Hi all, I have a few snippets of news to share, so thought I would write a short post to make sure you are all caught up.
Book News:
Firstly, as you know, my next book, Princesses of the Early Middle Ages: Royal Daughters of the Conquest is going through the editing process and already has a gorgeous cover. I now have a release date – 30 March 2026 in the UK. I am still waiting for a date for the US release, but it is usually2 or 3 months after the UK. And it is now available for pre-order on Amazon. Here’s the blurb:
Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest will explore the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time. Almost as interesting as the marriages these girls made are the ones that were never realised. Many English princesses were betrothed, or proposed as brides, three or more times before they were married. Their failed marriage proposals demonstrated their influence and worth on the international royal marriage market, as well as the changing allegiances between countries and the making and breaking of international friendships. Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with someAboutme: outright refusing the husbands offered to them. Their stories are touching, inspiring and, at times, heartbreaking.
I am still working on the second book Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets, which will be winging its way to my editor by the end of August.
Talks news:
I have some talks coming up over the summer and I would love to see you there and say ‘hello’ if you are in the area.
Conisbrough Castle
Saturday 26 July 2025 and Saturday 23 August 2025, I will be back at ‘my local’ with two talks and a book signing.
The talks are:
11am The Warennes of Conisbrough Castle
The subject of my book, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, the Warennes held the Honour and castle of Conisbrough from the time of the Norman Conquest of 1066 until the death of the 7th and last earl in 1347. A noble family at the heart of English government, the Warennes were closely related to the Plantagenet royal house and played leading roles in the government of the realm. They held lands stretching from Lewes in the south, through Castle Acre in Norfolk, to Sandal Castle in Wakefield.
1pm The Women of Conisbrough Castle
From Gundrada de Warenne to Maud Clifford, widow of Richard of Conisbrough, some remarkable women have called Consibrough Castle home. From heiresses to abandoned wives and duchesses accused of infidelity, their stories unfolded within the castle’s stout walls.
Tickets are free, but places are limited.
To reserve your place contact Conisbrough Castle:
Tel: 01709 863329
Email: conisbroughcastle@english-heritage.org.uk
Worcester Medieval Fest
Worcester Cathedral have put on a wonderful series of events in August to celebrate all-things medieval with a particular focus on King John. From Disney’s Robin Hood, to little old me. With a medieval market, crafts and talks, there’s something for everyone.
Learn about the lives of the women of Magna Carta, including , Matilda de Braose, Nicholaa de la Haye and Isabel d’Aubigny.
Women from many of the great families of England were affected by the far-reaching legacy of Magna Carta, from their experiences in the civil war and as hostages, to calling on its use to protect their property and rights as widows. Among them, Matilda de Braose, Nicholaa de la Haye and Isabel d’Aubigny each played a part in the Magna Carta story.
I am so excited to be talking about some of my favourite Tudor women in one of the greatest Tudor manor houses in England – Gainsborough Old Hall – a building which some of the women called home. Highlighting the lives of Bessie Blount, Anne Askew, Katherine Willoughby, Katherine Parr and Rose Hickman.
More details to come…
Podcast:
If you haven’t yet, do have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Our most recent episode was a fascinating discussion with historian Helen Castor on Henry IV. And coming soon, we have bestselling thriller writer Scott Mariani talking about his new series set in the Third Crusade.
Sharon Bennett Connolly is the bestselling author of several non-fiction history books. A Fellow of the Royal Historical Society, Sharon has studied history academically and just for fun – and has even worked as a tour guide at a castle. She also writes the popular history blog, http://www.historytheinterestingbits.com and co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. Sharon regularly gives talks on women’s history, for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the Norman Conquest in the National Curriculum. She is a feature writer for All About History, Tudor Places and Living Medieval magazines and her TV work includes Australian Television’s Who Do You Think You Are?
Her previous books include: Heroines of the Medieval World, Silk and the Sword: The Women of the Norman Conquest, Ladies of Magna Carta: Women of Influence in Thirteenth-Century England, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, King John’s Right-Hand Lady: The Story of Nicholaa de la Haye, Women of the Anarchy, Heroines of the Tudor World and Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.
The time commonly referred to as the Anarchy is one of the most violent and unstable periods of English history. Lasting almost the entirety of the reign of King Stephen, it truly was a Cousin’s War. The two main protagonists, King Stephen and Empress Matilda, were first cousins, both being grandchildren of William the Conqueror and his queen, Matilda of Flanders. What is perhaps less well known is that Empress Matilda was also first cousin to Stephen’s wife and queen, Matilda of Boulogne. The two Matilda’s were both granddaughters of Margaret of Wessex, Queen of Scots as the wife of Malcolm III Canmore. And later St Margaret. It is through Margaret that the namesake cousins could claim descent from Alfred the Great.
The origins to the Anarchy can be traced back to one dramatic and tragic event: the sinking of the White Ship in 1120. This saw the drowning of the only legitimate son and heir of King Henry I, William Ætheling (or Adelin). The young man was 17 years old at the time, recently married, and his father’s pride and joy. His death gave rise to a constitutional crisis which the widowed Henry I sought to resolve by his speedy marriage to the teenage Adeliza of Louvain, in the hope of begetting yet more sons. Although he was getting on in years at roughly fifty-two, and had only two legitimate children, his brood of more than twenty illegitimate, but acknowledged, offspring gave him cause for optimism.
However, as the years progressed and no children were born, Henry had to look to other ways of resolving the succession crisis. In the years since the death of his son, the king had taken his nephew Stephen of Blois under his wing, showering him with gifts and land, and arranging the young man’s marriage. Stephen was the son of Henry’s highly capable sister Adela of Normandy, Countess of Blois and Stephen, Count of Blois, who had been killed on Crusade. The younger Stephen was created Count of Mortain and married to Matilda of Boulogne, the only child and heiress of Eustace of Boulogne and Mary of Scotland. It is possible that Henry was showing Stephen such favouritism in anticipation of not producing an heir by his new wife and was grooming Stephen to succeed him.
Empress Matilda depicted in an image from the Gospels of Henry the Lion.
However, the death of his daughter’s husband, Emperor Henry V, in faraway Germany offered Henry an alternative to his nephew. Better still, here was an opportunity to put his own blood on the throne. Shortly after the German emperor’s death in 1125, Henry recalled Empress Matilda to England. She had been sent to Germany at the age of seven, to be raised at the court of the emperor in anticipation of their marriage when she came of age. Matilda had married Henry in 1114, a month before her twelfth birthday. Although she and Henry were married for eleven years, they remained childless. When Henry died in 1125, Henry I of England therefore saw an opportunity to resolve his succession problem by recalling Matilda and making her his heir.
There was one problem with this plan: Matilda was a woman. Henry knew his barons would not be happy with the idea of being ruled by a woman, but by a process of coercion and persuasion he managed to get all his barons to swear to accept her as their next monarch. Following Matilda’s arrival in England in 1126, Henry proceeded to extract oaths of allegiance to her from all the bishops and magnates present at his Christmas court. Notably, this included Stephen of Blois, Count of Mortain, King Henry’s nephew and the empress’s cousin. One of the concessions made to the barons was that they would have a say in Matilda’s choice of husband. After all, as a woman, Matilda would need a husband to rule in her name. The Anglo-Saxon Chronicle reported:
David the king of Scots was there, and all the head [men], clerical and lay, that were in England; and there he [Henry] had archbishops, and bishops, and abbots, and earls, and all those thegns who were there, swear England and Normandy after his day into the hand of his daughter Æthelic [Matilda], who was earlier wife of the emperor of Saxony; and afterwards sent her to Normandy (and with her travelled her brother Robert, Earl of Gloucester, and Brian, son of the earl Alan Fergant), and had her wedded to the son of the Earl of Anjou, [who] was called Geoffrey Martel [Plantagenet]. Despite the fact that it offended all the French and English, the king did it in order to have peace from the Earl of Anjou and in order to have help against William his nephew.1
Matilda of Boulogne
In trying to resolve the issue of who would rule after him, Henry had inadvertently created a problem that ensured the succession would be anything but smooth. He had created two rivals for the throne. His daughter had the claim that she was Henry’s successor by blood, but she was a woman. Though his blood claim was weaker, Stephen was Henry’s closest living male relative, and in the days when a king not only had to rule but had to lead his men into battle, the prospect of a female ruler struck fear into the hearts of the barons.
