As many of you may know I have spent the last year on a project that was originally titled ‘The Medieval Princess: Royal Daughters from the Conquest to the Wars of the Roses’. It was one of those projects that seemed to go on and on, with no end in sight. But then, at the end of April, it was done. With one tiny snag. The reason it had seemed never-ending was the word count: a whopping 143,000 words!
Cover reveal coming – be patient!
What does that mean in terms of a physical book? Well, it was 50% more words than in my contract and would come out at a book-and-a-half – about 500 pages.
Just wait a little longer…
It is not a surprise, really, Mary Anne Everett Green’s The Lives of the Princesses of England from the Norman Conquest was published in six volumes in the19th century; the first 3 volumes covered the medieval period. So, I knew all along it was going to be a challenge to bring the book in at under 100,000 words.
And I failed miserably!
Stop scrolling – cover reveal coming soon….
Luckily, I have a very understanding editor and her first words, when I confessed my massive word count, was, ‘well, we’re not going to make you cut 20,000 words. Let’s split it in two!
What a relief!
Not long now…
So, I have spent May splitting the books, polishing off book no. 1 and changing the introduction and conclusions so they are relevant to that particular book. And we have settled on titles. The first book is entitled Princesses of the Early Middle Ages: Royal Daughters of the Conquest and will look at the English princesses from the daughters of Harold II to King John.
Nearly there….
I still have work to do on book no. 2, Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets, which will include all the royal daughters from Henry III to Edward IV. There will be more on that at the end of the summer…
It’s time!
Did you peek?
So, here it is. The cover for Princesses of the Early Middle Ages: Royal Daughters from the Conquest
Drum roll please….
Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest will explore the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. It will look at the world they lived in, and how their lives and marriages were affected by political necessity and the events of the time.
Almost as interesting as the marriages these girls made are the ones that were never realised. Many English princesses were betrothed, or proposed as brides, three or more times before they were married. Their failed marriage proposals demonstrated their influence and worth on the international royal marriage market, as well as the changing allegiances between countries and the making and breaking of international friendships.
Princesses of the Early Middle Ages will also examine how these girls, who were often political pawns, were able to control their own lives and fates. Whilst they were expected to obey their parents in their marriage choices, several princesses were able to exert their own influence on these choices, with some outright refusing the husbands offered to them. Their stories are touching, inspiring and, at times, heartbreaking.
Princesses of the Early Middle Ages: Royal Daughters from the Conquest is due for release in the spring of 2026, with Princesses of the Later Middle Ages: Royal Daughters of the Plantagenets coming in the summer.
I can’t wait for you to read them!
About the Author:
Sharon Bennett Connolly is the bestselling author of several non-fiction history books. A Fellow of the Royal Historical Society, Sharon has studied history academically and just for fun – and has even worked as a tour guide at a castle. She also writes the popular history blog, http://www.historytheinterestingbits.com and co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. Sharon regularly gives talks on women’s history, for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the Norman Conquest in the National Curriculum. She is a feature writer for All About History, Tudor Places and Living Medieval magazines and her TV work includes Australian Television’s Who Do You Think You Are?
Her previous books include: Heroines of the Medieval World, Silk and the Sword: The Women of the Norman Conquest, Ladies of Magna Carta: Women of Influence in Thirteenth-Century England, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, King John’s Right-Hand Lady: The Story of Nicholaa de la Haye, Women of the Anarchy, Heroines of the Tudor World and Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.
I am very happy today to welcome historian Catherine Hanley to History…the Interesting Bits in a new instalment of my Author Spotlight series, Wordly Women. Catherine is the author of Matilda, 1217 and her latest book, Lionessheart, about Joanna, the sister of Richard the Lionheart. Catherine also writes a historical fiction A Medieval Mystery series under the name C.B. Hanley, following the adventures of Edwin Weaver, bailiff of Conisbrough Castle and its lord, William de Warenne, 5th Earl of Warenne and Surrey. It is a fabulous series that I can highly recommend!
Sharon: So, Catherine, what got you into writing?
Catherine: Oddly, that question is kind of the wrong way round for me. When I did my PhD I was reading and writing all day every day for years; after it was finished and I got a full-time job that didn’t involve writing, I missed it so much that I just had to take it up on top of work. As the cliché goes, I write because I simply can’t *not* write. Eventually, over the years, it came to replace the day job rather than being an add-on.
Sharon: You write both fiction and non-fiction – is one harder than the other?
Catherine: On a day when I’m writing fiction, I’d say non-fiction was easier, and vice versa …
Sharon: Tell us about your books.
Catherine: My non-fiction mainly explores different facets of war and politics in the twelfth and thirteenth centuries – sometimes via biographies of individuals, and sometimes in the form of more wide-ranging surveys.
My fiction is a series of murder mysteries set during the early thirteenth century, during and just after the French invasion that followed the Magna Carta wars. My main characters are fictional, but the stories are set against a factual backdrop, with some real people in the background. It all started because, during some academic research, I discovered that a certain high-profile individual had changed sides twice during that war, but nobody knew why. So I decided to make up a (plausible!) story about why this had happened, and then once I’d started I just kept going.
Sharon: What attracts you to the 13th century?
Catherine: It is the best century, and I will be taking no further questions and entering into no arguments on this subject. (Sharon: no argument from me! I totally agree with this analysis!)
Sharon: Who is your favourite 13th century personality and why?
Catherine: OK, so this is very niche, but it’s Philip of Dreux, a member of a cadet branch of the Capetian royal house, who was the bishop of Beauvais in France. He was a younger son, so he’d been ‘donated’ to the Church by his family early in life. Unfortunately for him this had been done purely on the basis of birth order rather than aptitude or inclination, and he was one of the most bellicose men you could imagine. He fought in the Third Crusade, during which he travelled to Cyprus to tell Richard the Lionheart to his face that he should stop ‘arrogantly persecuting innocent Christians when close by there were still so many thousands of Saracens whom he should be attacking’, which went down about as well as you might expect. He was still going decades later, and fought in battle of Bouvines when aged in his sixties; there he battered the much younger earl of Salisbury to the ground with a mace ‘that he happened to have in his hand’, which is one of the best primary-source lines you’ll ever read.
If I ever decide to write a new series of novels when my current one is finished, the bishop of Beauvais and his mace are going to have starring roles …
Sharon: Who is your least favourite 13th century personality and why?
Catherine: It’s unfortunate for the purposes of this question that Richard the Lionheart died in 1199, thus making him a personality of the twelfth century, so I can’t nominate him! I also think that William Marshal has been vastly overrated.
Sharon: How do you approach researching your topic?
Catherine: I read A LOT, making sure that I’m consulting a wide range of primary sources rather than merely relying on what other people have said in secondary sources.
Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.
Catherine: Basically the entire career of Philip Augustus of France, but I can’t give you too many spoilers on that just now …
Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.
Catherine: It’s always difficult reading about the many atrocities that took place in the past. One that got to me quite recently was the sad tale of Owain ap Dafydd, the son of Welsh prince Dafydd ap Gruffudd. Dafydd was captured by Edward I and then hanged, drawn and quartered, and his two sons were sentenced to harsh imprisonment. The elder of them died not long afterwards, but Owain, who was 7 when he was incarcerated, lived on for more than 40 years. He was kept in solitary confinement (and, as an adult, actually in a cage), and this stunted his mental as well as his physical development. A sad letter was later sent on his behalf asking if he could please have more adequate food and clothing, and whether he might be allowed out of his cell occasionally ‘to play’. He was at that point 37.
Sharon: Are there any other eras you would like to write about?
Catherine: Not really. There’s still so much to be discovered and said about the twelfth and thirteenth centuries that I can happily spend the rest of my career there, although I do venture occasionally into the fourteenth. The thought of writing about anything post-medieval gives me a nosebleed.
Sharon: What are you working on now?
Catherine: *Takes a deep breath* As ever, I have several projects on the go, all at different stages. In non-fiction, I’m at page-proof stage for Nemesis: Medieval England’s Greatest Enemy (about the French king Philip Augustus), for publication in September 2025; almost at manuscript delivery stage for Women in Medieval Families (for 2026 publication) and in the early stages of a whopping volume called The English at War in the Middle Ages for 2027.
In fiction, A Pale Horse, number 9 in my series of medieval mysteries, is due out in June 2025, and I’m having some initial thoughts about book 10.
That’s probably enough to be getting on with!
Sharon: And finally, what is the best thing about being a writer?
Catherine: Being able to sit in a roomful of books by myself all day and lose myself in the Middle Ages. It’s such a privilege that I can still hardly believe it’s happening.
About the Author:
Dr Catherine Hanley holds a PhD in Medieval Studies and is a Fellow of the Royal Historical Society. After producing several scholarly publications she decided to write something more interesting, and she now splits her time between writing popular history and historical fiction.
Catherine: I have no social media (anyone who wants to contact me may do so by writing in ink on parchment and then sending it via a messenger on a fast horse).
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
And we will be chatting with Catherine Hanley about Joanna Plantagenet, Lionessheart, in a couple of months!
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
The Queens of Scots of the medieval era are a fascinating variety of women and I can only hope that I have done them justice in my latest book, Scotland’s Medieval Queens: From St Margaret to Margaret of Denmark.
