Eighteenth Century – History… the interesting bits!

Wordly Women: Cathie Dunn

11/10/202509/10/2025Sharon Bennett Connolly1 Comment

Time for another edition of Wordly Women! It has been great fun, meeting all these amazing authors. I do hope everyone is enjoying it as much as I am. Today, I want to introduce you to a very dear friend, historical novelist Cathie Dunn. Cathie and I have known each other a good few years on Facebook, so much so that the first time we met in real life, there was no awkwardness. I love that about social media!

So, let me introduce you to Cathie!

Sharon: Hi, Cathie, first things first, what got you into writing?

Cathie: Ooh, that takes me back decades! It was the romantic historical novels by the likes of M.M. Kaye, Victoria Holt / Philippa Carr (Eleanor Burford’s pseudonyms), in my late teens that got me hooked. I loved Ms Holt’s gothic romance novels in particular, at the time. They were so atmospheric, and – growing up in Germany – I loved the vision of historic and haunted English manors. During the late 1990s and 2000s, after my move to the UK, I learnt a lot about how to create a compelling plot, within a realistic historical setting, by devouring novels by Helen Hollick, Elizabeth Chadwick, and Barbara Wood, amongst others. It was enough to make me embark on HE Certificate in Creative Writing (online) at Lancaster University (though at the time, I was the only one on the course who wrote historical fiction). But at least, it provided me with deeper insights into the writing craft.

Sharon: Tell us about your books.

Cathie: I started off with a project which went from romance to murder mystery to spy novel to (supposedly) a series of events set during the Anarchy – one of my favourite eras. To date, Dark Deceit is an undefined mix, which I’ll need to untangle at some point in time.

Sharon: Yes please! I want to read it!

Cathie: In 2009, I took part in NaNoWriMo, working on a Scottish romance set after the 1715 Jacobite rebellion. I used real locations and studied the background history in depth – too much for traditional romance publishers, who duly rejected it. Fortunately, Highland Arms was picked up by a fabulous US indie press, and my path was clear! I later wrote a second Scottish romance, A Highland Captive, set during the Wars of Independence.

After my move from Scotland to France, my focus changed to medieval French history, with a dual-timeline mystery inspired by my surroundings. Love Lost in Time delves into the distant past of the county of Carcassonne. And the novel immortalised a young cat I lost too soon, Shadow.

Next, I wrote a novel set at the court of Louis XIV. The Shadows of Versailles deals with a dark side of the otherwise glittering court: the Affair of the Poisons. It may be too dark for some readers, as it contains disturbing scenes of child abductions and black masses. Tragically, it’s all based on real, credible accounts of the time. Researching history can be revolting, at times.

After that serious topic, I needed a more positive distraction, and I promptly delved into the foundation years of Normandy, a county I love. Ascent tells the forgotten story of Poppa of Bayeux. Everyone with a TV now knows her more danico husband – Rollo – but who was the mother of his children? Sadly, she was overlooked in the recent series, Vikings. Ascent tells her (fictionalised) story.

Sharon: What attracts you to the early medieval period?

Cathie: It was an era of great change, all across the British Isles and the European continent. The old ways and beliefs had been discarded, to make way for a Church growing in political influence, and it all makes for fascinating research. New hierarchies were formed amidst a continuing power struggle between different families. As the appointments of ‘nobility’ grew into fashion, so did the influence of favourites and allies on rulers. It was a fascinating time.

Sharon: Who is your favourite early medieval character and why?

Cathie: Ooh, that’s a tricky one. There are so many real people we know little about, especially women.

(So, a big *Thank You* to you for shining a light on them with your brilliant books!)

I do think Poppa of Bayeux deserves a lot more credit. She had to deal with so many challenges – married to a marauding stranger who was likely a decade or two older, and a Pagan; bearing his children; fleeing with him to Anglia; returning to see his power increase, while she is quietly forgotten. I quite like her to be my favourite early medieval character.

Charles Martel is another. He was a fascinating man, paving the way for a greater Frankish kingdom with his conquests across what is now France. Whilst most people know his grandson, Charlemagne, without Charles, Charlemagne’s ascent in the political sphere of central Europe would not have been possible. Was Charles likeable? Hm, I’m not sure. We know he was ruthless, efficient, and a capable leader of men. Did he have time to be nice? Perhaps that’s a question for another writing project…

Sharon: Who is your least favourite early medieval character and why?