Empress Matilda’s actual abilities mattered less than the fact of her gender. Raised at the German imperial court, Matilda was an experienced politician who had acted as regent for her first husband on several occasions. She was confident. She knew, beyond doubt, that she was capable of ruling in her own right. This confidence was her strength but also her weakness; the barons would surely baulk at the idea of a woman who was unwilling to take instruction from them. In contrast, King Stephen was a magnate who was experienced in war and had enjoyed the favour of King Henry I.
Stephen’s wife, Matilda of Boulogne, was a stalwart supporter of her husband. She was arguably more capable than Stephen and often took the initiative in diplomatic negotiations. Acting as Stephen’s queen, she offered a stark contrast to the independence and authority of Empress Matilda that so infuriated the barons. Matilda of Boulogne was a little more subtle than her imperious counterpart, only ever acting in her husband’s name, not her own. Even later, when she held the command of Stephen’s forces during his captivity in 1141, she claimed to act only on behalf of her husband and sons.
King Stephen, Lincoln Cathedral
Matilda of Boulogne was an example of how a woman was expected to act and comport herself: strong and confident, but subject to her husband’s will. On this last, Empress Matilda failed in the eyes of the barons; she was acting for herself. In the event, the barons of England and Normandy despised her second husband, Geoffrey of Anjou, so they would have been even less receptive to Matilda had her husband tried to assert his authority. It was a conundrum that Matilda was never able to resolve, though she would not give up trying.
And the empress was, ultimately, the winner. With Stephen’s death in 1154, the last flickers of conflict also died. The empress’s oldest son succeeded as Henry II, peacefully and largely unopposed, despite the continued presence of Stephen’s son, William of Blois. Support for William was non-existent, and the war-weary barons were more than happy with the settlement. For Empress Matilda, it must have been a bittersweet moment. She had spent most of the past nineteen years fighting for her birthright and that of her son. While she had never worn the crown, Henry now did. The line of succession had finally passed into the hands of the descendants of Henry I.
Her bloodline had prevailed, but King Stephen had denied Empress Matilda her inheritance, her titles and her due. The irony of this struggle is that, in order to claim the throne, Stephen overruled the same laws of inheritance that saw him become Count of Boulogne. While it was difficult for a woman to manage her own lands and titles, they descended through her to her husband or son. So, as the county of Boulogne was inherited by Queen Matilda, so Stephen held those titles by right of his wife. And this was the dilemma for the Anglo-Norman nobility, and the reason they largely chose to support Stephen: they were suspicious and distrusting of the husband chosen for Empress Matilda. Just like Stephen, Geoffrey of Anjou had every right to claim Matilda’s lands as his own. Not the Geoffrey showed any interest in England; his sights were firmly set on Normandy, which he had conquered by 1144 and handed to his son, Henry in 1150.
The similarities between Empress and Queen are more noticeable than their differences. Both women demonstrated a level of piety which can only have come from their family connection, namely their mutual descent from Margaret of Wessex, Queen of Scots and later saint. Each Matilda was willing to do whatever it took to protect the interests of her children. Queen Matilda appealed to the empress to protect her son Eustace’s inheritance, while the empress invaded England. It is easy to see the empress’s struggle as an expression of her personal ambition to recover the inheritance stolen from her.
Henry II, Lincoln Cathedral
Yet it is necessary to look deeper and acknowledge that she was also motivated to see her son achieve his birthright. When Stephen usurped her throne, he stole it not just from Matilda but also from Henry. Calling himself Henry Fitz Empress when he joined his mother’s struggle, Henry was the grandson and eventual heir of Henry I. He had been raised to believe that England and Normandy were his destiny, and with the knowledge that his mother was absent for much of his formative years because she was fighting for his inheritance as much as hers.
Both empress and queen were adept at negotiating to achieve their aims, demonstrating impressive diplomatic skills in the most difficult of circumstances. Neither was prepared to sit on the sidelines and let others fight their battles for them. Although they could not wield a sword, nor participate in warfare, neither did they sit and wait in the safety of their ivory towers. They travelled with the armies and participated in councils of war, advising, directing and commanding their forces.
Empress Matilda and Queen Matilda had so much more in common than a name. Indeed, there was more to uniting them than pitting them against one another, be it family ties, abilities or aspirations for their children. What really differentiated them was the way they went about achieving their aims.
Dynastic ambition was a fine line for a woman to walk…
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The story of Empress Matilda and Queen Matilda of Boulogne is examined in greater detail in my book, Women of the Anarchy.
Notes:
1. Anglo-Saxon Chronicle, edited by Michael Swanton
Sources:
Gesta Stephani, translated by K. R. Potter; Henry of Huntingdon, The History of the English People 1000-1154; Marjorie Chibnall, The Empress Matilda: Queen Consort, Queen Mother and Lady of the English; Teresa Cole, The Anarchy: The Darkest Days of Medieval England; Catherine Hanley, Matilda: Empress, Queen, Warrior; Helen Castor, She-Wolves: The Women who Ruled England before Elizabeth; Robert Bartlett, England Under the Norman and Angevin Kings; J. Sharpe (trans.), The History of the Kings of England and of his Own Times by William Malmesbury; Orderici Vitalis, Historiae ecclesiasticae libri tredecem, translated by Auguste Le Prévost; Chronicles of the Reigns of Stephen, Henry II and Richard I; Edmund King, King Stephen; Donald Matthew, King Stephen; Matthew Lewis, Stephen and Matilda’s Civil War: Cousins of Anarchy.
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Our first ever episode was a discussion on The Anarchy Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
Today, it is a pleasure to welcome Aimee Fleming to History…the Interesting Bits. Aimee’s first book, The Female Tudor Scholar and Writer: The Life and Times of Margaret More Roper was a wonderful biography of Thomas More’s famous scholarly daughter. Aimee is now back with a second book, looking into the lives of the first royal Tudor children, Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York. And she has written a little piece as a taster of the treat that is this wonderful book. Over to Aimee…
When Henry VII and Elizabeth of York married in January 1486, it was clear to them that their most important task ahead was to stabilise England, and the best, perhaps easiest way available to them was to produce an heir, and quickly.
However, bearing a child in the fifteenth century was not an easy feat, even for a Queen. Science and medicine were far from helpful, and the practices of the time meant that pregnancy and childbirth were dangerous to everyone involved. Elizabeth had her family around her, her mother who had had twelve children would have been invaluable to her, but the risks to herself, her child, and to her husband’s reign would have been very clear indeed.
In this extract we see how the couple prepared for their new arrival, and what Elizabeth herself was required to do, even before the rigours of birth.
