Medieval Women – Page 4 – History… the interesting bits!

Wordly Women: Annie Whitehead

26/04/202510/05/2025Sharon Bennett ConnollyLeave a comment

Joining me today as part of my Wordly Women series is the wonderful Annie Whitehead. Author of both fiction and non-fiction books based in Anglo-Saxon Mercia, Annie’s latest book, Murder in Anglo-Saxon England: Justice, Wergild and Revenge is replete with dastardly murder stories.

Sharon: What got you into writing?

Annie: It was just something I always wanted to do – I remember writing ‘The Adventures of Ferdinand the Hedgehog’ when I was around 7 or 8. I think the desire to write history came later, partly influenced by the sorts of novels I preferred reading, and partly from a growing love of history generally, probably beginning when I lived in York for six months. Living there, even as a child, you can’t not notice the history all around you.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Annie: I think they are both equally hard, but they are different. The research is pretty much the same, although with fiction you need every day details as well as the actual historical events, but where they differ is that in fiction you are free to fill in the gaps in the history (although in a way that fits with your plot and with your characters), but if you take them on a journey you need to give details, whereas in nonfiction you can just say, ‘The king took an army to York.’ On the other hand, with nonfiction, you can’t make stuff up, and if you make any pronouncements you have to back those up.

Sharon: Tell us about your books.

Annie: I’ve written four novels, featuring prominent Mercian characters, including Æthelflæd, Lady of the Mercians, and Penda, the last pagan king. I’ve also written three nonfiction books, one about the history of Mercia, one about Women of the era, and my latest release, Murder in Anglo-Saxon England. I’ve also contributed to two nonfiction anthologies and three and a half fiction collections (the ‘half’ is one that’ll be published later this year).

Sharon: What attracts you to the Anglo-Saxon period?

Annie: I think there’s an element of romanticism, a Tolkien-esque aura if you will. The names are very noble sounding, including one of the main characters of my second novel, Alvar the Kingmaker, whose real name was Ælfhere. I like the characteristics that set the period apart from the rest of the (mainly Norman) Middle Ages and I like, on the whole, their values. Particularly, their treatment of women, which was in many ways better than that of their later medieval counterparts. I also find the personalities interesting and characterful – rich pickings for the novelist.

Sharon: Who is your favourite Anglo-Saxon and why?

Annie: There are so many to choose from! I’ve already mentioned three, but I also find the little-known King Edgar (959-975) fascinating because he breaks the mould. His reign was not especially violent – it was more a time of politics and scheming nobles and there were no ‘Viking’ raids – and Edgar’s love life was, shall we say, interesting. He might have had up to three wives, one of whom was said by some – unreliable – chroniclers to have been a nun!

Sharon: Who is your least favourite Anglo-Saxon and why?

Annie: I’m going to get into a lot of trouble with this, especially from some of my writer friends, but it’s Harold Godwineson. Obviously I’d rather he’d won at Hastings, not William, but I do find his whole family rather unappealing, treacherous and self-entitled. (Sorry, Harold fans!)

Sharon: How do you approach researching your topic?

Annie: I always start with the primary sources, contemporary if possible, looking for any reference to the characters I’m planning to write about. I find out, or remind myself, about the timelines, then I look at the later, usually Anglo-Norman sources, to see where they embellish and flesh out the tales. If I’m writing fiction, I might use some of their more detailed and frankly at times outrageous stories, but if it’s nonfiction, I have to use a lot of scepticism in the pursuit of the truth, or at least getting as close to the truth as I can.

Sharon: Tell us your ‘favourite’ Anglo-Saxon story you have come across in your research.

Annie: I have so many! But one is the tale of King Offa’s daughter, accused of poisoning her husband’s advisor and accidentally poisoning her husband too. He was the king of Wessex. She fled to the Continent where the Emperor Charlemagne set her up in an abbey but she was caught in debauchery there and died in poverty. It’s highly unlikely to be a true story, as we have evidence that her husband probably died in battle and if she fled, she was most likely fleeing the wrath of his successor, who’d been forced into exile by her father and her husband.

Sharon: Tell us your least ‘favourite’ Anglo-Saxon story you have come across in your research.

Annie: It has to be the story of the St Brice’s Day Massacre, sanctioned by King Æthelred the Unready, where a number of Danes were chased through Oxford into a church which was then set on fire. It sounds like the scene from a bad Hollywood historical film, but it really happened. We know this a) because we have a charter from the king himself saying that he ordered it and b) charred bones dating to the right time unearthed at the location.

Sharon: Are there any other eras you would like to write about?

Annie: I’ve always been interested in the seventeenth century and the early Stuarts in particular. They are coming out of the shadows a bit more now and there have been some excellent books, both fiction and nonfiction, published recently, but they still take second place to the Tudors, which for me is a shame as it’s such an interesting period of history.

Sharon: What are you working on now?

Annie: I’m working on the novel which I shelved to research and write Murder in Anglo-Saxon England. It’s set in the tenth century and features Mercians, Northumbrians, Vikings and Scots and also has a murder or two thrown in!

Sharon: And finally, what is the best thing about being a writer?

Annie: Something I’ve enjoyed from a very early age is reading – I loved being transported to other times and places, meeting new characters and learning their stories. Writing, for me, is almost the same, and to spend my working days making up similar stories and spending time with those characters is a dream come true. It’s a form of escapism and it’s bliss!

About the Author:

Annie is a Fellow of the Royal Historical Society, and has written four award-winning novels set in ‘Anglo-Saxon’ Mercia. She has contributed to fiction and nonfiction anthologies and written for various magazines. She has twice been a prize winner in the Mail on Sunday Novel Writing Competition, and won First Prize in the 2012 New Writer Magazine’s Prose and Poetry Competition. She has been a finalist in the Tom Howard Prize for nonfiction and was shortlisted for the Exeter Story Prize and Trisha Ashley Award 2021. She was the winner of the inaugural Historical Writers’ Association (HWA)/Dorothy Dunnett Prize 2017 and was subsequently a judge for that same competition. She has also been a judge for the HNS (Historical Novel Society) Short Story Competition, and was a 2024 judge for the HWA Crown Nonfiction Award. Her nonfiction books are Mercia: The Rise and Fall of a Kingdom (published by Amberley books) and Women of Power in Anglo-Saxon England (Pen & Sword Books). In 2023 she contributed to a new history of English monarchs, published by Hodder & Stoughton, and in February 2025 Murder in Anglo-Saxon England was published by Amberley Books.

Find Annie at: Website; Buy Annie’s Books; Blog; Facebook; Twitter/X; Instagram; BlueSky.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

‘Margaret of Logie, of high and noble birth’

19/04/202518/04/2025Sharon Bennett ConnollyLeave a comment

When she died in September 1362, Joan of the Tower (also known as Joan Makepeace) had been Queen of Scots for thirty-three years. She had never borne a child, nor is there any mention of her ever having become pregnant. So, on her death, David II was still without a son and heir. The heir to the Scottish throne was Robert Stewart, the nephew he despised, who had six legitimate sons by 1362.

Following the murder of his lover, Katherine Mortimer, in 1360, and before Joan’s death, King David had fallen in love with Margaret Drummond. The first reference to Margaret and David’s relationship is in a charter of 20 January 1363, to the Friars Preacher, for the souls of David himself and of ‘our beloved’ Margaret Logie. Margaret was the daughter of a lowly Scottish knight, Sir Malcolm Drummond. She had been married to Sir John Logie of Logie and had at least one son, also called John.