Cathie: That would probably be Charles the Fat, Carolingian King of the Franks and Holy Roman Emperor for a few years in the 880s. He was ineffective, and hopeless at controlling different sections of his empire. He was deposed and died in early 888, and the crown went to Odo of Paris. The Carolingian dynasty was restored after Odo’s reign, though the crown of Frankia went back and forth for a while. This is the era Ascent is set in, and it made for intriguing research.

The real Rollo surely had his work cut out, having to deal with all these changing rulers and their agendas.

Sharon: How do you approach researching your topic?

Cathie: I love history books. I think by now I own more history books than novels! Usually, I start with checking online resources. Jstor is a useful site, where you can read a number of articles for free each month; Medievalists.net is another helpful resource.

But most online sites just give you only an overview, so you need to check books that focus on the relevant era. I have an array of history books on early, high & late medieval England, Tudor England, and medieval & Jacobite Scotland on my shelves. For my France-based novels, I consult non-fiction books in French, many of which I find (handily!) in second-hand bookshops. I also use German resources, where needed.

I find that having a range of resources from different countries to consult is the best way to get a fair overview of historic events. We know that original sources were often (though not always) based on what rulers wanted the rest of the world to know – that being not necessarily the full truth. The winner records history in his favour. So, drawing from sources in different languages adds to the experience in discovering the past.

Sharon: That is so true!

Sharon: Tell us your ‘favourite’ medieval story you have come across in your research.

Cathie: Unfortunately, it is difficult to find credible stories about early medieval characters, unless they were major players like Charlemagne, due to the loss (or deliberate omission) of references for lesser-known individuals.

Therefore, I’ve chosen Charlemagne’s wives and concubines as a story I find entertaining, and enlightening! I mean – how on earth did the man have the time to marry four times, have several concubines after the death of his last wife (and possibly before) – and father an estimated twenty (20!) children? His court was always travelling across his ever-expanding realm (and later, his empire), though it is said that his main seat at Aachen (Aix-la-Chapelle) became his favourite.

He insisted his illegitimate children were raised alongside his legitimate offspring, ensuring they all received an education deserving of their Royal bloodline. After his son Pepin’s untimely death, he even took his grandchildren in to be educated with the others.

This is a fact I recently discovered, and now I’m curious to find out more! With daughters, and especially illegitimate ones, usually being swept off into marriage or convents, his insistence that they are all educated is telling. Clearly, here was a man who valued learning – be that in practical skills or reading and writing.

For a man who ruthlessly expanded his territories, responsible for subjugation of peoples and a great number of deaths ranging from Germanic Saxony to the Iberian Peninsula, this shows an entirely different side of the ‘great Charles’.

Sharon: Tell us your least ‘favourite’ medieval story you have come across in your research.

Cathie: That has to be Charlemagne’s darkest episode – the subjugation of Germanic Pagan tribes in Saxony. The wars lasted – on and off – for three decades, and they were brutal. The Saxons did not give in easily, much to Charlemagne’s frustration, and their conversion to Christianity was slow. Their skirmishes into his territory vexed him immensely.

Eventually, according to the Royal Frankish Annals, the infamous ‘Blood Court’ massacre at Verden, in October 882, saw the execution of approx. 4,500 Saxon ‘rebels’ captured after recent battles. Their leader, Widukind, had managed to flee north.

Although later historians disputed the figure quoted in the annals, with several trying to make ridiculous excuses for Charlemagne’s actions, there seems to have been a great slaughter of thousands of prisoners, regardless. Charlemagne wanted to set an example, an effective deterrent.

Warfare continued for three more years, then it was all over for the Saxons, especially after Widukind converted to Christianity. But it was the massacre at Verden that remained like a blood stain on his otherwise pristine reputation.

Sharon: Are there any other eras you would like to write about?

Cathie: I do love different eras, as you know. The Anarchy is definitely high on my list, and I’ll have to revisit Dark Deceit to see where it takes me. (Sharon: Do it! Please!)

But I also love the court of Louis XIV of France, with all its superficial splendour and dark secret plots. The Affair of the Poisons is such an intriguing event, with many prolific nobles implicated in trying to influence the king’s opinion through nefarious deeds. Deeply disturbing, and utterly fascinating.

And then, of course, is the time of the Scottish Wars of Independence. It wasn’t easy to mess with a remarkable, power-hungry king like Edward I! (Sharon: Ooh, yes!)

