Margaret of Scotland was the eldest daughter of James I, King of Scots, and his wife, Joan Beaufort. James had been king since the age of 12, though the first 18 years of his reign had been spent in English captivity, where he had fallen in love with Joan, the granddaughter of John of Gaunt and Katherine Swynford. James’s release had been successfully negotiated in 1423 and the marriage was politically favourable to the English, who saw it as an opportunity to improve relations with Scotland while, at the same time, drawing Scotland away from France, their traditional ally.
James I returned to Scotland in April 1424, with his new bride – and queen– at his side. Margaret was born in the royal apartments at the Dominican Friary in Perth, on Christmas Day in 1424. She was joined in the nursery by five sisters during the next ten years, Isabella, Eleanor, Joan, Mary and Annabella. Twin brothers were born in 1430, Alexander and James, but only James survived past the first few months.
In 1425, an embassy arrived from France, seeking little Margaret’s hand in marriage for Louis, son and heir of Charles VII:
Margaret’s mother, Joan Beaufort
The king [of Scots] was pleased to respond favourably to so distinguished an embassy, and forthwith sent as a solemn embassy to the king of France with a specific brief and commission the venerable men sir Henry Lychton bishop of Aberdeen, sir Edward Lauder archdeacon of Lothian, and Sir Patrick Ogilvie knight (the sheriff of Angus and justiciar of Scotland). Whereupon there was an agreement on both sides; and five years later, when each was of marriageable age, there came as envoys from the king of France La Hire the king’s maitre d’hôtel along with the distinguished cleric Master Aymer; and in terms of their commission they arranged the betrothal of the said eldest daughter of the king. The girl was sent to France by her father a little later, namely 1436, surrounded by a distinguished following of attendants, and in the following year she was married.1
The marriage proposal was to accompany the renewal the Franco-Scottish alliance. France’s king, Charles VII had given his ambassadors the task of asking for Margaret’s hand in marriage for his son, Louis, the dauphin. Born in July 1423, Louis was just 18 months older than his future bride. However, James I hesitated, reluctant to give the French the army of 6,000 men that they wanted as part of the alliance. Charles VII was in a precarious position in France at the time. The Hundred Years War was raging and, despite the fact his father had died in 1422, he would not actually be crowned king until July 1429. In fact, Henry VI of England had already been crowned King of France and it was only due to the efforts of Joan of Arc that Charles VII’s fortunes would change. James, therefore, held off from agreeing to the alliance, and used it to strengthen his position in negotiations with the English.
Margaret arrives in Tours for her wedding, from a 15th-century work by Jean Chartier.
In 1435, the marriage of Margaret and the dauphin was finally agreed and the young bride, still only eleven years old, set out for France the following year. The princess only narrowly escaped her father’s fate when the English fleet attempted to capture her en route:
the dauphiness luckily made her escape and landed at La Rochelle. She rested at Nieul Priory which is two leagues from La Rochelle without notice being taken of her until such time as the [arch-] bishop of Rheims, with the bishops of Poitiers and Saintes and the worthy sires de Graville, Gaucourt and ‘Pontissey’ welcomed her and lodged her honourably in a splendid place for more than two months until the marriage was celebrated at Tours in Touraine. This was performed there by the archbishop of Rheims with the greatest possible ceremony, in the presence of the king and queen and also of the queen of Sicily (the mother of the queen of France). Once the wedding had been formally celebrated, the Scots (except the few who remained with the dauphiness) were much gratified with various presents and after a safe voyage arrived home.2
She left by ship from Dumbarton in March 1436, with an entourage worthy of a princess; she was escorted by several of the leading lords of the realm, a household of 140 persons in royal livery and more than 1,000 troops. The French fleet in which she sailed landed on the Île de Ré, near La Rochelle, on 17 April and made a formal progress to Tours. On 24 June she met her future husband for the first time, in the great hall of the castle at Tours, and the young couple embraced formally. They were married the next day, in the castle’s chapel.
Margaret’s father, James I, King of Scots
Celebrated by the Archbishop of Reims, it was a rather subdued affair, for a royal wedding. The continuing state of warfare with England had stretched the French royal finances to the limit. The reception was not as lavish as the Scottish guests might have expected and was cut short to preserve funds, the scandalised Scots being quickly ushered out. And almost immediately after the wedding celebrations, most of Margaret’s Scottish household was sent home, with just a handful of her native attendants allowed to stay with the new dauphine. Owing to the tender age of the young couple, they were not expected to consummate the marriage for another few years, so Margaret was given into the guardianship of Queen Marie, Charles VII’s wife, and continued her education under the queen’s supervision. Petite, pretty and delicate, Margaret soon became the darling of the French King and Queen.
Louis, on the other hand, had a strained relationship with his father, one that would eventually be expressed in open rebellion; as a result, he was rarely at court. When Louis asked the king for an allowance with which to set up a household for himself and his young wife, his father refused, despite being happy to give Margaret money to indulge herself. At one time, Charles VII gave Margaret 2,000 livres to buy herself furs and silks, and yet he refused to pay off Louis’ debts. Margaret also received grants directly from the king, rather than her husband, as might have been expected.
Margaret’s husband, the future King Louis XI
In 1437 the marriage was consummated and Margaret, now approaching her thirteenth birthday, was given her own household. Relations between the dauphin and dauphine were not helped by Louis’ strained relationship with his father and it seems that comparisons were made between Louis’ unimpressive looks and Margaret’s beauty – although malicious English chroniclers would insist that Louis was repelled by Margaret’s ‘evil soured breath’.
Margaret was allowed no part in court politics. The dauphine’s role in France was limited to formal occasions and court ceremonials, such as the celebrations for the marriage of the king’s niece, Margaret of Anjou, to Henry VI of England, which Margaret attended in 1445. As with her father before her, Margaret had a passion and talent for writing poetry and, although she enjoyed court life, she became increasingly bored with it. She retreated more and more to her own chambers with her ladies and spent her days and evenings writing and reading poetry. Her evenings were so taken up in this style, that she often retired to bed long after Louis had fallen asleep.
Margaret was also renowned as a patroness of literature. She had several poets in her household, including Jehanne Filleul, whose works have survived to this day, and the Viscount de Blosseville. De Blosseville wrote one of the three laments to the dauphine, written before her death. Another such lament was possibly written by her sister Isabella, it was certainly in her possession.
As the years passed and the couple remained childless, Margaret’s lifestyle caused further discontent within the marriage, and more unhappiness for the young princess as her husband expressed his displeasure. There is some suggestion that Margaret deliberately prevented herself from falling pregnant by drinking vinegar, and by tightly lacing her bodices – although this may also have been for vanity, and to keep her svelte figure. There were also followed accusations of impropriety within Margaret’s rooms when, at Christmas 1444, Jamet de Tillay, a member of the king’s household, entered her chamber during one of her private poetry evenings and subsequently spread rumours about ‘wanton princesses’.
Margaret perceived it as a personal attack and became increasingly distressed, complaining that Jamet had turned the king and dauphin against her. Although Jamet tried to apologise, Margaret would not hear of it. By the summer of 1445 the dauphine was very ill.
Tomb of Margaret Stewart in the Saint-Laon Church, Thouars
Having accompanied the court on pilgrimage she fell ill on 7 August and by the next day she was feverish and suffering from fits of coughing. Her doctors diagnosed an inflammation of the lungs. In her delirium, she blamed Jamet de Tillay for her impending demise and swore she had never done Louis any wrong. As she approached death, Margaret calmed down and forgave Jamet, on her ladies’ instigation. Having received the last rites, Margaret died on 16 August 1445, at Châlons-sur-Marne; she was just twenty years old. The dauphine was laid to rest in the Cathedral of St Étienne in Châlons; in 1479 her body was moved by her husband, now Louis XI, to the chapel of the Holy Sepulchre in the Abbey Church of Saint-Laon in Thouars, where Margaret had founded a chaplaincy.
Following her death, Louis destroyed every piece of poetry and writing that Margaret had ever produced. None of her work survived her husband’s purge. However, her patronage of poets has at least ensured she had a worthy legacy. Louis went on to marry Charlotte of Savoy and was the father of Anne de Beaujeu, regent of France for her brother King Charles VIII.
Notes:
1. Bower, Scotichronicon, V 8, p. 249; 2. ibid, p. 251
Sources:
Calendar of documents relating to Scotland, Vol. 4; M. H. Brown, ‘Joan [née Joan Beaufort]’, oxforddnb.com; Amy Licence, Red Roses: Blanche of Gaunt to Margaret Beaufort; Nigel Tranter, The Story of Scotland; John of Fordun’s Chronicle of the Scottish Nation; Walter Bower, Scotichronicon; Andrew Wyntoun, The orygynale cronykil of Scotland; Richard Oram, editor, The Kings and Queens of Scotland; Rosalind K. Marshall, Scottish Queens 1034–1714; Nigel Tranter, The Story of Scotland; David Ross Scotland, History of a Nation; Liber pluscardensis, edited by Felix James Henry Skene; James I, King of Scots, The Kingis Quair, edited by James, William MacKean, Walter W. Skeat, Alexander Gardner
Images:
Courtesy of Wikipedia
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
In a special episode of my Wordly Women interview series, Heather R. Darsie drops by on her blog tour celebrating the publication of her new book, Katharine of Aragon, Spanish Princess: ‘I am Not as Simple as I May Seem’. Do have a look at the other stops on the tour to geta taste of this wonderful new biography.
