Will Bowman, now fully entangled in Richard Lionheart’s crusade, has reached the Holy Land. However, just as he and his crew are about to touch down in Acre, they are drawn into an intense battle at sea, where they are faced with the dreaded Byzantine weapon: Greek Fire.
Barely escaping with his life, Will gains the trust of Richard Lionheart, moving into his service. But as the siege of Acre continues, and Richard’s campaign grows ever more brutal and barbaric, Will begins to wonder just how safe his new position is.
And when the King sends him on a seemingly doomed mission, Will must ask himself: who exactly is he fighting for?
Well, Scott Mariani has taken to historical fiction like a duck to water. He has a flare for it. But then, he did draw me in with his Ben Hope novels, all of which had a historical mystery at the heart of the the story. With his second full, historical fiction, The Knight’s Pledge, he draws the reader into the action from the very first pages as his hero, Will Bowman, arrives at Acre to take part in the Third Crusade.
And an added bonus is that a quote from my review of the first book,The Pilgrim’s Revenge, is among the endorsements on the first pages!
And what an adventure we are treated to. Scott Mariani expertly blends fact with fiction and tells a story that will keep you hooked.
The story is gripping and full of suspense – you are never quite sure whether the heroes are going to succeed – or even make it out alive!
Will had personally come face to face with King Richard only once, and then for only a few brief moments. But he had seen his monarch flying fearlessly into the thick of battle enough times to know how he would respond.
Sure enough, almost within a heartbeat the flagship had diverted course and was steering straight at the enemy vessel, all oars manned and powering as hard as they could go. The captain of Will’s ship instantly followed suit, with a clamour of shouted orders and the frenzied activity of the sailors all around them. Every crewman aboard knew his duty as well as he knew his own name, and they needed little encouragement as they rushed to their stations and flung themselves behind the oars. Amid the rapid pounding of the drum and hoarse cries of ‘Heave ho, boys,’ and ‘We’ll have at those bastards,’ the ship picked up pace and curved sharply around. As they leaned hard into the turn, the deck sloped like a pitched roof and the bows threw up a white wave that smothered the nearside rail with foam.
One by one, every other ship of the fleet was veering off their course to engage this new enemy. Will sprinted back across the sloping deck to where he and his companions had been sitting earlier and snatched up the weapons that he kept stowed next to his habitual sleeping place. With hands trembling in anticipation of the fight that would very soon be on them he buckled up his sword belt, then quickly tensioned and strung his bow stave, an action that was second nature to him. He had been an expert with the bow for such a large part of his life that it had become the name he was known by. His leather quiver contained a sheaf of arrows carefully fashioned by his own hand, made to fly straight and true and each fitted with an iron-pointed bodkin head capable of piercing a coat of chain mail like the one he was wearing under his leather jerkin.
Gabriel came running hot on his heels, and disregarding his precious chessmen that were strewn and rolling all about the deck he grabbed the curved falchion sword he favoured over the more conventional straight-bladed variety. Samson’s preference was for his short-handled war axe, a gift to him from Will, which had hammered and split the heads of many a foe in the battles they had fought en route.
But this new enemy was like no other they had faced before. As the deck levelled itself after their steep turn, Will glanced forward and saw the Saracen ship suddenly much closer, partly wreathed behind the curtain of roiling black smoke that was pouring from the burning galley. ‘Godspeed,’ he yelled at Gabriel and Samson, then ran for the laddered companionway that led up to the elevated section of the forecastle. It was already teeming with his fellow archers, mostly equipped with crossbows and only a minority who used the more old-fashioned but further-shooting and more accurate – when properly handled – longbow.
Scott Mariani’s meticulous research and attention to detail helps to recreate the Holy Land of 1191. The sights, the smells, the spiders! Oh, and the insults! I have a new favourite insult; ‘scobberlotcher’.
Will Bowman proves how fearless and brave he can be. Though he is still young and has a naivety about him which I think will be increasingly challenged as his war goes on. It is fascinating to watch the evolution of this young man, from grieving farmer to warrior. And expert archer, he’s strong, courageous and loyal. He is quick-witted, intelligent, even, a natural leader of men, but still in possession of a sense of chivalry that will get him into trouble.
In the first half of the story, we follow the experiences of the army during the Siege of Acre, and its aftermath. Ever a writer with a sense of adventure, Scott Mariani then sends our hero on a near-suicidal mission in search of lost treasure. While it may not be in the historical record, the quest is certainly plausible – as is the outcome! (but no spoilers!)
All in all, The Knight’s Pledge is an absolute joy to read – or, rather, devour. Scott Mariani has lost none of his legendary storytelling skills in his transition from the thriller genre to historical fiction. And I like to think I can see a little of Ben Hope in this new hero, Will Bowman. I think Ben would certainly have approved of Will.
At least I know what I’m getting my dad for Christmas – he’s gonna love The Knight’s Pledge!
Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.
Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.
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Signed, dedicated copies of all my books are available, please get in touch by completing the contact me form or through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest and Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets will explore the lives of these young women, demonstrating how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time.
Were they political pawns? Or, were they able to control their own lives and fates? What impact did they have on the world in which they lived?
Their stories are touching, inspiring and, at times, heartbreaking.
Princesses of the Early Middle Ages: Royal Daughters from the Conquest is now available for pre-order from Amazon and bookshop.org.
Also by me:
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
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Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
England’s greatest ever hero is back, but for how long?
AD 1331 – Wakefield, England It’s been five long years since Robin Hood’s heart-breaking funeral. Since then, his friends have moved on with their lives, having adventures of their own, and becoming respected figures in the local community. But, as Christmas bells rang out last December, to everyone’s shock, Robin returned home to Wakefield, alive and well.
He believes all his old enemies are dead and gone, and is looking forward to living a peaceful life with his wife and young children. Things rarely work out as we plan them though, and it’s not long before a deadly new threat raises its head.
The Coterel gang are notorious throughout England, committing all kinds of heinous crimes including extortion, prostitution, kidnapping, and even murder. They appear untouchable, with noblemen and even Members of Parliament amongst their members. When Robin and his friends attack a cruel extortionist in nearby Notton they find themselves on the wrong side of the Coterels, and it seems Robin will be forced to live either as an outlaw again, or be viciously hunted down like an animal.
Although his choices are limited, one – seemingly mad – option presents itself and, before long Robin takes sail for the first time ever, on the trail of the legendary lost treasure of King John. With John Little, Will Scaflock, Friar Tuck, and two loyal Hospitallers in tow, Robin travels across Europe to Flanders, Aachen, and finally the mythical, legend-haunted mountain known as the Untersberg. Will he find England’s lost crown jewels there, or will he find only danger and death?
I do love a good legend!
Anyone who knows me knows that I have a soft spot for the legendary hero, Robin Hood. Living just a half hour drive from Sherwood Forest, how could I not? When my son was about 6, I once almost told one of his school friends that Santa didn’t exist – because she had had the audacity to tell Lewis that Robin Hood wasn’t real!
I am having a very Robin Hood-y day!
Only this morning, I was at the Sherwood Forest Moot – the first one in over 100 years, to start planning the new, annual Sherwood Forest day. The first one will be 20 February 2026. Exciting!
Anyway, back to Robin Hood!
So, when Steven A. McKay said he was writing another Robin Hood story, I was sooooo excited! Last year, after five years of ‘playing dead’, Robin Hood reappeared at the end of the short story, The Heretic of Haltemprice Priory.
But Robin has a big problem; he is still, technically, an outlaw – a Wolf’s Head.
And I started Return of the Wolf on the 809th anniversary of the events in the prologue, on 12 October 1216. This was the day King John’s baggage train got caught by a high tide in the Wash, as they were crossing from Norfolk to Lincolnshire, and the royal treasure was lost, never to be seen again.
One hundred years later, in Return of the Wolf, Robin Hood and his loyal friends, Friar Tuck, Little John and Will Scarlet, embark on a treasure hunt, in search of some remnants of John’s baggage train that may have survived. It leads to a fascinating adventure that takes Robin and his friends on a journey beyond England’s shores, through Belgium and into Germany.
In search of a great treasure.
And maybe, just maybe, a pardon for Robin.
“Christs’ bones, it stinks in here!” John had led the way into the tannery but he pulled up, almost gagging as the fumes accosted them.
“Pull up your tunic,” Robin advised. “Come on.” He drew his sword for it was clear the tanner had no intentions of co-operating without a fight, and moved past the bailiff, eyes scanning the gloomy interior of the room.
The shouting had intensified when they first stormed into the building, but it had died away and now a sinister, forbidding silence fell across the place. Robin had instinctively taken charge, and John did not complain. As the pair moved forward, past more wooden frames and towards the back of the chamber, the years seemed to fall away and the near-telepathy they had once shared as outlaws returned.
A scream of rage suddenly split the air and a dark figure appeared from behind one of the wooden frames. Robin saw a knife, designed for scraping animal hides but just as useful as a weapon, scything through the gloom towards Little John’s back. In one fluid motion Robin’s sword flashed out, parrying the tanning knife, and then he brutally kicked the attacker in the side. There was a grunt of pain as the man slammed into a barrel with vile smelling liquid, and then Robin’s right fist hammered into his jaw and he slumped to the ground.
Little John had a second enemy to deal with, a rat-faced, slim man with a wispy beard and barely a tooth in the mouth that opened to issue a war cry as he swung at the bailiff with his tanning knife. The tool had two handles, one at either end, so – lacking a point – it was no use as a thrusting weapon, but the blade itself was sharp and heavy enough that it could likely sever a limb and John dodged away from it desperately.
The attacker stumbled forward and John brought up his staff, catching the man beneath the chin. It was a lucky strike but it smashed the enemy’s mouth shut and he reeled back, grasping his jaw, eye screwed shut in pain. They did not open again, as John’s staff came around once more, this time cracking against the thin man’s head.
“That the lot?” Robin wondered.
“Can’t be,” John said, eyeing the unconscious tanners. “Neither of these two are the one we met outside. He’s still around somewhere.”
I have to say, Steven A. McKay’s Return of the Wolf is definitely up to his usual standard. This may be his best Robin Hood book yet. He weaves a wonderful story incorporating the legend of Robin Hood, with the mysteries of lost treasure, and a road trip with friends. Of course, there are dangers along the way, pirates, duplicitous noblemen, a vicious gang of thugs, and the elements themselves.
Travelling amidst a heatwave, the thunder storms are legendary – so much louder on the continent than we are used to in England (when I was working at Disneyland, Paris, there was a thunderstorm so loud that I thought someone had blown up the park!)
Return of the Wolf takes you back to the 14th century. You are immersed in the sights, sounds and smells of the era: from the loud and rowdy taverns, to the peace of a Hospitaller commandery, from the swell of the open sea, to the dark of the forests. I can even forgive Steven A. McKay for setting Robin Hood in Barnsdale Forest and Wakefield, rather than Sherwood and Nottingham (but don’t tell Steven!)
Success or failure – and Robin’s very freedom – depends on the survival skills of Robin and his friends. It is a tense, sometimes frightening, adventure. The fight scenes are frantic, failure is only one misstep away and enemies are stalking them in the dark.
Steven A. McKay was born in Scotland in 1977 and always enjoyed studying history. He decided to write his Forest Lord novels after seeing a house called “Sherwood” when he was out at work one day. Since then he’s started a new series, the Warrior Druid of Britain Chronicles, and just completed a trilogy about Alfred the Great.
In 2021 the Xbox game HOOD: Outlaws and Legends was released, featuring Steven’s writing.
He used to be in a heavy metal band although he tends to just play guitar in his study these days. He did use those guitars to write the theme song for the podcast he co-hosted, Rock, Paper, Swords! with Matthew Harffy, though. Give it a listen, they’ve interviewed great guests like Diana Gabaldon, Simon Scarrow, Bernard Cornwell, Dan Jones and more!
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. There’s even an episode where we chat with Steven A. McKay about Robin Hood!
Matilda of Scotland was the daughter of Malcolm III Canmore, King of Scots, and his wife, the saintly Queen Margaret. With Margaret’s descent from Alfred the Great, Matilda not only had the blood of Scottish kings flowing through her veins but also that of England’s Anglo-Saxon rulers. Born in the second half of 1080, Matilda was named Edith at her baptism, her name being changed to Matilda at the time of her marriage, most likely to make it more acceptable to the Norman barons. To avoid confusion, we will call her Matilda for the whole article.
