Tudor History – Page 2 – History… the interesting bits!

Guest Post: Tudor Princes and Princesses by Aimee Fleming

04/07/202502/07/2025Sharon Bennett ConnollyLeave a comment

Today, it is a pleasure to welcome Aimee Fleming to History…the Interesting Bits. Aimee’s first book, The Female Tudor Scholar and Writer: The Life and Times of Margaret More Roper was a wonderful biography of Thomas More’s famous scholarly daughter. Aimee is now back with a second book, looking into the lives of the first royal Tudor children, Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York. And she has written a little piece as a taster of the treat that is this wonderful book. Over to Aimee…

When Henry VII and Elizabeth of York married in January 1486, it was clear to them that their most important task ahead was to stabilise England, and the best, perhaps easiest way available to them was to produce an heir, and quickly.

However, bearing a child in the fifteenth century was not an easy feat, even for a Queen. Science and medicine were far from helpful, and the practices of the time meant that pregnancy and childbirth were dangerous to everyone involved. Elizabeth had her family around her, her mother who had had twelve children would have been invaluable to her, but the risks to herself, her child, and to her husband’s reign would have been very clear indeed.

In this extract we see how the couple prepared for their new arrival, and what Elizabeth herself was required to do, even before the rigours of birth.

Extract from Chapter 2 of Tudor Princes and Princesses

Following the wedding ceremony in January 1486, the royal couple remained in London and held court over celebrations in their honour, with spectacular banquets and dances. The celebrations were held all over London and further afield. As Bernard André describes:

‘…the most wished day of marriage was celebrated by them

with all religious and glorious magnificence at court, and

by their people, to show their gladness with bonfires,

dancing, songs and banquets throughout all London,

both men and women, rich and poor, beseeching God to

bless the King and Queen and grant them a numerous

progeny.’

This outpouring of support for the marriage of the king and queen was welcomed by all, especially by Henry and Elizabeth themselves, who knew just how important it was that their union, and rule, be accepted. It became apparent that their marriage represented the potential for peace in the form of an heir who would have their claims combined within him. Hall’s Chronicle shows what was expected.

‘By reason of whiche manage peace was thought to discende out of heaue into England, consideryng that the lynes of Lancastre & Yorke, being both noble families equiualet in ryches, fame and honour, were now brought into one knot and connexed together, of whose two bodyes one heyre might succede, which after their lyme should peaceably rule and enioye the whole monarchy and realme of England.’

Confident in their position early on, the king and queen worked to secure the future that so many hoped for and very soon after their wedding took place it was announced that the queen was with child. Whether that be out of duty, mutual respect, or genuine affection and love between them, the conception of a child was joyous news for all involved. Calculating from the date of their wedding, and Arthur’s birth, it is reasonable to assume that they conceived quickly, if not on their wedding night itself. When Henry departed for a progress around Yorkshire and Lincolnshire in the early spring of 1486, he did not take Elizabeth with him, most likely because she was suffering from morning sickness, or other symptoms associated with the early stages of pregnancy. As a first-time mother, it would have been new to Elizabeth, but luckily, she had her experienced mother and mother-in-law both around to support her. While Henry was travelling, he sent regular letters to his new wife, and would send gifts to her while she stayed at the Palace of Placentia.

Elizabeth would have been familiar with the palace, having spent a lot of time there as a young girl. It would become one of the most favoured for the king and queen and would be renamed by Henry as Greenwich Palace. Both names emphasise how the palace was surrounded by green parks and fields, isolated from the hustle and bustle and potential diseases of London itself.

As soon as it could be confirmed that Elizabeth was with child, the wheels began turning to arrange yet more elaborate ceremony, intended to cement Elizabeth as queen, the Tudor dynasty as the ruling family, and rightfully on the throne. This started with Elizabeth’s care while pregnant.

While it was not common for pregnant women to receive medical or ante-natal care in this period, Elizabeth’s health would have been monitored and her diet checked, and healthy habits encouraged by her ladies and physicians. Pregnant women were discouraged from heavy activities or stressful situations, and sometimes forbidden to eat certain foods; for example, if a woman complained of morning sickness, she may be told to limit her intake of fish or milk, both of which modern doctors would recommend she eat.

Pregnancy was dangerous, as was childbirth, for both the mother and the child, so royal women were given the best possible conditions in which to give birth, according to the science of the time.

As a woman’s due date got closer, she would be expected to enter confinement. This was a time where the pregnant woman and her household would isolate themselves in the woman’s bedroom. Windows would be barred and draped, and air flow would be completely stifled as it was believed that illnesses were carried on the air. For a queen, preparations for confinement would be made by the king according to traditions laid out during the reign of Edward IV, Elizabeth’s father. She would have been very familiar with the work that needed to be done, and the fact that the arrangements would be made for her by her husband.

Henry took his role in arranging Elizabeth’s confinement very seriously indeed. He purchased clothes and bedding for the chambers, all made of furs and velvet, and the most luxurious cotton sheets. He arranged for new furniture for her rooms and cushions stuffed with feathers, and even, bewilderingly, two velvet-covered saddles.

However, by far the most important decision that Henry made regarding his wife’s confinement and birth experience was to choose the location, and for Henry there was only one place that it could happen and that was the city of Winchester.

About the Author:

Aimee Fleming is a historian and author from North Yorkshire. She is happily married, with three growing boys and a whole host of pets. She studied history at the University of Wales, Bangor and then later completed a masters in Early Modern History at the University of York as a mature student. She has a passion for history, particularly the Tudors, and worked for over a decade in the heritage industry in a wide variety of roles and historic places.

Books by Aimee Fleming:

The Female Tudor Scholar and Writer: The Life and Times of Margaret More Roper

Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York

Where to find Aimee:

Website; Facebook; Threads and Instagram: @historyaimee; Substack.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Carol McGrath

07/06/202507/06/2025Sharon Bennett ConnollyLeave a comment

Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.

So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.

Over to Carol…

Sharon: Carol, what got you into writing?

Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.

Sharon: You write both fiction and non-fiction-is one harder than the other?

Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.

Sharon: Tell us about your books

Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.

Sharon: What Attracts you to the Period?

*Harold’s daughter’s burial place in St Sophia Kyiv*

Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.

Sharon: Who is your favourite Tudor and Why?

Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.

Sharon: Who is your least favourite Tudor

Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.

Sharon: How do you approach researching your topic

Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.

Sharon: What is your favourite Medieval or Tudor Story found in Research

Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.

Sharon: What is your least Favourite Story

Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.

Sharon: Are there any other eras you would like to write about?

Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.

Sharon: What are you working on now?

Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.

Sharon: What do you love most about being a writer

Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.

About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.

Where to find Carol

Website (Subscribe to her newsletter via the drop down menu on the web-site Home Page); Amazon; The Stolen Crown

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Have a listen the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Samantha Wilcoxson

24/05/202516/05/2025Sharon Bennett ConnollyLeave a comment

Today we are hopping across the pond for the next chat in my Wordly Women series. Joining me is Samantha Wilcoxson. Author of fiction novels mainly based in the late medieval and Tudor eras and and non-fiction books on the American Revolution, Samantha’s books – literally – span the Atlantic divide. Samantha has a knack for getting into the heads of the people she is writing about. Her book, Plantagenet Princess, Tudor Queen, about Elizabeth of York, is still one of the most insightful novels I have ever read.

Sharon: What got you into writing?

Samantha: What got you into writing? I have always loved reading and used to write dozens of book reviews every year. Many of those books were historical fiction and nonfiction. When I was considering ways to earn money while a stay-at-home mom, my husband suggested I write a book. I had never considered taking this step, so the first obstacle was deciding what I would want to write about. It didn’t take me long to settle on Elizabeth of York, and I quickly became passionate about the project. That novel turned into a series, and I’ve ventured into other historical eras since then.

Sharon: Tell us about your books.

Samantha: Each of my novels explores the life of a real historical figure in a way that helps readers connect with them on a personal level. My Plantagenet Embers series includes three novels featuring Elizabeth of York, Margaret Pole, and Mary I. It also has three novellas that offer new points of view of the same events by focusing on Margaret Beaufort, Elizabeth Woodville, and Reginald Pole. Then I moved into US history with my next two novels. Luminous is biographical fiction of real life radium girl Catherine Wolfe Donohue, and But One Life explores the life of American Revolution soldier Nathan Hale. My nonfiction books are Women of the American Revolution and a newly released biography of James Alexander Hamilton.

Sharon: What attracted you to the Tudors?

Samantha: When I started writing the series that ended up covering the early Tudor era, I was actually obsessed with the Wars of the Roses. I thought Elizabeth of York was an unsung heroine, so I started with her with no real intention of writing about the Tudors! This is actually a great insight into my writing. I never know what is coming next.

