her when she admitted she had no money. That was exactly what Boyd had hoped would happen. He’d be happy to get her out of gaol by cancelling her debt, he said – but only if she did what he wanted on Bankside. Elizabeth was stubborn and still refused. After three weeks in the Bishop’s Clink prison, she somehow managed to get a petition to the Bishop of Durham, pleading with him to get her case heard in the higher court of Chancery. She got as far as a hearing before London’s City Chamberlain, but frustratingly that’s where the records run out.

We have a couple of other fragments of court cases from the fifteenth century which also shed a little light on crime and punishment in the stews. In April 1439, for example, a known bawd named Margaret Hathewyck was charged with procuring a young girl called Isabel Lane for a group of men from Lombardy. ‘Isabel was deflowered against her will for money paid to the said Margaret’, the City Chamberlain’s court rolls say. After the Lombards had finished with Isabel, Hathewycke delivered her to a Bankside brothel ‘for immoral purposes with a certain gentlemen on four occasions against her will’. Hathewyck’s name appears at about this time among the list of prisoners sent to the Clink, where she seems to have served a long twenty-year sentence – such sentences were unusual, except for debt. Either that, or Hathewyck may have been a repeat offender who happened to be ‘inside’ each time the inmates were listed.

Another Bankside stewholder got what was coming to him in 1494 – and for a very similar offence to Boyd’s crime above. ‘Upon the second day of July, was set upon the pillory a bawd of the stews named Thomas Toogood’, Fabyan’s Great Chronicle reports. ‘The which before the mayor was proved guilty that he enticed two women dwelling at Queenhythe to become his servants and to have men in common within his house’.

Health issues

John of Gaddesden, an English doctor writing in the early 14th century, had some advice for women on how to protect themselves against venereal disease. Immediately after sex with any suspect man, he said, the woman should jump up and down, run backwards down the stairs and inhale some pepper to make herself sneeze. Next, she should tickle her vagina with a feather dipped in vinegar to flush infected sperm out of her body, then wash her genitals thoroughly in a concoction of roses and herbs boiled in vinegar. It’s hard to imagine anyone actually following this advice – let alone one of the girls in Southwark’s stews. It would have puzzled the customer she’d just serviced for one thing, and running backwards downstairs sounds an excellent way to break your neck. Other doctors writing at about the same time as Gaddesden had equally eccentric remedies of their own, but at least everyone now recognised that diseases such as gonorrhoea were spread by sexual intercourse and that in itself was a big step forward.

In 1321, King Edward II had founded the Lock Hospital in Southwark as a treatment centre for ‘lepers’, the name then used for anyone with sores and skin lesions. It was located less than a mile from the stews of Bankside and, unsurprisingly, it soon started to specialise in VD cases. ‘Lock Hospital’ can still be found in slang dictionaries today as a generic term for any VD clinic. Southwark’s lucrative trade gave it such place names as Codpiece Lane, Cuckold Court and Sluts’ Hole.

During the Plague, in 1349, Edward III suspended Parliament to let MPs escape London for the relative safety of the countryside. Anyone else rich enough to flee the capital got out too. But Southwark’s brothels remained open throughout the plague years, despite official warnings that casual copulation with multiple partners increased the risk of infection. Henry Knighton, a fourteenth-century chronicler who lived through the Black Death, says the stews were actually busier than ever during the plague years.

Legislation

In 1351, the City of London passed an ordinance that ‘lewd or common women’ must wear a striped hood to identify themselves and refrain from beautifying their clothes with any fur trim or fancy lining. At that time, any woman not of noble birth could be described as ‘common’ so the ordinance seemed to cover almost every female in the city. London’s proud womenfolk weren’t going to have men dictating what they could wear, so most ignored the ordinance and challenged any constable to arrest them, if he dared. When Edward III added his own authority to this law three years later, he was careful to specify it applied only to

London’s ‘common whores’. The striped hoods and lack of decorative trim, his proclamation declared, would ‘set a deformed mark on foulness to make it appear more odious’.

Some working girls continued to live inside the city walls but commuted to Cock Lane near Newgate or over the bridge to Southwark to earn their daily crust – perhaps finding somewhere to change on the way. But it wasn’t long before they were banned from even lodging in the city and subject to very heavy penalties for doing so. A 1383 ordinance required whores caught in London to have their heads shaved and then be carted through the streets in a special wagon while minstrels played all around them to attract a crowd. The girl herself would have to wear that trademark hood as the cart carried her through town to the nearest prison, where she’d be placed in a pillory and publicly whipped. In 1393, these rules were tightened further, saying no prostitute must go about or lodge’ in London or its suburbs, but ‘keep themselves in the places thereto assigned, that is to say, the stews on the other side of the Thames and in Cock Lane’. Offenders could face all the penalties I’ve mentioned and have their identifying hood confiscated too.

Henry V’s contribution was to ban London’s City aldermen and other respectable citizens from letting out any building they owned to tenants ‘charged or indicted of an evil and vicious life’. This was clearly aimed at the many churchmen, noblemen, City officials and wealthy merchants who happily rented out their property to known stewholders. There were only so many houses to be had in the Bankside’s licensed area, so anyone lucky enough to own a building there could command premium rents if he let it be turned into a brothel so there was a powerful financial incentive to accept stewholders as tenants and that’s what the king’s ordinance was up against. It must have been simple enough to arrange your affairs to circumvent the new law – perhaps by renting your building out through a middleman – whatever the case, the ban had little effect.