Extract from Chapter 2 of Tudor Princes and Princesses
Elizabeth of York
Following the wedding ceremony in January 1486, the royal couple remained in London and held court over celebrations in their honour, with spectacular banquets and dances. The celebrations were held all over London and further afield. As Bernard André describes:
‘…the most wished day of marriage was celebrated by them
with all religious and glorious magnificence at court, and
by their people, to show their gladness with bonfires,
dancing, songs and banquets throughout all London,
both men and women, rich and poor, beseeching God to
bless the King and Queen and grant them a numerous
progeny.’
This outpouring of support for the marriage of the king and queen was welcomed by all, especially by Henry and Elizabeth themselves, who knew just how important it was that their union, and rule, be accepted. It became apparent that their marriage represented the potential for peace in the form of an heir who would have their claims combined within him. Hall’s Chronicle shows what was expected.
‘By reason of whiche manage peace was thought to discende out of heaue into England, consideryng that the lynes of Lancastre & Yorke, being both noble families equiualet in ryches, fame and honour, were now brought into one knot and connexed together, of whose two bodyes one heyre might succede, which after their lyme should peaceably rule and enioye the whole monarchy and realme of England.’
Confident in their position early on, the king and queen worked to secure the future that so many hoped for and very soon after their wedding took place it was announced that the queen was with child. Whether that be out of duty, mutual respect, or genuine affection and love between them, the conception of a child was joyous news for all involved. Calculating from the date of their wedding, and Arthur’s birth, it is reasonable to assume that they conceived quickly, if not on their wedding night itself. When Henry departed for a progress around Yorkshire and Lincolnshire in the early spring of 1486, he did not take Elizabeth with him, most likely because she was suffering from morning sickness, or other symptoms associated with the early stages of pregnancy. As a first-time mother, it would have been new to Elizabeth, but luckily, she had her experienced mother and mother-in-law both around to support her. While Henry was travelling, he sent regular letters to his new wife, and would send gifts to her while she stayed at the Palace of Placentia.
Elizabeth would have been familiar with the palace, having spent a lot of time there as a young girl. It would become one of the most favoured for the king and queen and would be renamed by Henry as Greenwich Palace. Both names emphasise how the palace was surrounded by green parks and fields, isolated from the hustle and bustle and potential diseases of London itself.
As soon as it could be confirmed that Elizabeth was with child, the wheels began turning to arrange yet more elaborate ceremony, intended to cement Elizabeth as queen, the Tudor dynasty as the ruling family, and rightfully on the throne. This started with Elizabeth’s care while pregnant.
While it was not common for pregnant women to receive medical or ante-natal care in this period, Elizabeth’s health would have been monitored and her diet checked, and healthy habits encouraged by her ladies and physicians. Pregnant women were discouraged from heavy activities or stressful situations, and sometimes forbidden to eat certain foods; for example, if a woman complained of morning sickness, she may be told to limit her intake of fish or milk, both of which modern doctors would recommend she eat.
Pregnancy was dangerous, as was childbirth, for both the mother and the child, so royal women were given the best possible conditions in which to give birth, according to the science of the time.
Elizabeth of York
As a woman’s due date got closer, she would be expected to enter confinement. This was a time where the pregnant woman and her household would isolate themselves in the woman’s bedroom. Windows would be barred and draped, and air flow would be completely stifled as it was believed that illnesses were carried on the air. For a queen, preparations for confinement would be made by the king according to traditions laid out during the reign of Edward IV, Elizabeth’s father. She would have been very familiar with the work that needed to be done, and the fact that the arrangements would be made for her by her husband.
Henry took his role in arranging Elizabeth’s confinement very seriously indeed. He purchased clothes and bedding for the chambers, all made of furs and velvet, and the most luxurious cotton sheets. He arranged for new furniture for her rooms and cushions stuffed with feathers, and even, bewilderingly, two velvet-covered saddles.
However, by far the most important decision that Henry made regarding his wife’s confinement and birth experience was to choose the location, and for Henry there was only one place that it could happen and that was the city of Winchester.
About the Author:
Aimee Fleming is a historian and author from North Yorkshire. She is happily married, with three growing boys and a whole host of pets. She studied history at the University of Wales, Bangor and then later completed a masters in Early Modern History at the University of York as a mature student. She has a passion for history, particularly the Tudors, and worked for over a decade in the heritage industry in a wide variety of roles and historic places.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
When the Saxons, invited to settle in Britannia by King Wyrtgeorn, brutally murder the father and brother of Ceredig, the second son of a fifth century Romano-British chieftain, he flees the land of his birth.
While the Saxons expand their control over Britannia, Ceredig grows up in Armorica, learning the ways of the Gewisse, and ultimately taking command of this elite force of warriors, who had remained loyal to his father, Elisedd.
Despite ruling as a chieftain in Armorica, Ceredig remains determined to return to his homeland, avenge his father and brother’s murder, and finally reclaim the lands his father had once ruled in southern Britannia.
After over forty years in exile, Ceredig, his son and a force of Gewisse warriors return to Britannia, joining a large army of Britons who are preparing to take on the Saxons in battle at Badonbyrg.
What happens next will go down in history…
As a debut novel, Rise of the First Wessex King by A.J. Proudfoot is a winner. And as a special treat, alongside my review, I have an interview with the author, who is currently working on book no. 2 in what promises to be a fascinating series. Cerdic, or Ceredig, is the founder of the kingdom of Wessex and a royal house that would reach its zenith under Ceredig’s descendants, King Alfred the Great, Æthelflæd, Lady of the Mercians, her brother Edward the Elder and Edward’s son Athelstan, first king of England.
And it all started with Ceredig.
In Rise of the First Wessex King, A.J. Proudfoot recreates Ceredig’s world, post-Roman Britain, breathing life into this 1,500-year-old story. And what a fascinating story it is. Though our knowledge is limited, Proudfoot fills in the gaps to create a lively and energetic retelling of the foundation of the royal house of Wessex. This is the story of the fight of the native Britons against the invading Saxons, of a war that must have felt never-ending, at times. It is a story of conflict and betrayal, but also of family and comradeship, and of a young man who had to patiently wait for the time to be right to achieve his dream of pushing back the Saxons and going home.
The characters, particularly our hero, are wonderfully vivid. And I love how Proudfoot weaves the legends of Arthur and Hengist and Horsa in to the story, bringing a little-known period of history back to life. Who doesn’t like to see a little bit of King Arthur thrown into the mix? The inclusion of Artorius and Ambrosius made me smile – and want to read more!
This is a debut novel, so Proudfoot sometimes fall into the trap of giving summaries, telling, rather than showing the action and debate, but this does not detract from the pace of the book. Overall, it is a fabulous read, imbued with a sense of adventure. It is a great start to what promises to be an impressive series.
Overall, it is a great story, told well!
If you’re looking for a new author to sink your teeth into, I don’t hesitate to recommend A.J. Proudfoot’s Rise of the First Wessex King.
Sharon: So, Alex, what got you into writing historical fiction?
Alex: This may come as a surprise, but I didn’t originally set out to become an author and write historical fiction novels. I was simply trying to trace the origins of my unusual Proudfoot surname, and was continuing the research into our Proudfoot family history that my parents and aunt had begun many years before.
After several years’ research, I was amazed to find that I had traced my family ancestry back 1500 years to a mysterious chieftain called Cerdic, at the end of the fifth century, who founded the Anglo-Saxon kingdom of Wessex. There are many interesting ancestors in the Proudfoot family tree, whose lives would make an excellent novel, but when I discovered more about Cerdic’s life, I realised that there was an Arthurian story that was worth writing.
Sharon: What made you want to tell Cerdic’s story?
