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Guest Post: Inside the Book Trade of Late Medieval London by Toni Mount

30/07/2025Sharon Bennett ConnollyLeave a comment

It is always a pleasure to welcome Toni Mount to History … the Interesting Bits. Toni is a brilliant historian and born storyteller and she is here today to give a glimpse of the history behind her latest Seb Foxley novel, The Colour of Darkness. If you haven’t met him yet, I really do recommend you pick up a Foxley book. They are simply delicious!

So, it’s over to Toni…

Inside the Book Trade of Late Medieval London

When we think about medieval London, we probably imagine grimy streets, plague and maybe a knight or two clanking through the city. But tucked within the chaos was a quiet revolution – one involving paper, ink and a growing thirst for knowledge. By the late 1400s, the book trade in London wasn’t just alive; it was thriving. And at the heart of it all stood St Paul’s Cathedral – not just a place of worship, but a book-fest for the city’s literate elite.

To put this in context, the printing press arrived in England when William Caxton famously set up the first one at Westminster in 1476 and the world of books was changing fast. Previously, books were hand-copied by scribes – as at the fictional Seb Foxley’s workshop in Paternoster Row, just north of St Paul’s, in my latest novel, The Colour of Darkness. Writing every page by hand meant they were expensive and slow to produce. But then came the printing press – a real game-changer.

Printing took a decade or two to catch on in England, mainly because it was a tricky procedure to master – see my next guest Blog on printing books – but once the techniques were established books could be produced faster and cheaper. More books available led to an increase in literacy, especially among the urban middle classes, clergy and educated elite. London, with its bustling population and growing trade networks, became a prime spot for this new business.

St Paul’s Cathedral: The Book Trade’s Beating Heart

Forget the grand white dome you see today in the City of London because that was designed by Sir Christopher Wren after the Great Fire of 1666. Before that catastrophe, it was ‘Old St Paul’s’, a massive gothic structure that dominated the skyline with a spire over 400 feet tall, at least until it was struck by lightning in the reign of Elizabeth I. Its precinct and churchyard weren’t just for prayer and pigeons but, together with nearby Paternoster Row, were at the very centre of London’s book trade. In fact, Paternoster Row remained at the heart of the British publishing industry until it was destroyed by bombs during World War II.

But returning to the late fifteenth century, imagine a lively courtyard filled with wooden stalls, booksellers shouting out their latest wares, customers thumbing through new pamphlets and prayer books. The area around St Paul’s was known for its ‘stationers’ – a term that, back then, didn’t just mean a place to buy paper and pens. These were the printers, booksellers, and binders who brought the written word to the people.

Why did St Paul’s become such a hive of book-production? The cathedral’s proximity to learning helped. The Cathedral School and other educational institutions were nearby, including the Inns of Court to the west of the city where lawyers were trained and the sons of the aristocracy were schooled in the arts required for life at the royal court. The clergy needed books for sermons, study and teaching, so local demand was ensured.

Who were the Printers?

By the 1480s, London had a small but important group of professional printers. William Caxton deserves the spotlight since he was the first to introduce a press, having learned the business in Burgundy and the Low Countries. His press in Westminster produced some of the first books in English, making literature and religious texts more accessible to the public. After Caxton, his former assistant, Wynkyn de Worde, took over the operation and moved it closer to the action, by St Paul’s. De Worde knew the churchyard was where the customers would come. He printed everything from devotional tracts to almanacs and even the occasional romance or how-to guide. He’s sometimes credited with being one of the first to market printed books to a wider audience.

But printers, like the scribes before them, didn’t only create the pages. They often collated and stitched the pages before either binding them or passing them on to a specialist binder to stitch the pages into a cover. A book’s binding could range from simple stitched parchment to elaborately tooled leather with jewelled clasps. The wealthy might commission personalised bindings with their family crests. The printers often dealt with sales too or went into partnership with independent booksellers. These sellers might have a permanent stall near St Paul’s or be mobile, setting up shop at fairs or markets – wherever there were customers.

What was on the shelves?

So what were Londoners reading? A lot of religious texts, unsurprisingly: sermons, Books of Hours, Psalters and the lives of popular saints. The Church was a dominant force in everyday life and owning religious books was a sign of piety and status. For this reason, the new fashion of portrait painting would frequently show the sitter with a religious book in their hands. But secular works were creeping in, too. Translations of classical texts, histories, medical manuals and even cookbooks began to appear. One popular genre was that of ‘books of courtesy’ – guides to correct behaviour, speech and etiquette for the aspiring gentleman or gentlewoman. There were also the early English romances and poetry. Caxton and de Worde printed tales of King Arthur, Chaucer’s Canterbury Tales and other stories that helped shape English literary culture down to our own times.

Not only Men’s work

While the big names in printing were all men, there is increasing evidence that women played a quiet but important role in the trade. Widows who took over their husbands’ businesses often became successful printers or booksellers in their own right. The trade was one area in medieval commerce where women participated openly, though their contributions often went under-recorded.

Censorship and Control

Of course, not everyone was thrilled about the explosion of printed material. The Church and the Crown kept a watchful eye on the presses. Unauthorised texts, especially those seen as heretical or politically subversive – such as the Ars Notoria in The Colour of Darkness – could get a printer, stationer or book seller into trouble. The Stationers’ Company, officially incorporated in 1557 but already in existence in the fifteenth century to oversee the production of hand-written books, would help regulate who could print what when printing eventually came under its umbrella.

By the early 1500s, the London book trade was setting the stage for what would become a publishing powerhouse in later centuries. It was local but also international, connected by trade routes that brought in books and ideas from France, the Low Countries and beyond. Some of the early printers, like Wynkyn de Worde, brought their foreign know-how to the new trade. The stalls around St Paul’s would continue to be a hub for centuries, long after the old cathedral itself was gone. In fact, it’s reckoned that one reason why the building burned so ferociously during the Great Fire of 1666 was that the printers and stationers stored their stocks of paper and books in St Faith’s Chapel in the cathedral’s undercroft – a disaster just waiting to happen.

The people who browsed there – the scholars, preachers, merchants, citizens and maybe a curious apprentice or two – were part of a quiet revolution, one that transformed how knowledge spread and who had access to it.

So next time you think about medieval London, picture not just mud and markets but a vibrant little world of booksellers shouting above the crowd, customers thumbing through the latest printed pamphlets and the great gothic walls of St Paul’s towering above it all. The presses may have been small but their impact was monumental.

About the book:

My new Sebastian Foxley novel, The Colour of Darkness, transports readers to midsummer 1480, in medieval London where our hero has to solve a number of serious crimes, involving Master Caxton’s printing business, ‘suspect’ books and witchcraft. London is ready for a joyous festivity but, for some, there is nothing to celebrate when Death stalks the city’s sweltering streets. As livelihoods are brought to ruin and trust withers in the heat, our hero and artist-cum-sleuth discovers trouble has come to his own doorstep. Plague rears its hideous head; fire, theft and disease imperil the citizens.

Meanwhile, a beautiful young woman enchants the men of London and the mob shrieks that witchcraft is to blame when waxen dolls, spiked with pins, are discovered. With such horrors in his possession and discovering that guilt lies too close at hand, can Seb unravel the mysteries and save those he loves before it’s too late?

Join Seb Foxley in this intriguing and danger-riddled new adventure, The Colour of Darkness, out now from MadeGlobal.

Buy The Colour of Darkness

About the Author:

Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.

Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.

Find Toni Mount’s books here

Find Toni on Social Media:

Amazon; Website; Seb Foxley website; Facebook: Medieval England Facebook; Seb Foxley Facebook; Twitter

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Guest Post: Othon and the Templars by John Marshall

23/07/202525/07/2025Sharon Bennett ConnollyLeave a comment

Today, it is a pleasure to welcome John Marshall to History…the Interesting Bits with an article about a very intriguing chap, Othon de Grandson. Othon was a very good friend of Edward I and one who could arguably challenge William Marshal for the title, Greatest Knight. John’s new book is a biography of this remarkable man.

So, over to John…

Othon and the Templars

A question I asked myself in writing Othon de Grandson: Edward I’s Loyal Knight of Renown was exactly what was the Savoyard knight’s relationship with the Knights Templar? The relationship of Edward’s friend and envoy with the Poor Fellow Soldiers of Christ and of the Temple of Solomon is a long one and indeed began over a century before he was born.

