Guest Post: Sarah Siddons by Jo Willett

It is a pleasure to welcome Jo Willett back to History…the Interesting Bits with a guest post about the subject of her latest book, the Georgian actress Sarah Siddons:

The famous actress Sarah Siddons, the Muse of Tragedy and the Queen of Drury Lane as she was known, was an expert on what we would today call brand control. The characters she played on stage were almost without exception highly moral, upstanding and noble. So, it was important that Sarah’s fans were encouraged to see her in the same light. In an age where many of her contemporary actresses on the London stage were either former sex workers or the mistresses of wealthy men (or both) Sarah ensured that every opportunity was taken to project the message that she was, by contrast, a happily married woman and a devoted mother.

Sarah had met her husband-to-be, William Siddons, when he joined her parents’ travelling acting troupe. She was aged 11 and he was 23. Biographers have tended to gloss over how quickly it was before the two started having romantic feelings for each other, for obvious reasons, but her parents soon became aware that the two were in love. They were wary of the relationship, not because of the age difference – Sarah’s father was similarly several years older than her mother and they had also met when her mother was young – but because they could see that William was not a particularly good actor. The story of how Sarah’s parents attempted to separate the lovers bears all the hallmarks of having been romanticised by Sarah in later life. But whatever happened, Sarah’s parents eventually decided to give their reluctant consent, and Sarah and William Siddons were married in Coventry in November 1773, when Sarah was 18 years old. The Siddons would always affectionately refer to each other as Sal and Sid.

So, Sarah was a married woman by the time she acquired fame and fortune as the greatest tragic actress of her generation. She had a false start at Drury Lane in David Garrick’s final season, but then rebuilt her career and returned to appear on stage at Drury Lane again, this time with Richard Brinsley Sheridan as manager, in 1782. Her first night was said to be one of the greatest ever seen on the British stage and she continued for some thirty years as the highest paid performer of her generation, mobbed by fans wherever she went. By 1782 she was already the mother of four children.

Sarah Siddons as Euphrasia in The Grecian Daughter

Sarah’s success enabled William to give up acting and to become her manager. In this role he proved himself often to be over-zealous in his demands for the fees he asked for her. The more Sarah earned in performance fees as the star, particularly in the regional theatres she toured every summer, the less was available to pay other actors in the company. Inevitably resentments festered. This was made worse when it appeared as if William had got Sarah out of appearing in ‘benefit’ performances, where the night’s takings went to a deserving actor in the cast. Her reputation suffered as a result, and she earned herself the nickname Lady Sarah Save-All.

Even though Sarah was the sole breadwinner, everything she earned was legally in William’s name. There is no evidence she questioned this – it was just how things were at the time. But William was not always wise when it came to investing. One year, for instance, he lost nearly a third of Sarah’s annual earnings, speculating on a new building at Saddlers Wells. Sarah never complained but she did find herself increasingly exhausted by her punishing work schedule and her health certainly suffered as a result.

It must also have been difficult for William that Sarah had such star status, whilst he was relatively unknown. She became the darling of King George III and his wife Queen Charlotte, for instance, but no mention was ever made of William’s having been introduced to the king and queen. It was as if he didn’t exist. Perhaps inevitably, William began to seek solace elsewhere. A friend called at the Siddons’ house one day to find Sarah weeping as she burned some papers which had alerted her to the fact her husband now had a mistress.

In 1792, ten years after Sarah’s triumph at Drury Lane, Hester Piozzi, a friend of Sarah’s, wrote in a letter to a mutual friend that the famous actress’s recent bout of ill-health could be put down to the fact that William had given his wife a Sexually Transmitted Infection, probably syphilis. This was far from being an uncommon problem at the time, but without the wonders of modern medicine it was incurable. Despite this, the couple clearly patched things up between the two of them, as their final child, a daughter named Cecilia, was born the following year.

