Guest Post: Empresses, Saints and Female-Kings: The Four Great-Granddaughters of King Ladislaus the Elbow-High by Katarzyna Ogrodnik-Fujcik

Today it is a pleasure to welcome my good friend, Kasia Ogrodnik to History…the Interesting Bits with a little bit of Polish history for us. I have been wanting to tell the story of King Jadwiga since writing about her in Heroines of the Medieval World. But Kasia is far better qualified to write about her compatriot, Poland’s famous female king and saint, and Jadwiga’s influential female relatives.

So, over to Kasia…

Empresses, Saints and Female-Kings: The Four Great-Granddaughters of King Ladislaus the Elbow-High

Charles IV, King of Bohemia and Holy Roman Emperor and Anna of Schweidnitz [Anna Świdnicka], c. 1357, Chapel of St. Katherine, Karlstejn

The night of 19 May 1365 saw a young girl leaving Pisa on horseback. With her hair loose, clad only in her nightgown she was galloping to safety after fire broke out in Palazzo degli Anziani. Judging by her looks no one would have guessed this girl was in fact Holy Roman Empress and Queen of Bohemia. 

Anna of Schweidnitz, Silesia (today Poland), was the only child of Duke Henry II, the grandson of King Ladislaus the Elbow-High of Cracow (Poland). Upon her father’s death she was placed under the care of his elder brother, her uncle, Bolko II the Small. The ruler of the small, but politically important duchy, Bolko was the last independent Silesian Piast. Since Charles IV of Luxembourg intended to annex the entirety of Silesia to the Kingdom of Bohemia, Bolko’s duchy, being the only missing part, was crucial to his plans. To secure the Schweidnitz inheritance Charles married Anna and this is how her journey began. Of course, she was not the only great-granddaughter of King Ladislaus to make an illustrious career. His three other great-granddaughters were to leave their marks on the world, too, and indelible ones. Two of them were to be crowned ”kings” and one proclaimed  saint. 

Anna of Schweidnitz [Anna Świdnicka], bust in St Vitus Cathedral, Prague, c. 1370

Anna of Schweidnitz (b.1339), Queen of Bohemia and Holy Roman Empress, was Charles IV of Luxembourg’s third wife. Initially she was betrothed to his son, Wenceslaus, but the boy died while still very young. His mother, Charles’s second wife died too shortly afterwards. To secure the Schweidnitz succession Charles decided to marry his late son’s fiancee himself. Anna was raised and educated at the splendid court of Queen Elizabeth of Poland (her late father’s aunt) at Buda, where she was sent by her uncle and official guardian, Duke Bolko II the Small. It was there where she and Charles were married in the closing days of  May 1353. Shortly afterwards the newlyweds returned to Prague and paid a visit to Schweidnitz, where the succession treaty was signed according to which the duchy was to be inherited by Anna and her children by Charles upon the death of her uncle Bolko and his wife Agnes of Habsburg. On 28 July 1353, Anna was crowned Queen of Bohemia and the following year, on 9 February 1354, Queen of Germany. The year 1355 saw the royal couple in Italy, where on Easter Sunday (5 April 1355) they were crowned Holy Roman Emperor and Holy Roman Empress in a splendid ceremony in the Basilica of Saint Peter, Rome.

Anna and Charles’s first child, a daughter, Elizabeth, was born in 1358. Charles was overjoyed, but Anna felt she failed her husband (which we know thanks to her surviving correspondence with Petrarch). A much awaited son and heir arrived three years later, named Wenceslaus, traditional name of the rulers of Bohemia. He was to become Charles’ beloved and favoured child. Anna died on 11 July 1362, in childbirth, aged 23. The child did not survive, either, and they were buried together in St Vitus Cathedral, Prague. Anna was remembered for her personal charm and sweet nature. Not only did she receive a bluestocking education, but she was also considered one of the style icons of her time, her reputation as a great beauty resting on the surviving images created during her lifetime and shortly after her untimely death. Tradition has it that of Charles’ four wives it was Anna he loved most. Stricken with grief upon her passing, he did not remarry until a political situation forced him to. His fourth wife was Anna’s kin, Elizabeth of Pomerania, also great-granddaughter of King Ladislaus the Elbow-High. 

Elizabeth of Pomerania (Eliška Pomořanská, Elżbieta Pomorska)

 
Reliquary Shrine of Elizabeth of Poland, Queen of Hungary, Maria and Jadwiga’s paternal grandmother, attributed to Jean de Touyl, ca. 1350 . Metropolitan Museum of Art, New York

Elizabeth was a daughter of Duke Bogusław the Great of Pomerania and Princess Elżbieta of Poland. In 1362 her maternal grandfather, King Casimir the Great of Poland together with his nephew, Louis the Great of Hungary, dukes of Austria and Bavaria formed a coalition against Charles IV of Luxembourg. The opposing parties found themselves on the verge of war, which did not break out, however, perhaps due to Anne of Schweidnitz’s untimely death. The rulers came to terms instead and a marriage was forged to consolidate their agreement. Charles was to marry Elizabeth. He was thrice her age, shorter than her and not very attractive. She was described as beautiful, full of life, and as fit as a fiddle. Stories had it that she could break horseshoes with her own hands. She was an avid horse rider and hunter. 