Othon’s ancestor Barthélémy de Jura, treasurer of Reims, then Bishop of Laon in Picardy, was there at the very beginning of the crusader order. Barthélémy was at the 1128 Council of Troyes, chaired by Bernard of Clairvaulx which ratified the rule of the the Templars. He was a kinsman, through his mother, of Bernard of Clairvaulx, and would later retire as a monk to the Cistercian abbey he helped found at Foigny. Another ancestor was another Barthélémy who took up the cross and joined the Second Crusade. He is reported to have departed this life in Jerusalem in 1158.

So, when Othon de Grandson accompanied his liege the Lord Edward on the ninth crusade in 1271 his family was no stranger to crusading.

But the story of Othon de Grandson’s close association with the Templars begins in earnest with his flight from Acre accompanying Templar knight Jacques de Molay in 1291. Grandson had likely been sent to Acre in 1290 as preparation for a crusade by King Edward I that never came to pass. They were all overtaken by Al Ashraf Khalil, the sultan of Egypt who successfully led a Mamluk assault on the last crusader outpost in Outremer. King Henry II of Cyprus, the gravely wounded Master of the Hospitallers Jean de Villiers, the soon-to-be Master of the Templars, Jacques de Molay and Othon de Grandson washed up on the shore of Cyprus as refugees from Acre. The Templars were in need of a new Grand Master, and it is said that Othon de Grandson was “involved” in the election of Jacques de Molay.

*The former Templar Commanderie at Épailly in Burgundy which passed to Othon on the Templars suppression.*

The idea of being ‘involved’ came from a declaration given later during the suppression of the order; a Templar, Hugh de Fauro, gave testimony that Jacques de Molay had sworn before the Master of the Hospital and ‘coram domino Odone de Grandisono milite’ that is ‘before the knight Sir Othon de Grandson.’ We then hear from Hethum of Corycus that Grandson and Jacques de Molay, had had a hand in affairs and the better reordering of the kingdom of Cillician Armenia to meet the Mamluk threat and preserve it as a base for ongoing crusading ventures. Grandson’s relationship with Molay and the Templars does seem to stem from this time at Acre, on Cyprus and in Armenian Cilicia between 1291 and 1294.

We then meet the financial entanglement of grandson with the Templars. Evidence of this comes not only from payments from the Templars to Grandson but also grants in the other direction. When both Molay and Grandson were back in the west, on 14 July 1296, Othon would grant the Templars 200 Livres from his salt revenues at Salins-les-Bains in the Franche Comté, a source of revenue he had used to similarly grant the monks of Saint-Jean Baptiste in Grandson before he had left for the

Holy Land. The first grant was in essence for prayers of safe return; the second grant looks like thanks for a safe return. The great salt works of Salins belonged to the Count of Burgundy; they were also known as the Seigneurs de Salins, and the works and its grander enlightenment era equivalent today enjoy UNESCO-listed status. The grant to the Templars was in consideration of the great help Othon had received from ‘mes chiers amis en dieu freres Jaques de Molai’, that is, ‘my dear friend in God brother Jacques de Molay’ and he referred to the help which ‘li freres du celle meismes Relegion ont fait a mes accessors, e a moi deca mer et de la mer en la sainte terre e ne cesse encore de faire’ or ‘the brethren of that same order have given to my ancestors and to myself in the West and in the East in the Holy Land, and still continue to give’. His reference to his anccessurs is likely to mean Barthélémy de Grandson who had, as we saw, died in 1158 in Jerusalem.

The reverse Templar ongoing and enormous financial commitment to Grandson is confirmed to us in a papal confirmation of 17 August 1308 by Pope Clement V. Upon suppression of the order Grandson was keen, obviously, that Templar payments continue, since they were the tremendous annual sum of 2,000 Livres Tournois, equating to £500 at the time, and over £350,000 in today’s money. The pension arrangement was made by a Grand Master, named as Jacques de Molay, and variously dated to 1277, 1287 or 1296–97. French Templar historian Alain Demurger wrote: ‘Fault lay with the editor of Clement V’s records … The editor put the date 1277, while M. L. Bulst-Thiele transcribed it as 1297, whereas the original, very clearly and without abbreviations or deletions says 1287.’ In his notes to this assertion, he cites the Vatican Archives date as ‘Anno millesimo duecentesimo octuagesimo septimo’ or ‘In the year one thousand two hundred and eighty-seven.’

Now of course Molay did not succeed Beaujeu until 1292, which renders the dating of the award problematic. Demurger suggested that it was not Molay who made the award despite specific reference to him ‘Jacobus de Mollay’, but his predecessor Beaujeu – in short, that the date was correct but the master’s name incorrect. Alan Forey argued the contrary, writing that it was: ‘more likely that the grant was made by James of Molay and that the date was wrongly copied’. Given, Molay’s 1292 election as Grand Master this would suggest 1296–97 – in short, the date was incorrect, but the master’s name correct. Demurger acknowledged in his notes that ‘a new problem arose … Grandson and the Temple were already connected in 1287: where, how and for what reason?’ Indeed, Demurger’s dating would create such questions, while Forey’s dating would place them squarely in the context of the Fall of Acre and his time in the east with Molay. This ‘compensare’ was given by the The Templars for ‘operibus virtuosis’ or ‘virtuous actions’ rendered by Othon in support of the order, but surely more likely post-Fall of Acre than before.

*Templar Commanderie at Épailly in Burgundy*

In confirmation of the pension, Clement V granted Othon three former Templar houses in France as a part of the continuing settlement, those at Thors, Épailly and Coulours, an act unlikely to have been undertaken at the time in favour of a knight of the order. And so, the ‘virtuous works’ referred to by Pope Clement would appear to date from Grandson’s time in Acre in 1291. So, the date of 1277 attached to the payments by the transcription of them is certainly mistaken, and for the 1287 dating of the original 1308 manuscript we should read 1296–97. Demurger gives 1296 clearly as the date for Molay meeting with Grandson in Paris and the Salins grant. Othon de Grandson’s intimate links with the Templars continue to intrigue, but in Cyprus and Armenia 1292-4, as at Acre in 1291, and here with his pension payments they point to a significant and close ally in matters Outremer rather than a member of the order itself, of which there is no mention.

Grandson, was a close friend of the Templars, having fought alongside them at Acre in 1291, been there in Cyprus as a part of Molay’s election as Grand Master, and in receipt of a handsome annual pension from the order. So, at Philippe ke Bel’s suppression of the order and Molay’s arrest and the rumours swirling around France, the scandal would have touched directly upon him. But at no point can we find Grandson implicated in events, other than petitioning Pope Clement for the maintenance of his pension. But nowhere too can we find him leaping to the defence of Molay, his former friend and ally, at least not in a way that has left any trace. As Demurger said in conversation with the author of this book, Grandson did not try to defend Molay. A character flaw? Demurger went to affirm that one cannot speculate about possible motives, Grandson was by now seventy years of age, had discretion become the greater part of valour?

It is because of his avoidance of implication in the suppression of the Templars, that despite his Templar connections, we can be as certain as certain can be that Othon de Grandson was a friend, ally, indeed fellow traveller of the Templars, but not actually a member of the doomed order, As Alain Demurger said unequivocally to the question, was Grandson a Templar? – Non. What were the enormous payments from the Templars to Othon de Grandson for? What were the “operibus virtuosis”? It’s only speculation but what did Grandson have that might be valuable to the Order? – access better than anyone to Edward I’s ear and access to the English court.

About the Book:

There were once two little boys – they met when they were both quite young; one was born in what’s now Switzerland, by Lake de Neuchâtel, his name Othon de Grandson, and the other was born in London, his name Prince Edward, son of King Henry the third of that name. Othon was probably born in 1238, and Edward, we know, in June 1239. These two little boys grew up and had adventures together. They took the cross together, the ninth crusade in 1271 and 1272. Othon reputedly sucking poison from Edward when the latter was attacked by an assassin. In 1277 and 1278, they fought the First Welsh War against the House of Gwynedd, Othon doing much to negotiate the Treaty of Aberconwy in 1278, which ended hostilities. When war broke out again in 1282 they fought the Second Welsh War together. Othon led Edward’s army across the Bridge of Boats from Anglesey and was the first to sight the future sites of castles at Caernarfon and Harlech. Edward made his friend the first Justiciar (Viceroy) of North Wales. When Edward and Othon went to Gascony in 1287, Othon stayed in Zaragoza as a hostage for Edward’s good intentions between Gascony and Castille. Later, in 1291, when Acre was threatened by the Mamluks, Edward sent Othon as head of the English delegation of knights. When Acre finally fell to the Mamluks bringing the Crusades to a close, who was the last knight onto the boats? Othon de Grandson, helping his old friend, the wounded Jean de Grailly onto the boat. When Othon returned from the East, he found England at war with Scotland and France; he would spend his last years in Edward’s service building alliances and negotiating peace before retiring to his home in what is now Switzerland after the king’s death in 1307. Grandson lived in the time of Marco Polo, Giotto, Dante, Robert the Bruce, and the last Templars. He was right there at the centre of the action in two crusades: war with Wales, Scotland, and France, the Sicilian Vespers, and suppression of the Templars; he walked with a succession of kings and popes, a knight of great renown. This is his story.