Scottish history is fascinating! It is violent, politically charged and passionate. Being inconveniently situated on England’s northern border was never easy for Scotland, but it has made for some great stories over the centuries. Scotland’s story is often that of brother against brother, ambition and family rivalries causing feuds that threatened the stability of the crown itself. Such fissures, of course, grew and ruptured with the aid of English interference and encouragement. The King of England was always happy to play one side off against the other if it weakened Scotland’s position.
And Scotland’s medieval queens, be they Scottish, English, Danish or French, formed a big part of that story.
More often than not, these disputes north and south of the border were resolved in peace treaties, sealed by wedding bells. A number of English princesses and noblewomen found themselves married to Scotland’s kings as a consequence.
Queen Elizabeth de Burgh
For over 400 years, Shakespeare’s version of Lady Macbeth has been the woman most people are familiar with. In the bard’s famous drama, also known as ‘The Scottish Play’, Lady Macbeth is not even given her name. Presented as a scheming, manipulative woman, Shakespeare did as good a hatchet job on Gruoch, a royal princess in her own right, as he had on Richard III. Unfortunately, there is no society established to repair Gruoch’s reputation.
The scheming, ambitious woman who will stop at nothing to put her husband on the Scottish throne – and commit murder to keep him there. But is that the real Lady Macbeth? The story of Queen Gruoch, Lady Macbeth, is one shrouded in mystery, tantalisingly obscure. If only we could know more. The lack of information on Gruoch makes it easy for Shakespeare’s interpretation to be accepted as fact, but it is more than likely an injustice to a woman who survived her first husband’s gruesome death, protected her son and came to an agreement with Macbeth to become his wife, securing her son’s future in the process, and later becoming queen as a consequence.
Queen Gruoch is the first queen of Scots for whom we have a name.
From the highly educated and pious Margaret of Wessex to the glamorous Margaret of Denmark, their lives and experiences tell the story of their nation. Some, such as Matilda de Senlis and Ermengarde de Beaumont, barely make an impression on history, though merely by producing a son, they each guaranteed that Scotland would persevere. And Isabella de Warenne, wife of John Balliol, who is a ghost on the pages of Scotland’s history. And it is not that these made no impression. Their influence was in the domestic sphere, raising children and supporting their husbands, rather than on the political or the international stage. Although Isabella’s story is even more obscure by the fact all mention of the Balliol dynasty was forbidden by the Bruce regime.
Marrying an English princess, for example, did not always guarantee the peace with England that was intended. As the wife of Alexander II, Joan of England did her best to maintain cordial relations with her brother Henry III, often using private letters to broker diplomatic solutions. And Henry III’s own daughter Margaret, in marrying Alexander III, brought Scotland more years of peace with England. As a consequence, Scotland and England enjoyed over 70 years of peaceful relations. These years were shattered dramatically by the deaths of Alexander III, his three children and his little granddaughter, Margaret, the Maid of Norway. Little Margaret’s death left the Scots throne vacant, with thirteen Competitors vying for the crown, staking their claims as Edward I of England acted as adjudicator.
Margaret, Maid of Norway
Edward I took advantage of this to try to assert his overlordship of Scotland, but William Wallace, Robert the Bruce and countless others pushed back, ushering in decades of war with England, the Scottish Wars of Independence.
Edward III’s sister Joan of the Tower was to have no such legacy of peace as the earlier Joan and Queen Margaret could boast. Her brother’s ambition would blight her marriage for years. Edward leant his support to the rival claimant to the Scottish throne, Edward Balliol. If he had not been so keen to exploit Scotland’s dynastic divisions, maybe Joan and David II would have had a happier marriage. We will never know.
One cannot help but feel sympathy for Elizabeth de Burgh, seeing her fortunes rise and fall at the whim of England’s king, Edward I, held captive for eight years when she should have been sitting in splendour on Scotland’s throne.
Or poor Marjorie Bruce, whose childhood was torn from her by that same English king, held far away from everyone she loved, only to be married as she tasted freedom, and dead in childbirth by the age of 19. Passed over for the throne because she was a woman, she still managed to give birth to a dynasty, the Stewarts.
Joan Beaufort, Queen of Scots
Scotland was the first nation in the British Isles to accept a queen regnant when Margaret, Maid of Norway, was recognised as its queen in 1290. How her queenship would have developed, we have no way of knowing. The poor girl died before she even landed in mainland Scotland. Her significance is in that she was proclaimed queen and the possibilities that heralded, even if it got no further. We can only speculate as to how a successful rule by a queen regnant in the thirteenth century may have changed the lives and experiences of women in subsequent centuries. Her death was a tragedy, not just to her family, but to women’s rights to rule.
But then again, as her father-in-law, it may well be that Edward I would have taken Scotland under his wing … and never let go.
Although we have charters and chronicles, and evidence of religious and charitable donations, most of these women remain elusive. They are enigmas.
We do not – and cannot – know them intimately as the one thing that is missing is their own voice. Their thoughts and personalities are lost to us. Even letters to family members are often formulaic and rarely speak of their true feelings, of their happiness – or not – and their cares and concerns for themselves. We know what they endured for the sake of Scotland, the risk of death in childbirth, the grief of lost children, or the grief of no children. Every woman in medieval Europe was exposed to similar experiences. Scottish queens, however, had to endure imprisonment, scheming noblemen and the early deaths of their husbands more times than they should have had to.
Anabella Drummond, Queen of Scots
But, once in a while, we come across a marriage that is a true partnership. A love story, even. And we discover moments of affection, of amusement, of unity and mutual support. Little moments that remind us that these people are not just stories. They are lives that were lived to the full, however short or long a time they had.
Scotland’s story is often violent and suffered greatly from the machinations if its powerful southern neighbour. However, Scotland did emerge from the Middle Ages as, still, an independent, sovereign nation. And Scotland’s medieval queens had each made their own contribution to the country’s continuing survival and independence. From Saint Margaret – even from Gruoch – to Margaret of Denmark, each queen, to varying degrees of success, made their own indelible imprint on Scotland’s remarkable story.
Images:
Courtesy of Wikipedia
Selected Bibliography:
John of Fordun’s Chronicle of the Scottish Nation; Walter Bower, Scotichronicon; Andrew Wyntoun, The orygynale cronykil of Scotland; Calendar of documents relating to Scotland preserved in Her Majesty’s Public Record Office; Richard Oram, editor, The Kings and Queens of Scotland; Rosalind K. Marshall, Scottish Queens 1034–1714; Nigel Tranter, The Story of Scotland; David Ross Scotland, History of a Nation; Liber pluscardensis, edited by Felix James Henry Skene; Mediaeval chronicles of Scotland: the chronicles of Melrose and Holyrood, translated by Joseph Stephenson; The Chronicle of Lanercost, edited by Sir Herbert Maxwell; The Ecclesiastical History of England and Normandy by Ordericus Vitalis; The historie and cronicles of Scotland … by Robert Lindesay of Pitscottie, 3 volumes, A.J.G. Mackay, editor.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
1190 – Humble layman Will Bowman lives in the countryside with his pregnant wife, when soldiers from Richard Lionheart’s army tear through his home. Will is beaten unconscious, and awakes to find his wife murdered, his farm burnt down, and his life forever changed.
In vengeance, Will infiltrates Richard’s army to find the marauding gang, and finds himself swept along in the march of the Crusades. With the help of new allies and fuelled by his loss, Will crosses Europe with the King’s army.
Can Will avenge his wife? Or will he be swept away by the unstoppable force of Richard’s Crusade?
I have been a Scott Mariani fan for a while now and was disappointed that Ben Hope has finally retired, though relieved for Ben that he survived 30 books of people trying to kill him. When one brilliant series ends, you begin to worry that what comes next will be a disappointment, or not as addictive, that you will not feel so invested in the new characters. Especially when the author moves genre. It is a big risk that author and reader take together.
So, when Scott Mariani moved from thriller with a historical twist to full-blown historical fiction, I was a tad concerned. Fans of historical fiction can be pedants. If there is a grey squirrel out of place, ie, in medieval England, someone will notice. If a character lives longer than he actually did (I am looking at Sweyn Forkbeard in Vikings Valhalla) someone will notice. There is a knack to historical fiction, to weaving the story within the known facts, to introducing fictional characters and creating their interactions with historical figures. The story has to have that essence of authenticity.
I needn’t have worried!
In fact, I probably should have trusted that Scott Mariani knew what he was doing. Though I may not have agreed with some of his theories in The Tudor Deception, the actual history was spot on. Having read the last Ben Hope book, The Templar Secret, after Christmas, I should have known a historical fiction book was around the corner. It is obvious the author loves his history. And, given the topic of that last Hope book, it should come as no surprise that Mariani’s first foray into historical fiction involved the crusades – the Third Crusade, to be precise.
Not that we get more than a glimpse of the Holy Land in this first book – all that is still to come.
By now Will had almost reached the nearest of the horsemen on his side of the yard. Up close, the rider was an intimidating figure looming far above him in the saddle with the blade of his drawn arming sword glinting in the sunlight. Before Will reached him the horseman saw his approach and wheeled his mount around to face him, dust flying from its hooves. With an angry shout the rider spurred the horse towards Will, swinging his sword down at him. Will ducked, and the double-edged blade hissed through the air above him.
It had been a blow meant to separate his head from his shoulders, and it had only narrowly missed its mark. The horse thundered past, shaking the ground. The rider reined it brutally around and charged at Will again.