So, Heather, What got you into writing?
Heather: As silly as this sounds, I can’t remember originally. My dad had an electric typewriter that he let me use to write stories beginning when I was probably eight years old. I continued writing stories and poems through high school (14 to 18 years old in the USA), which culminated in a play based off Edgar Allen Poe’s “Annabel Lee” when I was in my final year of high school. My play was called Annalise, wherein the wife was dying of amyotrophic lateral sclerosis of which my paternal grandfather passed away. The husband slowly went mad, to the point where the wife’s had to intervene. The theme of the play was tragedy. My high school put on the play, I was in the local newspaper, and invited to host a workshop at the statewide high school theatre festival.
After graduating from high school, I went to university and majored in German Languages and Literature, then pursued my Juris Doctorate in American Jurisprudence. Along the way, I studied abroad in Costa Rica and France, learning Spanish and French, too. I have had numerous opportunities to travel to France, Spain, Germany, and various countries in Central America, which have all contributed to keeping my language skills sharp.
I became heavily interested in Tudor history in around 2010. By early 2015, I grew tired of reading the same-old, same-old about Anna of Cleves, a German woman. I asked Claire Ridgeway of the Anne Boleyn Files if I could contribute a post on Anna to her website, to which Claire kindly agreed. Thereafter encouraged and emboldened, I sent a letter in my very best German to the mayor of the current City of Cleves, and my research took off from there. The combination of a life-long interest in writing, linguistic education, research and analytical skills from my juris doctorate, combined with the history community’s encouragement is how I arrived here, ten years on.
Sharon: Tell us about your books.
Heather: I view myself as a Tudor-adjacent historian. The persons and events I choose to focus on should be recognizable am most interested in the Holy Roman Empire of the German Nation, which began recognizing itself that way in the early 16th century. Specifically, anyone or anything connected to the von der Marks, which is Anna of Cleves’ family (she was “of Cleves” much like Princess Mary Tudor would be “Mary of England” in another country) or the Habsburgs. My first two nonfiction books, Anna, Duchess of Cleves: The King’s Beloved Sister and Children of the House of Cleves: Anna and Her Siblings are effectively German history books. My third nonfiction book, Stuart Spouses: A Compendium of Consorts from James I of Scotland to Queen Anne of Great Britain looks at just that, the husbands and wives of the Scottish-to-English Stuart dynasty. The dynastic intermingling with continental European families is fascinating. I wrote a novella during the pandemic, Diary of a Plague Doctor’s Wife, set during the last outbreak of the Black Death in 1720s Marseille. The parallels to our own experiences 300 years later with Covid-19 were eerie to me at the time of writing.
Sharon: What attracts you to the Catherine of Aragon?
Heather: Like Anna of Cleves, I felt there was more to her than the end of her marriage with Henry VIII. Specifically, I wanted to know more about Katharine’s family dynasty and Katharine’s early time in England, and share that with readers.
Sharon: Who is your favourite Tudor and why?
Heather: For queens, I am drawn to Catherine Parr. She seemed the most savvy when it came to navigating Henry VIII and the dangerous politics of the Tudor court. I am very intrigued by Thomas Cromwell in his position as a lawyer. He was very clever; I hope to write about him someday.
Sharon: Who is your least favourite Tudor and why?
Heather: I do not have a least favorite, but I do think the most tragic was Anne Boleyn, who was foisted by her own petard. I am finding that more and more as I work on my next book, If any Person will Meddle with My Cause: The Judicial Murder of Anne Boleyn.
Sharon: How do you approach researching your topic, especially when most of the sources are Spanish?
Heather: I start with finding articles on JSTOR, then checking the footnotes for sources. From there, I go to Google Play, Archive.org, the Spanish library websites, etc. for old manuscripts. Like many English books, several of the old, out-of-copyright ones are available for free. The Spanish language is not a barrier for me, since I hear or read it most days a week at work.
Sharon: Tell us your ‘favourite’ Catherine of Aragon story you have come across in your research.
Heather: I really enjoyed reading about all of the pageants she viewed during her formal entry into London. It must have been quite the time for her.
Sharon: Tell us your least ‘favourite’ Catherine of Aragon story you have come across in your research.
Heather: Katharine was having a difficult time with Spanish grammar in her letters toward the very late 1520s and early 1530s. This could be indicative of the extreme stress that she was under during that time, or the isolation she was experiencing and being unable to speak Spanish with anyone, or both. I found it tragic and poignant. I don’t believe I remarked on that in my book.
Sharon: Are there any other eras you would like to write about?
Heather: I am interested in doing a little more on the late 16th to early 17th century. Otherwise, I am fairly happy with the time frame that I work in now, but exploring more individuals and courts.
Sharon: What are you working on now?
Heather: I am finishing up the aforementioned book, If any Person will Meddle with My Cause: The Judicial Murder of Anne Boleyn. I am completing an epic as well, which I will self publish likely later this year, that has heavy Greek mythology themes. Our heroes go on a quest to bring back the Olympians and restore justice to the human world. The epic is clocking in at about 3, 600 lines right now. I suppose it makes me a poet along with an author.
Sharon: And finally, what is the best thing about being a writer?
Heather: Sharing knowledge.
About the book:
Katharine of Aragon is more in the public consciousness now due to the TV show ‘Spanish Princess’. Katharine has of course been an interesting historical figure for quite some time because she is the first wife of the infamous Henry VIII. This book provides a new perspective on Katharine because it includes far more background on her Spanish upbringing, Spanish culture, and how that continued to define her in England during her first fifteen years in the country. Additionally, Heather uses rich primary sources, such as ‘The Receyt of Ladie Kateryne’, which have either not been sourced or infrequently referred to in other biographies about Katharine. In this, Heather’s multilingual abilities – especially her fluent Spanish – are put to good use. No one, for example, has considered he rippling impact of terminating Katharine’s marriage on the Trastamara and Habsburg dynasties in Europe. Katherine was as important abroad as she was in England.
Heather R. Darsie, J. D. is an independent researcher specializing in early modern history. She describes herself as a “Tudor-adjacent” historian, focusing on the Holy Roman Empire and England in the early 16th century. She is the author of four nonfiction books: Anna, Duchess of Cleves: The King’s Beloved Sister, Children of the House of Cleves: Anna and Her Siblings, Stuart Spouses: A Compendium of Consorts from James I of Scotland to Queen Anne of Great Britain, and Katharine of Aragon, Spanish Princess: I am not as Simple as I May Seem. She self-published the novella Diary of a Plague Doctor’s Wife. Her primary career is as an attorney. Heather lives in Illinois with her loving husband, wonderful stepchildren, and three raucous parrots.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
Today, it is an absolute pleasure to welcome Tony Riches back to History … the Interesting Bits for a little chat about his latest book, Bess: Tudor Gentlewoman, the sixth and final book in his magnificent, and enthralling, Elizabeth series.
Sharon: So, Tony, what made you pick Bess Throckmorton as the subject of your sixth and final book in your Tudor series?
Tony: The idea behind the Elizabethan series was to see the enigmatic Queen Elizabeth through the eyes of three of her favourite men and three of her ladies. Each had a very different relationship with the queen, as Drake was in awe of ‘Gloriana’, Essex was like the son she never had and Raleigh was the captain of her guard. I had plenty of ladies to choose from, and was intrigued by Essex’s sister Penelope Devereux (who he blamed for encouraging his ‘rebellion’). His wife, Frances, seemed an unlikely choice, but as I looked into her life as the daughter of the queen’s spymaster, Sir Francis Walsingham, I found she was closely involved with the key events of the Elizabethan era.
Bess’ story allowed me to complete the story of Walter Raleigh (which ended with the death of Queen Elizabeth), and I was intrigued at how she remained so loyal to Walter, even living in his cell at the Tower of London to keep him company. As my research continued, I found she lived until the age of eighty two – well past the end of the Tudors and into the Stuart era, making her one of the last true Elizabethans.
Sharon: Who has been your favourite Tudor to write about?
Tomb of Katherine Willoughby
Tony: I would have to say Bess Raleigh, as she was a remarkable woman, (and I’ve been living with her every day for the past eighteen months), but if time travel is perfected I would love to visit Katherine Willoughby, as she knew every one of the wives and children of King Henry VIII, and must have a lot of secrets! I visited Katherine’s home at Grimsthorpe Castle during my research, and felt a real connection with her at her tomb in Spilsby parish church.
Sharon: Are there any Tudors you would still like to write about?
Sir Philip Sidney (Wikimedia Commons)
Tony: The ‘one who got away’ is Sir Philip Sidney, the fascinating and brilliant warrior poet. He features in three of my books, as he was the Earl of Essex’s mentor, Lady Penelope Devereux’s lover and Frances Walsingham’s first husband.
Sharon: Who is your favourite Tudor?
Tony: I never tire of reading about Queen Elizabeth I, who appears in seven of my books. Every time I think I understand her, I discover something new that makes me think again.