The baby princess’s godfather was none other than Robert Curthose, who was visiting Scotland at the time of her birth. Her godmother was England’s queen, Matilda of Flanders. She and her younger sister, Mary, who was born in 1082, were sent to England to be educated by their maternal aunt Christina, at Romsey Abbey in 1086. A nun who spent time at both Romsey and Wilton abbeys, Christina was said to have treated Matilda harshly, the young princess constantly ‘in fear of the rod of my aunt’.1 Christina’s treatment of Matilda was made public during a church inquiry into whether or not Matilda had, in fact, been professed as a nun, at which point Matilda made her striking references to the ‘rage and hatred … that boiled up in me’.2
Before 1093 the two Scottish princesses, now approaching their teens, had moved on to Wilton Abbey to continue their education, away from the harsh discipline of their aunt. Like Romsey, Wilton was a renowned centre for women’s education and learning. It could accommodate between eighty and ninety women, and was once patronised by Edward the Confessor’s wife, Edith of Wessex. The abbey had a reputation for educating women from the highest echelons of the nobility and the royal family itself; the girls’ mother, Queen Margaret, had also been sent to Wilton to be educated after arriving in England in the late 1050s. The abbey was a popular destination for pilgrims, housing among its relics ‘a nail from the True Cross, a portion of the Venerable Bede and the body of St Edith’.3 Matilda’s first language was English, but she is known to have spoken French at Wilton. She also learned some Latin, read both the old and new testaments of the Bible, ‘the books of the Church fathers and some of the major Latin writers’.4
Malcolm IV and St Margaret
By 1093, thoughts were turning to Matilda’s future, but politics intervened. King Malcolm had a disagreement with King William II Rufus after which ‘they parted with great discord, and the king Malcolm returned home to Scotland.’5 On his way home, Malcolm stopped at Wilton to collect his daughters. On his arrival, he found Matilda wearing a veil. The Scots king ripped the offending item from his daughter’s head, tearing it to pieces before trampling the garment into the earth.
Malcolm III insisted that the two girls were not destined for the religious life.
Father and daughters then returned to Scotland, only to find Queen Margaret was ailing, her health had been deteriorating gradually for some time. Despite the queen’s illness, King Malcolm took two of his sons and an army into England, raiding Northumberland. Malcolm and his eldest son, Edward, were killed. Queen Margaret was told the news just a few days later and died shortly after. Having lost both parents in such a short space of time, the two princesses were taken back south by their uncle Edgar the Ӕtheling, though whether they stayed at a convent or resided at court is unclear. Mary would eventually be married to Eustace III, Count of Boulogne, and was the mother of Matilda of Boulogne, wife of King Stephen.
Matilda herself was not short of suitors, who included Alan the Red, Count of Richmond and William de Warenne, Earl of Surrey. Orderic Vitalis explains:
Alain the Red, Count of Brittany, asked William Rufus for permission to marry Matilda, who was first called Edith, but was refused. Afterwards, William de Warenne, Earl of Surrey, asked for this princess; but reserved for another by God’s permission, she made a more illustrious marriage. Henry, having ascended the English throne, married Matilda.6
Christina of Wessex
As events unfolded, Matilda was caught up in accusations and scandal surrounding her erstwhile nunnery at Wilton. She refused to return to the convent and insisted that she had never intended to dedicate herself to the church. When Archbishop Anselm ordered Osmund, Bishop of Salisbury to retrieve this ‘prodigal daughter of the king of Scots whom the devil made to cast off the veil’, the princess stood firm and defied him.’7
William II Rufus was famously killed in a hunting accident in the New Forest on 2 August 1100, shot by an arrow loosed by Walter Tirel. William II’s youngest brother, Henry, who was among the hunting party, wasted no time grieving his brother’s death. Leaving the dead king’s body to be looked after by others, he rode fast for Winchester. He seized control of the royal treasury before heading to London and his coronation, which took place on 5 August, just three days after William II’s death. Henry’s surviving older brother, Robert, was still on his way home from the Crusades, unable to take advantage of William’s death to claim the English crown for himself. The newly crowned King Henry I now needed a wife and settled on Matilda of Scotland.
The marriage was not without controversy, however, and before it could take place the church conducted an inquiry into the suggestion that Matilda was a runaway nun. Although Matilda vehemently rejected the claim that she had been professed as a nun, the fact witnesses had seen her wearing a veil on multiple occasions counted against her. Matilda appealed to Archbishop Anselm to look into the matter. The archbishop was appalled at the thought a religious vow may have been broken and declared that he ‘would not be induced by any pleading to take from God his bride and join her to any earthly husband’.8 After meeting with Matilda personally, and hearing her side of the story, the archbishop was persuaded to call an ecclesiastical council to decide the matter. Using Archbishop Lanfranc’s previous ruling that Anglo-Saxon women who had sought refuge in a convent after the Norman Conquest ‘could not be held as sworn nuns when they emerged from hiding’, the council ruled in Matilda’s favour.9 The council determined that ‘under the circumstances of the matter, the girl could not rightly be bound by any decision to prevent her from being free to dispose of her person in whatever way she legally wished’.10
Henry I, King of England in Lincoln Cathedral’s Gallery of Kings
When the wedding finally went ahead, Archbishop Anselm related the controversy over Matilda’s status to the gathered congregation and asked if there were any objections. According to Eadmer, ‘The crowd cried out in one voice that the affair had been rightly decided and that there was no ground on which anyone … could possibly raise any scandal.’11
Henry I married Matilda of Scotland on 11 November 1100, at Westminster Abbey, her name officially and permanently changed from Edith. Marriage between Henry and Matilda represented a continuity of the old Anglo-Saxon royal line; an heir produced by the royal couple would be heir to both the Norman royal house and the ancient royal house of Wessex, creating a genuine unifying force within England. The marriage was also a union between the royal houses of England and Scotland. Offering the promise of peace on England’s troublesome northern border, it would allow Henry to look to his interests on the continent and watch for the return of his older brother, Robert, from crusade.
The honeymoon period for the royal couple was was short-lived and in 1101, Robert had returned and heard of King William’s death and Henry’s seizure of the crown. The duke sent messengers to Henry, asking him to hand over the kingdom. Henry refused. It probably came as no surprise to Henry, then, when Robert invaded England on 20 July 1101. One chronicler claimed that Matilda was in childbed at this time; if she was, the child did not survive. More likely given the timing is that the queen was having a difficult early pregnancy with Matilda, who was born seven months later.
Neither side, however, was keen on all-out war, especially a civil war, and peace talks began almost immediately as the two armies of the royal brothers came face to face at Alton. In the subsequent Treaty of Alton, the duke accepted an annuity of 3,000 marks, drawn from the revenues of England, to abandon his invasion and renounce his claims to the throne. In return, King Henry renounced his lands in Normandy save for Domfront, where he had made a solemn vow to the inhabitants that he would never relinquish control. The brothers agreed to support each other should either be attacked by a third party, and to be each other’s heir if neither sired a son.
William the Ætheling
Robert returned to Normandy but would soon be pulled back to England by a sense of chivalric duty to his barons. The agreement at Alton between the brothers had left Earl William II de Warenne isolated and at Henry’s mercy. For violating his oath of homage to the king, and for violence perpetrated by his men in Norfolk, Earl Warenne’s English estates were declared forfeit and he was effectively forced to cross the English Channel into exile. Earl William complained to Duke Robert of his sufferings and losses on the duke’s behalf. The duke obviously felt some responsibility, as he set out for England to intercede with his brother on the earl’s behalf. Robert arrived at Henry’s court, uninvited and unwelcome, in 1103. Threatened with imprisonment by an angry brother, he was persuaded by Queen Matilda, to relinquish his annuity of 3,000 marks in return for the reinstatement of Earl William’s English estates and titles.
The primary duty of a queen was to secure the succession by producing an heir as soon as she possibly could. Henry still had his older brother, Robert, to contend with and an heir would certainly strengthen his position. By September 1103, Matilda of Scotland had fulfilled this duty by giving birth to a daughter, Matilda, in February 1102, and the much-desired son and heir, William, known as William Ætheling in an allusion to his descent from the Anglo-Saxon royal line, in September 1103. It is possible third child was either stillborn or short-lived. After the births of the royal children, the king and queen appear to have lived separately, with Queen Matilda establishing herself at Westminster. It was rumoured that the queen had chosen a life of celibacy once her duties of producing an heir had been fulfilled.
The family of Henry I
Disputes with Normandy were to be a feature of the first half of Henry’s reign, even after the capture of his brother, Robert at the Battle of Tinchebrai in 1106. Robert would spend the rest of his life imprisoned in England, but his son, William Clito, would later take up the fight. And while Henry subjugated Normandy, Queen Matilda remained in England, often chairing meetings of the king’s council during his absence. The queen had her own seal, which she appended to her charters and which depicted her ‘standing, crowned and wearing a long embroidered robe which falls in folds over her feet. Over this is a seamless mantle which has an embroidered border and is draped over her head. It is fastened at her throat by a brooch, and falls in folds over her arms. In her right hand she holds a sceptre surmounted by a dove, and in her left an orb surmounted by a cross.’.12
As queen, Matilda had received a generous dower settlement, which had been granted from those lands once held by Edith, Edward the Confessor’s queen. Surviving charters issued by Matilda show that she controlled the abbeys of Waltham, Barking and Malmesbury. She held further territory in Rutland and property in London including the wharf later known as Queenhithe, and she also received the tolls of Exeter. Her staff included two clerks who would eventually become bishops. The queen appears to have had a personal interest in managing her estates. In the charter granting Waltham Abbey to his wife, Henry mentions the ‘queen’s court’ held there. Among the queen’s many good works were the building of bridges in Surrey and Essex and the construction of a public bathhouse at Queenhithe. Working with Anselm, Archbishop of Canterbury, Queen Matilda founded a house for the Augustinian canons, Holy Trinity, at Aldgate in London. She also founded a leper hospital at St Giles, funded by sixty shillings a year from dock revenues at her wharf.
Leprosy and the care of lepers was of great concern to the queen. In addition to St Giles, she was the benefactress of a leper hospital at Chichester. Indeed, the queen’s brother David – later David I, King of Scots – told a tale in which he witnessed his sister administering to lepers in her own apartments in Westminster:
David I, King of Scots
The place was full of lepers and there was the Queen standing in the middle of them. And taking off a linen cloth she had wrapped around her waist, she put it into a water basin and began to wash and dry their feet and kiss them most devotedly while she was bathing them and drying them with her hands. And I said to her ‘My Lady! What are you doing? Surely if the King knew about this he would never deign to kiss you with his lips after you had been polluted by the putrefied feet of lepers!’ Then she, under a smile, said ‘Who does not know that the feet of the Eternal King are to be preferred over the lips of a King who is going to die? Surely for that reason I called you, dearest brother, so that you might learn such works from my example.13
While this story may not be an exact recollection of the siblings’ conversation, it does serve to demonstrate the extent of Matilda’s piety, something she inherited from her sainted mother, Queen Margaret. The queen’s piety and interest in religion are evidenced in her surviving correspondence, which involved not only Archbishop Anselm but also leading church figures such as Pope Paschal II, Hildebert of Lavardin, Archbishop of Tours, Herbert of Losinga, Bishop of Norwich and Ivo, Bishop of Chartres. Though written by a clerk rather than in her own hand, these letters are the earliest surviving examples from an English queen.
Matilda and Anselm appear to have had a good working relationship, which is evidenced by her actions as mediator during the Investiture Controversy, which sought to clarify the rules of investiture within the church. In their correspondence, the archbishop wrote to Matilda as his ‘dearest Lady and daughter Matilda, Queen of the English’.14 Likewise, Matilda witnessed a charter at Rochester, prior to Anselm’s exile, as ‘Matildis reginae et filiae Anselmi archiepiscopi’ (Queen Matilda and daughter of Archbishop Anselm).15 And when Anselm was exiled from England from 1103, Queen Matilda acted as mediator between the archbishop, the king and the pope, Paschal II.
Empress Matilda depicted in an image from the Gospels of Henry the Lion.
The queen appears to have been well aware of her influence over the king, and its limitations. When Henry appropriated the revenues of Canterbury for himself, claiming it was a vacant see with the archbishop in exile, Matilda persuaded him to set aside a personal allowance for Anselm. However, when she was asked to intervene with the king a few years later, when he was attempting to extract more money from the clergy, Matilda ‘wept and insisted she could do nothing’.16 In 1104, Matilda even approached Pope Paschal II, asking for his intervention in the disagreement between Henry and Anselm.
