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Guest Post: Inside the Book Trade of Late Medieval London by Toni Mount

30/07/2025Sharon Bennett ConnollyLeave a comment

It is always a pleasure to welcome Toni Mount to History … the Interesting Bits. Toni is a brilliant historian and born storyteller and she is here today to give a glimpse of the history behind her latest Seb Foxley novel, The Colour of Darkness. If you haven’t met him yet, I really do recommend you pick up a Foxley book. They are simply delicious!

So, it’s over to Toni…

Inside the Book Trade of Late Medieval London

When we think about medieval London, we probably imagine grimy streets, plague and maybe a knight or two clanking through the city. But tucked within the chaos was a quiet revolution – one involving paper, ink and a growing thirst for knowledge. By the late 1400s, the book trade in London wasn’t just alive; it was thriving. And at the heart of it all stood St Paul’s Cathedral – not just a place of worship, but a book-fest for the city’s literate elite.

To put this in context, the printing press arrived in England when William Caxton famously set up the first one at Westminster in 1476 and the world of books was changing fast. Previously, books were hand-copied by scribes – as at the fictional Seb Foxley’s workshop in Paternoster Row, just north of St Paul’s, in my latest novel, The Colour of Darkness. Writing every page by hand meant they were expensive and slow to produce. But then came the printing press – a real game-changer.

Printing took a decade or two to catch on in England, mainly because it was a tricky procedure to master – see my next guest Blog on printing books – but once the techniques were established books could be produced faster and cheaper. More books available led to an increase in literacy, especially among the urban middle classes, clergy and educated elite. London, with its bustling population and growing trade networks, became a prime spot for this new business.

St Paul’s Cathedral: The Book Trade’s Beating Heart

Forget the grand white dome you see today in the City of London because that was designed by Sir Christopher Wren after the Great Fire of 1666. Before that catastrophe, it was ‘Old St Paul’s’, a massive gothic structure that dominated the skyline with a spire over 400 feet tall, at least until it was struck by lightning in the reign of Elizabeth I. Its precinct and churchyard weren’t just for prayer and pigeons but, together with nearby Paternoster Row, were at the very centre of London’s book trade. In fact, Paternoster Row remained at the heart of the British publishing industry until it was destroyed by bombs during World War II.

But returning to the late fifteenth century, imagine a lively courtyard filled with wooden stalls, booksellers shouting out their latest wares, customers thumbing through new pamphlets and prayer books. The area around St Paul’s was known for its ‘stationers’ – a term that, back then, didn’t just mean a place to buy paper and pens. These were the printers, booksellers, and binders who brought the written word to the people.

Why did St Paul’s become such a hive of book-production? The cathedral’s proximity to learning helped. The Cathedral School and other educational institutions were nearby, including the Inns of Court to the west of the city where lawyers were trained and the sons of the aristocracy were schooled in the arts required for life at the royal court. The clergy needed books for sermons, study and teaching, so local demand was ensured.

Who were the Printers?

By the 1480s, London had a small but important group of professional printers. William Caxton deserves the spotlight since he was the first to introduce a press, having learned the business in Burgundy and the Low Countries. His press in Westminster produced some of the first books in English, making literature and religious texts more accessible to the public. After Caxton, his former assistant, Wynkyn de Worde, took over the operation and moved it closer to the action, by St Paul’s. De Worde knew the churchyard was where the customers would come. He printed everything from devotional tracts to almanacs and even the occasional romance or how-to guide. He’s sometimes credited with being one of the first to market printed books to a wider audience.

But printers, like the scribes before them, didn’t only create the pages. They often collated and stitched the pages before either binding them or passing them on to a specialist binder to stitch the pages into a cover. A book’s binding could range from simple stitched parchment to elaborately tooled leather with jewelled clasps. The wealthy might commission personalised bindings with their family crests. The printers often dealt with sales too or went into partnership with independent booksellers. These sellers might have a permanent stall near St Paul’s or be mobile, setting up shop at fairs or markets – wherever there were customers.

What was on the shelves?

So what were Londoners reading? A lot of religious texts, unsurprisingly: sermons, Books of Hours, Psalters and the lives of popular saints. The Church was a dominant force in everyday life and owning religious books was a sign of piety and status. For this reason, the new fashion of portrait painting would frequently show the sitter with a religious book in their hands. But secular works were creeping in, too. Translations of classical texts, histories, medical manuals and even cookbooks began to appear. One popular genre was that of ‘books of courtesy’ – guides to correct behaviour, speech and etiquette for the aspiring gentleman or gentlewoman. There were also the early English romances and poetry. Caxton and de Worde printed tales of King Arthur, Chaucer’s Canterbury Tales and other stories that helped shape English literary culture down to our own times.

Not only Men’s work

While the big names in printing were all men, there is increasing evidence that women played a quiet but important role in the trade. Widows who took over their husbands’ businesses often became successful printers or booksellers in their own right. The trade was one area in medieval commerce where women participated openly, though their contributions often went under-recorded.

Censorship and Control

Of course, not everyone was thrilled about the explosion of printed material. The Church and the Crown kept a watchful eye on the presses. Unauthorised texts, especially those seen as heretical or politically subversive – such as the Ars Notoria in The Colour of Darkness – could get a printer, stationer or book seller into trouble. The Stationers’ Company, officially incorporated in 1557 but already in existence in the fifteenth century to oversee the production of hand-written books, would help regulate who could print what when printing eventually came under its umbrella.

By the early 1500s, the London book trade was setting the stage for what would become a publishing powerhouse in later centuries. It was local but also international, connected by trade routes that brought in books and ideas from France, the Low Countries and beyond. Some of the early printers, like Wynkyn de Worde, brought their foreign know-how to the new trade. The stalls around St Paul’s would continue to be a hub for centuries, long after the old cathedral itself was gone. In fact, it’s reckoned that one reason why the building burned so ferociously during the Great Fire of 1666 was that the printers and stationers stored their stocks of paper and books in St Faith’s Chapel in the cathedral’s undercroft – a disaster just waiting to happen.

The people who browsed there – the scholars, preachers, merchants, citizens and maybe a curious apprentice or two – were part of a quiet revolution, one that transformed how knowledge spread and who had access to it.

So next time you think about medieval London, picture not just mud and markets but a vibrant little world of booksellers shouting above the crowd, customers thumbing through the latest printed pamphlets and the great gothic walls of St Paul’s towering above it all. The presses may have been small but their impact was monumental.

About the book:

My new Sebastian Foxley novel, The Colour of Darkness, transports readers to midsummer 1480, in medieval London where our hero has to solve a number of serious crimes, involving Master Caxton’s printing business, ‘suspect’ books and witchcraft. London is ready for a joyous festivity but, for some, there is nothing to celebrate when Death stalks the city’s sweltering streets. As livelihoods are brought to ruin and trust withers in the heat, our hero and artist-cum-sleuth discovers trouble has come to his own doorstep. Plague rears its hideous head; fire, theft and disease imperil the citizens.

Meanwhile, a beautiful young woman enchants the men of London and the mob shrieks that witchcraft is to blame when waxen dolls, spiked with pins, are discovered. With such horrors in his possession and discovering that guilt lies too close at hand, can Seb unravel the mysteries and save those he loves before it’s too late?

Join Seb Foxley in this intriguing and danger-riddled new adventure, The Colour of Darkness, out now from MadeGlobal.

Buy The Colour of Darkness

About the Author:

Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.

Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.

Find Toni Mount’s books here

Find Toni on Social Media:

Amazon; Website; Seb Foxley website; Facebook: Medieval England Facebook; Seb Foxley Facebook; Twitter

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Carol McGrath

07/06/202507/06/2025Sharon Bennett ConnollyLeave a comment

Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.

So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.

Over to Carol…

Sharon: Carol, what got you into writing?

Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.