The wedding ceremony was celebrated in Kraków on 21 May 1363. Afterwards the couple travelled together to Prague where Elizabeth was crowned Queen of Bohemia. Five years later her imperial coronation at Rome followed. Despite the age difference she and Charles got along well, being married for fifteen years. Their union produced six children, four of whom were to reach adulthood. Charles and Elizabeth’s eldest child, a daughter Anne, was to marry Richard II and become Queen Consort of England. Their son, Sigismund was to be crowned King of Bohemia, Hungary and Holy Roman Emperor. Charles IV died in 1378. Elizabeth herself was to outlive her husband for fifteen years. She died in 1393 and like his three wives before her, she was buried in St Vitus Cathedral, Prague.

Mária [Mary] of Anjou, King of Hungary

The coats of arms of Hungary and Poland, c. 1340. Treasury of Aachen Cathedral, Germany

Mary was one of the three daughters of Louis the Great of Hungary and his second wife, Elizabeth of Bosnia. In 1379, Mary’s elder sister Catherine died, leaving her and her sister Jadwiga Louis’s sole surviving children. The matter of Polish succession had been on the agenda long before Mary was born. Upon King Casimir the Great’s death in 1370 his nephew, Mary’s father, Louis was crowned king of Poland. Initially it was Mary, who was to succeed him as the king of Poland, but the events took a different turn, and in the end she was replaced by her younger sister, Jadwiga [Hedwig]. 

Mary was crowned “king” of Hungary on 17 September 1382, seven days after her father’s death. However, the idea of a female monarch was not popular among the Hungarian nobility. Many nobles considered Charles III of Naples, Mary’s distant cousin, the lawful heir. 

Charles landed in Dalmatia in September 1385. In October Mary was married to Sigismund of Luxembourg, however, this  could not prevent Charles from entering the capital.  Mary was forced to renounce the throne and Charles’s coronation took place on 31 December 1385. He did not rule for long. Two months later, in February 1386, he was murdered, most probably at the instigation of Mary’s mother. Mary was restored, but in July she and her mother were captured by the dead king’s supporters. Famed for her beauty, but not for her political decisions, Mary’s mother met a violent end. After imprisonment by her opponents in Novigrad castle, she was found guilty of the murder of Charles III of Naples and strangled to death before her daughter’s own eyes, her body put on display, hanging on a rope from the castle walls. Mary survived and was rescued by her husband, Sigismund, who was crowned king of Hungary afterwards. Mary officially remained his co-ruler, but had no real influence on the government. She died on 17 May 1395 after falling from a horse during a hunting accident. She was pregnant at the time. Her prematurely born son did not survive either. 

Jadwiga [Hedwig] of Anjou, king and patron saint of Poland

Jadwiga and Maria, their mother and their sister Catherine as depicted on the St Simeon’s casket, Zadar, Croatia

Mary’s younger sister, Hedwig was born on 18 February 1374, being the youngest of the three daughters of Louis the Great of Hungary and Elizabeth of Bosnia. 

Both Mary and Jadwiga received a bluestocking education, Jadwiga both at the cultivated court of Hungary and in Vienna, at the court of her future father-in-law. Not only could Jadwiga read and write, but she also spoke fluent Latin and German. As the king of Poland she owned a big library and always  showed an active and generous support of scholars and learning institutions.

Since Polish nobles did not like the idea of Mary’s consort, Sigismund of Bohemia, becoming de facto their king, they appealed to Elizabeth of Bosnia, the dowager queen, who had assumed regency, asking to send the younger of her two surviving daughters to Kraków. Elizabeth agreed and absolved the Polish nobles from the oath of loyalty they had pledged to Mary. 

Jadwiga’s coronation took place on 16 October 1384 in Wawel Cathedral, Kraków, where she was crowned ”king” of Poland. On 18 January 1385 the Lithuanian delegation came to the capital and a meeting was held with the representatives of the Polish nobility. Jadwiga was to marry the ruler of pagan Lithuania, Jogaila. In the opening days of 1386, Jadwiga publicly called off her engagement to Wilhelm Habsburg and married newly baptised Jogaila, who was to come down in history under his new name, Władysław Jagiełło [Ladislaus Jagiellon]. At the time of their wedding she was twelve, he was thirty-five. Władyslaw was crowned king on 4 March 1386. 