Sharon: So, what is coming next?

Samantha: I am currently writing a trilogy set during the Wars of the Roses for Sapere Books. It includes multiple women’s points of view. For example, book one has chapters featuring Marguerite of Anjou, Cecily Neville, and Anne Beauchamp. That one is in editing, and I’m working on book two, which will add the perspective of Elizabeth Woodville and others.

Sharon: How do you approach researching your topic?

Samantha: This depends a lot on whether I’m writing fiction or nonfiction. For novels, I largely depend on biographies already written, but for nonfiction I look for more primary resources like personal letters and diaries. For either, I like to visit locations important to the people I’m writing about so that I can include details about the places they experienced.

Sharon: You also write US history non-fiction.

Samantha: Tell us your ‘favourite’ story you have come across in your research? My research into James Alexander Hamilton uncovered loads of interesting discoveries, partly because nobody else has really written about him. I held letters written between James and Andrew Jackson, Martin Van Buren, John Quincy Adams, and so many others. (Gotta admit, it was tempting to try sneak that JQA letter into my bag!) I think the most fun story I came across, besides John Quincy writing about being too old to stay up all night at a lively Hamilton party, was learning that James was part of the crew of the schooner America for which the America’s Cup is named.

Sharon: Tell us your least ‘favourite’ US history story you have come across in your research?

Samantha: I don’t know if I would call it a least favorite, but I decided to write a novel about Nathan Hale because I often came across quotes attributed to him such as, “I only regret that I have but one life to give for my country” but very little else about who Hale was. What happened in this young man’s life to create such bravery and patriotism? Few references to him offered much, so I decided to dig in and reveal the story of Nathan Hale before his famous execution during the American Revolution.

Sharon: Are there any other eras you would like to write about?

Samantha: I always have a few ideas brewing but am committed to the next couple of books on the Wars of the Roses right now. I have started a bit of research into a historical event that occurred near my home in Michigan in 1847 that I would like to consider for a future project. I’m not one of those writers who has the next five years planned out and I tend to impetuously strike out in new directions, so we’ll see what happens.

Sharon: And finally, what is the best thing about being a writer?

Samantha: Besides spending my day reading, writing, and learning about history, I love the flexibility of being a writer. I began as a stay-at-home mom, and I still appreciate the ability to easily set my work aside for a few days if one of my adult children needs anything. I’ve also made many friends in the writing community who make me feel less alone as a history nerd and have provided amazing support and encouragement for each of my book projects.

About the Author:

Samantha Wilcoxson is an author of emotive biographical fiction and nonfiction featuring history’s unsung heroes. Her novel Luminous has been named Book of the Year by Ruins & Reading and Yarde Book Reviews. Samantha’s most recent work is the first biography of James Alexander Hamilton, published by Pen & Sword History. She is currently writing a Wars of the Roses trilogy for Sapere Books. When not reading or writing, Samantha loves sharing trips to historic places with her family and spending time by the lake with a glass of wine.

Where to find Samantha Wilcoxson:

Website; Instagram; Amazon Author Page; Newsletter Signup; Goodreads; Pinterest; Twitter; Shop Direct; Audible

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Heather R. Darsie

16/05/202516/05/2025Sharon Bennett Connolly1 Comment

In a special episode of my Wordly Women interview series, Heather R. Darsie drops by on her blog tour celebrating the publication of her new book, Katharine of Aragon, Spanish Princess: ‘I am Not as Simple as I May Seem’. Do have a look at the other stops on the tour to geta taste of this wonderful new biography.

So, Heather, What got you into writing?

Heather: As silly as this sounds, I can’t remember originally. My dad had an electric typewriter that he let me use to write stories beginning when I was probably eight years old. I continued writing stories and poems through high school (14 to 18 years old in the USA), which culminated in a play based off Edgar Allen Poe’s “Annabel Lee” when I was in my final year of high school. My play was called Annalise, wherein the wife was dying of amyotrophic lateral sclerosis of which my paternal grandfather passed away. The husband slowly went mad, to the point where the wife’s had to intervene. The theme of the play was tragedy. My high school put on the play, I was in the local newspaper, and invited to host a workshop at the statewide high school theatre festival.

After graduating from high school, I went to university and majored in German Languages and Literature, then pursued my Juris Doctorate in American Jurisprudence. Along the way, I studied abroad in Costa Rica and France, learning Spanish and French, too. I have had numerous opportunities to travel to France, Spain, Germany, and various countries in Central America, which have all contributed to keeping my language skills sharp.

I became heavily interested in Tudor history in around 2010. By early 2015, I grew tired of reading the same-old, same-old about Anna of Cleves, a German woman. I asked Claire Ridgeway of the Anne Boleyn Files if I could contribute a post on Anna to her website, to which Claire kindly agreed. Thereafter encouraged and emboldened, I sent a letter in my very best German to the mayor of the current City of Cleves, and my research took off from there. The combination of a life-long interest in writing, linguistic education, research and analytical skills from my juris doctorate, combined with the history community’s encouragement is how I arrived here, ten years on.

Sharon: Tell us about your books.

Heather: I view myself as a Tudor-adjacent historian. The persons and events I choose to focus on should be recognizable am most interested in the Holy Roman Empire of the German Nation, which began recognizing itself that way in the early 16th century. Specifically, anyone or anything connected to the von der Marks, which is Anna of Cleves’ family (she was “of Cleves” much like Princess Mary Tudor would be “Mary of England” in another country) or the Habsburgs. My first two nonfiction books, Anna, Duchess of Cleves: The King’s Beloved Sister and Children of the House of Cleves: Anna and Her Siblings are effectively German history books. My third nonfiction book, Stuart Spouses: A Compendium of Consorts from James I of Scotland to Queen Anne of Great Britain looks at just that, the husbands and wives of the Scottish-to-English Stuart dynasty. The dynastic intermingling with continental European families is fascinating. I wrote a novella during the pandemic, Diary of a Plague Doctor’s Wife, set during the last outbreak of the Black Death in 1720s Marseille. The parallels to our own experiences 300 years later with Covid-19 were eerie to me at the time of writing.

Sharon: What attracts you to the Catherine of Aragon?

Heather: Like Anna of Cleves, I felt there was more to her than the end of her marriage with Henry VIII. Specifically, I wanted to know more about Katharine’s family dynasty and Katharine’s early time in England, and share that with readers.

Sharon: Who is your favourite Tudor and why?

Heather: For queens, I am drawn to Catherine Parr. She seemed the most savvy when it came to navigating Henry VIII and the dangerous politics of the Tudor court. I am very intrigued by Thomas Cromwell in his position as a lawyer. He was very clever; I hope to write about him someday.

Sharon: Who is your least favourite Tudor and why?

Heather: I do not have a least favorite, but I do think the most tragic was Anne Boleyn, who was foisted by her own petard. I am finding that more and more as I work on my next book, If any Person will Meddle with My Cause: The Judicial Murder of Anne Boleyn.

Sharon: How do you approach researching your topic, especially when most of the sources are Spanish?

Heather: I start with finding articles on JSTOR, then checking the footnotes for sources. From there, I go to Google Play, Archive.org, the Spanish library websites, etc. for old manuscripts. Like many English books, several of the old, out-of-copyright ones are available for free. The Spanish language is not a barrier for me, since I hear or read it most days a week at work.

Sharon: Tell us your ‘favourite’ Catherine of Aragon story you have come across in your research.

Heather: I really enjoyed reading about all of the pageants she viewed during her formal entry into London. It must have been quite the time for her.

Sharon: Tell us your least ‘favourite’ Catherine of Aragon story you have come across in your research.

Heather: Katharine was having a difficult time with Spanish grammar in her letters toward the very late 1520s and early 1530s. This could be indicative of the extreme stress that she was under during that time, or the isolation she was experiencing and being unable to speak Spanish with anyone, or both. I found it tragic and poignant. I don’t believe I remarked on that in my book.

Sharon: Are there any other eras you would like to write about?

Heather: I am interested in doing a little more on the late 16th to early 17th century. Otherwise, I am fairly happy with the time frame that I work in now, but exploring more individuals and courts.

Sharon: What are you working on now?

Heather: I am finishing up the aforementioned book, If any Person will Meddle with My Cause: The Judicial Murder of Anne Boleyn. I am completing an epic as well, which I will self publish likely later this year, that has heavy Greek mythology themes. Our heroes go on a quest to bring back the Olympians and restore justice to the human world. The epic is clocking in at about 3, 600 lines right now. I suppose it makes me a poet along with an author.