Sharon: You write both fiction and non-fiction-is one harder than the other?

Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.

Sharon: Tell us about your books

Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.

Sharon: What Attracts you to the Period?

*Harold’s daughter’s burial place in St Sophia Kyiv*

Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.

Sharon: Who is your favourite Tudor and Why?

Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.

Sharon: Who is your least favourite Tudor

Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.

Sharon: How do you approach researching your topic

Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.

Sharon: What is your favourite Medieval or Tudor Story found in Research

Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.

Sharon: What is your least Favourite Story

Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.

Sharon: Are there any other eras you would like to write about?

Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.

Sharon: What are you working on now?

Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.

Sharon: What do you love most about being a writer

Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.

About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.

Where to find Carol

Website (Subscribe to her newsletter via the drop down menu on the web-site Home Page); Amazon; The Stolen Crown

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Samantha Wilcoxson

24/05/202516/05/2025Sharon Bennett ConnollyLeave a comment

Today we are hopping across the pond for the next chat in my Wordly Women series. Joining me is Samantha Wilcoxson. Author of fiction novels mainly based in the late medieval and Tudor eras and and non-fiction books on the American Revolution, Samantha’s books – literally – span the Atlantic divide. Samantha has a knack for getting into the heads of the people she is writing about. Her book, Plantagenet Princess, Tudor Queen, about Elizabeth of York, is still one of the most insightful novels I have ever read.

Sharon: What got you into writing?

Samantha: What got you into writing? I have always loved reading and used to write dozens of book reviews every year. Many of those books were historical fiction and nonfiction. When I was considering ways to earn money while a stay-at-home mom, my husband suggested I write a book. I had never considered taking this step, so the first obstacle was deciding what I would want to write about. It didn’t take me long to settle on Elizabeth of York, and I quickly became passionate about the project. That novel turned into a series, and I’ve ventured into other historical eras since then.

Sharon: Tell us about your books.

Samantha: Each of my novels explores the life of a real historical figure in a way that helps readers connect with them on a personal level. My Plantagenet Embers series includes three novels featuring Elizabeth of York, Margaret Pole, and Mary I. It also has three novellas that offer new points of view of the same events by focusing on Margaret Beaufort, Elizabeth Woodville, and Reginald Pole. Then I moved into US history with my next two novels. Luminous is biographical fiction of real life radium girl Catherine Wolfe Donohue, and But One Life explores the life of American Revolution soldier Nathan Hale. My nonfiction books are Women of the American Revolution and a newly released biography of James Alexander Hamilton.

Sharon: What attracted you to the Tudors?

Samantha: When I started writing the series that ended up covering the early Tudor era, I was actually obsessed with the Wars of the Roses. I thought Elizabeth of York was an unsung heroine, so I started with her with no real intention of writing about the Tudors! This is actually a great insight into my writing. I never know what is coming next.

Sharon: So, what is coming next?

Samantha: I am currently writing a trilogy set during the Wars of the Roses for Sapere Books. It includes multiple women’s points of view. For example, book one has chapters featuring Marguerite of Anjou, Cecily Neville, and Anne Beauchamp. That one is in editing, and I’m working on book two, which will add the perspective of Elizabeth Woodville and others.

Sharon: How do you approach researching your topic?

Samantha: This depends a lot on whether I’m writing fiction or nonfiction. For novels, I largely depend on biographies already written, but for nonfiction I look for more primary resources like personal letters and diaries. For either, I like to visit locations important to the people I’m writing about so that I can include details about the places they experienced.

Sharon: You also write US history non-fiction.

Samantha: Tell us your ‘favourite’ story you have come across in your research? My research into James Alexander Hamilton uncovered loads of interesting discoveries, partly because nobody else has really written about him. I held letters written between James and Andrew Jackson, Martin Van Buren, John Quincy Adams, and so many others. (Gotta admit, it was tempting to try sneak that JQA letter into my bag!) I think the most fun story I came across, besides John Quincy writing about being too old to stay up all night at a lively Hamilton party, was learning that James was part of the crew of the schooner America for which the America’s Cup is named.

Sharon: Tell us your least ‘favourite’ US history story you have come across in your research?

Samantha: I don’t know if I would call it a least favorite, but I decided to write a novel about Nathan Hale because I often came across quotes attributed to him such as, “I only regret that I have but one life to give for my country” but very little else about who Hale was. What happened in this young man’s life to create such bravery and patriotism? Few references to him offered much, so I decided to dig in and reveal the story of Nathan Hale before his famous execution during the American Revolution.

Sharon: Are there any other eras you would like to write about?

Samantha: I always have a few ideas brewing but am committed to the next couple of books on the Wars of the Roses right now. I have started a bit of research into a historical event that occurred near my home in Michigan in 1847 that I would like to consider for a future project. I’m not one of those writers who has the next five years planned out and I tend to impetuously strike out in new directions, so we’ll see what happens.

Sharon: And finally, what is the best thing about being a writer?

Samantha: Besides spending my day reading, writing, and learning about history, I love the flexibility of being a writer. I began as a stay-at-home mom, and I still appreciate the ability to easily set my work aside for a few days if one of my adult children needs anything. I’ve also made many friends in the writing community who make me feel less alone as a history nerd and have provided amazing support and encouragement for each of my book projects.

About the Author:

Samantha Wilcoxson is an author of emotive biographical fiction and nonfiction featuring history’s unsung heroes. Her novel Luminous has been named Book of the Year by Ruins & Reading and Yarde Book Reviews. Samantha’s most recent work is the first biography of James Alexander Hamilton, published by Pen & Sword History. She is currently writing a Wars of the Roses trilogy for Sapere Books. When not reading or writing, Samantha loves sharing trips to historic places with her family and spending time by the lake with a glass of wine.

Where to find Samantha Wilcoxson:

Website; Instagram; Amazon Author Page; Newsletter Signup; Goodreads; Pinterest; Twitter; Shop Direct; Audible

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Catherine Hanley

10/05/202510/05/2025Sharon Bennett ConnollyLeave a comment

I am very happy today to welcome historian Catherine Hanley to History…the Interesting Bits in a new instalment of my Author Spotlight series, Wordly Women. Catherine is the author of Matilda, 1217 and her latest book, Lionessheart, about Joanna, the sister of Richard the Lionheart. Catherine also writes a historical fiction A Medieval Mystery series under the name C.B. Hanley, following the adventures of Edwin Weaver, bailiff of Conisbrough Castle and its lord, William de Warenne, 5th Earl of Warenne and Surrey. It is a fabulous series that I can highly recommend!

Sharon: So, Catherine, what got you into writing?

Catherine: Oddly, that question is kind of the wrong way round for me. When I did my PhD I was reading and writing all day every day for years; after it was finished and I got a full-time job that didn’t involve writing, I missed it so much that I just had to take it up on top of work. As the cliché goes, I write because I simply can’t *not* write. Eventually, over the years, it came to replace the day job rather than being an add-on.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Catherine: On a day when I’m writing fiction, I’d say non-fiction was easier, and vice versa …

Sharon: Tell us about your books.

Catherine: My non-fiction mainly explores different facets of war and politics in the twelfth and thirteenth centuries – sometimes via biographies of individuals, and sometimes in the form of more wide-ranging surveys.

My fiction is a series of murder mysteries set during the early thirteenth century, during and just after the French invasion that followed the Magna Carta wars. My main characters are fictional, but the stories are set against a factual backdrop, with some real people in the background. It all started because, during some academic research, I discovered that a certain high-profile individual had changed sides twice during that war, but nobody knew why. So I decided to make up a (plausible!) story about why this had happened, and then once I’d started I just kept going.

Sharon: What attracts you to the 13th century?

Catherine: It is the best century, and I will be taking no further questions and entering into no arguments on this subject. (Sharon: no argument from me! I totally agree with this analysis!)