Henry saw the investiture crisis as an erosion of his royal prerogative, and he was determined to cede no ground. But, with the pope threatening excommunication and Matilda voicing her own pleas to her husband, a compromise was eventually reached by which Henry would relinquish his powers to invest prelates but retain the right to receive homage for ‘temporalities’; this latter concession by the church would augment the secular powers of the crown. When Anselm was finally able to return home to England, in 1106, Matilda was there to personally welcome him back from his three-year exile. She then rode in advance of the archbishop, to ensure accommodation and welcoming ceremonies were in place along his route.
The Investiture Controversy served to demonstrate the extent to which Matilda’s influence could be exerted, not only on the king but internationally, through her correspondence with the church’s most powerful prelates. Matilda also acted as regent for Henry when he was away in Normandy, which was more than half of the time. A woman fulfilling such a role in her lord’s absence was far from unusual and indeed was accepted by the barony of the kingdom; Matilda’s daughter, Empress Matilda, would discover that a woman fulfilling this role on her own behalf faced far more resistance. Queen Matilda acted as regent for months at a time, most notably for ten-month spells from September 1114 and from April 1116. In her final regency Matilda was assisted by her only son, the teenage William Ætheling, who was now earnestly in training for his future role as King of England. He would later join his father in Normandy to continue his apprenticeship, fighting in his first battle there in 1119.
Another notable element of queenship was patronage. Queen Matilda commissioned William of Malmesbury to write the Gesta Regum Anglorum, a genealogical history of the royal house of Wessex which was finished after her death and presented to her daughter, Empress Matilda. She also commissioned a biography of her mother, The Life of St Margaret Queen of Scotland by Turgot, Prior of Durham and later Bishop of St Andrew’s, who had been her mother’s confessor. In 1111 the queen attended the ceremony for the translation of St Æthelwold’s relics at Winchester, and the following year she was in Gloucester to witness the presentation of gifts to the monks there.
Seal of Queen Matilda
Matilda was also concerned with justice and in 1116 ordered the release of Bricstan of Chatteris, a prisoner who had apparently been unjustly condemned. Bricstan, who had intended to take holy orders before his arrest – the reason for which is unknown – called upon St Benedict and St Etheldreda for assistance. The two saints are said to have torn his chains from him. The shocked guards immediately turned to Queen Matilda, who ordered an investigation into the events. Satisfied that a miracle had occurred, the queen ordered Bricstans’s immediate release. She also ordered that special masses should be heard, and the bells of London should be rung in celebration.
Matilda of Scotland died on 1 May 1118 at Westminster, at the age of thirty-seven. King Henry was in Normandy at the time and Matilda was acting as regent, which suggests that her death was unexpected, though we do not know the cause. The canons of her foundation of Holy Trinity at Aldgate and the monks at Westminster both claimed the right to bury her. She was buried in Westminster Abbey, much to the chagrin of the monks of Aldgate who lodged a complaint with Henry on his return. Henry compensated the order with a gift of relics from the Byzantine emperor. He also confirmed his queen’s donations to Holy Trinity, Aldgate. The king gave money so that a perpetual light could be maintained at her tomb; this was still being paid in the reign of Henry III, Matilda’s great-great-grandson.
Matilda died a beloved queen, and was remembered as ‘Mold the Good Queen’ or ‘Good Queen Maud’. Praise for the queen is almost universal, although William of Malmesbury criticised her for patronising foreigners and reported that she ‘fell into the error of prodigal givers; bringing many claims to her tenantry, exposing them to injuries and taking away their property, but since she became known as a liberal benefactress, she scarcely regarded their outrage’.17
The Warenne Chronicle recorded her death with a fitting epitaph:
Matilda of Scotland
So then, almost all of England’s bishops, magnates, abbots, priors, and indeed the innumerable common masses assembled with great sadness for her crowded funeral, and with many tears they attended her burial … I can sum up her praise in this brief declaration that from the time when England was first subject to kings, of all queens none was found like her, nor will a similar queen be found in coming ages whose memory will be held in praise and whose name will be blessed for centuries. So great was the sorrow at her absence and so great a devotion filled everyone, that several of the noblest clerics, whom she had much esteemed in life, stayed at her tomb for thirty days in vigils, prayers and fasting, and they kept mournful and devoted watch…18
A woman of proven ability in governing the kingdom, Queen Matilda served as an example of what a woman could do, and the power she could wield, albeit in her husband’s name.
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Notes:
1. Lisa Hilton, Queens Consort: England’s Medieval Queens; 2. Eadmer of Canterbury, Historia Novorum in Anglia; 3. Hilton, Queens Consort; 4. ibid; 5. Michael Swanton (ed.), The Anglo-Saxon Chronicles; 6. Ordericus Vitalis, Histoire de Normandie, quatrième partie (my translation); 7. Anselm, quoted in Hilton, Queens Consort; 8. Eadmer, Historia Novorum in Anglia; 9. Hilton, Queens Consort; 10. Eadmer, Historia Novorum in Anglia; 11. ibid; 12. Susan M. Johns, Noblewomen, Aristocracy and Power in the Twelfth-Century Anglo-Norman Realm; 13. Ailred of Rievaulx, quoted in Hilton, Queens Consort; 14. epistolae.ccnmtl.columbia.edu; 15. Hilton, Queens Consort; 16. ibid; 17. William of Malmesbury, quoted in Hilton, Queens Consort; 18. Van Houts and Love, The Warenne (Hyde) Chronicle
Lisa Hilton, Queens Consort: England’s Medieval Queens; Eadmer of Canterbury, Historia Novorum in Anglia; Michael Swanton (ed.), The Anglo-Saxon Chronicles; Ordericus Vitalis, Histoire de Normandie; Susan M. Johns, Noblewomen, Aristocracy and Power in the Twelfth-Century Anglo-Norman Realm; epistolae.ccnmtl.columbia.edu; Teresa Cole, After the Conquest: The Divided Realm; Jeffrey James, The Bastard’s Sons: Robert, William and Henry of Normandy; Henry of Huntingdon, The History of the English People 1000-1154; Charles Spencer, The White Ship: Conquest, Anarchy and the Wrecking of Henry I’s Dream; E. Norton, England’s Queens: From Boudicca to Elizabeth of York; Nigel Tranter, The Story of Scotland; Elisabeth Van Houts, and Rosalind C. Love (eds and trans), The Warenne (Hyde) Chronicle; Oxford Dictionary of National Biography; Ordericus Vitalis, The Ecclesiastical History of Orderic Vitalis, 1075-1143; J. F. Andrews, Lost Heirs of the Medieval Crown: The Kings and Queens Who Never Were; Anne Crawford (ed.), Letters of the Queens of England; Elizabeth Norton, England’s Queens: From Boudicca to Elizabeth of York; Lida Sophia Townsley, ‘Twelfth-century English queens: charters and authority’, academia.edu;
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Today, it is a pleasure to welcome Susan Abernethy back to History… the Interesting Bits, to chat about her fabulous new book, The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court.
How I Decided to Write The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court
It all started with the random purchase of a used copy of a biography of Isabel of Portugal by Aline S Taylor. It just so happened that Isabel was the daughter of King John I of Portugal and Philippa, daughter of John of Gaunt, Duke of Lancaster and son of King Edward III of England. To my surprise, Isabel was married, at the venerable age of 33, to Philip the Good, Duke of Burgundy as his third wife. At the time, I had no idea who Philip was and knew nothing about the duchy of Burgundy.
Isabel had a son who succeeded his father with the moniker of Charles the Bold. It turned out I owned a reprint of a turn of the century biography of Charles by Ruth Putnam in my library. Both Isabel and Charles greatly intrigued me as tenacious and resolute characters. I had to learn more. My research began with Putnam’s biography and progressed to the four volume biographies of each of the Valois dukes of Burgundy by Richard Vaughan.
As my knowledge of Burgundian history expanded, more women in history emerged. From the wives, daughters, grand-daughters and nieces, they were all used as pawns in the dukes’ diplomatic efforts to expand as well as govern the Burgundian Empire. The dukes could not have amassed their empire, the size of England and Wales combined, without their women. Some of these women lived lives of comfort and supreme authority while others were relentlessly bullied and badgered into surrendering their patrimony. This book is a collection of thirty-one of these women, related to the Valois dukes by blood, marriage and politics.
Isabel of Portugal
Many of them had a major role in the history of Western Europe, spreading their influence across numerous countries, including France, Germany, England, the Low Countries, Italy, Spain and many more. The first chapter of the book is a concise summary of how the Valois dukes grew their empire, beginning with the death of the Philip I, the last duke of the House of Burgundy. With his death, the duchy of Burgundy reverted to the French crown, and it was up to King John II of France to determine its fate. John had a younger son, Philip, who had distinguished himself as a fighter during the Hundred Years’ War.
As a reward for his faithful service, his father gave him the duchy of Touraine. Philip would later trade this small principality for the more prestigious duchy of Burgundy in 1363. He had a long-time dream of merging his new duchy to the county of Burgundy, otherwise known as the Franche-Comté and to do this, he needed to marry the heiress. So in the summer of 1369, he married Margaret of Male, who stood to inherit not just the Franche-Comté, but also Flanders and the counties of Rethel and Nevers, along with other territories.
So we have the first formidable woman, Margaret of Male, who not only gave birth to many children but aided her husband in ruling his newly acquired conglomeration of territories. Philip the Bold instituted a deliberate program of marrying his daughters into various regions around his provinces, not just as respectable mates for the grooms but to increase his territories. Richard Vaughan says Philip the Bold was one of the most talented diplomats of his age.
Margaret of Male
Two of Margaret’s daughters were exceedingly influential but for different reasons. One of my favorite discoveries in writing this book was Catherine of Burgundy, Duchess of Austria and Countess of Ferrette. Philip had is eye on the county of Ferrette (now a part of Alsace in northeastern France), which was under the influence of Leopold IV, Duke of Austria. Catherine’s marriage to Leopold would be a success in that the couple got along well; however, they had no children. When Philip the Bold failed to pay Catherine’s dowry she convinced Leopold to grant her the governance of the county of Ferrette which would give her an income.
She ruled the county competently, acting as a diplomat for her Burgundian ducal brother and nephew, John the Fearless and Philip the Good respectively, making economic and trade alliances and waging petty wars in the surrounding area. Catherine is one of the few women I’ve found who operated as a man would have in the medieval era which makes her pretty unique. Even more exceptionally, once Catherine became a widow, she married a handsome young nobleman without her brother’s permission, to the astonishment of just about everyone around her. She certainly must have been charming and persuasive.
Catherine’s sister Mary married Amadeus VIII, Duke of Savoy in the spring of 1401 but did not arrive in her new home until September 1403. Mary and Amadeus had many children, the most influential being their son Louis, who succeeded his father as duke of Savoy in 1440. He married Anne of Cyprus and together they had about nineteen children. Mary of Burgundy’s legacy lies among these grandchildren.
Catherine of Burgundy
Louis and Anne of Cyprus’ eldest son, Amadeus IX, married Yolande of France, the daughter of King Charles VII and Marie of Anjou. Yolande’s story looms large as one of the formidable women in the book. At the age of two, she left France to live in Savoy to be educated and to learn the language and customs of her new home. Her husband died young from various congenital ailments and Yolande acted as regent for her son during his minority.
As the leader of her country, Yolande became entangled in the web of the Spider King, her brother Louis XI of France and his mortal enemy, Charles the Bold, Duke of Burgundy as well as her numerous brothers-in-law and the crafty Duke of Milan. With authority and finesse, Yolande navigated these treacherous times. The intrepid Yolande would be captured and held captive twice along with her children. In both cases, she made brave and daring escapes.
Louis and Anne of Cyprus had two other daughters who made their mark in history. At one time, the English monarch Edward IV considered Bona of Savoy as a wife. The negotiations stalled when Edward married the enchanting Elizabeth Woodville in 1464. By 1468, negotiations for her marriage to Galeazzo Maria Sforza, Duke of Milan were completed. Bona immediately gave birth to an heir and spare and modelled the perfect Italian Renaissance wife as her husband descended into paranoia and mental illness.