Alex: I was intrigued why this important figure in early English history has been largely ignored by historical writers, so I undertook my own research into the life of Cerdic, finding crucial inconsistencies in what is written about Cerdic’s Saxon heritage, which I put down to a desire, by early Saxon chroniclers, to establish King Alfred’s Saxon ancestry.
Instead, I found evidence that Cerdic was more likely to be descended from a Romano-British family, who originally hailed from an ancient Welsh kingdom, and was more than likely called Ceredig, given his Brythonic heritage, and to the phonetic similarities. As a result, I felt compelled to use what I had learned to tell the story about my earliest known ancestor and his crucial role in history, based on recorded events in the early Anglo-Saxon era. To paraphrase John Wade, the rest is historical fiction!
Sharon: How do you go about researching a historical character from 1500 years ago?
Imaginary depiction from John Speed’s 1611 “Saxon Heptarchy”
Alex: The great difficulty in researching a historical figure from so far back is the lack of contemporary records. My starting point was, naturally, the Anglo-Saxon Chronicle, but it only mentions six events relating to Cerdic’s life, and is written from a Saxon perspective. I read all I could about Cerdic in research papers by modern Anglo-Saxon historians, including JNL Myers and Richard Coates, which is where I found clues to Cerdic’s Romano-British connections. There was also a story about 5th century Bishop Germanus meeting a regional chieftain in southern Britain, called Elasius, whose name is remarkably similar to Elesa, the recorded name of Cerdic’s father in the Anglo-Saxon Chronicle.
Eventually, I had built a picture of the young son of a Romano-British chieftain, ruling and defending the southern coastline of Britain against Saxon invaders, who suddenly disappeared from Britain, returning nearly fifty years later to take control over a region in the Upper Thames Valley, before expanding his lands south before becoming king and ruling a kingdom of the Gewisse that would eventually become known as Wessex, named after the West Saxons.
My research raised more questions than answers, so I used what I had learned about events during that period to write a dramatic reconstruction of Cerdic’s life, and the formation of the Anglo-Saxon kingdom of Wessex. Based on fact, but mostly fiction.
Sharon: What are you working on now?
Alex:I am currently working on a sequel to Rise of the First Wessex King, which will follow the lives of Cunorix and his son, Ceawlin, as they try to build on Ceredig’s legacy in ruling the kingdom of the Gewisse, whilst facing threats from the Saxons in the east, and Britons in the west, as well as challenges they could not anticipate.
Sharon: What is the best – and worse – thing about being a writer?
Alex:Personally, the hardest part about writing my historical fiction novels is that the stories are based in the south of England and I live just outside Edinburgh, in Scotland. This meant that I have had to make several research trips down south, visiting locations featured in my novels. Whilst there is very little evidence to reveal what it would be like when the books are set, I have found this a useful exercise in understanding the topography, as well as encouraging the creative writing juices.
The best part of being a writer is that I love history and solving puzzles. This has been useful in writing about a period in history where facts are limited, so deciphering my characters’ motives behind their decisions has been crucial in building the story of their lives.
About the Author
A J (Alex) Proudfoot lives in Musselburgh, near Edinburgh. He started his career as an accountant, working in the brewing, publishing and financial sectors, before qualifying as a chartered marketer, working at the University of Edinburgh for over twenty years. After retiring early in 2018, he has spent his free time researching his Proudfoot family history, back 1500 years to his earliest known ancestor, which led to the publication of his debut historical fiction novel, Rise of the First Wessex King.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Everyone complains about William Shakespeare’s portrayal of Richard III and how that kings posthumous reputation has been damaged – possibly beyond repair – by the bard’s now-infamous play. His greed, ambition and murderous shenanigans enshrined in literature and history. But Richard III was not the only historical figure whose true history was subjected to defamation and misinformation in the name of drama, by that same playwright. For over 400 years, William Shakespeare’s version of Lady Macbeth has been the woman most people are familiar with. The scheming, ambitious wife who will stop at nothing to put her husband on the Scottish throne – and commit murder to keep him there.
In Macbeth, also known as ‘The Scottish Play’, the eponymous character’s wife is not even given her own name. She is ‘Lady Macbeth’, and she is imbued with evil and ambition. She is a character to be vilified and hated, driving her husband to yet greater crimes for the sake of a crown. She never professes love, nor sentimentality throughout the play. She is an intelligent, beautiful woman, but her passions are for power and supremacy.
But is that the real Lady Macbeth?
As many fans of Richard III will say, Shakespeare is fiction. He is telling a story to entertain, imbuing it with the moral judgements of his time, the early modern era. Unlike with Richard III, Lady Macbeth has no following with a desire to seek out the truth and right the wrongs done to her. Historians have tried to address the bard’s inaccuracies.
But Shakespeare’s shadow is long…
So, who was Lady Macbeth?
Lady Macbeth by George Cattermole
As you can imagine, with the passing of nearly a thousand years, the information on Lady Macbeth is scarce. We know her name was Gruoch, and she was a royal princess, the granddaughter of a king. Gruoch’s date of birth is unknown, but she appears to have been married at some point in the 1020s to a man named Gille Comgáin, which may mean she was born in the first decade of the eleventh century, perhaps somewhere around 1005-1010. We know that she and Gille Comgáin had a son, named Lulach.
Gille Comgáin, was involved in a particularly nasty family feud. He was a first cousin of Macbethad mac Findláech – Macbeth MacFinlay in English – Macbeth. Macbeth’s father, Findlaech mac Ruidrí was mormaer of Moray and may have been some relation to Malcolm II, King of Scots. The other possibility, though the evidence is later and uncertain, is that Findlaech was married to the unnamed youngest daughter of Malcolm II. Although the family relationship is confusing, this may explain why Macbeth is identified as a nephew or grandson of Malcolm II in various sources.
Gille Comgáin he and his brother, Máel Coluim, had murdered Macbeth’s father, and claimed the lands of Moray, with Máel Coluim succeeding his uncle as Mormaer of Moray, a semi-independent region of north-eastern Scotland. Literally translated, mormaer means great steward and the holders of the title enjoyed semi-royal status, which may explain why they are sometimes referred to as kings. Máel Coluim was in turn succeeded by his younger brother Gille Comgáin, on his death in 1029. Macbeth, younger than his murderous cousins, and probably only a teenager at the time, fled, perhaps to Ireland.
Macbeth and Banquo
In 1032, Gille Comgáin was murdered, along with 50 of his men. Although Macbeth is not mentioned as the perpetrator, many, certainly, lay the blame at his door. Given the number of dead involved, it is possible that Gille Comgáin and his followers were trapped in his hall as it was burned down, perhaps during a feast, the doors barred from the outside to prevent escape. If Gruoch was Gille Comgáin’s wife, she did not share her husband’s fate. It is possible that she and her small son were away from home at the time, otherwise they would have perished alongside the others. Another possibility is that Gruoch escaped – or was rescued – from the hall with Lulach before the fire took hold.
Macbeth succeeded his cousin as mormaer of Moray, and it was only a short time after Gille Comgáin’s death that Gruoch and Macbeth were married, putting an end to the murderous family feud. We may feel uneasy about Gruoch marrying her husband’s murderer, if he was, but the union was political common sense. Gruoch, a mother with a young son and royal blood, was low on male protection; her brother had just been murdered, possibly by Malcolm II, and her infant nephew would be killed the following year. As the wife of Macbeth, Gruoch could feel secure in his protection as the new mormaer and may have extracted guarantees that Macbeth would look after Lulach’s interests, given the way he raised the boy and even designated him as his heir. For Macbeth, Gruoch’s royal blood and lands would strengthen his own claim to the Scots throne, if he was thinking that far ahead in 1032.