Sharon: And finally, what is the best thing about being a writer?

Heather: Sharing knowledge.

About the book:

Katharine of Aragon is more in the public consciousness now due to the TV show ‘Spanish Princess’. Katharine has of course been an interesting historical figure for quite some time because she is the first wife of the infamous Henry VIII. This book provides a new perspective on Katharine because it includes far more background on her Spanish upbringing, Spanish culture, and how that continued to define her in England during her first fifteen years in the country. Additionally, Heather uses rich primary sources, such as ‘The Receyt of Ladie Kateryne’, which have either not been sourced or infrequently referred to in other biographies about Katharine. In this, Heather’s multilingual abilities – especially her fluent Spanish – are put to good use. No one, for example, has considered he rippling impact of terminating Katharine’s marriage on the Trastamara and Habsburg dynasties in Europe. Katherine was as important abroad as she was in England.

Buy Katharine of Aragon, Spanish Princess: ‘I am Not as Simple as I May Seem’

About the author:

Heather R. Darsie, J. D. is an independent researcher specializing in early modern history. She describes herself as a “Tudor-adjacent” historian, focusing on the Holy Roman Empire and England in the early 16th century. She is the author of four nonfiction books: Anna, Duchess of Cleves: The King’s Beloved Sister, Children of the House of Cleves: Anna and Her Siblings, Stuart Spouses: A Compendium of Consorts from James I of Scotland to Queen Anne of Great Britain, and Katharine of Aragon, Spanish Princess: I am not as Simple as I May Seem. She self-published the novella Diary of a Plague Doctor’s Wife. Her primary career is as an attorney. Heather lives in Illinois with her loving husband, wonderful stepchildren, and three raucous parrots.

Where to find Heather:

Website: MaidensAndManuscripts.com; Instagram: @hdarsiehistory; X: @hrdarsiehistory; Threads: hdarsiehistory; Facebook: Heather R. Darsie, Historian; BlueSky: @hrdarsiehistory.bsky.social

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Bess – Tudor Gentlewoman by Tony Riches

07/05/202505/05/2025Sharon Bennett ConnollyLeave a comment

Today, it is an absolute pleasure to welcome Tony Riches back to History … the Interesting Bits for a little chat about his latest book, Bess: Tudor Gentlewoman, the sixth and final book in his magnificent, and enthralling, Elizabeth series.

Sharon: So, Tony, what made you pick Bess Throckmorton as the subject of your sixth and final book in your Tudor series?

Tony: The idea behind the Elizabethan series was to see the enigmatic Queen Elizabeth through the eyes of three of her favourite men and three of her ladies. Each had a very different relationship with the queen, as Drake was in awe of ‘Gloriana’, Essex was like the son she never had and Raleigh was the captain of her guard. I had plenty of ladies to choose from, and was intrigued by Essex’s sister Penelope Devereux (who he blamed for encouraging his ‘rebellion’). His wife, Frances, seemed an unlikely choice, but as I looked into her life as the daughter of the queen’s spymaster, Sir Francis Walsingham, I found she was closely involved with the key events of the Elizabethan era.

Bess’ story allowed me to complete the story of Walter Raleigh (which ended with the death of Queen Elizabeth), and I was intrigued at how she remained so loyal to Walter, even living in his cell at the Tower of London to keep him company. As my research continued, I found she lived until the age of eighty two – well past the end of the Tudors and into the Stuart era, making her one of the last true Elizabethans.

Sharon: Who has been your favourite Tudor to write about?

Tony: I would have to say Bess Raleigh, as she was a remarkable woman, (and I’ve been living with her every day for the past eighteen months), but if time travel is perfected I would love to visit Katherine Willoughby, as she knew every one of the wives and children of King Henry VIII, and must have a lot of secrets! I visited Katherine’s home at Grimsthorpe Castle during my research, and felt a real connection with her at her tomb in Spilsby parish church.

Sharon: Are there any Tudors you would still like to write about?

Tony: The ‘one who got away’ is Sir Philip Sidney, the fascinating and brilliant warrior poet. He features in three of my books, as he was the Earl of Essex’s mentor, Lady Penelope Devereux’s lover and Frances Walsingham’s first husband.

Sharon: Who is your favourite Tudor?

Tony: I never tire of reading about Queen Elizabeth I, who appears in seven of my books. Every time I think I understand her, I discover something new that makes me think again.

Sharon: And who is your least favourite Tudor?

Tony: The villain of the piece, Sir Richard Rich, who oversaw the trials of Catholic martyrs Thomas More and Bishop John Fisher, as well as the Protestant martyr Anne Askew. Richard Rich can never be forgiven for what he did to poor Anne Askew, who never betrayed Katherine Willoughby – even when tortured on the rack and burned at the stake.

Sharon: What’s next?

Tony: I am now researching the life of the first Stuart queen, Anna of Denmark, who I introduce in my last book, when she visits Bess and Walter at the Tower of London to speak with Walter about his herbal potions. Although I covered the English Civil War in my history lessons, the Stuart queens had only a brief mention, so I would like to help restore them to the place in history they deserve by bringing their stories to life.

About the book:

Bess: Tudor Gentlewoman

“A thrilling portrait of a remarkable woman who witnessed the key events of Elizabethan England.”

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante.

Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission?

Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.

Can she outwit her enemies, protect her family, and claim her destiny in a world where women are pawns and survival is a game of deadly consequences?

This is the true story of the last of the Elizabethans, which ends the story of the Tudor dynasty – and introduces their successors, the Stuarts.

Buy the book

About the author:

Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook, Instagram, Bluesky and Twitter @tonyriches.

Links:

Website: Facebook: Twitter: Bluesky: Instagram: Amazon Author Page: Goodreads: LinkedIn.

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Toni Mount

12/04/202510/05/2025Sharon Bennett Connolly1 Comment

In today’s spotlight on Wordly Women, I welcome my good friend, novelist and historian, Toni Mount back to History… the Interesting Bits. Toni writes the fabulous Seb Foxley mystery novels and the non-fiction series How to Survive in…

Sharon: What got you into writing?

Toni: I’ve always been a story-teller. Aged 6, when the teacher was called away – before the days of teaching assistants – she would have me sit at the front of the class and tell them a story. It was usually a mix of various fairytales with princes, princesses, witches and dragons. I like to think I became more sophisticated when I started writing them down in English Composition lessons aged 7 or 8. My imagined ‘First Flight of Concorde’ – the supersonic plane – won the school prize and my head has been full of stories for as long as I can remember. A good many have made it to the page but not all.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Toni: Fiction needs your own ideas; in non-fiction the facts are there, waiting for you to use. Since my novels are as authentic to the period as I can make them, but without the ‘gadzooks’ and ‘forsooths’, they take as much research as the non- fiction books. In both cases, I’m looking to tell a good story. The difference is that non-fiction may have gaps where historians don’t know the answers, such as what was Edward II thinking when he gave Piers Gaveston the queen’s jewellery but in a novel the writer is allowed to tell you why.

Sharon: Tell us about your books.

Toni: I’ve had 30+ books published, half of them novels. My most successful non-fiction books are ‘Everyday Life in Medieval London’ and ‘Medieval Medicine’ both published by Amberley, and ‘How to Survive in Medieval England’ published by Pen & Sword which was recently a no.1 best seller on Amazon. The How to Survive series – my fourth: ‘How to Survive in Ration-Book Britain’ is due to be out in November 2025 – is written for the armchair time-traveller and puts a light-hearted slant on history. ‘How to Survive in Tudor England’ and ‘How to Survive in Anglo-Saxon England’ are the other titles.

My Sebastian Foxley Medieval Murder Mystery series has quite a following – book 13 ‘The Colour of Darkness’ has just gone off to the publisher MadeGlobal. Seb is a London-based scribe and illuminator in the 1470s-80s whose eye for detail means he spots clues that others miss to solve crimes. Many are true crimes which were recorded in the Mayor’s Court Rolls and remain unsolved – until now. I love the way my characters take over the story, sometimes doing things that never occurred to me. Seb has become a family member, so much so that my sons commissioned a portrait of him for my 65th birthday and it hangs above the fireplace.

Sharon: What attracts you to the period?

Toni: Whether fact or fiction, the Plantagenet period from the 1150s to 1485 is by far the most intriguing for me. Who doesn’t love to puzzle out a mystery? But modern policing is too boring to write about with so much paperwork, hours of CCTV footage to trawl through, fingerprinting, DNA, ballistics, etc. Give me Sherlock Holmes with his magnifying glass every time. The medieval period has even fewer technical complications.