Sharon: Who is your favourite 13th century personality and why?

Catherine: OK, so this is very niche, but it’s Philip of Dreux, a member of a cadet branch of the Capetian royal house, who was the bishop of Beauvais in France. He was a younger son, so he’d been ‘donated’ to the Church by his family early in life. Unfortunately for him this had been done purely on the basis of birth order rather than aptitude or inclination, and he was one of the most bellicose men you could imagine. He fought in the Third Crusade, during which he travelled to Cyprus to tell Richard the Lionheart to his face that he should stop ‘arrogantly persecuting innocent Christians when close by there were still so many thousands of Saracens whom he should be attacking’, which went down about as well as you might expect. He was still going decades later, and fought in battle of Bouvines when aged in his sixties; there he battered the much younger earl of Salisbury to the ground with a mace ‘that he happened to have in his hand’, which is one of the best primary-source lines you’ll ever read.

If I ever decide to write a new series of novels when my current one is finished, the bishop of Beauvais and his mace are going to have starring roles …

Sharon: Who is your least favourite 13th century personality and why?

Catherine: It’s unfortunate for the purposes of this question that Richard the Lionheart died in 1199, thus making him a personality of the twelfth century, so I can’t nominate him! I also think that William Marshal has been vastly overrated.

Sharon: How do you approach researching your topic?

Catherine: I read A LOT, making sure that I’m consulting a wide range of primary sources rather than merely relying on what other people have said in secondary sources.

Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.

Catherine: Basically the entire career of Philip Augustus of France, but I can’t give you too many spoilers on that just now …

Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.

Catherine: It’s always difficult reading about the many atrocities that took place in the past. One that got to me quite recently was the sad tale of Owain ap Dafydd, the son of Welsh prince Dafydd ap Gruffudd. Dafydd was captured by Edward I and then hanged, drawn and quartered, and his two sons were sentenced to harsh imprisonment. The elder of them died not long afterwards, but Owain, who was 7 when he was incarcerated, lived on for more than 40 years. He was kept in solitary confinement (and, as an adult, actually in a cage), and this stunted his mental as well as his physical development. A sad letter was later sent on his behalf asking if he could please have more adequate food and clothing, and whether he might be allowed out of his cell occasionally ‘to play’. He was at that point 37.

Sharon: Are there any other eras you would like to write about?

Catherine: Not really. There’s still so much to be discovered and said about the twelfth and thirteenth centuries that I can happily spend the rest of my career there, although I do venture occasionally into the fourteenth. The thought of writing about anything post-medieval gives me a nosebleed.

Sharon: What are you working on now?

Catherine: *Takes a deep breath* As ever, I have several projects on the go, all at different stages. In non-fiction, I’m at page-proof stage for Nemesis: Medieval England’s Greatest Enemy (about the French king Philip Augustus), for publication in September 2025; almost at manuscript delivery stage for Women in Medieval Families (for 2026 publication) and in the early stages of a whopping volume called The English at War in the Middle Ages for 2027.

In fiction, A Pale Horse, number 9 in my series of medieval mysteries, is due out in June 2025, and I’m having some initial thoughts about book 10.

That’s probably enough to be getting on with!

Sharon: And finally, what is the best thing about being a writer?

Catherine: Being able to sit in a roomful of books by myself all day and lose myself in the Middle Ages. It’s such a privilege that I can still hardly believe it’s happening.

About the Author:

Dr Catherine Hanley holds a PhD in Medieval Studies and is a Fellow of the Royal Historical Society. After producing several scholarly publications she decided to write something more interesting, and she now splits her time between writing popular history and historical fiction.

Catherine: I have no social media (anyone who wants to contact me may do so by writing in ink on parchment and then sending it via a messenger on a fast horse).

Bookshop link: https://uk.bookshop.org/shop/catherinehanley

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

And we will be chatting with Catherine Hanley about Joanna Plantagenet, Lionessheart, in a couple of months!

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Bess – Tudor Gentlewoman by Tony Riches

07/05/202505/05/2025Sharon Bennett ConnollyLeave a comment

Today, it is an absolute pleasure to welcome Tony Riches back to History … the Interesting Bits for a little chat about his latest book, Bess: Tudor Gentlewoman, the sixth and final book in his magnificent, and enthralling, Elizabeth series.

Sharon: So, Tony, what made you pick Bess Throckmorton as the subject of your sixth and final book in your Tudor series?

Tony: The idea behind the Elizabethan series was to see the enigmatic Queen Elizabeth through the eyes of three of her favourite men and three of her ladies. Each had a very different relationship with the queen, as Drake was in awe of ‘Gloriana’, Essex was like the son she never had and Raleigh was the captain of her guard. I had plenty of ladies to choose from, and was intrigued by Essex’s sister Penelope Devereux (who he blamed for encouraging his ‘rebellion’). His wife, Frances, seemed an unlikely choice, but as I looked into her life as the daughter of the queen’s spymaster, Sir Francis Walsingham, I found she was closely involved with the key events of the Elizabethan era.

Bess’ story allowed me to complete the story of Walter Raleigh (which ended with the death of Queen Elizabeth), and I was intrigued at how she remained so loyal to Walter, even living in his cell at the Tower of London to keep him company. As my research continued, I found she lived until the age of eighty two – well past the end of the Tudors and into the Stuart era, making her one of the last true Elizabethans.

Sharon: Who has been your favourite Tudor to write about?

Tony: I would have to say Bess Raleigh, as she was a remarkable woman, (and I’ve been living with her every day for the past eighteen months), but if time travel is perfected I would love to visit Katherine Willoughby, as she knew every one of the wives and children of King Henry VIII, and must have a lot of secrets! I visited Katherine’s home at Grimsthorpe Castle during my research, and felt a real connection with her at her tomb in Spilsby parish church.

Sharon: Are there any Tudors you would still like to write about?

Tony: The ‘one who got away’ is Sir Philip Sidney, the fascinating and brilliant warrior poet. He features in three of my books, as he was the Earl of Essex’s mentor, Lady Penelope Devereux’s lover and Frances Walsingham’s first husband.

Sharon: Who is your favourite Tudor?

Tony: I never tire of reading about Queen Elizabeth I, who appears in seven of my books. Every time I think I understand her, I discover something new that makes me think again.

Sharon: And who is your least favourite Tudor?

Tony: The villain of the piece, Sir Richard Rich, who oversaw the trials of Catholic martyrs Thomas More and Bishop John Fisher, as well as the Protestant martyr Anne Askew. Richard Rich can never be forgiven for what he did to poor Anne Askew, who never betrayed Katherine Willoughby – even when tortured on the rack and burned at the stake.

Sharon: What’s next?

Tony: I am now researching the life of the first Stuart queen, Anna of Denmark, who I introduce in my last book, when she visits Bess and Walter at the Tower of London to speak with Walter about his herbal potions. Although I covered the English Civil War in my history lessons, the Stuart queens had only a brief mention, so I would like to help restore them to the place in history they deserve by bringing their stories to life.

About the book:

Bess: Tudor Gentlewoman

“A thrilling portrait of a remarkable woman who witnessed the key events of Elizabethan England.”

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante.

Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission?

Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.

Can she outwit her enemies, protect her family, and claim her destiny in a world where women are pawns and survival is a game of deadly consequences?

This is the true story of the last of the Elizabethans, which ends the story of the Tudor dynasty – and introduces their successors, the Stuarts.

Buy the book

About the author:

Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook, Instagram, Bluesky and Twitter @tonyriches.

Links:

Website: Facebook: Twitter: Bluesky: Instagram: Amazon Author Page: Goodreads: LinkedIn.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Annie Whitehead

26/04/202510/05/2025Sharon Bennett ConnollyLeave a comment

Joining me today as part of my Wordly Women series is the wonderful Annie Whitehead. Author of both fiction and non-fiction books based in Anglo-Saxon Mercia, Annie’s latest book, Murder in Anglo-Saxon England: Justice, Wergild and Revenge is replete with dastardly murder stories.