Nothing like this had ever happened or even been heard of in Will’s experience. He had never been in a real fight, except a minor scuffle once when he was a lad, settled quickly with a couple of punches. This was deadly serious combat, and he was unprepared for it. But the terrible shocking sight of Beatrice in the soldiers’ clutches and the sound of her screams was enough to dispel his confusion and fear, filling him with rage and determination to do anything he could to drive these raiders away and make this stop. And the obvious realisation suddenly occurred to him, for the first time, that he was holding the very means of doing that in his hands. His bow was still unstrung, no more than a long wooden shaft with its hemp cord loosely attached to the bottom end. But practice had made him very adept at readying the weapon in moments; as the horseman bore down on him with the sword raised high, he bent the stave against his foot and looped the string into place.
The rider was almost on him. Will snatched an arrow from his quiver, nocked it to the string and simultaneously raised his bow and pulled it to full draw. He had never before pointed any weapon in anger at another human being, but there was little time to reflect on that fact, or even to take aim, as his enemy closed in. Will stood his ground until the last moment, released his arrow and saw it fly and hit the rider full in the chest.
The soldier flinched violently at the arrow strike. A normal opponent would have been a dead man, his heart split in two by the power of the longbow at such close range. But instead of piercing deep into his flesh the iron point glanced off his heavy chain mail and the broken pieces of the arrow shaft spun away through the air. Then Will had to leap out of the way of the charging horse, and he threw himself to the ground.
The Pilgrims’ Revenge starts in England and follows the journey of a crusader fleet to Outremer, with adventures that are often overlooked by historical fiction authors eager to get to the nitty gritty of the crusade. But what a story they miss out! Scott Mariani includes the little-known excursion of part of the fleet, into Portugal to help with the crusades there. Then, of course, we arrive in Sicily, where Richard the Lionheart frees his sister, Joanna, meets his bride Berengaria and antagonises his ‘ally’ Philip II of France. And then we get a wonderful, vivid depiction of the conquest of Cyprus.
All is seen through the eyes of our hero, Will Bowman, a men seeking revenge for the murder of his wife and unborn child. He only joins the crusade to chase the murderers but finds a purpose, a talent for soldiering, comradeship and a bent to command along the way. Scott Mariani seamlessly blends together the wider story of Richard the Lionheart’s crusading enterprise with Will’s personal story and experiences.
The Pilgrims’ Revenge is the first of what promises to be a fast-paced, exhilarating – and, hopefully, long – series. Punctuated by bloody battles, exquisite swordplay and a thrilling storyline, the action is relentless and Scott Mariani fans will not be disappointed. The research is exemplary, especially with regard to the conflict in Portugal, which is usually ignored. The historical figures are wonderfully written and the locations evocative, dusty, hot and exotic.
Will Bowman is a character I look forward to hearing much more about.
The Pilgrim’s Revenge will be available from 24 April 2025
Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.
Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
Do excuse me if a get a little giddy and fan girly with this one! One of my favourite thriller writers is about to release the first book in a new series – in historical fiction!
I absolutely love Scott’s Ben Hope books and got the last in the series, The Templar Secret, for Christmas. They are modern day thrillers with a historical twist – and are great fun to read.
And Scott agreed to do an interview with me!
I also have an advance copy of the new novel, The Pilgrim’s Revenge, so expect a review shortly. And Scott will be joining Derek and I for a chat in an upcoming episode of A Slice of Medieval. But, in the meantime, Scott and I had a chat….
Hi Scott, thank you for joining me, how did you start your writing career?
It came about both gradually, and suddenly. I’d always been interested in stories – as a kid I used to mess around with drawing and writing, and sometimes combining the two to create my own stupid little cartoon strips which were usually pretty unoriginal rehashes of things like King Kong or Jaws or Tintin, as well as historical themes based on Ivanhoe or Chevalier Ardent – I was into all sorts of things at that young age! Aged about eight, I think, I wrote a sci-fi horror story in which the entire male population of the human race was wiped out in a war against giant robot dinosaur creatures; but we won in the end because ‘the women bred’ (that’s a quote) and repopulated the army so that humans could defeat the monsters. It was not a promising start to my career. Later, in my early twenties, I dabbled with various ideas and projects, one or two of which were completed but have never seen the light of day – for which the world can be thankful, as they weren’t very good either.
Then one day after moving to Wales – this is in about 2006 – while out walking the dogs in the fields the idea for a character called Ben Hope popped into my head more or less fully-formed. What emerged from that was a novel called The Fulcanelli Manuscript, which ended up in the hands of the world’s worst London literary agent and being published by a hardback-only library publisher who printed 400 copies and had no intention of ever doing more. That could have been, and nearly was, the end for me. The book lay dead and buried for a year until I (not the literary agent) managed to gain interest from Avon, then a new imprint of HarperCollins UK, for the paperback rights which, thank God, the library publisher hadn’t been interested in grabbing. Suddenly – overnight really – the Ben Hope series was rebooted with Avon offering a deal for four books. The Fulcanelli Manuscript became retitled The Alchemist’s Secret . . . and that’s how it all began. I still can’t believe the series ended up thirty books long!
What is the best thing about being a writer?
Assuming that you’re able to drag your way up to a reasonable level in the industry: working from home, setting your own hours, not having to commute anywhere, seldom needing to travel unless you’re into doing a lot of physical research, being about as free and independent as it’s possible to get whilst still remaining gainfully employed . . . and getting paid for indulging the interests and passions that you would be preoccupied with even if they were just a hobby. It suits me perfectly.
What is the worst thing about being a writer?
When you’re starting out, the competition is crushing – especially if you had a bad start as I did. Unless you’re fortunate to have strong backing from a good agent, you may feel you’re embarking on an impossible quest that will only end in heartbreak or madness: I know, I suffered from both at various times! It can also be a horribly cruel and unjust industry. So many talented writers get crushed under the wheels of the machine and never get anywhere, while success very often doesn’t depend on the quality of the work. While most editors are lovely folks, you may be unlucky enough to have to work with people who have great control and leverage over what you do, and don’t necessarily have your best interests at heart. I could talk a lot about the high number of truly decent writers I’ve known who have fallen by the wayside, some very sad stories among them. It is a tough world.
You have been writing modern thrillers with a historical twist for years, what made you take the leap into full-on historical fiction?
I’ve always loved history. I wish I had had the sense when I was seventeen to want to study it at university! And it was a fascinating, highly educational and satisfying experience to write all those Ben Hope novels, each featuring its own historical backstory or mystery to a greater or lesser degree. The downside was that, because I’ve always produced two books a year, every six months I would have to uproot myself from whatever fascinating historical world I’d been so immersed in, clear it all from my head and plunge straight into the next. One minute you’re delving into ancient Babylon or Egypt, the next you’re off to the Chinese Cultural Revolution or the American Civil War. All wonderful stuff, of course, but it’s like being a perpetual globetrotter, always on the move, and never being able to stay in one location for long even though you might have fallen in love with the place and wanted to live there forever. Then one day while I was working on Ben Hope 28, The Tudor Deception, and deep into all the intrigues of medieval England, I thought: ‘You know what, I really love being here reading and writing about all this medieval stuff. What if I could just keep on doing that, and remain in one setting rather than having to jump about all the time?’ So, to cut a long story short, that’s what I’ve done. It wasn’t as simple or easy a decision as I’m perhaps making it sound – and of course the end of the Ben Hope series has upset a lot of fans – but nonetheless I’m really happy that I took the plunge.
I’m going to miss Ben Hope…
What were your main challenges when you switched from thrillers (Ben Hope was excellent, by the way) to historical fiction?
Because you’re going much deeper into just one time setting, it becomes all the more important to get the details as correct and authentic as possible: hence the research process is that bit more intensive. The good news for me is that I love research! I’ve accrued such a library of books on my favourite areas of history that when I get stuck in, they pile up so high around me on the desk that it’s like being inside a canyon. Because I’ve picked a medieval time / place setting that’s so well chronicled (the events of the Third Crusade), and because I want to stay as faithful to the true facts and timelines as possible, my plotline is already laid out for me to some extent by the historical sources. That’s been an unusual experience for someone who’s used to having to make it all up themselves! But although it might make life easier in some regards, it also creates the new challenge having to insert, or you might say superimpose, a fictitious main protagonist into the mix, through whose eyes we experience those well-known events in a fresh and dramatic way. Having to blending the worlds of fiction and non-fiction together like that, so that the (non-historian) reader hopefully can’t see the joins, is a whole new kind of fun. I’ve enjoyed being able to create scenes where my fictitious character is in dialogue with famous real-life figures like King Richard I and Eleanor of Aquitaine.
Tell us about The Pilgrim’s Revenge. What attracted you to writing about the Crusades?
The Pilgrim’s Revenge is the first book in my new series introducing the character of Will the Bowman, or just Will Bowman. The story begins in the year 1190, when Will, a young Englishman, has his happy married life torn apart by marauding soldiers who raid his home, and he’s forced to join up with King Richard’s expedition to the Holy Land as a means of catching up with the villains who did it. Actually we don’t quite reach the Holy Land in Book 1 – that’s for the next. But I hope there’s plenty there to excite and interest the reader. I adore the medieval period – grew up in a historic town, wept as a child when taken to the spot in Rouen where they burned poor Jeanne d’Arc, later read medieval French at University, learned to play with great big swords and shoot a bow – but the whole crusades period has a particular fascination for me. And what could be more cool than the most iconic crusade of them all, the conquest that pitted Richard the Lionheart against the great Saladin? Will Bowman and his comrades get embroiled right in the thick of the drama, and it’s a ride! At any rate it has been for me. I hope readers will love it too . . .