Sharon: Who is your favourite medieval or Tudor personality and why?

Toni: Richard III obviously. I love the controversy. Was he a saint or a sinner? Or simply a human being?

Sharon: Who is your least favourite medieval or Tudor personality and why?

Toni: Henry VIII – a vicious paranoid megalomaniac. What’s to like? (Sharon: I could not agree more!)

Sharon: How do you approach researching your topic?

Toni: I read all I can around the subject; get a feel for the period and ‘live it’ in my head. As I write, if I realise I don’t know something, I make a note of it, check it out and list sources as I go. This is vital for a book which will have references and footnotes but even if I’m working on a novel, I may want to return to a source for further info or to mention it in my Author’s Notes – this is where I tell readers what’s true in the novel, which characters really existed, etc. In ‘The Colour of Darkness’, I did additional research into Medieval Mystery Plays and the ‘Duke of Exeter’s Daughter [a torture device], among other things. For the next novel, I’m reading up on medieval ships and firearms – I think it’s time somebody got shot with a ‘gunne’.

Sharon: Tell us your ‘favourite’ medieval or Tudor story you have come across in your research.

Toni: John/Eleanor Rykenor was a cross-dresser in the 1390s. He claimed to have had sex with nuns ‘as a man’ and didn’t charge them for it but did charge a group of Oxford priests-in-training for his services ‘as a woman’. He/she also said he’d spent a year or more living as a man’s wife. When caught in flagranti in a stable, wearing women’s attire and charging a man for sex, as Eleanor she appeared in court. The authorities weren’t sure what crime to charge her with – homosexuality wasn’t made a criminal offence until Tudor times – so she was charged with misrepresenting the product for sale, i.e. advertising her services as a female without having the appropriate ‘equipment’ for the job. She had to pay a fine for flouting what we would call the Trades Description Act. John/Eleanor is a character in my Foxley novels although he/she lived a century before they’re set. I couldn’t resist using such a fantastic character.

Sharon: Tell us your least ‘favourite’ medieval or Tudor story you have come across in your research.

Toni: The discovery of RIII’s skeleton in a Leicester car park ruined my first ever trilogy [written in 1980s and unpublished]. My premise for the series of novels was that Richard, though wounded, survives the battle of Bosworth and goes on to have further adventures. Henry Tudor, frustrated when he can’t find Richard’s corpse to prove the king is dead, substitutes a crippled beggar to be buried instead. I was about to rewrite the trilogy when the dig discovered the bones and DNA proved it was Richard. How annoying!

Sharon: Are there any other eras you would like to write about?

Toni: Apart from writing about the medieval and Tudor eras, I’ve also written a Victorian who dunnit – ‘The Death Collector’ – making use of unsolved murders from the 1880s, including those attributed to Jack the Ripper. That was great fun to write and I fancy doing a sequel. Also, I wrote a non-fiction book ‘The World of Isaac Newton’ and I think Isaac, with his brilliant brain, has definite possibilities as a sleuth. I’ve published books ranging from Anglo-Saxon England to the 1950s and everything in between has at least been touched upon. Maybe more on the Anglo-Saxons would be interesting.

Sharon: What are you working on now?

Toni: The next novel is brewing: ‘The Colour of Malice’ and two self-published booklets are being prepped. ‘Medieval Christmas’ will do what it says on the tin. ‘Warriors – Men-o’-War’ is a very different beast as a collection of my short stories, something I’ve not done before, from Agincourt to Afghanistan. There are no new titles for non-fiction books at the moment.

Sharon: And finally, what is the best thing about being a writer?

Toni: Playing God with characters [in fiction] and the beauty of words – choosing how best to express your ideas and imaginings on the page. Marvellous!

About the Author:

Toni studies, teaches and writes about medieval history. She is a successful author writing the popular Sebastian Foxley medieval murder series and several non-fiction volumes, including her collection of How to Survive in books. She has created several online courses for http://www.MedievalCourses.com, she teaches history to adults and is an experienced speaker giving talks to groups and societies. Toni enjoys attending history events as a costumed interpreter and is a member of the Research Committee of the Richard III Society.

Toni earned her Masters Degree by Research from the University of Kent in 2009 through study of a medieval medical manuscript held at the Wellcome Library in London. Her first-class honours degree, Diploma in Literature and Creative Writing and her Diploma in European Humanities are from the Open University. Toni also holds a Cert. Ed (in Post-Compulsory Education and Training) from the University of Greenwich.

Find Toni Mount’s books here

Find Toni on Social Media:

Amazon; Website; Seb Foxley website; Facebook: Medieval England Facebook; Seb Foxley Facebook; Twitter

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, Elizabeth Chadwick and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Wendy J. Dunn

15/03/202510/05/2025Sharon Bennett Connolly2 Comments

In the third edition of my Author Spotlight series, Wordly Women, I chat with Wendy J. Dunn, author of both historical fiction and non-fiction based in the Tudor period

Sharon: What got you into writing?

Wendy: I cannot remember a time in my life when I didn’t read – or love books. By eight, I knew I wanted to be an author. I was ten when a friend had given me a child’s book of English history for my tenth birthday. That book, or rather its chapter about Elizabeth I, changed the course of my life.

But claiming a writer’s mantle meant walking a hard, long and challenging road. I was born into a working-class family. My parents never encouraged me to write—or even to complete High School. They expected me to follow the normal narrative for a working-class girl: work until I found a husband. I found him at seventeen, married him at eighteen. Ten months later (LOL), we welcomed the first of our four children.

By the time I married, life had done a good job of knocking down my confidence about ever becoming a writer. I also had this silly, working-class imposed idea that I could not write because I was now a wife and mother. I believed my class and world would not allow it. As I say, I had a lot of silly ideas. But I was very young. It took the traumatic birth of my second son to wake me up at twenty-two and make me remember I had other choices, and my dreams of authoring books. A few months after that, I applied to a local university’s Early Leaver Scheme, and they accepted me. Completing my Bachelor of Arts restored my confidence and returned me to writing.

With raising a family, working as a primary teacher, and a lot of health challenges along the way, the road was still difficult. Also, my family always comes first. LOL – I can hear them protesting that is not how they see it, but I know it is true. I would have written far more books by this stage of my life if writing came first. While family is at the core of my existence, writing keeps me sane. Writing is also where I have found my authentic life.

Sharon: You write both fiction and non-fiction – is one harder than the other?

Wendy: Both are hard – but nonfiction is harder because I am far more passionate about writing fiction than writing nonfiction. I love surrendering to my imagination and being there – back then – with my characters. On a good writing day, I emerge feeling so alive, I could float on air.

But what makes me passionate about writing nonfiction is my love of research – of finding answers that deepen my understanding of people of the past and sharing that knowledge with others.

Sharon: Tell us about your books….

Dear Heart, How Like You This? was my first published novel, and so will forever hold a special place in my heart because it was the novel that proved I could complete a novel, and one also good enough to be published. It tells the story of Anne Boleyn from the point of view of Sir Thomas Wyatt, the elder. Tom and I developed an extraordinary relationship when I wrote that book. He became so real we often argued about the direction of the story – and the story would just come to a stop until he got his own way.

Dear Heart ignited my desire to write about the life of Katherine of Aragon. I wrote the first version of The Duty of Daughters – the novel about Katherine of Aragon’s early life in Castille – through the point of view of the child Maria de Salinas and then faced the fact I needed to write it through an adult point of view. I knew it just had to be Beatriz Galindo, the scholar who may have been Katherine of Aragon’s tutor, but I despaired about pulling apart the book and starting again. So much so, it took completing my Masters of Writing and then my PhD – when I wrote The Light in the Labyrinth as my creative artefact – before I returned to this work, for it to be published in 2016.

Dear Heart also ignited the inspiration for The Light in the Labyrinth because my first novel left me with so many questions about why Henry VIII murdered the woman he had turned his kingdom upside to marriage. I decided to target this novel to young adults, with the hope adults would like it, too. LOL – I suspect far more adults have read and enjoyed it than young adults. As it became a bestseller in its early published life, I have no complaints about that.

All Manner of Things is the conclusion to my Falling Pomegranate Seeds duology. All Manner of Things imagines Katherine of Aragon time in England from her arrival in 1501 to 1520, with an epilogue that takes the reader to her deathbed. I used Maria de Salinas, one of Katherine’s closest friends and a fellow Castilian exile, as my narrator, which offered a close view of Katherine’s life.

All Manner of Things has done me proud since its publication by gaining quite a few awards and being translated into Spanish and published as Mi Hermana, Mi Reina.

