Theodora: actress, prostitute, mistress, feminist. And Byzantine Empress of the civilized world. Stephen: handsome Syrian boy, wizard’s apprentice, palace eunuch. And Secretary to the Empress. How does this unlikely pair become such allies that one day Empress Theodora asks Stephen to write her biography?
From a very young age, Theodora, daughter of a circus bearkeeper in Constantinople, sets her sights well above her station in life. Her exquisite beauty sets her apart on stages and in the eyes of men.
Stephen, a Syrian lad of striking good looks, is sold by his parents to a Persian wizard, who teaches him a skill in languages that will serve him well.
By the time Destiny brings them together in Antioch, Theodora has undergone heart-rending trials and a transformation, while Stephen has been sold again . . . and castrated.
Discover the enduring bond that, however imperfect, prompts Theodora—as Empress—to request palace eunuch Stephen to write her biography.
This is a true rags to riches story, of a girl from the lowers echelons of society who rose to be empress of Constantinople. Fortune’s Child: A Novel of Empress Theodora tells the story of Empress Theodora, born in 500, into a poor Greek family; her father a circus worker for the Greens, who rose to be Master of the Bears. Theodora’s future was to be an actress, a popular one, but little more than a prostitute in the eyes of many, and with no prospects to ever improve her situation, unless she forced matters.
Although a novel, Fortune’s Child: A Novel of Empress Theodora flawlessly blends history and story-telling to draw the reader into the exotic world of 6th century Constantinople and the East. Recreating the life of Theodora and the world in which she lived, James Conroyd Martin takes you on an adventure that explores every aspect of Theodora’s world, the challenges, grief and struggles that she had to face to climb out of the fate into which she was born and make her own fortune.
This is a novel that will take you through the full range of emotions. It is not all glamour and success, but neither is it all dull and gloom. The author imbues a humanity that invokes both sympathy and compassion for the title character, even when her actions are less than noble.
It is late at night when a soft knock, almost imperceptible, comes at the door. I open it to find Theodora standing there, a finger to her lips. She is dressed in a purple bedchamber robe. She wears no veil or headdress. Her hair falls about her face like an ebony frame about the portrait of a ghost. I stand aside and she enters, gliding like some visitant saint into a monk’s cell.
But she is no saint. And since I am no monk, I take the comfortable chair.
“You know the circumstances of my birth, Stephen, how my mother kept me from being … abandoned – exposed to the elements.”
I nod, taking up a kalamos.
“The story is legend by now. Of course, it may be quite accurate, but my mother would relate it as a way of upbraiding a thoughtless and unappreciative daughter who would drolly mimic the ways of the adults around her, as well as the pretentious airs of an older sister. I was two when the mid-wife was called again and mother gave birth to a third child – alas, another girl.” She pauses, appraising me, her biographer. “Take what I tell you, Stephen, and bring my life to parchment. Breathe life into my past.” The empress grimaces as she settles in without complaint against the hard back of the chair, bringing her hands together in her lap, the interlocking fingers pale as moonbeams against the purple of her robe. “I shall begin, Stephen, where my memory begins.”
For my pettiness in my choice of chair, I feel a tinge of guilt, but I dust away and begin taking the notes that will become her biography.
Sixth century Byzantium is a period that is not often featured in historical fiction, which is such a shame, if Fortune’s Child: A Novel of Empress Theodora is anything to go by. It is a thoroughly engaging read, immersing the reader in 6th century Byzantium, through the sights, sounds and smells of Constantinople; the challenges and prejudices faced by lower class women, however beautiful and alluring, and the rules and restrictions of the privileged classes and the imperial court.
It is, at times, a hard book to read, when the reality of a woman’s lot and the prejudices and attitudes Theodora had to face and overcome. And yet, she never seems to forget her roots. The author avoids melodrama to bring you a story that is, at once, the story of Theodora and of her biographer, and how their lives are intertwined with Theodora’s own rise through the ranks of society.
As you read the novel, you can understand why James Conroyd Martin chose to tell Theodora’s life, it is as mesmerising and engaging as Theodora herself must have been. From the first pages the reader is immediately and irrevocably invested in the story of this incredible woman. I cannot recommend it highly enough – it is a must-read. Many aspects of it will remain with you long after you have finished the last page.
Fortune’s Child: A Novel of Empress Theodora by James Conroyd Martin is available in hardback, paperback and ebook from Amazon UK.
Ladies of Magna Carta: Women of Influence in Thirteenth Century England will be released in the UK on 30 May 2020 and is now available for pre-order from Amazon UK and from Book Depository worldwide.
Also by Sharon Bennett Connolly:
Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon UK, Amberley Publishing, Book Depository and Amazon US.
Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon UK, Amazon US and Book Depository.
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©2020 Sharon Bennett Connolly