In 1034, on 25 November, King Malcolm II died at Glamis and was peacefully succeeded by his grandson, Duncan, helped no doubt by Malcolm’s campaign of eliminating potential rivals. Duncan was probably in his mid-20s when he was invested as King of Scots at Scone just five days after his grandfather’s death: he was certainly not the old man as depicted by Shakespeare. When Duncan led an army north against Thorfinn of Orkney, Thorfinn allied with Macbeth to form a league to challenge the Scots king. Duncan led an army against Moray, apparently unaware of Macbeth’s alliance with Thorfinn and the two armies met at Pitgaveny, near Elgin, on 15 August 1040. Macbeth won the contest, with Duncan lying dead on the field of battle at the end of the day – not murdered as in ‘the Scottish play’. With Duncan’s sons still only children, taken into exile, beyond Macbeth’s reach, Macbeth assumed the kingship unchallenged, with Gruoch by his side.
Gruoch is the first Scottish queen whose name is known to history.
Lady Macbeth sleepwalking by Johann Heinrich Füssli
In the early years of his reign, Macbeth faced challenges from the dead King Duncan’s father and from Siward, Earl of Northumbria, who mounted an invasion of Scotland in the name of Malcolm, Duncan I’s oldest son and heir. Although the invasion initially succeeded in defeating Macbeth, the king gathered reinforcements from his heartlands in the north and expelled Siward’s forces.
There followed 8 years of peace in Scotland. By 1050, King Macbeth was in such a strong position that he was able to leave the kingdom and go on pilgrimage to Rome, where he ‘scattered money like seed to the poor’.1 The pilgrimage would have been a combination of religious devotion and diplomatic networking; a chance for the King of Scots to be seen on the wider European stage. The generosity of Macbeth and Gruoch towards the church, during the pilgrimage, had monastic writers recording that ‘in his reign there were productive seasons’.2
In those 8 years, Duncan’s sons were growing to adulthood and in 1054, Earl Siward again invaded Scotland, hoping to place Malcolm on the throne, as a client king of England’s Edward the Confessor. Although the battle at Dunsinane was lost, Macbeth’s men sold their lives dearly; Siward’s oldest son was killed, and the earl was unable to press any advantage. Scotland was divided, with Malcolm establishing himself in Lothian and the southern kingdom of Strathclyde, while Macbeth continued to control Scotland’s heartlands north of the Forth. The subsequent campaign was long and bloody as Malcolm extended his influence northwards. It was not until 1057 that Malcolm crossed the Mounth, ambushing Macbeth, cut off from his main army, at Lumphanan, west of Aberdeen, on 15 August. Macbeth was killed in the battle, along with his personal bodyguard.
The Scots king was buried on the island of Iona, where his rival King Duncan was also interred. Macbeth was succeeded, briefly, by his stepson, Lulach. His reign lasted less than a year and he was defeated and killed, ‘by treachery’, on 17 March 1058, at Essie in Strathbogie.
Macbeth’s reputation as a strong, wise, generous and pious king has been overshadowed by the Macbeth of Shakespeare. He is described as ‘a tall man with a ruddy complexion and fair hair’.3 Of his wife Gruoch, we have no description. We have very little record of Gruoch’s movements, either as Macbeth’s wife or before. We can assume that she spent the early years of her marriage to Macbeth in creating a household and raising her young son, Lulach.
Once Macbeth attained the throne, Gruoch may well have assumed the traditional roles associated with queens, as an intercessor for those seeking the king’s mercy or patronage, as a hostess in welcoming foreign envoys and powerful magnates to the Scottish court, and as a religious benefactor. In one charter, Gruoch is identified with her husband as ‘Macbeth son of Finlach… and Gruoch daughter of Bodhe, King and Queen of Scots’.4 The fact that we have a grant given jointly by Macbeth and Gruoch suggests that the couple worked together during Macbeth’s reign. Gruoch also accompanied her husband on his pilgrimage to Rome, a journey that must have been an exciting adventure for both of them.
Gabriel von Max’s depiction of Lady Macbeth
There is no record in the chronicles of any disharmony in the marriage but we know little else of Queen Gruoch. Despite already bearing a son, Lulach, she and Macbeth had no children that we know of; although it may be that she lost children by miscarriage or in early childhood before they came to the notice of chroniclers. This lack of a surviving heir of his own may have been what prompted Macbeth to adopt Gruoch’s son as his successor.
We know nothing of Gruoch’s death, no date is recorded nor even hinted at. She may have lived through the grief of losing her husband and son in battle and seeing Malcolm III Canmore ascend the throne and assert his authority over the whole of Scotland. Or she may have died some years beforehand. William Shakespeare had her dying by her own hand, driven insane by her evil deeds:
Of his dead butcher and his fiend-like queene, Who, as ’t is thought, by selfe and violent hands Tooke off her life.5
But this was almost definitely fiction.
Gruoch’s final resting place, the one site that may give us a clue, is also lost to history.
The story of Queen Gruoch, Lady Macbeth, is one shrouded in mystery, tantalisingly obscure…
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Notes:
1. Anderson, Early Sources, 1.588, quoted in Dauvit Broun, Macbeth [Macbethad mac Findlaich] (d. 1057), king of Scots, Oxforddnb.com; 2. Richard Oram, editor, The Kings and Queens of Scotland; 3. Mike Ashley, The Mammoth Book of British Kings and Queens; 4. ‘Macbeth filius Finlach … et Gruoch filia Bodhe, Rex et Regina Scottorum’, Early Scottish charters prior to A.D. 1153: with notes and an index, edited by Archibald Campbell Lawrie; 5. Act V, Scene VIII, Shakespeare, William, The tragedie of Macbeth; a new edition of Shakspere’s works with critical text in Elizabethan English and brief notes, illustrative of Elizabethan life, thought and idiom, edited by Mark Harvey Liddell.
Sources:
Shakespeare, William, The tragedie of Macbeth; a new edition of Shakspere’s works with critical text in Elizabethan English and brief notes, illustrative of Elizabethan life, thought and idiom, edited by Mark Harvey Liddell; The Chronicle of John of Worcester, edited by R. R. Darlington and P. McGurk; Early Scottish charters prior to A.D. 1153: with notes and an index, edited by Archibald Campbell Lawrie; fmg.ac/Projects/MedLands/SCOTLAND; Oxforddnb.com; Richard Oram, editor, The Kings and Queens of Scotland; Mike Ashley, The Mammoth Book of British Kings and Queens; Kate Braithwaite, Gruoch: The Real Lady Macbeth, historyofroyalwomen.com; Henry of Huntingdon: The History of the English People 1000-1154, edited by Diana Greenway; Chronicles of the Picts, chronicles of the Scots, and other early memorials of Scottish history, edited by W. F. Skene; Rosalind K. Marshall, Scottish Queens 1034–1714; Chronicle of the Scots, 1165, Cronica Regum Scottorum; Annals of Ulster; David Ross, Scotland: History of a Nation.
Images:
Courtesy of Wikipedia
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Last year, I discovered two novels by an author who was previously unknown to me, Wheel of Fortune and Sun Ascendant and I read them one after the other. I loved them. Set just down the road from me in Tickhill, I loved the details of the countryside I had grown up in. Then, in September, I had the pleasure of meeting the author Claire Dunn, writing as C.F. Dunn, at the Historical Novel Society conference. Claire joined our dinner party, which also included Derek Birks, Elizabeth Chadwick, Matthew Harffy and Steven A. McKay. As you can imagine, the talk was all about history! But I did also get the chance to chat with Claire on her own, and grill her about her characters and her love of the Wars of the Roses. So, I had to ask her to take part in my Wordly Women author interviews.