Bona of Savoy
When Galeazzo Maria was assassinated in 1476, Bona acted as regent for her minor son. At first, she met with great success but eventually she ran into trouble with her brother-in-law, Ludovico Sforza, who wrested power from her, forcing her to struggle for the rest of her life with being separated from her children and inconsistent income.
Bona’s sister Charlotte of Savoy married the Spider King Louis XI of France when she was nine years old and Louis twenty-seven. Of course, the marriage was not consummated until Charlotte came of age and she had three remarkable children. Her son would succeed his father in 1483 as King Charles VIII. Her daughter Anne of France, Duchess of Bourbon acted as regent for her minor brother for eight years and steered France through several crises.
Anne’s greatest achievement would be the annexation to France of the significant duchy of Brittany, one of her lifelong dreams, when her brother married the Breton duchess, Anne. Charlotte’s youngest daughter, Jeanne, born with several severe disabilities, would eventually become Queen of France as the wife of King Louis XII. The marriage would be extremely unhappy, and Louis XII did all in his power to obtain a divorce. After numerous attempts and following the payment of an enormous bribe to Pope Alexander VI, he obtained his annulment, and Louis XII married the widowed queen, Anne of Brittany.
Jeanne of France
King Louis made sure Jeanne had abundant properties to guarantee a steady and ample income. Jeanne had a lifelong dream of living a monastic life. She used her funds to successfully build a convent and found a monastic order in Bourges. Her Order of the Virgin Mary, dedicated to the Renunciation, was so successful, it is still in existence to this day in monasteries in France, Belgium, Poland, Costa Rica, Guatemala and Africa. Jeanne was canonized in May 1950.
These and other stories of courageous, intelligent, audacious and fearless women populate this book. Some of the relationships between the women are complex so included in the back of the book are several family trees that illustrate their associations. We are lucky enough to have numerous portraits of most of the women in the collection and these are included in the plate section. My purpose in writing the book is to feature these women and shed light on the history of the Burgundian Empire.
Susan’s passion for history dates back fifty years and led her to study for a Bachelor of Arts degree in history at the University of North Carolina at Charlotte. She is currently a member of the Rocky Mountain Medieval and Renaissance Association, the Society for Renaissance Studies, The Historical Writers Association, and the Historical Association. Her work has appeared on several historical websites and in magazines and includes guest appearances on historical podcasts. Her blog, The Freelance History Writer, has continuously published over five hundred historical articles since 2012, with an emphasis on European, Tudor, Medieval, Renaissance, Early Modern and women’s history. She is currently working on her third non-fiction book.
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My Books:
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
It is time for another edition of Wordly Women! And today I am chatting with an author who, like me, likes to bring historical female characters to the fore, from the early medieval to the Tudors. She has also written a fabulous trilogy on Henry VIII himself. Judith Arnopp writes both historical fiction and non-fiction and has a wonderful back catalogue for you to explore, if you have not discovered her yet. Judith is also one of those authors who is happy to share her experiences with readers and writers alike.
Hello Judith! Welcome!
Sharon: What got you into writing?
Judith: It was so long ago now I barely remember. I have always written stories, as a child I wrote things to read to my dolls who were always very appreciative. When I was about fourteen I wrote a torrid romance featuring a heroine called Rosalind and a hero named Tybalt – I bet you can’t guess where the inspiration for those names came from – lol. My best friend used to come round every evening to hear the next chapter and there’d be hell to pay if it wasn’t ready. I’d love to get my hands on it now. I bet it was dreadful!
When marriage and children came along I still managed to write stories but now they featured my kids who loved listening to themselves having adventures. It wasn’t until my daughter and three sons had grown old enough not to need me 24/7 that I enrolled at the University of Wales and did a degree in English literature and Creative Writing. I loved it so much I stayed on to do a masters in Medieval History. I would have liked to remain at uni forever but one has to leave eventually and find a proper job.
At that time, we lived on a rural smallholding, far from town and suitable jobs were few so it made sense to concentrate on what I loved and what I was reasonably good at. Historical fiction was the obvious choice and luckily the internet, which was relatively new then, made easing myself into the book world achievable, even from the wilds of Wales. There were great online groups then, like You Write On where I encountered other authors, most of whom I am still in touch with today.
Sharon: Tell us about your books.
Judith: My first published novel was Peaceweaver; the story of Eadgyth, who was consort to both Gruffydd ap Llewellyn of Wales and Harold II of England. In the recent TV debacle, King and Conqueror, they renamed her Margaret for some reason and she played a much larger role in Harold’s story. My book is set in the years leading up to the Norman Conquest, culminating just after the Battle of Hastings.
A further two novels followed, The Forest Dwellers, set in the New forest after the invasion and another, The Song of Heledd, set in 7th century Powys. My early books barely made a ripple and sales were slow but people constantly asked me if I had written anything ‘Tudor’ – in the end, I caved in and wrote The Winchester Goose. That was the jumping off point really and I spent the next few years writing about Henry VIII’s queens, The Kiss of the Concubine, the story of Anne Boleyn, Intractable Heart, the story of Katheryn Parr, and was about Henry’s daughter, Mary. Once I’d written them I began to wonder if I was ready to tackle Henry himself.
Henry VIII is a huge undertaking. He had already cropped up in most of my books, The Beaufort Chronicle which is about his grandmother Margaret Beaufort, and A Song of Sixpence which is about his mother, Elizabeth of York. During the course of skirting around the king, I realised how few books there are that look at the events from his perspective. I knew it was time to stop being afraid, and just do it.
The four years it took me to write the trilogy were hard. I know it sounds silly but Henry figured so largely in my head that he became real and as I neared his later years, it became really difficult to live in such close proximity.
The trilogy is written in Henry’s voice. I imagined him sitting with me in my office as he related his story. Sometimes he would grow so indignant, so angry, so defensive that I forgot it was simply fiction.
Henry always had the perfect excuse and if he began to feel uncomfortable while making a confession he either grew angry and stormed out or just lied. He was a very unreliable narrator, which is something I love in other people’s books and it was fun to use the device in my own work. It is up to the reader to decide how much of his revelation is truth, and how much is gloss.
But somehow, particularly as I neared the end, I was able to empathise with him. I acknowledged his many sins but I had also come to a better understanding of what drove him. I wouldn’t say I pitied him exactly but I came to regret how his life unfolded. He could have been a great king.
Sharon: What attracts you to the Tudor period?
Judith: I think it is the intrigue, the uncertainty, the politics, the unacknowledged fear that everyone walked in. And then, of course, there are the fabulous clothes. When the reenactment group was still running I used to make heaps of Tudor gowns for when I played Mary I, and doublets and gowns for my husband who played Norfolk. Ill health has forced us to stop that for a while but I’d like to do it again. With a gown like that hanging in the wardrobe, it’s a shame not to.
We know so much about the reign of Henry VIII yet there are still so many questions that will never be answered. Nobody seemed to learn from past mistakes. After the plight of Anne Boleyn, why oh why did Katherine Howard play fast and loose with the king; and what was Jane Rochford thinking to encourage the queen in such a dangerous game?
I’d like to travel back in time to visit the Tudor court to find the answers, but not as a person, I value my head too much. Perhaps I could be a bird in the rafters of the great hall, or a fly on the bedchamber wall. Or maybe one of Henry’s beloved spaniels so I could listen in while he fondled my ears – that would be safer!
Sharon: Who is your favourite Tudor and why?
Judith: It is close between Margaret Beaufort or Henry VIII. I seem to be drawn to the historical figures who are regarded as ‘baddies’ but I am always puzzled by Margaret’s bad reputation. She was strong, brave, determined and loyal yet many people are convinced she was involved in the disappearance of the princes. Online arguments can be quite heated but I don’t join in. There is little point growing hot and bothered over a supposed crime with no evidence or even the certainty that foul play even took place. It would be totally out of character for Margaret, a pious woman of unblemished reputation to resort to infanticide. I disregard the theory yet remain totally fascinated. I do have my own ideas but like everyone else’s there is no evidence.
As to why Henry is one of my favourite Tudors, I guess I already answered that in the last question but I will try to sum it up.
If you put aside the fact of his crimes and focus on his motives, he becomes rather more understandable. I often wonder what I would have done were I in his shoes. To understand him we must put aside all modern opinion and look at it entirely from the perspective of a 16th century king.
He was unexpectedly thrust into kingship. He was raised to believe that as king his will was akin to God’s. It was drummed into him that a king’s first and only duty was to produce an heir, and protect the dynasty. He knew from the experience of losing his elder brother that one son was not enough for a king. In his youth, Henry excelled at everything, from wrestling and jousting to poetry and music. To fail was unthinkable and when he began to recognise he was not fulfilling expectations, it was unbearable. Time was running out, Katherine of Aragon was no longer fertile so he kicked out like an angry toddler and in doing so destroyed his wives, his oldest friends, his mentors, and he ultimately destroyed himself and his shining, unspotted image.
Many people hate Henry and I do not in any way admire him but he is nonetheless fascinating.
Sharon: Who is your least favourite Tudor and why?
Judith: I hate to say it but I think it is Jane Seymour. Not because of modern day perceptions of her as a home wrecker but simply because unlike the other queens, she does not emerge from the historical record as a fully rounded character. Even though she is often regarded as Henry’s greatest love, it is quite likely he would have moved on if he’d had time to grow tired of her. She is a bit yawny. The only extant historic item to provide a glimmer of her inner self is her splendid portrait. (which incidentally is on the cover of my non-fiction book about Tudor clothing, How to Dress Like A Tudor.)
Jane seems quite plain to our eyes, chubby face, cheesy-green skin tone which probably has more to do with the age of the painting than Jane herself. I suppose, after Anne, anyone would seem dull and we shouldn’t really compare them. If she’d had longer to make a personal dent in history I am sure I would feel differently but the only time I have felt a spark of interest in her is Hilary Mantel’s portrayal in Bring Out the Bodies. But that is fiction and Hilary was a genius.
Sharon: How do you approach researching your topic?
Judith: I’ve been researching in one way or another for donkey’s years but it wasn’t until I went to uni that I learned how to do it properly. I’ve been writing in roughly the same era for so long that I no longer need to research as deeply I used to. When I first began I had to know everything about Tudor life, customs, clothing, diet, housing, social niceties but now it is more a case of refreshing my knowledge. I usually write in the first person and I make a point of reading several different biographies of my subject, both contemporary and modern accounts to get a rounded picture.
As I said previously, I usually opt for ‘difficult’ characters so I read both sides of the matter, question everything and make a timeline of their lives, marking where they were and when so I can follow as close as possible in their footsteps.
But I always bear in mind that both primary and secondary accounts will be biased one way or another. There are very few first-person historical accounts (Oh how I’d love a secret diary of Margaret Beaufort to be discovered) so I can only surmise their inner thoughts by careful study of recorded reactions to events.
For instance, the death of Katherine and Henry’s children. We always hear how dreadful it must have been for her to watch her offspring die, and indeed it must have been. But they were Henry’s children too. His devastation must have been equal to Katherine’s. His grief would have matched his anger at God for depriving him of an heir. Of course, he hid it, he was very proud but I can imagine the death of each child increased his already burgeoning terror that he might fail to beget a son.
But sorry, I digress. Once I have sketched the outline of the story, I put aside the huge pile of research books I’ve accumulated and let my imagination take over. During the revision process I frequently return to my research to see where or if I have diverted – sometimes I correct it, but if it adds to the drama I don’t delete the scene but I make a note of the diversion in the authors’ note.
Sharon: Tell us your ‘favourite’ Wars of the Roses story you have come across in your research.
Judith: I’ve read historical fiction since I was a girl. I always sided with York (don’t shoot me!) and enjoyed books that portrayed women like Maguerite of Anjou and Margaret Beaufort as evil intentioned. Until relatively recently, any woman that stepped from her prescribed role was viewed negatively. As a young girl I never even questioned it but these days I am more neutral. I am old enough to realise that evil is in the eye of the beholder and things just aren’t black and white.
I still enjoy books set in the era but I no longer take up arms. As in any conflict there is good and bad on both sides.
It wasn’t until I began to read in this unbiased way that I even considered questioning Marguerite of Anjou’s portrayal in both fiction and non-fiction. She really wasn’t liked then and neither is she now. Shakespeare didn’t help by naming her as the ‘she-wolf’. But when you consider the whole York/Lancaster war from her point of view, the story changes.