Othon de Grandson: Edward I’s Loyal Knight of Renown is available now from Amazon.

About the Author:

Having moved to Switzerland, and qualified as a historian (Masters, Northumbria University, 2016), the author came across the story of the Savoyards in England and engaged in this important history research project. He founded the Association pour l’histoire médiévale Anglo Savoyards. Writer of Welsh Castle Builders: The Savoyard Style and Peter of Savoy: The Little Charlemagne both available from Pen and Sword Books Ltd. Member of the Henry III Roundtable with Darren Baker, Huw Ridgeway and Michael Ray.

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

New Week!

14/07/2025Sharon Bennett Connolly2 Comments

Hi all, I have a few snippets of news to share, so thought I would write a short post to make sure you are all caught up.

Book News:

Firstly, as you know, my next book, Princesses of the Early Middle Ages: Royal Daughters of the Conquest is going through the editing process and already has a gorgeous cover. I now have a release date – 30 March 2026 in the UK. I am still waiting for a date for the US release, but it is usually2 or 3 months after the UK. And it is now available for pre-order on Amazon. Here’s the blurb:

Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest will explore the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time. Almost as interesting as the marriages these girls made are the ones that were never realised. Many English princesses were betrothed, or proposed as brides, three or more times before they were married. Their failed marriage proposals demonstrated their influence and worth on the international royal marriage market, as well as the changing allegiances between countries and the making and breaking of international friendships. Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with someAboutme: outright refusing the husbands offered to them. Their stories are touching, inspiring and, at times, heartbreaking.

Pre-order today: Princesses of the Early Middle Ages: Royal Daughters of the Conquest.

I am still working on the second book Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets, which will be winging its way to my editor by the end of August.

Talks news:

I have some talks coming up over the summer and I would love to see you there and say ‘hello’ if you are in the area.

Conisbrough Castle

Saturday 26 July 2025 and Saturday 23 August 2025, I will be back at ‘my local’ with two talks and a book signing.

The talks are:

11am The Warennes of Conisbrough Castle

The subject of my book, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, the Warennes held the Honour and castle of Conisbrough from the time of the Norman Conquest of 1066 until the death of the 7th and last earl in 1347. A noble family at the heart of English government, the Warennes were closely related to the Plantagenet royal house and played leading roles in the government of the realm. They held lands stretching from Lewes in the south, through Castle Acre in Norfolk, to Sandal Castle in Wakefield.

1pm The Women of Conisbrough Castle

From Gundrada de Warenne to Maud Clifford, widow of Richard of Conisbrough, some remarkable women have called Consibrough Castle home. From heiresses to abandoned wives and duchesses accused of infidelity, their stories unfolded within the castle’s stout walls.

Tickets are free, but places are limited.

To reserve your place contact Conisbrough Castle:

Tel: 01709 863329

Email: conisbroughcastle@english-heritage.org.uk

Worcester Medieval Fest

Worcester Cathedral have put on a wonderful series of events in August to celebrate all-things medieval with a particular focus on King John. From Disney’s Robin Hood, to little old me. With a medieval market, crafts and talks, there’s something for everyone.

Thursday, August 14 · 6:30 – 8pm Ladies of Magna Carta

Tickets are £10 each.

Learn about the lives of the women of Magna Carta, including , Matilda de Braose, Nicholaa de la Haye and Isabel d’Aubigny.

Women from many of the great families of England were affected by the far-reaching legacy of Magna Carta, from their experiences in the civil war and as hostages, to calling on its use to protect their property and rights as widows. Among them, Matilda de Braose, Nicholaa de la Haye and Isabel d’Aubigny each played a part in the Magna Carta story.

Click here To Book your place.

Gainsborough Old Hall

Save the date: Tuesday 7 September 2025, 7.30pm

Heroines of Tudor Lincolnshire

I am so excited to be talking about some of my favourite Tudor women in one of the greatest Tudor manor houses in England – Gainsborough Old Hall – a building which some of the women called home. Highlighting the lives of Bessie Blount, Anne Askew, Katherine Willoughby, Katherine Parr and Rose Hickman.

More details to come…

Podcast:

If you haven’t yet, do have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Our most recent episode was a fascinating discussion with historian Helen Castor on Henry IV. And coming soon, we have bestselling thriller writer Scott Mariani talking about his new series set in the Third Crusade.

Every episode is also now available on YouTube.

About me:

Sharon Bennett Connolly is the bestselling author of several non-fiction history books. A Fellow of the Royal Historical Society, Sharon has studied history academically and just for fun – and has even worked as a tour guide at a castle. She also writes the popular history blog, http://www.historytheinterestingbits.com and co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. Sharon regularly gives talks on women’s history, for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the Norman Conquest in the National Curriculum. She is a feature writer for All About History, Tudor Places and Living Medieval magazines and her TV work includes Australian Television’s Who Do You Think You Are?

Her previous books include: Heroines of the Medieval World, Silk and the Sword: The Women of the Norman Conquest, Ladies of Magna Carta: Women of Influence in Thirteenth-Century England, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, King John’s Right-Hand Lady: The Story of Nicholaa de la Haye, Women of the Anarchy, Heroines of the Tudor World and Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.

Bitter Enemies: The Empress and the Queen

12/07/202514/07/2025Sharon Bennett Connolly5 Comments

The time commonly referred to as the Anarchy is one of the most violent and unstable periods of English history. Lasting almost the entirety of the reign of King Stephen, it truly was a Cousin’s War. The two main protagonists, King Stephen and Empress Matilda, were first cousins, both being grandchildren of William the Conqueror and his queen, Matilda of Flanders. What is perhaps less well known is that Empress Matilda was also first cousin to Stephen’s wife and queen, Matilda of Boulogne. The two Matilda’s were both granddaughters of Margaret of Wessex, Queen of Scots as the wife of Malcolm III Canmore. And later St Margaret. It is through Margaret that the namesake cousins could claim descent from Alfred the Great.

The origins to the Anarchy can be traced back to one dramatic and tragic event: the sinking of the White Ship in 1120. This saw the drowning of the only legitimate son and heir of King Henry I, William Ætheling (or Adelin). The young man was 17 years old at the time, recently married, and his father’s pride and joy. His death gave rise to a constitutional crisis which the widowed Henry I sought to resolve by his speedy marriage to the teenage Adeliza of Louvain, in the hope of begetting yet more sons. Although he was getting on in years at roughly fifty-two, and had only two legitimate children, his brood of more than twenty illegitimate, but acknowledged, offspring gave him cause for optimism.

However, as the years progressed and no children were born, Henry had to look to other ways of resolving the succession crisis. In the years since the death of his son, the king had taken his nephew Stephen of Blois under his wing, showering him with gifts and land, and arranging the young man’s marriage. Stephen was the son of Henry’s highly capable sister Adela of Normandy, Countess of Blois and Stephen, Count of Blois, who had been killed on Crusade. The younger Stephen was created Count of Mortain and married to Matilda of Boulogne, the only child and heiress of Eustace of Boulogne and Mary of Scotland. It is possible that Henry was showing Stephen such favouritism in anticipation of not producing an heir by his new wife and was grooming Stephen to succeed him.

However, the death of his daughter’s husband, Emperor Henry V, in faraway Germany offered Henry an alternative to his nephew. Better still, here was an opportunity to put his own blood on the throne. Shortly after the German emperor’s death in 1125, Henry recalled Empress Matilda to England. She had been sent to Germany at the age of seven, to be raised at the court of the emperor in anticipation of their marriage when she came of age. Matilda had married Henry in 1114, a month before her twelfth birthday. Although she and Henry were married for eleven years, they remained childless. When Henry died in 1125, Henry I of England therefore saw an opportunity to resolve his succession problem by recalling Matilda and making her his heir.