Sharon: And who is your least favourite Tudor?
Tony: The villain of the piece, Sir Richard Rich, who oversaw the trials of Catholic martyrs Thomas More and Bishop John Fisher, as well as the Protestant martyr Anne Askew. Richard Rich can never be forgiven for what he did to poor Anne Askew, who never betrayed Katherine Willoughby – even when tortured on the rack and burned at the stake.
Sharon: What’s next?
Tony: I am now researching the life of the first Stuart queen, Anna of Denmark, who I introduce in my last book, when she visits Bess and Walter at the Tower of London to speak with Walter about his herbal potions. Although I covered the English Civil War in my history lessons, the Stuart queens had only a brief mention, so I would like to help restore them to the place in history they deserve by bringing their stories to life.
About the book:
Bess: Tudor Gentlewoman
“A thrilling portrait of a remarkable woman who witnessed the key events of Elizabethan England.”
Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante.
Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission?
Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.
Can she outwit her enemies, protect her family, and claim her destiny in a world where women are pawns and survival is a game of deadly consequences?
This is the true story of the last of the Elizabethans, which ends the story of the Tudor dynasty – and introduces their successors, the Stuarts.
Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook, Instagram, Bluesky and Twitter @tonyriches.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
Joining me today as part of my Wordly Women series is the wonderful Annie Whitehead. Author of both fiction and non-fiction books based in Anglo-Saxon Mercia, Annie’s latest book, Murder in Anglo-Saxon England: Justice, Wergild and Revenge is replete with dastardly murder stories.
Sharon: What got you into writing?
Annie: It was just something I always wanted to do – I remember writing ‘The Adventures of Ferdinand the Hedgehog’ when I was around 7 or 8. I think the desire to write history came later, partly influenced by the sorts of novels I preferred reading, and partly from a growing love of history generally, probably beginning when I lived in York for six months. Living there, even as a child, you can’t not notice the history all around you.
Sharon: You write both fiction and non-fiction – is one harder than the other?
Annie: I think they are both equally hard, but they are different. The research is pretty much the same, although with fiction you need every day details as well as the actual historical events, but where they differ is that in fiction you are free to fill in the gaps in the history (although in a way that fits with your plot and with your characters), but if you take them on a journey you need to give details, whereas in nonfiction you can just say, ‘The king took an army to York.’ On the other hand, with nonfiction, you can’t make stuff up, and if you make any pronouncements you have to back those up.
Annie: I’ve written four novels, featuring prominent Mercian characters, including Æthelflæd, Lady of the Mercians, and Penda, the last pagan king. I’ve also written three nonfiction books, one about the history of Mercia, one about Women of the era, and my latest release, Murder in Anglo-Saxon England. I’ve also contributed to two nonfiction anthologies and three and a half fiction collections (the ‘half’ is one that’ll be published later this year).
Sharon: What attracts you to the Anglo-Saxon period?
Annie: I think there’s an element of romanticism, a Tolkien-esque aura if you will. The names are very noble sounding, including one of the main characters of my second novel, Alvar the Kingmaker, whose real name was Ælfhere. I like the characteristics that set the period apart from the rest of the (mainly Norman) Middle Ages and I like, on the whole, their values. Particularly, their treatment of women, which was in many ways better than that of their later medieval counterparts. I also find the personalities interesting and characterful – rich pickings for the novelist.
Sharon: Who is your favourite Anglo-Saxon and why?
King Edgar
Annie: There are so many to choose from! I’ve already mentioned three, but I also find the little-known King Edgar (959-975) fascinating because he breaks the mould. His reign was not especially violent – it was more a time of politics and scheming nobles and there were no ‘Viking’ raids – and Edgar’s love life was, shall we say, interesting. He might have had up to three wives, one of whom was said by some – unreliable – chroniclers to have been a nun!
Sharon: Who is your least favourite Anglo-Saxon and why?
Annie: I’m going to get into a lot of trouble with this, especially from some of my writer friends, but it’s Harold Godwineson. Obviously I’d rather he’d won at Hastings, not William, but I do find his whole family rather unappealing, treacherous and self-entitled. (Sorry, Harold fans!)
Sharon: How do you approach researching your topic?
Annie: I always start with the primary sources, contemporary if possible, looking for any reference to the characters I’m planning to write about. I find out, or remind myself, about the timelines, then I look at the later, usually Anglo-Norman sources, to see where they embellish and flesh out the tales. If I’m writing fiction, I might use some of their more detailed and frankly at times outrageous stories, but if it’s nonfiction, I have to use a lot of scepticism in the pursuit of the truth, or at least getting as close to the truth as I can.
Sharon: Tell us your ‘favourite’ Anglo-Saxon story you have come across in your research.
Annie: I have so many! But one is the tale of King Offa’s daughter, accused of poisoning her husband’s advisor and accidentally poisoning her husband too. He was the king of Wessex. She fled to the Continent where the Emperor Charlemagne set her up in an abbey but she was caught in debauchery there and died in poverty. It’s highly unlikely to be a true story, as we have evidence that her husband probably died in battle and if she fled, she was most likely fleeing the wrath of his successor, who’d been forced into exile by her father and her husband.
Sharon: Tell us your least ‘favourite’ Anglo-Saxon story you have come across in your research.
King Æthelred the Unready
Annie: It has to be the story of the St Brice’s Day Massacre, sanctioned by King Æthelred the Unready, where a number of Danes were chased through Oxford into a church which was then set on fire. It sounds like the scene from a bad Hollywood historical film, but it really happened. We know this a) because we have a charter from the king himself saying that he ordered it and b) charred bones dating to the right time unearthed at the location.
Sharon: Are there any other eras you would like to write about?
Annie: I’ve always been interested in the seventeenth century and the early Stuarts in particular. They are coming out of the shadows a bit more now and there have been some excellent books, both fiction and nonfiction, published recently, but they still take second place to the Tudors, which for me is a shame as it’s such an interesting period of history.
Sharon: What are you working on now?
Annie: I’m working on the novel which I shelved to research and write Murder in Anglo-Saxon England. It’s set in the tenth century and features Mercians, Northumbrians, Vikings and Scots and also has a murder or two thrown in!
Sharon: And finally, what is the best thing about being a writer?
Annie: Something I’ve enjoyed from a very early age is reading – I loved being transported to other times and places, meeting new characters and learning their stories. Writing, for me, is almost the same, and to spend my working days making up similar stories and spending time with those characters is a dream come true. It’s a form of escapism and it’s bliss!
About the Author:
Annie is a Fellow of the Royal Historical Society, and has written four award-winning novels set in ‘Anglo-Saxon’ Mercia. She has contributed to fiction and nonfiction anthologies and written for various magazines. She has twice been a prize winner in the Mail on Sunday Novel Writing Competition, and won First Prize in the 2012 New Writer Magazine’s Prose and Poetry Competition. She has been a finalist in the Tom Howard Prize for nonfiction and was shortlisted for the Exeter Story Prize and Trisha Ashley Award 2021. She was the winner of the inaugural Historical Writers’ Association (HWA)/Dorothy Dunnett Prize 2017 and was subsequently a judge for that same competition. She has also been a judge for the HNS (Historical Novel Society) Short Story Competition, and was a 2024 judge for the HWA Crown Nonfiction Award. Her nonfiction books are Mercia: The Rise and Fall of a Kingdom (published by Amberley books) and Women of Power in Anglo-Saxon England (Pen & Sword Books). In 2023 she contributed to a new history of English monarchs, published by Hodder & Stoughton, and in February 2025 Murder in Anglo-Saxon England was published by Amberley Books.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
When she died in September 1362, Joan of the Tower (also known as Joan Makepeace) had been Queen of Scots for thirty-three years. She had never borne a child, nor is there any mention of her ever having become pregnant. So, on her death, David II was still without a son and heir. The heir to the Scottish throne was Robert Stewart, the nephew he despised, who had six legitimate sons by 1362.
Following the murder of his lover, Katherine Mortimer, in 1360, and before Joan’s death, King David had fallen in love with Margaret Drummond. The first reference to Margaret and David’s relationship is in a charter of 20 January 1363, to the Friars Preacher, for the souls of David himself and of ‘our beloved’ Margaret Logie. Margaret was the daughter of a lowly Scottish knight, Sir Malcolm Drummond. She had been married to Sir John Logie of Logie and had at least one son, also called John.
The relationship with Margaret further alienated David’s heir, Robert Stewart, who was involved in a violent feud with Margaret’s brothers, John and Maurice Drummond. It also threatened to disinherit Robert, should Margaret give birth to a son. This could explain Robert’s involvement in a rebellion early in 1363, in which a petition was presented to the king, demanding that he set aside Margaret and dismiss his current advisers.