Sharon: What got you into writing?

Annie: It was just something I always wanted to do – I remember writing ‘The Adventures of Ferdinand the Hedgehog’ when I was around 7 or 8. I think the desire to write history came later, partly influenced by the sorts of novels I preferred reading, and partly from a growing love of history generally, probably beginning when I lived in York for six months. Living there, even as a child, you can’t not notice the history all around you.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Annie: I think they are both equally hard, but they are different. The research is pretty much the same, although with fiction you need every day details as well as the actual historical events, but where they differ is that in fiction you are free to fill in the gaps in the history (although in a way that fits with your plot and with your characters), but if you take them on a journey you need to give details, whereas in nonfiction you can just say, ‘The king took an army to York.’ On the other hand, with nonfiction, you can’t make stuff up, and if you make any pronouncements you have to back those up.

Sharon: Tell us about your books.

Annie: I’ve written four novels, featuring prominent Mercian characters, including Æthelflæd, Lady of the Mercians, and Penda, the last pagan king. I’ve also written three nonfiction books, one about the history of Mercia, one about Women of the era, and my latest release, Murder in Anglo-Saxon England. I’ve also contributed to two nonfiction anthologies and three and a half fiction collections (the ‘half’ is one that’ll be published later this year).

Sharon: What attracts you to the Anglo-Saxon period?

Annie: I think there’s an element of romanticism, a Tolkien-esque aura if you will. The names are very noble sounding, including one of the main characters of my second novel, Alvar the Kingmaker, whose real name was Ælfhere. I like the characteristics that set the period apart from the rest of the (mainly Norman) Middle Ages and I like, on the whole, their values. Particularly, their treatment of women, which was in many ways better than that of their later medieval counterparts. I also find the personalities interesting and characterful – rich pickings for the novelist.

Sharon: Who is your favourite Anglo-Saxon and why?

Annie: There are so many to choose from! I’ve already mentioned three, but I also find the little-known King Edgar (959-975) fascinating because he breaks the mould. His reign was not especially violent – it was more a time of politics and scheming nobles and there were no ‘Viking’ raids – and Edgar’s love life was, shall we say, interesting. He might have had up to three wives, one of whom was said by some – unreliable – chroniclers to have been a nun!

Sharon: Who is your least favourite Anglo-Saxon and why?

Annie: I’m going to get into a lot of trouble with this, especially from some of my writer friends, but it’s Harold Godwineson. Obviously I’d rather he’d won at Hastings, not William, but I do find his whole family rather unappealing, treacherous and self-entitled. (Sorry, Harold fans!)

Sharon: How do you approach researching your topic?

Annie: I always start with the primary sources, contemporary if possible, looking for any reference to the characters I’m planning to write about. I find out, or remind myself, about the timelines, then I look at the later, usually Anglo-Norman sources, to see where they embellish and flesh out the tales. If I’m writing fiction, I might use some of their more detailed and frankly at times outrageous stories, but if it’s nonfiction, I have to use a lot of scepticism in the pursuit of the truth, or at least getting as close to the truth as I can.

Sharon: Tell us your ‘favourite’ Anglo-Saxon story you have come across in your research.

Annie: I have so many! But one is the tale of King Offa’s daughter, accused of poisoning her husband’s advisor and accidentally poisoning her husband too. He was the king of Wessex. She fled to the Continent where the Emperor Charlemagne set her up in an abbey but she was caught in debauchery there and died in poverty. It’s highly unlikely to be a true story, as we have evidence that her husband probably died in battle and if she fled, she was most likely fleeing the wrath of his successor, who’d been forced into exile by her father and her husband.

Sharon: Tell us your least ‘favourite’ Anglo-Saxon story you have come across in your research.

Annie: It has to be the story of the St Brice’s Day Massacre, sanctioned by King Æthelred the Unready, where a number of Danes were chased through Oxford into a church which was then set on fire. It sounds like the scene from a bad Hollywood historical film, but it really happened. We know this a) because we have a charter from the king himself saying that he ordered it and b) charred bones dating to the right time unearthed at the location.

Sharon: Are there any other eras you would like to write about?

Annie: I’ve always been interested in the seventeenth century and the early Stuarts in particular. They are coming out of the shadows a bit more now and there have been some excellent books, both fiction and nonfiction, published recently, but they still take second place to the Tudors, which for me is a shame as it’s such an interesting period of history.

Sharon: What are you working on now?

Annie: I’m working on the novel which I shelved to research and write Murder in Anglo-Saxon England. It’s set in the tenth century and features Mercians, Northumbrians, Vikings and Scots and also has a murder or two thrown in!

Sharon: And finally, what is the best thing about being a writer?

Annie: Something I’ve enjoyed from a very early age is reading – I loved being transported to other times and places, meeting new characters and learning their stories. Writing, for me, is almost the same, and to spend my working days making up similar stories and spending time with those characters is a dream come true. It’s a form of escapism and it’s bliss!

About the Author:

Annie is a Fellow of the Royal Historical Society, and has written four award-winning novels set in ‘Anglo-Saxon’ Mercia. She has contributed to fiction and nonfiction anthologies and written for various magazines. She has twice been a prize winner in the Mail on Sunday Novel Writing Competition, and won First Prize in the 2012 New Writer Magazine’s Prose and Poetry Competition. She has been a finalist in the Tom Howard Prize for nonfiction and was shortlisted for the Exeter Story Prize and Trisha Ashley Award 2021. She was the winner of the inaugural Historical Writers’ Association (HWA)/Dorothy Dunnett Prize 2017 and was subsequently a judge for that same competition. She has also been a judge for the HNS (Historical Novel Society) Short Story Competition, and was a 2024 judge for the HWA Crown Nonfiction Award. Her nonfiction books are Mercia: The Rise and Fall of a Kingdom (published by Amberley books) and Women of Power in Anglo-Saxon England (Pen & Sword Books). In 2023 she contributed to a new history of English monarchs, published by Hodder & Stoughton, and in February 2025 Murder in Anglo-Saxon England was published by Amberley Books.

Find Annie at: Website; Buy Annie’s Books; Blog; Facebook; Twitter/X; Instagram; BlueSky.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: The Pilgrim’s Revenge by Scott Mariani

23/04/2025Sharon Bennett Connolly1 Comment

1190 – Humble layman Will Bowman lives in the countryside with his pregnant wife, when soldiers from Richard Lionheart’s army tear through his home. Will is beaten unconscious, and awakes to find his wife murdered, his farm burnt down, and his life forever changed.

In vengeance, Will infiltrates Richard’s army to find the marauding gang, and finds himself swept along in the march of the Crusades. With the help of new allies and fuelled by his loss, Will crosses Europe with the King’s army.

Can Will avenge his wife? Or will he be swept away by the unstoppable force of Richard’s Crusade?

I have been a Scott Mariani fan for a while now and was disappointed that Ben Hope has finally retired, though relieved for Ben that he survived 30 books of people trying to kill him. When one brilliant series ends, you begin to worry that what comes next will be a disappointment, or not as addictive, that you will not feel so invested in the new characters. Especially when the author moves genre. It is a big risk that author and reader take together.

So, when Scott Mariani moved from thriller with a historical twist to full-blown historical fiction, I was a tad concerned. Fans of historical fiction can be pedants. If there is a grey squirrel out of place, ie, in medieval England, someone will notice. If a character lives longer than he actually did (I am looking at Sweyn Forkbeard in Vikings Valhalla) someone will notice. There is a knack to historical fiction, to weaving the story within the known facts, to introducing fictional characters and creating their interactions with historical figures. The story has to have that essence of authenticity.

I needn’t have worried!