Henry VIII’s True Daughter: Catherine Carey, A Tudor Life is my first published major work of nonfiction. COVID lockdowns made researching that book difficult. I was stuck in Melbourne, Australia, when I should have been researching in England. But we are fortunate to have a wealth of archival material now available online.

Sharon: What attracts you to the Tudor period?

Wendy: I have loved the Tudor period since my childhood. It is a fascinating period with so many fascinating people. For me, this period offers a wealth of stories to draw from for my storytelling, with a cast of archetypes, heroes and villains, with stories of adultery, murder, lust, love, passion, betrayal, tragedy and triumph, family secrets, ambition and vainglory. The Tudors offer a treasure trove of multilayered tales that speak to our shared humanity.

Sharon: Who is your favourite Tudor and why?

Wendy: No question about it. Elizabeth I. I know she was not perfect, but she was an exceptionally intelligent human being. The fact she ended up the queen of England, after years of walking a road where any misstep could lead to her death, is such a story of triumph. And the triumph continued all through her life. Elizabeth remained queen for close to forty-four years, despite all the plots to bring her down.

Sharon: Who is your least favourite Tudor and why?

Wendy: Henry VIII. I don’t think I could ever like any man who murders his wives. I confess I wrote The Light in the Labyrinth hoping I’d find him more likeable. Alas, I liked him far less after completing my second Anne Boleyn novel. He was a bully, a tyrant (especially after 1536), possessed little empathy, emotionally abused his eldest daughter and forced her to betray the memory of her mother, all of which broke her spirit, made it harder for women to work in professions – for example, a law early in his reign excluded women from the medical profession, and was, many times, simply cruel.

OMG – he annulled his marriage to Anne Boleyn just days before her execution, so how could she be accused of adultery then? But he still executed her!

Sharon: How do you approach researching your topic?

Wendy: Books. Many books. And more books. Academic papers. Hours of searching for primary sources to help me with my topic. Living in hope of having funds to get to the places where my people once lived, just so I can walk in their footsteps.

I build my people – real and imagined – through thorough research. I love researching history and deepening my knowledge about people of the past, which means every book I write increases my own personal reference library.

Sharon: Tell us your ‘favourite’ Tudor story.

Wendy: The day they crowned Elizabeth. Whenever I read the primary sources about her coronation, I am always swept away by the joy of the day. By Elizabeth’s joy. And I get an extra shiver up and down my backbone to know Anne Boleyn was remembered on this day. What Elizabeth must have felt to see her mother included in the processional display that celebrated her lineage.

I have written about this day in Henry VIII’s True Daughter, and also touched on this scene in FIRE FROM THE COMET’S TAIL, one of my short stories:

One of the honoured women helping carry Elizabeth’s long, heavy mantle up the steps, Kate couldn’t resist doing a dancing step, far too excited and happy to mind the cold.

Drums rolled and trumpets blared. A thousand voices roared in triumph: Long live the queen. Long live the queen.

Bess looked over her shoulder at the crowds, and waved. In the sudden hushed silence, before the crowd shouted out as if in one voice, “Elizabeth! God Save Elizabeth!” the wind carried to Kate the well-remembered laugh of another queen. One more shout mounted up, God save the queen.

Out of the corner of her eye, her aunt seemed standing beside her. Love. Love never dies, or is forgotten, her aunt’s voice said in her mind. Strange. She had no memory of her saying that while she lived.

Snow-light blinding her again, Kate rubbed her eyes. When she opened them, Bess had entered the ancient doors of Westminster.

I really look forward to revisiting this day in the novel I am writing now.

Sharon: Tell us your least ‘favourite’ Tudor story.

Wendy: The execution of Anne Boleyn. Such an unjust end to her life. I also believe she only gave up hope of a reprieve in her last moments. How awful it must have been for her, knowing Henry wanted her dead so much he set in motion her execution. He may have given her the mercy of the French swordman, but he was merciless in other ways. And to die knowing she was leaving behind her infant daughter who would no longer have her protection. My heart breaks for her!

Sharon: Are there any other eras you would like to write about?

Wendy: I hope to live long enough to write about a few women from medieval Spanish history who have caught my attention. Researching Katherine of Aragon’s life has left me with a deep love of Spain and its history.

Sharon: What are you working on now?

Wendy: I’m working through the edits of Shades of Yellow, my novel about an Australian woman writing a Tudor novel (not me!), which is scheduled for publication on September 7th. I am also writing a novel inspired by the life of Frances Newton Brooke, a woman who served Elizabeth I even before she became queen until 1592. She is also subject I’m researching for my next nonfiction book for Pen& Sword Books

Sharon: And finally, what is the best thing about being a writer?

Wendy: Oh – finding kindred spirits, like you, Sharon! I feel so blessed with the friendships I have made along the way on this writing road of mine – and blessed to have this passion that helps me grow as a human being. Writing turned my life into a true adventure.

About the Author:

Wendy J. Dunn is an award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder. Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. Wendy is married, the mother of three sons and one daughter—named after a certain Tudor queen, surprisingly, not Anne. She is also the grandmother of two amazing small boys. She gained her PhD in 2014 and loves walking in the footsteps of the historical people she gives voice to in her novels. Wendy also tutors at Swinburne University of Technology, Australia.

Where to find Wendy’s books:.

Original version of Dear Heart, How Like You This?, New edition of Dear Heart, How like You This?

Original version of The Light in the Labyrinth. New version of The Light in the Labyrinth.

Falling Pomegranate Seeds duology: Part One,  The Duty of Daughters https://mybook.to/FPS, Part two: All Manner of Things.

Pen and Sword Books: Henry VIIIs True Daughter: Catherine Carey, A Tudor Life

Mi hermana, mi reina: La historia de Catalina de Aragn contada por su dama y fiel amiga Mara de Salinas (Spanish Edition)

Where to find Wendy::

Website – Newsletter – Facebook – Instagram: wendyjdunnauthor, Bluesky: wendyjdunn.bsky.social, LinkedIn: Dr Wendy Dunn – Academic Tutor and Lecturer – Goodreads – Bookbub

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Wordly Women: Helene Harrison

15/02/202510/05/2025Sharon Bennett ConnollyLeave a comment

I have been inspired by the British Library’s Medieval women: In Their Own Words exhibition to launch a series of interviews featuring women writers of History, Wordly Women, to give us an insight into their books, their writing habits and themselves. My guinea pig – er, I mean – first Author Spotlight is the wonderful Helene Harrison, author of two fabulous books on the Tudors, with a third on the way.

So, over to my chat with Helene…

Sharon: What got you into writing non-fiction?

Helene: ’ve always enjoyed research, no matter on what topic. But it was during my A Levels that I really got into history, which then developed at university during my undergraduate and postgraduate degrees. When I finished my undergraduate degree in 2012, I started my blog, Tudor Blogger, because I felt a bit bereft, even though I was about to start my postgraduate degree. It took off from there really, as I started reviewing history books in my collection on my blog and then publishers started to send me books to review. I was then approached by my publisher to ask if I was interested in writing a book for them and that’s how writing non-fiction came about really. I’d always wanted to, but I didn’t think anyone would actually be interested in reading them.

Sharon: Tell us about your books.

Helene: My first book was ‘Elizabethan Rebellions: Conspiracy, Intrigue and Treason’ which was published in January 2023. It still didn’t really feel real that I was a published author even when I held it in my hands! My second book ‘Tudor Executions: From Nobility to the Block’ was then published in July 2024. I’d been researching Tudor executions and treason as an interest for several years anyway, so I had a lot of the background in my head already. My third book ‘The Many Faces of Anne Boleyn: Interpreting Image and Perception’ is due to be released in July 2025 and is now available for preorder. This upcoming one is the one I’m, I think, most nervous about. It has developed from my undergraduate and postgraduate history degrees which looked at Anne Boleyn’s public image (undergraduate) and then at perceptions in literature and film (postgraduate). This book combines the two and builds more on it. I didn’t feel quite ready to write this book when I wrote my first two, but this felt like the right time.

Sharon: What attracts you to the Tudors?

Helene: When I was doing my A Levels, I did a module on Tudor Rebellions, which is really where I delved into Tudor research, though I had some very basic knowledge before that. My GCSE had been in modern world history, so I didn’t really have an earlier chance to do proper research on the Tudors. At university I did modules on early modern women’s history which included witchcraft and women in power which ignited my passion for Anne Boleyn and Elizabeth I. Showtime’s TV show, The Tudors finished its final series while I was at university, and that just added to my interest, wanting to know what was real and what was fiction, and that really fuelled the subjects of my dissertations. But I think that what really attracts me to the Tudors today is that they seem to be quite a unique dynasty, but that their blood still feeds down into the royal family today. The Tudors won the throne in battle, and that was the last time an English monarch died in battle, and we also see the advent of successful female monarchy. England rises as a global power, and we begin to see the reach extending beyond the British Isles in an age of exploration, great literature, and new ways of exercising power.