How are you going to cope with the lack of guns? Will the body count be lower?
Are you kidding? We don’t need guns. We have bows and arrows that can pierce chain mail armour from a long way off; we have double-edged swords and scimitars that’ll whip off arms, legs and heads; we have great big siege catapults that can take down massive stone ramparts from two hundred paces; we have thundering great charges of heavy cavalry bearing down on the enemy with lances; we have crossbows and axes and flails and daggers and all sorts of goodies to play with! And did I mention Greek Fire? It’s like The Iliad out there . . . No question, the body count and general level of mayhem and destruction are considerably higher than anything in the Ben Hope books . . . not that that makes it better, of course!
Phew! That’s a relief!
What comes first, the story or the research?
When I was constantly hunting around for fresh material for the Ben Hope books, it was more a question of finding the basic idea first. That could come, and did come, from all kinds of possible places as I was (and am) constantly reading. The basic idea for The Mozart Conspiracy came about from an old book I’d had for years about Mozart’s last year and just happened to revisit one day. The Babylon Idol popped into my head while driving and listening to a Louis Armstrong gospel number about King Nebuchadnezzar’s golden idol. The Forgotten Holocaust, dealing with the Irish famine of 1847, was a subject I’d wanted to do for years and nearly did as a historical stand-alone because I’d no idea at first how to make it work as a Ben Hope book. But in general, that initial concept could come from anywhere. Then you’d have to delve a little deeper to see if your idea had any legs or not – sometimes it did, sometimes it didn’t and you’d need to go and find something else. From there, the story and the research would generally develop in parallel. There was no particular system, but I’m pleased to say it worked pretty well. Now with the Will Bowman series, the case is slightly altered: the historical backdrop dictates a lot about the trajectory of the storyline, and the depth of research required fleshes out what’s going on while also providing inspiration for new story and character angles. If you can get all those stars lined up for you, then it all happens in an organic kind of way that feels very natural.
Have you got the historical fiction bug now? What comes next?
This is going to be the shortest answer. Yes, for sure! What comes next? More Will Bowman books. I’ve got four to do to begin with, but I would like to do more. A lot more. Mustn’t jinx it by saying too much, though.
Are there any other eras – or writing genres – you would like to write about?
As I think anyone who’s read much of my backlist knows already, my historical interests are pretty wide-ranging. Who can say if something else would come up in the future? Never say never: and that goes for genres too. Right now, however, I’m very content to stay exactly where I am. I no longer have to worry about where I’m going next: I’m free to trace the story arc of Will Bowman for as long as I’m able to. What better way to create a truly immersive experience for readers interested in our rich and exciting past?
The Pilgrim’s Revenge will be available from 24 April 2025
Scott Mariani is the No.1 Sunday Times bestselling author of the multi-million-selling Ben Hope thrillers. From 2025 he is launching into a new historical adventure series featuring medieval English hero Will Bowman, who is forced from his home to join King Richard ‘the Lionheart’ on the Third Crusade and rises up to become a knight. Book 1,THE PILGRIM’S REVENGE, is available from April 2025 and is published by Hodder & Stoughton.
Scott lives and writes in west Wales, UK. You can find out more about his work by visiting his official website.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
Last month, we lost one of the great historians of medieval history, Martin Aurell. A few years ago, I had the honour of translating one of Martin’s essays on Eleanor of Aquitaine for a compilation on England’s medieval queens. He had a wonderful insight into Eleanor and I would have loved to meet him. So, when my dear friend Kasia asked if I would publish her tribute to Martin, I jumped at the chance.
The Book and the Duchess: Eleanor of Aquitaine and her Artistic Legacy….
In memory of Professor Martin Aurell
Eleanor of Aquitaine’s tomb effigy, Fontevraud Abbey
Richard of Devizes called her femina incomparabilis “a woman without compare” and in many respects she was. Queen of both France and England respectively, duchess of a great duchy in her own right, rebel wife who openly went to war against her husband, Eleanor of Aquitaine needs no introduction. And yet very little is actually known about one of the most famous women in history. Thus we should not find it surprising that all the myths and misconceptions about her got so firmly established in the popular consciousness. One of them is Eleanor as a very active artistic patron. However, if we raise the question, her artistic legacy is rather modest. There are only few surviving objects that can be safely associated with her.
First and foremost, there is her tomb effigy at Fontevraud Abbey, which is the earliest funerary monument that we know of to depict a woman with a book. Also, as it seems, it is the only one to depict a man or a woman in the act of reading. The book Eleanor is holding is a restoration. The original had been destroyed during the Revolution. It is probably devotional work…. book of prayers, psalter or gospel book.
A noble lady kneeling in a psalter of Eleanor of Aquitaine
The effigy is one of the few instances when Eleanor can be safely identified as an artistic patron. She most probably commissioned it herself. Also the effigies of Henry II and Richard I the Lionheart (the one of Isabelle of Angouleme was commissioned more than forty years later) which were created at the same time (as stylistic similarities indicate). Made from tuffeau limestone from the Loire valley they successfully stood the test of time. despite different vagaries of history. What makes us believe Eleanor was a commissioner? First and foremost, Eleanor’s presence at Fontevraud Abbey at the time. After Richard’s death in 1199 she left the walls of the abbey, but stayed in Anjou, defending it for John. Later she retreated to the abbey again and spent her last years there. The effigies must have been created between the death of Richard and her own death in 1204 (also the year Anjou fell to the Capetians).
Another object connected with Eleanor is the afore-mentioned Eleanor’s vase, which was a wedding gift she presented to her first husband Louis VII of France. It had stayed in her family since the reign of her famous/infamous grandfather, William IX the Troubadour, who had brought it with him from Spain. Louis gave it to Abbot Suger as a gift for St Denis. Suger added all the ornamentation. It was a classic crystal rock vessel when Eleanor presented it to Louis.
Another work of art associated with Eleanor is the so-called Fecamp Psalter (or Psalter of Eleanor of Aquitaine), one of the oldest manuscripts preserved at the Dutch Royal Library at the Hague. With 27 full-page miniatures, 36 calendar miniatures depicting the Labours of the Months, and 11 historiated initials illustrating the major divisions of the psalter it is exquisitely beautiful. By the end of the 11th century Fécamp was a leading centre for manuscript copying in Normandy and in the late 12th century (c. 1180) this beautifully illuminated psalter was probably commissioned by Eleanor herself. In 2016 student Jesus Rodriguez Veijo identified the figure on the Beatus page of the psalter with Eleanor, relying in part on the scholarship relating to the Radegonde mural. You can view the manuscript on the official site of Koninklijke Bibliotheek, Hague.
An image of the chase in a fresco in the chapel of St Radegonde
The so-called Poitiers Window is one of the few contemporary depictions of Eleanor. She, Henry and their four sons are shown in a small scene, being a part of a larger depiction of Crucifixion, in the area reserved for patrons. Eleanor and Henry hold an image that represents the window itself. This image is not a part of the original, but a result of 19th-century restoration by Adolphe Steiheil. The window must have been commissioned between 1166 and 1173, the birth of John and the outbreak of the Great Revolt, when the royal family was still undivided.
The famous Radegonde Mural preserved in the chapel of Sainte Radegonde, Chinon has been a subject of heated debates since its discovery in 1964 by Albert Heron. This representation has been widely accepted as a depiction of the Plantagenet family, identifying the central ”crowned” figure as Eleanor. Later research, however, helped to determine that all the figures were actually male. This led the historians to believe that the central crowned figure was in fact Eleanor’s eldest surviving son, Henry the Young King.
The Eleanor Vase
In her article entitled Two reputed representations of Eleanor of Aquitaine from her lifetime – a re-evaluation Sara Cockerill, the author of the latest Eleanor biography, revisits the evidence for both these representations and formulates yet one more theory that the scene is in fact a representation of the characters from St Radegonde’s legend. This led her to the following conclusion: while the same person may well have commissioned both depictions, only one, the Psalter, should be regarded as attempting to portray Eleanor herself.
By Katarzyna Ogrodnik-Fujcik
About the author:
Katarzyna Ogrodnik-Fujcik specializes in British literature and history, her area of expertise being the first Plantagenets (the Angevins). She lives in Poland. She writes for different magazines and websites on Polish and European Middle Ages. She runs a blog dedicated to Henry the Young King. She consulted a BBC documentary on William Marshal.
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My books
Signed, dedicated copies of all my books are available through my online store.
Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
If you have visited the British Library’s latest exhibition, Medieval Women: In Their Own Words, you may have spotted the work of Marie de France. Marie was a poet in the late 12th century, who wrote three major works that can be definitively attributed to her, even though we don’t know who she was. All that is left of Marie is her work, and the vague notion that she comes from France, because she wrote in her Fables ‘Marie ai num, si sui de France’.1 The traditional view is that Marie was a Frenchwoman writing at the court of Henry II of England based on the fact that if she was writing in France, she wouldn’t have to say that she was from that country. However, France in the 12th century was far from one unified, indivisible country. In fact, it was a series of counties and duchies with their own rulers, who paid homage to the King of France; the French king’s own domains at the time were the Île-de- France, which incorporated Paris and its environs.