But, ultimately, it’s the late Dark Ages (do we still call it that, as they weren’t really that dark?) and early Middle Ages that keep me hooked. Oh, to travel to Frankia for one day only…

Sharon: What are you working on now?

Cathie: My current WIP is called Treachery, and it’s the story of Sprota the Breton, handfasted wife of William Longsword – Poppa’s and Rollo’s son. Like his father and his two wives, William married Sprota in more danico (in the Danish custom), and Luitgarde of Vermandois in a proper Church blessing, for political reasons.

Even less is known of Sprota than of Poppa; mainly that she was mother to William’s only son, Richard, likely the first Duke of Normandy. (Rollo and William never were dukes.) I introduced her towards the end of Ascent, when she had to flee to Bayeux as William’s enemies closed in on him at his fortress in Fécamp. Following William’s assassination by Count Arnulf of Flanders in 842, Sprota had to remarry to keep her young son’s inheritance secure. And to ensure his safety!

Her responsibility as the mother of William’s heir, and her struggles for them to survive, make for an intriguing story. So many powerful men had set their sights on Normandy, wanting Richard out of the way. I hope to do Sprota justice, as, again, she has been forgotten in time.

The third and final instalment of my House of Normandy trilogy about the early ladies of Normandy will conclude in Reign, about Richard’s second wife (and previous lover), Gunnora.

Then there’s Poppa’s daughter Adela, married to the Count of Poitou. Perhaps a companion novel? 😉 Sigh…

Sharon: And finally, what is the best thing about being a writer?

Cathie: Exploring past histories is utterly fascinating, and I can only recommend it. That goes for the good and the bad we discover in our research.

Reliving the distant past is fun, but also a great responsibility, as we should stay as close to the few known facts as possible. An ogre can’t just turn into a Prince Charming, although looking at Charlemagne, he definitely had two sides to his character – the caring father interested in learning and culture, and ruthless ruler chopping off heads of his prisoners. A man of his times. But what about his women? (Cathie, behave! One novel at a time…)

And though my earlier works focused more on events and fictional characters, I now find it far more rewarding to bring forgotten women from the distant past back to life, even ‘just’ in fictionalised format. Their stories must be told.

Thank you again for letting me ramble on about my research and writing. It’s been fabulous revisiting my stories, and the real characters involved in them, and I hope your readers enjoy my interview.

Sharon: Cathie, thank you so much! It has been a pleasure! No wonder you and I get on so well!

About the Author:

Cathie Dunn is an Amazon-bestselling author of historical fiction, dual-timeline, mystery, and romance. She loves to infuse her stories with a strong sense of place and time, combined with a dark secret or mystery – and a touch of romance. Often, you can find her deep down the rabbit hole of historical research…

In addition, she is also a historical fiction book promoter with The Coffee Pot Book Club, a novel-writing tutor, and a keen book reviewer on her blog, Ruins & Reading.

After having lived in Scotland for almost two decades, Cathie is now enjoying the sunshine in the south of France with her husband, and her rescued pets, Ellie Dog & Charlie Cat.

She is a member of the Historical Novel Society, the Richard III Society, the Alliance of Independent Authors, and the Romantic Novelists’ Association.

Where to find Cathie:

Website: Amazon; Facebook Author Page; Twitter / X; Bluesky.

To Buy Cathie’s books: Ascent: Love Lost in Time

My Books:

Signed, dedicated copies of all my books are available through my online bookshop.

Out now: Scotland’s Medieval Queens

Scotland’s history is dramatic, violent and bloody. Being England’s northern neighbour has never been easy. Scotland’s queens have had to deal with war, murder, imprisonment, political rivalries and open betrayal. They have loved and lost, raised kings and queens, ruled and died for Scotland. From St Margaret, who became one of the patron saints of Scotland, to Elizabeth de Burgh and the dramatic story of the Scottish Wars of Independence, to the love story and tragedy of Joan Beaufort, to Margaret of Denmark and the dawn of the Renaissance, Scotland’s Medieval Queens have seen it all. This is the story of Scotland through their eyes.

‘Scotland’s Medieval Queens gives a thorough grounding in the history of the women who ruled Scotland at the side of its kings, often in the shadows, but just as interesting in their lives beyond the spotlight. It’s not a subject that has been widely covered, and Sharon is a pioneer in bringing that information into accessible history.’ Elizabeth Chadwick (New York Times bestselling author)

Available now from Amazon and Pen and Sword Books

Also by Sharon Bennett Connolly:

Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. Heroines of the Tudor World is now available for pre-order from Amberley Publishing and Amazon UK. Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org. Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org. Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org. Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Every episode is also now available on YouTube.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter, Threads, Bluesky and Instagram.