The relationship with Margaret further alienated David’s heir, Robert Stewart, who was involved in a violent feud with Margaret’s brothers, John and Maurice Drummond. It also threatened to disinherit Robert, should Margaret give birth to a son. This could explain Robert’s involvement in a rebellion early in 1363, in which a petition was presented to the king, demanding that he set aside Margaret and dismiss his current advisers.

Despite the opposition to the relationship, ‘in the year 1363, the aforesaid lord David, king of Scotland, took to wife, at Inchmurdach, a great lady, named Margaret of Logie, of high and noble birth, and born in his kingdom; and he endowed her with many lands and possessions, and raised her to reign in honour with him, with the royal diadem.’¹ They were married at Inchmurdoch, in the Fife manor house of the Bishop of St Andrews, though ‘Thai ware togiddyr bot schort quhile.’²

According to the chroniclers, Margaret was very beautiful, but her character left much to be desired, ‘With the aim therefore of providing for the succession to the kingdom from the fruit of her womb (if God granted it), King David chose a most beautiful lady, Margaret Logie, the widow of John Logie, perhaps not so much for the excellence of her character as a woman as for the pleasure he took in her desirable appearance.’³ Once married, David gave preferential treatment to Margaret’s family, granting them lands and prestigious marriages. One such marriage, possibly inspired by Margaret herself, was between her niece, Annabella Drummond, and John, the eldest son and heir of Robert Stewart.

If Margaret herself did not produce a son and heir for Scotland, her niece might one day become queen. This must have angered Robert Stewart, who was still embroiled in the feud with Margaret’s brothers. Demonstrating her own influence over King David, in the winter of 1368, the queen went as far as to persuade her husband to order the arrest and imprisonment of Robert and some of his sons. The continued lack of an heir, however, may have begun to rankle with King David, who released his nephew after a short time. David also favoured his stepson. On 6 December 1363, John Logie, ‘the son of the Queen of Scotland’, was among the ‘divers lords and others, who came to England in the retinue of the K. of Scotland about a treaty of peace between the Kings’ and was gifted ‘a parcelgilt cup, weight 75s., value 6l. 5s. 4d’.⁴ He received further gifts such as that on 16 December 1365, when the king ‘of Scotland, Sir Archibald, and other lords of Scotland came to Annandale, and gave seisin of it to one John de Logy son of the Queen of Scotland’.⁵

The Liber Pluscardensis suggests that the queen, knowing David was tiring of her, faked a pregnancy in order to maintain her influence over her husband, and save her marriage. It did not work. Margaret is always portrayed as an ‘arrogant, demanding wife’, and it may be that she was, though I cannot help but wonder that harsh words are used to describe her because she was lowly born, the daughter of a mere knight, rather than a princess. She was seen as unworthy for the high office to which David had elevated her. It cannot have been easy for her, being reminded constantly of her low social position in respect of the others who surrounded the king. It would go some way to explain her haughty attitude; she was trying to live up to her queenship. David had also started an affair with Agnes Dunbar, sister of George, Earl of March.

Whether it was for the lack of an heir, the demanding nature of his wife, or a desire to marry a new love, the result was the same: ‘he lived with her for a short time, [but following animosity that arose between them,] he divorced her about the beginning of Lent 1369.’⁶ King David applied for a divorce, which was granted, relegating Margaret to the position of ‘Lady Margaret Logie, onetime Queen’. Margaret, however, was not going to go quietly and live in retirement on the pension of £100 a year the king had awarded her. Margaret decided to appeal to a higher power and

On this account she secretly boarded a ship in the Firth of Forth [well supplied with money] and made for the papal court. She arrived at Avignon where the pope was then to be found. By making an appeal she transferred her case there, and disturbed the whole kingdom by her legal action. And so once the king’s proctors had travelled to the apostolic see, the case was bitterly disputed, and the pleading between the advocates of the contending parties was so prolonged that a book compiled from that source and certified by notarial marks is longer [in] wordage (in my judgment, for I who have written this have seen this pleading) than the contents of the text of four Psalters. For her case was many times committed for hearing by auditors and cardinals, so that if she had lived, she would have subjected the kingdom to an interdict; but she died on a pilgrimage to Rome.⁷

King David II Bruce died, childless, at Edinburgh Castle on 22 February 1371, having reigned for forty-two of his forty-seven years. The king’s death did not stop Margaret from continuing with her lawsuit against him for some years, despite how much it was costing the former queen. There was a

Notarial instrument dated 23d June 1372, attesting obligation of same date by the Lady Margaret Queen of Scotland, widow of the late David Bruys K. of Scotland, acknowledging a loan of 500 marks from Adam Franceys and two other London merchants, made to her at Avignon, repayable at Caleys at Pentecost following. Done in the house of the said Queen Margaret at Avignon ut supra.⁸

Scotland was under the threat of a papal interdict as a result. Reprieve only came with Margaret’s death, during a pilgrimage to Rome in early 1375. The rule of the house of Bruce had lasted just sixty-five years and had been punctuated by the country’s fight for Scotland’s sovereignty. Eventually, however, it was not England that ensured the downfall of the House of Bruce. It was the failure of King David to have an heir.

There is always a tendency to blame the woman when a king dies childless, but the fact that David was married twice and had a number of mistresses, but never became a father, even of an illegitimate child, would suggest that the problem lay with David. Though the point is moot.

In the end, David’s heir was his nephew, as he had been from the moment David ascended the throne. David was succeeded by the first of the Stewart kings, Robert II, son of Robert the Bruce’s eldest daughter, Marjorie and her husband, Walter Stewart. The royal House of Stewart would rule Scotland until 1714 and England from 1603 until 1714.

Notes:

1. John of Fordun’s Chronicle of the Scottish Nation; 2. ‘They were together but a short while’, Wyntoun, The orygynale cronykil of Scotland; 3. Bower, Scotichronicon, V 7; 4. Calendar of documents relating to Scotland, Vol. 4, no. 93; 5. ibid.; 6. Bower, Scotichronicon, V 7; 7. ibid,; 8. Calendar of documents relating to Scotland, Vol. 4, no. 197

Bibliography:

John of Fordun’s Chronicle of the Scottish Nation; Walter Bower, Scotichronicon; Andrew Wyntoun, The orygynale cronykil of Scotland; Calendar of documents relating to Scotland preserved in Her Majesty’s Public Record Office; Richard Oram, editor, The Kings and Queens of Scotland; Rosalind K. Marshall, Scottish Queens 1034–1714; Ian Mortimer, The Perfect King: The Life of Edward III, Father of the English Nation; Dr Callum Watson, ‘Ane Lady Bricht’: A Life of Annabella Drummond, Queen of Scots, c. 1350–1401; Bruce Webster, Margaret [née Margaret Drummond], Oxforddnb.com; Nigel Tranter, The Story of Scotland; B. Webster, ‘David II and the Government of Fourteenth-Century Scotland’ (article); David Ross Scotland, History of a Nation; Phil Carradice, Robert the Bruce: Scotland’s True Braveheart; G. Barrow ‘The Aftermath of War: Scotland and England in the late Thirteenth and early Fourteenth Centuries’ (article); Colm MacNamee, Robert Bruce: Our Most Valiant Prince and Lord; Stephen Spinks, Robert the Bruce: Champion of a Nation; Fiona J. Warson, Robert the Bruce; Bruce Webster, ‘David II’, Oxforddnb.com

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Wordly Women: Toni Mount

12/04/202510/05/2025Sharon Bennett Connolly1 Comment

In today’s spotlight on Wordly Women, I welcome my good friend, novelist and historian, Toni Mount back to History… the Interesting Bits. Toni writes the fabulous Seb Foxley mystery novels and the non-fiction series How to Survive in…

Sharon: What got you into writing?