Sarah Siddons as Lady MacBeth

Sarah never seems to have mentioned her STI. The only hint at it remains to this day Hester Piozzi’s letter. She would have dreaded any news of it escaping into the public domain. Her reputation as a happily married woman, the essence of respectability, would have been dangerously undermined. She was attended by the Royal Physician, Sir Lucas Pepys, who advised her to spend time recuperating at a spa. From then on she often suffered from what her public were told was erisypelas, a condition of the skin. In my biography I suggest that this was a means of covering up the fact her syphilis was developing.

But this was not the only problematic area in the Siddons’ relationship. Their two eldest daughters both suffered from increasingly serious diseases of the lungs, from which both of them were to die, Maria in 1798 and Sally in 1803. Sarah was able to rush to Maria’s bedside to be with her daughter for her last few weeks of life. But when Sally began to sicken during what would prove to be her last few months, her mother was on a long tour of Ireland. William wrote to his wife assuring her that Sally was recovering. He urged her to extend her tour from Dublin to Cork, specifically because there were bills to be met at home. Family life in London was proving to be particularly expensive at the time. Inevitably, and tragically, Sally worsened and died before her mother could make it back to be at her bedside for her end.

Sarah was always exceptionally guarded in her personal correspondence about her feelings towards her husband, but she let her mask slip around this time. ‘I have suffered too much from a husband’s unkindness,’ she wrote, ‘not to detest the man who treats a creature ill that depends on her husband for all her comforts.’ Clearly she blamed William for what had happened.

But Sarah herself was not entirely blameless. During her tour of Ireland she had met a young Spanish fencing master, Philomen Galindo. At first she could persuade herself that she was equally fond of Philomen and of his wife Catherine. But as the relationship developed, Catherine began to feel increasingly excluded and paranoid. Infatuated with Philomen, Sarah did her best to procure acting jobs for the couple in the new company of actors Sarah’s brother, the actor/manager John Philip Kemble, was putting together at Covent Garden. But John Philip made it very clear immediately that the Galindos were not the sort of people his celebrated sister should be associating with. It is impossible to prove whether Sarah was having a sexual relationship with Philomen Galindo, but his wife clearly thought she was. And when, several years later, Catherine had a pamphlet published, arguing her case and making public her side of the story, Sarah declined to sue for libel.

Sarah Siddons as The Tragic Muse by Joshua Reynolds

How much William knew about this is again hard to know, but it was just a year after their daughter Sally’s death, and just as Sarah had encouraged the Galindos to come to London on the false promise of finding jobs for them, that William and Sarah Siddons finally decided to separate. Very little adverse comment appeared in the press about this. All Sarah’s biographers up until now have played the separation right down and praised the actress for the dignity with which she handled the end of her marriage. One who was writing during Sarah’s lifetime wrote that William ‘retained at all times the sincerest regard for his incomparable lady.’ But the truth remained that the Siddons could no longer live with each other.

William drew up his will at the same time. He had asked Sarah to tell him what she would like from it. But, as she herself put it: ‘I can expect nothing more than you yourself have designed’. Despite all her worldly success, her reputation as the greatest tragic actress of her generation, and her image as someone as morally upright as the tragic heroines she played each night on stage, in real life her future was just as in jeopardy as theirs, dependent for her security on the goodwill of the husband from whom she was parting.

About the book:

Sarah Siddons grew up as a member of a family troupe of travelling actors, always poor and often hungry, resorting to foraging for turnips to eat. But before she was 30 she had become a superstar, her fees greater than any actor – male or female – had previously achieved. Her rise was not easy. Her London debut, aged just 20, was a disaster and could have condemned her to poverty and anonymity. But the young actress – already a mother of two – rebuilt her career, returning triumphantly to the capital after years of remorseless provincial touring. She became Britain’s greatest tragic actress, electrifying audiences with her performances. Her shows were sell-outs. Adored by theatre audiences, writers, artists and the royal family alike, Sarah grasped the importance of her image. She made sure that every leading portrait painter captured her likeness, so that engravings could be sold to her adoring public. In an eighteenth-century world of vicious satire and gossip, she also battled to manage her reputation. Married young, she took constant pains to portray herself as a respectable and happily married woman, even though her marriage did not live up to this ideal. Sarah’s story is not just about rags to riches; this remarkable woman also redefined the world of theatre and became the first celebrity actress.

Sarah Siddons: The First Celebrity Actress is available from Amazon

About the author:

Jo Willett has been an award-winning TV drama and comedy producer all her working life. Her credits range from the recent Manhunt, starring Martin Clunes, to Birds of a Feather. Her most relevant productions include Brief Encounters (a fictionalised story of the first women who ran Ann Summers parties in the 1980s), The Making of a Lady (an adaption of the Frances Hodgson Burnett novel _The Making of a Marchioness_), Bertie and Elizabeth (telling the story of the Queen Mother’s marriage) and the BAFTA-and-RTS Award-Winning A Rather English Marriage (starring Albert Finney, Tom Courtenay and Joanna Lumley, adapted from the novel of the same name by Angela Lambert). She studied English at Queens’ College Cambridge and has an MA in Arts Policy. She is married with a daughter, a son and a step-son. She lives in London. www.devoniaroad.co.uk.

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My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Coming on 15 June 2024: Heroines of the Tudor World

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.

Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.

Out Now! Women of the Anarchy

Two cousins. On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available from Bookshop.orgAmberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops or direct from Pen & Sword Booksbookshop.org and AmazonDefenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.org

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

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Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2024 Jo Willett and Sharon Bennett Connolly FRHistS.

Empress Matilda, Lady of the English

Empress Matilda depicted in an image from the Gospels of Henry the Lion.

It has always been said that Empress Matilda failed in her claims for the English crown. That she came close but did not quite make it. I wonder if that is strictly true? I wonder if she should not be on the regnal lists of kings and queens for 1141, if there was not, in fact, a break in Stephen’s reign in that year? And that Empress Matilda was, in fact, technically and in reality, England’s monarch for most of 1141?

And, in that case, England’s first female monarch?

Although she did not have a coronation, she was effective ruler of England, and had been proclaimed as such. So, if Edward V, who was proclaimed king but never crowned, and is in the regnal list, then, surely, Matilda should be also?

I know this might, at first, sound like a rather outrageous suggestion but, please, hear me out.

The argument against this is the fact that Matilda was never proclaimed ‘queen’ but given the title ‘Lady of the English.’ This has always been seen as a ‘holding’ title, a way to appease the empress who could not be monarch because England already had a king. But what if it wasn’t? What if Lady of the English was the title the people of the time thought appropriate for a female monarch?

Nowadays, we would expect Matilda to have been proclaimed ‘Queen of England’ as Elizabeth II was when she acceded to the throne. In the 12th century, however, a queen was the wife of a king. It had never been used as the title of a female ruler in England. In Poland, in the fourteenth century when a woman, Jadwiga, came to the throne, she was given the title of ‘king’ because they had no title for a woman ruling in her own right. Do we get too caught up in the language used, rather than looking at the actions of those involved?

Genealogical roll featuring Henry I, Matilda of Scotland and their children, William Ætheling and Empress Matilda, Lady of the English

Do we think that because Empress Matilda was not given the title ‘queen’ that she wasn’t, therefore, a monarch?

No woman had ruled England in her own right, either, so the question of what title a woman would hold had never come up.

Or had it?

England did have a precedent from 240 years before.

In 911, following the death of her husband Æthelred, the daughter of King Alfred the Great, Æthelflæd, was recognised as the sole ruler of Mercia and she was accorded the title Lady of the Mercians. Her brother, Edward the Elder, King of Wessex, was happy to support his sister as sole ruler of Mercia. She was the first woman to rule an Anglo-Saxon kingdom  – albeit as a client of her brother’s more powerful kingdom of Wessex. It can be argued that she was not declared queen because Mercia was no longer a kingdom, but she exercised regal powers in the region. And in those days, the wives of kings were not accorded the title of queen, but ‘Lady.’ Alfred the Great’s own wife, Ælswith, was referred to as Lady Ælswith.

1141 Battle of Lincoln from Historia Anglorum

On 2 February 1141, King Stephen was captured at the Battle of Lincoln.

He was imprisoned in Bristol Castle, defeated. England belonged to the empress. The fact he still lived should not have prevented Matilda from becoming ruler. Edward IV would not see the still-living Henry VI as an impediment to him claiming the throne in 1461. And he was no less a king, even though his predecessor was alive and imprisoned in the Tower of London.

Meeting on open ground outside Winchester on Sunday 2 March, the empress and Henry of Blois, Bishop of Winchester and papal legate – and the king’s brother – came to an agreement whereby the empress promised to consult with Bishop Henry on all important matters of government and to allow him control of the appointment of all bishops and senior churchmen. In return, Bishop Henry agreed to swear allegiance to the empress and to hand over the royal treasury, which was based in Winchester. After a ceremonial procession the next day to Winchester Cathedral, Bishop Henry ‘bade the people, at a public meeting in the market-place of the town, salute her as their lady and their queen’. Empress Matilda then moved on to Oxford, while Bishop Henry called a council of prelates to mark a more official acceptance of Empress Matilda’s new position.

It was at this council that Bishop Henry first proclaimed Matilda domina Anglorum, ‘lady of the English’.

Æthelflæd, Lady of the Mercians

In naming Empress Matilda ‘Lady of the English’ the bishop of Winchester was harking back to the only other time a woman had been acknowledge as a ruler in her own right in England. And if such a title was good enough for the daughter of Alfred the Great, why would it not be considered good enough for Empress Matilda?

With Stephen imprisoned and the church backing her, Empress Matilda was now in command of England. She was, however, still waiting for Stephen’s supporters to come over to her side in greater numbers. On first meeting with the empress at Winchester, the Archbishop of Canterbury was one of those who had refused to offer his fealty. It was only after he had visited the deposed king in Bristol that he pledged his allegiance to the empress as Lady of the English; if Stephen did, indeed, grant his archbishop permission to change his fealty, it is perhaps a mark of the fallen king accepting his current predicament. And the Archbishop was recognising Empress Matilda as England’s new monarch.

Bishop Henry then held a Legatine council at Winchester, lasting from 7 to 10 April, to deliberate on the state of the country and at which he distanced himself from his brother’s administration, and gave the church’s approval to the accession of Empress Matilda: ‘Therefore, first, as is fitting, calling God to our aid, we choose as lady of England and Normandy the daughter of a king who was a peacemaker, a glorious king, a wealthy king, a good king, without peer in our time and we promise her faith and support.’

This would suggest that the title, Lady of the English, or Lady of England, is the female equivalent to the male title of King of England. And Empress Matilda was recognised as such in 1141.

And if this is true, then Empress Matilda was, technically and in reality, the first female monarch in England, 412 years before either Jane Grey or Mary I, who each claim to hold that distinction.

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Images:

Courtesy of Wikipedia except genealogical roll which is courtesy of the British Library Catalogue of Illuminated Manuscripts

Selected Sources:

Gesta Stephani, translated by K. R. Potter; Henry of Huntingdon, The History of the English People 1000-1154; Marjorie Chibnall, The Empress Matilda: Queen Consort, Queen Mother and Lady of the English; Teresa Cole, The Anarchy: The Darkest Days of Medieval England; Catherine Hanley, Matilda: Empress, Queen, Warrior; Helen Castor, She-Wolves: The Women who Ruled England before Elizabeth; Robert Bartlett, England Under the Norman and Angevin Kings; J. Sharpe (trans.), The History of the Kings of England and of his Own Times by William Malmesbury; Orderici Vitalis, Historiae ecclesiasticae libri tredecem, translated by Auguste Le Prévost; Chronicles of the Reigns of Stephen, Henry II and Richard I; Edmund King, King Stephen; Donald Matthew, King Stephen; Matthew Lewis, Stephen and Matilda’s Civil War: Cousins of Anarchy.

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My Books

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Our first ever episode was a discussion on The Anarchy Every episode is also now available on YouTube.

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Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2024 Sharon Bennett Connolly FRHistS.

Guest Post: Medieval Hungary by Katerina Dunne

Today, it is a pleasure to welcome author Katerina Dunne to History…the Interesting Bits. With her fabulous novel, Lord of the Eyrie, Katerina introduced me to the fascinating history of medieval Hungary, something a knew very little about. And I wanted to know more. Katerina has just released a sequel, Return to the Eyrie and has joined me to give us a little historical background to her stories.

Medieval Hungary by Katerina Dunne

The history of medieval Hungary is fascinating, yet few in the English-speaking world know much about it. From groups of nomadic people raiding across Europe in the 9th – 10th century, the Hungarian conquerors settled in the Carpathian basin, converted to Christianity and, together with the peoples they found already living there, created a powerful multi-ethnic and multi-lingual kingdom, which at its peak stretched from Southern Poland to the Adriatic Sea and from lower Austria to Central Romania as the below map of 15th century Europe demonstrates:

My two historical fiction novels, Lord of the Eyrie (released in February 2022) and Return to the Eyrie (released in April 2024) make up a family saga that spans forty years (1440 to 1480) and two generations. They are set mostly in Transylvania (a province of the medieval Kingdom of Hungary) The noble family is fictional, but I have presented them as branches of powerful baronial clans from Transylvania and Eastern Hungary, so they interact with real historical figures and participate in real historical events.

The 15th century was a turbulent time for the Kingdom of Hungary due to internal conflict as well as the expansionist efforts of the Ottoman Empire towards the west and north. After the Ottoman conquest of Serbia and Bosnia, and the submission of Wallachia to the Sultan as a vassal state, Hungary became the last frontier holding back the Ottoman advance towards Central Europe.

The years between 1440 and 1456 were dominated by the formidable personality of János Hunyadi, a lesser nobleman with obscure origins (likely Wallachian or possibly Cuman), whose military successes against the Ottomans elevated him to the ranks of the most powerful barons and earned him the title of Voivode (governor) of Transylvania and later Captain General and Regent of the Kingdom. At the peak of his power, Hunyadi was the richest landowner in the Kingdom of Hungary, holding about 2 million acres of land spread over 5 modern-day countries (Hungary, Romania, Serbia, Slovakia and Ukraine) He even loaned money to the king at times.

János Hunyadi in the Chronica Hungarorum by János Thuróczy – picture from Wikipedia

Although Hunyadi lost two major pitched battles against the Ottomans (the battle of Varna in 1444 and the battle of Kosovo in 1448), he achieved several victories against them in various campaigns and sieges. His last and biggest triumph was at the siege of Belgrade in July 1456, when the united forces of the city’s Serbian defenders, Hunyadi’s Transylvanian and mercenary army and a motley crowd of crusaders from lesser nobility, burghers, students, clergy and peasants defeated the mighty Sultan Mehmed the Second, the conqueror of Contstantinople. Hunyadi died in August 1456 of the plague which had spread in Belgrade in the aftermath of the siege.

As it often happens, when a powerful leader dies, chaos ensues among those who strive to take advantage. Hunyadi’s eldest son, László, inherited his father’s vast estates and titles. However, Hunyadi’s old rival, Count Ulrich of Cilli (modern-day Celje in Slovenia) – who was the Hungarian king’s relative – was not going to let this go. Cilli and László Hunyadi got involved in an incident during the king’s visit to Belgrade (which was under the Hunyadi family’s control) that led to Cilli’s death. Although the king (also called László) forgave the younger Hunyadi, he changed his mind when he returned to his palace in Buda. Under the influence of several powerful barons who opposed the Hunyadi family, the king arrested both Hunyadi’s sons, László and fourteen-year-old Mátyás, in the spring of 1457. While he had László executed, he imprisoned Mátyás and many of their supporters.

Furious about the events, Hunyadi’s widow, Erzsébet Szilágyi and her brother Mihály, started a rebellion in Transylvania which almost brought the kingdom to its knees. King László fled to Vienna but took Mátyás with him. When the king died suddenly at the young age of 17 from an illness, the Bohemian ruler George of Podebrady became Mátyás’ captor.

But the king’s death meant that Hungary was in need of a new ruler. After intense negotiations (which probably included promises, bribes and intimidation), Erzsébet and Mihály Szilágyi won the support of the other barons and declared the absent young Mátyás as the new king in January 1458. The legend has it that the Royal Council deliberated in Buda Castle and made the public announcement while the crowds of lesser nobles stood literally on the river Danube, the waters of which had frozen solid.

Following negotiations and a large ransom of 60,000 gold florins, Podebrady released Mátyás to his family, and the teenager was finally enthroned in February 1458. He could not be crowned though because the Hungarian Holy Crown was in the hands of the Holy Roman Emperor, Frederick III. How the crown had ended up there is another story—one of the most fascinating episodes in late medieval Hungarian history— which deserves a separate post. It took another four years and the astronomical sum of 80,000 gold florins to recover the crown. Mátyás was finally crowned with all the appropriate ceremony on 29 March 1464.

King Mátyás Hunyadi in the Chronica Hungarorum by János Thuróczy – picture from Wikipedia

He became known as Mátyás Corvinus (nicknamed The Raven King because of the Hunyadi coat of arms, which depicted a raven with a golden ring in its beak) One of the most important rulers in 15th century Europe, he brought the Italian Renaissance and Humanism to Hungary, upgraded the royal palance in Buda, established the famous Corvina Library and was the patron of many scholars and artists. Due to the fact that he was a member of the nobility rather than of royal blood, he faced strong opposition both from inside Hungary and from abroad (Holy Roman Empire, Bohemia and Poland) and he had to fight several wars to secure his grip on the throne. He kept a defensive stance towards the Ottomans, with relative success, and competed with them in his efforts to influence politics in neighbouring Wallachia, Moldavia and Bosnia. Mátyás is well-known for keeping Prince Vlad III of Wallachia (Vlad the Impaler) imprisoned for several years before finally releasing him in 1475 in order to place him on the Wallachian throne as an ally.

Mátyás conquered Vienna in 1485 and was negotiating his possible future designation as Holy Roman Emperor when he died in April 1490.

He has since become the subject of many legends not only in Hungary, but in several neighbouring Central European countries.

About the books:

János Hunyadi appears as a secondary character in my first book, Lord of the Eyrie, while King Mátyás plays a small but pivotal role in the sequel, Return to the Eyrie.

Even though these are parts of a two-volume family saga, each book can be read as a standalone.

Both novels are available in ebook and paperback format on Amazon:

To Buy:

Lord of the Eyrie is available from Amazon in the UK and the US.

Return to the Eyrie is now available in the UK and the US.

About the Author:

Katerina Dunne is the pen-name of Katerina Vavoulidou. Originally from Athens, Greece, Katerina has been living in Ireland since 1999. She has a degree in English Language and Literature from the University of Athens, an MA in Film Studies from University College Dublin and an MPhil in Medieval History from Trinity College Dublin.

Katerina is passionate about history, especially medieval history, and her main area of interest is 13th to 15th century Hungary. Although the main characters of her stories are fictional, Katerina uses real events and personalities as part of her narrative in order to bring to life the fascinating history of the medieval Kingdom of Hungary, a location and time period not so well-known to English-speaking readers.

You can contact Katerina by email: through her FB page: and on Goodreads.

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My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Out Now! Women of the Anarchy

Two cousins. On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available from Bookshop.orgAmberley Publishing and Amazon UK.

Coming on 15 June 2024: Heroines of the Tudor World

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.

Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops or direct from Pen & Sword Booksbookshop.org and AmazonDefenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.org

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

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Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

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©2024 Katerina Dunne and Sharon Bennett Connolly FRHistS.