Despite her young age Jadwiga continued to play an active role in the administration and politics of her realm. She conducted the negotiations with the knights of the Teutonic Order, but also on the Hungarian front. Jadwiga conferred with her sister Mary on numerous occasions. Their meetings were held both in Hungary and in Lesser Poland. She also intervened in Lithuania, where she peacefully resolved dynastic disputes between the ruling fractions.

Jadwiga’s tomb effigy from 1902 by Antoni Madeyski, Wawel Cathedral, Kraków, Poland. The queen’s earthly remains were transferred here from her original resting place at the high altar in 1949 and stayed here till 1987. Then they were transferred to the altar with the Black Crucifix

She was famed for her charity and showing great care to the poor and the ill. Her active and generous support of scholars and learning institutions did not waver over the years. In her last will she donated all her jewelry, her rich dresses and other valuable objects to the Kraków Academy (the first Polish university founded by Kazimierz Wielki), now the Jagiellonian University. Additionally, she founded a dormitory for Polish students at the University of Prague. 

Jadwiga died from complications in childbirth on 17 July 1399. She was twenty-five at the time. Her daughter did not survive, either. Almost immediately after her death, Jadwiga’s tomb became the focus of miracles and the destination of pilgrimages. Her cult flourished, with her canonization first mentioned during the funeral ceremony. However, it was to take seven centuries before she was actually canonised by Pope John Paul II. Ever since she has been recognised as patron saint of Poland and considered Polish national hero. 

About the author:

Katarzyna Ogrodnik-Fujcik specializes in British literature and history, her area of expertise being the first Plantagenets (the Angevins). She lives in Poland. She writes for different magazines and websites on Polish and European Middle Ages. She runs a blog dedicated to Henry the Young King. She consulted a BBC documentary on William Marshal.

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Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.orgAmberley Publishing and Amazon UKKing John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Booksbookshop.org and AmazonDefenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword BooksAmazon in the UK and US, and Bookshop.org

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & SwordAmazon, and Bookshop.orgHeroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.orgSilk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

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In Search of Sir Lancelot

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The Great Hall and Round Table in Winchester

I have always had a soft spot for the Arthurian Romances. I love the legend of King Arthur and really hope that there was a historical Arthur who inspired the original tales. His Knights of the Round Table are held up as models of chivalry throughout Europe.

And the recent discovery of some wonderful wall paintings of Lancelot du Lac in a Ducal Tower in Siedlęcin in Poland is simply incredible.

Rodengo, Schmalkalden and Siedlęcin: Where Did the Knights of the Round Table Go?

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Castel Rodengo

King Arthur is mortally wounded and taken to the isle of Avalon, the cream of the crop – his best knights dead. With their passing the age of chivalric deeds and marvelous exploits is over.

Is it really? After all, what the king and his knights have left behind is an extensive body of literature and next to Arthur himself, each of the knights has his own story to be told and retold. And their stories have been retold many times in several versions in different languages.

Some of Arthur’s knights were so celebrated that their fame spread from the literary world to the world of art, music and architecture.

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Rodengo murals (detail)

Today I am going to focus on the two of these knights, both very popular and with an enormous impact on the literary world. Yvain and Lancelot, for they are the ones, became the main characters of Chretien de Troyes’ romances and many other poets and writers that followed and based their versions on Chretien’s.

A few groups of the wall paintings, for example, presenting their deeds and exploits survive scattered across Europe. The most famous murals are certainly those painted by Sir Lancelot himself in the Prose Lancelot, but let me take a closer look at those painted on the walls of medieval castles, towers and houses.

Yvain was beside himself. everything he heard upset him, and everything he saw tormented him. He wished he were far away in a land so wild that no one would know where to look for him…
(from Yvain ou le Chevalier au lion)

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Hessenhof in Schmalkalden in the Middle Ages

One look at Castel Rodengo mounted on a hilltop covered with thick verdure is enough to give the impression that Yvain’s wish has come true, fortunately the surrounding land is not as wild as it may seem and everyone has a chance to visit and admire the wall paintings preserved inside the former castle chapel, dedicated to St Nicholas. Dating back to the 1220s, the cycle depicts the story of Ivain as told by Chretien de Troyes and Hartmann von Aue and is an “extraordinary document without known precedent: the oldest surviving representation in the monumental arts of the High Middle Ages of a profane narrative subject in the context of profane architecture”. Little wonder that the discovery of the murals in 1973 caused a great sensation.

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Schmalkalden wall paintings (detail)

The castle itself was built c.1140 near Bressanone, in the South Tirol, and is known variously as Schloss Rodenegg or Rodeneck after its first owner’s surname: Federico I di Rodank. From the late 16th century to the 1970s, the paintings remained hidden under cover of vaulting and flooring. Eleven Yvain scenes represent the episodes from the first half of the epic, with the end of the story not depicted which led to speculations that the paintings were created before Hartmann completed his poem.