Another argument for Marie writing in England, is that her lais, her poetic verses, were dedicated to a ‘noble reis’, or ‘noble king’, and this is thought to be Henry II of England. However, it could just as easily been intended for Louis VII of France, or his son Philip II Augustus. In turn the Fables, an adaptation of Aesop’s Fables, were dedicated to a nobleman she identifies as ‘Count William’. There were several earls in England at the time who were named William, including William Marshal, Earl of Pembroke; William Longspée, Earl of Salisbury; and William Mandeville, Earl of Essex; or even the son of King Stephen, William of Blois, Earl of Warenne and Surrey. However, William was a common name at the time, even on the Continent, where you could find many a Guillaume.
Everything we think we know about who Marie was is pure conjecture. It has even been suggested that she was the illegitimate daughter of Geoffrey of Anjou, father of Henry II, and therefore a half-sister of Henry. She has also been variously identified as a nun at Reading Abbey, the abbess of Shaftesbury between 1181 and 1216, and Marie de Meulan, wife of Hugh Talbot of Cleuville.2 We do know that Marie had a knowledge of Latin and English, and a familiarity with the works of Ovid and Wace’s Brut, and wrote in an Anglo-Norman French.
“Marie de France presents her book of poems to Henry II of England” by Charles Abraham Chasselat
Her works have been dated to the second half of the 12th century, with her poetry, the lais, dating between 1160 and 1199, the Fables between 1160 and 1190, and her last work, the Espurgatoire, has been dated to after 1189 and possibly as late as 1215.3L’Espurgatoire Seint Patriz (The Purgatory of St Patrick) is believed to have been written after 1189 as it appears to have been heavily reliant on the Latin text of Henry of Saltrey as her source, which was published around 1185. L’Espurgatoire is dedicated to ‘H. abbot of Sartis’, who may have been Hugh, Abbot of Wardon Abbey, in Bedfordshire, between 1173 and 1185 or 1186; the abbey was originally named St Mary de Sartis.4 The only surviving manuscript of this treatise is now stored in the Bibliothèque Nationale in Paris.
The lais were a series of twelve poems, many of which were drawn from Celtic legends. Only one is based on Arthurian legends, specifically the story of the lovers, Tristan and Iseult. Many of the lais were translated into Old Norse in the 13th century, while two, Lanval and Le Fresne were translated and adapted into Middle English in the 14th century. The lais were narratives, written in verse and intended to be set to music. One such included the lines; ‘when a good thing is well known, it flowers for the first time, and when it is praised by many, its flowers have blossomed.’5
Marie’s stories included fairy mistresses, twins separated at birth, and one relating the troubles of the wife of a werewolf. Her lais explored love and conflicting loyalties; they dealt with the issues of courtly behaviour and documented the struggles to fulfil the conflicting aims of individual needs and cultural expectations. They varied in length, with the shortest, Chevrefoil, having 118 lines and the longest, Eliduc, comprising 1,184 lines; this last was the story of a wife having to adapt when her husband brings home a second wife.
The Woman and the Wolf in Marie de France’s “Bisclavret”
Marie’s collection of Fables, known as Ysopets in French and written for the mysterious ‘Count William’, are based on the older Aesop’s Fables, from antiquity, but she also adapted and added to the original stories. The Fables, a rhyming collection of works, demonstrate Marie’s concern for the well-being of the lower classes and the poor, criticising the political and social conditions of the time. Her work was widely read and influential; the fable Del cok e del gupil (The Cock and the Fox) is one of the inspirations for Geoffrey Chaucer’s The Nun’s Priest’s Tale, written in the 15th century. Marie ends The Fables with an epilogue, in which she includes a plea to be remembered,
To end these tales I’ve here narrated And into Romance tongue translate, I’ll give my name for memory: I am from France, my name’s Marie. And it may hap that many a clerk Will claim as his what is my work. But such pronouncements I want not! It’s folly to become forgot!6
Wherever she came from, geographically and socially, Marie de France was a keen observer of the social undercurrents of the time, incorporating them into her Lais and Fables. And we cannot say for certain that her work was produced in England, at the English court. With the Anglo-Norman empire stretching from the borders of Scotland to the borders of Spain she may have travelled within Henry II’s domains, but not necessarily with the court. Although we have few clues to her identity and origins, at least we have her works – her poetry through which she has lived on for more than eight centuries.
Notes:
1. ‘My name is Marie and I am from France’, quoted in Rethinking Marie by Dinah Hazell; 2. Marie (fl. c.1180–c.1189) (article) by Tony Hunt; 3. Rethinking Marie by Dinah Hazell 4. Marie (fl. c.1180–c.1189) (article) by Tony Hunt; 5. The Plantagenet Chronicles edited by Elizabeth Hallam; 6. Translated from; ‘Al finement de cest escrit, Que en romanz ai treité e dit, Me numerai pur remembrance: Marie ai num, si sui de France. Put cel ester que clerc plusur Prendreient sur eus mun labur. No voil que nul sur li le die! E il fet que fol ki sei ublie!’ Taken from Marie de France: Fables, edited and translated by Harriet Spiegel.
Images: Courtesy of Wikipedia
Sources:
Marie de France: Fables, edited and translated by Harriet Spiegel; Dinah Hazell, Rethinking Marie, (article) sfsu.edu; Tony Hunt, Marie (fl. c.1180–c.1189) (article), ODNB; Elizabeth Hallam, editor, The Plantagenet Chronicles; The Plantagenets, the Kings who Made England by Dan Jones; History Today Companion to British History Edited by Juliet Gardiner and Neil Wenborn; he Plantagenets, the Kings that made Britain by Derek Wilson; England Under the Norman and Angevin Kings by Robert Bartlett; Roy Strong The Story of Britain.
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My Books:
Signed, dedicated copies of all my books are available through my online bookshop.
Coming 30 January 2025: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
Today, it is a pleasure to welcome my friend Maxine Sommer back to History…the Interesting Bits. This summer, Maxine led a tour group of History fans through France in search of the Plantagenets, stopping at some iconic landmarks associated with Henry II, Eleanor of Aquitaine and the rest of the most famous – and at times, infamous – medieval royal family.
Over to Maxine….
In the Footsteps of Royalty: Exploring the Plantagenets on Our First Historic Adventure
“Journeying Through Medieval Masterpieces and Iconic Landmarks”
Château Gaillard: A Castle of Triumph and Tragedy
Château Gaillard
From day one, we dove into history headfirst with a visit to the imposing ruins of Château Gaillard. Though often hailed as Richard the Lionheart’s crowning achievement, this fortress holds layers of much more history than that. In 1314, it became the prison of two daughters-in-law of King Philip IV, key figures in the infamous Tour de Nesle Affair, a scandal that rocked the French court. A couple of decades later, the castle played host to Scotland’s child king, David II, and his bride, offering a royal respite before his return to reclaim his kingdom.
With the help of our brilliant guide Ange, we traced the rise and fall of Chateau Gaillard, from its hasty construction under Richard I to its swift capture by King Philip Augustus of France after John’s ill-fated reign. Standing among the weathered stone walls, it was easy to imagine its days of glory and power, but also to understand how quickly a once-unstoppable fortress could be toppled under weaker leadership. Chateau Gaillard’s story is not just one of medieval might but also a reminder of the delicate balance of power that shaped the Plantagenet era.
The Magnificent Bayeux Tapestry: A Stitch in Time
Though the Bayeux Tapestry predates the Plantagenets by nearly a century, it remains an essential highlight for anyone captivated by the medieval period. No amount of reading can prepare you for the sheer grandeur of this stunning masterpiece, meticulously crafted by hand to narrate the dramatic lead-up to the Norman invasion of England. The vibrant details leap to life, showcasing a vivid display that is nothing short of extraordinary.
One moment that particularly struck me was a scene depicting King Harold’s hasty departure for Normandy—his men, so rushed, they left without their shoes, splashing barefoot through the water as they headed to their ships. It’s these small yet poignant details that bring the narrative to life, showcasing the dedication of the women who painstakingly wove this epic tale.
Beyond the tapestry itself, the adjoining museum is a treasure trove of information, shedding light not just on this remarkable artifact but also on the broader historical context of the era. Visiting the Bayeux Tapestry is an unforgettable experience that will truly immerse you in the rich history of Normandy.
Mont Saint-Michel: A Dreamlike Retreat
Mont St Michel
This tidal island certainly lives up to its UNESCO World Heritage status, sadly though, as with most sites like this, the allure of their fame can bring overwhelming crowds, making it challenging to fully appreciate their beauty. To create an unforgettable experience for my group, I arranged for us to stay overnight on the island—a decision that transformed our visit into something truly magical. As the day’s tourists departed, we found ourselves wandering the winding paths of Mont Saint-Michel in peaceful solitude. The island’s enchanting atmosphere became even more pronounced as twilight descended, allowing us to immerse ourselves in its rich history without the jostle of crowds.
The journey across the causeway to Mont Saint-Michel feels like a step back in time, as the abbey loomed larger, the closer we got to the gate. Approaching the island in this way adds to the otherworldly feeling, transporting you to a different realm entirely.
One of my guests, Dianne, perfectly captured the essence of our experience in her review: “The highlight for me was staying overnight on the island of Mont Saint-Michel. I will never forget watching the sun come up and the light making the abbey glow.” Her words echo the indescribable wonder we all felt, creating memories that will last a lifetime.