Despite the opposition to the relationship, ‘in the year 1363, the aforesaid lord David, king of Scotland, took to wife, at Inchmurdach, a great lady, named Margaret of Logie, of high and noble birth, and born in his kingdom; and he endowed her with many lands and possessions, and raised her to reign in honour with him, with the royal diadem.’1 They were married at Inchmurdoch, in the Fife manor house of the Bishop of St Andrews, though ‘Thai ware togiddyr bot schort quhile.’2
Crest badge of the Clan Drummond
According to the chroniclers, Margaret was very beautiful, but her character left much to be desired, ‘With the aim therefore of providing for the succession to the kingdom from the fruit of her womb (if God granted it), King David chose a most beautiful lady, Margaret Logie, the widow of John Logie, perhaps not so much for the excellence of her character as a woman as for the pleasure he took in her desirable appearance.’3 Once married, David gave preferential treatment to Margaret’s family, granting them lands and prestigious marriages. One such marriage, possibly inspired by Margaret herself, was between her niece, Annabella Drummond, and John, the eldest son and heir of Robert Stewart.
If Margaret herself did not produce a son and heir for Scotland, her niece might one day become queen. This must have angered Robert Stewart, who was still embroiled in the feud with Margaret’s brothers. Demonstrating her own influence over King David, in the winter of 1368, the queen went as far as to persuade her husband to order the arrest and imprisonment of Robert and some of his sons. The continued lack of an heir, however, may have begun to rankle with King David, who released his nephew after a short time. David also favoured his stepson. On 6 December 1363, John Logie, ‘the son of the Queen of Scotland’, was among the ‘divers lords and others, who came to England in the retinue of the K. of Scotland about a treaty of peace between the Kings’ and was gifted ‘a parcelgilt cup, weight 75s., value 6l. 5s. 4d’.4 He received further gifts such as that on 16 December 1365, when the king ‘of Scotland, Sir Archibald, and other lords of Scotland came to Annandale, and gave seisin of it to one John de Logy son of the Queen of Scotland’.5
Annabella Drummond, Margaret’s niece
The Liber Pluscardensis suggests that the queen, knowing David was tiring of her, faked a pregnancy in order to maintain her influence over her husband, and save her marriage. It did not work. Margaret is always portrayed as an ‘arrogant, demanding wife’, and it may be that she was, though I cannot help but wonder that harsh words are used to describe her because she was lowly born, the daughter of a mere knight, rather than a princess. She was seen as unworthy for the high office to which David had elevated her. It cannot have been easy for her, being reminded constantly of her low social position in respect of the others who surrounded the king. It would go some way to explain her haughty attitude; she was trying to live up to her queenship. David had also started an affair with Agnes Dunbar, sister of George, Earl of March.
Whether it was for the lack of an heir, the demanding nature of his wife, or a desire to marry a new love, the result was the same: ‘he lived with her for a short time, [but following animosity that arose between them,] he divorced her about the beginning of Lent 1369.’6 King David applied for a divorce, which was granted, relegating Margaret to the position of ‘Lady Margaret Logie, onetime Queen’. Margaret, however, was not going to go quietly and live in retirement on the pension of £100 a year the king had awarded her. Margaret decided to appeal to a higher power and
On this account she secretly boarded a ship in the Firth of Forth [well supplied with money] and made for the papal court. She arrived at Avignon where the pope was then to be found. By making an appeal she transferred her case there, and disturbed the whole kingdom by her legal action. And so once the king’s proctors had travelled to the apostolic see, the case was bitterly disputed, and the pleading between the advocates of the contending parties was so prolonged that a book compiled from that source and certified by notarial marks is longer [in] wordage (in my judgment, for I who have written this have seen this pleading) than the contents of the text of four Psalters. For her case was many times committed for hearing by auditors and cardinals, so that if she had lived, she would have subjected the kingdom to an interdict; but she died on a pilgrimage to Rome.7
David II, King of Scots
King David II Bruce died, childless, at Edinburgh Castle on 22 February 1371, having reigned for forty-two of his forty-seven years. The king’s death did not stop Margaret from continuing with her lawsuit against him for some years, despite how much it was costing the former queen. There was a
Notarial instrument dated 23d June 1372, attesting obligation of same date by the Lady Margaret Queen of Scotland, widow of the late David Bruys K. of Scotland, acknowledging a loan of 500 marks from Adam Franceys and two other London merchants, made to her at Avignon, repayable at Caleys at Pentecost following. Done in the house of the said Queen Margaret at Avignon ut supra.8
Scotland was under the threat of a papal interdict as a result. Reprieve only came with Margaret’s death, during a pilgrimage to Rome in early 1375. The rule of the house of Bruce had lasted just sixty-five years and had been punctuated by the country’s fight for Scotland’s sovereignty. Eventually, however, it was not England that ensured the downfall of the House of Bruce. It was the failure of King David to have an heir.
David II (left) and Edward III
There is always a tendency to blame the woman when a king dies childless, but the fact that David was married twice and had a number of mistresses, but never became a father, even of an illegitimate child, would suggest that the problem lay with David. Though the point is moot.
In the end, David’s heir was his nephew, as he had been from the moment David ascended the throne. David was succeeded by the first of the Stewart kings, Robert II, son of Robert the Bruce’s eldest daughter, Marjorie and her husband, Walter Stewart. The royal House of Stewart would rule Scotland until 1714 and England from 1603 until 1714.
Notes:
1. John of Fordun’s Chronicle of the Scottish Nation; 2. ‘They were together but a short while’, Wyntoun, The orygynale cronykil of Scotland; 3. Bower, Scotichronicon, V 7; 4. Calendar of documents relating to Scotland, Vol. 4, no. 93; 5. ibid.; 6. Bower, Scotichronicon, V 7; 7. ibid,; 8. Calendar of documents relating to Scotland, Vol. 4, no. 197
Bibliography:
John of Fordun’s Chronicle of the Scottish Nation; Walter Bower, Scotichronicon; Andrew Wyntoun, The orygynale cronykil of Scotland; Calendar of documents relating to Scotland preserved in Her Majesty’s Public Record Office; Richard Oram, editor, The Kings and Queens of Scotland; Rosalind K. Marshall, Scottish Queens 1034–1714; Ian Mortimer, The Perfect King: The Life of Edward III, Father of the English Nation; Dr Callum Watson, ‘Ane Lady Bricht’: A Life of Annabella Drummond, Queen of Scots, c. 1350–1401; Bruce Webster, Margaret [née Margaret Drummond], Oxforddnb.com; Nigel Tranter, The Story of Scotland; B. Webster, ‘David II and the Government of Fourteenth-Century Scotland’ (article); David Ross Scotland, History of a Nation; Phil Carradice, Robert the Bruce: Scotland’s True Braveheart; G. Barrow ‘The Aftermath of War: Scotland and England in the late Thirteenth and early Fourteenth Centuries’ (article); Colm MacNamee, Robert Bruce: Our Most Valiant Prince and Lord; Stephen Spinks, Robert the Bruce: Champion of a Nation; Fiona J. Warson, Robert the Bruce; Bruce Webster, ‘David II’, Oxforddnb.com
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
In today’s spotlight on Wordly Women, I welcome my good friend, novelist and historian, Toni Mount back to History… the Interesting Bits. Toni writes the fabulous Seb Foxley mystery novels and the non-fiction series How to Survive in…
Sharon: What got you into writing?
Toni: I’ve always been a story-teller. Aged 6, when the teacher was called away – before the days of teaching assistants – she would have me sit at the front of the class and tell them a story. It was usually a mix of various fairytales with princes, princesses, witches and dragons. I like to think I became more sophisticated when I started writing them down in English Composition lessons aged 7 or 8. My imagined ‘First Flight of Concorde’ – the supersonic plane – won the school prize and my head has been full of stories for as long as I can remember. A good many have made it to the page but not all.
Sharon: You write both fiction and non-fiction – is one harder than the other?
Toni: Fiction needs your own ideas; in non-fiction the facts are there, waiting for you to use. Since my novels are as authentic to the period as I can make them, but without the ‘gadzooks’ and ‘forsooths’, they take as much research as the non- fiction books. In both cases, I’m looking to tell a good story. The difference is that non-fiction may have gaps where historians don’t know the answers, such as what was Edward II thinking when he gave Piers Gaveston the queen’s jewellery but in a novel the writer is allowed to tell you why.
Sharon: Tell us about your books.
Toni: I’ve had 30+ books published, half of them novels. My most successful non-fiction books are ‘Everyday Life in Medieval London’ and ‘Medieval Medicine’ both published by Amberley, and ‘How to Survive in Medieval England’ published by Pen & Sword which was recently a no.1 best seller on Amazon. The How to Survive series – my fourth: ‘How to Survive in Ration-Book Britain’ is due to be out in November 2025 – is written for the armchair time-traveller and puts a light-hearted slant on history. ‘How to Survive in Tudor England’ and ‘How to Survive in Anglo-Saxon England’ are the other titles.
My Sebastian Foxley Medieval Murder Mystery series has quite a following – book 13 ‘The Colour of Darkness’ has just gone off to the publisher MadeGlobal. Seb is a London-based scribe and illuminator in the 1470s-80s whose eye for detail means he spots clues that others miss to solve crimes. Many are true crimes which were recorded in the Mayor’s Court Rolls and remain unsolved – until now. I love the way my characters take over the story, sometimes doing things that never occurred to me. Seb has become a family member, so much so that my sons commissioned a portrait of him for my 65th birthday and it hangs above the fireplace.
Sharon: What attracts you to the period?