Welcome Claire!
Sharon: What got you into writing?
Claire: I can’t remember a time when I didn’t write. Even before I learned how to commit thoughts to paper, I wrote stories in my head. I devoured books as soon as I learned, late, how to read, so it wasn’t ever a question of whether I would write one day, but rather when. There were obstacles to that ambition, however, the major one being dyslexia. It was more a problem of other people’s perceptions than my own limitations. Growing up when I did, a career immersed in history and literature for someone who had initially struggled to read and write, was considered untenable. I wasn’t deterred; the stories were in my head and it was only a matter of time before one escaped onto paper.
Sharon: Tell us about your books.
Claire: As a child and young adult, I loved books with historical action and a mystery at their core, whatever the period in which they were set. I also enjoyed cold war thrillers and, later, classic 19th century British and European literature. It was the combination of a strong story, believable characters and powerfully evocative language that was all important. So, when I came to write my own books, I suppose all those years of being drip fed such fiction found its way into my work. I didn’t start committing ideas to paper until much later and during one of the busiest times of my life running a school. In 2009, in Avila cathedral, I told my daughter about an idea I had for a story. That became my debut novel Mortal Fire (published by Lion Fiction) which went on to win a gold medal for Best Adult Romance in 2012. That was the first of five books in my contemporary gothic Secret of the Journal series, featuring a young historian, a hidden 17th century journal, and a historic anomaly that needed solving.
Almost as soon as I started the Secret of the Journal series, I also began work on my current historical series The Tarnished Crown. It took over a decade of research before Wheel of Fortune was ready for publication. The new edition of the second book – Sun Ascendant – is out in April 2025. There are going to be about 8 books in the series. I like writing longer stories and enjoy establishing characters that grow and develop throughout the series. This is especially the case when dealing with highly involved periods. I don’t see the Wars of the Roses as a succession of battles and memorable names, but a complex web of relationships affecting the highest to the lowest in the land, and stretching across the country and to the realms beyond.
By bringing fictional characters into real events with historical individuals, I’m able to explore different scenarios and outcomes while always keeping as close to what is known as possible. I don’t play fast and loose with facts and I won’t change something that has been established for the sake of the story. Sometimes, though, I have to take a fair stab at it if details are a bit sketchy, but that’s just part of the territory a fiction writer has to negotiate.
Sharon: What attracts you to the Wars of the Roses?
Tickhill Castle gatehouse
Claire: It’s fair to say that I am slightly obsessed. The last decades of the Plantagenet dynasty have been the bedrock of my historical interest. It has led to a degree in Medieval History and a lifetime of research. It’s a period packed with contention – both then and now – and individuals whose personalities spring from the page. Intense loyalties, treachery, ambiguous allegiances – as a writer, what more could anyone want?
Sharon: Who is your favourite 15th century person and why?
Claire: It has always been Richard III. I first became aware of the controversy surrounding him when about 8 or 9 and was hooked on history from then on. There have been brief flirtations with other people and periods along the way, but he has remained the reason for my fascination with the Wars of the Roses and the focus of my research. I wish I could say why; it’s not as if there isn’t an abundance of enigmatic figures dotted throughout history; but it was he who caught my imagination as a child, and so it has remained. It isn’t the controversy that I find interesting, however, but the complex personality and the weaving of relationships that I mentioned before. Richard’s life as Duke of Gloucester is far more revealing of the man than his few years as king.
Sharon: Who is your least favourite 15th century person and why?
Claire: Without a doubt it’s Henry VII. I have never forgiven him for winning Bosworth and even less so for almost succeeding in destroying Richard III’s reputation.
Sharon: How do you approach researching your topic?
Claire: I do acres of research, and then research the research just to make sure. I have a real thing about doing justice to the people of the past – they were just people after all – but a stroke of a pen can make or break a reputation. I believe I have a responsibility to represent them as accurately and fairly as possible, and try to do so while keeping the story gripping. Depending upon the period I’m researching, I’ll start with the historical record and delve into as many contemporary accounts as I can. If they are thin on the ground, as they often are in earlier periods or where written records have been destroyed, then I’ll look at archaeological reports. Here, geography and topography can play their role, as an understanding of the land and human interaction with it can speak volumes.
Primary physical and pictorial sources are also important – sculpture, buildings, paintings, and made artefacts such as jewellery, ceramics, textiles, represent the cultures that created them. There’s a place for ‘living’ history as well, something re-enactors understand, because nothing beats living in the past for understanding the practicalities of life in another era. How do you collect water, make fire, survive a harsh winter? Sometimes I’ll run my own experiments. I’ve been growing saffron for the past 5 years (saffron crops up – pun intended – in one of my future books). I didn’t know that mice could be a problem until a few days ago when I discovered that nearly all my corms have been eaten. Imagine that happening to someone whose livelihood depended upon bringing in a decent harvest. My corm-munching mice might very well feature in a future book.
Sharon: Are there any other eras in History you would like to write about?
Claire: My first series – a contemporary gothic mystery – had a 17th century twist, a period I find interesting and which I would like to explore further. Otherwise, it’s back to the fifteenth century and other people and themes that are begging to be explored.
Sharon: What are you working on now?
The bailey of Tickhill Castle
Claire: I’m currently writing the first book in a Victorian Gothic series, an eerie tale set in Scotland where not everything is as it seems. It’s one of those stories which has me checking the shadows and keeping the lights on in the evening. I am really enjoying researching all sorts of aspects of life in the later part of the nineteenth century, although I sometimes have to take stock when I remember that my Scottish grandfather was born in 1880. The past is not so very far away.
Sharon: And finally, what is the best thing about being a writer?
Claire: I’ve spent my life in a sort of nether world of betwixt and between. On the one hand I’ve been rooted in reality, running a school for neurodiverse children and young adults. On the other, I’m attached to a past that at times has felt more real than reality. No longer running the school, I now explore all manner of themes, topics, people and places, and get to call it work.
About the author:
CF Dunn is an award-winning novelist of history, mystery and suspense.
Acutely aware of the impact of the past, Claire’s vibrant characters and meticulous research weave threads of history to bring an authenticity to her suspenseful stories of love, treachery and loyalty.
She is currently writing The Tarnished Crown series, the first of which, Wheel of Fortune, is described by renowned historical novelist, Elizabeth Chadwick as ‘The best Wars of the Roses novel I have ever read. ’
Now living in the South West of England, Claire frequently tries out new plot ideas on her clutch of chickens. Her love of history is equaled only by her delight in the natural world and the unruly sea by which she lives with her family, assorted animals, and overworked coffee machine.
The Tarnished Crown series:
Wheel of Fortune – ‘Dunn’s world is utterly believable, the research meticulous, the characters deep and rich. A triumph.’ Matthew Lewis. To buy Wheel of Fortune.
Sun Ascendant. – ‘Vivid, engaging and so incredibly captivating.’ The Book Magnet. To buy Sun Ascendant.
Degrees of Affinity – (October 2025)
Where to find C.F. Dunn:
You can find Claire on Instagram at @claire.f.dunn, on Facebook at CF Dunn and sign up for her quarterly newsletter on her website.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
It is a pleasure to welcome my good friend Rosanna McGlone to History … the Interesting Bits to chat about her new book, Feisty Females, a series of short stories inspired by The Great Cowcher Book. Although Feisty Females is Rosanna’s ‘baby’, I feel like its Godmother as we have chatted frequently, over coffee, about the women she included, included Nicholaa de la Haye, Alice de Lacey, Blanche of Lancaster and Gwenllian of Wales – women my readers, I know, are well acquainted with!