She is an anointed queen, her incompetent husband goes a bit crazy, York comes strutting into court demanding to be regent when she has proven herself perfectly capable in the role but, of course, she is a woman, and a French woman at that! York then names her child illegitimate and somehow has him ousted from succession.
It is no wonder she was miffed!
Marguerite fought valiantly and tirelessly for her son’s rights until his death at Tewkesbury and there was nothing left to fight for. I rather admire that. Ok, some atrocities were carried out in her name, her ungoverned armies won her few friends but York and his contemporaries also carried out atrocious acts. The murder of Henry VI by Edward IV, the drowning of Clarence in the Tower. I could provide more examples.
Atrocities happen in war.
The injustices heaped upon Marguerite, coupled with the slurs that are still being spoken against her today inspired me to write her story but do not worry, I have not turned her into a saint. In my book, Marguerite: Hell Hath No Fury! you will encounter a young French girl who arrives in England to marry the king as part of the peace process at the end of the hundred years war. She is hated and reviled as a ‘foreigner’ from the start, saddled with an incompetent king, expected to produce an heir yet when she does, they name her an adulteress and her son a bastard.
As the long fight for justice continues, she is often rash, ungoverned, unwise. She grows angrier, and toward the end perhaps a little mad, but she fights tirelessly until she has nothing left worth fighting for. In judging Marguerite we should use the same rules as when judging her male counterparts.
Sharon: Tell us your least ‘favourite’ Wars of the Roses story you have come across in your research.
Judith: I don’t really have a ‘least favourite’. As a historian I try to remain objective so I am not squeamish when it comes to the murders and betrayal. If anything, the worse the story is, the more fascinating I find it.
It is important, imperative even, to view events from the perspective of the era. I am always impatient to hear Edmund Tudor derided as a child molester because of Margaret’s age when Henry VII was conceived. It may have raised a few eyebrows at the time but there is nothing in the record to suggest she was unwilling. Margaret was not alone, it was not unheard of and other women of the era also married and gave birth at a young age. Margaret always looked kindly on Edmund and in her will, requested to be buried with him rather than any of her other spouses. Her request was ignored and she lies in splendour at Westminster Abbey but her wish to be with Edmund suggests to me that she thought well of him and held no grudge, so why should we?
I try to keep a neutral opinion until the times comes to start writing and assume the persona of my chosen subject. As far as I am concerned, the more shocking the event, the better.
I am often so consumed by the subject of my novel that it prevents me from sleeping. The characters linger in my head for long after I’ve published and Henry has been the worst one for that. It is getting on for three years since the final volume of The Henrician Chronicle was published and he is still lurking but then, I guess it is to be expected as he always was an attention seeker.
Sharon: Are there any other eras you would like to write about?
Judith: Most of my books are set in transitional periods. I began my career writing about the Norman invasion, focusing on the problems regime changes bring. I covered the dissolution of the monasteries and the Reformation in Sisters of Arden, an era that was also life changing to the people of England. The war of the roses is similarly ‘transitional’ and there are still historical figures I’ve not yet covered. I quite fancy the glorious revolution and I’ve read a lot of novels set in and around WWI and WWII but I am too old now to carry out the research required to write in that era. It will be better to stick where I am, safe in the very dangerous world that I know.
Sharon: What are you working on now?
Judith: Marguerite: Hell Hath No Fury! was only published a short time ago and I am supposed to taking a few months off to rest. However, I have begun to play with something else. I have written a few chapters but am still finding my feet. Rather like The Book of Thornhold that jumps through several eras of history, it is about a place, rather than any particular period. The focus is on the history of the building, the people who lived there and the events that left a mark. Layers of history that build a transparency of events that shaped the building into what it is today. This of course, makes for a lot of research and the resulting book will be very hard to market but I’ve always been a glutton for punishment.
Sharon: And finally, what is the best thing about being a writer?
Judith: Oh, now there’s a question. It is very hard being a writer just now. It is all very fine when sitting in my own home, losing myself in time while tapping out fabulous stories but in recent years, marketing has become a living nightmare!
When I first began, around 2004, it was fun but now my mailbox in overflowing with faux promoters, faux publishers, tic-tockers, all demanding money for promises they either cannot fulfil or have no intention of delivering. It is no longer possible to know who to trust. There is also AI to deal with – a constant battle … AI stole our intellectual property for training purposes and is now putting the authors it stole from, and illustrators out of work … but I will leave it there, you asked what the best thing is…
For me it is the camaraderie with fellow authors, the mutual support, the back slapping, the advice, the encouragement. We may never meet face to face but authors understand things that non-writers can’t. I couldn’t do without them and neither could I continue to work without my readers. I appreciate every reader who takes the time to email to say how much they enjoy my work, the ones who go the extra mile of leaving a wonderful review or recommend my books to others. Like most authors, I need constant reassurance that I am doing ok. When the praise stops, the words falter and I am in danger of wandering away from my desk.
I am solitary by nature and writing is a lonely place but it pleases me to look up from my work and rediscover the wonderful view from my house that looks over Cardigan Bay. I save the few thousand words I have added to my wip, close my laptop and spend the rest of the day either gardening or walking on the beach or restoring my antique doll’s houses. Sometimes it is hard to believe that this is my job – I’ve no lengthy commute, no office clique to deal with, no rules. I may not be a big-name author but I love writing and I love my readers, and judging from their emails, they love me in return. I am grateful that they buy my books and keep me from penury. I am the author of my own life and that is just perfect.
About the Author:
Judith Arnopp’s novels are set during the War of the Roses and the Tudor era. They focus on women like Margaret Beaufort, Anne Neville, Elizabeth of York, Anne Boleyn, and Mary Tudor.
She has a Master’s degree in medieval studies and a BA in English and creative writing from the University of Wales, making Historical Fiction the obvious career choice. She lives on the coast of West Wales with her husband, John, and now her family have flown the nest she writes full time from her home overlooking Cardigan Bay. Her early books were set in the Anglo-Saxon period but since switching to the Wars of the roses and Tudor era her career has flourished and she now has a substantial collection of titles in her catalogue. All books are available on Kindle and in paperback, some are on Audible.
Judith also writes non-fiction, her most recent published by Pen and Sword is a study of Tudor clothing and fashion, How to Dress Like a Tudor. Her work features in several anthologies and magazines.
She runs a small seaside holiday let in Aberporth and when she has time for fun, likes to garden and restore antique doll’s houses. You can find her on most social media platforms.
Her novels include:
A Daughter of Warwick: the story of Anne Neville, Queen of Richard III; Marguerite: Hell Hath No Fury! the story of Marguerite of Anjou; A Song of Sixpence: the story of Elizabeth of York; The Beaufort Chronicle: the life of Lady Margaret Beaufort (three book series); A Matter of Conscience: Henry VIII, the Aragon Years (Book One of The Henrician Chronicle); A Matter of Faith: Henry VIII, the Days of the Phoenix (Book Two of The Henrician Chronicle); A Matter of Time: Henry VIII, the Dying of the Light (Book Three of The Henrician Chronicle); The Kiss of the Concubine: a story of Anne Boleyn; Sisters of Arden: on the Pilgrimage of Grace; The Winchester Goose: at the court of Henry VIII; Intractable Heart: the story of Katheryn Parr; The Heretic Wind: the life of Mary Tudor, Queen of England; Peaceweaver; The Forest Dwellers; The Song of Heledd; The Book of Thornhold
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Hunlaf risks the wrath of the mighty Byzantine Empire on a dangerous voyage to the Holy Land. A rip-roaring Viking-era adventure from the author of the Bernicia Chronicles. ‘Extremely satisfying and rewarding, Dominion of Dust rampages across the page with slicing action’ LoveReading
AD 797, Cyprus. Warrior-monk Hunlaf and his crew are on a voyage to acquire an important Christian relic before it falls into the hands of Byzantium’s scheming Empress Eirene.
Hunlaf’s crew receive unexpected help as they seek their treasure, but soon find themselves betrayed. About to leave for home empty-handed, the adventurers instead sail further east: to Jerusalem, the Holy Land, abundant in relics.
And dangerous intrigues.
Hunlaf and his friends will face a deadly race against time as they attempt to secure a holy treasure, outwit Byzantium’s zealous agents, and avoid grisly deaths at the hands of the local rulers.
What I like about Matthew Harffy’s books is that you never know what is going to happen. Knowing the hero doesn’t always win means you are kept on the edge of your seat throughout.
Dominion of Dust is a spectacular adventure that pits West against East.
The 4th instalment in Harffy’s A Time of Swordsseries takes us from the court of Charlemagne, through Cyprus to Jerusalem itself, in the search for Holy relics. And because it is Hunlaf, danger is never far away. From agents of Byzantium, to enemies made along the way, people want Hunlaf and his friends to fail and – preferably – die.
But don’t get too attached to any of the characters – Matthew Harffy is not averse to killing off your favourite. But the, that’s what he does. He makes you, the reader, care about his characters. They jump off the page and play with your emotions. You feel their pain (and they’re warriors, so there’s a lot of pain).
Matthew Harffy’s writing style is engaging from the very beginning, immersing you in the story, the period and the landscape! You can practically feel the sand between your toes.
I pulled my fingers back quickly, frightened at what might be hidden inside the coffer. But there was no movement in the box’s interior, just the dusty, crumbling remains of what looked like a silk-covered pillow. Atop that pillow, dull with the grime of centuries, rested the blade of a spear. The metal was dark and I wondered whether it might be stained with the very blood of Christ. Or perhaps it was simply iron-rot, the red dust of age that smeared and pitted the surface of the relic. Whatever caused the dark hue of the metal, there could be no doubt that this was the item Ahlwin had sent us after.
The others crowded forward, trying to peer into the coffer. But I knew from their positions they would not be able to make out what I was looking at. Mine were the first eyes in generations to contemplate the relic. That sudden realisation made me giddy. I held out my hand above the metal, imagining for a moment that I could feel something akin to heat shimmering from it, a murmuring tremor in the air, testament to its immense power.
Unbreathing, I took hold of the relic, and lifted it up, turning towards the others so that they all might see this thing of wonder.
“Behold,” I said, my voice catching, ” the Spear of Longinus.”
Of course, it was not the spear, merely its metal head, and it measured no more than two hand’s lengths. I had expected it to be hot, or somehow pulsing with its holy power, but it was cool to the touch and I felt no jolt of energy. It was just a piece of old metal.
In Dominion of Dust Matthew Harffy is an equal opportunities author. Two of the villains are particularly despicable – and they’re women! And, of course, Hunlaf has a habit of making enemies, so there’s more than one set of bad guys to contend with. And this is Hunlaf’s story. Headed to the Holy Land in search of the greatest of relics for Charlemagne, Hunlaf hopes to visit the sites associated with Christ himself, and to tread the same streets He did. Though, knowing his luck, you may not be surprised that he has to race through some of those streets to escape pursuers!
Matthew Harffy is the master of adventure storytelling. And with the hunt for relics, Dominion of Dust has the feel of an Indiana Jones movie – only set 1,000 years earlier. Only Hunlaf isn’t crossing swords with Nazis, he’s fighting the agents of Byzantium. The story is woven around the greatest relics of Christendom and the competition between Charlemagne and Empress Irene to take possession of them. Though, fiction, Dominion of Dust has its origins in historical fact; the desire to possess religious relics and the belief in their divine power was a part of medieval life.
And there are some surprises in this one. Matthew Harffy has taken care to include the wildlife. The story of Abul-Abbas, the elephant gifted to Charlemagne, may be fantastical, but it is true. And he has a surprising part in the story. As does a rather vicious, relentless and determined lion, reminding us that not all predators are human!
Dominion of Dust is a wonderful, exciting adventure that any fan of Indiana Jones will want to read. There is action in abundance; treasure maps, despicable enemies and secret passages are all part of one incredible story.
Matthew Harffy lived in Northumberland as a child and the area had a great impact on him. The rugged terrain, ruined castles and rocky coastline made it easy to imagine the past. Decades later, a documentary about Northumbria’s Golden Age sowed the kernel of an idea for a series of historical fiction novels. The first of them is the action-packed tale of vengeance and coming of age, The Serpent Sword.
Matthew has worked in the IT industry, where he spent all day writing and editing, just not the words that most interested him. Prior to that he worked in Spain as an English teacher and translator. Matthew lives in Wiltshire, England, with his wife and their two daughters.
