Last month, we lost one of the great historians of medieval history, Martin Aurell. A few years ago, I had the honour of translating one of Martin’s essays on Eleanor of Aquitaine for a compilation on England’s medieval queens. He had a wonderful insight into Eleanor and I would have loved to meet him. So, when my dear friend Kasia asked if I would publish her tribute to Martin, I jumped at the chance.
The Book and the Duchess: Eleanor of Aquitaine and her Artistic Legacy….
In memory of Professor Martin Aurell
Richard of Devizes called her femina incomparabilis “a woman without compare” and in many respects she was. Queen of both France and England respectively, duchess of a great duchy in her own right, rebel wife who openly went to war against her husband, Eleanor of Aquitaine needs no introduction. And yet very little is actually known about one of the most famous women in history. Thus we should not find it surprising that all the myths and misconceptions about her got so firmly established in the popular consciousness. One of them is Eleanor as a very active artistic patron. However, if we raise the question, her artistic legacy is rather modest. There are only few surviving objects that can be safely associated with her.
First and foremost, there is her tomb effigy at Fontevraud Abbey, which is the earliest funerary monument that we know of to depict a woman with a book. Also, as it seems, it is the only one to depict a man or a woman in the act of reading. The book Eleanor is holding is a restoration. The original had been destroyed during the Revolution. It is probably devotional work…. book of prayers, psalter or gospel book.
The effigy is one of the few instances when Eleanor can be safely identified as an artistic patron. She most probably commissioned it herself. Also the effigies of Henry II and Richard I the Lionheart (the one of Isabelle of Angouleme was commissioned more than forty years later) which were created at the same time (as stylistic similarities indicate). Made from tuffeau limestone from the Loire valley they successfully stood the test of time. despite different vagaries of history. What makes us believe Eleanor was a commissioner? First and foremost, Eleanor’s presence at Fontevraud Abbey at the time. After Richard’s death in 1199 she left the walls of the abbey, but stayed in Anjou, defending it for John. Later she retreated to the abbey again and spent her last years there. The effigies must have been created between the death of Richard and her own death in 1204 (also the year Anjou fell to the Capetians).
Another object connected with Eleanor is the afore-mentioned Eleanor’s vase, which was a wedding gift she presented to her first husband Louis VII of France. It had stayed in her family since the reign of her famous/infamous grandfather, William IX the Troubadour, who had brought it with him from Spain. Louis gave it to Abbot Suger as a gift for St Denis. Suger added all the ornamentation. It was a classic crystal rock vessel when Eleanor presented it to Louis.
Another work of art associated with Eleanor is the so-called Fecamp Psalter (or Psalter of Eleanor of Aquitaine), one of the oldest manuscripts preserved at the Dutch Royal Library at the Hague. With 27 full-page miniatures, 36 calendar miniatures depicting the Labours of the Months, and 11 historiated initials illustrating the major divisions of the psalter it is exquisitely beautiful. By the end of the 11th century Fécamp was a leading centre for manuscript copying in Normandy and in the late 12th century (c. 1180) this beautifully illuminated psalter was probably commissioned by Eleanor herself. In 2016 student Jesus Rodriguez Veijo identified the figure on the Beatus page of the psalter with Eleanor, relying in part on the scholarship relating to the Radegonde mural. You can view the manuscript on the official site of Koninklijke Bibliotheek, Hague.
The so-called Poitiers Window is one of the few contemporary depictions of Eleanor. She, Henry and their four sons are shown in a small scene, being a part of a larger depiction of Crucifixion, in the area reserved for patrons. Eleanor and Henry hold an image that represents the window itself. This image is not a part of the original, but a result of 19th-century restoration by Adolphe Steiheil. The window must have been commissioned between 1166 and 1173, the birth of John and the outbreak of the Great Revolt, when the royal family was still undivided.
The famous Radegonde Mural preserved in the chapel of Sainte Radegonde, Chinon has been a subject of heated debates since its discovery in 1964 by Albert Heron. This representation has been widely accepted as a depiction of the Plantagenet family, identifying the central ”crowned” figure as Eleanor. Later research, however, helped to determine that all the figures were actually male. This led the historians to believe that the central crowned figure was in fact Eleanor’s eldest surviving son, Henry the Young King.
In her article entitled Two reputed representations of Eleanor of Aquitaine from her lifetime – a re-evaluation Sara Cockerill, the author of the latest Eleanor biography, revisits the evidence for both these representations and formulates yet one more theory that the scene is in fact a representation of the characters from St Radegonde’s legend. This led her to the following conclusion: while the same person may well have commissioned both depictions, only one, the Psalter, should be regarded as attempting to portray Eleanor herself.
By Katarzyna Ogrodnik-Fujcik
About the author:
Katarzyna Ogrodnik-Fujcik specializes in British literature and history, her area of expertise being the first Plantagenets (the Angevins). She lives in Poland. She writes for different magazines and websites on Polish and European Middle Ages. She runs a blog dedicated to Henry the Young King. She consulted a BBC documentary on William Marshal.
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Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.
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Also by Sharon Bennett Connolly:
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.
Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Michael Jecks, and discuss a wide range of topics in medieval history, from significant events to the personalities involved. Every episode is also now available on YouTube.
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