Fontevraud Abbey: Where History, Serenity, and Culinary Splendour Meet
Queen Eleanor at the Abbey
For anyone captivated by the Plantagenets, a visit to Fontevraud Abbey—final resting place of the indomitable Eleanor of Aquitaine—is often a dream come true. Several of my group members had long wished to stand before her effigy, so it was clear that this site would be a highlight of our tour. Yet, what awaited us at Fontevraud far exceeded expectations.
Our stay at Fontevraud l’Hôtel, situated within the abbey grounds, offered the unique luxury of exploring the abbey well into the night, with its tranquil beauty only deepening as the moonlight bathed its ancient stones. But what truly made this visit unforgettable was the dining experience. I selected the abbey’s famed “lunar menu,” a modern interpretation of the simple yet refined meals once enjoyed by the monks and nuns who lived here centuries ago. What followed was a culinary journey that transcended time—an extraordinary feast of countless, artfully prepared courses that delighted the senses.
To top it all off, we were treated to a special visit from “Queen Eleanor” herself, brought to life by our talented group member Donna in costume, creating an enchanting atmosphere that perfectly rounded out our unforgettable night at the Abbey.
Guédelon: A Medieval Masterpiece in the Making
Guedelon Medieval Site
Though its connection to the Plantagenets lies only in the era, Guédelon captivated us with its sheer ambition and authenticity. This extraordinary project, set within an unused quarry, is an ongoing attempt to build a 13th-century castle using only the materials and techniques of the medieval period. It was like stepping back in time—without the school excursion chaos! We had the chance to speak with the craftsmen, each dedicated to recreating history one stone at a time. It’s mind-boggling to witness the painstaking effort that goes into building each section of the castle by hand, giving us a new appreciation for the scale of historical construction.
As we walked through Guédelon, I couldn’t help but reflect on Château Gaillard, which we visited earlier in the tour—a fortress that Richard the Lionheart had built in just two years. While Richard’s team had far more manpower in 1196, the ongoing construction of Guédelon, which began in 1997, has taken 27 years and is still far from complete.
Adding to the authenticity, the village that houses the volunteers lives strictly by 13th-century standards. They grow their own food, dress in period-appropriate clothing, and cook using medieval techniques. It’s a living glimpse into the past and an absolute must-visit for history enthusiasts.
“Unraveling the Tales of an Intriguing Plantagenet Legacy”
Richard I, the Lionheart
Château Châlus-Chabrol
A Plantagenet-themed tour through France wouldn’t be complete without constant references to the Angevins. Unsurprisingly, Richard the Lionheart was a recurring figure throughout our journey, from the stunning ruins of Château Gaillard—Richard’s pride and joy—to his embalmed heart at Rouen Cathedral, and finally to Château Châlus-Chabrol, where he met his end after receiving a fatal crossbow wound. Along the way, there were lively debates about his merits as a king and husband, discussions that seemed to spill over into several coach rides and castle visits!
But the most amusing conversation of all came after our visit to Château Châlus-Chabrol. According to local legend, Richard’s entrails were buried in the chapel of the castle where he died, the very castle he had been besieging when he was fatally wounded. As we travelled on, our group began to ponder this curious story—if Richard was the enemy, how likely was it that the castle’s defenders would have invited him into their chapel to die comfortably by the fire? Surely, the reality was less cozy than that! This debate sparked plenty of laughs and camaraderie, as we cheerfully unraveled the mystery of Richard’s final days. It was moments like this that truly made the tour so memorable, blending history with humour and shared insights.
Henry II
Chinon Castle
On the evening of Day 4, just outside Poitiers, I arranged a lively group discussion before dinner, with the spotlight on none other than Henry II. The topic was particularly fitting after our earlier visit to the impressive Chinon Castle, a stronghold that played a key role in his reign. Over a glass or two of wine, our conversation quickly sparked debates about the enigmatic first Plantagenet king.
For many, Henry II is synonymous with the infamous murder of Thomas Becket in December 1170—a crime that shocked Europe, with Becket killed on the very floor of Canterbury Cathedral. Henry’s tumultuous relationships with his sons, often called the ‘Devil’s Brood,’ and the long imprisonment of his formidable wife, Eleanor of Aquitaine, have painted a rather dark image of him in the pages of history. And yet, I have a dear friend who defends Henry passionately, believing history has judged him too harshly. This made me eager to hear the views of my group.
I was not disappointed. What followed was a fascinating and animated discussion about Henry’s complexity, revealing both his flaws and strengths. Like many moments on our journey, everyone felt welcome to share their opinions, creating a warm and open exchange that deepened our collective understanding of this remarkable, yet often misunderstood, king.
The Hundred Years’ War
Group discussion: Hundred Years’ War
Beyond the Angevins, one of the most pivotal topics of our journey through France was the prolonged struggle for the French crown between the Plantagenet kings of England and the Valois kings of France, famously known as The Hundred Years’ War. This conflict defined a significant part of Plantagenet history in France, so I was especially excited to organize another pre-dinner group discussion on Day 8.
I am sure most of the group had read accounts of this struggle from an English perspective, however I was curious to explore its impact on the French people. Now, what better way to do that, than by hearing the insights of our
exceptional guide, Ange, a native Frenchman, who provided a fresh and compelling view of the war from the French side. His perspective gave us a different and not unbalanced understanding of this conflict.
It’s not often us history ‘nerds’ can engage in such thoughtful debates over a glass of wine, and this particular evening felt like another one of those perfect moments of camaraderie and learning that made our journey so incredible.
Eleanor of Aquitaine
Great Hall at Poitiers
No 10-night Plantagenet-themed tour through France would be complete without a deep dive into the life of the most remarkable queen of them all, Eleanor of Aquitaine. Our journey took us to some of the most significant places in her life, from the serene beauty of Fontevraud Abbey, where we had the privilege of visiting her effigy and reflecting on her final days, to the lively city of Poitiers, where she held court with unmatched influence for so many years.
We also ventured to Bordeaux, a region now synonymous with world-class wine, a commodity that owes much of its early prominence to Eleanor’s marriage to Henry, Duke of Normandy—later Henry II of England. Despite the challenges and turbulence of their union, the marriage of these two dynamic figures laid the foundation for a dynasty that ruled for 331 years.
Our discussions about Eleanor were as vibrant as her extraordinary life. From her imprisonment at the hands of her own husband to her daring voyages to the Holy Land—one of which took place when she was nearly 70 years old—we marveled at her resilience and power. And finally, we reflected on the peace she found at Fontevraud, where she spent her final days in quiet reflection at the abbey she so loved.
I hope you’ve enjoyed this glimpse into our amazing journey. For more stories and discoveries from my first tour, visit my blog and uncover all the memorable experiences we shared beyond just mere history: plantagenetdiscoveries.com.
We’re gearing up for the next adventure in July, and you won’t want to miss it! Mention this article when you reach out http://www.plantagenetdiscoveries.com/contact for an exclusive discount—I’d love to welcome you on board for our next historical journey.
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My Books:
Signed, dedicated copies of all my books are available through my online store.
OUT NOW! Heroines of the Tudor World
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.
Coming 30 January 2025: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
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Don’t forget!Signed and dedicated copies of all my books are available through my online store.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threadsand Instagram.
Well, it is September and we are already into the last third of the year. Wow! 2024 has gone quickly and I would like to thank all my readers for your continuing support. It has been an amazing and hectic year, so far.
I even made the national papers in the UK! I was interviewed for an article on the new Amazon Prime tv show, My Lady Jane for The Mirror, separating the facts from the fiction. You can still read the article here.
Book News
I don’t think I would ever choose to put 2 books out within 6 months of each other. That was my publisher’s choice and I did manage to roll with it, thankfully. I had a fabulous book launch for Women of the Anarchy at Oxford Castle in February and another amazing launch for Heroines of the Tudor World in Lincoln in June. Both books have been incredibly well received and had some amazing reviews.
And for those of you in the USA, Canada and Australia, the wait is almost over, Heroines of the Tudor World will be released on 10 September.
Praise for Heroines of the Tudor World:
“Bennett Connolly has an easy, conversation style of writing which welcomes you from the opening pages and draws you into her story. This is her seventh book and her craft is polished and professional.”
“Bennett Connolly’s way with words shows us a picture of that world, colourful, vibrant, and violent.”
“This book should be a staple for those who wish to understand the changing roles of women in society.”
“Sharon Bennett Connolly writes engaging history and is obviously passionate about exploring the lives of women from all backgrounds and different periods of history. Her knowledge and expertise in women’s history really shines through, making this book an absolute joy to read.”
Scotland’s Medieval Queens will by my 8th book and will be released in the UK on 30 January 2025. It is now available for pre-order. Here’s what it’s about:
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all.
This is the story of Scotland through their eyes.
I love Scottish History and am so proud of this book and cannot wait for you all to read it!
To pre-order Scotland’s Medieval Queens, click here!
Event News
September is rather a busy month for me, with 3 events in one week at the end of the month! So, here’s what’s coming up:
Saturday7 September:
I shall be co-hosting a panel with Derek Birks at the Historical Novel Society Conference 2024. Held at Dartington Hall in Devon, a whole host of authors a book lovers will be gathering to talk about books. Derek and I have the pleasure of hosting 3 giants of Historical Fiction, Elizabeth Chadwick, David Gilman and Matthew Harffy, to discuss the highs and lows of Writing Medieval.