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Elizabeth Chadwick, Helen Castor, Ian Mortimer, Scott Mariani and Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. And Matthew Harffy himself will be on a forthcoming episode. An old friend of the podcast, Matthew joined us on one of our very first episodes to talk about the Saxons.
The author of The King’s Mistress (U.S. title The September Queen) explores Tudor England with the tale of Bess of Hardwick—the formidable four-time widowed Tudor dynast who became one of the most powerful women in the history of England.
On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society.
When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .
Venus in Winter by Gillian Bagwell transports you to Tudor England.
In her novel, Venus in Winter, Gillian Bagwell tells the story of the early years of one of my favourite Tudor heroines, Bess of Hardwick. Gillian follows Bess’s life from her teenage years through her first 3 marriages. The first, to Robert Barlow, which was over all-too-soon. Her second husband, William Cavendish, helped her claim her dower rights from Barlow’s estate and, through Cavendish leaving his estate to her, rather than their children, gave Bess the financial independence that few Tudor women knew and enjoyed. The third husband, Sir William St Loe, was trusted by Queen Elizabeth I herself. Each successive marriage gave Bess greater influence, position and financial independence.
Bess of Hardwick is a woman determined never to be poor again. Clever, beautiful and wise beyond her years, she makes the rules of Tudor society work for her.
But it is not all about money. Gillian Bagwell’s Bess is a fine young woman, learning to find her way in the world, to trust her own instincts to help her children and her wider family. She suffers loss, hardship and uncertainty and is the stronger for it. But this is Tudor England! She also finds herself in the Tower of London, facing questions from the queen’s inquisitors. This is the portrayal of a remarkable young woman who became the matriarch of a powerful family.
On New Years’ Day, as the Zouches and their attendants made their way to the presence chamber of Hampton Court, Bess was very excited. For on this day the king would be presented with his gift – the splendid table and chess pieces, which had been completed in time and had traveled from London swaddled in layers of wool.
The mood at court was lighter and happier than at any time Bess could recall. Anne of Cleves was present, companionably chatting with King Henry, and the shadow of Catherine Howard was almost dispelled by the warmth and light from the hundreds of candles, which made the air redolent of honey. A band of musicians played jaunty dance tunes, and the walls were hung with garlands of holly and ivy. Near the king, a table was stacked with gifts of such magnificence that it staggered Bess. Golden goblets, engraved silver coffers, books in richly ornaments bindings, jeweled collars and belts, furs of deep and gleaming pile, which she longed to touch. But nothing like the chess table the Zouches had brought.
Rich pastries and savory morsels were piled on platters, and great bowls of punch perfumed the air with steam. The room rang with laughter and chatter. Bess, Lizzie, and Doll took up a position near the door where they could watch each new arrival while Audrey trailed Lady Zouche as she made her way around the room greeting friends.
“There’s Anne Basset,” Doll said. “I like her. She always makes me laugh.”
“Lady Latimer is looking very pretty, don’t you think?” Bess asked, eyeing the lady’s emerald silk gown with envy. She didn’t recognize the handsome dark-haired man next to her, but knew it was not Lord Latimer. “Her husband must be too ill to be here.”
“Small wonder, as old as he is,” Doll whispered. “That’s Sir Thomas Seymour with her.”
In Venus in Winter, Gillian Bagwell has skillfully recreated the Tudor world, from the wilds of Derbyshire, to the splendour of the Tudor court. From the last, fearful years of the reign of Henry VIII to the glory and pageantry of Elizabeth I. Her attention to detail and considerable research means that, while the story is fiction it is woven around the historical facts. From her descriptions of the Derbyshire countryside and the detail of the Tudor palaces, you know that Gillian took her research seriously and visited everything she could, adding a note of authenticity to the story.
The characters in Bess of Hardwick are deep and diverse. Bess of Hardwick is a complex young woman, spurred on by a childhood threatened by poverty. She is ambitious, not so much for success as for security. Some of the great names of the Tudor world also put in an appearance. From Elizabeth I to Robert Dudley to Katherine Grey, Bess’s world is occupied by the great and the good of the 16th century. Bess once served in the household of Frances Grey, daughter of Henry VIII’s sister and mother of Jane Grey and Gillian Bagwell draws their story into Bess’s, showing how deep Bess’s affection for the family went. And telling the story of the Nine Days’ Queen through her eyes.
Venus in Winter is not only a wonderful retelling of Bess of Hardwick’s story but also a fascinating exercise in observing the goings-on of the Tudor court through Bess’s eyes. The attention to detail is exquisite.
I would love to see Gillian write a sequel to this, tackling Bess’s last marriage to George Talbot, Earl of Shrewsbury. It would be great to read her take on Bess and Shrewsbury’s deteriorating relationship as they act as gaolers for Mary Queens of Scots. And to see how Bess became friends with the captive queen, their scheming to marry Bess’s daughter to Mary’s cousin, that could have put Bess’s granddaughter, Arbella, on the throne, had it not all gone so terribly wrong. What a tale that would be! Especially with Gillian’s genius at storytelling.
To Buy the book: Venus in Winter is available from Amazon
About the author:
Gillian Bagwell’s historical novels have been praised for their vivid and lifelike characters and richly textured, compelling evocation of time and place. Her first career was in theatre, as an actress and later as a director and producer, and she founded the Pasadena Shakespeare Company and produced thirty-seven shows over ten years. Gillian has found her acting experience helpful to her writing, and many of the workshops and classes she’s taught at the annual Historical Novel Society Conferences in the US and the UK relate to her life in theatre, including writing effective historical dialogue, using acting tools to bring characters to life on the page, and giving effective public readings. She’s also a professional editor and provides writing coaching and manuscript evaluations. Gillian lives in Berkeley, California in the house where she grew up, her life enlivened by her five rescue cats.
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Elizabeth Chadwick, Helen Castor, Ian Mortimer, Scott Mariani and Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
When writing non-fiction biographies, you can tell the life of a person. You can say what happened to them, how they affected events and how they were perceived by others. But there are gaps. If you do not have the evidence, you cannot just make it up. If you are looking for reasons, you can offer different scenarios. It is hard to get to the heart of a person, though. You cannot put words in their mouths, or attribute feelings and emotions. Fiction can go where non fiction cannot tread. It can give you a vivid retelling of a fabulous story. It is not always historically accurate, there are some things we cannot know, but fiction can fill in the gaps. It can bring the past to life and give you a sense of the era that no other medium can.
And that is what Terri Lewis has achieved with remarkable skill in her novel if Isabelle d’Angoulême, Behold the Bird in Flight. And it is a pleasure to welcome Terri to History…the Interesting Bits to talk a little about her research behind her novel.
Finding Isabelle, a Mother and a Queen
by Terri Lewis
A birthing stool
I was in high school when I first asked my history teacher, “Where are the women?” An unsatisfactory answer gave impetus to what became a need to find forgotten women. Eventually I became obsessed with Isabelle d’Angoulême, King John’s second wife, and decided to resurrect her by writing a novel.
There are a few documented facts about her life: Historians think she was about twelve years old when John abducted her from her French fiancé, took her to England, and crowned her queen. The chronicles, when they bothered to mention her, were not kind; Matthew Paris called her a “Jezebel” and “slut” who kept John in bed until noon, an assessment most likely reflecting John’s reputation, not the reality of his wife. Isabelle apparently didn’t receive the normal queen’s gold—a percentage of John’s income—or the rents from lands given to her at the time of their marriage; John kept the monies for himself. In “history,” I found only men – fighting, amassing money and enemies, riding off to conquer unknown lands, signing writs, allowing fairs, courting and dancing and always fighting. Isabelle’s life, like the lives of most medieval women, was mainly blank.
But. . . she bore John five children.
My research on medieval childbirth uncovered dire statistics: 20% to 33% of medieval women died from childbearing. The mortality rate per single birth was only slightly higher than in modern times, but multiple pregnancies compounded the risk. Birth control was forbidden by the all-powerful Church so basically a fertile woman had children until menopause or until she died. Because kings had to have sons, as did counts and dukes and other lords—a child to inherit land and carry on the family name. Daughters were less important. An only-child daughter could inherit a kingdom , but not for herself, for her husband. Girls who had brothers would serve as bargaining chips in marriages that formed diplomatic alliances or enlarged territory for their fathers.
In another statistic, infants were uncertain to live to inheritance. Nicholas Orme wrote, “It has been suggested that 25% of [medieval children] may have died in their first year, half as many (12.5%) between one and four, and a quarter as many (6%) between five and nine.” Danger was everywhere. A cut could become infected and penicillin was years in the future. Children fell into wells and down stone stairs, or into the fire that burned in the middle of the great hall, the main source of heat. Many died of illnesses for which bleeding or herbal concoctions were the only cure. Multiple pregnancies mitigated this danger. I note that Isabelle, in addition to the five children with John, had nine more children with her second husband. But two of her own daughters died in childbirth.
Isabelle in her innocence
Isabelle wouldn’t have gone to a hospital. She’d have had a lying-in chamber removed from the main keep and furnished with a birthing stool, a midwife with practical experience but not a doctor because childbirth was a woman’s domain and doctors were men, and a room full of ladies-in-waiting who watched and prayed with her. If the birth was difficult, window shutters would be opened to release the new soul into life. If that failed, an arrow could be shot heavenward to waken God to the peril and ask for his help.
Since history decreed that Isabelle would live through childbirth, I decided to have her observe the suffering of her best friend. That scene became an important milestone in Isabelle’s growing up.
What kind of mother would Isabelle have been? I’d never read about a medieval mother. Women in 1200 who appeared in the chronicles were queens, royalty, or religious. Motherhood was important only for the child, preferable a boy, a gift to the father. The woman was just a bearing body.
I decided that Isabelle learned from her own mother, Alice de Courtney, the granddaughter of Louis le Gros of France. Alice would have been familiar with expectations for noble daughters. And she was married three times. I tried to imagine the experience of being handed to various husbands like a package—the decisions being made by fathers and kings. Perhaps she had grounded herself in her new household with a new husband by following the rules. The first “courtesy book” setting forth standards of behavior— Liber Urbani or the book of civilized man— appeared in England late in the 12th century. Written in Latin, the long poem contained general advice such as honor your parents, hold your tongue, don’t mount your horse in the great hall, and such gems as “when you pick up food with a spoon, do not shovel it on board with your thumb.”
Midwife swaddling the child
I needed to imagine a relationship between Isabelle and her mother. When I was twelve, my mother was the center of everything; I’d come home from school and stand in the kitchen to tell stories about my friends or things the teacher said. But Isi’s mother wouldn’t be in the kitchen. She was a countess; she’d have cooks and laundresses and maids. I couldn’t imagine that she was anything to Isabelle but a rule-maker. And Isabelle’s position required rules. When she was of age, she would be married – handed off in essence – to another count. The marriage would presumably involve a castle and her husband would go off to war or crusade or to visit a king, and Isabelle would be required to manage the vast operation of the castle while he was gone. Even when he was home, she would oversee household tasks, her belt laden with keys to various chests of fabric or spices, to rooms holding barrels of wine and other supplies. So I made her mother strict, set Isabelle chafing against her, then allowed her to escape, grow up a bit, marry John, and have her children.
Two boys first. Then three girls. Today one can find numerous mothers writing how overpowering love when their baby was laid on their breast changed their lives. But as queen of an itinerant court, Isabelle lived on the road with John who visited barons, trying to bring them to heel. So breastfeeding was impractical. It also acted as a form of contraception and Isabelle’s job was to conceive as often as possible and give John heirs. This meant that her babies would be handed over at birth to a wet-nurse, a hired woman who’d breast feed them as if her own. So the first attachment of mother to child was cut off and understandably, wet nurses often developed close relationships with their charges, particularly as children were generally breastfed for longer than they are today – boys often up to the age of two.
13th century depiction of John’s children (Isabelle not included)
At age seven, the boys would have sent to other noble castles for education. Perhaps the idea was that those other educators would have less attachment to the children and thus they would supply a strict upbringing without coddling. Isabelle’s girls would have remained with her as the kingdom fell deeper into chaos. The Barons were revolting, the Pope had excommunicated John, the French were threatening to invade and conquer. With a growing sense that the throne would be gone before her ten-year-old son Henry could assume it, Isabelle would have known the French would kill him along with the rest of her children, leaving no pretenders. How best to save them? I’ll leave that inside the novel and just say she managed as best she could. History has condemned her ultimate decision, but I understand how she came to it.