Rosanna would meet me, armed with questions about the history of these women and the world they lived in. Then she went away and came back having put her own mark on their stories. And what a fascinating collection of stories it is!
It is a joy to see this project come to fruition. So, over to Rosanna to tell you a little about the process of researching and writing Feisty Females: Old Bolingbroke through our Imaginations.
Feisty Females: Writing Lincolnshire’s Medieval Women by Rosanna McGlone
Henry IV, Canterbury Cathedral
You’ve heard of the Domesday Book, right? But do you know the second most important medieval record book? If you don’t, let me reassure you. Until I received this commission, neither did I. According to staff at the National Archives it’s The Great Cowcher Book, a medieval land registry commissioned by Henry IV to provide a record of lands within the Duchy of Lancaster. Receiver General John Leventhorpe was assigned to visit the 18,000 hectares of rural estates in England and Wales including Cheshire and Lancashire in the West and The Honor of Bolingbroke in Lincolnshire in the East which make up the Duchy of Lancaster. In doing so, he gathered a total of 161 folios and 2,433 charters written in either Latin or medieval French.
What exactly do the two volumes of The Great Cowcher Book contain? As well as including transactions such as the bestowing of Old Bolingbroke Castle to John of Gaunt and his wife Blanche of Lancaster, the book also covers more minor land transactions between people of much lower status.
Additionally, the Great Cowcher Book provides a record of disputes which had been brought before the court seeking resolution.
I was commissioned, and funded, by a number of organisations including the Arts Council, Lincoln County Council, the community of Old Bolingbroke and others to write a creative response to this unique material. Thus, it is from this medieval register that my book of short stories, Feisty Females: Old Bolingbroke through our Imaginations was crafted.
The beautiful medieval manuscripts have recently been translated into English and I received the information on a rather less romanticised, Excel spreadsheet! The columns display the following headings, however not all of them have been populated for each of the more than 5,000 entries: regnal year, name of vendor, name of buyer, land to be purchased; witnesses to the contract; any special conditions, the original language of the manuscript.
As I poured over in excess of 1,200 entries pertaining to The Honor of Bolingbroke, my key focus, I was struck by the names: Walter son of Andrew; Adam, Hugh, Odo Galle of Saltfletby; Gilbert, Ranulf, Clement Prior of Spaldying, William de Rusmar, Henry de Lascy, Simon le Bret, God and his church.
Where were all of the women? As I note in the introduction to my book, His-tory is so often that, a record of the past through the male lens. For me, it was important to offer a different perspective. Out of the more than 5,000 entries within the Great Cowcher Book there are few female landowners. Yet, I was mindful that any females who did appear would have something remarkable about them to succeed in the male dominated medieval world.
Tomb effigy of Nicholaa de la Haye
Women such as Nicholaa de la Haye, the first female Sheriff of Lincoln and Castellan of Lincoln Castle who withstood not one, but three separate sieges on the castle and earned the respect of King John himself.
Another feisty female for whom I have particular affection is Alice de Lacy, a woman whose story is too incredible to be true, at least that’s what I thought when I read it. Kidnappings, rape, imprisonment by the king, threats of being burnt to death, really how could I possibly capture all of Alice’s turbulent life in a mere 3,000 words? The answer is, I couldn’t. Therefore, I focused upon the catalyst for her troubles, her inheritance. Two bizarre childhood accidents occurred to her brothers which, in my opinion, determined the course of Alice’s life. Firstly, her young brother Edmund fell down a well at Denbigh Castle and died. Then, barely six months later, her other brother, John fell off the battlements at Pontefract Castle. He too perished leaving Alice- still a child herself- as sole heir to her parents, Henry de Lacy, Earl of Lincoln, and Margaret Longespee, Countess of Salisbury.
Whilst all of the other stories are set in medieval times, for Alice’s story I use the framework of a police interview in which she is pushed to reveal the truth of those inciting incidents.
The women with the most charters in the Great Cowcher Book is Hawise de Quincy, first Countess of Lincoln, who has a remarkable 40 entries. Whilst the vast majority of these relate to land acquisitions, the one upon which my tale focuses concerns a dispute was between Hawise and Philip de Kyma. To quote the Great Cowcher, this disagreement was
‘…concerning a certain obstruction of a certain watercourse made by the said Philip in Torp to the nuisance of the port of the said Hawise in Weynfled. Because it was then clear the land of both sides of that watercourse towards the port of Weynfled is of the said Philip…’
And so on… In essence, Philip de Kyma was preventing Hawise de Quincy from accessing her port and, therefore, the valuable port fees. So, what was she to do? This is what my story explores. Does pragmatism work, or must Hawise resort to womanly wiles?
Memorial to Gwenllian, Sempringham Priory
An incredibly wronged female in Feisty Females is Gwenllian, the last Princess of Wales who was incarcerated in a Lincolnshire Priory from which there was little chance of escape, unless she had inside help…
In all cases, bar one, the women come from the Great Cowcher book, however in Matilda’s case my desire to write on the specific topic of that story arose first, based on a certain building referenced in The Great Cowcher. Matilda’s Story begins thus:
It was the day after Candlemas that we held my brother’s funeral. There was just one problem: he wasn’t dead.
It has been a pleasure to learn more about these characters and to bring them to life for readers, giving them voices after 800 years, or more, of silence. The book is a celebration of the female power which was understood by Chaucer who, himself, makes an appearance in Blanche’s Story. In the epigraph to my book Chaucer describes women thus:
‘And what is better than wisedoom? Womman.
And what is better than a good woman? Nothyng.’1
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Notes: 1. Geoffrey Chaucer, ‘The Tale of Melibee’ The Canterbury Tales.
Rosanna McGlone is a writer and journalist. Her book, The Process of Poetry -which explores the development of early drafts of poems by some of the country’s leading poets- was number 1 on Amazon and featured on Radio 4’s Front Row. The sequel, The Making of a Poem, focuses on the work of Australian foremost poets. She has written more than 100 features for the national press, including: The Guardian, The Independent, The Sydney Morning Herald and The Australian. Rosanna has written memoirs, community plays and collected oral histories. Feisty Females, a creative response to The Great Cowcher Book, a medieval book, is out on June 8th 2025.
To find out more follow Rosanna at @rosannamcglone.bsky.social
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My Books:
Signed, dedicated copies of all my books are available through my online bookshop.
Out Now! Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.
So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.
Over to Carol…
Sharon: Carol, what got you into writing?
Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.
Sharon: You write both fiction and non-fiction-is one harder than the other?
Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.
Sharon: Tell us about your books
St Sophia, Kyiv
Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.
Sharon: What Attracts you to the Period?
Harold’s daughter’s burial place in St Sophia Kyiv
Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.
Sharon: Who is your favourite Tudor and Why?
Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.
Sharon: Who is your least favourite Tudor
Hever Castle
Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.
Sharon: How do you approach researching your topic
Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.
Sharon: What is your favourite Medieval or Tudor Story found in Research
Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.
Sharon: What is your least Favourite Story
Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.
Sharon: Are there any other eras you would like to write about?
Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.
Sharon: What are you working on now?
Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.
Sharon: What do you love most about being a writer
Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.
About the Author
Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen.
As many of you may know I have spent the last year on a project that was originally titled ‘The Medieval Princess: Royal Daughters from the Conquest to the Wars of the Roses’. It was one of those projects that seemed to go on and on, with no end in sight. But then, at the end of April, it was done. With one tiny snag. The reason it had seemed never-ending was the word count: a whopping 143,000 words!