Toni: Whether fact or fiction, the Plantagenet period from the 1150s to 1485 is by far the most intriguing for me. Who doesn’t love to puzzle out a mystery? But modern policing is too boring to write about with so much paperwork, hours of CCTV footage to trawl through, fingerprinting, DNA, ballistics, etc. Give me Sherlock Holmes with his magnifying glass every time. The medieval period has even fewer technical complications.
Sharon: Who is your favourite medieval or Tudor personality and why?
Toni: Richard III obviously. I love the controversy. Was he a saint or a sinner? Or simply a human being?
Sharon: Who is your least favourite medieval or Tudor personality and why?
Toni: Henry VIII – a vicious paranoid megalomaniac. What’s to like? (Sharon: I could not agree more!)
Sharon: How do you approach researching your topic?
Toni: I read all I can around the subject; get a feel for the period and ‘live it’ in my head. As I write, if I realise I don’t know something, I make a note of it, check it out and list sources as I go. This is vital for a book which will have references and footnotes but even if I’m working on a novel, I may want to return to a source for further info or to mention it in my Author’s Notes – this is where I tell readers what’s true in the novel, which characters really existed, etc. In ‘The Colour of Darkness’, I did additional research into Medieval Mystery Plays and the ‘Duke of Exeter’s Daughter [a torture device], among other things. For the next novel, I’m reading up on medieval ships and firearms – I think it’s time somebody got shot with a ‘gunne’.
Sharon: Tell us your ‘favourite’ medieval or Tudor story you have come across in your research.
Toni: John/Eleanor Rykenor was a cross-dresser in the 1390s. He claimed to have had sex with nuns ‘as a man’ and didn’t charge them for it but did charge a group of Oxford priests-in-training for his services ‘as a woman’. He/she also said he’d spent a year or more living as a man’s wife. When caught in flagranti in a stable, wearing women’s attire and charging a man for sex, as Eleanor she appeared in court. The authorities weren’t sure what crime to charge her with – homosexuality wasn’t made a criminal offence until Tudor times – so she was charged with misrepresenting the product for sale, i.e. advertising her services as a female without having the appropriate ‘equipment’ for the job. She had to pay a fine for flouting what we would call the Trades Description Act. John/Eleanor is a character in my Foxley novels although he/she lived a century before they’re set. I couldn’t resist using such a fantastic character.
Sharon: Tell us your least ‘favourite’ medieval or Tudor story you have come across in your research.
Toni: The discovery of RIII’s skeleton in a Leicester car park ruined my first ever trilogy [written in 1980s and unpublished]. My premise for the series of novels was that Richard, though wounded, survives the battle of Bosworth and goes on to have further adventures. Henry Tudor, frustrated when he can’t find Richard’s corpse to prove the king is dead, substitutes a crippled beggar to be buried instead. I was about to rewrite the trilogy when the dig discovered the bones and DNA proved it was Richard. How annoying!
Sharon: Are there any other eras you would like to write about?
Toni: Apart from writing about the medieval and Tudor eras, I’ve also written a Victorian who dunnit – ‘The Death Collector’ – making use of unsolved murders from the 1880s, including those attributed to Jack the Ripper. That was great fun to write and I fancy doing a sequel. Also, I wrote a non-fiction book ‘The World of Isaac Newton’ and I think Isaac, with his brilliant brain, has definite possibilities as a sleuth. I’ve published books ranging from Anglo-Saxon England to the 1950s and everything in between has at least been touched upon. Maybe more on the Anglo-Saxons would be interesting.
Sharon: What are you working on now?
Toni: The next novel is brewing: ‘The Colour of Malice’ and two self-published booklets are being prepped. ‘Medieval Christmas’ will do what it says on the tin. ‘Warriors – Men-o’-War’ is a very different beast as a collection of my short stories, something I’ve not done before, from Agincourt to Afghanistan. There are no new titles for non-fiction books at the moment.
Sharon: And finally, what is the best thing about being a writer?
Toni: Playing God with characters [in fiction] and the beauty of words – choosing how best to express your ideas and imaginings on the page. Marvellous!
About the Author:
Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.
Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, Elizabeth Chadwick and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
In the third episode of my Wordly Women interviews, I welcome Paula Lofting to History…the Interesting Bits to talk about her writing journey. Paula is the author of the Sons of the Wolf series of novels and has recently published her first none fiction work Searching for the Last Anglo-Saxon King: Harold Godwinson, England’s Golden Warrior.
Welcome Paula….
Sharon: What got you into writing?
Paula: When I was a little girl as soon as I could write straight, I used to come home from school sit at the coffee table in our lounge on my feet and write stories. I was particularly fond of ‘composition’ class at school where the teacher would put several titles up for us to choose from to write about. I often had my stories read out to class.
I guess it was something I always wanted to do. I remember in my teens, writing an epic historical fiction based on the years after the Romans left Britain, but I hand wrote it because I hadn’t learned to type and the typewriter, I had was useless. I thought I was never going to submit because it never occurred to me to just type with one finger! So, I gave up on that idea. I’d written plays, poems, and all sorts of stuff, but I was also in a bad relationship with a man who didn’t want to share me with a pen, so it was difficult until the relationship ended, and I had moved on. It was when the advent of personal computers came along when I realised that I could actually achieve my dream if I wanted to.
Sharon: Tell us about your books.
Paula: I have been writing a series set in the years leading up to the Norman Invasion of 1066. There are currently two books I have published in the series, and of course a nearly finished 3rd WIP. The series is called Sons of the Wolf, which is the name of book 1 and book 2 is The Wolf Banner, and 3 which I am working on is called Wolf’s Bane. As you can see there is a recurring theme. The theme is not something to do with real wolves but has its origins in my hero’s family history whose ancestors believed that they were descended from wolves.
The books tell the story of Wulfhere, a Sussex thegn, and follows the fortunes of his family in the years before the Battle of Hastings took place. It explores the lives of the ordinary people who lived against the backdrop of the political landscape of the time.
The series is a chronological account of events that are woven into the tapestry of the family’s lives and also tells the story of the main historical players of the time, such as Harold Godwinson and his clan. The two men’s lives run parallel alongside each other, and their contrasting stories are intricately woven together as is their fate.
The books all run consecutively, and you will find there are no gaps in the saga, so where one book ends, the new book starts. I have plans to continue after the catastrophic events of 1066 into the rebellion years.
Sharon: What attracts you to the 11th century?
Paula: I think that there is a lot of romance around the whole story of two men who fought over their claims to be king of England which people are drawn to. There is the tragedy of the last ‘Anglo-Saxon king’ who is butchered to death on the battlefield: the tall, handsome, charismatic, affable, warrior who fights for his people and his country. There is the underdog and the overdog theme which comes after the conquest and lasts for some time before England begins to melt as though seamlessly into the new regime.
Then you have the original Robin Hood type story of Hereward who sort of appears from nowhere to fight the good fight against the baddies after coming back to England from abroad to find a lot of things have changed and his ancestral lands commandeered by invaders. There is so much to play with there, a passionate conglomerate of rich history that evokes and inspires in the most amazing manner. It is an era that sets itself apart from what happens later – the cusp of change from the old world to the new.
I find it fascinating. Love… Betrayal… Battles… Bloodfeud.
What’s not to love!
I have also written a book about Harold Godwinson which is due for release any day now with Pen and Sword.
Sharon: Who is your favourite Anglo-Saxon and why?
Paula: There were so many extraordinary characters, and a lot I could choose from. For now, I have to go with Harold Godwinson, simply because, although we will never know what his true nature was for certain, what is written in the sources is constant and conjures up a vision of a man who loved his wife, his family, and his country. A man who avoided internal conflict, forced to navigate intrigue, family skirmishes, and the jealousy of the other aristocracy. He was not a perfect man, but in comparison to many rulers and sub rulers in medieval times, there were a lot more who were far more undesirable. During his early tenure as king, knowing that his country was in danger on many fronts, he acted swiftly to gather his armies together and deploy them to defend the shores. He even found time to see to some of his admin duties, all this in the early weeks of his reign. Who knows what he might have achieved if his life had not been so cruelly taken from him so early into his reign.
Sharon: Who is your least favourite Anglo-Saxon – or Viking – and why?
Paula: Ooo – Can I have one of each?
In that case I have to say, the Anglo-Saxon Ealdorman Eadric Streona whose betrayal of King Edmund lost him the battle of Assandun.
My least favourite Viking would have been Sweyn Forkbeard who was invading England from the 990s up until 1013. He became king for about 6 weeks before he died in February 1014. His pillaging and burning of England really stank.
Sharon: How do you approach researching your topic?
Paula: Well, currently I am taking notes from the two major annals, the Anglo-Saxon Chronicles and the Chronicon ex Chronicis which was the work of the monk, John of Worcester and also in part, someone called Florence. I plan to augment them with other sources that I read, both primary and secondary, to try and find sources that correlate and contradict each other so I can make sure I have all the facts in one place when I come to write the narrative. I am always very grateful to those historians who came before me for having done the hard part of digging through the foundations of the information available to me and try to see the original sources for myself. Its helpful that these authors give guidance in their own work for us new historians to build upon and come up with new ideas.