About the book:
Romantic and stubborn, eleven-year-old Isi plans to marry for love and be mistress of her own castle. But life in 1198 is full of threat and a series of tragic events teaches her growing up is hard. When Isi falls for Hugh, a French nobleman, he consents to marry her, but only for her dowry. She longs for more. Hoping a jealous man will fall in love, she flirts with a king. The flirtation backfires: King John abducts and marries her. Now trapped in cold, warring England with a malicious husband, Isi must hide her yearning for Hugh and find her own power. If she fails, she won’t live to return to her beloved. Inspired by real historical figures—Isabelle d’Angoulême, Hugh de Lusignan, and King John of Magna Carta fame—Behold the Bird in Flight is set in a period that valued women only for their dowries and childbearing. Isabelle’s story has been mainly erased by men, but the medieval chronicles suggest a woman who developed her own power and wielded it. And as the woman behind the throne, who’s to say she didn’t influence history?
About the Author:
Terri Lewis fell in love with medieval history in college. Not the dates or wars, but the mysterious daily lives of the people. Finally two sentences in a book bought at Windsor Castle led her to write her debut novel, Behold the Bird in Flight, A Novel of an Abducted Queen.
Published in Denver Quarterly, Blue Mesa Review, and Chicago Quarterly Review among others, and accepted to the Sewanee Writers’ Conference, she has worked with Laura van den Berg, Jill McCorkle, and Rebecca Makkai. Shortlisted for LitMag’s Virginia Woolf Award for Short Fiction, she won the 2025 Miami University Press Novella Prize. She reviews for The Washington Independent Review of Books.
Before she was an author, she had career as a ballet dancer in Denver and Germany, ran a dance company in Arkansas, earned a B.A. in history and education, and an M.A. in theater, not necessarily in that order. She lives with her husband and two lively dogs in Denver, Colorado.
Where to find Terri:
Website: Substack: Instagram: terri.lewis1: Facebook: terri lewis author
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Time for another edition of Wordly Women! It has been great fun, meeting all these amazing authors. I do hope everyone is enjoying it as much as I am. Today, I want to introduce you to a very dear friend, historical novelist Cathie Dunn. Cathie and I have known each other a good few years on Facebook, so much so that the first time we met in real life, there was no awkwardness. I love that about social media!
So, let me introduce you to Cathie!
Sharon: Hi, Cathie, first things first, what got you into writing?
Cathie: Ooh, that takes me back decades! It was the romantic historical novels by the likes of M.M. Kaye, Victoria Holt / Philippa Carr (Eleanor Burford’s pseudonyms), in my late teens that got me hooked. I loved Ms Holt’s gothic romance novels in particular, at the time. They were so atmospheric, and – growing up in Germany – I loved the vision of historic and haunted English manors. During the late 1990s and 2000s, after my move to the UK, I learnt a lot about how to create a compelling plot, within a realistic historical setting, by devouring novels by Helen Hollick, Elizabeth Chadwick, and Barbara Wood, amongst others. It was enough to make me embark on HE Certificate in Creative Writing (online) at Lancaster University (though at the time, I was the only one on the course who wrote historical fiction). But at least, it provided me with deeper insights into the writing craft.
Sharon: Tell us about your books.
Cathie: I started off with a project which went from romance to murder mystery to spy novel to (supposedly) a series of events set during the Anarchy – one of my favourite eras. To date, Dark Deceit is an undefined mix, which I’ll need to untangle at some point in time.
Sharon: Yes please! I want to read it!
Cathie: In 2009, I took part in NaNoWriMo, working on a Scottish romance set after the 1715 Jacobite rebellion. I used real locations and studied the background history in depth – too much for traditional romance publishers, who duly rejected it. Fortunately, Highland Arms was picked up by a fabulous US indie press, and my path was clear! I later wrote a second Scottish romance, A Highland Captive, set during the Wars of Independence.
After my move from Scotland to France, my focus changed to medieval French history, with a dual-timeline mystery inspired by my surroundings. Love Lost in Time delves into the distant past of the county of Carcassonne. And the novel immortalised a young cat I lost too soon, Shadow.
Next, I wrote a novel set at the court of Louis XIV. The Shadows of Versailles deals with a dark side of the otherwise glittering court: the Affair of the Poisons. It may be too dark for some readers, as it contains disturbing scenes of child abductions and black masses. Tragically, it’s all based on real, credible accounts of the time. Researching history can be revolting, at times.
After that serious topic, I needed a more positive distraction, and I promptly delved into the foundation years of Normandy, a county I love. Ascent tells the forgotten story of Poppa of Bayeux. Everyone with a TV now knows her more danico husband – Rollo – but who was the mother of his children? Sadly, she was overlooked in the recent series, Vikings. Ascent tells her (fictionalised) story.
Sharon: What attracts you to the early medieval period?
Cathie: It was an era of great change, all across the British Isles and the European continent. The old ways and beliefs had been discarded, to make way for a Church growing in political influence, and it all makes for fascinating research. New hierarchies were formed amidst a continuing power struggle between different families. As the appointments of ‘nobility’ grew into fashion, so did the influence of favourites and allies on rulers. It was a fascinating time.
Sharon: Who is your favourite early medieval character and why?
Image of the statue of Poppa of Bayeux, Bayeux – Photochrom Print Collection
Cathie: Ooh, that’s a tricky one. There are so many real people we know little about, especially women.
(So, a big *Thank You* to you for shining a light on them with your brilliant books!)
I do think Poppa of Bayeux deserves a lot more credit. She had to deal with so many challenges – married to a marauding stranger who was likely a decade or two older, and a Pagan; bearing his children; fleeing with him to Anglia; returning to see his power increase, while she is quietly forgotten. I quite like her to be my favourite early medieval character.
Charles Martel is another. He was a fascinating man, paving the way for a greater Frankish kingdom with his conquests across what is now France. Whilst most people know his grandson, Charlemagne, without Charles, Charlemagne’s ascent in the political sphere of central Europe would not have been possible. Was Charles likeable? Hm, I’m not sure. We know he was ruthless, efficient, and a capable leader of men. Did he have time to be nice? Perhaps that’s a question for another writing project…
Sharon: Who is your least favourite early medieval character and why?
Cathie: That would probably be Charles the Fat, Carolingian King of the Franks and Holy Roman Emperor for a few years in the 880s. He was ineffective, and hopeless at controlling different sections of his empire. He was deposed and died in early 888, and the crown went to Odo of Paris. The Carolingian dynasty was restored after Odo’s reign, though the crown of Frankia went back and forth for a while. This is the era Ascent is set in, and it made for intriguing research.
The real Rollo surely had his work cut out, having to deal with all these changing rulers and their agendas.
Sharon: How do you approach researching your topic?
Cathie: I love history books. I think by now I own more history books than novels! Usually, I start with checking online resources. Jstor is a useful site, where you can read a number of articles for free each month; Medievalists.net is another helpful resource.
But most online sites just give you only an overview, so you need to check books that focus on the relevant era. I have an array of history books on early, high & late medieval England, Tudor England, and medieval & Jacobite Scotland on my shelves. For my France-based novels, I consult non-fiction books in French, many of which I find (handily!) in second-hand bookshops. I also use German resources, where needed.
I find that having a range of resources from different countries to consult is the best way to get a fair overview of historic events. We know that original sources were often (though not always) based on what rulers wanted the rest of the world to know – that being not necessarily the full truth. The winner records history in his favour. So, drawing from sources in different languages adds to the experience in discovering the past.
Sharon: That is so true!
Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.
Image of Albrecht Dürer’s painting of Charlemagne
Cathie: Unfortunately, it is difficult to find credible stories about early medieval characters, unless they were major players like Charlemagne, due to the loss (or deliberate omission) of references for lesser-known individuals.
Therefore, I’ve chosen Charlemagne’s wives and concubines as a story I find entertaining, and enlightening! I mean – how on earth did the man have the time to marry four times, have several concubines after the death of his last wife (and possibly before) – and father an estimated twenty (20!) children? His court was always travelling across his ever-expanding realm (and later, his empire), though it is said that his main seat at Aachen (Aix-la-Chapelle) became his favourite.
He insisted his illegitimate children were raised alongside his legitimate offspring, ensuring they all received an education deserving of their Royal bloodline. After his son Pepin’s untimely death, he even took his grandchildren in to be educated with the others.
This is a fact I recently discovered, and now I’m curious to find out more! With daughters, and especially illegitimate ones, usually being swept off into marriage or convents, his insistence that they are all educated is telling. Clearly, here was a man who valued learning – be that in practical skills or reading and writing.
For a man who ruthlessly expanded his territories, responsible for subjugation of peoples and a great number of deaths ranging from Germanic Saxony to the Iberian Peninsula, this shows an entirely different side of the ‘great Charles’.
Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.
Cathie: That has to be Charlemagne’s darkest episode – the subjugation of Germanic Pagan tribes in Saxony. The wars lasted – on and off – for three decades, and they were brutal. The Saxons did not give in easily, much to Charlemagne’s frustration, and their conversion to Christianity was slow. Their skirmishes into his territory vexed him immensely.
Eventually, according to the Royal Frankish Annals, the infamous ‘Blood Court’ massacre at Verden, in October 882, saw the execution of approx. 4,500 Saxon ‘rebels’ captured after recent battles. Their leader, Widukind, had managed to flee north.
Although later historians disputed the figure quoted in the annals, with several trying to make ridiculous excuses for Charlemagne’s actions, there seems to have been a great slaughter of thousands of prisoners, regardless. Charlemagne wanted to set an example, an effective deterrent.
Warfare continued for three more years, then it was all over for the Saxons, especially after Widukind converted to Christianity. But it was the massacre at Verden that remained like a blood stain on his otherwise pristine reputation.
Sharon: Are there any other eras you would like to write about?
Cathie: I do love different eras, as you know. The Anarchy is definitely high on my list, and I’ll have to revisit Dark Deceit to see where it takes me. (Sharon: Do it! Please!)
But I also love the court of Louis XIV of France, with all its superficial splendour and dark secret plots. The Affair of the Poisons is such an intriguing event, with many prolific nobles implicated in trying to influence the king’s opinion through nefarious deeds. Deeply disturbing, and utterly fascinating.
And then, of course, is the time of the Scottish Wars of Independence. It wasn’t easy to mess with a remarkable, power-hungry king like Edward I! (Sharon: Ooh, yes!)
But, ultimately, it’s the late Dark Ages (do we still call it that, as they weren’t really that dark?) and early Middle Ages that keep me hooked. Oh, to travel to Frankia for one day only…
Sharon: What are you working on now?
Cathie: My current WIP is called Treachery, and it’s the story of Sprota the Breton, handfasted wife of William Longsword – Poppa’s and Rollo’s son. Like his father and his two wives, William married Sprota in more danico (in the Danish custom), and Luitgarde of Vermandois in a proper Church blessing, for political reasons.
Even less is known of Sprota than of Poppa; mainly that she was mother to William’s only son, Richard, likely the first Duke of Normandy. (Rollo and William never were dukes.) I introduced her towards the end of Ascent, when she had to flee to Bayeux as William’s enemies closed in on him at his fortress in Fécamp. Following William’s assassination by Count Arnulf of Flanders in 842, Sprota had to remarry to keep her young son’s inheritance secure. And to ensure his safety!
Her responsibility as the mother of William’s heir, and her struggles for them to survive, make for an intriguing story. So many powerful men had set their sights on Normandy, wanting Richard out of the way. I hope to do Sprota justice, as, again, she has been forgotten in time.
The third and final instalment of my House of Normandy trilogy about the early ladies of Normandy will conclude in Reign, about Richard’s second wife (and previous lover), Gunnora.
Then there’s Poppa’s daughter Adela, married to the Count of Poitou. Perhaps a companion novel? 😉 Sigh…
Sharon: And finally, what is the best thing about being a writer?
Cathie: Exploring past histories is utterly fascinating, and I can only recommend it. That goes for the good and the bad we discover in our research.
Reliving the distant past is fun, but also a great responsibility, as we should stay as close to the few known facts as possible. An ogre can’t just turn into a Prince Charming, although looking at Charlemagne, he definitely had two sides to his character – the caring father interested in learning and culture, and ruthless ruler chopping off heads of his prisoners. A man of his times. But what about his women? (Cathie, behave! One novel at a time…)
And though my earlier works focused more on events and fictional characters, I now find it far more rewarding to bring forgotten women from the distant past back to life, even ‘just’ in fictionalised format. Their stories must be told.