In further search for Ivain we move from the north-east of Italy to the central Germany, where in the small town of Schmalkalden, Thuringia, one more fine example of the remarkable wall paintings survive in the basement of the 13th-century Hessenhof house. This cycle is more extensive than the one at Rodengo, the surviving 26 scenes having been probably created between 1220 and 1230. The knightly adventure presented in them is shown as a game and courtly leisure. The Schmalkalden murals are the oldest surviving secular wall paintings in Germany.

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Schmalkalden in Thuringia today

My lady, it’s not fitting to speak of this, but take pity on him, for he loves you more than himself; God help me, when he came I knew nothing of his thoughts except that he was afraid of being recognized, and he never revealed anything else to me. (from The Prose Lancelot)

Henry I of Jawor was the 3rd son of Bolko I The Strict and Beatrice of Brandenburg, he was born in the early 1290s. His father died while Henry was still a child and it was not until 1312 that Henry assumed control of his Duchy of Jawor. Situated in Lower Silesia, it was only Henry’s political acumen that kept Jawor independent from its larger neighbour, Bohemia, despite other Silesian Dukes were swearing fealty to Bohemia’s king, John the Blind.

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Ducal tower of Siedlęcin (sekulada.com)

After joining a coalition against King John Henry married Agnes of Bohemia, only daughter of the late king Wenceslaus II of Bohemia by his 2nd wife, Elizabeth of Poland. Although the marriage proved childless it did make Henry a rival claimant to Agnes’s half-brother, King John, for the Bohemian throne.

The Ducal Tower at Siedlecin was built by Henry shortly after he assumed control of Jawor. One of the most important medieval residences in Central Europe, the Medieval mural paintings are in the great hall, on the 2nd floor of the keep. Commissioned in 1345 by Duke Henry, they remained unfinished following the Duke’s death in 1346.

Arthurian legends were very popular in the courts of Medieval Poland and Silesia,, but these paintings are the earliest surviving examples. Sir Lancelot managed to hide unidentified in the ducal tower of Siedlęcin for almost 700 years.

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Siedlęcin wall paintings

Fortunately his true identity was revealed, for today the Siedlęcin is the only place in the world where Lancelot wall paintings have been preserved in situ. The true subject matter of these remarkable 14th-century murals was not recognised until 1990s.

Their major conservation was carried out in 2006, actually saving them, for they were in a very poor condition – they had been almost lost due to perfunctory conservation process carried out in the 1930s. The Siedlęcin group includes representations of the scenes from the Vulgate Lancelot, which were to be the main source of Sir Thomas Malory’s romances in the 15th century…….

There are 4 scenes depicting the court of Camelot. The 1st shows Arthur’s queen Guinevere with her ladies, followed by Guinevere’s kidnapping by Meleagant and her rescue by Arthur’s champion, Lancelot. Below these are representations of Lancelot and his cousin, Lionel;  Lancelot asleep under an apple tree and Lionel sleeping on guard. Then we see a duel between Lancelot and Tarquin and Lancelot with Arthur’s brother, Sir Kay.

The unfinished portion depicts a duel between Lancelot and Sagramour and the healing of Urry de Hongre…..

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Siedlęcin murals

Today Siedlęcin really is the only place in the world where you can still admire the Lancelot paintings preserved in situ.

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For more details on the Ducal Tower at Siedlecin, just click here.

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Photos courtesy of: Winchester – Wikipedia, Castel Rodengo – Valle Isarco, Rodengo murals – sentres.com, Schmalkalden – romoe.com, Hessenhof and the wall paintings – schmalkalden.com, Ducal tower od Siedlęcin – sekulada.com, Siedlęcin murals – L.Bartosik (Go Lower Silesia), Siedlęcin murals – Wojciech Pudło
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Sources: Le Gof, Jacques. The Medieval Imagination. The University of Chicago, 1992; Allaire, Gloria. The Arthur of the Italians: The Arthurian Legend in Medieval Literature and Culture. University of Wales Press, 2014; Lacy, Norris. The New Arthurian Encyclopedia; Lacy, Norris. A Companion to Chrétien de Troyes, D.S. Brewer, 2005; Witkowski, Jacek Szlachetna a wielce zalosna opowiecs o Panu Lancelocie z Jeziora; Wierssing, Johannes. Schmalkalden. Eine kleine stadt mit grosser Geschichte. 2013; Lupack, Alan. Oxford Guide to Arthurian Literature and Legend. Oxford University Press, 2007; The Norton Anthology of English Literature (Norton Topics Online); Ducal tower of Siedlęcin

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©2015 Sharon Bennett Connolly