In fact, I probably should have trusted that Scott Mariani knew what he was doing. Though I may not have agreed with some of his theories in The Tudor Deception, the actual history was spot on. Having read the last Ben Hope book, The Templar Secret, after Christmas, I should have known a historical fiction book was around the corner. It is obvious the author loves his history. And, given the topic of that last Hope book, it should come as no surprise that Mariani’s first foray into historical fiction involved the crusades – the Third Crusade, to be precise.

Not that we get more than a glimpse of the Holy Land in this first book – all that is still to come.

By now Will had almost reached the nearest of the horsemen on his side of the yard. Up close, the rider was an intimidating figure looming far above him in the saddle with the blade of his drawn arming sword glinting in the sunlight. Before Will reached him the horseman saw his approach and wheeled his mount around to face him, dust flying from its hooves. With an angry shout the rider spurred the horse towards Will, swinging his sword down at him. Will ducked, and the double-edged blade hissed through the air above him.

It had been a blow meant to separate his head from his shoulders, and it had only narrowly missed its mark. The horse thundered past, shaking the ground. The rider reined it brutally around and charged at Will again.

Nothing like this had ever happened or even been heard of in Will’s experience. He had never been in a real fight, except a minor scuffle once when he was a lad, settled quickly with a couple of punches. This was deadly serious combat, and he was unprepared for it. But the terrible shocking sight of Beatrice in the soldiers’ clutches and the sound of her screams was enough to dispel his confusion and fear, filling him with rage and determination to do anything he could to drive these raiders away and make this stop. And the obvious realisation suddenly occurred to him, for the first time, that he was holding the very means of doing that in his hands. His bow was still unstrung, no more than a long wooden shaft with its hemp cord loosely attached to the bottom end. But practice had made him very adept at readying the weapon in moments; as the horseman bore down on him with the sword raised high, he bent the stave against his foot and looped the string into place.

The rider was almost on him. Will snatched an arrow from his quiver, nocked it to the string and simultaneously raised his bow and pulled it to full draw. He had never before pointed any weapon in anger at another human being, but there was little time to reflect on that fact, or even to take aim, as his enemy closed in. Will stood his ground until the last moment, released his arrow and saw it fly and hit the rider full in the chest.

The soldier flinched violently at the arrow strike. A normal opponent would have been a dead man, his heart split in two by the power of the longbow at such close range. But instead of piercing deep into his flesh the iron point glanced off his heavy chain mail and the broken pieces of the arrow shaft spun away through the air. Then Will had to leap out of the way of the charging horse, and he threw himself to the ground.

The Pilgrims’ Revenge starts in England and follows the journey of a crusader fleet to Outremer, with adventures that are often overlooked by historical fiction authors eager to get to the nitty gritty of the crusade. But what a story they miss out! Scott Mariani includes the little-known excursion of part of the fleet, into Portugal to help with the crusades there. Then, of course, we arrive in Sicily, where Richard the Lionheart frees his sister, Joanna, meets his bride Berengaria and antagonises his ‘ally’ Philip II of France. And then we get a wonderful, vivid depiction of the conquest of Cyprus.

All is seen through the eyes of our hero, Will Bowman, a men seeking revenge for the murder of his wife and unborn child. He only joins the crusade to chase the murderers but finds a purpose, a talent for soldiering, comradeship and a bent to command along the way. Scott Mariani seamlessly blends together the wider story of Richard the Lionheart’s crusading enterprise with Will’s personal story and experiences.

The Pilgrims’ Revenge is the first of what promises to be a fast-paced, exhilarating – and, hopefully, long – series. Punctuated by bloody battles, exquisite swordplay and a thrilling storyline, the action is relentless and Scott Mariani fans will not be disappointed. The research is exemplary, especially with regard to the conflict in Portugal, which is usually ignored. The historical figures are wonderfully written and the locations evocative, dusty, hot and exotic.

Will Bowman is a character I look forward to hearing much more about.

The Pilgrim’s Revenge will be available from 24 April 2025

Order The Pilgrim’s Revenge.

About the author:

Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.

Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Author Spotlight: Scott Mariani

22/03/202519/03/2025Sharon Bennett Connolly12 Comments

Do excuse me if a get a little giddy and fan girly with this one! One of my favourite thriller writers is about to release the first book in a new series – in historical fiction!

I absolutely love Scott’s Ben Hope books and got the last in the series, The Templar Secret, for Christmas. They are modern day thrillers with a historical twist – and are great fun to read.

And Scott agreed to do an interview with me!

I also have an advance copy of the new novel, The Pilgrim’s Revenge, so expect a review shortly. And Scott will be joining Derek and I for a chat in an upcoming episode of A Slice of Medieval. But, in the meantime, Scott and I had a chat….

Hi Scott, thank you for joining me, how did you start your writing career?

It came about both gradually, and suddenly. I’d always been interested in stories – as a kid I used to mess around with drawing and writing, and sometimes combining the two to create my own stupid little cartoon strips which were usually pretty unoriginal rehashes of things like King Kong or Jaws or Tintin, as well as historical themes based on Ivanhoe or Chevalier Ardent – I was into all sorts of things at that young age! Aged about eight, I think, I wrote a sci-fi horror story in which the entire male population of the human race was wiped out in a war against giant robot dinosaur creatures; but we won in the end because ‘the women bred’ (that’s a quote) and repopulated the army so that humans could defeat the monsters. It was not a promising start to my career. Later, in my early twenties, I dabbled with various ideas and projects, one or two of which were completed but have never seen the light of day – for which the world can be thankful, as they weren’t very good either.

Then one day after moving to Wales – this is in about 2006 – while out walking the dogs in the fields the idea for a character called Ben Hope popped into my head more or less fully-formed. What emerged from that was a novel called The Fulcanelli Manuscript, which ended up in the hands of the world’s worst London literary agent and being published by a hardback-only library publisher who printed 400 copies and had no intention of ever doing more. That could have been, and nearly was, the end for me. The book lay dead and buried for a year until I (not the literary agent) managed to gain interest from Avon, then a new imprint of HarperCollins UK, for the paperback rights which, thank God, the library publisher hadn’t been interested in grabbing. Suddenly – overnight really – the Ben Hope series was rebooted with Avon offering a deal for four books. The Fulcanelli Manuscript became retitled The Alchemist’s Secret . . . and that’s how it all began. I still can’t believe the series ended up thirty books long!

What is the best thing about being a writer?

Assuming that you’re able to drag your way up to a reasonable level in the industry: working from home, setting your own hours, not having to commute anywhere, seldom needing to travel unless you’re into doing a lot of physical research, being about as free and independent as it’s possible to get whilst still remaining gainfully employed . . . and getting paid for indulging the interests and passions that you would be preoccupied with even if they were just a hobby. It suits me perfectly.

What is the worst thing about being a writer?

When you’re starting out, the competition is crushing – especially if you had a bad start as I did. Unless you’re fortunate to have strong backing from a good agent, you may feel you’re embarking on an impossible quest that will only end in heartbreak or madness: I know, I suffered from both at various times! It can also be a horribly cruel and unjust industry. So many talented writers get crushed under the wheels of the machine and never get anywhere, while success very often doesn’t depend on the quality of the work. While most editors are lovely folks, you may be unlucky enough to have to work with people who have great control and leverage over what you do, and don’t necessarily have your best interests at heart. I could talk a lot about the high number of truly decent writers I’ve known who have fallen by the wayside, some very sad stories among them. It is a tough world.

You have been writing modern thrillers with a historical twist for years, what made you take the leap into full-on historical fiction?