Guest Post: The Ambassadress by Ronan Beckman

17/11/202302/11/2023Sharon Bennett ConnollyLeave a comment

The Historical Writers Forum have released a new Anthology of short stories. You may remember that last year’s Anthology, Alternate Endings, included a short story about the final days of King John, by me! This year’s Anthology, Masterworks: Historical Fiction Inspired by Works of Art, will make you look at some famous artworks a little differently…

Today, I am joined by one of the contributors, Ronan Beckman, whose story is inspired by Emma Hamilton. Over to Ronan…

Do you remember what got you hooked onto a specific time period or aspect of history? I had just finished reading Amanda Foreman’s excellent biography Georgiana, The Duchess of Devonshire , which resulted in my addiction to everything about the Georgian-era but especially to women’s history in that time. Often relegated to the sidelines of history, Georgian times allowed women to begin to step into the spotlight – albeit in very slow, tiny steps. I began to voraciously read biographies of prominent ladies of that time. And one story that truly stood out for me was the life of a blacksmith’s daughter from Cheshire born as Amy Lyon. But the world knows her better as Emma, Lady Hamilton; lover of Admiral Nelson. Flora Fraser’s Beloved Emma laid out the incredible story of the amazing transformation of this pretty young woman into one of the most talked about celebrities of her age.

Portrait of Emma Hamilton by George Romney

Several years later, The National Maritime Museum in London put together a fabulous exhibition entitled Seduction & Celebrity that explored Emma Hamilton’s rise and fall, from beginning to end. One of the most noticeable aspects of the show was that there was ample material to display, primarily from one particular artist. George Romney was one of the most prominent society portrait painters of the late Georgian period. Although his talent was comparable to his well-respected contemporaries, such as Joshua Reynolds, Thomas Gainsborough and John Hoppner; he refused to participate in the antics associated with the Royal Academy of Arts and their annual exhibitions. Artists would become fiercely competitive as they all vied for the most prominent places within the show, hoping that their works would stand out from the rest. Romney wanted no part of this circus, and relied on his talent and reputation to gain custom amongst his wealthy clients. This worked out well for him, and he had no shortage of sitters. However, the tedium of producing staid portraiture of the elite classes began to prove tiresome.

How fortunate for Romney then that a customer, Sir Charles Greville, brought in a secret mistress that he had ensconced away in a humble, rural cottage in nearby Edgeware. The 16 year-old Amy Lyon had already experienced several tragedies in her young life; having found herself pregnant by another aristocratic man, Sir Henry Fetherstonhaugh, who promptly abandoned her. Greville came to the rescue, but on the proviso that she gave her baby away, living a life of thrift and economy whilst being at his beck and call. She had no room to negotiate and was grateful for this second chance. Greville sought to have her beauty be captured and admired on canvas, for him to be able to display to his friends. In effect, he wanted to boast “This heavenly goddess is mine, and you cannot even see her in the flesh. Don’t you envy me?”

Romney was immediately enchanted by the charisma and stunning beauty of the newly renamed Emma Hart. Her presence reinvigorated his artwork. They embarked on a creative partnership that resulted in Romney’s finest and most creative output. In return, Emma was portrayed in various guises for posterity. She had to reinvent herself for each sitting, becoming a mythological creature or some historic character from long ago. Emma sat for dozens of paintings by Romney. She was his muse, allowing him to explore his craft beyond the confines of standard portraiture. Greville was happy to loan her modelling services to Romney, for it was increasing the value of his ‘ward’ that he had saved from a certain life of penury. Engravings had been made of some of Romney’s paintings, affording a glimpse of her allure to a wider audience. As her image was circulated, there was an increasing curiosity aroused throughout the capital city. Who was this charming being?

The drip-feed of artistic content provided opportunities for both Romney and Emma. Romney’s reputation and name was further advanced as well as inspiring his art to reach new levels of creativity. Emma became what may well be the very first Supermodel – a celebrity whose fame and notoriety was constantly on an upward trajectory. It seems apparent that Romney became infatuated with Emma. And perhaps Emma appreciated the advice and friendship of a man outside of the realm of the Ton, but who knew of the inner workings and mindset of the Upper Class who made up his clientele.