There was one problem with this plan: Matilda was a woman. Henry knew his barons would not be happy with the idea of being ruled by a woman, but by a process of coercion and persuasion he managed to get all his barons to swear to accept her as their next monarch. Following Matilda’s arrival in England in 1126, Henry proceeded to extract oaths of allegiance to her from all the bishops and magnates present at his Christmas court. Notably, this included Stephen of Blois, Count of Mortain, King Henry’s nephew and the empress’s cousin. One of the concessions made to the barons was that they would have a say in Matilda’s choice of husband. After all, as a woman, Matilda would need a husband to rule in her name. The Anglo-Saxon Chronicle reported:

David the king of Scots was there, and all the head [men], clerical and lay, that were in England; and there he [Henry] had archbishops, and bishops, and abbots, and earls, and all those thegns who were there, swear England and Normandy after his day into the hand of his daughter Æthelic [Matilda], who was earlier wife of the emperor of Saxony; and afterwards sent her to Normandy (and with her travelled her brother Robert, Earl of Gloucester, and Brian, son of the earl Alan Fergant), and had her wedded to the son of the Earl of Anjou, [who] was called Geoffrey Martel [Plantagenet]. Despite the fact that it offended all the French and English, the king did it in order to have peace from the Earl of Anjou and in order to have help against William his nephew.¹

In trying to resolve the issue of who would rule after him, Henry had inadvertently created a problem that ensured the succession would be anything but smooth. He had created two rivals for the throne. His daughter had the claim that she was Henry’s successor by blood, but she was a woman. Though his blood claim was weaker, Stephen was Henry’s closest living male relative, and in the days when a king not only had to rule but had to lead his men into battle, the prospect of a female ruler struck fear into the hearts of the barons.

Empress Matilda’s actual abilities mattered less than the fact of her gender. Raised at the German imperial court, Matilda was an experienced politician who had acted as regent for her first husband on several occasions. She was confident. She knew, beyond doubt, that she was capable of ruling in her own right. This confidence was her strength but also her weakness; the barons would surely baulk at the idea of a woman who was unwilling to take instruction from them. In contrast, King Stephen was a magnate who was experienced in war and had enjoyed the favour of King Henry I.

Stephen’s wife, Matilda of Boulogne, was a stalwart supporter of her husband. She was arguably more capable than Stephen and often took the initiative in diplomatic negotiations. Acting as Stephen’s queen, she offered a stark contrast to the independence and authority of Empress Matilda that so infuriated the barons. Matilda of Boulogne was a little more subtle than her imperious counterpart, only ever acting in her husband’s name, not her own. Even later, when she held the command of Stephen’s forces during his captivity in 1141, she claimed to act only on behalf of her husband and sons.

Matilda of Boulogne was an example of how a woman was expected to act and comport herself: strong and confident, but subject to her husband’s will. On this last, Empress Matilda failed in the eyes of the barons; she was acting for herself. In the event, the barons of England and Normandy despised her second husband, Geoffrey of Anjou, so they would have been even less receptive to Matilda had her husband tried to assert his authority. It was a conundrum that Matilda was never able to resolve, though she would not give up trying.

And the empress was, ultimately, the winner. With Stephen’s death in 1154, the last flickers of conflict also died. The empress’s oldest son succeeded as Henry II, peacefully and largely unopposed, despite the continued presence of Stephen’s son, William of Blois. Support for William was non-existent, and the war-weary barons were more than happy with the settlement. For Empress Matilda, it must have been a bittersweet moment. She had spent most of the past nineteen years fighting for her birthright and that of her son. While she had never worn the crown, Henry now did. The line of succession had finally passed into the hands of the descendants of Henry I.

Her bloodline had prevailed, but King Stephen had denied Empress Matilda her inheritance, her titles and her due. The irony of this struggle is that, in order to claim the throne, Stephen overruled the same laws of inheritance that saw him become Count of Boulogne. While it was difficult for a woman to manage her own lands and titles, they descended through her to her husband or son. So, as the county of Boulogne was inherited by Queen Matilda, so Stephen held those titles by right of his wife. And this was the dilemma for the Anglo-Norman nobility, and the reason they largely chose to support Stephen: they were suspicious and distrusting of the husband chosen for Empress Matilda. Just like Stephen, Geoffrey of Anjou had every right to claim Matilda’s lands as his own. Not the Geoffrey showed any interest in England; his sights were firmly set on Normandy, which he had conquered by 1144 and handed to his son, Henry in 1150.

The similarities between Empress and Queen are more noticeable than their differences. Both women demonstrated a level of piety which can only have come from their family connection, namely their mutual descent from Margaret of Wessex, Queen of Scots and later saint. Each Matilda was willing to do whatever it took to protect the interests of her children. Queen Matilda appealed to the empress to protect her son Eustace’s inheritance, while the empress invaded England. It is easy to see the empress’s struggle as an expression of her personal ambition to recover the inheritance stolen from her.

Yet it is necessary to look deeper and acknowledge that she was also motivated to see her son achieve his birthright. When Stephen usurped her throne, he stole it not just from Matilda but also from Henry. Calling himself Henry Fitz Empress when he joined his mother’s struggle, Henry was the grandson and eventual heir of Henry I. He had been raised to believe that England and Normandy were his destiny, and with the knowledge that his mother was absent for much of his formative years because she was fighting for his inheritance as much as hers.

Both empress and queen were adept at negotiating to achieve their aims, demonstrating impressive diplomatic skills in the most difficult of circumstances. Neither was prepared to sit on the sidelines and let others fight their battles for them. Although they could not wield a sword, nor participate in warfare, neither did they sit and wait in the safety of their ivory towers. They travelled with the armies and participated in councils of war, advising, directing and commanding their forces.

Empress Matilda and Queen Matilda had so much more in common than a name. Indeed, there was more to uniting them than pitting them against one another, be it family ties, abilities or aspirations for their children. What really differentiated them was the way they went about achieving their aims.

Dynastic ambition was a fine line for a woman to walk…

The story of Empress Matilda and Queen Matilda of Boulogne is examined in greater detail in my book, Women of the Anarchy.

Notes:

1. Anglo-Saxon Chronicle, edited by Michael Swanton

Sources:

Gesta Stephani, translated by K. R. Potter; Henry of Huntingdon, The History of the English People 1000-1154; Marjorie Chibnall, The Empress Matilda: Queen Consort, Queen Mother and Lady of the English; Teresa Cole, The Anarchy: The Darkest Days of Medieval England; Catherine Hanley, Matilda: Empress, Queen, Warrior; Helen Castor, She-Wolves: The Women who Ruled England before Elizabeth; Robert Bartlett, England Under the Norman and Angevin Kings; J. Sharpe (trans.), The History of the Kings of England and of his Own Times by William Malmesbury; Orderici Vitalis, Historiae ecclesiasticae libri tredecem, translated by Auguste Le Prévost; Chronicles of the Reigns of Stephen, Henry II and Richard I; Edmund King, King Stephen; Donald Matthew, King Stephen; Matthew Lewis, Stephen and Matilda’s Civil War: Cousins of Anarchy.

Images:

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Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

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Wordly Women: Gemma Hollman

05/07/202503/06/2025Sharon Bennett ConnollyLeave a comment

Today I am continuing my Wordly Women series with a historian who, just like me, concentrates on bringing the women to the fore. Gemma Hollman has written about Royal Witches, queens and mistresses. Her last book, Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens came out at the end of 2024, and is gorgeous! It was lovely to get the chance to have a chat with Gemma about her writing journey.

Sharon: So, Gemma, what got you into writing?

Gemma: It’s kind of a mix of completely by accident, and something I’ve always enjoyed doing. Whilst at school and university I would write bits of fiction for fun, never for anyone to look at, so I’ve always had a bit of a writing bug. But when I finished university, it felt so weird to go from four years of researching and writing history to quitting cold turkey. At this time, it seemed like everyone was making blogs, including loads of my friends, so I decided to join the trend and establish my blog, Just History Posts.

I loved writing there, and by the second year I was gathering a load of steam. One of my most popular posts was about Joan of Navarre, a fifteenth-century Queen of England who was accused of using witchcraft against the king – and one of the focuses of my Masters dissertation. That, combined with lots of people I knew in real life saying my dissertation would make an amazing book, made me think maybe people would like to learn about these women and their stories which are not that well-known. I pitched the book to The History Press and it eventually turned into my debut non-fiction book, Royal Witches. The rest, as they say, is history.

Sharon: Tell us about your books.

Gemma: Well, I already gave you a little bit of a taster about Royal Witches (the other three women, beyond Joan, are Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville), about fifteenth-century women in the English Royal Family who were all accused of witchcraft. My second book goes back to the previous century and the court of Edward III of England, and is a dual biography of the two women who dominated his court and his heart – his queen, Philippa of Hainault, and his mistress, Alice Perrers. Both women are absolutely fascinating in their own right, but by looking at them together I think you can understand them, Edward, and the fourteenth century a lot better.

My final book came out at the end of last year, and is called Women in the Middle Ages. A slight departure from my first two books, which were both focused biographies, this is a much broader look at women across much of Europe from roughly 1000-1500. The best thing about it, though, is that it is an illustrated history, featuring just shy of 200 images of artwork and artefacts from the medieval period. I explore how these objects can illuminate the real lives of these women in far more detail than written records alone. It is a beautiful, full-colour experience which was so special to pull together.

Sharon: What attracts you to the medieval period?

Gemma: I’ve always loved all periods of history, and studied a huge range of history at university, but I found that I enjoyed writing medieval history much more than I did modern history. I enjoyed acting almost like a detective and trying to extract bits about people’s lives and personalities with such limited sources. And the more I researched and wrote it, the more I fell in love with it. The medieval world was so incredibly different from today in every aspect, that it can sometimes feel like another world. But, at the same time, people themselves are so similar to today. I always love reading stories that connects us through the centuries, feeling that human connection to someone so far removed from myself today. Although it was a time of huge strife, poverty, and difficulty, there is something intrinsically magical about it – it’s no coincidence so much of our fantasy media today has medieval vibes!

Sharon: Who is your favourite 14th century person and why?

Gemma: Oh gosh, that is such a difficult question! Of course there is no one favourite, as that would be impossible, but someone who has grabbed my attention ever since I first learnt about her is Isabella of France, the queen of Edward II of England. She was so self-assured of her lineage, her rights, the respect due to her by virtue of her position, and she was not going to let anyone tell her otherwise. She was loved and sympathised with whilst the neglected spouse, then inspired the entire country to stand with her and overthrow her husband, and went on to pretty much rule England with her lover for several years. Even after her son, Edward III, forcibly took control of the kingdom again, she continued to wield significant influence at court. I think she is just so utterly fascinating – and she of course perfectly sets the scene for the start of my second book, The Queen and the Mistress!

Sharon: Who is your least favourite 14th century and why?

Gemma: Ooh. I don’t know that there’s really anyone I actively dislike, but for playfulness I will put forward Thomas Walsingham, chronicler and monk at St Albans Abbey in Hertfordshire. His chronicles are invaluable for our knowledge of the late fourteenth century, but he is a bit of a villain in my second book for his treatment of Alice Perrers. As a religious man, Alice’s position as a mistress at the heart of the court was unconscionable (and it didn’t help that she was embroiled in legal conflicts with his abbey for many years). He is responsible for a lot of the negative propaganda against Alice which lasted for centuries, including the baseless accusation that she stole the rings from Edward’s fingers after he died. Even today, the way he spoke about her is the main way people approach her and assume how she really was. Talk about negative PR.

Sharon: How do you approach researching your topic?

Gemma: Mostly I already have a theme or a person in mind for what I want to research, and generally I already have an amount of knowledge about the topic. But I always find it most helpful to start with secondary sources, ie by reading a load of books and journal articles on the subject. I write copious notes, start creating timelines where necessary, and jot down the names of other books and sources from the footnotes. I then go to the original sources and make a load of notes on those, too, and I then dive in to writing. I always find once I start writing I then become aware of areas where my notes might be lacking, like missing any information about what someone was doing in a particular year of their life, and so I then go back to the sources and secondary material to fill in these gaps. I also find that it’s only by starting to write do I truly know which direction my piece is going in, and thus am able to tailor my research much more specifically, rather than reading about anything in the hope it might be useful, but finding that I don’t use it at all (as happens with much of my early research).

Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.

Gemma: One of my favourites definitely comes from a story I read in a chronicle at university, and which I recounted in one of my very first blog posts. This is a story from the court of Henry II of England, and is one that very much exemplifies what I said earlier about people never changing. The king’s steward, a man named Thurston, came to him and complained that another man, Adam of Yarmouth, refused to seal a writ for him free of charge (something which was to be expected amongst people working in the government). After some investigation, it was revealed that Adam was upset at Thurstan because at a party Thurstan had been hosting, he refused to allow Adam to eat two cakes! Such a petty squabble had disrupted the king’s business, and he settled the squabble by having Adam seal the writ in return for Thurstan serving him two cakes on bended knee. It sounds like something out of fiction rather than reality!

Sharon: Are there any other eras you would like to write about?

Gemma: I definitely have found my comfort zone in the medieval era, but I do think from time to time about writing about other periods, as I think is only natural. I know of some amazing women from the Georgian and Victorian periods that I’ve been drawn to writing about several times, so maybe that’s something I can set my sights on one day.

Sharon: What are you working on now?

Gemma: At the moment, I am in the midst of my fourth book which is set in the court of Richard II. The book is largely a biography about Richard, but it also aims to take a look at his wider court, too, particularly some of the other large and important figures – and, particularly, women. It’s due next year, so wish me luck with getting it done in time!

Sharon: And finally, what is the best thing about being a writer?

Gemma: This question is definitely easy for me – spreading the knowledge I have and seeing people enjoy it and learn something new. Every time I get a review, or speak to a person at a talk I am giving, where the person said they’ve loved what I’ve written/how I’ve spoken, and that they’ve learnt something is just as special as the last. I love writing, and I love that I get to learn so many interesting things myself in the process, but the whole point of me writing is to share all the things I’ve learnt with other people. Each time I hear that I’ve done that, and done it well, makes all of the late nights researching after a full day’s work, or the times I can’t see my friends and family because I have a deadline worth it.

About the author:

Author bio: Gemma Hollman is a historian and author who specialises in late medieval English history. A Fellow of the Royal Historical Society, she has a particular interest in the plethora of strong, intriguing and complicated women from the medieval period, a time she had always been taught was dominated by men. Gemma also works full-time in the heritage industry whilst running her historical blog, Just History Posts, which explores all periods of history in more depth. Gemma’s first book, Royal Witches, was a bestseller, and two more books have since followed: The Queen and the Mistress, and Women in the Middle Ages.

Where to find Gemma:

Website: https://justhistoryposts.com/; Link for books: https://lnk.bio/GemmaHAuthor; Social media: Bluesky https://bsky.app/profile/gemmahauthor.bsky.social.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Carol McGrath

07/06/202507/06/2025Sharon Bennett ConnollyLeave a comment

Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.

So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.

Over to Carol…

Sharon: Carol, what got you into writing?

Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.

Sharon: You write both fiction and non-fiction-is one harder than the other?

Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.

Sharon: Tell us about your books

Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.

Sharon: What Attracts you to the Period?

*Harold’s daughter’s burial place in St Sophia Kyiv*

Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.

Sharon: Who is your favourite Tudor and Why?

Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.

Sharon: Who is your least favourite Tudor

Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.

Sharon: How do you approach researching your topic

Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.

Sharon: What is your favourite Medieval or Tudor Story found in Research

Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.

Sharon: What is your least Favourite Story

Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.

Sharon: Are there any other eras you would like to write about?

Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.

Sharon: What are you working on now?

Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.

Sharon: What do you love most about being a writer

Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.

About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.

Where to find Carol

Website (Subscribe to her newsletter via the drop down menu on the web-site Home Page); Amazon; The Stolen Crown

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

The Poetic Life of Margaret of Scotland, Dauphine of France

17/05/202516/08/2025Sharon Bennett Connolly6 Comments

Margaret of Scotland was the eldest daughter of James I, King of Scots, and his wife, Joan Beaufort. James had been king since the age of 12, though the first 18 years of his reign had been spent in English captivity, where he had fallen in love with Joan, the granddaughter of John of Gaunt and Katherine Swynford. James’s release had been successfully negotiated in 1423 and the marriage was politically favourable to the English, who saw it as an opportunity to improve relations with Scotland while, at the same time, drawing Scotland away from France, their traditional ally.

James I returned to Scotland in April 1424, with his new bride – and queen– at his side. Margaret was born in the royal apartments at the Dominican Friary in Perth, on Christmas Day in 1424. She was joined in the nursery by five sisters during the next ten years, Isabella, Eleanor, Joan, Mary and Annabella. Twin brothers were born in 1430, Alexander and James, but only James survived past the first few months.

In 1425, an embassy arrived from France, seeking little Margaret’s hand in marriage for Louis, son and heir of Charles VII:

Margaret’s mother, Joan Beaufort

The king [of Scots] was pleased to respond favourably to so distinguished an embassy, and forthwith sent as a solemn embassy to the king of France with a specific brief and commission the venerable men sir Henry Lychton bishop of Aberdeen, sir Edward Lauder archdeacon of Lothian, and Sir Patrick Ogilvie knight (the sheriff of Angus and justiciar of Scotland). Whereupon there was an agreement on both sides; and five years later, when each was of marriageable age, there came as envoys from the king of France La Hire the king’s maitre d’hôtel along with the distinguished cleric Master Aymer; and in terms of their commission they arranged the betrothal of the said eldest daughter of the king. The girl was sent to France by her father a little later, namely 1436, surrounded by a distinguished following of attendants, and in the following year she was married.¹

The marriage proposal was to accompany the renewal the Franco-Scottish alliance. France’s king, Charles VII had given his ambassadors the task of asking for Margaret’s hand in marriage for his son, Louis, the dauphin. Born in July 1423, Louis was just 18 months older than his future bride. However, James I hesitated, reluctant to give the French the army of 6,000 men that they wanted as part of the alliance. Charles VII was in a precarious position in France at the time. The Hundred Years War was raging and, despite the fact his father had died in 1422, he would not actually be crowned king until July 1429. In fact, Henry VI of England had already been crowned King of France and it was only due to the efforts of Joan of Arc that Charles VII’s fortunes would change. James, therefore, held off from agreeing to the alliance, and used it to strengthen his position in negotiations with the English.

*Margaret arrives in Tours for her wedding, from a 15th-century work by Jean Chartier.*

In 1435, the marriage of Margaret and the dauphin was finally agreed and the young bride, still only eleven years old, set out for France the following year. The princess only narrowly escaped her father’s fate when the English fleet attempted to capture her en route:

the dauphiness luckily made her escape and landed at La Rochelle. She rested at Nieul Priory which is two leagues from La Rochelle without notice being taken of her until such time as the [arch-] bishop of Rheims, with the bishops of Poitiers and Saintes and the worthy sires de Graville, Gaucourt and ‘Pontissey’ welcomed her and lodged her honourably in a splendid place for more than two months until the marriage was celebrated at Tours in Touraine. This was performed there by the archbishop of Rheims with the greatest possible ceremony, in the presence of the king and queen and also of the queen of Sicily (the mother of the queen of France). Once the wedding had been formally celebrated, the Scots (except the few who remained with the dauphiness) were much gratified with various presents and after a safe voyage arrived home.²

She left by ship from Dumbarton in March 1436, with an entourage worthy of a princess; she was escorted by several of the leading lords of the realm, a household of 140 persons in royal livery and more than 1,000 troops. The French fleet in which she sailed landed on the Île de Ré, near La Rochelle, on 17 April and made a formal progress to Tours. On 24 June she met her future husband for the first time, in the great hall of the castle at Tours, and the young couple embraced formally. They were married the next day, in the castle’s chapel.

*Margaret’s father, James I, King of Scots*

Celebrated by the Archbishop of Reims, it was a rather subdued affair, for a royal wedding. The continuing state of warfare with England had stretched the French royal finances to the limit. The reception was not as lavish as the Scottish guests might have expected and was cut short to preserve funds, the scandalised Scots being quickly ushered out. And almost immediately after the wedding celebrations, most of Margaret’s Scottish household was sent home, with just a handful of her native attendants allowed to stay with the new dauphine. Owing to the tender age of the young couple, they were not expected to consummate the marriage for another few years, so Margaret was given into the guardianship of Queen Marie, Charles VII’s wife, and continued her education under the queen’s supervision. Petite, pretty and delicate, Margaret soon became the darling of the French King and Queen.

Louis, on the other hand, had a strained relationship with his father, one that would eventually be expressed in open rebellion; as a result, he was rarely at court. When Louis asked the king for an allowance with which to set up a household for himself and his young wife, his father refused, despite being happy to give Margaret money to indulge herself. At one time, Charles VII gave Margaret 2,000 livres to buy herself furs and silks, and yet he refused to pay off Louis’ debts. Margaret also received grants directly from the king, rather than her husband, as might have been expected.

*Margaret’s husband, the future King Louis XI*

In 1437 the marriage was consummated and Margaret, now approaching her thirteenth birthday, was given her own household. Relations between the dauphin and dauphine were not helped by Louis’ strained relationship with his father and it seems that comparisons were made between Louis’ unimpressive looks and Margaret’s beauty – although malicious English chroniclers would insist that Louis was repelled by Margaret’s ‘evil soured breath’.

Margaret was allowed no part in court politics. The dauphine’s role in France was limited to formal occasions and court ceremonials, such as the celebrations for the marriage of the king’s niece, Margaret of Anjou, to Henry VI of England, which Margaret attended in 1445. As with her father before her, Margaret had a passion and talent for writing poetry and, although she enjoyed court life, she became increasingly bored with it. She retreated more and more to her own chambers with her ladies and spent her days and evenings writing and reading poetry. Her evenings were so taken up in this style, that she often retired to bed long after Louis had fallen asleep.

Margaret was also renowned as a patroness of literature. She had several poets in her household, including Jehanne Filleul, whose works have survived to this day, and the Viscount de Blosseville. De Blosseville wrote one of the three laments to the dauphine, written before her death. Another such lament was possibly written by her sister Isabella, it was certainly in her possession.

As the years passed and the couple remained childless, Margaret’s lifestyle caused further discontent within the marriage, and more unhappiness for the young princess as her husband expressed his displeasure. There is some suggestion that Margaret deliberately prevented herself from falling pregnant by drinking vinegar, and by tightly lacing her bodices – although this may also have been for vanity, and to keep her svelte figure. There were also followed accusations of impropriety within Margaret’s rooms when, at Christmas 1444, Jamet de Tillay, a member of the king’s household, entered her chamber during one of her private poetry evenings and subsequently spread rumours about ‘wanton princesses’.

Margaret perceived it as a personal attack and became increasingly distressed, complaining that Jamet had turned the king and dauphin against her. Although Jamet tried to apologise, Margaret would not hear of it. By the summer of 1445 the dauphine was very ill.

*Tomb of Margaret Stewart in the Saint-Laon Church, Thouars*

Having accompanied the court on pilgrimage she fell ill on 7 August and by the next day she was feverish and suffering from fits of coughing. Her doctors diagnosed an inflammation of the lungs. In her delirium, she blamed Jamet de Tillay for her impending demise and swore she had never done Louis any wrong. As she approached death, Margaret calmed down and forgave Jamet, on her ladies’ instigation. Having received the last rites, Margaret died on 16 August 1445, at Châlons-sur-Marne; she was just twenty years old. The dauphine was laid to rest in the Cathedral of St Étienne in Châlons; in 1479 her body was moved by her husband, now Louis XI, to the chapel of the Holy Sepulchre in the Abbey Church of Saint-Laon in Thouars, where Margaret had founded a chaplaincy.

Following her death, Louis destroyed every piece of poetry and writing that Margaret had ever produced. None of her work survived her husband’s purge. However, her patronage of poets has at least ensured she had a worthy legacy. Louis went on to marry Charlotte of Savoy and was the father of Anne de Beaujeu, regent of France for her brother King Charles VIII.

Notes:

1. Bower, Scotichronicon, V 8, p. 249; 2. ibid, p. 251

Sources:

Calendar of documents relating to Scotland, Vol. 4; M. H. Brown, ‘Joan [née Joan Beaufort]’, oxforddnb.com; Amy Licence, Red Roses: Blanche of Gaunt to Margaret Beaufort; Nigel Tranter, The Story of Scotland; John of Fordun’s Chronicle of the Scottish Nation; Walter Bower, Scotichronicon; Andrew Wyntoun, The orygynale cronykil of Scotland; Richard Oram, editor, The Kings and Queens of Scotland; Rosalind K. Marshall, Scottish Queens 1034–1714; Nigel Tranter, The Story of Scotland; David Ross Scotland, History of a Nation; Liber pluscardensis, edited by Felix James Henry Skene; James I, King of Scots, The Kingis Quair, edited by James, William MacKean, Walter W. Skeat, Alexander Gardner

Images:

Courtesy of Wikipedia

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Heather R. Darsie

16/05/202516/05/2025Sharon Bennett Connolly2 Comments

In a special episode of my Wordly Women interview series, Heather R. Darsie drops by on her blog tour celebrating the publication of her new book, Katharine of Aragon, Spanish Princess: ‘I am Not as Simple as I May Seem’. Do have a look at the other stops on the tour to geta taste of this wonderful new biography.

So, Heather, What got you into writing?

Heather: As silly as this sounds, I can’t remember originally. My dad had an electric typewriter that he let me use to write stories beginning when I was probably eight years old. I continued writing stories and poems through high school (14 to 18 years old in the USA), which culminated in a play based off Edgar Allen Poe’s “Annabel Lee” when I was in my final year of high school. My play was called Annalise, wherein the wife was dying of amyotrophic lateral sclerosis of which my paternal grandfather passed away. The husband slowly went mad, to the point where the wife’s had to intervene. The theme of the play was tragedy. My high school put on the play, I was in the local newspaper, and invited to host a workshop at the statewide high school theatre festival.

After graduating from high school, I went to university and majored in German Languages and Literature, then pursued my Juris Doctorate in American Jurisprudence. Along the way, I studied abroad in Costa Rica and France, learning Spanish and French, too. I have had numerous opportunities to travel to France, Spain, Germany, and various countries in Central America, which have all contributed to keeping my language skills sharp.

I became heavily interested in Tudor history in around 2010. By early 2015, I grew tired of reading the same-old, same-old about Anna of Cleves, a German woman. I asked Claire Ridgeway of the Anne Boleyn Files if I could contribute a post on Anna to her website, to which Claire kindly agreed. Thereafter encouraged and emboldened, I sent a letter in my very best German to the mayor of the current City of Cleves, and my research took off from there. The combination of a life-long interest in writing, linguistic education, research and analytical skills from my juris doctorate, combined with the history community’s encouragement is how I arrived here, ten years on.

Sharon: Tell us about your books.

Heather: I view myself as a Tudor-adjacent historian. The persons and events I choose to focus on should be recognizable am most interested in the Holy Roman Empire of the German Nation, which began recognizing itself that way in the early 16th century. Specifically, anyone or anything connected to the von der Marks, which is Anna of Cleves’ family (she was “of Cleves” much like Princess Mary Tudor would be “Mary of England” in another country) or the Habsburgs. My first two nonfiction books, Anna, Duchess of Cleves: The King’s Beloved Sister and Children of the House of Cleves: Anna and Her Siblings are effectively German history books. My third nonfiction book, Stuart Spouses: A Compendium of Consorts from James I of Scotland to Queen Anne of Great Britain looks at just that, the husbands and wives of the Scottish-to-English Stuart dynasty. The dynastic intermingling with continental European families is fascinating. I wrote a novella during the pandemic, Diary of a Plague Doctor’s Wife, set during the last outbreak of the Black Death in 1720s Marseille. The parallels to our own experiences 300 years later with Covid-19 were eerie to me at the time of writing.

Sharon: What attracts you to the Catherine of Aragon?

Heather: Like Anna of Cleves, I felt there was more to her than the end of her marriage with Henry VIII. Specifically, I wanted to know more about Katharine’s family dynasty and Katharine’s early time in England, and share that with readers.

Sharon: Who is your favourite Tudor and why?

Heather: For queens, I am drawn to Catherine Parr. She seemed the most savvy when it came to navigating Henry VIII and the dangerous politics of the Tudor court. I am very intrigued by Thomas Cromwell in his position as a lawyer. He was very clever; I hope to write about him someday.

Sharon: Who is your least favourite Tudor and why?

Heather: I do not have a least favorite, but I do think the most tragic was Anne Boleyn, who was foisted by her own petard. I am finding that more and more as I work on my next book, If any Person will Meddle with My Cause: The Judicial Murder of Anne Boleyn.

Sharon: How do you approach researching your topic, especially when most of the sources are Spanish?

Heather: I start with finding articles on JSTOR, then checking the footnotes for sources. From there, I go to Google Play, Archive.org, the Spanish library websites, etc. for old manuscripts. Like many English books, several of the old, out-of-copyright ones are available for free. The Spanish language is not a barrier for me, since I hear or read it most days a week at work.

Sharon: Tell us your ‘favourite’ Catherine of Aragon story you have come across in your research.

Heather: I really enjoyed reading about all of the pageants she viewed during her formal entry into London. It must have been quite the time for her.

Sharon: Tell us your least ‘favourite’ Catherine of Aragon story you have come across in your research.

Heather: Katharine was having a difficult time with Spanish grammar in her letters toward the very late 1520s and early 1530s. This could be indicative of the extreme stress that she was under during that time, or the isolation she was experiencing and being unable to speak Spanish with anyone, or both. I found it tragic and poignant. I don’t believe I remarked on that in my book.

Sharon: Are there any other eras you would like to write about?

Heather: I am interested in doing a little more on the late 16th to early 17th century. Otherwise, I am fairly happy with the time frame that I work in now, but exploring more individuals and courts.

Sharon: What are you working on now?

Heather: I am finishing up the aforementioned book, If any Person will Meddle with My Cause: The Judicial Murder of Anne Boleyn. I am completing an epic as well, which I will self publish likely later this year, that has heavy Greek mythology themes. Our heroes go on a quest to bring back the Olympians and restore justice to the human world. The epic is clocking in at about 3, 600 lines right now. I suppose it makes me a poet along with an author.

Sharon: And finally, what is the best thing about being a writer?

Heather: Sharing knowledge.

About the book:

Katharine of Aragon is more in the public consciousness now due to the TV show ‘Spanish Princess’. Katharine has of course been an interesting historical figure for quite some time because she is the first wife of the infamous Henry VIII. This book provides a new perspective on Katharine because it includes far more background on her Spanish upbringing, Spanish culture, and how that continued to define her in England during her first fifteen years in the country. Additionally, Heather uses rich primary sources, such as ‘The Receyt of Ladie Kateryne’, which have either not been sourced or infrequently referred to in other biographies about Katharine. In this, Heather’s multilingual abilities – especially her fluent Spanish – are put to good use. No one, for example, has considered he rippling impact of terminating Katharine’s marriage on the Trastamara and Habsburg dynasties in Europe. Katherine was as important abroad as she was in England.

Buy Katharine of Aragon, Spanish Princess: ‘I am Not as Simple as I May Seem’

About the author:

Heather R. Darsie, J. D. is an independent researcher specializing in early modern history. She describes herself as a “Tudor-adjacent” historian, focusing on the Holy Roman Empire and England in the early 16th century. She is the author of four nonfiction books: Anna, Duchess of Cleves: The King’s Beloved Sister, Children of the House of Cleves: Anna and Her Siblings, Stuart Spouses: A Compendium of Consorts from James I of Scotland to Queen Anne of Great Britain, and Katharine of Aragon, Spanish Princess: I am not as Simple as I May Seem. She self-published the novella Diary of a Plague Doctor’s Wife. Her primary career is as an attorney. Heather lives in Illinois with her loving husband, wonderful stepchildren, and three raucous parrots.

Where to find Heather:

Website: MaidensAndManuscripts.com; Instagram: @hdarsiehistory; X: @hrdarsiehistory; Threads: hdarsiehistory; Facebook: Heather R. Darsie, Historian; BlueSky: @hrdarsiehistory.bsky.social

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Bess – Tudor Gentlewoman by Tony Riches

07/05/202505/05/2025Sharon Bennett ConnollyLeave a comment

Today, it is an absolute pleasure to welcome Tony Riches back to History … the Interesting Bits for a little chat about his latest book, Bess: Tudor Gentlewoman, the sixth and final book in his magnificent, and enthralling, Elizabeth series.

Sharon: So, Tony, what made you pick Bess Throckmorton as the subject of your sixth and final book in your Tudor series?

Tony: The idea behind the Elizabethan series was to see the enigmatic Queen Elizabeth through the eyes of three of her favourite men and three of her ladies. Each had a very different relationship with the queen, as Drake was in awe of ‘Gloriana’, Essex was like the son she never had and Raleigh was the captain of her guard. I had plenty of ladies to choose from, and was intrigued by Essex’s sister Penelope Devereux (who he blamed for encouraging his ‘rebellion’). His wife, Frances, seemed an unlikely choice, but as I looked into her life as the daughter of the queen’s spymaster, Sir Francis Walsingham, I found she was closely involved with the key events of the Elizabethan era.

Bess’ story allowed me to complete the story of Walter Raleigh (which ended with the death of Queen Elizabeth), and I was intrigued at how she remained so loyal to Walter, even living in his cell at the Tower of London to keep him company. As my research continued, I found she lived until the age of eighty two – well past the end of the Tudors and into the Stuart era, making her one of the last true Elizabethans.

Sharon: Who has been your favourite Tudor to write about?

Tony: I would have to say Bess Raleigh, as she was a remarkable woman, (and I’ve been living with her every day for the past eighteen months), but if time travel is perfected I would love to visit Katherine Willoughby, as she knew every one of the wives and children of King Henry VIII, and must have a lot of secrets! I visited Katherine’s home at Grimsthorpe Castle during my research, and felt a real connection with her at her tomb in Spilsby parish church.

Sharon: Are there any Tudors you would still like to write about?

Tony: The ‘one who got away’ is Sir Philip Sidney, the fascinating and brilliant warrior poet. He features in three of my books, as he was the Earl of Essex’s mentor, Lady Penelope Devereux’s lover and Frances Walsingham’s first husband.

Sharon: Who is your favourite Tudor?

Tony: I never tire of reading about Queen Elizabeth I, who appears in seven of my books. Every time I think I understand her, I discover something new that makes me think again.

Sharon: And who is your least favourite Tudor?

Tony: The villain of the piece, Sir Richard Rich, who oversaw the trials of Catholic martyrs Thomas More and Bishop John Fisher, as well as the Protestant martyr Anne Askew. Richard Rich can never be forgiven for what he did to poor Anne Askew, who never betrayed Katherine Willoughby – even when tortured on the rack and burned at the stake.

Sharon: What’s next?

Tony: I am now researching the life of the first Stuart queen, Anna of Denmark, who I introduce in my last book, when she visits Bess and Walter at the Tower of London to speak with Walter about his herbal potions. Although I covered the English Civil War in my history lessons, the Stuart queens had only a brief mention, so I would like to help restore them to the place in history they deserve by bringing their stories to life.

About the book:

Bess: Tudor Gentlewoman

“A thrilling portrait of a remarkable woman who witnessed the key events of Elizabethan England.”

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante.

Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission?

Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.

Can she outwit her enemies, protect her family, and claim her destiny in a world where women are pawns and survival is a game of deadly consequences?

This is the true story of the last of the Elizabethans, which ends the story of the Tudor dynasty – and introduces their successors, the Stuarts.

Buy the book

About the author:

Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook, Instagram, Bluesky and Twitter @tonyriches.

Links:

Website: Facebook: Twitter: Bluesky: Instagram: Amazon Author Page: Goodreads: LinkedIn.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Annie Whitehead

26/04/202510/05/2025Sharon Bennett ConnollyLeave a comment

Joining me today as part of my Wordly Women series is the wonderful Annie Whitehead. Author of both fiction and non-fiction books based in Anglo-Saxon Mercia, Annie’s latest book, Murder in Anglo-Saxon England: Justice, Wergild and Revenge is replete with dastardly murder stories.

Sharon: What got you into writing?

Annie: It was just something I always wanted to do – I remember writing ‘The Adventures of Ferdinand the Hedgehog’ when I was around 7 or 8. I think the desire to write history came later, partly influenced by the sorts of novels I preferred reading, and partly from a growing love of history generally, probably beginning when I lived in York for six months. Living there, even as a child, you can’t not notice the history all around you.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Annie: I think they are both equally hard, but they are different. The research is pretty much the same, although with fiction you need every day details as well as the actual historical events, but where they differ is that in fiction you are free to fill in the gaps in the history (although in a way that fits with your plot and with your characters), but if you take them on a journey you need to give details, whereas in nonfiction you can just say, ‘The king took an army to York.’ On the other hand, with nonfiction, you can’t make stuff up, and if you make any pronouncements you have to back those up.

Sharon: Tell us about your books.

Annie: I’ve written four novels, featuring prominent Mercian characters, including Æthelflæd, Lady of the Mercians, and Penda, the last pagan king. I’ve also written three nonfiction books, one about the history of Mercia, one about Women of the era, and my latest release, Murder in Anglo-Saxon England. I’ve also contributed to two nonfiction anthologies and three and a half fiction collections (the ‘half’ is one that’ll be published later this year).

Sharon: What attracts you to the Anglo-Saxon period?

Annie: I think there’s an element of romanticism, a Tolkien-esque aura if you will. The names are very noble sounding, including one of the main characters of my second novel, Alvar the Kingmaker, whose real name was Ælfhere. I like the characteristics that set the period apart from the rest of the (mainly Norman) Middle Ages and I like, on the whole, their values. Particularly, their treatment of women, which was in many ways better than that of their later medieval counterparts. I also find the personalities interesting and characterful – rich pickings for the novelist.

Sharon: Who is your favourite Anglo-Saxon and why?

Annie: There are so many to choose from! I’ve already mentioned three, but I also find the little-known King Edgar (959-975) fascinating because he breaks the mould. His reign was not especially violent – it was more a time of politics and scheming nobles and there were no ‘Viking’ raids – and Edgar’s love life was, shall we say, interesting. He might have had up to three wives, one of whom was said by some – unreliable – chroniclers to have been a nun!

Sharon: Who is your least favourite Anglo-Saxon and why?

Annie: I’m going to get into a lot of trouble with this, especially from some of my writer friends, but it’s Harold Godwineson. Obviously I’d rather he’d won at Hastings, not William, but I do find his whole family rather unappealing, treacherous and self-entitled. (Sorry, Harold fans!)

Sharon: How do you approach researching your topic?

Annie: I always start with the primary sources, contemporary if possible, looking for any reference to the characters I’m planning to write about. I find out, or remind myself, about the timelines, then I look at the later, usually Anglo-Norman sources, to see where they embellish and flesh out the tales. If I’m writing fiction, I might use some of their more detailed and frankly at times outrageous stories, but if it’s nonfiction, I have to use a lot of scepticism in the pursuit of the truth, or at least getting as close to the truth as I can.

Sharon: Tell us your ‘favourite’ Anglo-Saxon story you have come across in your research.

Annie: I have so many! But one is the tale of King Offa’s daughter, accused of poisoning her husband’s advisor and accidentally poisoning her husband too. He was the king of Wessex. She fled to the Continent where the Emperor Charlemagne set her up in an abbey but she was caught in debauchery there and died in poverty. It’s highly unlikely to be a true story, as we have evidence that her husband probably died in battle and if she fled, she was most likely fleeing the wrath of his successor, who’d been forced into exile by her father and her husband.

Sharon: Tell us your least ‘favourite’ Anglo-Saxon story you have come across in your research.

Annie: It has to be the story of the St Brice’s Day Massacre, sanctioned by King Æthelred the Unready, where a number of Danes were chased through Oxford into a church which was then set on fire. It sounds like the scene from a bad Hollywood historical film, but it really happened. We know this a) because we have a charter from the king himself saying that he ordered it and b) charred bones dating to the right time unearthed at the location.

Sharon: Are there any other eras you would like to write about?

Annie: I’ve always been interested in the seventeenth century and the early Stuarts in particular. They are coming out of the shadows a bit more now and there have been some excellent books, both fiction and nonfiction, published recently, but they still take second place to the Tudors, which for me is a shame as it’s such an interesting period of history.

Sharon: What are you working on now?

Annie: I’m working on the novel which I shelved to research and write Murder in Anglo-Saxon England. It’s set in the tenth century and features Mercians, Northumbrians, Vikings and Scots and also has a murder or two thrown in!

Sharon: And finally, what is the best thing about being a writer?

Annie: Something I’ve enjoyed from a very early age is reading – I loved being transported to other times and places, meeting new characters and learning their stories. Writing, for me, is almost the same, and to spend my working days making up similar stories and spending time with those characters is a dream come true. It’s a form of escapism and it’s bliss!

About the Author:

Annie is a Fellow of the Royal Historical Society, and has written four award-winning novels set in ‘Anglo-Saxon’ Mercia. She has contributed to fiction and nonfiction anthologies and written for various magazines. She has twice been a prize winner in the Mail on Sunday Novel Writing Competition, and won First Prize in the 2012 New Writer Magazine’s Prose and Poetry Competition. She has been a finalist in the Tom Howard Prize for nonfiction and was shortlisted for the Exeter Story Prize and Trisha Ashley Award 2021. She was the winner of the inaugural Historical Writers’ Association (HWA)/Dorothy Dunnett Prize 2017 and was subsequently a judge for that same competition. She has also been a judge for the HNS (Historical Novel Society) Short Story Competition, and was a 2024 judge for the HWA Crown Nonfiction Award. Her nonfiction books are Mercia: The Rise and Fall of a Kingdom (published by Amberley books) and Women of Power in Anglo-Saxon England (Pen & Sword Books). In 2023 she contributed to a new history of English monarchs, published by Hodder & Stoughton, and in February 2025 Murder in Anglo-Saxon England was published by Amberley Books.

Find Annie at: Website; Buy Annie’s Books; Blog; Facebook; Twitter/X; Instagram; BlueSky.

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