I’ve always loved history. I wish I had had the sense when I was seventeen to want to study it at university! And it was a fascinating, highly educational and satisfying experience to write all those Ben Hope novels, each featuring its own historical backstory or mystery to a greater or lesser degree. The downside was that, because I’ve always produced two books a year, every six months I would have to uproot myself from whatever fascinating historical world I’d been so immersed in, clear it all from my head and plunge straight into the next. One minute you’re delving into ancient Babylon or Egypt, the next you’re off to the Chinese Cultural Revolution or the American Civil War. All wonderful stuff, of course, but it’s like being a perpetual globetrotter, always on the move, and never being able to stay in one location for long even though you might have fallen in love with the place and wanted to live there forever. Then one day while I was working on Ben Hope 28, The Tudor Deception, and deep into all the intrigues of medieval England, I thought: ‘You know what, I really love being here reading and writing about all this medieval stuff. What if I could just keep on doing that, and remain in one setting rather than having to jump about all the time?’ So, to cut a long story short, that’s what I’ve done. It wasn’t as simple or easy a decision as I’m perhaps making it sound – and of course the end of the Ben Hope series has upset a lot of fans – but nonetheless I’m really happy that I took the plunge.

I’m going to miss Ben Hope…

What were your main challenges when you switched from thrillers (Ben Hope was excellent, by the way) to historical fiction?

Because you’re going much deeper into just one time setting, it becomes all the more important to get the details as correct and authentic as possible: hence the research process is that bit more intensive. The good news for me is that I love research! I’ve accrued such a library of books on my favourite areas of history that when I get stuck in, they pile up so high around me on the desk that it’s like being inside a canyon. Because I’ve picked a medieval time / place setting that’s so well chronicled (the events of the Third Crusade), and because I want to stay as faithful to the true facts and timelines as possible, my plotline is already laid out for me to some extent by the historical sources. That’s been an unusual experience for someone who’s used to having to make it all up themselves! But although it might make life easier in some regards, it also creates the new challenge having to insert, or you might say superimpose, a fictitious main protagonist into the mix, through whose eyes we experience those well-known events in a fresh and dramatic way. Having to blending the worlds of fiction and non-fiction together like that, so that the (non-historian) reader hopefully can’t see the joins, is a whole new kind of fun. I’ve enjoyed being able to create scenes where my fictitious character is in dialogue with famous real-life figures like King Richard I and Eleanor of Aquitaine.

Tell us about The Pilgrim’s Revenge. What attracted you to writing about the Crusades?

The Pilgrim’s Revenge is the first book in my new series introducing the character of Will the Bowman, or just Will Bowman. The story begins in the year 1190, when Will, a young Englishman, has his happy married life torn apart by marauding soldiers who raid his home, and he’s forced to join up with King Richard’s expedition to the Holy Land as a means of catching up with the villains who did it. Actually we don’t quite reach the Holy Land in Book 1 – that’s for the next. But I hope there’s plenty there to excite and interest the reader. I adore the medieval period – grew up in a historic town, wept as a child when taken to the spot in Rouen where they burned poor Jeanne d’Arc, later read medieval French at University, learned to play with great big swords and shoot a bow – but the whole crusades period has a particular fascination for me. And what could be more cool than the most iconic crusade of them all, the conquest that pitted Richard the Lionheart against the great Saladin? Will Bowman and his comrades get embroiled right in the thick of the drama, and it’s a ride! At any rate it has been for me. I hope readers will love it too . . .

How are you going to cope with the lack of guns? Will the body count be lower?

Are you kidding? We don’t need guns. We have bows and arrows that can pierce chain mail armour from a long way off; we have double-edged swords and scimitars that’ll whip off arms, legs and heads; we have great big siege catapults that can take down massive stone ramparts from two hundred paces; we have thundering great charges of heavy cavalry bearing down on the enemy with lances; we have crossbows and axes and flails and daggers and all sorts of goodies to play with! And did I mention Greek Fire? It’s like The Iliad out there . . . No question, the body count and general level of mayhem and destruction are considerably higher than anything in the Ben Hope books . . . not that that makes it better, of course!

Phew! That’s a relief!

What comes first, the story or the research?

When I was constantly hunting around for fresh material for the Ben Hope books, it was more a question of finding the basic idea first. That could come, and did come, from all kinds of possible places as I was (and am) constantly reading. The basic idea for The Mozart Conspiracy came about from an old book I’d had for years about Mozart’s last year and just happened to revisit one day. The Babylon Idol popped into my head while driving and listening to a Louis Armstrong gospel number about King Nebuchadnezzar’s golden idol. The Forgotten Holocaust, dealing with the Irish famine of 1847, was a subject I’d wanted to do for years and nearly did as a historical stand-alone because I’d no idea at first how to make it work as a Ben Hope book. But in general, that initial concept could come from anywhere. Then you’d have to delve a little deeper to see if your idea had any legs or not – sometimes it did, sometimes it didn’t and you’d need to go and find something else. From there, the story and the research would generally develop in parallel. There was no particular system, but I’m pleased to say it worked pretty well. Now with the Will Bowman series, the case is slightly altered: the historical backdrop dictates a lot about the trajectory of the storyline, and the depth of research required fleshes out what’s going on while also providing inspiration for new story and character angles. If you can get all those stars lined up for you, then it all happens in an organic kind of way that feels very natural.

Have you got the historical fiction bug now? What comes next?

This is going to be the shortest answer. Yes, for sure! What comes next? More Will Bowman books. I’ve got four to do to begin with, but I would like to do more. A lot more. Mustn’t jinx it by saying too much, though.

Are there any other eras – or writing genres – you would like to write about?

As I think anyone who’s read much of my backlist knows already, my historical interests are pretty wide-ranging. Who can say if something else would come up in the future? Never say never: and that goes for genres too. Right now, however, I’m very content to stay exactly where I am. I no longer have to worry about where I’m going next: I’m free to trace the story arc of Will Bowman for as long as I’m able to. What better way to create a truly immersive experience for readers interested in our rich and exciting past?

The Pilgrim’s Revenge will be available from 24 April 2025

Pre-order The Pilgrim’s Revenge.

About Scott Mariani:

Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

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Wordly Women: Wendy J. Dunn

15/03/202510/05/2025Sharon Bennett Connolly2 Comments

In the third edition of my Author Spotlight series, Wordly Women, I chat with Wendy J. Dunn, author of both historical fiction and non-fiction based in the Tudor period

Sharon: What got you into writing?

Wendy: I cannot remember a time in my life when I didn’t read – or love books. By eight, I knew I wanted to be an author. I was ten when a friend had given me a child’s book of English history for my tenth birthday. That book, or rather its chapter about Elizabeth I, changed the course of my life.

But claiming a writer’s mantle meant walking a hard, long and challenging road. I was born into a working-class family. My parents never encouraged me to write—or even to complete High School. They expected me to follow the normal narrative for a working-class girl: work until I found a husband. I found him at seventeen, married him at eighteen. Ten months later (LOL), we welcomed the first of our four children.

By the time I married, life had done a good job of knocking down my confidence about ever becoming a writer. I also had this silly, working-class imposed idea that I could not write because I was now a wife and mother. I believed my class and world would not allow it. As I say, I had a lot of silly ideas. But I was very young. It took the traumatic birth of my second son to wake me up at twenty-two and make me remember I had other choices, and my dreams of authoring books. A few months after that, I applied to a local university’s Early Leaver Scheme, and they accepted me. Completing my Bachelor of Arts restored my confidence and returned me to writing.

With raising a family, working as a primary teacher, and a lot of health challenges along the way, the road was still difficult. Also, my family always comes first. LOL – I can hear them protesting that is not how they see it, but I know it is true. I would have written far more books by this stage of my life if writing came first. While family is at the core of my existence, writing keeps me sane. Writing is also where I have found my authentic life.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Wendy: Both are hard – but nonfiction is harder because I am far more passionate about writing fiction than writing nonfiction. I love surrendering to my imagination and being there – back then – with my characters. On a good writing day, I emerge feeling so alive, I could float on air.