But this fame and notoriety was not appealing to Sir Charles Greville, who was seeking a wealthy heiress to supplement his dwindling finances. Being saddled with an infamous beauty as a mistress would not make him very appealing as a suitor to the respectable ladies that he wanted to pursue. Therefore, he duped Emma into travelling to Naples, to visit his uncle who was the serving British ambassador there. He had offered her to his uncle as a mistress, without her consent or knowledge. This separation severed the symbiotic artistic relationship between Emma and Romney for several years. Romney, who was prone to depression, was affected by her absence deeply. Although furious with Greville for abandoning her, Emma did make the best of her situation – enjoying her time in the royal court of Naples and eventually becoming quite fond of her ambassador.

In the summer of 1791, Emma returned to England to marry Sir William Hamilton and return to Naples as a respectable wife of the ambassador. During these brief few weeks, Emma reunited with her favourite artist, kick-starting a frenetic pace of artistic output as the painter and his muse were working together again. This brief slice in time intrigued me and I wanted to explore it further. I am fortunate enough to have seen many examples of Romney’s work with Emma as the model. You can feel the creative frisson embedded in these artworks. Romney’s paintings of Emma are seared with an energy that simply does not exist in his other portraits. There was something electric between these two individuals. Was it romantic? There is a feeling of magnetic attraction when one looks through Romney’s gaze in his portraits of Emma. I must say that even though Emma modelled for other great artists (Joshua Reynolds, Thomas Lawrence, Élisabeth Louise Vigée Le Brun, among many others), that spark of something special and extraordinary is just not there.

The last painting that Romney painted of Emma was actually painted on her wedding day. Entitled The Ambassadress, the viewer is a witness to the complete transformation of Emma Hart into Lady Hamilton. As Vesuvius erupts in the dark background, one can imagine the well of emotions bursting forth from Romney’s paintbrush – being well aware that this was the last time that he would lay eyes upon the divine Emma he so cherished. Emma looks back at him, slightly pensive but very refined as she knows she is about to embark on a life of newfound respectability. There is so much wistful emotion silently conveyed in this moving portrait. What were those last moments like in Romney’s studio, as they parted ways for the final time?

The Ambassadress was the inspiration for my short story of the same name. It is one of eleven short stories in the Historical Writer Forum’s anthology entitled Masterworks. Eleven authors have written stories that have been influenced by a particular work of art. The result is a series of stories that takes the reader through time and place, from ancient Sumerian kingdoms to present day London. Available now through Amazon.

About the author:

Ronan Beckman is an American educator who has lived in the UK for over 30 years. His interest in history and genealogy helped to spark an interest in further developing the stories of some of the family he researched – resulting in his debut novel ‘An Actress of Repute’. Subsequently, he has become a bit obsessed with all things Georgian and Regency related. Further adventures are in the works for the character of Elizabeth Searle and her fellow actor friends. His latest project has been editing a transcript of a rare, out-of-print book by a Lancashire coal miner who became secretary of the TUC and a Member of Parliament. The new annotated version of Samuel Woods’ ‘Visions of the Mine’ contains biographical notes and historical images. Visit his blog at http://www.ronanbeckman.com.

My Books

Christmas is coming!

Signed, dedicated copies of all my books are available through my online bookshop.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady. Nicholaa de la Haye was the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword, Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon, Amberley Publishing, and Bookshop.org.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

Don’t forget! Signed and dedicated copies of all my books are available through my online bookshop.

For forthcoming online and in-person talks, please check out my Events Page.

You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitter and Instagram.

Book Corner: Women of the American Revolution

05/11/202205/11/2022Sharon Bennett Connolly1 Comment

Women of the American Revolution will explore the trials of war and daily life for women in the United States during the War for Independence. What challenges were caused by the division within communities as some stayed loyal to the king and others became patriots? How much choice did women have as their loyalties were assumed to be that of their husbands or fathers? The lives of women of the American Revolution will be examined through an intimate look at some significant women of the era. Some names will be familiar, such as Martha Washington who travelled to winter camps to care for her husband and rally the troops or Abigail Adams who ran the family’s farms and raised children during John’s long absences. Elizabeth Schuyler Hamilton is popular for her role in Hamilton the musical, but did you know she was also an early activist working tirelessly for multiple social causes? Decide for yourself if the espionage of Agent 355 or the ride of Sybil Ludington are history or myth. Not all American women served the side of the revolutionaries. Peggy Shippen gambled on the loyalist side and paid severe consequences. From early historian Mercy Otis Warren to Dolley Madison, who defined what it means to be a US First Lady, women of the American Revolution strived to do more than they had previously thought possible during a time of hardship and civil war.