For Historical fiction I have the privilege of being a reenactor and learning the everyday tasks and the little detailed things that experimental archaeology gives us like clothing, food, buildings and battle strategies that often history texts can’t give us. This helps me to build my world as authentically as I possibly can.
Sharon: Tell us your ‘favourite’ Anglo-Saxon story you have come across in your research?
Paula: Oo I love this question!
I have a few, actually: The research carried by Dan Armstrong regarding the Papal Banner. It seems there is little evidence for it in 1066. Readers will need to read the book to find out more about what Armstrong uncovered.
Another is the version of Harold’s trip to Normandy that the English chronicler, Eadmer of Canterbury writes in his History of Recent Events in England, a story that makes far more sense, even though it is the only version of this you can find. And considering that Eadmer was not particularly pro Harold, I think it is far more reliable than the Norman sources.
I also love the anecdotal tale of Bishop Wulfstan who carried a pair of snips with him to cut the hair long hair of the young men who came before him. He didn’t approve of men with long hair, obviously. Can you imagine, you’re an elite, well-respected member of the elite huscarls kneeling before him as you get to the front to receive holy communion and he reaches over your head and grips your neatly combed and beautifully tied back pony-tail and with one snip, you lose it! And there was nothing you could do about it!
Sharon: Tell us your least ‘favourite’ Anglo-Saxon story you have come across in your research?
Paula: Oh gosh, I can name lots, but probably the worst, I have to say, is the cruel propaganda used by the Norman scribes such as Poitiers, who was the first one to mention the Papal Banner, and the way they defiled Harold’s character to detract from William’s regicide of an anointed king and make him seem like a saint!
Sharon: Are there any other eras you would like to write about?
Paula: Yes indeed, but I’m probably never going to achieve them all, here are just a few:
Staying in the so-called dark ages, I once started to write an epic about the post Roman Britain era, centring on Ambrosius Aurelianus. It never came to anything because my circumstances were not right at the time, but I would love to give it ago one day.
Another is Macbeth, and coming right out of my comfort zone, a story about a highway man.
Sharon: What are you working on now?
Paula: Edmund Ironside is my new project for Pen and Sword – a non-fiction book, and fiction wise, I am working on finishing the third novel in my series, Wolf’s Bane
Sharon: And finally, what is the best thing about being a writer?
Paula: Escaping into other times, other places, and building a different world. It gives me a sense of release and I enjoy creating characters I love.
It has never really been my aim to sell loads of books and earn loads of money from writing because its not going to be achievable in this day and age. Its more of a hobby really, but if people read my work, then I am very happy, especially if they enjoy it. That’s the most important part to me.
About the author:
Paula was born in the ancient Saxon county of Middlesex in 1961. She grew up in Australia hearing stories from her dad of her homeland and its history. As a youngster she read books by Rosemary Sutcliff and Leon Garfield and her love of English history grew. At 16 her family decided to travel back to England and resettle. She was able to visit the places she’d dreamt about as a child, bringing the stories of her childhood to life. It wasn’t until later in life that Paula realised her dream to write and publish her own books. Her debut historical novel Sons of the Wolf, was first published in 2012 and then revised and republished in 2016 along with the sequel, The Wolf Banner, in 2017. The third in the series, Wolf’s Bane, will be ready for publishing later this year.
In this midst of all this, Paula has acquired contracts for nonfiction books with the prestigious Pen & Sword publishers. Searching for the Last Anglo-Saxon King, Harold Godwinson, England’s golden Warrior is due to be published at the end of February, and a biographic of King Edmund Ironside is also in the pipeline. She has also written a short essay about Edmund for Iain Dale’s Kings and Queens, articles for historical magazines. When she is not writing, she is a psychiatric nurse, mother of three grown up kids and grandmother of two and also re-enacts the Anglo-Saxon/Viking period with the awesome Regia Anglorum.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
Do excuse me if a get a little giddy and fan girly with this one! One of my favourite thriller writers is about to release the first book in a new series – in historical fiction!
I absolutely love Scott’s Ben Hope books and got the last in the series, The Templar Secret, for Christmas. They are modern day thrillers with a historical twist – and are great fun to read.
And Scott agreed to do an interview with me!
I also have an advance copy of the new novel, The Pilgrim’s Revenge, so expect a review shortly. And Scott will be joining Derek and I for a chat in an upcoming episode of A Slice of Medieval. But, in the meantime, Scott and I had a chat….
Hi Scott, thank you for joining me, how did you start your writing career?
It came about both gradually, and suddenly. I’d always been interested in stories – as a kid I used to mess around with drawing and writing, and sometimes combining the two to create my own stupid little cartoon strips which were usually pretty unoriginal rehashes of things like King Kong or Jaws or Tintin, as well as historical themes based on Ivanhoe or Chevalier Ardent – I was into all sorts of things at that young age! Aged about eight, I think, I wrote a sci-fi horror story in which the entire male population of the human race was wiped out in a war against giant robot dinosaur creatures; but we won in the end because ‘the women bred’ (that’s a quote) and repopulated the army so that humans could defeat the monsters. It was not a promising start to my career. Later, in my early twenties, I dabbled with various ideas and projects, one or two of which were completed but have never seen the light of day – for which the world can be thankful, as they weren’t very good either.
Then one day after moving to Wales – this is in about 2006 – while out walking the dogs in the fields the idea for a character called Ben Hope popped into my head more or less fully-formed. What emerged from that was a novel called The Fulcanelli Manuscript, which ended up in the hands of the world’s worst London literary agent and being published by a hardback-only library publisher who printed 400 copies and had no intention of ever doing more. That could have been, and nearly was, the end for me. The book lay dead and buried for a year until I (not the literary agent) managed to gain interest from Avon, then a new imprint of HarperCollins UK, for the paperback rights which, thank God, the library publisher hadn’t been interested in grabbing. Suddenly – overnight really – the Ben Hope series was rebooted with Avon offering a deal for four books. The Fulcanelli Manuscript became retitled The Alchemist’s Secret . . . and that’s how it all began. I still can’t believe the series ended up thirty books long!
What is the best thing about being a writer?
Assuming that you’re able to drag your way up to a reasonable level in the industry: working from home, setting your own hours, not having to commute anywhere, seldom needing to travel unless you’re into doing a lot of physical research, being about as free and independent as it’s possible to get whilst still remaining gainfully employed . . . and getting paid for indulging the interests and passions that you would be preoccupied with even if they were just a hobby. It suits me perfectly.
What is the worst thing about being a writer?
When you’re starting out, the competition is crushing – especially if you had a bad start as I did. Unless you’re fortunate to have strong backing from a good agent, you may feel you’re embarking on an impossible quest that will only end in heartbreak or madness: I know, I suffered from both at various times! It can also be a horribly cruel and unjust industry. So many talented writers get crushed under the wheels of the machine and never get anywhere, while success very often doesn’t depend on the quality of the work. While most editors are lovely folks, you may be unlucky enough to have to work with people who have great control and leverage over what you do, and don’t necessarily have your best interests at heart. I could talk a lot about the high number of truly decent writers I’ve known who have fallen by the wayside, some very sad stories among them. It is a tough world.
You have been writing modern thrillers with a historical twist for years, what made you take the leap into full-on historical fiction?
I’ve always loved history. I wish I had had the sense when I was seventeen to want to study it at university! And it was a fascinating, highly educational and satisfying experience to write all those Ben Hope novels, each featuring its own historical backstory or mystery to a greater or lesser degree. The downside was that, because I’ve always produced two books a year, every six months I would have to uproot myself from whatever fascinating historical world I’d been so immersed in, clear it all from my head and plunge straight into the next. One minute you’re delving into ancient Babylon or Egypt, the next you’re off to the Chinese Cultural Revolution or the American Civil War. All wonderful stuff, of course, but it’s like being a perpetual globetrotter, always on the move, and never being able to stay in one location for long even though you might have fallen in love with the place and wanted to live there forever. Then one day while I was working on Ben Hope 28, The Tudor Deception, and deep into all the intrigues of medieval England, I thought: ‘You know what, I really love being here reading and writing about all this medieval stuff. What if I could just keep on doing that, and remain in one setting rather than having to jump about all the time?’ So, to cut a long story short, that’s what I’ve done. It wasn’t as simple or easy a decision as I’m perhaps making it sound – and of course the end of the Ben Hope series has upset a lot of fans – but nonetheless I’m really happy that I took the plunge.
I’m going to miss Ben Hope…
What were your main challenges when you switched from thrillers (Ben Hope was excellent, by the way) to historical fiction?
Because you’re going much deeper into just one time setting, it becomes all the more important to get the details as correct and authentic as possible: hence the research process is that bit more intensive. The good news for me is that I love research! I’ve accrued such a library of books on my favourite areas of history that when I get stuck in, they pile up so high around me on the desk that it’s like being inside a canyon. Because I’ve picked a medieval time / place setting that’s so well chronicled (the events of the Third Crusade), and because I want to stay as faithful to the true facts and timelines as possible, my plotline is already laid out for me to some extent by the historical sources. That’s been an unusual experience for someone who’s used to having to make it all up themselves! But although it might make life easier in some regards, it also creates the new challenge having to insert, or you might say superimpose, a fictitious main protagonist into the mix, through whose eyes we experience those well-known events in a fresh and dramatic way. Having to blending the worlds of fiction and non-fiction together like that, so that the (non-historian) reader hopefully can’t see the joins, is a whole new kind of fun. I’ve enjoyed being able to create scenes where my fictitious character is in dialogue with famous real-life figures like King Richard I and Eleanor of Aquitaine.