Toni: I’ve always been a story-teller. Aged 6, when the teacher was called away – before the days of teaching assistants – she would have me sit at the front of the class and tell them a story. It was usually a mix of various fairytales with princes, princesses, witches and dragons. I like to think I became more sophisticated when I started writing them down in English Composition lessons aged 7 or 8. My imagined ‘First Flight of Concorde’ – the supersonic plane – won the school prize and my head has been full of stories for as long as I can remember. A good many have made it to the page but not all.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Toni: Fiction needs your own ideas; in non-fiction the facts are there, waiting for you to use. Since my novels are as authentic to the period as I can make them, but without the ‘gadzooks’ and ‘forsooths’, they take as much research as the non- fiction books. In both cases, I’m looking to tell a good story. The difference is that non-fiction may have gaps where historians don’t know the answers, such as what was Edward II thinking when he gave Piers Gaveston the queen’s jewellery but in a novel the writer is allowed to tell you why.

Sharon: Tell us about your books.

Toni: I’ve had 30+ books published, half of them novels. My most successful non-fiction books are ‘Everyday Life in Medieval London’ and ‘Medieval Medicine’ both published by Amberley, and ‘How to Survive in Medieval England’ published by Pen & Sword which was recently a no.1 best seller on Amazon. The How to Survive series – my fourth: ‘How to Survive in Ration-Book Britain’ is due to be out in November 2025 – is written for the armchair time-traveller and puts a light-hearted slant on history. ‘How to Survive in Tudor England’ and ‘How to Survive in Anglo-Saxon England’ are the other titles.

My Sebastian Foxley Medieval Murder Mystery series has quite a following – book 13 ‘The Colour of Darkness’ has just gone off to the publisher MadeGlobal. Seb is a London-based scribe and illuminator in the 1470s-80s whose eye for detail means he spots clues that others miss to solve crimes. Many are true crimes which were recorded in the Mayor’s Court Rolls and remain unsolved – until now. I love the way my characters take over the story, sometimes doing things that never occurred to me. Seb has become a family member, so much so that my sons commissioned a portrait of him for my 65th birthday and it hangs above the fireplace.

Sharon: What attracts you to the period?

Toni: Whether fact or fiction, the Plantagenet period from the 1150s to 1485 is by far the most intriguing for me. Who doesn’t love to puzzle out a mystery? But modern policing is too boring to write about with so much paperwork, hours of CCTV footage to trawl through, fingerprinting, DNA, ballistics, etc. Give me Sherlock Holmes with his magnifying glass every time. The medieval period has even fewer technical complications.

Sharon: Who is your favourite medieval or Tudor personality and why?

Toni: Richard III obviously. I love the controversy. Was he a saint or a sinner? Or simply a human being?

Sharon: Who is your least favourite medieval or Tudor personality and why?

Toni: Henry VIII – a vicious paranoid megalomaniac. What’s to like? (Sharon: I could not agree more!)

Sharon: How do you approach researching your topic?

Toni: I read all I can around the subject; get a feel for the period and ‘live it’ in my head. As I write, if I realise I don’t know something, I make a note of it, check it out and list sources as I go. This is vital for a book which will have references and footnotes but even if I’m working on a novel, I may want to return to a source for further info or to mention it in my Author’s Notes – this is where I tell readers what’s true in the novel, which characters really existed, etc. In ‘The Colour of Darkness’, I did additional research into Medieval Mystery Plays and the ‘Duke of Exeter’s Daughter [a torture device], among other things. For the next novel, I’m reading up on medieval ships and firearms – I think it’s time somebody got shot with a ‘gunne’.

Sharon: Tell us your ‘favourite’ medieval or Tudor story you have come across in your research.

Toni: John/Eleanor Rykenor was a cross-dresser in the 1390s. He claimed to have had sex with nuns ‘as a man’ and didn’t charge them for it but did charge a group of Oxford priests-in-training for his services ‘as a woman’. He/she also said he’d spent a year or more living as a man’s wife. When caught in flagranti in a stable, wearing women’s attire and charging a man for sex, as Eleanor she appeared in court. The authorities weren’t sure what crime to charge her with – homosexuality wasn’t made a criminal offence until Tudor times – so she was charged with misrepresenting the product for sale, i.e. advertising her services as a female without having the appropriate ‘equipment’ for the job. She had to pay a fine for flouting what we would call the Trades Description Act. John/Eleanor is a character in my Foxley novels although he/she lived a century before they’re set. I couldn’t resist using such a fantastic character.

Sharon: Tell us your least ‘favourite’ medieval or Tudor story you have come across in your research.

Toni: The discovery of RIII’s skeleton in a Leicester car park ruined my first ever trilogy [written in 1980s and unpublished]. My premise for the series of novels was that Richard, though wounded, survives the battle of Bosworth and goes on to have further adventures. Henry Tudor, frustrated when he can’t find Richard’s corpse to prove the king is dead, substitutes a crippled beggar to be buried instead. I was about to rewrite the trilogy when the dig discovered the bones and DNA proved it was Richard. How annoying!

Sharon: Are there any other eras you would like to write about?

Toni: Apart from writing about the medieval and Tudor eras, I’ve also written a Victorian who dunnit – ‘The Death Collector’ – making use of unsolved murders from the 1880s, including those attributed to Jack the Ripper. That was great fun to write and I fancy doing a sequel. Also, I wrote a non-fiction book ‘The World of Isaac Newton’ and I think Isaac, with his brilliant brain, has definite possibilities as a sleuth. I’ve published books ranging from Anglo-Saxon England to the 1950s and everything in between has at least been touched upon. Maybe more on the Anglo-Saxons would be interesting.

Sharon: What are you working on now?

Toni: The next novel is brewing: ‘The Colour of Malice’ and two self-published booklets are being prepped. ‘Medieval Christmas’ will do what it says on the tin. ‘Warriors – Men-o’-War’ is a very different beast as a collection of my short stories, something I’ve not done before, from Agincourt to Afghanistan. There are no new titles for non-fiction books at the moment.

Sharon: And finally, what is the best thing about being a writer?

Toni: Playing God with characters [in fiction] and the beauty of words – choosing how best to express your ideas and imaginings on the page. Marvellous!

About the Author:

Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.

Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.

Find Toni Mount’s books here

Find Toni on Social Media:

Amazon; Website; Seb Foxley website; Facebook: Medieval England Facebook; Seb Foxley Facebook; Twitter

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, Elizabeth Chadwick and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Guest Post: The Book and the Duchess by Katarzyna Ogrodnik-Fujcik

19/03/202520/03/2025Sharon Bennett ConnollyLeave a comment

Last month, we lost one of the great historians of medieval history, Martin Aurell. A few years ago, I had the honour of translating one of Martin’s essays on Eleanor of Aquitaine for a compilation on England’s medieval queens. He had a wonderful insight into Eleanor and I would have loved to meet him. So, when my dear friend Kasia asked if I would publish her tribute to Martin, I jumped at the chance.

The Book and the Duchess: Eleanor of Aquitaine and her Artistic Legacy….

In memory of Professor Martin Aurell

*Eleanor of Aquitaine’s tomb effigy, Fontevraud Abbey*

Richard of Devizes called her femina incomparabilis “a woman without compare” and in many respects she was. Queen of both France and England respectively, duchess of a great duchy in her own right, rebel wife who openly went to war against her husband, Eleanor of Aquitaine needs no introduction. And yet very little is actually known about one of the most famous women in history. Thus we should not find it surprising that all the myths and misconceptions about her got so firmly established in the popular consciousness. One of them is Eleanor as a very active artistic patron. However, if we raise the question, her artistic legacy is rather modest. There are only few surviving objects that can be safely associated with her.

First and foremost, there is her tomb effigy at Fontevraud Abbey, which is the earliest funerary monument that we know of to depict a woman with a book. Also, as it seems, it is the only one to depict a man or a woman in the act of reading. The book Eleanor is holding is a restoration. The original had been destroyed during the Revolution. It is probably devotional work…. book of prayers, psalter or gospel book.

*A noble lady kneeling in a psalter of Eleanor of Aquitaine*

The effigy is one of the few instances when Eleanor can be safely identified as an artistic patron. She most probably commissioned it herself. Also the effigies of Henry II and Richard I the Lionheart (the one of Isabelle of Angouleme was commissioned more than forty years later) which were created at the same time (as stylistic similarities indicate). Made from tuffeau limestone from the Loire valley they successfully stood the test of time. despite different vagaries of history. What makes us believe Eleanor was a commissioner? First and foremost, Eleanor’s presence at Fontevraud Abbey at the time. After Richard’s death in 1199 she left the walls of the abbey, but stayed in Anjou, defending it for John. Later she retreated to the abbey again and spent her last years there. The effigies must have been created between the death of Richard and her own death in 1204 (also the year Anjou fell to the Capetians).

Another object connected with Eleanor is the afore-mentioned Eleanor’s vase, which was a wedding gift she presented to her first husband Louis VII of France. It had stayed in her family since the reign of her famous/infamous grandfather, William IX the Troubadour, who had brought it with him from Spain. Louis gave it to Abbot Suger as a gift for St Denis. Suger added all the ornamentation. It was a classic crystal rock vessel when Eleanor presented it to Louis.

Another work of art associated with Eleanor is the so-called Fecamp Psalter (or Psalter of Eleanor of Aquitaine), one of the oldest manuscripts preserved at the Dutch Royal Library at the Hague. With 27 full-page miniatures, 36 calendar miniatures depicting the Labours of the Months, and 11 historiated initials illustrating the major divisions of the psalter it is exquisitely beautiful. By the end of the 11th century Fécamp was a leading centre for manuscript copying in Normandy and in the late 12th century (c. 1180) this beautifully illuminated psalter was probably commissioned by Eleanor herself. In 2016 student Jesus Rodriguez Veijo identified the figure on the Beatus page of the psalter with Eleanor, relying in part on the scholarship relating to the Radegonde mural. You can view the manuscript on the official site of Koninklijke Bibliotheek, Hague.

*An image of the chase in a fresco in the chapel of St Radegonde*

The so-called Poitiers Window is one of the few contemporary depictions of Eleanor. She, Henry and their four sons are shown in a small scene, being a part of a larger depiction of Crucifixion, in the area reserved for patrons. Eleanor and Henry hold an image that represents the window itself. This image is not a part of the original, but a result of 19th-century restoration by Adolphe Steiheil. The window must have been commissioned between 1166 and 1173, the birth of John and the outbreak of the Great Revolt, when the royal family was still undivided.

The famous Radegonde Mural preserved in the chapel of Sainte Radegonde, Chinon has been a subject of heated debates since its discovery in 1964 by Albert Heron. This representation has been widely accepted as a depiction of the Plantagenet family, identifying the central ”crowned” figure as Eleanor. Later research, however, helped to determine that all the figures were actually male. This led the historians to believe that the central crowned figure was in fact Eleanor’s eldest surviving son, Henry the Young King.

In her article entitled Two reputed representations of Eleanor of Aquitaine from her lifetime – a re-evaluation Sara Cockerill, the author of the latest Eleanor biography, revisits the evidence for both these representations and formulates yet one more theory that the scene is in fact a representation of the characters from St Radegonde’s legend. This led her to the following conclusion: while the same person may well have commissioned both depictions, only one, the Psalter, should be regarded as attempting to portray Eleanor herself.

By Katarzyna Ogrodnik-Fujcik

About the author:

Katarzyna Ogrodnik-Fujcik specializes in British literature and history, her area of expertise being the first Plantagenets (the Angevins). She lives in Poland. She writes for different magazines and websites on Polish and European Middle Ages. She runs a blog dedicated to Henry the Young King. She consulted a BBC documentary on William Marshal.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Launch: Scotland’s Medieval Queens

03/02/202504/02/2025Sharon Bennett Connolly2 Comments

It is hard to believe – for me, anyway – that I have now published 8 books. 8! I am still waiting for my author copies of Scotland’s Medieval Queens: From Saint Margaret to Margaret of Denmark, to arrive. But she is out in the world. And I am so proud of this book, not least because it was inspired by my wonderful, history-loving son, Lewis, who instructed me to ‘set the record straight’ for Lady Macbeth. With a prologue dedicated to this maligned woman, labeled a murderer and a madwoman by William Shakespeare, I hope I have done just that. And then there are all the other incredible queens that have sat on Scotland’s throne. Women who have defended the realm, acted as peace weavers, governed for their sons and stood as stalwart supporters of their husbands.

I hope I have done their stories justice.

Zoom Book Launch Party

This is your personal invite to join the celebrations!

So, why not join me to celebrate the release of Scotland’s Medieval Queens by coming to the Zoom Book Launch Party, held alongside my friends Samantha Wilcoxson and Paula Lofting, who also have books out this week. Hosted by Cathie Dunn, we will each tell you a little about our books, answer questions and generally party!

This Sunday – 9 February 2025 at 7pm UK time.

It is free, you just need to reserve a spot.

Follow the Blog Tour:

Paula, Samantha and I are also taking part in a joint mini blog tour, with 6 days of articles and interviews. I kicked us off on Saturday with an article from Paula Lofting looking into King Harold’s Royal Lineage. Samantha was then interviewed on Paula Lofting’s Threads to the Past. And today, I am talking about one of the less well known queens of Scotland, Sybilla of Normandy with Samantha.

There are 3 more stops on the tour, with Samantha visiting History…the Interesting Bits on 5 February, Paula interviewing me on 6 February and Samantha interviewing Paula on 7 February.

Then party time on 9 February!

Podcast:

Have a listen to the latest episode of A Slice of Medieval podcast. In our Book Launch Special my co-host Derek Birks and I celebrate the launch of both our books. Scotland’s Medieval Queens meets A Guide to the Wars of the Roses. Every episode is also now available on YouTube.

About Scotland’s Medieval Queens: From Saint Margaret to Margaret of Denmark:

Available now from Amazon and Pen and Sword Books

Happy 10th Birthday to Me!

08/01/202506/01/2025Sharon Bennett Connolly17 Comments

Well no, not me, I’m slightly older than that. But History…the Interesting Bits is 10 years old! It was 10 years ago today, on 8th January 2015, that I published my very first article, Isabella of Castile, the Controversial First Duchess of York, c.1355-1392. Since then, I have published 542 more posts, including articles, book reviews, interviews, news updates and giveaways; this article will be post no. 544.

First and foremost, I would like to thank each and every one of my readers for sticking with me for a whole decade!

Secondly…

We need to celebrate!

How to celebrate?

Well, many of you will know (hopefully) that may latest book, Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark is being published by Pen & Sword Books in 3 weeks’ time – on Thursday 30 January.

So, how about a competition?

A giveaway?

About Scotland’s Medieval Queens:

Scotland’s history is dramatic, violent and bloody.

Being England’s northern neighbour has never been easy.

Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland.

From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all.

This is the story of Scotland through their eyes.

Early feedback has been fantastic, with Elizabeth Chadwick and Carol McGrath both giving Scotland’s Medieval Queens a rather glowing – a humbling – endorsement. I received a wonderful review from Heidi Malagisi over at Adventures of a Tudor Nerd, who says “If you want a fantastic introduction to the turbulent world of medieval Scotland and the women who helped shape the monarchy, I strongly recommend you read, ‘Scotland’s Medieval Queens….'”

And NetGalley readers have unanimously (so far!) given it rave reviews:

Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark is available for pre-order now.

I cannot wait for you to read – and hopefully enjoy – Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark. So, as a joint celebration – publication day and History … the Interesting Bits’ 10th birthday, here’s the competition…

A Giveaway!

One signed copy of the brand spanking new hardback of Scotland’s Medieval Queens will go to the lucky competition winner.

It’s easy to enter!

The competition is open to everyone, wherever you are in the world. To win a signed and dedicated copy of Scotland’s Medieval Queens, simply leave a comment below or on social media via my Facebook page, Twitter, Threads, or Bluesky and I will include you in the prize draw.

The draw will be made on Saturday 18 January.

GOOD LUCK!

About me:

Sharon Bennett Connolly, has been fascinated by history her whole life. She has studied history academically and just for fun – and even worked as a tour guide at historical sites, including Conisbrough Castle. For Christmas 2014, her husband gave her a blog as a gift – http://www.historytheinterestingbits.com – and Sharon started researching and writing about the stories that have always fascinated. Sharon also co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. She regularly gives talks on women’s history, for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the events of 1066 in the National Curriculum. She is a feature writer for All About History, Tudor Places, and Living Medieval magazines and her TV work includes Australian Television’s ‘Who Do You Think You Are?‘

Also by Sharon Bennett Connolly:

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and DrIan Mortimer, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: The Royal Rebel by Elizabeth Chadwick

08/12/202405/12/2024Sharon Bennett Connolly1 Comment

1338: England has declared war on France, and Jeanette of Kent, cousin to King Edward III, says goodbye to her family and travels overseas with the royal court for the first time. Once in Antwerp, she is captivated by talented household knight Thomas Holland, just as he in turn is powerfully drawn to her.

Although both know their romance is forbidden, their love for each other grows stronger than the danger they face, and they marry in secret. But before they can make their tryst known, Thomas has to leave for war, and in his absence, Jeanette is forced into a second marriage and locked away from the world.

Then Thomas returns, and the real fight begins. As hostile family members battle to keep Jeanette and Thomas apart, the defiant lovers vow to be reunited – whatever the cost…

It is always the sign of a good book if the author can leave me in tears and send me through a range of emotions from beginning to end. In The Royal Rebel, Elizabeth Chadwick has achieved this and then some!

The controversy over Joan of Kent‘s first marriage is fascinating. There are so many possibilities and connotations. And so much politics! Girls in medieval times were not supposed to choose their own husbands. Marriage was a political alliance for noble families, not a love affair. Romance had nothing to do with it.

The Royal Rebel is the story of the most famous ‘love triangle’ of the14th century. Joan, the daughter of the Earl of Kent, secretly married Thomas Holland, who then went off on crusade for a year. In the mean time, Joan’s mother arranged her daughter’s marriage to William Montague, the heir to the earldom of Salisbury. It was a mutually beneficial marriage. Joan had royal blood, but tainted by the fact her father had been executed. While Montague was the heir to a large earldom but would benefit from a closer connection to the crown. Thomas Holland, on the other hand, was a household knight with few prospects and whose father had been executed for treason. And when he returned from crusading in Eastern Europe, due to financial constraints, he did not immediately lay claim to his wife.

It was a storyline worthy of a modern-day soap opera.

Thomas Holland took his claims that he and Joan were married all the way to Rome. The investigation into the marriage was long, drawn-out legalese, mired in canon law and I did wonder how Elizabeth Chadwick was going to make it interesting. Of course! I needn’t have feared. She draws out the tension, adds in the human element, family dynamics and political considerations and keeps the reader gripped to the very end – even though I already knew the outcome!

The next day, Jeanette [Joan of Kent], Joan, Hawise and several other ladies from the Queen’s chamber gathered to dole out arms to the poor at the monastery gates. Usually, the almoners and designated servants distributed the donations, but today, in thanksgiving, the Queen’s ladies were involved in the task, and as well as the food, small amounts of money and items of clothing were handed out.

Jeanette played her part with a whole heart and a wide and ready smile. She was in charge of dispensing the bread, while Joan ladled pottage into the bowls people had brought them. Thomas and Otto arrived with their retinues to assist and stand guard, and the loaves of bread and jugs of beer were soon emptied, and all the money and clothing gone.

‘Thank you,’ Jeanette said, smiling at Thomas as she gathered up the empty baskets.

‘It has been my pleasure, demoiselle.’

He had brought one of his old hoods and two thick blankets to give away and had provided a small purse of alms money. His manner towards the folk who had come to receive charity had been courteous and good-humoured. Jeanette had noted his common touch which did not detract from the authority he possessed to lead men and maintain his rank. He had tousled a small boy’s hair, and jested with a toothless old woman who had cackled at him with lecherous appreciation, saying if she had been thirty years younger…

Once more, he escorted her and the ladies back to the royal apartments, and carried the baskets himself.

‘You look like a housewife going to market,’ she said, amused and very aware of his presence at her side. Their pace was a saunter, eking out the moment.

‘Looks can be deceptive,’ he replied. ‘It is what lies beneath that matters.’

He leaned a little towards her, and Jeanette’s breath shortened.

‘Then I suppose that like all truth it is buried, and must be sought by diligent investigation,’ she said pertly, giving as good as she got, and was rewarded by a flash of his grin.

‘I have always found that to be the case, demoiselle,’ he said, as they came to the Queen’s door. ‘And usually well rewarded.’

The Royal Rebel by Elizabeth Chadwick is no mere romance. It is the story of a trying decade in the reign of Edward III. Just as he embarks on the Hundred Years War with France (I wonder if he would have been so keen, if someone had told him the war’s eventual name?), plague ravages Europe and the court is gripped by the scandal of Joan’, Thomas and William’s marital situation. The detail is impressive.

Elizabeth Chadwick is moving into a period new to her, the late medieval; away from the 12th and 13th centuries of which she is so familiar. Not that you would know it. Her research has been meticulous and her attention to detail, to the dress and customs of the period, is second-to-none. Elizabeth Chadwick has really thought about the circumstances involving the clandestine marriage of Joan of Kent and Tomas Holland – and the very public marriage of Joan and Willian Montague. And how all this came about! The plot is intricate but entirely plausible and answers several questions around the actions of the parties involved.

The Royal Rebel also highlights the quandary over inheritance that would always hang over Joan’s marriage to Montague whilst the question mark remained over the validity of their marriage. Would any children have even been legitimate? Joan’s frustrations over her treatment is palpable; not being allowed to be with her true husband, being ignored by her elders, not being believed and even being prevented from freely giving her testimony in the court case. The Salisburys even locked her up!

The Royal Rebel by Elizabeth Chadwick is not just a good read, it is an experience of life in the mid-14th century and not to be missed.

The Royal Rebel by Elizabeth Chadwick is most definitely among my Top 5 books of 2024. I cannot recommend it highly enough!

To Buy the Book:

The Royal Rebel by Elizabeth Chadwick is now available from Amazon and all good bookshops.

About the Author:

New York Times bestselling author Elizabeth Chadwick lives in a cottage in the Vale of Belvoir in Nottinghamshire with her husband and their three dogs. Her first novel, The Wild Hunt, won a Betty Trask Award, To Defy a King won the Romantic Novelist Association’s Historical Novel Prize and The Scarlet Lion was nominated by Richard Lee – founder of the Historical Novel Society – as one of the top ten historical novels of the last decade. She often lectures at conferences and historical venues, has been consulted for television documentaries and is a member of the Royal Historical Society.

Keep in touch with Elizabeth via her website, her blogs or on social media.

http://www.elizabethchadwick.com
twitter: @chadwickauthor
facebook: ElizabethChadwick

My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 30 January 2025: Scotland’s Medieval Queens

Available for pre-order now.

Also by Sharon Bennett Connolly:

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved, including Elizabeth Chadwick discussing her writing of The Royal Rebel as a guest for the 2024 HNS Conference’s Writing Medieval panel, alongside Matthew Harffy and David Gilman.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

The Works of Marie de France

30/11/202427/11/2024Sharon Bennett Connolly9 Comments

*Marie de France from an illuminated manuscript*

If you have visited the British Library’s latest exhibition, Medieval Women: In Their Own Words, you may have spotted the work of Marie de France. Marie was a poet in the late 12th century, who wrote three major works that can be definitively attributed to her, even though we don’t know who she was. All that is left of Marie is her work, and the vague notion that she comes from France, because she wrote in her Fables ‘Marie ai num, si sui de France’.¹The traditional view is that Marie was a Frenchwoman writing at the court of Henry II of England based on the fact that if she was writing in France, she wouldn’t have to say that she was from that country. However, France in the 12th century was far from one unified, indivisible country. In fact, it was a series of counties and duchies with their own rulers, who paid homage to the King of France; the French king’s own domains at the time were the Île-de- France, which incorporated Paris and its environs.

Another argument for Marie writing in England, is that her lais, her poetic verses, were dedicated to a ‘noble reis’, or ‘noble king’, and this is thought to be Henry II of England. However, it could just as easily been intended for Louis VII of France, or his son Philip II Augustus. In turn the Fables, an adaptation of Aesop’s Fables, were dedicated to a nobleman she identifies as ‘Count William’. There were several earls in England at the time who were named William, including William Marshal, Earl of Pembroke; William Longspée, Earl of Salisbury; and William Mandeville, Earl of Essex; or even the son of King Stephen, William of Blois, Earl of Warenne and Surrey. However, William was a common name at the time, even on the Continent, where you could find many a Guillaume.

Everything we think we know about who Marie was is pure conjecture. It has even been suggested that she was the illegitimate daughter of Geoffrey of Anjou, father of Henry II, and therefore a half-sister of Henry. She has also been variously identified as a nun at Reading Abbey, the abbess of Shaftesbury between 1181 and 1216, and Marie de Meulan, wife of Hugh Talbot of Cleuville.²We do know that Marie had a knowledge of Latin and English, and a familiarity with the works of Ovid and Wace’s Brut, and wrote in an Anglo-Norman French.

*“Marie de France presents her book of poems to Henry II of England” by Charles Abraham Chasselat*

Her works have been dated to the second half of the 12th century, with her poetry, the lais, dating between 1160 and 1199, the Fables between 1160 and 1190, and her last work, the Espurgatoire, has been dated to after 1189 and possibly as late as 1215.³ L’Espurgatoire Seint Patriz (The Purgatory of St Patrick) is believed to have been written after 1189 as it appears to have been heavily reliant on the Latin text of Henry of Saltrey as her source, which was published around 1185. L’Espurgatoire is dedicated to ‘H. abbot of Sartis’, who may have been Hugh, Abbot of Wardon Abbey, in Bedfordshire, between 1173 and 1185 or 1186; the abbey was originally named St Mary de Sartis.⁴ The only surviving manuscript of this treatise is now stored in the Bibliothèque Nationale in Paris.

The lais were a series of twelve poems, many of which were drawn from Celtic legends. Only one is based on Arthurian legends, specifically the story of the lovers, Tristan and Iseult. Many of the lais were translated into Old Norse in the 13th century, while two, Lanval and Le Fresne were translated and adapted into Middle English in the 14th century. The lais were narratives, written in verse and intended to be set to music. One such included the lines; ‘when a good thing is well known, it flowers for the first time, and when it is praised by many, its flowers have blossomed.’⁵

Marie’s stories included fairy mistresses, twins separated at birth, and one relating the troubles of the wife of a werewolf. Her lais explored love and conflicting loyalties; they dealt with the issues of courtly behaviour and documented the struggles to fulfil the conflicting aims of individual needs and cultural expectations. They varied in length, with the shortest, Chevrefoil, having 118 lines and the longest, Eliduc, comprising 1,184 lines; this last was the story of a wife having to adapt when her husband brings home a second wife.

*The Woman and the Wolf in Marie de France’s “Bisclavret”*

Marie’s collection of Fables, known as Ysopets in French and written for the mysterious ‘Count William’, are based on the older Aesop’s Fables, from antiquity, but she also adapted and added to the original stories. The Fables, a rhyming collection of works, demonstrate Marie’s concern for the well-being of the lower classes and the poor, criticising the political and social conditions of the time. Her work was widely read and influential; the fable Del cok e del gupil (The Cock and the Fox) is one of the inspirations for Geoffrey Chaucer’s The Nun’s Priest’s Tale, written in the 15th century. Marie ends The Fables with an epilogue, in which she includes a plea to be remembered,

To end these tales I’ve here narrated
And into Romance tongue translate,
I’ll give my name for memory:
I am from France, my name’s Marie.
And it may hap that many a clerk
Will claim as his what is my work.
But such pronouncements I want not!
It’s folly to become forgot!⁶

Wherever she came from, geographically and socially, Marie de France was a keen observer of the social undercurrents of the time, incorporating them into her Lais and Fables. And we cannot say for certain that her work was produced in England, at the English court. With the Anglo-Norman empire stretching from the borders of Scotland to the borders of Spain she may have travelled within Henry II’s domains, but not necessarily with the court. Although we have few clues to her identity and origins, at least we have her works – her poetry through which she has lived on for more than eight centuries.

Notes:

1. ‘My name is Marie and I am from France’, quoted in Rethinking Marie by Dinah Hazell; 2. Marie (fl. c.1180–c.1189) (article) by Tony Hunt; 3. Rethinking Marie by Dinah Hazell 4. Marie (fl. c.1180–c.1189) (article) by Tony Hunt; 5. The Plantagenet Chronicles edited by Elizabeth Hallam; 6. Translated from; ‘Al finement de cest escrit, Que en romanz ai treité e dit, Me numerai pur remembrance: Marie ai num, si sui de France. Put cel ester que clerc plusur Prendreient sur eus mun labur. No voil que nul sur li le die! E il fet que fol ki sei ublie!’ Taken from Marie de France: Fables, edited and translated by Harriet Spiegel.

Images: Courtesy of Wikipedia

Sources:

Marie de France: Fables, edited and translated by Harriet Spiegel; Dinah Hazell, Rethinking Marie, (article) sfsu.edu; Tony Hunt, Marie (fl. c.1180–c.1189) (article), ODNB; Elizabeth Hallam, editor, The Plantagenet Chronicles; The Plantagenets, the Kings who Made England by Dan Jones; History Today Companion to British History Edited by Juliet Gardiner and Neil Wenborn; he Plantagenets, the Kings that made Britain by Derek Wilson; England Under the Norman and Angevin Kings by Robert Bartlett; Roy Strong The Story of Britain.

My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 30 January 2025: Scotland’s Medieval Queens

Available for pre-order now.

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Return to the Eyrie by Katerina Dunne

19/11/202419/11/2024Sharon Bennett ConnollyLeave a comment

Honour, revenge, and the quest for justice.

Belgrade, Kingdom of Hungary, 1470

Raised in exile, adolescent noblewoman Margit Szilágyi dreams of returning to her homeland of Transylvania to avenge her father’s murder and reclaim her stolen legacy. To achieve this, she must break the constraints of her gender and social status and secretly train in combat. When the king offers her a chance at justice, she seizes it – even if it means disguising herself as a man to infiltrate the vultures’ nest that now occupies her ancestral ‘eyrie’. Plagued by childhood trauma and torn between two passionate loves, Margit faces brutal battles, her murderous kin’s traps and inner demons on her quest for vengeance. Only by confronting the past can she reclaim her honour – if she can survive long enough to see it through. Return to the Eyrie is an epic coming-of-age tale of a young woman’s unwavering pursuit of justice and destiny in 15th century Hungary.

A couple of years ago, I had the pleasure of reading and reviewing Lord of the Eyrie by Katerina Dunne, a novel set in late medieval Hungary. It was a fascinating introduction to a country whose History I know very little about. And the story was incredible, a family drama, with vivid battle scenes and intricately woven plotlines. It certainly left me wanting more. It was an absolute pleasure to read. So, when Katerina told me she had written a sequel, I jumped at the chance to read it. I was intrigued as to how the story would continue.

And it is a stunning sequel to Lord of the Eyrie, following the daughter of Sandor, the hero in the first book, who is trying to find out exactly what happened to her father. She also wants to clear his name. unscrupulous enemies branded Sandor a traitor. Margit aims to prove he wasn’t.

Margit grew up without family, protected by her nurse and her father’s best friend, and knowing that she had been deprived of her inheritance and position in the world. The search for the truth drives her. But she is not the traditional Hungarian girl. A born leader, she learns to fight – against her father’s enemies and against the life that is planned out for her.

In the lambent glow of the oil lamp, Ahmed traced a thumb down the flat of Margit’s blade, carefully like touching a precious gem. “Beautiful,” he murmured.

“Will you show me how to use it?”

Fixed on the etching, Ahmed’s eyes narrowed, and his forehead wrinkled as though his mind was caughter by a distant recollection. “Where did you find this?”

Margit swallowed back her sudden apprehension. “Why do you ask?”

“You didn’t steal it, did you?”

“No!” She snatched the dagger from Ahmed’s hand, placed it back in its box and slammed the lid shut. “It’s mine.” She wrapped her arms about her precious possession.

“Why are you so angry?” Adnan ventured but shrank back at once, cowering under her fierce gaze.

“Forgive me,” Ahmed said. “I don’t know the family, but I remember the coat of arms.”

Margit’s stomach tightened. “You do?”

“An old story. Some other time. You don’t keep Erzsi waiting outside.”

He waved Margit away, but she let the canvas bag with her other gifts drop from her shoulder. “Erzsi will not mind waiting. Please, tell me.”

Ahmed cleared his throat. His eyes wandered away to times long past. “When Sultan Mehmed besieged Belgrade fifteen years ago, I fought beside Janissaries against Hunyadi’s army -“

“General Janos Hunyadi? The king’s late father?” Margit interrupted him, eyes wide open with excitement.

The general was her own father’s overlord. Hungary’s bravest protector as Imre always referred to him, tearing every time he uttered his name.

Ahmed nodded. “Yes. His defenders trapped us in the town. I killed many but then saw this tall and skilled knight. No Shield; just a sword in one hand and axe in the other, slaying Janissaries like untrained peasants.” He pointed at Margit’s box. “He wore this coat of arms. I thought I must stop him. I attacked. But I never fought anyone like him. By Allah, he had no fear; didn’t care if he lives or dies.”

Margit is a wonderful heroine, determined to seek out the truth, and to forge her own path. Not always aware of, or concerned for, the feelings of others, the teenager searches out her own destiny and confronts her enemies, putting herself and those who love her in danger.

Margit is not always a likeable heroine. She is sometimes selfish. But, she is a teenage girl who has lost practically everything – family, home, identity. In trying to recover what is lost, she becomes a more sympathetic character, learning to compromise and reach an understanding with those around her. The reader will become invested in her journey.

Return to the Eyrie by Katerina Dunne is set in medieval Hungary, a land which Katerina Dunne recreates in astonishing detail. The landscape, the settlements, castles and people help to draw the reader into the story. Hungary is a land rich in resources but beset by enemies, both within and without, and the heroine, Margit, must navigate not only national politics, international enemies but also her own identity as a young woman and the daughter of an accused traitor.

It is a wonderful, rich and absorbing story. I highly recommend it!

To Buy the Book:

Return to the Eyrie is available in paperback and on Kindle from Amazon – and is currently only 49p, so snap it up!

About the author:

Katerina Dunne is the pen-name of Katerina Vavoulidou. Originally from Athens, Greece, Katerina has been living in Ireland since 1999. She has a degree in English Language and Literature from the University of Athens, an MA in Film Studies from University College Dublin and an MPhil in Medieval History from Trinity College Dublin. While she used to write short stories for family and friends in her teenage years, she only took up writing seriously in 2016-17, when she started work on her first novel.

Katerina’s day job is in financial services, but in her free time she enjoys reading historical fiction and watching historically-themed movies and TV series. She is passionate about history, especially medieval history, and her main area of interest is 13th to 15th century Hungary. Although the main characters of her stories are fictional, Katerina uses real events and personalities as part of her narrative in order to bring to life the fascinating history of the medieval Kingdom of Hungary, a location and time period not so well-known to English-speaking readers.

My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 30 January 2025: Scotland’s Medieval Queens

Available for pre-order now.

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Interview with Gemma Hollman, author of Women in the Middle Ages

13/11/202411/11/2024Sharon Bennett Connolly4 Comments

This week, I have had the distinct pleasure of chatting with author and historian Gemma Hollman about her new book, Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queen.

I cannot wait to get my hands on this book!

Sharon: Tell me about your new book, Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens

Gemma: The book is an illustrated history which aims to shed light on the lives of medieval women. Focusing on roughly 500 years, from 1000 – 1500, I take a look at European women from all levels of society. By using surviving artwork, we see what the visual record can tell us about these women that might be lost in the written record. We often have this idea that the medieval period was a male-dominated world, with women at the sidelines, but this is not quite the case and art is an excellent place to see this. Women appear everywhere in it, but they were also very often the makers of it, too. Women ran households, worked in taverns and textile hubs, invested money in businesses, created books and paintings, saved souls through their prayers and ruled countries. And in a visually-dominated culture, where the majority of people were illiterate, women were able to leave their mark on tapestries, manuscripts, beads, bowls, and more. The book is hopefully a marvellous romp through time with something for anyone, whether it’s your first time learning about medieval women, or the hundredth book you’ve read.

Sharon: What inspired you to write the book?

Gemma: My first two books were biographies, and I already had a vision for my third book as another biography, but I was also keen to do something more general. I was pondering how to do this, when a contact at Abbeville Press got in touch with me and let me know they were wanting to publish an art book centred on medieval women. This immediately sparked dozens of ideas in my head, and a chat with my future editor revealed that we had very similar visions for the book. It seemed like the perfect opportunity to dive in, and I relished the idea of doing such an image-heavy book. There are so many beautiful objects and artworks from the medieval period that I haven’t had the chance to showcase in my previous books, and I was excited to learn something new myself. I didn’t want to regret turning it down, so I didn’t!

Sharon: Do you have a favourite woman you highlighted in the book?

Gemma: Oh gosh, that’s such a difficult question because there are so many featured within! I don’t know that I can pick just one, but certainly one of my favourite stories is that of Astrid, Gunnvor and the Dynna Stone. The Dynna Stone is an 11th century runestone from Norway that commemorates a woman named Astrid. It was erected in her memory by her mother, Gunnvor, and commemorates Astrid as “the handiest maiden in Hadeland”, suggesting Astrid was skilled at some kind of craft. We know little else about the two women, but the runestone is also important as being one of the earliest instances of Christian pictorial art in the country. In a book about medieval women and art, having an object commissioned by a woman for her daughter, who may also have been an artist of some form, is really special.

Sharon: Who was the hardest person to write about?

Gemma: I don’t know that I struggled so much to write about a particular person – I cover so many countries and centuries that there was always someone you could find – but more particular groups of people. Being someone who specialises much more on Western Europe, it was easy to think of examples of significant people to write about, but I was keen that the book would make sure to cover as much of Europe as possible, and so I sometimes had to do some real digging to find an example of a woman who fit in with what I was talking about from different regions. In the same vein, it was sometimes tricky finding specific examples of women to use in my Peasants and Professionals section. Although we do know the names of some craftswomen from the later Middle Ages, due to increased record-keeping, finding names of ordinary, lower-class women is really, really difficult. There were often few reasons for these women to turn up in the written record. This is, of course, where the art was an excellent filler, as we at least have visual representations of them, but it was almost impossible to tell individual stories of particular women in the same way as in other chapters.

Sharon: Did you come across a particularly interesting or obscure character?

Gemma: One woman who really struck a chord with me was Marietta Barovier, who was part of a well-known Venetian glassmaking family. Her father had invented cristallo glass, and had clearly given equal weighting to the talents of his daughter as well as his son. When he died, he bestowed his workshop to his two children jointly. Marietta gained a significant reputation of her own, and in the 1480s she invented the rosette or chevron bead, which became an iconic Venetian glass bead. Women in Italy were in many ways more restricted in the world of work than other women in Europe, and yet here you have a woman who was not only allowed equal inheritance, but became famous in her own right for her exceptional skill.

Sharon: Was there a particular image or manuscript that struck you?

Gemma: Another difficult question as there are so many wonderful images! I think I’ll go with a simple little manuscript initial from a German nunnery. The picture shows a nun named Margaret von Zurich bathing the Christ Child in a barrel bath. It’s a very simple, small drawing, with some beautiful colour, and to modern eyes it is nothing extraordinary. But this small picture is actually incredibly subversive. The Catholic Church had forbidden women from touching Christ, and so not only was Margaret’s vision dangerous, but so was the recording of it in a manuscript. Religious women in Europe were often at the spearhead of reform and religious fervour, and this small drawing really succinctly demonstrates that.

Sharon: Did you have to leave anyone out through time constraints, lack of images or word count? If so, who?

Gemma: Oh, most certainly! The book is not very long by history book standards, and yet it aims to cover a continent and five centuries of history! I could have written so, so much more and there are always people you wish you could include or expand upon but can’t. In the early days of writing and researching, I realised I needed to find a way to narrow the scope a little to make the book somewhat more manageable, and so I made the decision to focus on Catholic Europe, which thus excluded many eastern countries. This was a disappointment as one woman I wrote about in a sample chapter was Queen Tamar of Georgia. She ruled from 1184 to 1213 and was the first woman to rule the country in her own right. Despite early objections to her reign, her time as queen went on to be seen as a Golden Age, and her story is so fascinating. It was a shame to have to cut her out, but maybe she can find her way in to a future project of mine!

Sharon: What was your biggest challenge when writing about women in history?

Gemma: I think for this book in particular, it was trying to correctly balance what women did, with what people at the time thought about what women did. There was a lot of misogyny in the Middle Ages and so lots of written sources or pieces of art criticise women for working too much, for being too involved in politics, for being too promiscuous, for being too…. But we also have to remember that just a fraction of what existed in the medieval period has survived to today, and the people creating these sources were sometimes the very people most likely to criticise women – monks sequestered away from the world, courtiers who didn’t like submitting to female authority, and so on. And so just because we might have some of these thoughts that have made it to today, it doesn’t mean that everyone or even the majority of people thought that. You don’t want to belittle the struggles that women at the time went through; some women did lose their kingdoms because people wanted a male ruler instead, and some peasant women who had to work in taverns to support their families were derided as prostitutes. But those female leaders also had thousands of men willing to fight for them, and there were popular ballads and texts that praised women for all the hard work they did to keep their families afloat. And you also want to try and avoid praising certain women for their exceptionalism, especially when some of their contemporaries used exceptionalism as back-handed compliments, a way to deride the rest of the female sex.

Sharon: What are you working on now?

Gemma: I am now busy getting started on my next book! I’ve gone back to England and will be looking at the court of Richard II, and I’m really excited to see which threads I’ll choose to pull at. It’s such an interesting and tumultuous reign, there is plenty to choose from! But I am definitely keen to return to a similar style book as Women in the Middle Ages in the future so my mind is already whirring with possibilities…

About the Author:

Gemma Hollman is a historian and author of The Queen and the Mistress: The Women of Edward III and Royal Witches: From Joan of Navarre to Elizabeth Woodville. A Fellow of the Royal Historical Society, she works full-time in the heritage industry whilst running her historical blog, Just History Posts. You can find Gemma on Twitter: @GemmaHAuthor, and Facebook: facebook.com/JustHistoryPosts,

To Buy the book:

You can buy Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queen in the UK from Waterstones and Amazon . And in the US from Barnes & Noble and Amazon .

My Books:

Signed, dedicated copies of all my books are available through my online store.

OUT NOW! Heroines of the Tudor World

Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.

Coming 30 January 2025: Scotland’s Medieval Queens

Available for pre-order now.

Also by Sharon Bennett Connolly:

Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon. Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Podcast:

Have a listen to Gemma talking about the two women in the life of Edward III on the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads and Instagram.

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The Book and the Duchess: Eleanor of Aquitaine and her Artistic Legacy….

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OUT NOW! Heroines of the Tudor World

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