Wordly Women: Carol McGrath

Today in my Wordly Women, author spotlight series, I have a chat with Carol McGrath. Carol is one of those people I can spend a day with, just discussing history from dawn to dusk. Indeed, we have done on a couple of occasions.

So, it was wonderful to get the chance to talk with Carol about her writing, both fiction and non-fiction.

Over to Carol…

Sharon: Carol, what got you into writing?

Carol: I loved writing as a child and even made my own little books, mostly mysteries. Originally loving art, I wanted to be a book illustrator. However, I came to be passionate about the stories of the past and, as a child, was very influenced by writers such as Rosemary Sutcliff and Geoffrey Treece. Later, of course, Jean Plaidy took over and, after her, Anya Seton. It was an honour when at the age of thirteen I was asked to present my own story about the Children’s Crusade to an English inspector at my school. I wrote poetry as well. So, I guess my own reading and interest in History inspired me to write. As it can do, life got in the way and I became a teacher and loved it. I was even Head of a History Department for a time so there was no time to pursue writing. In those days teaching was a wonderful career and all consuming. Family, too, was all consuming. From the 1990s onwards, I began to take evening courses to keep up my interest in writing. There was a two year certificate in creative writing at Oxford, an MA in creative writing from Queens University Belfast and finally a Phd programme at Royal Holloway. It’s not for everyone to go an academic route but it was wonderful for me and helped me find my voice as well as specific writing interests and genres. The MA and Phd courses focused me. They enhanced what I hope was always there, the ability and love of writing.

Sharon: You write both fiction and non-fiction-is one harder than the other?

Carol: That’s a great question. I studied English, Medieval History and interestingly Russian History and politics at University, Q.U.B. I enjoy both kinds of writing. They are different disciplines. I feel the Phd programme helped me with writing non-fiction because of thesis work. When I research and write it’s all consuming for me, whether for fiction or non-fiction. What I do find hard is to research and write both disciplines at the same time. I am currently in contract for Headline for two Tudor novels. After this, maybe another non-fiction. Pen & Sword still approach me with wonderful suggestions but since these books do take time, a lot of time, the non-fiction is on hold. To answer your question, I guess for me fiction is easier although I like writing both. I adore the research and am a member of the Bodleian Library Oxford which is fabulous.

Sharon: Tell us about your books

St Sophia, Kyiv

Carol: I write both Medieval and Tudor novels currently. I wrote my debut novel that was easily published on the PhD programme. The Handfasted Wife was inspired by the Bayeaux Tapestry, specifically the image of The Burning House. I believe it represents Edith Swan-Neck and her son fleeing from the Normans probably from Harold’s estate at Crowhurst. Some Historians think this too. This novel is about Edith Swanneck and what happened to her after the Battle of Hastings. It was followed by novels about Harold’s daughters, The Swan-Daughter and The Betrothed Sister. I researched them carefully but for The Betrothed Sister about his elder daughter , Gytha, I had much knowledge about the medieval Rus, Kyiv and life in the region of Rus lands now known as Ukraine. I have spent time seeking Gytha out in Kyiv, especially The Church of St Sophia. The Swan-Daughter about Gunnhild, Harold’s second daughter is my favourite of all my books. Creatively, I linked it to the story of Tristram and Iseult. Gunnhild eloped from Wilton Abbey with Alan of Richmond, a cousin of William of Normandy. Talk about ‘sleeping with the enemy’. Again, these books were closely researched and they all follow the Historical record where it exists. The Hastings Trilogy was followed by a Tudor novel Mistress Cromwell, looking at Thomas Cromwell through his wife’s eyes. By the way, it’s on an Amazon kindle offer for April. I am currently writing the sequel, The Queen’s Sister, to be published May 2026. I have also written The Rose Trilogy about three high medieval queens and a novel called The Stolen Crown about Stephen and Matilda but really it is mostly Matilda’s story. In non-fiction Tudor Sex and Sexuality is my great debut. It’s published by Pen & Sword. It’s simply a great fun look at this topic.

Sharon: What Attracts you to the Period?