Sharon: Who is your favourite Tudor and why?

Helene: This will probably be the same answer as a lot of people, but Anne Boleyn. She is such a fascinating figure, more than the first beheaded wife of Henry VIII. Her upbringing was singular for a woman of her class, being raised at the courts of the Low Countries and France, exposed to new religious ideas and with an exoticism which marked her out at the English court. Anne was at the centre of massive changes happening in England, in many ways the catalyst for them, and that’s why she has held my interest for so many years. But I do also have a soft spot for Anne of Cleves, and I’m fascinated by Mary Boleyn and her daughter, Catherine Carey Knollys, as well.

Sharon: Who is your least favourite Tudor and why?

Helene: I often think it’s difficult to have a least favourite Tudor because they’re all fascinating in their own ways, even those that perhaps aren’t very likeable. I find Henry, Lord Darnley, the second husband of Mary Queen of Scots, quite difficult to like, but then the suspicious circumstances surrounding his death are so interesting! I also find it very difficult to find redeeming qualities in Thomas Howard, 3rd Duke of Norfolk, who saw two nieces, a nephew, and a niece-in-law, as well as his own son, executed, but always managed to save himself. In the sources he comes across as very cold and self-serving, willing to do whatever it took to save himself, even if it meant his own family being executed. But he was active over a large period of the first half of the long Tudor century, so he is important to study.

Sharon: How do you approach researching your topic?

Helene: Often it depends on the topic! With my second book ‘Tudor Executions’ I had a lot of the secondary source knowledge already, and quite a bit of the primary source knowledge. With my first book ‘Elizabethan Rebellions’ there was a lot more that I didn’t know, so I wanted to make sure that I covered as much as I could from both primary and secondary sources. But I always think it’s important to make sure that you go back to the original sources as much as possible and form your own opinions. Others might disagree with what you think, but I think that it’s important you know your own thoughts before reading those of others otherwise you might be unduly influenced by them. With my third book ‘The Many Faces of Anne Boleyn’, this was a very different approach to research because I knew the primary and secondary sources really well anyway from nearly 15 years of reading and research, but this book does a close analysis of a selection of sources including television, film, novels, and theatre, so there was a lot of analysis of those with comparisons to primary and secondary sources. I started by going back to my undergraduate and postgraduate dissertations, then branching out from there to know what I thought at the time and how my opinions have changed, which they have in some ways! So that was a really interesting way of approaching it, and very different to things I’ve done before!

Sharon: Tell us your ‘favourite’ Tudor execution story.

Helene: Hmm, tricky! Anne Boleyn is always an interesting one, but I know it so well that I thought it would be a relatively easy chapter to write, but I went so far over my word count on that chapter that I really had to work to trim it back! I was very aware that I wanted each chapter to be the same length so that one person wasn’t getting more attention than any other. I did achieve that! I find the Earl of Warwick’s story interesting, but also so sad to write about. Nathen Amin’s work on the Tudor Pretenders was invaluable in working on that chapter. It’s the first execution I discuss in the book and the only one under Henry VII so I was very aware of that, and of how unjust it was, so that may have been my favourite chapter to write actually. The Earl of Warwick was imprisoned in the Tower for fourteen years before his execution, and he was only 24 when he died. It just seems like such a wasted life.

Sharon: Tell us your ‘favourite’ Elizabethan rebellion story.

Helene: My favourite of the rebellions to write about was undoubtedly the Babington Plot of 1586. There was so much intrigue with that one. The Ridolfi and Throckmorton Plots never really quite got off the ground, and neither did Babington, but we have the added knowledge that it was the Babington Plot that led directly to the execution of Mary Queen of Scots, which was really a pivotal moment in Elizabeth’s reign, and in the history of monarchy in the British Isles as well. The Babington Plot had letters being smuggled in beer barrels, ciphers and codes, international conspiracy and plots to invade, and it all being known about seemingly from the beginning by the English government. How far was it all manipulated by Francis Walsingham? The early spy networks of Walsingham his codebreaker Thomas Phelippes I could have written so much more about!

Sharon: Are there any other eras you would like to write about?

Helene: I am fascinated by the royal women of the Wars of the Roses – Margaret of Anjou, Jacquetta of Luxembourg, Elizabeth Woodville, Margaret Beaufort, and Isobel and Anne Neville. I would like to write more about them in the future, perhaps just on my blog though, as there do seem to be more books about them coming out now, both fiction and non-fiction. But if I hadn’t done by undergraduate dissertation on Anne Boleyn and started all of this, my second choice was to do something on the Holocaust. Very different, I know! My grandma was Austro-Polish and was in a labour camp during the Second World War before she moved to England, so that personal connection, in a way, to it I think has just made me more interested. It’s the psychology that I struggle to understand more than anything. I also have an interest in the Jack the Ripper case, though there is so much written on that, I don’t think my kind of amateurish interest will merit much in the way of writing.

Sharon: What are you working on now?

Helene: I am currently waiting for my final set of edits for my third book ‘The Many Faces of Anne Boleyn: Interpreting Image and Perception’ which I then need to index, which is always time-consuming to do right. I am also currently writing my fourth book, also for Pen and Sword, which is about Henry VIII’s Great Matter and his quest for an heir, which has been really interesting to delve into; I wanted to look at it from a people perspective rather than the parliamentary and legal standpoint, how it affected the people involved at different stages and how Henry VIII changed throughout. I’m just over halfway writing that one now, and I am commissioned for a fifth book after that, though I’m keeping mum on the topic of that one for the time being, though it is still firmly in the Tudor period!

Sharon: And finally, what is the best thing about being a writer?

Helene: That one’s easy actually! The best thing I’ve found about being a writer is the history community. Blogging is one thing, but when you’re writing and publishing, you become part of this community, and everyone is so lovely and helpful, and I’ve made some wonderful friends and met some lovely people through it. Amy McElroy and I released our first books on the same day back in January 2023 and have since twice met up in person in London, going to exhibitions at the National Portrait Gallery and British Library. It is definitely the engagement with like-minded people that is so great, and though I was incredibly nervous doing podcast interviews at the start, now I’m a lot more relaxed and I think that’s because the people you’re talking to are just as passionate about history as you are, and they are just so great at putting you at ease and they want you to succeed.

Huge thanks to Helene for such a fascinating discussion. Do take a look at her books – the links are below.

About the Author:

Helene Harrison studied at the University of Northumbria in Newcastle, achieving both a BA and MA in History before going on to complete an MSc in Library Management. Her passion for Tudor history started when studying for A Levels and completing a module on Tudor rebellions. Her master’s dissertation focused on portrayals of Anne Boleyn through the centuries, from contemporary letters to modern TV and film adaptations. Now she writes two blogs, one Tudor history and one book-related, and works in the university library of her alma mater. In her spare time, she loves visiting royal palaces and snuggling up with a book or embroidery project. Her previous books are ‘Elizabethan Rebellions: Conspiracy, Intrigue and Treason’ and ‘Tudor Executions: From Nobility to the Block’, both published by Pen and Sword. Her third book, ‘The Many Faces of Anne Boleyn: Interpreting Image and Perception’, is due out in July 2025.

Where to find Helene:

Website – Substack – Facebook – Instagram – Blue Sky – Threads

To buy Helene’s books:

Elizabethan Rebellions: Conspiracy, Intrigue and Treason is available from Pen & Sword Books (though you can contact me directly on social media or through my website if you would like a signed copy of Rebellions). Tudor Executions: From Nobility to the Block is also available from Pen & Sword Books. The Many Faces of Anne Boleyn: Interpreting Image and Perception is currently only available for preorder through Amazon and Waterstones

My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Book Corner: Death Comes in Threes by Michael Jecks

04/01/202503/01/2025Sharon Bennett ConnollyLeave a comment

Princess Elizabeth’s unlikely assassin finds himself on the hook for two murders in this light-hearted Tudor mystery series!

August, 1558. As London is bustling with growing trade from foreign lands, and Queen Mary’s health is once again a hot topic, Jack Blackjack has much to keep him busy. And that’s before his new tenant – a Dutch merchant – disappears under a cloud of suspicion, quickly presumed murdered, and Jack’s latest female companion’s body is found mere streets from her dwelling place.