Tell us about The Pilgrim’s Revenge. What attracted you to writing about the Crusades?
The Pilgrim’s Revenge is the first book in my new series introducing the character of Will the Bowman, or just Will Bowman. The story begins in the year 1190, when Will, a young Englishman, has his happy married life torn apart by marauding soldiers who raid his home, and he’s forced to join up with King Richard’s expedition to the Holy Land as a means of catching up with the villains who did it. Actually we don’t quite reach the Holy Land in Book 1 – that’s for the next. But I hope there’s plenty there to excite and interest the reader. I adore the medieval period – grew up in a historic town, wept as a child when taken to the spot in Rouen where they burned poor Jeanne d’Arc, later read medieval French at University, learned to play with great big swords and shoot a bow – but the whole crusades period has a particular fascination for me. And what could be more cool than the most iconic crusade of them all, the conquest that pitted Richard the Lionheart against the great Saladin? Will Bowman and his comrades get embroiled right in the thick of the drama, and it’s a ride! At any rate it has been for me. I hope readers will love it too . . .
How are you going to cope with the lack of guns? Will the body count be lower?
Are you kidding? We don’t need guns. We have bows and arrows that can pierce chain mail armour from a long way off; we have double-edged swords and scimitars that’ll whip off arms, legs and heads; we have great big siege catapults that can take down massive stone ramparts from two hundred paces; we have thundering great charges of heavy cavalry bearing down on the enemy with lances; we have crossbows and axes and flails and daggers and all sorts of goodies to play with! And did I mention Greek Fire? It’s like The Iliad out there . . . No question, the body count and general level of mayhem and destruction are considerably higher than anything in the Ben Hope books . . . not that that makes it better, of course!
Phew! That’s a relief!
What comes first, the story or the research?
When I was constantly hunting around for fresh material for the Ben Hope books, it was more a question of finding the basic idea first. That could come, and did come, from all kinds of possible places as I was (and am) constantly reading. The basic idea for The Mozart Conspiracy came about from an old book I’d had for years about Mozart’s last year and just happened to revisit one day. The Babylon Idol popped into my head while driving and listening to a Louis Armstrong gospel number about King Nebuchadnezzar’s golden idol. The Forgotten Holocaust, dealing with the Irish famine of 1847, was a subject I’d wanted to do for years and nearly did as a historical stand-alone because I’d no idea at first how to make it work as a Ben Hope book. But in general, that initial concept could come from anywhere. Then you’d have to delve a little deeper to see if your idea had any legs or not – sometimes it did, sometimes it didn’t and you’d need to go and find something else. From there, the story and the research would generally develop in parallel. There was no particular system, but I’m pleased to say it worked pretty well. Now with the Will Bowman series, the case is slightly altered: the historical backdrop dictates a lot about the trajectory of the storyline, and the depth of research required fleshes out what’s going on while also providing inspiration for new story and character angles. If you can get all those stars lined up for you, then it all happens in an organic kind of way that feels very natural.
Have you got the historical fiction bug now? What comes next?
This is going to be the shortest answer. Yes, for sure! What comes next? More Will Bowman books. I’ve got four to do to begin with, but I would like to do more. A lot more. Mustn’t jinx it by saying too much, though.
Are there any other eras – or writing genres – you would like to write about?
As I think anyone who’s read much of my backlist knows already, my historical interests are pretty wide-ranging. Who can say if something else would come up in the future? Never say never: and that goes for genres too. Right now, however, I’m very content to stay exactly where I am. I no longer have to worry about where I’m going next: I’m free to trace the story arc of Will Bowman for as long as I’m able to. What better way to create a truly immersive experience for readers interested in our rich and exciting past?
The Pilgrim’s Revenge will be available from 24 April 2025
Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.
Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
Last month, we lost one of the great historians of medieval history, Martin Aurell. A few years ago, I had the honour of translating one of Martin’s essays on Eleanor of Aquitaine for a compilation on England’s medieval queens. He had a wonderful insight into Eleanor and I would have loved to meet him. So, when my dear friend Kasia asked if I would publish her tribute to Martin, I jumped at the chance.
The Book and the Duchess: Eleanor of Aquitaine and her Artistic Legacy….
In memory of Professor Martin Aurell
Eleanor of Aquitaine’s tomb effigy, Fontevraud Abbey
Richard of Devizes called her femina incomparabilis “a woman without compare” and in many respects she was. Queen of both France and England respectively, duchess of a great duchy in her own right, rebel wife who openly went to war against her husband, Eleanor of Aquitaine needs no introduction. And yet very little is actually known about one of the most famous women in history. Thus we should not find it surprising that all the myths and misconceptions about her got so firmly established in the popular consciousness. One of them is Eleanor as a very active artistic patron. However, if we raise the question, her artistic legacy is rather modest. There are only few surviving objects that can be safely associated with her.
First and foremost, there is her tomb effigy at Fontevraud Abbey, which is the earliest funerary monument that we know of to depict a woman with a book. Also, as it seems, it is the only one to depict a man or a woman in the act of reading. The book Eleanor is holding is a restoration. The original had been destroyed during the Revolution. It is probably devotional work…. book of prayers, psalter or gospel book.
A noble lady kneeling in a psalter of Eleanor of Aquitaine
The effigy is one of the few instances when Eleanor can be safely identified as an artistic patron. She most probably commissioned it herself. Also the effigies of Henry II and Richard I the Lionheart (the one of Isabelle of Angouleme was commissioned more than forty years later) which were created at the same time (as stylistic similarities indicate). Made from tuffeau limestone from the Loire valley they successfully stood the test of time. despite different vagaries of history. What makes us believe Eleanor was a commissioner? First and foremost, Eleanor’s presence at Fontevraud Abbey at the time. After Richard’s death in 1199 she left the walls of the abbey, but stayed in Anjou, defending it for John. Later she retreated to the abbey again and spent her last years there. The effigies must have been created between the death of Richard and her own death in 1204 (also the year Anjou fell to the Capetians).
Another object connected with Eleanor is the afore-mentioned Eleanor’s vase, which was a wedding gift she presented to her first husband Louis VII of France. It had stayed in her family since the reign of her famous/infamous grandfather, William IX the Troubadour, who had brought it with him from Spain. Louis gave it to Abbot Suger as a gift for St Denis. Suger added all the ornamentation. It was a classic crystal rock vessel when Eleanor presented it to Louis.
Another work of art associated with Eleanor is the so-called Fecamp Psalter (or Psalter of Eleanor of Aquitaine), one of the oldest manuscripts preserved at the Dutch Royal Library at the Hague. With 27 full-page miniatures, 36 calendar miniatures depicting the Labours of the Months, and 11 historiated initials illustrating the major divisions of the psalter it is exquisitely beautiful. By the end of the 11th century Fécamp was a leading centre for manuscript copying in Normandy and in the late 12th century (c. 1180) this beautifully illuminated psalter was probably commissioned by Eleanor herself. In 2016 student Jesus Rodriguez Veijo identified the figure on the Beatus page of the psalter with Eleanor, relying in part on the scholarship relating to the Radegonde mural. You can view the manuscript on the official site of Koninklijke Bibliotheek, Hague.
An image of the chase in a fresco in the chapel of St Radegonde
The so-called Poitiers Window is one of the few contemporary depictions of Eleanor. She, Henry and their four sons are shown in a small scene, being a part of a larger depiction of Crucifixion, in the area reserved for patrons. Eleanor and Henry hold an image that represents the window itself. This image is not a part of the original, but a result of 19th-century restoration by Adolphe Steiheil. The window must have been commissioned between 1166 and 1173, the birth of John and the outbreak of the Great Revolt, when the royal family was still undivided.
The famous Radegonde Mural preserved in the chapel of Sainte Radegonde, Chinon has been a subject of heated debates since its discovery in 1964 by Albert Heron. This representation has been widely accepted as a depiction of the Plantagenet family, identifying the central ”crowned” figure as Eleanor. Later research, however, helped to determine that all the figures were actually male. This led the historians to believe that the central crowned figure was in fact Eleanor’s eldest surviving son, Henry the Young King.
The Eleanor Vase
In her article entitled Two reputed representations of Eleanor of Aquitaine from her lifetime – a re-evaluation Sara Cockerill, the author of the latest Eleanor biography, revisits the evidence for both these representations and formulates yet one more theory that the scene is in fact a representation of the characters from St Radegonde’s legend. This led her to the following conclusion: while the same person may well have commissioned both depictions, only one, the Psalter, should be regarded as attempting to portray Eleanor herself.