But what makes me passionate about writing nonfiction is my love of research – of finding answers that deepen my understanding of people of the past and sharing that knowledge with others.

Sharon: Tell us about your books….

Dear Heart, How Like You This? was my first published novel, and so will forever hold a special place in my heart because it was the novel that proved I could complete a novel, and one also good enough to be published. It tells the story of Anne Boleyn from the point of view of Sir Thomas Wyatt, the elder. Tom and I developed an extraordinary relationship when I wrote that book. He became so real we often argued about the direction of the story – and the story would just come to a stop until he got his own way.

Dear Heart ignited my desire to write about the life of Katherine of Aragon. I wrote the first version of The Duty of Daughters – the novel about Katherine of Aragon’s early life in Castille – through the point of view of the child Maria de Salinas and then faced the fact I needed to write it through an adult point of view. I knew it just had to be Beatriz Galindo, the scholar who may have been Katherine of Aragon’s tutor, but I despaired about pulling apart the book and starting again. So much so, it took completing my Masters of Writing and then my PhD – when I wrote The Light in the Labyrinth as my creative artefact – before I returned to this work, for it to be published in 2016.

Dear Heart also ignited the inspiration for The Light in the Labyrinth because my first novel left me with so many questions about why Henry VIII murdered the woman he had turned his kingdom upside to marriage. I decided to target this novel to young adults, with the hope adults would like it, too. LOL – I suspect far more adults have read and enjoyed it than young adults. As it became a bestseller in its early published life, I have no complaints about that.

All Manner of Things is the conclusion to my Falling Pomegranate Seeds duology. All Manner of Things imagines Katherine of Aragon time in England from her arrival in 1501 to 1520, with an epilogue that takes the reader to her deathbed. I used Maria de Salinas, one of Katherine’s closest friends and a fellow Castilian exile, as my narrator, which offered a close view of Katherine’s life.

All Manner of Things has done me proud since its publication by gaining quite a few awards and being translated into Spanish and published as Mi Hermana, Mi Reina.

Henry VIII’s True Daughter: Catherine Carey, A Tudor Life is my first published major work of nonfiction. COVID lockdowns made researching that book difficult. I was stuck in Melbourne, Australia, when I should have been researching in England. But we are fortunate to have a wealth of archival material now available online.

Sharon: What attracts you to the Tudor period?

Wendy: I have loved the Tudor period since my childhood. It is a fascinating period with so many fascinating people. For me, this period offers a wealth of stories to draw from for my storytelling, with a cast of archetypes, heroes and villains, with stories of adultery, murder, lust, love, passion, betrayal, tragedy and triumph, family secrets, ambition and vainglory. The Tudors offer a treasure trove of multilayered tales that speak to our shared humanity.

Sharon: Who is your favourite Tudor and why?

Wendy: No question about it. Elizabeth I. I know she was not perfect, but she was an exceptionally intelligent human being. The fact she ended up the queen of England, after years of walking a road where any misstep could lead to her death, is such a story of triumph. And the triumph continued all through her life. Elizabeth remained queen for close to forty-four years, despite all the plots to bring her down.

Sharon: Who is your least favourite Tudor and why?

Wendy: Henry VIII. I don’t think I could ever like any man who murders his wives. I confess I wrote The Light in the Labyrinth hoping I’d find him more likeable. Alas, I liked him far less after completing my second Anne Boleyn novel. He was a bully, a tyrant (especially after 1536), possessed little empathy, emotionally abused his eldest daughter and forced her to betray the memory of her mother, all of which broke her spirit, made it harder for women to work in professions – for example, a law early in his reign excluded women from the medical profession, and was, many times, simply cruel.

OMG – he annulled his marriage to Anne Boleyn just days before her execution, so how could she be accused of adultery then? But he still executed her!

Sharon: How do you approach researching your topic?

Wendy: Books. Many books. And more books. Academic papers. Hours of searching for primary sources to help me with my topic. Living in hope of having funds to get to the places where my people once lived, just so I can walk in their footsteps.

I build my people – real and imagined – through thorough research. I love researching history and deepening my knowledge about people of the past, which means every book I write increases my own personal reference library.

Sharon: Tell us your ‘favourite’ Tudor story.

Wendy: The day they crowned Elizabeth. Whenever I read the primary sources about her coronation, I am always swept away by the joy of the day. By Elizabeth’s joy. And I get an extra shiver up and down my backbone to know Anne Boleyn was remembered on this day. What Elizabeth must have felt to see her mother included in the processional display that celebrated her lineage.

I have written about this day in Henry VIII’s True Daughter, and also touched on this scene in FIRE FROM THE COMET’S TAIL, one of my short stories:

One of the honoured women helping carry Elizabeth’s long, heavy mantle up the steps, Kate couldn’t resist doing a dancing step, far too excited and happy to mind the cold.

Drums rolled and trumpets blared. A thousand voices roared in triumph: Long live the queen. Long live the queen.

Bess looked over her shoulder at the crowds, and waved. In the sudden hushed silence, before the crowd shouted out as if in one voice, “Elizabeth! God Save Elizabeth!” the wind carried to Kate the well-remembered laugh of another queen. One more shout mounted up, God save the queen.

Out of the corner of her eye, her aunt seemed standing beside her. Love. Love never dies, or is forgotten, her aunt’s voice said in her mind. Strange. She had no memory of her saying that while she lived.

Snow-light blinding her again, Kate rubbed her eyes. When she opened them, Bess had entered the ancient doors of Westminster.

I really look forward to revisiting this day in the novel I am writing now.

Sharon: Tell us your least ‘favourite’ Tudor story.

Wendy: The execution of Anne Boleyn. Such an unjust end to her life. I also believe she only gave up hope of a reprieve in her last moments. How awful it must have been for her, knowing Henry wanted her dead so much he set in motion her execution. He may have given her the mercy of the French swordman, but he was merciless in other ways. And to die knowing she was leaving behind her infant daughter who would no longer have her protection. My heart breaks for her!

Sharon: Are there any other eras you would like to write about?

Wendy: I hope to live long enough to write about a few women from medieval Spanish history who have caught my attention. Researching Katherine of Aragon’s life has left me with a deep love of Spain and its history.

Sharon: What are you working on now?

Wendy: I’m working through the edits of Shades of Yellow, my novel about an Australian woman writing a Tudor novel (not me!), which is scheduled for publication on September 7th. I am also writing a novel inspired by the life of Frances Newton Brooke, a woman who served Elizabeth I even before she became queen until 1592. She is also subject I’m researching for my next nonfiction book for Pen& Sword Books

Sharon: And finally, what is the best thing about being a writer?

Wendy: Oh – finding kindred spirits, like you, Sharon! I feel so blessed with the friendships I have made along the way on this writing road of mine – and blessed to have this passion that helps me grow as a human being. Writing turned my life into a true adventure.

About the Author:

Wendy J. Dunn is an award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder. Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. Wendy is married, the mother of three sons and one daughter—named after a certain Tudor queen, surprisingly, not Anne. She is also the grandmother of two amazing small boys. She gained her PhD in 2014 and loves walking in the footsteps of the historical people she gives voice to in her novels. Wendy also tutors at Swinburne University of Technology, Australia.

Where to find Wendy’s books:.

Original version of Dear Heart, How Like You This?, New edition of Dear Heart, How like You This?

Original version of The Light in the Labyrinth. New version of The Light in the Labyrinth.

Falling Pomegranate Seeds duology: Part One,  The Duty of Daughters https://mybook.to/FPS, Part two: All Manner of Things.