In 1436, Parliament heard an urgent petition from a group of Southwark citizens complaining that illegal brothels were still operating along the length of Borough High Street. ‘Many women have been ravished and brought to evil living’, the petition said, ‘Neighbours and strangers are oft-time robbed and murdered’. Parliament responded by declaring once again that stewhouses must be restricted to the licensed area provided – but gave no clue as to how this might be achieved. In 1460, Henry VI set up a commission of twenty respectable citizens from both Southwark and London to consider the problem. They recommended that the City of London send men into Southwark to remove any prostitutes or stewholders found operating away from Bankside and if necessary imprison them, but the War of the Roses deposed him just a few months after the commission’s report, so he had little chance to act. The new king, Edward IV, took a more relaxed view of the Winchester Geese – perhaps because his own habits left him little room to criticise what went on in Southwark. The only significant measure he took to regulate them was a 1479 royal proclamation that all the licensed Bankside stews should clearly identify themselves by painting their riverside walls entirely white. Each house had its own symbol painted like a pub sign on the same wall and – as often as not – a couple of enticing whores shouting from a riverside window to attract boat-bound customers. There are also references to Edward IV banning whores from wearing aprons – an ordinary woman’s badge of respectability – so they couldn’t pretend to be decent townsfolk. But another source says the apron ban was a twelfth-century ordinance.

Another matter

In London, on 11th December 1395, John Rykener was arrested in a stable in Sopers Lane, just off Cheapside, caught in an ‘unmentionable act’ with John Britby. Rykener was dressed as a woman, calling himself ‘Eleanor’, an embroideress. When he appeared before the mayor, still in women’s clothing, he admitted to similar offences with one Carmelite friar, two Franciscans, three Oxford scholars, three chaplains and six foreign men, charging them for the pleasure. However, he’d also given his services – as a man – to numerous women, including nuns, for free. It seems the authorities were mystified by such behaviour and, rather than punishing him for his ‘unmentionable acts’, which could have resulted in Rykener burning at the stake, they prosecuted him for misrepresenting himself as a woman and, therefore, ‘confusing’ his male customers and failing to provide them with the ‘womanly services’ they’d paid for. In other words, he’d broken the ‘trades’ descriptions act’, medieval style.

About the Author: Toni Mount

I’m an author, a history teacher, an experienced speaker – and an enthusiastic life-long-learner. I’m a member of the Research Committee of the Richard III Society and a library volunteer where I lead a Creative Writing group. I regularly give talks to groups and societies and attend history events as a costumed interpreter. I write for a variety of history magazines and have created seven online courses for http://www.MedievalCourses.com

I earned my Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. My BA (with First-class Honours), my Diploma in Literature and Creative Writing and my Diploma in European Humanities are from the Open University. My Cert. Ed (in Post-Compulsory Education and Training) is from the University of Greenwich.

I have a strong online following with my various social media and web pages: http://www.ToniMount.com http://www.SebastianFoxley.com http://www.facebook.com/toni.mount.10 http://www.facebook.com/medievalengland http://www.facebook.com/medievalmedicine http://www.facebook.com/sebfoxley http://www.twitter.com/tonihistorian

My works to date include:

Self-Published:

2007 The Medieval Housewife and Women of the Middle-ages; 2009 (updated 2015) Richard III King of Controversy; 2013 Dare they be Doctors.

Amberley Publishing:

2014 (Hb) Everyday Life in Medieval London; 2015 (Hb) Dragon’s Blood and Willow Bark: the mysteries of medieval medicine; 2015 (Pb) The Medieval Housewife: & Other Women of the Middle Ages; 2015 (Pb) Everyday Life in Medieval London; 2016 (Pb) Medieval Medicine: Its Mysteries and Science (the renamed paperback version of Dragon’s Blood & Willow Bark); 2016 (Hb) A Year in the Life of Medieval England; 2019 (Pb) A Year in the Life of Medieval England; 2020 (Hb) The World of Isaac Newton

Pen & Sword:

2021 (Pb) How to survive in Medieval England; 2021 (Pb) An affectionate look at sex in medieval England

MadeGlobal Publishing:

The Sebastian Foxley Medieval Murder Mysteries series: 2016 The Colour of Poison; 2016 The Colour of Gold; 2017 The Colour of Cold Blood; 2017 The Colour of Betrayal; 2018 The Colour of Murder; 2018 The Colour of Death; 2019 The Colour of Lies; 2020 The Colour of Shadows

2018 The Death Collector (A Victorian Melodrama)

MedievalCourses.com:

2015 Everyday Life of Medieval Folk 2015 Heroes and Villains 2016 Richard III and the Wars of the Roses 2016 Warrior Kings of England: The Story of the Plantagenet Dynasty; 2017 Crime and Punishment; 2017 The English Reformation: A Religious Revolution 2018 The Roles of Medieval and Tudor Women

My Books

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Inside the Book Trade of Late Medieval London

St Paul’s Cathedral: The Book Trade’s Beating Heart

Who were the Printers?

What was on the shelves?

Not only Men’s work

Censorship and Control

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Out now: Scotland’s Medieval Queens

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A Pilgrim’s Visit to Canterbury Cathedral

The Colour of Sin

Competition: Poster Giveaway

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Out Now! Women of the Anarchy

Coming on 15 June 2024: Heroines of the Tudor World

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Creating Books in the Sixteenth Century

What sort of books would they write?

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What were the new requirements of the printing press as opposed to books written by hand?

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The Crown Sild, Cheapside, London

The Colour of Bone by Toni Mount:

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Follow the blog tour:

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Trial by Combat – Rough Justice

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The Root of all Evil – Money to spend in Medieval London

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Frost Fairs

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Whores and Winchester Geese – Prostitution in Medieval London

Health issues

Legislation

Another matter

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