I have to admit, I stepped right out of my comfort zone with Women of the American Revolution by Samantha Wilcoxson. And I know very little about the period – except there was something to do with tea and Boston Harbour – Boston, Massachusetts rather than Boston, Lincolnshire (I am definitely more familiar with the latter!). There was some chap called George Washington, too…

So I was going into this book with a very open mind, eager to learn all I could about the women who helped – or sometimes hindered – in the creation of the United States of America. Women of the American Revolution will certainly give readers a greater understanding of the American Revolution and War of Independence; it fills a gap in the study of the period and is long overdue.

Most books on the American Revolution concentrate on the politics or the military actions, but Samantha Wilcoxson has approached the familiar story from an under represented angle; the women. And what incredible women they were. Some are well known, such as Martha Washington Abigail Adams and Dolley Madison. Others less so famous, such as the mysterious Agent 355. And there is the story of Margaret Shippen Arnold, who was considered incapable of being complicit in her husband’s defection to the British – because she was a woman.

In addition to her household skills, Martha [Washington] was taught to be a lady while confined in corsets that helped form her figure and correct her posture. Virginia ladies of Martha’s time were trained to mimic British aristocracy in their manners and decorum. Simply walking and sitting could be a challenge in the full skirts that were the fashion. Martha apparently learned these skills well, because she flawlessly played the role of hostess as a married woman, even when thrust into the public world as America’s original First Lady (although that title was not used during her husband’s time in office). Her parents ensured that she could ride elegantly in a sidesaddle while maintaining perfect posture. Physical control and poise were also vital when learning to dance, a skill not to be underestimated in its importance in eighteenth century Virginia.

The objective would have been for her to eventually obtain a satisfactory husband, and in this Martha most certainly made her parents proud. Daniel Parke Custis belonged to the closest America had to an aristocracy. Rich and possessing thousands of acres of land, the Custis family was such a step up for Martha that Daniel’s father initially forbade his son to marry her. This is where one gains the first insight into the woman Martha would become. Though only eighteen years old, Martha courageously stood up to her future father-in-law. He had threatened to disinherit Daniel and throw the family silver into the street rather than allow Martha to use it, but she managed to charm him into giving his reluctant blessing. The couple was married when Martha was nineteen years old and her bridegroom was twenty years her senior. This age difference was not uncommon or a barrier to their happiness. The skills Martha had learned at the Dandridge home made her a competent manager of the larger Custis plantation, prophetically named White House.

A large enslaved population made it possible for Daniel and Martha to profitably run the Custis estate. Ne evidence exists that Martha believed owning slaves was immoral or wrong in any way. While she did not support cruel treatment or sales that broke up families, Martha also could not understand when enslaved people ran away from what she felt was a comfortable home. It was a lifestyle she had been born into and never questioned, even as the colonies strived toward their freedom.

Women of the American Revolution is a wonderful collection of the stories of the most remarkable women of the era. Through the historical record and their own letters Samantha Wilcoxson has brought these women back to life, their stories as vivid as they must have been over 200 years ago. The books combines the women’s involvement in the national and international politics and events of the day with their day-to-day lives as wives and mothers. It is an illuminating and informative book on so many levels.

Women of the American Revolution tells the story of these remarkable women, warts and all, but does not try to attach modern-day morals on people who lived so many generations ago. In this way, Samantha Wilcoxson does not ignore the women’s attitude to slavery, or to female emancipation, but explains them in the context of the time. The abundance of letters written by some of the women provide a unique insight into their minds, and into the times they lived in.

And I have to say Samantha Wilcoxson has written an eminently accessible book, whether you are knowledgeable of the era or not. Her research is thorough and impeccable and presented in a beautifully written volume that will stand proud in any library. By focusing on the women, Women of the American Revolution fills a gap in the history and study of the American Revolution. Without a study of the women of the time, no history of any period is complete.

This is Samantha Wilcoxson’s first foray into non-fiction but I truly hope she will write more!

Women of the American Revolution by Samantha Wilcoxson is an informative and entertaining read. I loved this book! And I learned so much! I cannot recommend it highly enough.

To Buy the Book:

Women of the American Revolution by Samantha Wilcoxson is available now from Amazon and Pen and Sword in the UK. It is available for pre-order on Amazon in the US and is now available worldwide from Book Depository.