By Katarzyna Ogrodnik-Fujcik
About the author:
Katarzyna Ogrodnik-Fujcik specializes in British literature and history, her area of expertise being the first Plantagenets (the Angevins). She lives in Poland. She writes for different magazines and websites on Polish and European Middle Ages. She runs a blog dedicated to Henry the Young King. She consulted a BBC documentary on William Marshal.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
In the third edition of my Author Spotlight series, Wordly Women, I chat with Wendy J. Dunn, author of both historical fiction and non-fiction based in the Tudor period
Sharon: What got you into writing?
Wendy: I cannot remember a time in my life when I didn’t read – or love books. By eight, I knew I wanted to be an author. I was ten when a friend had given me a child’s book of English history for my tenth birthday. That book, or rather its chapter about Elizabeth I, changed the course of my life.
But claiming a writer’s mantle meant walking a hard, long and challenging road. I was born into a working-class family. My parents never encouraged me to write—or even to complete High School. They expected me to follow the normal narrative for a working-class girl: work until I found a husband. I found him at seventeen, married him at eighteen. Ten months later (LOL), we welcomed the first of our four children.
By the time I married, life had done a good job of knocking down my confidence about ever becoming a writer. I also had this silly, working-class imposed idea that I could not write because I was now a wife and mother. I believed my class and world would not allow it. As I say, I had a lot of silly ideas. But I was very young. It took the traumatic birth of my second son to wake me up at twenty-two and make me remember I had other choices, and my dreams of authoring books. A few months after that, I applied to a local university’s Early Leaver Scheme, and they accepted me. Completing my Bachelor of Arts restored my confidence and returned me to writing.
With raising a family, working as a primary teacher, and a lot of health challenges along the way, the road was still difficult. Also, my family always comes first. LOL – I can hear them protesting that is not how they see it, but I know it is true. I would have written far more books by this stage of my life if writing came first. While family is at the core of my existence, writing keeps me sane. Writing is also where I have found my authentic life.
Sharon: You write both fiction and non-fiction – is one harder than the other?
Wendy: Both are hard – but nonfiction is harder because I am far more passionate about writing fiction than writing nonfiction. I love surrendering to my imagination and being there – back then – with my characters. On a good writing day, I emerge feeling so alive, I could float on air.
But what makes me passionate about writing nonfiction is my love of research – of finding answers that deepen my understanding of people of the past and sharing that knowledge with others.
Sharon: Tell us about your books….
Dear Heart, How Like You This? was my first published novel, and so will forever hold a special place in my heart because it was the novel that proved I could complete a novel, and one also good enough to be published. It tells the story of Anne Boleyn from the point of view of Sir Thomas Wyatt, the elder. Tom and I developed an extraordinary relationship when I wrote that book. He became so real we often argued about the direction of the story – and the story would just come to a stop until he got his own way.
Dear Heart ignited my desire to write about the life of Katherine of Aragon. I wrote the first version of The Duty of Daughters – the novel about Katherine of Aragon’s early life in Castille – through the point of view of the child Maria de Salinas and then faced the fact I needed to write it through an adult point of view. I knew it just had to be Beatriz Galindo, the scholar who may have been Katherine of Aragon’s tutor, but I despaired about pulling apart the book and starting again. So much so, it took completing my Masters of Writing and then my PhD – when I wrote The Light in the Labyrinthas my creative artefact – before I returned to this work, for it to be published in 2016.
Dear Heart also ignited the inspiration for The Light in the Labyrinth because my first novel left me with so many questions about why Henry VIII murdered the woman he had turned his kingdom upside to marriage. I decided to target this novel to young adults, with the hope adults would like it, too. LOL – I suspect far more adults have read and enjoyed it than young adults. As it became a bestseller in its early published life, I have no complaints about that.
All Manner of Things is the conclusion to my Falling Pomegranate Seeds duology. All Manner of Thingsimagines Katherine of Aragon time in England from her arrival in 1501 to 1520, with an epilogue that takes the reader to her deathbed. I used Maria de Salinas, one of Katherine’s closest friends and a fellow Castilian exile, as my narrator, which offered a close view of Katherine’s life.
All Manner of Thingshas done me proud since its publication by gaining quite a few awards and being translated into Spanish and published as Mi Hermana, Mi Reina.
Henry VIII’s True Daughter: Catherine Carey, A Tudor Life is my first published major work of nonfiction. COVID lockdowns made researching that book difficult. I was stuck in Melbourne, Australia, when I should have been researching in England. But we are fortunate to have a wealth of archival material now available online.
Sharon: What attracts you to the Tudor period?
Wendy: I have loved the Tudor period since my childhood. It is a fascinating period with so many fascinating people. For me, this period offers a wealth of stories to draw from for my storytelling, with a cast of archetypes, heroes and villains, with stories of adultery, murder, lust, love, passion, betrayal, tragedy and triumph, family secrets, ambition and vainglory. The Tudors offer a treasure trove of multilayered tales that speak to our shared humanity.
Sharon: Who is your favourite Tudor and why?
Wendy: No question about it. Elizabeth I. I know she was not perfect, but she was an exceptionally intelligent human being. The fact she ended up the queen of England, after years of walking a road where any misstep could lead to her death, is such a story of triumph. And the triumph continued all through her life. Elizabeth remained queen for close to forty-four years, despite all the plots to bring her down.
Sharon: Who is your least favourite Tudor and why?
Wendy: Henry VIII. I don’t think I could ever like any man who murders his wives. I confess I wrote The Light in the Labyrinth hoping I’d find him more likeable. Alas, I liked him far less after completing my second Anne Boleyn novel. He was a bully, a tyrant (especially after 1536), possessed little empathy, emotionally abused his eldest daughter and forced her to betray the memory of her mother, all of which broke her spirit, made it harder for women to work in professions – for example, a law early in his reign excluded women from the medical profession, and was, many times, simply cruel.
OMG – he annulled his marriage to Anne Boleyn just days before her execution, so how could she be accused of adultery then? But he still executed her!
Sharon: How do you approach researching your topic?
Wendy: Books. Many books. And more books. Academic papers. Hours of searching for primary sources to help me with my topic. Living in hope of having funds to get to the places where my people once lived, just so I can walk in their footsteps.
I build my people – real and imagined – through thorough research. I love researching history and deepening my knowledge about people of the past, which means every book I write increases my own personal reference library.
Sharon: Tell us your ‘favourite’ Tudor story.
Wendy: The day they crowned Elizabeth. Whenever I read the primary sources about her coronation, I am always swept away by the joy of the day. By Elizabeth’s joy. And I get an extra shiver up and down my backbone to know Anne Boleyn was remembered on this day. What Elizabeth must have felt to see her mother included in the processional display that celebrated her lineage.
I have written about this day in Henry VIII’s True Daughter, and also touched on this scene in FIRE FROM THE COMET’S TAIL, one of my short stories:
One of the honoured women helping carry Elizabeth’s long, heavy mantle up the steps, Kate couldn’t resist doing a dancing step, far too excited and happy to mind the cold.
Drums rolled and trumpets blared. A thousand voices roared in triumph: Long live the queen. Long live the queen.
Bess looked over her shoulder at the crowds, and waved. In the sudden hushed silence, before the crowd shouted out as if in one voice, “Elizabeth! God Save Elizabeth!” the wind carried to Kate the well-remembered laugh of another queen. One more shout mounted up, God save the queen.
Out of the corner of her eye, her aunt seemed standing beside her. Love. Love never dies, or is forgotten, her aunt’s voice said in her mind. Strange. She had no memory of her saying that while she lived.
Snow-light blinding her again, Kate rubbed her eyes. When she opened them, Bess had entered the ancient doors of Westminster.
I really look forward to revisiting this day in the novel I am writing now.
Sharon: Tell us your least ‘favourite’ Tudor story.
Wendy: The execution of Anne Boleyn. Such an unjust end to her life. I also believe she only gave up hope of a reprieve in her last moments. How awful it must have been for her, knowing Henry wanted her dead so much he set in motion her execution. He may have given her the mercy of the French swordman, but he was merciless in other ways. And to die knowing she was leaving behind her infant daughter who would no longer have her protection. My heart breaks for her!
Sharon: Are there any other eras you would like to write about?
Wendy: I hope to live long enough to write about a few women from medieval Spanish history who have caught my attention. Researching Katherine of Aragon’s life has left me with a deep love of Spain and its history.
Sharon: What are you working on now?
Wendy: I’m working through the edits of Shades of Yellow, my novel about an Australian woman writing a Tudor novel (not me!), which is scheduled for publication on September 7th. I am also writing a novel inspired by the life of Frances Newton Brooke, a woman who served Elizabeth I even before she became queen until 1592. She is also subject I’m researching for my next nonfiction book for Pen& Sword Books
Sharon: And finally, what is the best thing about being a writer?
Wendy: Oh – finding kindred spirits, like you, Sharon! I feel so blessed with the friendships I have made along the way on this writing road of mine – and blessed to have this passion that helps me grow as a human being. Writing turned my life into a true adventure.
About the Author:
Wendy J. Dunn is an award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder. Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. Wendy is married, the mother of three sons and one daughter—named after a certain Tudor queen, surprisingly, not Anne. She is also the grandmother of two amazing small boys. She gained her PhD in 2014 and loves walking in the footsteps of the historical people she gives voice to in her novels. Wendy also tutors at Swinburne University of Technology, Australia.
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
History... the interesting bits! 