Cover reveal coming – be patient!
What does that mean in terms of a physical book? Well, it was 50% more words than in my contract and would come out at a book-and-a-half – about 500 pages.
Just wait a little longer…
It is not a surprise, really, Mary Anne Everett Green’s The Lives of the Princesses of England from the Norman Conquest was published in six volumes in the19th century; the first 3 volumes covered the medieval period. So, I knew all along it was going to be a challenge to bring the book in at under 100,000 words.
And I failed miserably!
Stop scrolling – cover reveal coming soon….
Luckily, I have a very understanding editor and her first words, when I confessed my massive word count, was, ‘well, we’re not going to make you cut 20,000 words. Let’s split it in two!
What a relief!
Not long now…
So, I have spent May splitting the books, polishing off book no. 1 and changing the introduction and conclusions so they are relevant to that particular book. And we have settled on titles. The first book is entitled Princesses of the Early Middle Ages: Royal Daughters of the Conquest and will look at the English princesses from the daughters of Harold II to King John.
Nearly there….
I still have work to do on book no. 2, Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets, which will include all the royal daughters from Henry III to Edward IV. There will be more on that at the end of the summer…
It’s time!
Did you peek?
So, here it is. The cover for Princesses of the Early Middle Ages: Royal Daughters from the Conquest
Drum roll please….
Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest will explore the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time.
Almost as interesting as the marriages these girls made are the ones that were never realised. Many English princesses were betrothed, or proposed as brides, three or more times before they were married. Their failed marriage proposals demonstrated their influence and worth on the international royal marriage market, as well as the changing allegiances between countries and the making and breaking of international friendships.
Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with some outright refusing the husbands offered to them. Their stories are touching, inspiring and, at times, heartbreaking.
Princesses of the Early Middle Ages: Royal Daughters from the Conquest is due for release in the spring of 2026, with Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets coming in the summer.
I can’t wait for you to read them!
About the Author:
Sharon Bennett Connolly is the bestselling author of several non-fiction history books. A Fellow of the Royal Historical Society, Sharon has studied history academically and just for fun – and has even worked as a tour guide at a castle. She also writes the popular history blog, http://www.historytheinterestingbits.com and co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. Sharon regularly gives talks on women’s history, for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the Norman Conquest in the National Curriculum. She is a feature writer for All About History, Tudor Places and Living Medieval magazines and her TV work includes Australian Television’s Who Do You Think You Are?
Her previous books include: Heroines of the Medieval World, Silk and the Sword: The Women of the Norman Conquest, Ladies of Magna Carta: Women of Influence in Thirteenth-Century England, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, King John’s Right-Hand Lady: The Story of Nicholaa de la Haye, Women of the Anarchy, Heroines of the Tudor World and Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.
Today we are hopping across the pond for the next chat in my Wordly Women series. Joining me is Samantha Wilcoxson. Author of fiction novels mainly based in the late medieval and Tudor eras and and non-fiction books on the American Revolution, Samantha’s books – literally – span the Atlantic divide. Samantha has a knack for getting into the heads of the people she is writing about. Her book, Plantagenet Princess, Tudor Queen, about Elizabeth of York, is still one of the most insightful novels I have ever read.
Sharon: What got you into writing?
Samantha: What got you into writing? I have always loved reading and used to write dozens of book reviews every year. Many of those books were historical fiction and nonfiction. When I was considering ways to earn money while a stay-at-home mom, my husband suggested I write a book. I had never considered taking this step, so the first obstacle was deciding what I would want to write about. It didn’t take me long to settle on Elizabeth of York, and I quickly became passionate about the project. That novel turned into a series, and I’ve ventured into other historical eras since then.
Sharon: Tell us about your books.
Samantha: Each of my novels explores the life of a real historical figure in a way that helps readers connect with them on a personal level. My Plantagenet Embers series includes three novels featuring Elizabeth of York, Margaret Pole, and Mary I. It also has three novellas that offer new points of view of the same events by focusing on Margaret Beaufort, Elizabeth Woodville, and Reginald Pole. Then I moved into US history with my next two novels. Luminous is biographical fiction of real life radium girl Catherine Wolfe Donohue, and But One Life explores the life of American Revolution soldier Nathan Hale. My nonfiction books are Women of the American Revolution and a newly released biography of James Alexander Hamilton.
Sharon: What attracted you to the Tudors?
Samantha: When I started writing the series that ended up covering the early Tudor era, I was actually obsessed with the Wars of the Roses. I thought Elizabeth of York was an unsung heroine, so I started with her with no real intention of writing about the Tudors! This is actually a great insight into my writing. I never know what is coming next.
Sharon: So, what is coming next?
Samantha: I am currently writing a trilogy set during the Wars of the Roses for Sapere Books. It includes multiple women’s points of view. For example, book one has chapters featuring Marguerite of Anjou, Cecily Neville, and Anne Beauchamp. That one is in editing, and I’m working on book two, which will add the perspective of Elizabeth Woodville and others.
Sharon: How do you approach researching your topic?
Samantha: This depends a lot on whether I’m writing fiction or nonfiction. For novels, I largely depend on biographies already written, but for nonfiction I look for more primary resources like personal letters and diaries. For either, I like to visit locations important to the people I’m writing about so that I can include details about the places they experienced.
Sharon: You also write US history non-fiction.
Samantha: Tell us your ‘favourite’ story you have come across in your research? My research into James Alexander Hamilton uncovered loads of interesting discoveries, partly because nobody else has really written about him. I held letters written between James and Andrew Jackson, Martin Van Buren, John Quincy Adams, and so many others. (Gotta admit, it was tempting to try sneak that JQA letter into my bag!) I think the most fun story I came across, besides John Quincy writing about being too old to stay up all night at a lively Hamilton party, was learning that James was part of the crew of the schooner America for which the America’s Cup is named.
Sharon: Tell us your least ‘favourite’ US history story you have come across in your research?
Samantha: I don’t know if I would call it a least favorite, but I decided to write a novel about Nathan Hale because I often came across quotes attributed to him such as, “I only regret that I have but one life to give for my country” but very little else about who Hale was. What happened in this young man’s life to create such bravery and patriotism? Few references to him offered much, so I decided to dig in and reveal the story of Nathan Hale before his famous execution during the American Revolution.
Sharon: Are there any other eras you would like to write about?
Samantha: I always have a few ideas brewing but am committed to the next couple of books on the Wars of the Roses right now. I have started a bit of research into a historical event that occurred near my home in Michigan in 1847 that I would like to consider for a future project. I’m not one of those writers who has the next five years planned out and I tend to impetuously strike out in new directions, so we’ll see what happens.
Sharon: And finally, what is the best thing about being a writer?
Samantha: Besides spending my day reading, writing, and learning about history, I love the flexibility of being a writer. I began as a stay-at-home mom, and I still appreciate the ability to easily set my work aside for a few days if one of my adult children needs anything. I’ve also made many friends in the writing community who make me feel less alone as a history nerd and have provided amazing support and encouragement for each of my book projects.
About the Author:
Samantha Wilcoxson is an author of emotive biographical fiction and nonfiction featuring history’s unsung heroes. Her novel Luminous has been named Book of the Year by Ruins & Reading and Yarde Book Reviews. Samantha’s most recent work is the first biography of James Alexander Hamilton, published by Pen & Sword History. She is currently writing a Wars of the Roses trilogy for Sapere Books. When not reading or writing, Samantha loves sharing trips to historic places with her family and spending time by the lake with a glass of wine.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
History... the interesting bits! 