Pen and Sword Books: Henry VIIIs True Daughter: Catherine Carey, A Tudor Life

Mi hermana, mi reina: La historia de Catalina de Aragn contada por su dama y fiel amiga Mara de Salinas (Spanish Edition)

Where to find Wendy::

Website – Newsletter – Facebook – Instagram: wendyjdunnauthor, Bluesky: wendyjdunn.bsky.social, LinkedIn: Dr Wendy Dunn – Academic Tutor and Lecturer – Goodreads – Bookbub

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: King of Wessex by Steven A. McKay

21/02/202520/02/2025Sharon Bennett Connolly4 Comments

His reign must come to an end. But his legacy will live on forever.

After thwarting the scourge of the Viking hordes that had decimated Britain for decades, King Alfred assured a period of peace and prosperity for the kingdom of Wessex. The dream of uniting all Anglo-Saxons under one, noble banner seems closer than ever before.

But his enemies are not ones to be taken lightly. For even as Alfred works to ensure the fate of his descendants for centuries to come, a fearsome warlord, Haesten, gathers his warriors for a brutal assault upon the shores of Alfred’s territories.

As the battle lines are drawn, as the true power of this new and terrifying threat comes into its own, the ageing king knows in his heart that things will be different this time round. For as strong as his land, his birthright, his Wessex, has become, the consequences of defeat have never been more terrible.

For one who has gained everything… has everything to lose.

What an incredible adventure it has been!

In his Alfred the Great trilogy, Steven A. McKay has brought the late 9th century to life, retelling the story of Wessex’s stand against the constant incursions of the Norse and the Danes, known collectively as the Vikings. Many fans of Bernard Cornwell will recognise the great enemy of King of Wessex as having been a regular character in his The Last Kingdom series: Haesten. Haesten was the last great enemy that Alfred faced before his death, in a four-year war that ravaged Wessex.

But in King of Wessex, Alfred is no longer fighting alone. He has the help of his daughter, Æthelflæd, now Lady of Mercia, and her husband, Æthelred. His son, Edward, no longer a child, is leading armies of his own. This family affair allows Alfred to defend his kingdom from all sides at once, moving armies to face new threats, knowing his back is covered.

What sets this series apart, however, is the relationships of the characters and King of Wessex shows just how far these relationships have developed. Alfred’s friend and captain Wulfric is a constant by his side. His wife, Ealhswith, gives wise counsel and overlooks his flaws (I am not sure I could overlook the womanising!) And having watched his children mature, Alfred now has to trust them to be his captains and his allies. But Alfred, though getting older and still suffering from the same health issues that would often see him doubled over in pain, is still the man in command. And the man to be beaten.

There were men in Mercia’s Witan who offered, or perhaps demanded would be more accurate, to take control while Aethelred was unwell, but Aethelflaed was not having that.

‘You?’ The thane who asked the question gaped at her incredulously. ‘But you’re a woman!’

Aethelflaed’s lip curled, and she rolled her eyes at him. He was a tall man, very broad of shoulder with a thick, dark beard and hard eyes. She knew she had to deal with him in the right way, or the rest of the gathered Witan would never take her seriously. So much was riding on these next few moments. ‘I am indeed a woman, Morcar. Well spotted. Not much gets past you I see.’

Some of the other council members sniggered and Aethelflaed took note of them. She’d been taught that such information, the dynamics of the Witan such as who liked who and who would like to murder whom, was always useful to know. Similarly, Morcar’s reaction to her gentle but very public insult would also be worth noting.

‘No need to be glib, my lady,’ the big man replied dryly, rather surprising Aethelflaed for she’d half expected him to grow angry at her. That he didn’t was definitely a point in his favour and belied his fierce looks. ‘You know what I mean,’ he went on. ‘Women don’t usually rule in Mercia.’

‘It would only be temporary,’ Aerthelflaed replied, standing up and walking around the hall, eyeing the mostly middle-aged men who formed the Witan. ‘Until my husband is over his illness.’

‘And what if he does not get over it?’ a red-faced, bulbous-nosed man asked bluntly.

‘Then we’d need to look at the matter again, Edgar,’ Aethelflaed barked, annoyed at the question for she’d grown close to Aethelred in the relatively short time they’d been married. ‘But, for now,’ she stopped walking right behind Edgar who was forced to turn in his chair and crane his neck upwards to see her, ‘my husband is alive, and I shall take his place as head of the Witan.’

‘But you’re not even Mercian,’ Edgar argued.

‘I am Mercian now,’ Aethelflaed retorted, her patience growing thin with the dense thane who had actually got to his feet, forcing her to look up at him now. ‘I married your ealdorman, Aethelred, didn’t I? Or does marriage not count for anything these days?’

Edgar shook his head, clearly annoyed. He was only a little taller than her, with thinning white hair, and he ground his teeth as he glared at her, almost as if he wanted to take her over his knee and smack her backside like a naughty child. ‘You might have married Aethelred,’ he growled, ‘but you are your father’s daughter first and foremost. Your loyalty lies with Wessex, not Mercia.’

‘Surely it’s the same thing?’ Aethelflaed asked in a low voice, her steely eyes boring into his.

‘What? Because Alfred has declared himself king of all the Angles and Saxons?’ Edgar asked. His breath was sour and Aethelflaed realised he was drunk.

‘Yes,’ she replied, as if it was obvious. ‘My father is the only king Mercia has, since Aethelred is but an ealdorman. I would remind you, Edgar, that King Alfred, and his fyrd, are the only things standing in the way of the Danes overrunning Mercia completely.’

‘Are you calling us cowards now?’ the inebriated thane demanded, his flushed features contrasting deeply with his white hair. ‘You’re lucky you’re not a man, or I’d show you the men of Mercia are not afraid of anything.’

He was so angry at her that flecks of spittle struck her face as he ranted. And, as he went on, he actually reached out and grasped her sleeve, digging his fingers into her bicep.

Instinctively, Aethelflaed grabbed his hand, twisting his wrist and forcing him to spin around so he was facing the table again. Despite knowing she’d done enough, she could not keep her temper in check and thrust her knee into the back of his, making him stumble and, as he went down, she pushed his face, hard, into the trencher of meat and cheese that he’d been eating from.

I love Aethelflaed!

After three books, Steven A. McKay’s characters are so well developed that you know how they will react to certain situations. Alfred is thoughtful and looks for advice from his captains and churchmen. Edward is still learning, and looks to his father as an example. Aethelflaed is feisty whereas her mother is calm and dependable. Wulfric, the loyal captain, is good in a fight but has his own axe to grind and looks for ways to give Alfred the advantage.

Haesten and his wife, Ulfhild, are bloodthirsty, ruthless and, apparently, unstoppable.

It makes for a fascinating novel, with father, son, daughter and son-in-law each having a role to play in starting the fight back that would lead to a united England. Thanks to the legacy of The Last Kingdom, the story is familiar to many, but Steven A. McKay has made it all his own. King of Wessex, like The Heathen Horde before it and Sword of the Saxons before that, is a fabulously absorbing read. You can practically smell the blood and hear the noise of battle; the clash of swords, the screams of the dying and the shouted orders of Alfred and his captains.

My only regret is that the series is now over. I would have loved to see it continue to the reign of Athelstan and the Battle of Brunanburh – but then, I suppose, it wouldn’t be the story of King Alfred, would it?

As it is, Steven A. McKay has all the ingredients for a riveting good read and he uses them to his best advantage, to create a story that grabs the reader from the very first page. Itis exciting, thought-provoking and will bring a tear to your eye at the end. It is well worth the journey. King of Wessex is a novel that is not to be missed!

Buy the book!

About the author:

Steven A. McKay was born in Scotland in 1977. He is the author of two previous series of historical fiction, following Robin Hood and the warrior-druid Bellicus in post-Roman Britain. He plays the guitar, is the co-host of historical adventure podcast Rock, Paper, Swords! along with author Matthew Harffy, and lives just outside Glasgow with his wife and children.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

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Also by Sharon Bennett Connolly:

Podcast:

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About the author:

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Also by Sharon Bennett Connolly:

Podcast:

Share this: