Book Corner: Sword of Kings by Bernard Cornwell

Uhtred of Bebbanburg is a man of his word.

An oath bound him to King Alfred. An oath bound him to Æthelflaed. And now an oath will wrench him away from the ancestral home he fought so hard to regain. For Uhtred has sworn that on King Edward’s death, he will kill two men. And now Edward is dying.

A violent attack drives Uhtred south with a small band of warriors, and headlong into the battle for kingship. Plunged into a world of shifting alliances and uncertain loyalties, he will need all his strength and guile to overcome the fiercest warrior of them all.
 
As two opposing Kings gather their armies, fate drags Uhtred to London, and a struggle for control that must leave one King victorious, and one dead. But fate – as Uhtred has learned to his cost – is inexorable. Wyrd bið ful ãræd. And Uhtred’s destiny is to stand at the heart of the shield wall once again…

I have said a few times that I am a big Bernard Cornwell fan. I have been reading his books since I was 14 and the Sharpe series was the inspiration for my dissertation at university. He is the most thoughtful author out there; he publishes a book every year in October, just in time for my birthday (for which the hubby and I are equally grateful!). This year was no exception.

This is the 12th outing for Uhtred of Bebbanburgh and Bernard Cornwell has done it again! Sword of Kings is a thoroughly enjoyable adventure set in 10th century England. Full of action, intrigue, friendship and a little bit of love, the master storyteller has given us yet another book that is impossible to put down.

Uhtred’s penchant for swearing oaths, and for standing by his oaths, once again gets him into trouble. This time he has sworn to help put Athelstan on the throne; the grandson of King Alfred and nephew of Uhtred’s former love, Æthelflaed, he is the eldest son of King Edward the Elder. But there is a question over his legitimacy and other, powerful nobles would see Athelstan’s half-brother, Ælfweard. Luckily for Athelstan, Uhtred has also sworn to kill Ælfweard and his uncle, Æthelhelm. However, fulfilling an oath is not as easy as making it!

So Æthelhelm the Younger had sent his youngest brother to kill me. He had equipped a fleet, and offered gold to the crew, and placed a rancid priest on the ships to inspire Æthelwulf with righteous anger. Æthelhelm knew it would be next to impossible to kill me while I stayed inside the fortress and knew too that he could not send sufficient en to ambush me on my lands without those men being discovered and slaughtered by Northumbria’s warriors, so he had been clever. Her had sent men to ambush me at sea.

Æthelwulf was the fleet’s leader, but Æthelhelm knew that his brother, though imbued with the family’s hatred of me, was not the most ruthless of men, and so he had sent Father Ceolnoth to fill Æthelwulf with holy stupidity, and he also sent the man they called Edgar. Except that was not his real name. Æthelhelm had wanted no one to know of the fleet’s true allegiance, or to connect my death to his orders. He had hoped the blame would be placed on piracy, or on some passing Norse ship, and so he had commanded the leaders to use any name except their own. Æthelwulf had become Wistan, and I learned that Edgar was really Waormund.

I knew Waormund. He was a huge West Saxon, a brutal man, with a slab face scarred from his right eyebrow to his lower left jaw. I remembered his eyes, dead as stone. In battle Waormund was a man you would want standing beside you because he was capable of terrible violence, but he was also a man who revelled in that savagery. A strong man, even taller than me, and implacable. He was a warrior, and, though you might want his help in a battle, no one but a fool would want Waormund as an enemy. ‘Why,’ I asked Æthelwulf the next morning, ‘was Waormund in your smallest ship?’

‘I ordered him into that ship, lord, because I wanted him gone! He is not a Christian.’

‘He’s a pagan?’

‘He’s a beast. It was Waormund who tortured the captives. I tried to stop him.’

But Father Ceolnoth encouraged him?’

‘Yes.’ Æthelwulf nodded miserably. We were walking on Bebbanburg’s ramparts. The sun glittered from an empty sea and a small wind brought the smell of seaweed and salt. ‘I tried to stop Waormund,’ Æthelwulf went on, ‘and he cursed me and he cursed God.’

‘He cursed your god?’ I asked, amused.

As we have come to expect from Bernard Cornwell, the action is non-stop. the writing is up to his usual high standard, keeping the reader enthralled from the first page to the last. Uhtred gets himself into some of the worst scrapes yet, leaving the reader petrified that his luck will finally run out…

Uhtred has always been a sympathetic character to me, ruthless in battle but with a softer side for his lovers and (most of) his children. What shines through in this book, probably more so than in the rest of the series, is his friendship with Finan. These two men have been through Hell together – slavery and countless battles – and their relationship has always remained strong. In Sword of Kings it is this friendship that drives the book; their mutual trust and reliance on each other, in battle and out, is what makes this book so engaging.

Bernard Cornwell is a natural storyteller, one of the best at the craft. Sword of Kings is yet more testament to that fact. You never quite know how it is going to work out for Uhtred – he is not immune to loss and suffering – which is what always makes these books so gripping – you know he is not going to come out of his adventures totally unscathed. The suspense, the drama, the intrigue and action all come together to make yet another perfect chapter in Uhtred’s story.

Uhtred may be fictional, but other characters are real, and as always, there is an author’s note at the end to explain the history behind the story.

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About the Author

Bernard Cornwell was born in London and worked in television until he met his American wife and moved to the US. Denied a work permit, he wrote a novel and has been writing ever since.

A master storyteller with a passion for history, his current bestselling series, THE LAST KINGDOM, is centred around the creation of England. It is also a major TV series on Netflix, with Bernard playing a cameo role in season three. The fourth season is currently being filmed.

He is also the author of THE GRAIL QUEST series, set in the Hundred Years’ War, THE WARLORD chronicles, set in Arthurian Britain, a number of standalone novels, one non-fiction work on Waterloo and the series with which he began, the SHARPE series.

For exciting news, tour and publication details, and exclusive content from Bernard visit http://www.bernardcornwell.net and like his author page on Facebook/Bernard.Cornwel

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My Books

Silk and the Sword: The Women of the Norman Conquest

From Emma of Normandy, wife of both King Cnut and Æthelred II to Saint Margaret, a descendant of Alfred the Great himself, Silk and the Sword: the Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon UK,  Amberley Publishing, Book Depository and Amazon US.

Heroines of the Medieval World

Telling the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich, Heroines of the Medieval World,  is available now on kindle and in paperback in the UK from from both Amberley Publishing and Amazon, in the US from Amazon and worldwide from Book Depository.

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©2019 Sharon Bennett Connolly

Book Corner: Fools and Mortals by Bernard Cornwell

Fools and Mortals follows the young Richard Shakespeare, an actor struggling to make his way in a company dominated by his estranged older brother, William. As the growth of theatre blooms, their rivalry – and that of the playhouses, playwrights and actors vying for acclaim and glory – propels a high-stakes story of conflict and betrayal.

Showcasing his renowned storyteller’s skill, Bernard Cornwell has created an Elizabethan world incredibly rich in its portrayal: you walk the London streets, stand in the palaces and are on stage in the playhouses, as he weaves a remarkable story in which performances, rivalries and ambition combine to form a tangled web of intrigue.

I have been a fan of Bernard Cornwell since reading my first Sharpe book as a teenager. I have read everything, eagerly awaiting each new book and devouring it within days of its release. So when I was offered the chance of an advance copy of Fools and Mortals – well – I jumped at it.

Fools and Mortals is a major departure for Bernard Cornwell. There are no world-changing battles as in the Sharpe and Last Kingdom books, no ancient legends such as in the King Arthur and Thomas of Hookton series; in fact, this book is all about pretend, following the antics of William Shakespeare’s younger brother as he tries to make his way as a player in Elizabethan England. And it is fascinating.

‘Show me the nightgown!’ the twin whose sword was still scabbarded demanded, and the Percy tossed down the rochet. ‘Oh pretty,’ the twin said. ‘Is this what papists wear to vomit their filth?’

‘Give it back,’ Alan Rust demanded, slightly raising his borrowed sword.

‘Are you threatening me?’ the twin with the drawn blade asked.

‘Yes,’ Rust said.

‘Maybe we should arrest him,’ the twin said, and lunged his blade at Alan.

And that was a mistake.

It was a mistake because one of the first skills any actor learns is how to use a sword. The audience love combats. They see enough fights, God knows, but those fights are almost always between enraged oafs who hack and slash until, usually within seconds, one of them has a broken pate or a pierced belly and is flat on his back. What the groundlings admire is a man who can fight skillfully, and some of our loudest applause happens when Richard Burbage and Henry Condell are clashing blades. The audience gasp at their grace, at the speed of their blades, and even though they know the fight is not real, they know the skill is very real. My brother had insisted I take fencing lessons, which I did, because if I had any hope of assuming a man’s part in a play I needed to be able to fight. Alan Rust had learned long before, he had been an attraction with Lord Pembroke’s men, and though what he had learned was how to pretend a fight, he could only do that because he really could fight, and the twins were about to receive a lesson.

I know that not every Bernard Cornwell fan will be impressed by this new story; if they  are only reading Cornwell for the blood-curdling action, they will be disappointed in this book. But if they read Cornwell because he is THE greatest storyteller, because he can transport you through time and space to a world that is recreated from history and his imagination, they will love this book.

William Shakespeare

I admit I was a little dubious at first, but once you start reading, it is – as usual with a Bernard Cornwell book – impossible to put down. It may be because this is not a war story, is not a crime thriller, and is a totally new departure for the author, that this story works so well. It proves just what an excellent wordsmith he is.

As has come to be expected with one of our greatest authors, the research is impeccable and interwoven in the story are many of the political concerns of the time, the opposition to theatres, the hunt for Catholics and their sympathisers, and even the constant need to impress the aging queen, Elizabeth I. However, Fools and Mortals is not a simple melodrama. There are many threads to the story, the development of professional theatre, love, intrigue, betrayal and sibling rivalry being just a few.

Everything about this book proves why Bernard Cornwell is one of the greatest storytellers of our generation. The writing is of his usual high standard, and keeps you engaged to the very end. The hero, if a complete contrast to Sharpe and Uhtred, is an engaging and entertaining protagonist, with whom the reader can readily invest their hopes and expectations of a great story. Richard Shakespeare is a young man, trying to find his role in life, whilst trying to survive medieval London and negotiate that age-old problem – a superstar older brother!

Any fan of Bernard Cornwell knows that he loves the theatre and the bestselling writer has put all his knowledge and passion into creating this amazing novel. It more than lives up to the high standards we have come to expect in all his work.

Fools and Mortals is released on 19th October in the UK.

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My book, Heroines of the Medieval World,  is now available in hardback in the UK from both Amberley Publishing and Amazon UK and worldwide from Book Depository. It is also available on Kindle in both the UK and USA and will be available in Hardback from Amazon US from 1 May 2018.

Sharons book cover

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©2017 Sharon Bennett Connolly