The in-person event is sold out, but there are still online tickets available here.
Saturday 14 September:
As part of Heritage Open Days in the UK, I shall be putting my tour guide hat back on and giving guided tours around my local – Conisbrough Castle – home of the Warennes and one of the most stunning medieval keeps in England. The ‘Storming Normans’ event will also include children’s’ activities and a medieval re-enactment from the fabulous team at Sudjorvik. And, as its a Heritage Open Day weekend, entry to the castle and access to the events and guided tours is FREE!
Doors open at 10am, with my Castle Tours taking place at 11am and 2pm.
So, do come along if you are in the area.
Saturday 21 September:
I will be in Manchester at a conference for History teachers, presenting a talk entitled ‘Where Were the Women,’ focusing on putting the women back into History.
It is billed as ‘A great day of free History CPD and geekery.’
Hosted by Teachers Talk History, it takes place at the Friends’ Meeting House, 6 Mount Street Manchester M2 5NS
If you are a History teacher in the UK, the event is free – you just need to book your place.
Thursday 26 September:
I will be in Leicester, presenting the annual Scarborough Lecture for the Leicestershire Archaeological and Historical Society.
Women and Magna Carta will look at those women who influenced Magna Carta, or lived through it – and those who used it to assert their rights. They include Matilda de Braose, Nicholaa de la Haye, Ela of Salisbury and Isabel d’Aubigny.
The LAHS Scarborough Lecture is named after the late John Scarborough, Local Leicester man, who after joining LAHS at the age of 21 became a life-long member and supporter of the Society for over 45 years. He was particularly interested in the High Medieval Period.
No booking necessary. Entry to the talk is free of charge.
Doors open from 7.00pm, with tea and coffee available. The lecture will take place at 7.30pm, at the Rattray Lecture Theatre, University of Leicester, University Road, Leicester (LE1 7RH).
I will be back in Lincoln for the 2024 Lincoln Book Festival!
Presenting a talk, Lincolnshire Women in History, I will be looking at notable women from Lincoln – and Lincolnshire – in the Medieval and Tudor periods. Highlighting women including the formidable Nicholaa de la Haye, castellan of Lincoln Castle and Sheriff of Lincolnshire, Katherine Swynford, grandmother of the Tudor dynasty, Katherine Willoughby a Tudor duchess who encouraged the spread of Puritanism in Lincolnshire and Protestant martyr Anne Askew, one of only two women to be tortured in the Tower of London.
The talk is at 12 noon and will take place at the Lincoln Arts Centre: University of Lincoln, Brayford Pool Lincoln, LN6 7TS.
Tickets are £7 or £5 for those with a Live Pass, and can be booked online through the Lincoln Book Festival.
7 October:
Looking forward to returning the the Towton Battlefield Society for a talk on my hero, Nicholaa de la Haye. The Society meet at 7pm in Saxton Village Hall. They are very welcoming and only charge a small fee if you are not a member. So, if you want to come along, please do. I thoroughly enjoyed my visit there last year!
28 November:
I will be returning to Northampton, for the first time since my graduation there in 1992 and talking about the Women of the Anarchy, focusing on Empress Matilda and her rival, Queen Matilda of Boulogne and highlighting how these two women, unable to wield swords, were still highly influential in the battle for the crown between the Empress and King Stephen.
Tickets will be available from 1 November 2024 and can be booked online here.
Starting at7.30pm, the talk will be held at Delapre Abbey Preservation Trust, Northampton, NN4 8AW.
And that will be all for my programme of talks in 2024. There will be more to come in 2025, with talks already booked at Wallingford, Dorking and Gainsborough Old Hall, among others. But more of that later!
Podcast News
The A Slice of Medieval podcast that I co-host with my friend and fellow author, Derek Birks, is now 2 years old and has gone from strength to strength. We recently recorded our 50th – yes, 50th – episode, which will be out at the end of the month, and just happens to be on one of my favourite topics. If you haven’t tuned in yet, do give us a listen. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick or take a deep dive into a wide range of topics in medieval history, from significant events to the personalities involved.
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Have a great September! My very best wishes, Sharon xx
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
OUT NOW! Heroines of the Tudor World
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
22 August is a famous date in history. The Battle of Bosworth, on 22 August 1485 is often seen as the end of one era and the beginning of another: the end of the medieval age and the beginning of the early modern. It was the end of the royal line of the Plantagenets, begun under Henry II in 1154 and ended with the death of Richard III on that fateful August day. It was the advent of, arguably, the most famous royal house in history: the house of Tudor, which ruled England from 1485 to 1603.
But Bosworth was not the only battle fought on English soil on 22 August. 347 years before, during the period known to history as the Anarchy, when King Stephen stole the English throne from his cousin Empress Matilda. At Northallerton in North Yorkshire, an English army faced a Scots army in what would come to be known as the Battle of the Standard; between the forces of King Stephen and those of his wife’s uncle – and also the uncle of Empress Matilda – David I, King of Scots.
On his marriage to Matilda de Senlis, arranged by his brother-in-law King Henry, David acquired lands in Northampton, Bedford, Cambridge and Huntingdon, as well as lands stretching from South Yorkshire to Middlesbrough, which would become known as the ‘honour of Huntingdon’. By the first Treaty of Durham, agreed in February 1136, at which David had refused to do homage to Stephen but allowed his son to do so, young Henry was given Doncaster and the lordship of Carlisle. He also received his mother’s inheritance, the honour and earldom of Huntingdon, paying homage for these lands to King Stephen at York. At Stephen’s Easter court that same year, Henry sat at the king’s right hand, his royal birth giving him precedence ahead of the English earls. This infuriated Earl Ranulf of Chester, who had wanted Carlisle for himself, and Simon (II) de Senlis, Henry’s older half-brother, who maintained a rival claim to the Huntingdon lands.
David I King of Scots
The two barons withdrew from the court in disgust. As the grandson of Earl Waltheof, Henry also demanded the earldom of Northumberland. When Stephen refused to relinquish it, Scottish raids into Northumberland were renewed. David was ostensibly arguing that he was supporting his niece, Empress Matilda, in her struggle with Stephen over the English crown, though his actual motives were far from selfless. The Gesta Stephani was generous in assessing the Scots king’s dilemma:
In Scotland, which borders on England, with a river fixing the boundary between the two kingdoms, there was a king of a gentle heart, born of religious parents and equal to them in his just way of living. Since he had in the presence of King Henry, together with the other magnates of the kingdom, or rather first of all of them, bound himself with an oath that on King Henry’s death he would recognise no-one as his successor except his daughter or her heir, he was greatly vexed that Stephen had come to take the tiller of the kingdom of the English. But because it had been planned and carried out by the barons themselves without consulting him he wisely pondered the ultimate result and waited quietly for some time to see what end the enterprise would come.1
In the early months of 1138, David had exploited Stephen’s preoccupation with the siege of Bedford Castle to lead a foray into Northumberland. The Scots king was apparently spurred on by a letter from Empress Matilda ‘stating that she had been disinherited and deprived of the kingdom promised to her on oath, that the laws had been made of no account, justice trampled under foot, the fealty of the barons of England and the compact to which they had sworn broken and utterly disregarded, and therefore she humbly and mournfully besought him to aid her as a relation, since she was abandoned, and assist her as one bound to her by oath, since she was in distress’.2
Empress Matilda depicted in an image from the Gospels of Henry the Lion.
Whether acting in response to his niece’s pleas or to pursue his own interests, David had moved south in January 1138. He had besieged Wark Castle and led a chevauchée further south. However, he had retreated into the Scottish borders when Stephen brought a substantial force against him. From Roxburgh, David awaited the departure of the English army before renewing his campaign. The Scots ventured across the border, once again, on 8 April, this time targeting the coastal regions of Northumberland and County Durham in a campaign of plunder and waste. Stephen was now tied up in the south in campaigns against various rebel barons, including William Fitz Alan, who was married to a niece of Robert, Earl of Gloucester, and Arnulf of Hesdin, who held Shrewsbury Castle against the king.
Robert of Gloucester, Empress Matilda’s illegitimate half-brother, had finally made a move in favour of his sister, issuing Stephen with a diffidatio, a chivalric device which was a formal statement of renunciation of allegiance and homage. According to William of Malmesbury, Robert ‘sent representatives and abandoned friendship and faith with the king in the traditional way, also renouncing homage, giving as the reason that his action was just, because the king had both unlawfully claimed the throne and disregarded, not to say betrayed, all the faith he had sworn to him’.3
David took advantage of these distractions and again crossed the River Tees with a Scottish army in July. He sent two Scottish barons to lay siege to Wark Castle while he headed further south. Eustace fitz John, deprived of Bamburgh Castle by King Stephen but still in control of Alnwick, chose to add his own forces to those of King David. The army marched past Bamburgh until the garrison, believing themselves impregnable, taunted the Scots from the safety of the castle’s formidable walls. The Scots promptly attacked, breaking down the barricades and killing everyone in the castle. Bernard de Baliol was then sent north by King Stephen and he and Robert de Bruce were tasked with discussing terms with the Scots. The proposal was that if the Scots went home, Prince Henry would be given the earldom of Northumberland. David rejected the offer.