Thank you again for letting me ramble on about my research and writing. It’s been fabulous revisiting my stories, and the real characters involved in them, and I hope your readers enjoy my interview.
Sharon: Cathie, thank you so much! It has been a pleasure! No wonder you and I get on so well!
About the Author:
Cathie Dunn is an Amazon-bestselling author of historical fiction, dual-timeline, mystery, and romance. She loves to infuse her stories with a strong sense of place and time, combined with a dark secret or mystery – and a touch of romance. Often, you can find her deep down the rabbit hole of historical research…
In addition, she is also a historical fiction book promoter with The Coffee Pot Book Club, a novel-writing tutor, and a keen book reviewer on her blog, Ruins & Reading.
After having lived in Scotland for almost two decades, Cathie is now enjoying the sunshine in the south of France with her husband, and her rescued pets, Ellie Dog & Charlie Cat.
She is a member of the Historical Novel Society, the Richard III Society, the Alliance of Independent Authors, and the Romantic Novelists’ Association.
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
When I started writing my blog way back in 2015, Susan Abernethy already had a successful website telling the stories from History. Despite that, she never saw me as competition. Susan offered me advice and encouragement. And I will never forget that. So, today, it is so nice to be able to pay a little of that back by welcoming Susan to my author spotlight series, Wordly Women, to tell us a little of her writing journey – and about her two books, the second of which, The Formidable Women who Shaped Medieval Europe: Power and Patronage at the Burgundian Court, hits the shops at the end of October.
Welcome Susan!
Sharon: So, What got you into writing?
Susan: A friend of mine from high school started a women’s history blog in 2012 and put out a call for someone to join her in writing articles. I didn’t even know if I could write but I answered and wrote an article on Queen Emma of Normandy. It got a really good reception, and the writing took off from there. Later, I decided it would be good to write not only about women, but other topics in history and so The Freelance History Writerblog began.
Sharon: Tell us about your books.
Susan: Many years ago, I found the books of Jean Plaidy in the library and read every one I could get my hands on. This included The Merry Monarch’s Wife, about Catherine of Braganza, wife of King Charles II. When I started the blog in 2012, one of my plans was to write an article about every Queen of England. While doing some research on Catherine of Braganza, it seemed like there wasn’t a great deal of information about her available, especially in English. It turned out most of the biographies were old, published in 1915 and in the 1930’s and 40’s.
Also, people, including myself, believed Catherine was miserable and nearly forgotten because of her unfaithful husband and his glamourous mistresses. I wondered if this was true. Having very little knowledge of Portuguese history, I ended up reading dozens of history books about the country and their seaborne empire, which is pretty fascinating stuff. This research was necessary to put Catherine in historical context and to explain why the ports of Tangier and Bombay were included in her dowry.
Isabel, at the age of thirty, married Philip the Good, the third Valois Duke of Burgundy and was the mother of the fourth duke, Charles the Bold. After reading biographies of Isabel and Charles, they seemed to me to be captivating characters, both strong and powerful. Charles also appeared to be a real character and possibly suffering from some kind of mental illness. After writing articles about both of them, I decided to delve further into Burgundian history, which covers the Low Countries, northern France and part of the Holy Roman Empire. Richard Vaughan wrote excellent biographies of all four of the Valois Dukes so that is where the research started.
Philip the Bold, one of the greatest diplomats in his era, began a program of amassing an empire which included the marriages of his daughters, granddaughters, nieces and many others into various houses of Europe. This book is a collection of 31 women related to the Valois dukes by blood and marriage. It includes the wives of kings, dauphins, dukes, counts, and others along with a few queens and a queen regnant, even a saint. In telling their stories, you discover a great variety of history of many principalities of western Europe.
Sharon: Is there a book you’ve read recently that influenced your research?
Susan: A year or so ago, I read Sharon L Jansen’s book The Monstrous Regiment of Women: Female Rulers in Early Modern Europe. Her main point is that historical family trees basically only show the descendants of men. If the women are mentioned at all, it is as the wife or maybe the daughter if she married an important man. She says we need to look at the women and their connections, not just their husbands and children. How did they interact with other women? A total eye-opener for me, now I cannot look at history in any other way. It really guided me in the research and writing of my second book on the Valois royal and aristocratic women. Some of these women lived in luxurious comfort while others had to scrape and fight to keep their patrimonies from being wrested from them by powerful men.
Sharon: This is soooooo true!
Sharon: Who is your favorite historical person and why?
Susan: I have many favorites so it’s hard to choose one. Margaret of Austria, Regent of the Netherlands and Anne de Beaujeu, Duchess of Bourbon and Regent of France, come to mind, both of whom are in the second book. But while I was researching the formidable women, I came across Catherine of Burgundy, Duchess of Austria and Countess of Ferrette, the daughter of Philp the Bold. Her life really captivated me for several reasons. When her father didn’t pay the balance of her dowry, she convinced her husband to give her the county of Ferrette, not just for the income but to rule on her own.
Catherine took full advantage of this opportunity. She acted as diplomat for her brother, John the Fearless and her nephew Philip the Good. She engaged in feuds and even started a small conflict with the city of Basel. She must have had remarkable charisma and a forceful personality. But the best part is she made a marriage without the permission of her brother. I haven’t come across many women who did such a thing. She may have done it to have an ally for her feuds and to maintain her position as countess. But she also may have been in love with the man. When her nephew Philip forced her to back out of the marriage, she seems to have lost her will to live which is pretty sad. But she’s my current favorite medieval historical person.
Sharon: Who is your least favorite historical person and why?
Susan: At the moment, I’m going to say Ferdinand of Aragon for several reasons. One the one hand, I have to admire his political acumen and diplomatic panache. In the era of Isabella of Castile, King Henry VIII, King Francis I and Holy Roman Emperor Charles V, he held his own. But his treatment of women is abominable.
He appears to have navigated his relationship with Isabella really well. They were on equal footing and managed to share their responsibilities. But once Isabella was gone, he engaged in antics like marrying again to try to have another child to displace his daughter Juana as queen of Aragon, as well as not supporting his younger daughter Katherine of Aragon once her husband Arthur Tudor died. He also is responsible, along with her husband Philip as well as her son HRE Charles V, for spreading terrible rumors about Juana of Castile’s mental health and for her eventual captivity which lasted for 45 years. It’s not a pretty story.
Sharon: How do you approach researching your topic?
Susan: The process of research starts with reading. Lots of reading. After finding as many books as I can on my topic, I start reading and find more resources. This process also involves searches on the internet for sources. Then, I make notes from my reading. I treat each chapter of the book as if it were an extended post for my blog. The notes are combined into a narrative which then becomes a chapter, and the chapters are assimilated into the book.
Sharon: Tell us your ‘favourite’ story you have come across in your research.
Susan: This is a good one! Many years ago, I read a turn of the century biography of Philippa of Hainault, queen of King Edward III of England. The king and queen arranged a marriage for their eldest daughter Isabella to Louis II, Count of Flanders, also known as Louis of Male. The author relates the story of how Louis jilted Isabella at the altar, fleeing to France to avoid the wedding ceremony. Louis had promised his ally, King Philip VI of France that he would marry Margaret, the middle daughter of the Duke of Brabant and he eventually did.
Now Louis was not a faithful husband to Margaret and had something along the lines of 18 illegitimate children. Margaret was 7 years older than Louis. She gave birth to her daughter Margaret of Male in 1350 who eventually married the first Duke of Burgundy, Philip the Bold in 1369. Two years later, Countess Margaret deserted the court of Flanders to live in the country.
The author of the biography of Philippa of Hainault casually mentions that Margaret, Countess of Flanders, ordered the nose of Louis’ mistress cut off after the mistress gave birth to twins. As a result of her injuries, the mistress died. She insinuates this was the reason for Margaret abandoning the court. This sensational story really piqued my curiosity, and I searched for the truth for a long time.
Why did Margaret desert the Flemish court, something Belgian historians have debated for years? Did Louis abandon her? Did she abandon him? Was she mentally ill? Is there a history of mental illness in the House of Reginar of Brabant?
It seems an unknown chronicler from Bruges, in 1430, is the instigator of the report of Margaret cutting off the nose of Louis’ lover. He wrote this sixty years after the alleged event. It is entirely possible he spoke with someone who knew the truth of the matter from oral tradition. It is also possible he made up the entire scenario. Since then, a chronicler restated the story in 1531, and popular historians have repeated it down through the ages. While there is still the possibility the story is true, it is highly unlikely, and these chroniclers may have had their own agenda in spreading the rumors.
The stories of the jilting of Isabella, the marriage of Margaret of Brabant to Louis, Count of Flanders and her daughter Margaret of Male, wife of Philip the Bold, Duke of Burgundy, are all in the Formidable Women book.
Sharon: Tell us your least ‘favourite’ story you have come across in your research.
Susan: That has to be the story of Blanche II, Titular Queen of Navarre. Her father was King Juan II of Aragon, and her mother was Blanche I, Queen of Navarre. King Juan was crafty and sly and ruled Navarre by right of his wife. But once Blanche I died, a family feud ensued and King Juan did everything in his power to retain the governance of Navarre, even going so far as to ignore the rights of Blanche II and her brother Charles who had both gained the approval of the Cortes of Navarre as the legal heirs of Blanche I.
This state of affairs lasted for years. Blanche II had been married to Enrique IV of Castile, but the marriage was not a happy one and eventually, the union was annulled and Blanche II returned to Aragon. Her father locked her up in prison to prevent her from gaining the throne of Navarre to which she was legally entitled. Blanche remained in prison from 1453 until her death under suspicious circumstances in December 1464.
What makes this story even sadder is the fact that King Juan II of Aragon married again and had a son, Ferdinand of Aragon, who married Isabella of Castile and was the father of Queen Juana of Castile. In an eerie twist of fate, similar to Blanche II of Navarre, Ferdinand managed to declare his daughter Juana mentally unstable and locked her up for 45 years in Tordesillas. History repeats itself.
Sharon: Are there any other eras you would like to write about?
Susan: My interest in the medieval, early modern and Renaissance eras is pretty passionate and I’ve been out of my element by writing about the Stuart era. But the Stuart’s need an update and more scrutiny. If I did look at a different era, it might be Italian medieval and Renaissance history, a subject I’ve tried to avoid for many years because I found it to be meandering and complicated. But recently, I’ve delved into the stories of women such as Bona of Savoy, who features in my second book, as well as Bianca Maria Visconti, mother of Bona’s husband, Galeazzo Maria Sforza, Duke of Milan, and Valentina Visconti, wife of Louis I, Duke of Orleans who was assassinated by John the Fearless, Duke of Burgundy. These are tremendous women’s stories and pique my interest for more.
Sharon: What are you working on now?
Susan: I’m currently in the research stage of writing a biography of Mary Beatrice d’Este, second wife of King James II of England. She was the sister-in-law of Catherine of Braganza and the only Italian Queen of England. This book will be along the same lines as the biography of Catherine.
The research into Mary Beatrice brought up another intriguing subject. Her mother was Laura Martinozzi, Duchess of Modena, one of the many nieces of Cardinal Mazarin, the prime minister of Kings Louis XIII and XIV of France. Seems like another intriguing topic to look into.
Sharon: What is the best thing about being writer?
Susan: Having been an avid reader all my life, being a writer allows me to keep reading and to read about any topic that interests me. I love learning! I probably should have been a history teacher but never pursued it. By writing books and for the blog it allows me to educate people who are interested in the fascinating stories of history. My main goal is to get someone to read a book and hopefully enjoy the history as much as I do.
About the Author:
Susan Abernethy’s passion for history dates back fifty years and led her to study for a Bachelor of Arts degree in history at the University of North Carolina at Charlotte. She is currently a member of the Rocky Mountain Medieval and Renaissance Association, the Society for Renaissance Studies and the Historical Association. Her work has appeared on several historical websites and in magazines and includes guest appearances on historical podcasts. Her blog, The Freelance History Writer, has continuously published over five hundred historical articles since 2012, with an emphasis on European, Tudor, Medieval, Renaissance, Early Modern and women’s history. She is currently working on her third non-fiction book.
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
History... the interesting bits! 