People around Jack keep inconveniently getting murdered, and he seems to be the most likely culprit! With both the authorities and the unsavoury echelons of London on his tail, nowhere is safe for Jack to hide. He must go about proving his innocence – and uncovering the mirky truth – while ensuring he doesn’t find himself dancing the Tyburn jig!

The question is – can he rely on friends in high – and very low – places to get him out of this ever-increasing mess?

You know, I don’t think I’ve had as much fun reading a book in a long time!

Michael Jecks has long been one of my favourite authors, ever since his very first book, The Last Templar. I Iove the way he writes. With his Tudor mystery series, he has really showcased his ability to write a jolly good murder mystery – with an impressive dose of humour.

I hate to use the word unputdownable – is it even a word? – but this book really was! I read it in two days. I took it every where with me, so I could read even if I only had a few minutes, sat in the car or giggling to myself whilst sat in a cafe – the other patrons must have thought me very odd. But I could not wait to get to the end. I think I will have to give it a re-read, slower this time. So that I can savour the story.

Set in 1558, in the final months of the life and reign of Mary I, Death Comes in Threes really captures the atmosphere of a London unsure of its future. The queen is either pregnant or ill, possibly about to deliver a Catholic heir, or on the verge of dying and leaving the throne to her Protestant sister, Lady Elizabeth. Factions are at work preparing for one outcome – or the other – and aiming to guarantee the throne’s security works in their interests.

And then Jack is accused of not one murder – but two!

You can tell I was out of sorts from the way that I lost my temper, and you see, I did have good reason.

My master, John Blount, had been less and less keen to speak with me for the last months, ever since his mission sending a female agent to the continent had failed. Another had caused that project to be closed, but he yet suspected, I think, that I might have had some involvement in the subsequent death. Of course, it was nothing to do with me, but Master Blount was nothing if not committed to his singular interpretation of other men and their motives and actions.

In my case, he had firmly persuaded himself that I was in fact a keen slayer of other men and women. I was hired on that express understanding, all owing to an unfortunate experience I had had during Wyatt’s revolt. I was seen in the presence of a dead man, and Blount formed an entirely mistaken opinion about my responsibility for the death.

Erroneous though his conclusion had been, there were benefits to his impression. First there was the new suit of clothing every year; then there was the property in which I had just harangued the Dutchman, God burn his ballocks; and the regular bonus each time I fulfilled his requirement of removing some poor soul from this vale of tears and misery. He was delighted with my expertise, and I was more than happy with the money. It meant that I could afford to hire a thoroughly competent killer on my own behalf, and then ensure that I was many miles away from any murders when they were committed, causing Blount on several occasions to look at me askance, as though wondering how on earth I had managed both to be in the presence of a corpse, while also being witnessed in a tavern, entertaining a wench, or playing dice in an alehouse. As a consequence, he grew more and more impressed with my abilities.

However, that all changed when his chosen agent was murdered, and no matter how I swore I had nothing to do with it, my protestations only served to convince him that I must have been responsible. It is a hard cross to bear, this matter of supposed infallibility, when on occasion it leaves others to wonder whether I had in truth been the man involved. I was not!

He did send messages to me indicating that the queen’s half-sister, our mistress Lady Elizabeth, was taking up much of his time. That, I was sure, was an excuse, and not a particularly good one. After all, she had been forced to keep her head down after the queen’s husband had tried to force her to marry a man she did not wish to, and since then, so I had heard, she and her sister were barely on speaking terms.

Michael Jecks’ self-absorbed hero, Jack Blackjack, is joined in the narrative by his employer, John Blount, and his neighbour, with whom he shares close relations – very close relations – Susan Appleby. The two new narrators offer an entirely different, and often surprising, view of our Jack. It is fascinating to read the three different interpretations of Jack’s character and abilities.

In Death Comes in Threes, Jack is surrounded by enemies, accused of murder and caught up in conspiracies with people whose loyalties and motives are suspect, to say the least. The poor chap doesn’t know who to trust!

The storyline is fast-paced and credible. With the queen’s health in question, of the birth of an heir imminent, London is suffering nervous anxiety. People are preparing for what comes next; a male child or the queen’s death. Or both!

Death Comes in Threes by Michael Jecks is not just a book – it is 8 hours of pure entertainment. I cannot recommend it highly enough. The entire series is a jolly good read, but this book is one of the best and a great way to start your 2025 reading.

Death Comes in Threes is a corker!

What a fabulous tv series these books would make!

About the author:

Michael Jecks is the author of more than thirty novels in the Knights Templar medieval mystery series, and four previous Bloody Mary Tudor mysteries. A former Chairman of the Crime Writers’ Association, he lives with his wife, children and dogs in northern Dartmoor.

To buy Death Comes in Threes

My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 30 January 2025: Scotland’s Medieval Queens

Available for pre-order now.

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Podcast:

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

The Many Marriages of Bess of Hardwick

21/12/202420/08/2025Sharon Bennett Connolly7 Comments

Bess of Hardwick is perhaps the most famous Tudor woman, outside of the extended Tudor royal family. A friend of Queen Elizabeth I, and confidant of Katherine Grey, she was also gaoler to Mary, Queen of Scots. An accomplished needlewoman, she is probably best known having built Chatsworth House and Hardwick Hall in Derbyshire; indeed, Hardwick Hall even bears her initials ES (Elizabeth Shrewsbury) in its external stonework.

Bess’s marital history is just as remarkable.

Bess was born around 1527, one of four daughters and a son born to John Hardwick of Hardwick, Derbyshire. It was a moderately prosperous gentry family. When her father died in 1528, When her father died in 1528, most of the family lands were taken into royal wardship until her brother James came of age. Bess’s mother, Elizabeth Leeke, remarried around 1529, to Ralph Leche of nearby Chatsworth, and had three more children, stretching the family finances even tighter. Leche’s constant problems with money meant that Leche spent the years from 1538 to 1544 in the Fleet Prison for debt and in 1545 he was committed to the debtors’ prison in Derby

With no dowry to attract a husband, 11-year-old Bess was sent into service in the household of Sir George and Lady Anne Zouche of Codnor Castle, a neighbouring family. Lady Zouche was a distant cousin of both of Bess’s parents and a friend and lady-in-waiting to Queen Anne Boleyn; following the queen’s downfall, she served her successor, Jane Seymour. Sir George was a gentleman pensioner to the king. It was in this household that Bess would have learned the ways of the aristocracy, whilst acting as a lady-in-waiting. Bess would have also made connections with various families through the other young people of the household.

Husband no. 1.

It was while she was living in the Zouche’s household that Bess met her first husband, Robert Barlow. The Barlows were acquainted with Bess’s stepfather, who was owed money on a land deal by Robert’s father, Arthur Barlow. It may well be that Arthur offered his oldest son and heir in marriage to Bess, with the amount owing from the court case written off in lieu of Bess’s dowry. Bess and Robert were married in the spring of 1543, with Bess being about fifteen and Robert a couple of months short of his fourteenth birthday.

The marriage was short-lived and possibly unconsummated, given their ages. Robert fell ill and died within eighteen months of their wedding day, on Christmas Eve 1544. When Bess applied to the Barlows for her widow’s dower, one-third of the income in rents and revenues from her husband’s estates, she was refused and a lengthy court battle ensued. A settlement was finally in 1546. It did not make her rich, but the annual income of £30 gave Bess a measure of independence when she was only 17 years of age.

Husband no. 2.

Bess may have met Sir William Cavendish, while staying at Bradgate Park with Lady Frances Brandon, Marchioness of Dorset. Frances was a granddaughter of King Henry VII and the mother of the ill-fated Lady Jane Grey, the Nine Days Queen. Cavendish was twice-widowed, mature and rather rich, with 3 surviving daughters and no male heir. An experienced government official, he had been appointed Treasurer of the King’s Chamber in 1546 and had been knighted by the king on Easter Sunday of the same year. He had a portfolio of properties throughout the Midlands and a fine house in London.

When he met Bess in 1547, she was 19 and he was 40. A strong friendship developed, despite the age gap. They were married in the family chapel at Bradgate Park on 20 August 1547. Bess had a deep interest in astrology and the timing of the wedding, at two in the morning, was calculated as being the most propitious. Cavendish recorded the event in his notebook:

‘Memorandum. That I was married unto Elizabeth Hardwicke my third wife in Leestersheer at Bradgate House, on 20th August in the first year of King Edward’s reign, at two of the clock after midnight.’¹

After the wedding, the couple travelled to Sir William’s manor at Northaw in Hertfordshire where Bess probably met her three stepdaughters for the first time, Catherine, Mary and Anne. At twelve, the eldest was only seven years younger than Bess. Though managing a household and acting as stepmother to 3 girls not much younger than herself must have been a daunting prospect, within a year Bess was keeping the books, paying bills and recording rents. The proximity of the manor to London also meant that shortly after the wedding Bess was presented at court to the young king Edward VI.