Stephen, it seems, was beset on all sides, with invaders on his northern borders, rebellion within his kingdom and trouble across the Channel in Normandy. He employed all his senior commanders in putting out the fires – including his wife, Queen Matilda. In the late summer of 1138, following the capitulation of Shrewsbury, Stephen had hanged that town’s entire garrison, learning from his leniency at Exeter. He then ‘besieged Dover with a strong force on the landward side, and sent word to [Queen Matilda’s] friends and kinsmen and dependents in Boulogne to blockade the force by sea. The people of Boulogne proved obedient, gladly carried out their lady’s commands and, with a great fleet of ships, closed the narrow strait to prevent the garrison receiving any supplies.’4 This military pressure, combined with the persuasive power of Robert de Ferrers, father-in-law of the rebel garrison’s commander, Walchelin Maminot, caused Walchelin to surrender to the queen, in late August or early September. The retribution meted out to the Shrewsbury garrison was probably another persuasive argument to the recalcitrant defenders.
Coin of Prince Henry of Scotland
David had overplayed his hand by allowing his troops from Galloway to plunder the countryside, thus uniting the northern barons in their determination to put an end to these all-too-frequent Scottish forays into England. With Stephen, his loyal generals and his wife occupied with rebels in the south of England, the defence of the north fell to Thurstan, Archbishop of York since 1115 and nearing his seventieth year. Placing the archbishop in command was a move which would prevent baronial squabbling over seniority. Thurstan called for a crusade against the Scots and mustered his army at York. The Scots refused all offers of negotiations, so the archbishop marched his force to Northallerton in Yorkshire, just 30 miles north-west of York. Calling upon holy favour, the army was preceded by the banners of St Peter, St John of Beverly and St Wilfrid of Ripon, flying on a mast which itself was mounted on a carriage.
On 22 August 1138, with the carriage supporting the standards placed on the summit of the southernmost of two hillocks next to the Darlington road, the troops were arrayed to the front of their standards. Above the emblems of the saints a banner read, ‘Body of the Lord, to be their standard-bearer and the leader of their battle.’5 It is from this pious display that the ensuing clash, the Battle of the Standard, would get its name. The English forces were formed in three groups, with dismounted men-at-arms in the front rank, a body of knights around the standards and the shire levies deployed at the rear and on both flanks. The Scots were drawn up on the northern hillock, with men-at-arms and archers in the front and the poorly equipped men from Galloway and the Highlanders in the rear. The unarmoured men from Galloway complained bitterly about being placed in the rear and demanded the rightful place of honour in the front of the battleline, to the extent that King David, against his better judgement, granted them their wish to spearhead the attack. Prince Henry took command of the right flank, comprising the troops from Strathclyde and the eastern Lowlands and a body of mounted knights. The left was formed of men from the western Highlands. The king led the small reserve, made up of the men from Moray and the eastern Highlands.
The presence of the apostle and two Yorkshire saints in their force, arrayed against a foe containing a contingent of Picts, led to a sense among the English that they were on a noble crusade. According to Henry of Huntingdon, the Bishop of Durham then gave a stirring speech before the bishops and priests retreated from the field:
Memorial to the Battle of the Standard, Northallerton
… Rouse yourselves, then, gallant soldiers, and bear down on an accursed enemy with the courage of your race and in the presence of God. Let not their impetuosity shake you, since the many tokens of our valour do not deter them. They do not cover themselves with armour in war; you are in the constant practice of arms in time of peace, that you may be at no loss in the chances at the day of battle. Your head is covered with the helmet, your breast with a coat of mail, your legs with greaves and your whole body with shield. Where can the enemy strike you when he finds you sheathed in steel … It is not so much the multitude of a host, as the valour of a few which is decisive. Numbers, without discipline, are a hindrance to success in the attack and to retreat in defeat. Your ancestors were often victorious when they were but a few against many…6
As the English soldiers shouted out ‘Amen! Amen!’ in response to the bishop’s speech, the Scottish army advanced with their own battle cry of ‘Alban! Alban!’ on their lips. The men of Galloway launched the initial attack and ‘bore down on the English mailed knights with a cloud of darts and their long spears’.7 The unclothed Galwegians had no protection against the hail of arrows and English swords, though their sheer ferocity saw them temporarily breach the English front rank. Even so, they could get no further: ‘The whole army of English and Normans stood fast around the Standard in one solid body.’8 It was a stalemate that Prince Henry attempted to break by leading a mounted charge against the English forces. Although he sustained heavy losses, the prince broke through the English ranks and continued towards the enemy’s rear, reaching the horse lines. The English closed ranks before the Scots foot soldiers could take advantage of the gap created by the prince’s charge.
Henry of Huntingdon reserves praise for the prince: ‘[David’s] brave son, heedless of what his countrymen were doing, and inspired only by his ardour for the fight and for glory, made a fierce attack, with the remnant of the fugitives on the enemy’s ranks … But this body of cavalry could by no means make any impression against men sheathed in armour, and fighting on foot in a close column; so that they were compelled to retire with wounded horses and shattered lances, after a brilliant but unsuccessful attack.’9 Finding himself marooned behind enemy lines, the prince ordered his men to discard any identifying badges and mingle with the English forces until they could escape. The ruse worked and the prince was able to make his way back to Carlisle.
According to Huntingdon, the men of Galloway were put to flight when their chief fell, pierced by an arrow. Fighting along the line, and having seen what befell the Galwegians, the remainder of the Scots army began to falter. Seeing that the battle was lost, men began to flee. It began as a trickle, but soon the greater part of the army was in retreat. King David had chosen the greatest of the Scottish knights as his personal guard, and they remained steadfast almost to the last. Once they saw the battle was lost, they persuaded the king to call for his horse and retreat rather than risk death or capture. Henry of Huntingdon reports 11,000 Scottish dead against few English casualties, with Gilbert de Lacy’s brother the only English knight to fall on the field of battle.
The English, however, failed to pursue the fleeing Scots. David was therefore able to march his surviving army north to join the forces that had been besieging Wark Castle since June. Satisfied that they had seen off the Scottish threat, the English had withdrawn, leaving only a small contingent in the field to reduce Eustace fitz John’s castle at Malton. Negotiations for peace could then begin:
Durham Cathedral
After the war between the two kings had lasted for a long time, created terrible disorder, and brought widespread calamity, a peace mission was sent out by God’s will; travelling to and fro between the two kings, who were exhausted by the slaughter, destruction, ceaseless anxieties, and hardships, the envoys succeeded in restoring harmony between them.10
A truce was arranged at Carlisle at the end of September 1138 and negotiations for a lasting peace began in earnest. On 9 April 1139, the Treaty of Durham was concluded between King Stephen and David of Scotland. As part of the treaty, Henry of Scotland would marry Ada de Warenne, daughter of William de Warenne, 2nd Earl of Warenne and Surrey. Not that peace would prevent King David from continuing to aid his niece, Empress Matilda, in her struggles against King Stephen, but that is another story.
Notes:
1. K. R. Potter (trans.), Gesta Stephani; 2. ibid; 3. William of Malmesbury quoted in Matthew Lewis, Stephen and Matilda’s Civil War: Cousins of Anarchy; 4. John of Worcester quoted in Patricia A. Dark, The Career of Matilda of Boulogne as Countess and Queen in England, 1135-1152; 5. Matthew Lewis, Stephen and Matilda’s Civil War; 6. Thomas Forester (trans. and ed.), The Chronicle of Henry of Huntingdon. Comprising the history of England, from the invasion of Julius Caesar to the accession of Henry II. Also,the Acts of Stephen, King of England and Duke of Normandy; 7. ibid; 8. ibid; 9. ibid; 10. Ordericus Vitalis, The Ecclesiastical History of Orderic Vitalis, 1075-1143, book XIII.
Potter, K. R. (trans.), Gesta Stephani; Matthew Lewis, Stephen and Matilda’s Civil War: Cousins of Anarchy; Patricia A. Dark, The Career of Matilda of Boulogne as Countess and Queen in England, 1135-1152; Thomas Forester (trans. and ed.), The Chronicle of Henry of Huntingdon. Comprising the history of England, from the invasion of Julius Caesar to the accession of Henry II. Also, the Acts of Stephen, King of England and Duke of Normandy; David Smurthwaite, The Complete Guide to the Battlefields of Britain; David Crouch, The Reign of King Stephen; Keith Stringer, ‘Henry, Earl of Northumberland (c. 1115-1152)’, Oxforddnb.com; G.W.S. Barrow, ‘David I (c. 1185-1153)’, Oxforddnb.com; Keith Stringer, ‘Ada [née Ada de Warenne], countess of Northumberland (c. 1123-1178)’, Oxforddnb.com; Victoria Chandler, ‘Ada de Warenne, Queen Mother of Scotland (c. 1123-1178)’, The Scottish Historical Review, Vol. 60, no. 170; Farrer, W. and C. T. Clay (eds), Early Yorkshire Charters, Volume 8: The Honour of Warenne; Henry of Huntingdon, The History of the English People 1000–1154; Catherine Hanley, Matilda: Empress, Queen, Warrior; Marjorie Chibnall, The Empress Matilda: Queen Consort, Queen Mother and Lady of the English; Edmund King, King Stephen.
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My Books
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Out now: Scotland’s Medieval Queens
Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK.Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. There are now over 70 episodes to listen to!
History... the interesting bits! 