Harold’s daughter’s burial place in St Sophia Kyiv

Carol: I studied Medieval History and enjoy researching it. It’s not as brutal a time as one might think. I find I can lose myself in this era especially the twelfth century. As for the Tudors, they are absolutely fascinating with many interesting female stories to write. Besides, it’s an excuse to visit great Tudor houses such as Hever Castle. I love the portraiture from this era. Holbein is a character in my current work. As for Henry VIII, he’s larger than life. I am interested in Historical landscape and attracted to a less populated time with its villages and towns. The crafts from both eras are fabulous. I love to include crafts persons in my medieval novels.

Sharon: Who is your favourite Tudor and Why?

Carol: I am about to write Margaret Douglas’s story. It will be called The Tudor Rebel. At the moment she is my favourite Tudor because she had a clandestine love affair and was involved with fascinating Devonshire Manuscript. Ladies of Queen Anne Bullen’s court wrote poems and shared them in a similar way as we did with Twitter now X. They commented and added to each other’s verses. Meg Douglas was right in the thick of it , as was her suitor, young Tom Howard. What’s not to love about a Courtly Romance and clandestine love affair that caused terrible consequences for this pair of love birds. I studied Renaissance poetry so another favourite Tudor of mine is Sir Thomas Wyatt. He, too, has an interesting story.

Sharon: Who is your least favourite Tudor

Hever Castle

Carol: My least favourite Tudor is the sleezy, snobbish Duke of Norfolk. He was incredibly underhand to get what he wanted. And the mean, creepy Duke was an infamous wife beater although not alone in that. Very ambitious and manipulative. I’m not too keen on Stephen Gardiner either. However, I need to research that particular man further. Motivation always interests me, that and the atmosphere in which these people lived.

Sharon: How do you approach researching your topic

Carol: I read everything I can find on it in primary and secondary source material. I love notebooks so I am a great pen and paper writer. I adore burying myself in the Bodleian Library. I find great original source material there. Mind you I occasionally wonder about translations. When you come across boats that serviced King Richard’s march south from Acre on the third crusade translated as ‘snacks’ you have to smile. A misprint? I have never found out. I visit houses and castles, museums and enactments. When writing about stone masons, I learned how to carve in stone myself. I work hard at understanding an Historical mindset but I do believe a writer of fiction is always there in her novels too. It’s all about point of views and voice.

Sharon: What is your favourite Medieval or Tudor Story found in Research

Carol: Has to be the fact that Harold’s youngest son Ulf, a young hostage at the time of The Norman Conquest who was raised at the Norman Court by Robert Curthose and as a knight he likely went on the First Crusade. I found a reference in a chronicle (John of Worcester) to Ulf’s fate. I am going to write his story someday in fiction. I like the Crusades and I love tidbits about personalities that can inspire elaboration.

Sharon: What is your least Favourite Story

Carol: I could say it is how Thomas Cromwell set up Anne Bullen. When you examine this closely it has to have been a ghastly, rather complete conspiracy. Thomas Cromwell is a mixed bag as a character. He’s redeemed by Hilary Mantel and to some extent by Dermot McCullagh whose book on Cromwell is excellent. However, even if sincere, Cromwell’s reformist opinions grew completely suspect when he fell out with Anne Bullen over what to do with monastic lands. He, himself, by the way, benefited greatly. You will find out more about this in The Queen’s Sister when it is published. So, the story of Anne Bullen’s downfall is utterly horrendous. Even worse, were the accusations against the men who died with her. By the way, she was no paragon of virtue either. She was hideous to Catherine of Aragon and Lady Mary, motivated, I believe, by fear of their supporters undoing her.

Sharon: Are there any other eras you would like to write about?

Carol: Absolutely The English Civil War. I have a novel that’s unfinished called The Queen’s Tulip so watch this space. I also have a bottom drawer novel I may polish up that’s set in Edwardian Ireland. To my credit, Andrew Motion, my MA outside examiner, praised the first five chapters of The Damask Maker and it won me, along with short stories, a distinction on my MA.

Sharon: What are you working on now?

Carol: I am editing The Queen’s Sister about Elizabeth Seymour who married Gregory Cromwell. It’s her story but also covers Thomas Cromwell’s downfall. It’s due in to my editor at Headline on May 1st. My agent beta read it and says she loves it so that’s encouraging. I am now researching and planning The Tudor Rebel about Meg Douglas, Henry VIII’s errant niece.

Sharon: What do you love most about being a writer

Carol: It is the opportunity to express myself creatively. I feel very privileged to be busily doing something I thoroughly love. I never expected to be published and I am fortunate because it just happened for me, initially with a small publisher who was bought out by Headline in 2019.

About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. She is published by Headline. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. The Stolen Crown 2023 and July 2024 The Lost Queen about Berengaria of Navarre and The Third Crusade. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022 by Pen & Sword. She speaks at Conferences and gives interviews. Her new novel The Queen’s Sister will be published in May 2026. She lives in Oxfordshire and in the Mani, Greece.

Where to find Carol

Website (Subscribe to her newsletter via the drop down menu on the web-site Home Page); Amazon; The Stolen Crown

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My books

Signed, dedicated copies of all my books are available through my online store.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and Amazon

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.orgLadies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved. In episode #43, Derek and I chat with Carol about Berengaria of Navarre and The Lost Queen. 

Every episode is also now available on YouTube.

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Don’t forget! Signed and dedicated copies of all my books are available through my online store.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on TwitterThreadsBluesky and Instagram.

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©2025 Sharon Bennett Connolly, FRHistS and CarolMcGrath

Book Corner: The Damask Rose by Carol McGrath

1266. Eleanor of Castile, adored wife of the Crown Prince of England, is still only a princess when she is held hostage in the brutal Baron’s Rebellion, and her baby daughter dies. Scarred by privation, a bitter Eleanor swears revenge on those who would harm her family – and vows never to let herself be vulnerable again.

As she rises to become Queen, Eleanor keeps Olwen – a trusted herbalist, who tried to save her daughter – by her side. But it is dangerous to be friendless in a royal household, and as the court sets out on crusade, Olwen and Eleanor discover that the true battle for Europe may not be a matter of swords and lances, but one fanned by whispers and spies . . .

The Damask Rose is the second book in historian and novelist Carol McGrath’s She-Wolves trilogy, giving a refreshing new appraisal of the lives of Eleanor of Provence, Eleanor of Castile and – still to come – Isabella of France. The first in the series, The Silken Rose, followed the story of Eleanor of Provence through the early years of the reign of her husband, Henry III and his struggle with Simon de Montfort. The Damask Rose continues the story through Eleanor’s daughter-in-law, Eleanor of Castile. Though each book can definitely be read as a standalone, the two novels certainly complement each other.

Carol McGrath has a wonderful, engaging writing style that draws the reader in. The Damask Rose is a pleasure to read from start to finish and really gets into the mind of Eleanor of Castile, giving a new interpretation of the queen, her experiences, her emotions and motivations.

It shows the woman behind the crown and follows the life of Eleanor from the young Castilian princess, newly arrived in England to the height of her powers as queen and landowner.

And it is a thoroughly entertaining story.

In this fantastic novel, Carol McGrath explores every aspect of Eleanor’s life and explains how the Barons’ War and Simon de Montfort’s rebellion left a lasting impression on her, so much so that she never wanted to be so vulnerable and helpless ever again.

Eleanor scanned the courtyard where her frightened people had begun to gather in family groups. A priest hurried through them clutching a large cross, his habit flapping in a sudden breeze. He crossed himself and shouted in a voice as clear as reliquary crystal, ‘You, Gilbert of Gloucester, mark this, you are excommunicate by order of our Father, the Pope. You’ll burn Hell’s fire and you’ll deserve your fate.’

Earl Gilbert turned his head away from him. Pushing Eleanor forward again, he said, ‘UP you go, my lady.’ In a heartbeat, he had hoisted her onto his horse as if she were light as a feather, and jumped up behind her. He said into her pained ear, ‘Tell them they are to obey Hugh Bigod when he enters the castle this evening. He’ll arrange an escort for your ladies and household.’

‘We have no choice,’ she called down as she managed to wriggle an arm free from Gilbert’s grip. She pointed at the crumpled scroll still lying on the earth, and shouted to her shocked steward, ‘Take it. Read it to my people. Tell them the king has been forced to sign it.’

Master Thomas ran forward and scooped up the King’s letter. He picked her veil up from the ground and handed it up to her.

‘See the King’s order is obeyed,’ she said in a grudging tone as she took possession of her veil. Gilbert thrust her sword into an empty scabbard hanging from his saddle, and slowly walked his horse forward onto the drawbridge.

She could not let this seizure of her royal person go without another protest. ‘Gilbert of Gloucester, I shall have my revenge on you,’ she barked. ‘No one treats a future queen in such a manner.’ She knew she was making a formidable enemy but she didn’t care. Her temper could be foul but she did not care about this either.

‘Lady Eleanor, when you behave as a queen should, with suitable decorum, I shall treat you as a queen,’ he quipped. ‘Until then you are no better than a harridan.’

‘Arrogant bastard,’ she said under her breath as they rode into the trees, followed by the trotting horse ridden by the squire with the ridiculous name and carrying young Simon, the Devil’s son.

That evening, she peered from her heavily guarded tent, incandescent, watching as Hgh Bigod, Earl of Norfolk, rode to take possession of Windsor Castle. Her child and ladies would be loaded like cattle into wagons the next day to begin the journey to Canterbury. Her close friend and lady-in-waiting, Joanna de Valence, married to King Henry’s own half-brother William of Pembroke, was pregnant and she, herself, had missed her courses twice.

Statues of Edward I and Eleanor of Castile, Lincoln Cathedral ©2021 Sharon Bennett Connolly 

The leading characters of the story are a wonderful, rich collection of historical personages, from Edward and Eleanor themselves to the distasteful Gilbert de Clare, and the various lords, barons and ladies who made up their court, including my very own John de Warenne, Earl of Surrey. The fictional foil to the story is a young woman, Olwen, who helps the queen with her vast knowledge of herbs and their medicinal properties. Olwen is the perfect observer to Eleanor’s life, able to watch and listen whilst escaping notice – for the most part.

Carol McGrath weaves together the known story of Eleanor’s life, through the great events that shaped it, with the fictional creation of Eleanor’s world and emotions, allowing the reader to be a fly on the wall, watching events unfold and marvelling at the sights, smells and emotions of this long lost world.

And it will play on your own emotions.

In The Damask Rose, Carol McGrath not only tells Eleanor of Castile’s story, but also looks deep into the queen’s heart, offering a scenario that would explain Eleanor’s apparent lack of maternal instinct, her need to remain at Edward’s side no matter how far he travelled, and the inter-family relationships that shaped her life. It is a window into the life of a medieval princess and queen that is hard to forget.

Carol McGrath’s portrayal of the Spanish queen is the best depiction of Eleanor of Castile that I have ever read. Beautifully written, it is so touching that it had me in tears in several places – always the sign of a good book.

To buy The Damask Rose: tinyurl.com/dk2att32

About the Author:

Carol McGrath is the author of the acclaimed She-Wolves Trilogy, which began with the hugely successful The Silken Rose and continues with the brand new The Damask Rose. Born in Northern Ireland, she fell in love with historical fiction at a young age, when exploring local castles, such as Carrickfergus, and nearby archaeological digs – and discovering some ancient bones herself. While completing a degree in history, she became fascinated by the strong women who were silenced in record, and was inspired to start exploring their lives. Her first novel, The Handfasted Wife, was shortlisted for the Romantic Novelists’ Association Awards, and Mistress Cromwell was widely praised as a timely feminist retelling of Tudor court life. Her novels are known for their intricacy, depth of research and powerful stories.

For more news, exclusive content and competitions, sign up to Carol’s newsletter at: http://www.carolcmcgrath.co.uk

Follow her on Facebook: /CarolMcGrathAuthor1

And Twitter: @CarolMcGrath

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My books

Coming 31st May:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.

Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey will be released in the UK on 31 May and in the US on 6 August. And it is now available for pre-order from Pen & Sword BooksAmazon in the UK and US and Book Depository.

Also by Sharon Bennett Connolly:

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & Sword,  Amazon and from Book Depository worldwide.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Book Depository.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

©2021 Sharon Bennett Connolly 

Guest Post: Female Crusaders by Carol McGrath

It is a pleasure to welcome to History…the Interesting Bits, author Carol McGrath. Carol’s latest novel, The Damask Rose, is out this month and tells the story of Eleanor of Castile and her devoted husband, King Edward I. Eleanor of Castile led an adventurous life, to say the least, even accompanying her husband on Crusade to the Holy Land.

Carol McGrath tells us more…

Female Crusaders

Eleanor of Castile (1241-1290) is placed at the centre of my new publication The Damask Rose. She was married to Edward I at only twelve years old when he was fifteen and was his father Henry III’s heir. It is always thought that, throughout her life, Eleanor was devoted to Edward and him to her. They certainly supported each other throughout her life, almost always together. They even journeyed on Crusade together. She was not the first royal spouse to Crusade. Eleanor of Aquitaine and Marguerite of France had crusaded before her.

Sugar Storage Jar

In 1270 they set off on Crusade but they never reached Jerusalem. Acre was the royal couple’s home for more than a year. Edward was an able and courageous leader but the Crusade was militarily unsuccessful. They established their crusading court in Acre after the death of the original Crusade leader, the saintly Louis IX, at Carthage, and Edward became the eighth Crusade’s figure head. A legend says that Eleanor was so dutiful and committed to Edward, her only love, she saved his life in June 1272 when an assassin struck Edward down with a poisoned dagger. Edward apparently wrestled the knife from his assailant and killed him but not before he took injury to his arm.

The story relates that Eleanor sucked out the poison. This is not entirely true. Bartolemo Fiadoni known as the Ptolemy of Lucca is responsible for the popular tradition that Eleanor ‘showed great faithfulness; for with her tongue she licked his open wounds all the day, and sucked out the humour, and thus by her virtue drew out all the poisonous material.’ It is a story from the period’s High Romantic Tradition thus expressing Eleanor’s heroism. Read The Damask Rose to discover what most likely really did happen and how Edward survived the attack.

The story illustrates how the Crusades claimed both ecclesiastical and chivalric ideas linking Church and Court, how at the time, the Crusades became romanticised. Courtly literature was linked to women in Historical Romances, many of which were associated with crusading and the Holy Grail. In fact, many ordinary women went on Crusade as well as queens and noble women. These ordinary women were almost always described in sources in relation to men as daughters, wives, mothers, aunts, sisters and even more distant kin. However, sometimes we find widows or women, well past child bearing age and referred to as ‘in old age’, on Crusade.

Toilets in Acre

Individual female crusaders mentioned in sources were predominantly well to do. Even so, others exist such as the woman who followed a goose on Crusade because she believed it was filled with the Holy Spirit. Women generally were accompanied male relatives but some, like the goose lady, travelled without a guardian. A passenger list surviving from the Saint Viktor, a Crusade ship of 1250 records forty two of the 342 common people travelling to the Holy Land were women. Twenty-two of these women had no male chaperone. Securing a suitable male escort was apparently a huge problem. Large groups of widows might travel together as pilgrims. Pilgrims were not supposed to carry arms and even if women had travelled with pilgrim guards, they were still vulnerable. Women Crusaders were utterly courageous and determined. For example, in her mid-sixties, Ermeongarde, Countess of Brittany, who had taken the veil in Dijon in 1130, visited her half-brother, King Fulke of Jerusalem, and passed some years in the nunnery of St Anne in the Holy City. She safely return to Brittany in 1135 to tell her tale.

 The Dining Hall, Hospitaller Palace, Acre

Piety was the main reason for taking the cross. Women sometimes took the cross in public ceremonies alongside men. Jerusalem was naturally the goal. The two fold nature of armed pilgrimage to rescue the Holy Land by force and to pray at shrines gave women a ‘canonical loophole’ to participate. Also, Crusading affected women’s lives whether they stayed in Europe, took the cross or lived abroad in settler territories. Although women are recorded as present since the First Crusade, it was only during the thirteenth century that they were granted legal status as crucesignatae. Spiritual rewards such as the remittance of sins were indeed as attractive to women as men.

Women fulfilled practical functions during siege warfare on Crusade often undertaking jobs such as clearing rubble and filling ditches. They are recorded as bringing refreshments to the first Crusaders at the Battle of Dorylaeum. They are known to have transported materials to weave the panels in a siege engine in 1099 at the Siege of Jerusalem. This I found fascinating. They washed clothing and picked lice out of body linen. By the fourth Crusade, women were entitled to a share of the booty. They ground corn and maintained markets. They tended to the wounded and the sick.

A Parisian woman called Hosenda tended Louis IX when he was ill from dysentery in 1250. It was dangerous too. If a woman was captured her captivity held a sexual slur which devalued them regarding ransom. A woman was valued at a third the price of a man. Power in the settlements was, however, often transferred through widows and heiresses. Aristocratic marriages were extremely important to Crusader settler society. They cemented political alliances between Latins from the West, the Levant, Greeks, Armenians and Syrians. Some women even became feudal lords thus contributing to the defence of the Holy Land and women who stayed behind acted as regents and organised financing the Crusaders.

The Hospitaller Palace Acre

As for Eleanor of Castile, nothing quite so amazing. She was a child bearer during her Crusade experience, pregnant for most of the campaign. It is thought she suffered a still birth early on; her daughter, Joan of Acre, was born on Crusade; her son Alfonso was born on the long journey home. It is unlikely Eleanor actually saw much of Acre where prostitution was rife, a city called ‘a sinful city and one filled with all uncleanness’ by Oliver of Poderborn. It is likely that after the excitement of their arrival, Acre soon palled on her accompanying noble women and their ladies. At least, Eleanor, a true blue-stocking, could find escape in her beautiful books and the lovely gardens of the Citadel of the Knights Hospitaller, a substantial building complex of five thousand square miles, three times that of the Tower of London, her home for the duration. To discover more do read my new novel The Damask Rose.

Many thanks to Carol McGrath for her wonderful insight and research into female crusaders.

To buy The Damask Rose: tinyurl.com/dk2att32

Look out for my review of The Damask Rose, which will go live in a few days…

Catch up on Carol’s blog tour so far – and follow the last few stops with the bloggers.

About the author:

Carol McGrath is the author of the acclaimed She-Wolves Trilogy, which began with the hugely successful The Silken Rose and continues with the brand new The Damask Rose. Born in Northern Ireland, she fell in love with historical fiction at a young age, when exploring local castles, such as Carrickfergus, and nearby archaeological digs – and discovering some ancient bones herself. While completing a degree in history, she became fascinated by the strong women who were silenced in record, and was inspired to start exploring their lives. Her first novel, The Handfasted Wife, was shortlisted for the Romantic Novelists’ Association Awards, and Mistress Cromwell was widely praised as a timely feminist retelling of Tudor court life. Her novels are known for their intricacy, depth of research and powerful stories.

For more news, exclusive content and competitions, sign up to Carol’s newsletter at: http://www.carolcmcgrath.co.uk

Follow her on Facebook: /CarolMcGrathAuthor1

And Twitter: @CarolMcGrath

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My books

Coming 31st May:

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.

Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey will be released in the UK on 31 May and in the US on 6 August. And it is now available for pre-order from Pen & Sword BooksAmazon in the UK and US and Book Depository.

Also by Sharon Bennett Connolly:

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available from Pen & Sword,  Amazon and from Book Depository worldwide.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon and Book Depository.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066.  Available now from Amazon,  Amberley Publishing, Book Depository.

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©2021 Sharon Bennett Connolly