Bess and Cavendish would have 8 children together, of which 6 would survive childhood, including 3 boys. And it was with Cavendish that Bess acquired the lands of her stepfather at Chatsworth for £600. There was an old manor house on the property that the family lived in until the completion of Chatsworth House. Bess and Sir William continued to buy land in Derbyshire, including 8,000 acres from the earl of Westmorland. All the Derbyshire properties were in both their names, which meant that when Sir William died before his heir came of age, the properties remained in Bess’s hands rather than being taken into wardship. Sir William died in October 1557, leaving Bess in a precarious financial position, owing £5,237 to the crown over funds that had disappeared during his time at the Exchequer, apparently pilfered by an assistant.

*The ‘new’ Hardwick Hall, taken from the old hall*

Facing bankruptcy, Bess only avoided the confiscation of her lands by writing to many of her husband’s friends asking for their help and support. These friends voted against the bill when it was presented to Parliament. Her lands were safe, but she still owed the money. Bess made the final entry in Sir William’s notebook:

‘Sir William Cavendish Knight, my most dear and well-loved husband, departed this present life on Monday, being the 25th day of October … on whose soul I most humbly beseech the Lord to have mercy, and to rid me and his poor children of our great misery.’²

Husband no. 3.

In 1559, Bess married her late husband’s friend Sir William St Loe, a widower with 2 surviving daughters, Mary and Margaret. From an ancient and noble family and considerably wealthier than Cavendish had been, St Loe was Captain of Elizabeth I’s Yeoman Guard. St Loe’s father, Sir John St Loe, died and Bess took the opportunity to visit her husband’s old friend and offer her condolences. As the months progressed, so did their relationship. In January 1559, Sir William St Loe played a major role in Queen Elizabeth’s coronation, seeing to her security and, as Chief Butler of England, it was St Loe who ceremonially offered the first cup of wine to the new sovereign.

In July 1559, Sir William St Loe announced his betrothal to Bess and a wedding invitation sent by the groom to Bess’s old friend, Sir John Thynne, still exists:

Saving your promise … and not forgetting your friendship, these lines are to satisfy you that the day of my marriage is by my Mistress appointed upon Sunday this sennight [27 August]. At which time both her ladyship and myself [hope] to see you there. She hath with terrible threatenings commanded me not to forget making of her hearty commendations unto you and to my lady your wife, unto whom I pray you let me also commended … from Somerset this Tuesday 15th August. William Seyntlo.³

Bess’s initials and the Talbot dog, Hardwick Hall

Once married, St Loe’s duties often separated the couple, until Bess was appointed a Lady of the Privy Chamber. Due to his relationship with Queen Elizabeth, St Loe was able to reduce the debt Bess owed and paid the £1,000 fine on her behalf. The marriage of Bess and St Loe was a happy one and he treated Bess’s children as his own. However, Sir William and his younger brother, Edward, became involved in a property dispute. Edward visited Sir William and Bess in London to resolve the issue but shortly after the visit, Bess fell ill, poisoned. William St Loe suspected his brother Edward and 3 of Edward’s associates were punished, though Edward was not.

Bess was visiting her family in Derbyshire in 1565 when she received a note from London informing her that St Loe was critically ill. By the time she arrived back in the city, her husband was dead. As his brother Edward had visited recently, poison was suspected but could not be proven. St Loe had left everything to
Bess. His will was unequivocal, though the fact St Loe had left nothing to his daughters meant that it was challenged, and Bess found herself fighting yet another court case for her rights.

Husband no. 4.

*Bess of Hardwick’s initials on Hardwick Hall, Derbyshire*

On 1 November 1567, Bess married her fourth and final husband, George Talbot, Earl of Shrewsbury. At the same time, four of their children were married, with Bess’s daughter Mary marrying George’s second son, Gilbert, and Henry Cavendish marrying George’s daughter, Grace. A wealthy widow until that point, Bess was well aware that all her lands and property would be controlled by Shrewsbury from the moment of their marriage. However, Bess had a clause written into the marriage contract that in exchange for this, one-third of Shrewsbury’s unsettled income would go to Bess on his death. Arrangements were also made regarding Chatsworth, which would automatically go to Henry Cavendish on Bess’s death.

Bess and Shrewsbury spent the first few months of their married life away from court but sent the queen a gift of venison through Bess’s nephew, Anthony Wingfield. When the young man said he did not know when Bess would be returning to court, the queen said,

‘I am assured that if she have her own will she would not be long before she would see me. I have been glad to see my lady St Loe, but am I now more desirous to see my Lady Shrewsbury. I hope my Lady hath known my good opinion of her… I assure you there is no Lady in this land that I better love and like.’⁴

Bess of Hardwick’s bedchamber, Hardwick Hall

In 1568, Shrewsbury and Bess were given the custody of Mary, Queen of Scots, who remained in their charge until 1584. Famed for her needlework, Bess and Queen Mary would work on samples together. It was whilst they had custody of the Scots queen that Bess and Shrewsbury’s relationship began to break down. Bess repeatedly accused the earl of infidelities, including with their queenly prisoner, and Shrewsbury was feeling the strain of acting gaoler, with mounting debts as a result of the expenses incurred. In 1584, Bess separated from Shrewsbury and went to live at Chatsworth. She had to fight yet another legal battle when Shrewsbury claimed Chatsworth was his under the terms of their marriage settlement, but the court found in Bess’s favour, awarding her Chatsworth and a sizeable income from her husband.

By the time of the settlement, however, Bess had already moved on from Chatsworth and started a new building project at Hardwick, rebuilding her family’s old Hall, which was completed by 1591. Her estranged husband, Shrewsbury, died in 1590, leaving Bess with a third of his disposable lands. As a result, as soon as the Old Hall was completed, Bess embarked on a new project, building an entirely new Hardwick Hall right next door. Bess’s final years were occupied with building and furnishing the new hall.

In 1601, she made her will, leaving Hardwick to her second and favourite son, William, while her eldest son Henry was to have Chatsworth. Bess also made provision for her other children and her grandchildren, as well as her servants and the residents of the almshouse that she had founded in Derby. However, she altered the will in March 1603, after quarrelling with both Henry and her granddaughter Arbella, both of whom she now disinherited.

*Effigy of Bess of Hardwick wearing a coronet of a countess. Derby Cathedral*

At the time of her death, Bess was one of the richest people in England. She had survived childbirth eight times and the rollercoaster that was the English Reformation. She is famed both as the builder of Chatsworth House and Hardwick Hall and as the founder of a great dynasty. Her descendant, Peregrine Cavendish, the twelfth and current duke of Devonshire, still resides at Chatsworth House. Bess is also famed for her needlework, many examples of it still survive in her various properties. She and Mary, Queen of Scots would work on samples together when the Scots queen was in the custody of Bess and her husband.

Having survived all four husbands, various legal challenges, poisoning and scandal, Bess died at Hardwick on 13 February 1610 and was buried at All Hallows, Derby, now Derby Cathedral.

Notes:

1. Collins, Historical Collections of the Noble Families of Cavendish quoted in Mary S. Lovell, Bess of Hardwick, p. 36; 2. Collins, Historical Collections of the Noble Families of Cavendish, quoted in Jill Armitage, Four Queens and a Countess, p. 93; 3. Mary S. Lovell, Bess of Hardwick, p. 147; 4. Jill Armitage, Four Queens and a Countess, p. 125

Sources;

Mary S. Lovell, Bess of Hardwick: First Lady of Chatsworth; Jill Armitage, Four Queens and a Countess: Mary Queen of Scots, Elizabeth I, Mary I, Lady Jane Grey and Bess of Hardwick; Nathaniel Johnson, Lives of the Earls of Shrewsbury; Arthur Barlow’s Inquisition Post Mortem; Calendar of State Papers, Letters and Papers September 1536; Lisa Hilton, Elizabeth I: Renaissance Prince, A Biography; Annie Bullen, Hardwick Hall (guidebook); Tracy Borman, Elizabeth’s Women; Leanda de Lisle, The Sisters Who Would Be Queen: The Tragedy of Mary, Katherine and Jane Grey; Nicola Tallis, Crown of Blood: The Deadly Inheritance of Lady Jane Grey; Alison Weir, Elizabeth the Queen; Elizabeth Norton, The Lives of Tudor Women; Victoria Sylvia Evans, Ladies-in-Waiting: Women who Served at the Tudor Court; Amy Licence, The Sixteenth Century in 100 Women.

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